#also nick was american and that was just so jarring at times like i would not really notice and then boom! american accent | Explore Tumblr posts and blogs

therenlover · 4 years ago

Text

Therenlover’s Official Fanfic Glossary!

Hey hey hey! This is the place where you can find all my up-to-date fanfics linked nicely, read about what projects I have upcoming, and learn what requests I’m taking at the moment! Cheers!

This post is massive so, for the sake of your dash, everything is under the cut

A NOTE ABOUT REQUESTS!

I will do my best to fulfill any requests I get while my ask box/requests are open! That being said, I cannot promise every request will get done, and that if they do, they’ll be done in a timely manner. I’m currently working on a long-form project that needs a lot of time and energy to come out consistently, so unless I’m doing a writing event most of my writing juice will be focused on that. That being said, if you want something ask! The worst I can possibly do is direct you towards someone else who might be able to write what you want if I cant.

If I choose not to do your request based on personal preference (it makes me uncomfy/I don’t write for the character at that time/I don’t feel I can write what you want/etc.) I will do my best to contact you and let you know! That being said, if you think your ask got buried/forgotten, feel free to message me again and let me know, but please tell me when you message me if I should be looking for a prior request.

Characters/Fandoms I will write for currently

💙 = I’m Currently Super Inspired To Write For This Character

Marvel/X-Men

Bucky Barnes

Loki

Peter Maximoff 💙

Pietro Maximoff

Helmut Zemo 💙

Hank McCoy

Ralph Bohner 💙

Vision

American Horror Story

Tate Langdon

Kit Walker 💙

Kyle Spencer (Pre- and Post- Death)

Jimmy Darling 💙

James Patrick March 💙

Kai Anderson

Fallout 4

Nick Valentine

Hancock

Star Wars

Poe Dameron

Armitage Hux 💙

Kylo Ren/Ben Solo

Finn

Han Solo

Assorted/Random

Diarmuid Ua Duibhne - FGO

Cu Chulainn/Cu Alter - FGO

Warren Lipka - American Animals 💙

Enjolras - Les Miserables

Grantaire - Les Miserables

Gabriel - Supernatural

Imagines - REQUESTS CLOSED

Songs From Musicals Y/N Would Sing To The Evans

Characters: Tate Langdon, Kit Walker, Kyle Spencer, Jimmy Darling, James Patrick March, Kai Anderson, Peter Maximoff

Rating: T

How The Evans (+ Quicksilver) Would React To Yoplait’s New Gushers Yogurt

Characters: Tate Langdon, Kit Walker, Kyle Spencer, Jimmy Darling, James Patrick March, Rory Monahan, Kai Anderson, Peter Maximoff

Rating: T

Would The Danny Bunch Survive A Holiday With My Family?

Characters: Laszlo Kreizler, Alex Kerner, Niki Lauda, Andrea Marowski, Ernst Schmidt, Helmut Zemo

Rating: T

Headcanons - REQUESTS CLOSED

Modern! AU Armitage Hux Boyfriend Headcanons

Zemo With A Well Dress S/O Headcanons

Zemo Getting Jealous Headcanons

Oneshots - REQUESTS CLOSED

Marvel/X-Men

Helmut Zemo

One Last Night In Madripoor

Synopsis: Baron Helmut Zemo is a lonely, wanted man looking for some fun, you’re a piss-poor bounty hunter in search of a connection before leaving your life of crime behind, and fate has brought you together at a party the likes of which has never been seen before. You only have one night left in Madripoor, so why not take a chance?

Rating: 18+

Word Count: 4200~

Still Some Catching Up To Do

Synopsis: As a member of the criminal underworld, people walk out of your life all the time. Some are killed, others kill themselves, most get caught and only a couple get out of the life unscathed, disappearing into the world never to be seen again. Very few walk back in. So when your supposedly incarcerated ex-lover, the Winter Soldier, and the Falcon waltzed through your door and made you murder your boss, needless to say, you were surprised and more than a little bit pissed.

Rating: 16+

Word Count: 6800~

Nine Years Starved

Synopsis: It had been a little over nine years since Helmut Zemo lost his family, his country, and his sanity. Nine years since his last kiss. Nine years since he felt like a human man. Finally, he was ready to start over again, but first, he had to pay his penance back where it all began; Novi Grad. That’s when, by the grace of the fates, he met you.

Rating: G

Word Count: 7000~

Daddy Dearest

Synopsis: Not everyone gets lucky enough to go from being a broke college student in New York to being the sugar baby to literal royalty, but not everyone is you. Most people would be worried about messing things up or losing him to someone else, but you knew he would never find another baby just like you. Besides, you knew exactly what to do to keep him wrapped around your little finger. He may have been the daddy, but you pulled the reins.

Rating: 18+

Word Count: 8000~

In Fleeting Touches & Airy Sighs

Part One Part Two Part Three Part Four

Synopsis: As a wanted man, Helmut Zemo spends most of his time jumping from place to place in the hopes of avoiding a trip back to prison. Unfortunately, that means he can’t always be home in your arms. When he is, though, in the rare moments of calm, you’re reminded of just how worth it it’s been to wait, even if that wait was only shortened by the arrival of your enemies.

Rating: 18+

Word Count: 35,700~

Two Bodies In The Rain

Synopsis: It was raining the day you finally had to admit your feelings to Helmut. You hated to tell him the way you did, under the grey skies as your blood pooled below you, but at least you knew, in the end, he had seen the real you, even just once. That was enough.

Rating: T

Word Count: 5600~

Rest

Synopsis: Living life on the lam with your escaped super-villain lover means things rarely slow down enough for a real rest. When the exhaustion starts to take its toll on you, though, he knows exactly what to do to ease the pain. He may not be a good man, but he’s a good husband when it counts.

Rating: T

Word Count: 3200~

American Horror Story

Jimmy Darling

Red Nights In Jupiter

Synopsis: At the end of another long day, you fall into bed with Jimmy Darling. The men you served throughout the day don’t matter then, nor do the coins in the mason jar by the door, or the women scheduled to attend Jimmy’s next Tupperware party. No, in that quiet darkness it’s just you and the man you love, bone-tired and happy to be home. Who could ask for more?

Rating: 16+

Word Count: 3000~

James Patrick March

Heartsick

Synopsis: When you fall ill, James is given a forceful awakening about how he’s been neglecting your needs and what he must do to prevent harm from befalling you again.

Rating: 16+

Word Count: 3700~

In Sickness And In Health

Synopsis: Normally people don’t have their wedding and funeral on the same day, but you and James don’t quite have a normal relationship, do you? Besides, you wouldn’t wanna go any other way.

Rating: 18+

Word Count: 5500~

Fallout 4

Currently Empty

Star Wars

Currently Empty

Assorted/Random

Currently Empty

Long Form Works/Series

Young Artist!Zemo AU

Chapter One: The Boy With The Easel

Synopsis: About a month into your first semester at Novi Grad’s top university, you finally meet the strange young man that you’ve taken to calling “easel boy” in the back of a bookshop. From a distance, he always seemed cold and aloof. As you get to know him, though, you realize things aren’t always what they seem.

Rating: T

Word Count: 7000~

Till Forever Falls Apart (A Peter Maximoff/Reader Series)

Chapter One: Welcome Home

Synopsis: As if getting thrown through the multiverse, trapped in an attic (albeit a cool one), mind-controlled to manipulate his grieving sister, and subsequently dragged out of Westview “for his own safety” by the FBI wasn’t enough, Peter Maximoff has now been shipped off to New York to live with a glorified baby sitter like some tragic orphan in a comic book until they find a way to get him back home. Things are not always as they seem, though, and this change might just be for the better.

Rating: T

Word Count: 2400~

Chapter Two: The Doctor Is In

Synopsis: Peter’s first few days in his new home are mostly uneventful, so he decides it’s the perfect time to dust off his running goggles and steal some shit. The building with the massive circular stained glass window seems like a great place to start! People with buildings that lavish are usually rich and weak, so what could possibly go wrong?

Rating: T

Word Count: 2800~

Chapter Three: It’s Always Been You

Synopsis: After a month of adapting to his new universe, Peter Maximoff can confidently say that he likes his new life more than his old one. Sure, he misses home sometimes, but he’s been far too busy flirting with his new roommate to spend time crying over the things he’s lost. Everything is smooth sailing until a strange journal in his roommate’s study leaves him with more questions than he knows what to do with. Now he’s on a mission to discover who he’s really living with before she has the chance to turn against him.

Rating: T

Word Count: 8600~

Chapter Four: Before You Go

Synopsis: Peter, after days of contemplation, has realized that part of him loves Y/N no matter what she is or what she’s been through. Unfortunately, he can’t find her anywhere. When she finally returns home with the intention of leaving again, Peter realizes it’s his last chance to tell her how he really feels. Will he succeed, or will he fail to be fast enough once again?

Rating: T

Word Count: 4000~

Chapter Four And A Half: Gimme Swayze

Synopsis: Now that the issue of Y/N leaving is out of the way, and Peter has finally kissed her, he falls into the motions of learning how to love someone for the first time. It’s easier than he thought it would be.

Rating: T

Word Count; 2600~

Cakes For The Evans: A Blogging And Baking Adventure!

Kai Anderson’s Disaster Cake

Hey you! If you’ve made it this far down the list, thanks for supporting me as an author! I’ll be linking my AO3 here. I post everything there shortly before I post it here, and there are some older fics there you might enjoy along the way! It’s also easier to drop comments over there and I keep them open for non-members, so give me a shout if you liked what I wrote!

I love you all, you make me so happy, and without you support I would never be motivated to write! Cheers!

485 notes · View notes

heymiller · 4 years ago

Text

A love letter to my most-loved sitcom:

Where do I start? This year has been tough for all of us. My escape was always binge-watching shows, until I have no show to watch. I’ve watched all the series I’ve had on my watchlist, until this unfamiliar series popped into my recommendations: New Girl

I mean, to be honest, what’s so interesting about the title? I don’t know what is this. The preview seem weird, the girl was with three guys. But something tells me I can watch this, just one episode. Maybe this won’t be as good as other popular sitcoms, but I was wrong, it was better.

To Jessica Day, thank you because your smile and your eyes makes me feel like I will have a good day. You’re funny, smart, responsible, impulsive, and you’re beautiful. You care about people, animals especially dogs. You cry for dogs. You know who you are and that’s to be in love. To be in love with your job as a teacher, vice-principal & principal! To be in love in hoping that someday the world would be a lovely place to live. To be in love with the thought of staying at the loft with Nick, Schmidt, Cece, Coach and Winston and it already makes up your day. To be in love with helping someone to be better. There’s a few people out there who’s in love in doing others’ work for their own good instead of prioritizing what’s good for themselves. That’s Jess for you.

To Cece Parekh, you made me realize what kind of woman I should be. You’re so brave, and you faced all the streotypes there is about you that people often point to you. Everything they see about you looks easy but what they don’t know is that you just carry your battles well. You’re the definition of a strong independent woman. But you’re not cold hearted, you are open to love. You protect the people you love. You’re the mama bear everyone needs, Cecilia.

To Nick Miller, I don’t know what to say because everytime I write your name, I see your name, and other things, I just know that I fell in love with you just like all the women in your life did—just like Jess. To be in a world where success is defined by what you can have and buy, you’ve had your doubts but you never doubted yourself. You always say that you’re broken, or you’re the worst. But Jess was right, you’re good. You made me want to have a life where I want to love it as much as you did. Truth is, Nick, your way of living wasn’t bad at all it was real because you were happy and comfortable with it and not all the people in the world has that. I love you, Nick Miller! *in Jess’ voice*

To Winston, I still don’t know how are you color-blinded yet you’re a cop. You’re inside jokes with the gang was the best. Classic mess-around. Your aliases that weren’t really working. You had the best development, Bishop. You became someone who doesn’t even know what he was doing in LA, in a loft with his college friends and a girl who doesn’t even know you for real to a man who marries the right woman for him, and has a real job!

To Coach, I’m really happy you found someone who you can be vulnerable with. No matter what you say about you being okay with everything, you’d always end up telling your friends what you feel which finally makes you feel okay with everything. I hope you’re happy in New York, I really missed you when you left. I wish you were at the show just as long as the other characters. You were fine as hell as a teacher, it’s like your calling but I guess love is just really above all of them. I miss you, Coach! Just like Cece, you fight your battles well and protect the ones you love because you can. I hope I’d have a friend who’d do that for me.

To Schmidt, I’d say you’re the type of man who deserves what you have. You’re hardwork in everything that you do is exceptional. Growing up to a world where you meet enemies because of what you look like is the worst but you rise above them. You made it seem like they gave you the power to be someone they didn’t even imagine you could be. Out of all of them, you’re the kind of friend that I need in life. Everyone needs a Schmidt. A man who thinks about people like Nick, gives them cookies! A man who directly says to Winston that there’s something wrong with what they’re saying. A man who’s like a mother, but also a man who is like a friend that a mother wouldn’t like for their child. You’re the man, Schmidt. I just wished your name wasn’t Winston. And I know you agree.

To New Girl, you are my comfort show. I’ve watched so many great shows but I never found a feeling like I’m home. It’s weird but this show made me feel less alone than I already am when I feel like I am. You instantly make my mood better and happier. You make me laugh, you make me appreciate every friend I have and understand them because you wrote characters who have different personalities but they created a family. You make me want to do the True American Game even if I don’t get it. You make me want to create a jar for my friends, just like what you did with Schmidt. You make me want to have a Nick Miller to my Jessica Day, you made me believe that friends to lovers are the best type of love even though sometimes it doesn’t end well. You made me happy and you comfort me every time. I will never stop bragging this show in my social media because it is the best and everyone should know it. And my biggest hope is that I’d get a reunion.

Cheers for making us happy, Thank you, New Girl

– love, user heymiller on tumblr.

#zooey deschanel #jake johnson #heymilleredits #new girl #nick and jess #new girl icons #sitcom #friends #greys anatomy icons #greys anatomy #schmidt #cece parekh #winston bishop #max greenfield #coach #new girl sitcom #new girl edits

84 notes · View notes

leviathanlazarus · 3 years ago

Note

What Nick cave songs would you recommend I want to be one of his children too pls

YO. FRIEND. Always happy to introduce people to my Dark Father! Let me preface by saying there's not a single NC&BS album I dislike and I think my suggestions as for which songs to sort of start with might be unorthodox. But here we go.

Do You Love Me? (Pt. I) from Let Love In. What an opener. I think this song is a beautiful introduction to how masterful and gorgeous Nick's writing can be. That first verse alone sends shivers down my spine. I think it also is really revealing when it comes to the various skills of the rest of the band. Lots of piano, rhythmic guitar, everything has its place.

From Her to Eternity from the debut album of the same name. Their early work really has so much intense, violent and visceral energy and themes wrapped up inside. I think this song is a great standalone expression of that, not only lyrically but vocally and musically. Jarring, unsettling and dark...yeah, that's 80s Nick Cave.

Tupelo from The First Born Is Dead. Personally I really love Nick's fascination with Elvis (and the deep American south) so I was really drawn to this song. I hear it as a twisted, almost mythological storytelling of Elvis' birth ("distant thunder rumble. Rumble hungry like the Beast. The Beast it cometh") LOVE the bass in this song.

Stagger Lee from Murder Ballads. Now, this album is probably my least favorite but goddamn, if this song ain't a banger. More inspiration from the American south, more storytelling, more of Nick's messed up characters, tons of cursing...it's fucking wild.

Brompton Oratory from The Boatman's Call, the album Nick created after his breakup with PJ Harvey. Quite simply, I think this song is beautiful. Nick's voice is as gentle as the music, like a breeze. I feel this album and Let Love In which comes right before it show more personal vulnerability within Nick, but The Boatman's Call is so completely open and not full of loud, violent anguish, but full of quiet, sad pain and introspection.

There She Goes, My Beautiful World from Abattoir Blues / The Lyre of Orpheus. This is just...LIVELY. one of my top ten songs. It's full of incredible energy, especially thanks to the gospel influence and amazing backing vocals, and I love Nick's cultural and artistic references in this song all about that journey to find inspiration and just create.

Jubilee Street from Push The Sky Away. This, to me, is like, some of the ultimate grown-up Nick. I know this is written as and intended to be a song that's actually more uplifting, and I think it really is, but man. It pulls my heart straight down every time I hear it (stringed instruments really get me...) There was a time when I cried every time I listened to it. It's also where i got the lyrics in my blog header from. I'm amazed by it. In awe. I'm transforming. I'm vibrating. I'm glowing. I'm flying. Look at me now.

I Need You from Skeleton Tree. If you want raw emotion, here it is. I know this album was in production before Nick's son died but this album always speaks to me as an album of grief. He has a really haunting voice on this song, it feels almost too personal to be listening to.

Bright Horses from Ghosteen. Okay, so THIS album is actually the grief album. But Nick himself also said he feels this album is more hopeful and optimistic than anything and I agree, with its sad, quiet, enchanting beauty. This is vastly different from every other album and it should be. I love every single track but I think as an introduction, Bright Horses really exemplifies that light and hope Nick was working to convey. It's gorgeous. It makes me weep. Only Nick can do this.

I hope this wasn't too much but I am a diehard Nick Cave stan. I really do view him unlike any other musician I'm a fan of. He truly is godlike to me, an eternal beacon of inspiration and fascination. I feel very blessed to have been in his presence multiple times. The band as a whole is phenomenal and I really hope you enjoy some of these...please feel free to share your thoughts if you listen to any! 💗💕

#ty so much for asking i could talk about him all day #thank god i have my dad to do that with lol #anon ask #nick cave

5 notes · View notes

victoria-daydreams · 4 years ago

Text

Something’s Gotta Give

Chapter Two: The Stairwell Encounter

Chapter Three: Tea for Two

Summary: An invitation for a cup of tea makes for delightful conversation between Livia and Booker.

Today was a Saturday, a rather unremarkable one at that.

But at least today was one of the rare days that I had time on my hand to do one of my hobbies. Painting. Jars of paint of every shade were littered all around the sheet covered floor and a canvas on an easel stood in front of me in my living room while the record player softly played ‘Sweet Life’ by Frank Ocean in the background. A soft breeze blew through the navy blue drapes of my living room window just as I finished the outline of my sketch.

Leaning over, I reached for my palette and paint brush and with long, deft strokes I began adding in the color to the square-shaped face outline I drew. I lightly dabbed one of my thinner brushes into the black paint and gently applied it to the painting, for a shadow effect on the man's face. Flexing my fingers, I could feel a cramp forming in my hand so I set aside my palette and brush onto a table close to me. I slid off my stool and went around collecting my paint jars off the floor and lined them back up in their basket.

I walked back over to my window and watched as cars drove by on the busy street and as people went about their day, running errands or just enjoying the sunny day. Stretching my arms out above my head, I let out a yawn and shifted my head from side to side, the bones in my neck popping with a satisfying crack.

"A cup of tea sounds good right about now," I thought aloud.

Just as I was about to turn around I noticed a familiar figure holding a bag of groceries and walking hurriedly towards the building.

I ducked my head underneath the window. "Booker!" I called, he stopped mid-stride and looked around in confusion. "Booker!" I called again, this time he looked in my direction. Grinning widely, I waved my hand at him to which he gave a reserved wave back before he continued on his way back to his apartment.

Bringing my head back inside, I scurried over to my door, hoping to catch him before he goes inside his apartment and disappeared again for days on end. I unlocked my door and snatched it open just in time to see the back of Booker entering his flat.

"Wait!" I shouted, my voice echoing in the empty corridor. He slightly turned his body to face me and I let out a breathless laugh, happy that I caught him in the nick of time. "Join me for a cup of tea?" I asked, a hopeful look on my face. "I was just about to brew some," I explained, stepping out into the corridor while keeping a hold of my doorknob.

A hesitant look came over Booker's face at my offer, shifting his weight from one foot to the other, he nervously eyed my apartment through the small gap of my door.

"Don't feel obligated Booker," I stated, sensing his discomfort. "But, if you do come by, it'll be for one cup, I promise," I continued, walking backwards into my apartment. "And then you won't hear from me for a week," I finished, now smiling as I imitated zipping my lips.

Closing the door behind me, I walked over to my record player and lifted the needle off of the vinyl and grabbed the disc, sliding it back into its cover. My fingers ran along the spines of multiple vinyl covers before stopping on a random jazz compilation vinyl, pulling the vinyl from the shelf I slid the disc out. Carefully, I placed it on the spindle, set the needle at the edge and adjusted the volume before I shut the lid.

I smiled to myself as the sound of a saxophone emitted from the record player before spinning myself around on the ball of my foot and heading towards my small kitchen. I grabbed my electric kettle and it filled it with water and the sound of two knocks on my door echoed throughout the apartment.

The smile on my face grew tenfold.

"It's open!" I yelled, as I moved over to the hutch cupboard that stored my mugs and tea bags.

From behind me, I could hear the door slowly creaking open and I glanced over shoulder to see Booker step inside, his eyes squinting at the sunbeams illuminating the room.

"Does he live in the dark?" I thought.

Booker's eyes fell on me and I flashed him a warm smile, "You came!" I chirped, plopping a tea bag into each mug. "Come, have a seat at the table!" I insisted, turning the kettle on.

With heavy footsteps Booker made his way to the kitchen table, the sound of chair dragging across the floor floated into my ear.

"You're an artist?" Booker questioned, and my eyes widened at the surprising softness of his tone.

Not to mention, the fact that he finally spoke to me today.

I turned around and leaned back against the cupboard, "Depends on who you ask," I answered, shrugging my shoulder. "I'm a photographer, but I like to consider myself an artist," I informed, folding my arms against my chest.

"I thought you were a painter,"

"What gave you that impression?"

"Well, for starters, you have paint on your clothes...and on your face," he commented dryly. I looked down at my white tee shirt and olive green jumpsuit, which were indeed covered in paint. "There's also an easel near the window, it's hard not to make such an assumption," he added, and there was the barest hint of a smile on his lips.

I placed a hand on my forehead, "How I could I forget?" I wondered, letting out a light laugh and shaking my head. And then, that's when it hit me. "Wait a minute!" I gasped, staring at Booker in awe. "You just made a joke in my presence," I pointed out, a grin on my face.

Suddenly, a series of loud beeps blared from behind me telling me that our water was ready. I grabbed the kettle from its stand and poured the boiling water into the mugs, watching the colors bleed from the tea leaves and mixing with the water.

"I couldn't help but notice that you're American," Booker spoke up.

I laughed, "What gave me away?" I quipped, placing the kettle down on. "Was it the accent?" I questioned, a smile on my face as I looked back.

"An American in Paris,"

"Except we're not in Paris," I retorted, and Booker chuckled. "And there's no singing or dancing," I added, picking up both of our mugs and placing one in front Booker and then the other mug where I would be sitting.

I moved over to the fridge and pulled open the door to grab a carafe of milk before closing the door with my hip. Walking back over to the cupboard, I grabbed the canister of sugar and then slid into the chair across from Booker, placing the milk and sugar down on the table.

I crossed my legs one over the other, "If you don't mind me asking," I began, as we waited for our tea to steep. "Why do you spend so much time alone?" I asked, my tone gentle.

Booker ran a hand through his hair, "Would you believe me if I said I was introvert?" He asked back, now rubbing his neck.

"No," I answered bluntly, with a chuckle and shaking my head. "I'm an introvert Booker, and even I don't like spending that much by myself," I quipped, and his lips twitched up into an amused smirk. "The way you carry on reminds me of a reclusive Victorian widow," I teased, resting my chin on my knuckles.

Booker's eyes lit up in mirth, "That is...a very unique characterization of me," he stated, letting out a chuckle which then morphed into a laugh.

A good hearty laugh.

I felt my own lips quirk up into a smile before I started to laugh quietly myself. I couldn't quite believe it, I made Booker laugh, I mean really laugh. A warm feeling suddenly came over me, as if a fire was lit inside of me and I found myself wanting to hear more of the delightful sound.

"What do you know? I finally got a laugh out of you!" I commented, a proud smile on my face.

"That you did Livia," he replied breathlessly. Booker shook his head and glanced down at the still steaming tea, softly tapping his fingers against the table. "You know, I don't think I met someone who's quite driven to befriend a stranger like you have,” Booker stated, looking up from his mug.

"And I don't think I've met someone who's so unwilling to have a friend, or at the very least just someone to talk to," I retorted, grabbing a spoon from the holder on the table.

"Yeah, well, maybe I don't deserve the luxury of having friends," Booker responded, his tone tinged with bitterness as he slipped back into his familiar solemn expression.

"Nonsense!" I shot back. "Friends aren't a luxury Booker, they're a necessity!" I argued, placing my hand on top of his without thinking. Booker's eyes darted to my hand covering his own, quickly I removed it. "Sorry," I apologized, placing my hands in my lap and lowering my gaze.

"It's a wonder, that with a bright, cheery personality like yours, a man would even think to cheat on you," Booker commented, my head snapped up at the statement, my eyes nearly bulging out from their sockets. I opened and closed my mouth like a fish, trying to figure out how to respond. "Yes, I heard your conversation a couple of days ago," he stated, answering my silent question. "It's not like you were quiet about it,” Booker added, placing two fingers on his temple.

"Well I didn't think I would have an audience on the stairwell,” I replied, yanking my tea bag out with more force than necessary.

A smirk grew on his face, "I proved you wrong though," Booker pointed out, with a slight shrug.

My brow arched, "Proved me wrong about what?" I questioned, pouring milk into my tea.

"That I wasn't passed out."

I paused momentarily before looking up from the creamy colored liquid. "Booker, there may be hope for you yet," I suggested, mirroring his smirk.

"You say that now until you tire of me," Booker protested softly.

I shook my head, "Never." I disagreed, still smiling. "Same time Monday?" I questioned, picking up my mug.

Picture you upon my knee Just tea for two And two for tea Just me for you And you for me alone

Chapter Four: A Frightful Dinner

#the old guard #old guard #black!oc #booker #sebastian le livre #black original character #the old guard fanfiction #black fanfiction #booker x oc #booker x reader #the old guard imagine

46 notes · View notes

non-sequitura · 4 years ago

Text

Non-sequitura Disney in-depth analysis (after making a tier list)

Warning: SUPER longform. If you don’t know a movie well, you should skip the summary. I tried to be light on spoilers, but they’re there.

I went chronologically from favorite to least favorite. So S tier is, in order from fave to least fave, The Incredibles, WALL-E, then Zootopia.

S tier (Something I consider high quality AND a movie I greatly enjoy. I would love more Disney movies be like this.)

The Incredibles - one of my favorite movies of all time, possibly THE favorite. Rockin social commentary, epic action scenes, memorable characters, not a minute of screentime wasted, great take on the Fantastic Four, hilarious parts for both adults and children, an interesting villain, etc.

WALL-E - I love how social commentary was done here. Also skies above, what a beautiful love story. Really blazed a trail in non-verbal storytelling (especially given it was an animated kids film!) Robot animations are particularly delightful.

Zootopia - another social message delivered excellently and entertainingly. I love Judy and her persistence, I love the expressiveness of the faces and the epic city setting. I love Judy and Nick's banter. This movie deserves to be remembered longer than it has been so far. Admittedly, not one of my fave villains, which makes it my least favorite of the Ss.

A tier (either super high quality or something I greatly enjoy and deem of at least reasonably good quality)

Mulan - this movie did everything right. Truly feminist protagonist, an icon for strong Asian women, fairly culturally accurate (tho Mushu confuses me), GORGEOUS and iconic music. Lets a relatively natural romance develop. I frickin love the action scenes, I love the emporer. Sadly, this movie just didn't lodge its way in my heart as well as Pixar did. Pixar just has some magic, yo.

Cinderella - my gosh what an underrated protagonist. Her family straight-up abuses her and she never loses sight of her goals for a better life. Iconic visuals helped bring Disney out of bankruptcy. A gorgeous alto singing voice.

Wreck-it Ralph - alright alright ppl don’t crucify me for this. I honestly can’t think of much wrong with this movie. Vanellope and Ralph’s vitriolic best buds relationship is adorable, her forgiveness of him is heartwarming and (relatively) deserved, rockin’ Owl City song, epic visuals that mix together bc of all the different games. ALSO ONE OF THE BEST DISNEY VILLAINS NO CAP. One of the only twist villains I like. And we stan the romantic pairing.

Tangled - I’ve talked about this a lot, but Rapunzel deserved the whole world after what she’s gone through. That being said, Gothel is not some shallow monster she needs to escape from, but an intelligent, well-defined monster with backstory. I could totally see this story happening if the world of Tangled existed. Epic love story, hilarious dialogue. Music is… good but much of it is less memorable to me. Visuals are good but not quite at the level/creativity of many other disney films.

The Lion King - they really put Hamlet in Africa and pulled it off lol. But in all seriousness, no one took the premise of this film seriously at the time and it became sooo iconic. I love Scar and his eventual downfall, I love how Simba grows emotionally, I love the sad moments that don’t overpower the overall feeling of light goofiness. And music so memorable it was one of the first Disney musicals.

Coco - not a super unique story premise. But an incredible culture to explore with such creativity and sensitivity. I love the themes of death not being the worst and music being so central to the story. Twist/twist villain was memorable and not expected. And yeah, it did make me cry, so props there.

Ratatouille - the most recently watched of these films for me. This movie is soooo unique! Back when Pixar was truly super out there with their concepts. Super Parisian visuals and soundtrack. It somehow starts goofy (THE OLD LADY TRIES TO KILL REMY WITH A SHOTGUN WHILE WEARING A GAS MASK) but really drives home the message that you can truly do what you want regardless of who you are. Colette can get it. And the monologue by Ego at the end is one of my favorites in film.

Frozen - Anna is one of my favorite Disney protagonists. She’s so resilient and loyal. Elsa ain’t bad either but she experiences… less character development. The film is a tad too pleased with its own self-awareness for my taste, but there’s no denying how iconic the music and visuals were.

Inside Out - Alright, this movie hits home for me bc I tried to run away after moving. A super thoughtful, heartfelt depiction of (potentially depression? imo) with great moments of humor. Riley’s inner world is so creative and lovely. Also realistic depictions of Minnesota/California culture.

Tarzan - Jane! is! smart! and! adorable! Her scientific curiosity makes her very endearing. it’s so cute to see her and Tarzan learn from each other. Also Tarzan’s “found mother” is epic. Solid score. Solid film all around. To quote Lily Orchard, “This film is what Pocahontas tried to be.”

B tier (one of my favorites but has a few significant flaws that bring it down (or not quite as memorable to me, but consider good quality))

Peter Pan - Haven’t seen it in a hot sec, but I remember being super charmed by this as a kid. Just going out, having incredible adventures, and returning to a warm home at the end of the day. Tinker Bell is hilarious and beautifully drawn. Gets major negative points for the depiction of Native Americans tho.

Big Hero 6 - I was super charmed by the protagonist, his family/friends, and the setting. The plot/villain’s motivations are a bit of a mess, though.

Princess and the Frog - This movie has so much flavor to it! The visuals/music are lovely and unique. Tiana is incredible but it’s kinda annoying how EVERYONE keeps trying to shoehorn her into romance. The thing is, her goals are entirely reasonable. Focus on her restaurant, then look to settle down. But they’re like “nooo you’re ignoring the important things in life” smh. Also, epic villain, woohoo! The movie dragged significantly for me when they were in the bayou. Charlotte is delightful.

Winnie the Pooh - don’t remember it super well, but I think it was charming and occasionally dark, which is an addictive concoction.

The Little Mermaid - MAN ppl roast Ariel way more than she deserves. Visually, it was… fine. idk. This movie is good. I don’t have much else to say about it.

Snow White - the one that started it all. Visually, super impressive. Musically, lovely. I find the romance a bit… off. Well, more than a bit. What is it with Disney and kissing sleeping people?

Alice in Wonderland - a nerdy acid trip. Right up my alley! I also like films where ppl go on incredible adventures and return to the status quo, but THEY changed bc of it. Epic. SUUUUPER creative visual interpretation of Carroll’s book. Brave - gosh I loooove films where a parent and child learn to understand each other. Never got why ppl hated this movie so much. The Scottish flavor is present and fun. Merida made one mistake and made it up. The arrow scene is iconic.

Cars - a fun ride! (hahaha puns.) We love seeing Paul Newman as a car.

B-minus tier? (same as B, but problematic, or weaker story-wise.)

Hunchback - man… settings-wise, this film might be my favorite. I also love Esmeralda and Quasimodo as characters and as a duo (though the sexualized depiction of Romani ppl is not epic.) I also don’t find the discrimination against Esmeralda/Quasimodo jarring bc it matches the time period. Frollo is super interesting as a villain. The gargoyles are… def not necessary. Basically, this film doesn’t know what it’s doing with tone.

Sleeping Beauty - Aurora was my favorite when I was younger because I thought she was the prettiest, and that still defines how i feel about this, basically. Visually lovely - everything is kind of elongated and gothic. Maleficent is spiteful and epic. I have no issue with the fluffier parts of the movie, like the music or the fairies. RIP for lack of consent being a plot point, though.

Hercules - Megara is incredible. one of the only Disney “princesses” who acts like an adult and has cynicism as a major part of her personality. I love her and Herc’s progression where she learns to trust him (yes, he is genuinely that sincere, it’s not a front.) Muses are unique, whoever came up with them was high on something and I’m living for it. I just think the plot itself was somewhat unrealistic/ weirdly-paced. There are some memorable songs, some less-than-memorable songs. Art style is cool but I’m personally not a fan. EXTREMELY inaccurate depictions of the original Greek gods.

C tier (entertaining, but I don't consider it a great movie)

Bolt - I watched this like 11 years ago. It was fun! A cool concept about those put on a pedestal learning their worth even without celebrity boosting them up. Animation was… fine I think. not super memorable to me.

Frozen 2 - They really took any scrap of character development Elsa had in the first movie, threw it in the garbage and set it on fire. Anna deserved so much better. Songs are bombastic and impressive, have the occasional interesting lyric, but are really weirdly placed and none are quite as iconic as the first movie’s (except Aurora, she does great work here. Also the song Anna sings after she thinks Elsa died.)

Not a big fan of the vaguely homeopathic theme. Not a big fan of Olaf’s WEIRD character development. Not a big fan of the suuuuuper awkward dialogue and the animations that imply not only that Kristoff is into his reindeer but that Elsa and Anna are into each other (if you’re questioning if they did that, yes, they did, I can find screenshots of some really weird expressions/moments. THIS IS NOT THE TIME TO PANDER TO YOUR WEIRD FANS, DISNEY.)

The voice actors did great work, the animators did great work (look at the details on their clothes! Look at how Elsa’s posture changes to be more confident! look at how they're animated while they're singing!) Some weird costume/makeup choices that make Elsa look like an aging starlet, but she also has some gorgeous moments so eh. It’s a wash for me.

They really did not know what to do with Kristoff this movie, huh. The only thing that happened to him was singing a cheesy 90s ballad and marrying Anna, both of which were admittedly epic. Also, the trolls got 0 appearances despite being literally psychic. Probably could have helped with a lot. I'm not a huge fan of lore/worldbuilding, and thee was a lot of it here. Overall neutral on it.

Also a big theme in this movie I don’t love - **** TANGIBLE CONSEQUENCES TO OUR ACTIONS!!! The danger is Elsa’s death, the elements, colonialism, and Arendelle literally being destroyed. None of those end up playing out, so I was left at the end going “this film had literally no stakes.”

Monsters U - same as above - entertaining at the time! Not super memorable. The ppl we were supposed to dislike kept switching. Doesn’t really match the canon of Monsters Inc (I thought they were supposed to have known each other since childhood so why did they meet in college?)

Cars 3 - so apparently, everyone HATED this movie! Fun! I never watched Cars 2 (yes watched Cars 1 if you haven’t been paying attention to this list), but I didn’t think this movie was bad at all. Well-acted, some fun chase scenes, the scene where Lightning fails at driving in the simulation is genuinely hilarious, and some interesting perspectives on teachers getting the spotlight for their skills for once.

Incredibles 2 - I liked this film at first, but then it was… just okay in retrospect. I love me some good family dynamics. The plot here makes not a lot of sense. THEY BUILT UP THE UNDERMINER FOR NOTHING AND THEN FORGOT ABOUT HIM. I was surprised by the villain swap, but it happened so last minute I never really understood their motivations even after they explained them. Tried to tackle waaaay too many messages.

D tier (I didn't enjoy these or consider them mediocre)

Finding Dory - Maybe I should have put this higher? Like C tier at least. Ah well. Wasn’t a huge fan of the body/physical comedy (not my thing), but it was entertaining and awww finding family is heartwarming.

Finding Nemo - I remember nothing about this movie.

E tier (this film has significant problems)

Beauty and the Beast - *sigh*… I want to love this movie. The score is gorgeous. Visually, they could have made it more distinctly Rococo-era France but didn’t (why?) The voice actors did good work and I think Paige O’Hara is SUPER underrated here.

The Beast is emotionally manipulative with an awful temper that (for MOST of the movie. He doesn’t change.) That’s the main reason this is in E tier. This movie shaped so many generations of people thinking they can change the behavior of someone who treats them badly through the power of love. But you can’t. She learns to “love” the beast under coercion. It’s not Stockholm syndrome - it’s a trashy romance novel. Big fan of Gaston as a villain. He’s an archetype ppl can recognize and it’s so satisfying to hate him.

F tier (I think this film actively harms the industry and would rather it not have been made. Both the one in E tier could be considered harmful to the industry, but I think they had significant enough artistic accomplishments to scrape above that. I'm also generally a fan of "lack of censorship bc it's better to teach what not to do.")

Pocahontas - this movie took real historical events and romanticized them AND sexualized one of the only Native princesses they’ve had. Boo. Nothing wrong with animation!Pocahontas as a character, it’s just people put her in a story that doesn’t represent history well at all (and these historical events, unlike those in say, 14th-century Germany, had super relevant effects on people alive today.) And they portrayed the Native Americans and colonial settlers as equally in the wrong. (though I like Governor Radcliffe as a potential villain and love the line “see how I glitter.” I can’t NOT laugh when I hear it.) Lovely music, though. Nice animation, but the colors are weirdly… muted?

Bad Garbage (I don't wish this film had never been made, but I wish I never had to see it.)

Planes - this movie was ridiculous. I remember not much about it except that I kinda hated it and that it was super cheesy with tension one could see right through that immediately resolved itself via one twist or another.

Haven’t seen tier: Recess, A Bug’s Life, A Goofy Movie, DuckTakes Movie, Lilo and Stitch, Pinocchio (actually i have seen this but I remember nothing about it), The Nightmare before Christmas, Toy Stories 1, 2, and 3, Up, 101 Dalmatians, The Great Mouse Detective, Cars 2, Moana, The Good Dinosaur, Pete’s Dragon, Fantasia, Peter Pan Return to Neverland, Fantasia 2000, The Black Cauldron (read the book, though!), Bambi (or I did and remember nothing about it), The Rescuersm, The Rescuers Down Under, Planes Fire and Rescue, Bambi 2, The Fox & the Found, Oliver and Company, Atlantis, Treasure Planet (I want to, though), Piglet’s Big Movie, The Jungle Book, the Emporer’s New Groove, The Jungle Book 2, Chicken Little, Brother Bear, The Three Caballeros, Pooh’s Heffalump Movie, Dumbo, The Adventures of Ichabod and Mr. Toad, Aladdin (seen parts but never the whole thing), Strange Magic, The Sword in the Stone, James and the Giant Peach, Frankenweenie, Lady and the Tramp, Ralph Breaks the Internet, Doug’s 1st Movie, Monsters Inc. (want to, though), Meet the Robinsons, Dinosaur, The Aristocats, Robin Hood, The Tigger Movie, Who Framed Roger Rabbit, that pooh movie at the end without the title on it

-11/21/20

#blog #non-sequitura-blog #11/21/20 #november #2020 #longform #analysis #disney

11 notes · View notes

bestsongby · 4 years ago

Photo

New Thoughts on Old Classics:

Hotel California, by the Eagles. 1976

Is it Essential?

The Eagles (or, more specifically, Henley and Frey) were often viewed as cocaine-fueled El Lay misogynists. I think the cocaine-fueled and El Lay are indisputable, but is the misogynist tag a little unfair? Could be.

I’ve always been fascinated by Hotel California, the Eagles’ bazillion selling magnum opus, and how it plays with that perception in mind.

Hotel California is the Eagles stretching their powers as far as the rubber band will allow before it snaps or loses its shape forever, which probably explains why their only subsequent release as an active band was the lackluster The Long Run, a collection of half-assed disco shuffles and by-the-numbers rockers. (aside from barely an Eagle Timothy B. Schmidt’s heartfelt soft rock gem “I Can’t Tell You Why,” and barely upright Eagle Joe Walsh’s catchy as fuck guitar rocker “In the City.”)

For what it’s worth, the stretched rubber band theory is one I apply to most great rock acts who spend any time working under the Album as Art theory of record making. (acknowledging that there have been many, many Not Great bands operating under this theory) The Beatles wisely realized they’d reached that point with Abbey Road, and packed it in before the slope slipped. The Stones began that climb with Beggar’s Banquet, and went from strength to strength until they reached their apex by plunging back down through the depths with Exile on Main St. The Kinks bucked the trend to some degree by releasing one pretty brilliant and one almost pretty brilliant album after their ultimate statement of intent, The Village Green Preservation Society. The Who…well, the Who never really got there. They fooled the world into believing Tommy was their Everest flag-planting, but the truth is Quadrophenia was a better album. All of which obscures the fact that the Who’s greatest album is Meaty, Beaty, Big and Bouncy, a perfect collection of classic singles, few of which managed to tickle the U.S. charts.

And then there are the Loves (Forever Changes) and Zombies (Odessey & Oracle), who strayed outside their comfort zones long enough to produce single discs that stand up to the greatest of the Greatest, despite neither band ever really being truly among the Greatest. (and, yes, both bands were otherwise very, very good at times)

Whew. I digress.

Let’s start with this: Is Hotel California a great album?

I’d like to say it is, but it might not even be the Eagles’ best album. I think, assuming assessing a “best” of anything Eagles-related doesn’t make your stomach clench, an argument could be made for One of These Nights (the album that immediately preceded this one – which easily wins the battle of cover art, anyway). But Hotel California is the most Eagles of Eagles albums, and stands as the best summation of their moment in the sun. And, it marks that moment when tuneful music produced by strong personalities could dominate the American pop culture landscape like no other medium.

In hindsight, Hotel California, riding shotgun with Fleetwood Mac’s equally mammoth Rumours, stands as a signpost in a pivotal moment in pop culture’s de-evolution from artist-controlled playground to complete corporate takeover. The suits always knew there was money in the music, but, holy shit, this much money?

Hotel California is an arrogant, confident, pretentious, calculated work of fiction, and you can hum along to it. It’s dominated by Don Henley, but it’s the input of the other band members that prevents it from completely collapsing under its own weight.

So, in review, let’s start with the title track, which can almost definitely be tuned in somewhere on your terrestrial radio dial at this very moment.

“Hotel California” started as a killer guitar riff by lead guitarist Don Felder. (Fittingly, Felder, who primarily kept his head down and played the shit out of his guitar throughout the Eagles’ history, eventually became estranged from the band) Once Don Henley grafted his lyrics to the music, the song became the ultimate distillation of the Eagles’ Desert Cocaine Tableau. Most of the group’s biggest hits were pretty direct, lyrically. A woman either pissed them off, or a woman was invited to lay down in the desert with them. Or sometimes the women were left behind while the band wrote their own desperado inspired mythology. But the fragmented imagery in “Hotel California” could only really make sense if the listener has a straw permanently lodged up his nose. The Witchy Woman of the past becomes the hostess of a demonic hostel where pink champagne replaces wine and pretty boys dance endlessly in sweat drenched courtyards. It seems as if the Hotel California is a place to run to and to run from, and we’re pretty sure Henley is only lamenting the “mirrors on ceiling” because all of his coke is now going to wind up on the floor.

With all of that said, the interplay between the guitars is deathless, and even vague descriptions of driving through the desert at night are enough to conjure up personal imagery for anyone confused as to what “colitas” is (are?). (The fact that the Eagles played an acoustic version of this live is either proof that they’re assholes, or that, like Eric Clapton’s tedious acoustic return to “Layla,” they just don’t quite understand the reasons for their own success – Felder trumps Henley here, and that’s that)

With that out of the way, we catch our breath and listen to the gang take it down a notch (with the help of JD Souther – the Eagles were never lacking for talented SoCal co-conspirators, starting at the beginning with Jackson Browne) with “New Kid in Town,” which, damn it, is pretty unassailable, musically. It’s got hooks for days, lush production that never swamps the tune, and a sincere, understated vocal performance from Glenn Frey, backed by great group harmonies. What? The lyrics? Well, okay. The woman is doing him wrong (in the third person, for some reason – maybe it’s not manly to admit you’re the one being cuckolded?), and she’s not living up to her end of the bargain, and…

Okay, you get the point. It’s a Henley/Frey lyric.

“Life in the Fast Lane” (It’s interesting to note the band led the album off with Hotel California’s only three single releases – all smash hits, of course) kicks in next, and we’re reminded overtly of the cocaine. It’s a great radio rocker – guitar licks weaving in and out, featuring maybe the slickest production on the album, and Henley doesn’t spare the dude in the equation this time, letting us know that both parties are feeding each other’s sinful excesses (sex and drugs). It’s a tale as old as Los Angeles, and the spoken “are you with me so far” dropped in by Henley manages to insult the listener almost by accident. (yeah, we’re with you, Don! Sex and drugs go hand-in-hand with rock and roll, brother! Revelation!)

And then we roll into “Wasted Time.” In which Henley (boy, so far, this is really a Don disc more than a Glenn disc) strains to let the poor dumb broad who left him know that she’s done nothing but fuck up her love life by fucking the wrong dudes, and, most importantly, by leaving Henley. It’s definitely this type of sentiment that allows critics to glue the MYSOGYNY label on our heroes. It never occurs to Don that this girl might have made the right choice in leaving a dude who not only plods through an orchestrated piano ballad about the terrible decisions she’s made, but backs it up with an orchestral reprise to hammer the point home. (the reprise actually originally opened side two, just to make sure you couldn’t escape the sentiment by flipping over the album – the fucking Eagles led off side two of their biggest album with an orchestral reprise. Admire their balls)

The sequencing of Hotel California comes across as pretty messy in the era of the compact disc/digital album, with the “Wasted Time(s)” dropped right smack into the middle of things, and “Life in the Fast Lane” book-ending the song(s) with the next track up…

And it’s another Henley rocker (what demons was Frey battling in 1976 that allowed him to take such a backseat to his his white ‘fro-sporting partner?), “Victim of Love.” It’s a catchy rocker about…some poor dumb broad. I hate to harp on the cocaine, but how much of it was Stevie Nicks doing to think Henley was a fun dude to party with? Anyway, this one is another radio staple, despite never being released as a single. Truthfully, all the album really needed was “Life in the Fast Lane” to remind us the boys could rock a little. But here they slowed it down a notch in case you had trouble keeping up with them the first time.

And then, out of nowhere, we’re dropped into Joe Walsh’s melancholy reflection on life, “Pretty Maids All in a Row.” I can’t say exactly what the Eagles were thinking when they pulled Walsh into the band (”Hey – this dude makes us look sober!”), but I’d be hard-pressed to believe they anticipated his first recorded contribution would be such a beautiful, naked sentiment, punctuated not with his trademark guitar rips, but by piano and synthesizer. It’s a jarring shift in tone, helping the album achieve an eclectic vibe it was struggling to achieve with Henley dominating the proceedings, and all the more powerful for it.

Anyway, great track. And it’s followed by another great track.

Backing up “Pretty Maids” is, for my money, the best track on the album, and one of the most overlooked songs in the band’s catalog. No coincidence it’s a Randy Meisner song. “Try and Love Again” is a soaring, hopeful rocker, punctuated by Meisner’s upper register, and some truly uplifting guitar soloing. It’s a mystery why this track wasn’t released as a single, unless Henley and Frey were still annoyed that Meisner’s “Take It to the Limit” was the band’s first number one single. But it’s the one track from the album I find myself revisiting most often, without apology. It’s also worth noting that while Meisner’s lyric is treading on self-pity, he’s not blaming a chick for his problems.

At this point we’ve wound our way through a collection of hit singles, timeless riffs, and a couple of contributions from lesser used band members that stand up to the hits. It’s hard to say there’s a definite theme at play here, although California and Los Angeles are definite players on the scene. So it’s up to Henley, again, to hammer things home with the most pretentious track in the Eagles’ entire catalog.

“The Last Resort” answers the question, “What if Randy Newman didn’t have a sense of humor?” A confused history of California (and over seven minutes long, to punctuate its importance as a statement), complete with references to the “Red Man” and Malibu and all of those bright lights that sullied the landscape, presented by a group that pretty actively moved closer and closer to the neon the further their hitmaking prowess ascended. The song starts as a literal travelogue about a girl from Providence (”The one in Rhode Island”), and then slips into a reminder that California has really succeeded at excess, which is evidently a bad thing.

In the end, it’s all the preacher’s fault, anyway. One suspects that Henley (and Frey?) realized he wasn’t really headed toward any logical conclusions with this one, and the lesson we’re left with is that the missionaries traded the Red Man’s peace of mind and started us on the path toward…well…all of that cocaine and colitas, I guess. (it is a pretty tune, though)

And that’s it. Nine songs (split into ten tracks), three hit singles, and 38 million copies sold.

Is Hotel California essential? In terms of understanding the “evolution” of pop culture, it’s an essential landing point for those curious how Los Angeles went from acoustic canyon-dwelling hippie haven to the paranoid personal driveway for limos filled with coke-addled celebrities wearing sunglasses at midnight because the lights fuck with what’s left of their peripheral vision.

But in the battle of juggernaut Los Angeles pop albums, Rumours creams Hotel California because Fleetwood Mac can be heard shutting out the world and wrestling with their relationships while coincidentally at the peak of their songwriting and performing abilities, whereas the Eagles were trying to make statements without much to state. Rumours is essential. Hotel California sounds good when you’re not paying attention too closely.

youtube

#Hotel California #Eagles #Don Henley #Glenn Frey #Joe Walsh #Randy Meisner #1976 #Rock Music #cocaine #Rumours

7 notes · View notes

mccarricks · 4 years ago

Photo

( brittany o’grady / demi woman ) WESLEY McCARRICK is 23 years old and is a SENIOR at thales university. SHE is majoring in FILM and is known for being THE MAVERICK as THEY can be HUMOROUS and OPEN-MINDED as well as DITZY and IMPULSIVE. every time i see HER/THEM, THEY remind me of PURPLE SKY IN THE DESERT, SKATING AS FAST AS YOU CAN TO FEEL THE WIND ON YOU, A JOKE TOLD WITH A TOOTHY GRIN.

hero’s back w character no. 2 and yet......

full name: wesley ‘wes’ elaine mccarrick

birthdate: february 2, 1997

age: 23

gender: demi woman

pronouns: she/her/they/them

zodiac: aquarius

nationality: american

ethnicity: black (louisiana creole) and white (irish)

hometown: santa fe, nm

languages: english, intermediate spanish

family:

theodore mccarrick, father

elaine barlow, mother

ruby mccarrick, older brother

delphine mccarrick, older sister

sherri barlow, maternal grandmother

many cousins

orientation: bisexual biromantic, pref. towards women/nb people but will date men

religion: agnostic

height: 5 ft 4 in

distinguishing features: eyebrows, hair, lips

character inspo: ilana wexler (broad city), harley quinn (dc comics), phoebe buffay (friends), prob more

𝐁𝐀𝐂𝐊𝐆𝐑𝐎𝐔𝐍𝐃

TRIGGERS: divorce, mentions of crime, drug and alcohol use

the youngest child of ted and elaine mccarrick, wes was a kid who is full of life. she’s the kind of kid who did things to make you smile, and it usually worked. she was warm and inviting, a little naive, but she had a strong support system.

her parents divorce when she’s six, she doesn’t quite understand it but her dad moves out, and her grandma and multiple cousins move in. it’s a lively household, between her mom, who works as a nurse, and her siblings, and her cousins, it was never really quiet and there was never a lot of room.

despite the split, her parents maintain that their children have a relationship with both of them, and truthfully, wes is a daddy’s girl. she and her dad were cut from the same cloth, happy go lucky, fun loving, a bit silly, he’s the one who introduces her to movies. it’s their thing, watching and critiquing them together, and it’s not whatever is in theatres either. they went for all times of filmmaking, new wave, surrealist, and more.

it really stuck with wes, who herself had begun making movies, mostly horror/fantasy/scifi stuff with her friends-- she writes and directs and occasionally, she’ll don a costume and star in them. they’re silly little things, but her family always sat down for her “premieres.”

her formative years are marked with plenty of things, sports, deaths of distant family members, a cousin or two who gets caught in the wrong crowd and ends up in jail, and throughout this, wes remains a rock for her family.

she’s in high school, and she gets into the eclectic crowd, the outcasts, the weirdos, the ones who smoked under the bridge, and partied out in an abandoned trailer near the desert. these freaks were her freaks. they accepted her with open arms, as she them.

she chooses thales because she always wants to see the east coast, and frankly, as much as she loves her family, she wants to be free of them. and they have a fantastic film program. so!

she meets steven in their first film class together, and they’re fast friends, despite her usual weariness of YET another film bro, steven proves to be a good egg. so she thinks. she finds out through him talking that he might not be the most faithful to his girlfriend, and as much as she doesn’t like meddling, she thinks it’s only right to let clarissa, who she doesn’t really know well, know. however, before there’s a chance, everything happens-- now she’s stuck wondering if she should reveal the truth, or let sleeping dogs lie.

nana is different, nana and her dated her sophomore year, nana’s freshman year. it wasn’t serious. but they were fond of each other. they eventually break up, but they stay friendly, waving to each other in the halls, chatting at parties.

both the disappearance and the murder is weird for wes, who by all accounts, isn’t great at dealing with bad shit. she prefers to laugh about things. laugh about everything. because if she doesn’t laugh, she’ll cry.

𝐏𝐄𝐑𝐒𝐎𝐍𝐀𝐋𝐈𝐓𝐘

wes is a mess, a free-spirit, a walking contradiction. she’s very independent minded, the kind of person who does things without thinking so much about the consequences, this leads her into trouble sometimes. like nicking something from a convenience store, or stealing a stop sign as a prank. she’s definitely the kind to goof off and not exactly dedicate her full attention to something. and while she’s in genuinely good spirits on most occasions, she has a staunch ‘no asshole’ policy. the type to defend the underdogs, and go after bullies. she’ll punch you with a smile on her face, and yet it ends up being more unnerving than you realize. she’s a bit of a ditz, as well, never the best at school, but can talk your ear off about the going ons of the world. she’s a lovable dumbass, for sure, and loyal to a tee once you get her as a friend.

𝐓𝐈𝐃𝐁𝐈𝐓𝐒

horror movie fan! her favorites are some of the oldies, like dracula and the bride of frankenstein! and some new ones! big fan of jordan peele’s work, as well as ari aster’s! but mostly really advocates for women directors and directors of color!

also does roller derby! she picked this up her first year at thales and fell in love with it, i can’t think of a name for her yet, but she’s a blocker, won’t hesitate to elbow some dick at the bar

kinda a tomboy? she’s always been! she’s rough and tumble and not afraid to get down and dirty with someone, i.e. will join those football games on the quad or crawl through the mud for a scene to shoot

doesn’t know if she wants to be a director/writer or a cinematographer honestly.... she loves the technical aspects of film as much as the making the stories

definition of a bruh girl, says it a whole lot, but also just if you tell her you love her, she’ll just roll her eyes and be like you’re an idiot (which means she loves you too) she’ll be affectionate if she’s close to you

kinda a wh*re oops....... texts multiple girls at a time and doesn’t want to hurt any of their feelings she doesn’t know how she keeps ending up in these situations... also a bisexual disaster

a stoner as well..... always has a massive jar of weed

unclear whether she lives on campus or off campus but if she does live off campus she has a pet turtle named elsa lanchester after the bride of frankenstein actress

a drummer! she’s in a band (name tbd) she started drumming at a young age and found it was a good way to manage her aggression

doesn’t really do well with emotions, so she’ll either be like there, there, or try to make jokes.... she really said kids can you lighten up

walking meme... such a walking meme... doesn’t know so many things she’s like a cute puppy with no thoughts head empty but she’s so fun to be around

life of the party.... nana she came fr ur spot and she took it and she’s not sorry but she does miss u a lot

doesn’t rly feel like she’s allowed to be upset anyways bc some people have it...... way worse.... can u say Imposter syndrome

kind of an enabler...... will be that person to push u to try things but not in a peer pressurey way, more like if u are unsure abt sending a text she says do it

wears fun earrings and socks! think lollipops or gummy bears or found objects like she collects that shit it’s her lifeline

boxes! she’s been boxing since she was abt 12, courtesy of her older brother (who is now a doctor thx ruby) and it’s a good way to exercise and release stress

𝐖𝐀𝐍𝐓𝐄𝐃 𝐂𝐎𝐍𝐍𝐄𝐂𝐓𝐈𝐎𝐍𝐒

best friend -- two of a feather, cut from the same cloth, or complete opposites it doesnt matter to her (the abbi to her ilana)

roller derby friends -- she’s p close to the team, margs on her

makeup artist pal -- i think it would be neat fr someone to try and teach her makeup whether its normal or sfx bc she wants to look like a monster or smthn

she’s gullible, u take advantage of that -- u just tell her lies p much and she’s like yeah ok that sounds right

party friends

classmates

fwbs (f/m/nb) -- tbh she might have one or two of these but they literally are the def of pals who bone sometimes... like v good abt being like you good? u dont want more? cool me too

exes (f/m/nb) -- mostly dated women or nb people but def cld have had a guy

she smokes you out -- p much the only reason u hang out w her is bc she has good weed

someone she’s fought -- like fully decked in the face, prob said something that rubbed her the wrong way and it just devolved from there

people who dislike her -- she could definitely be seen as annoying bc shes loud and dorky and funny so ??

breaks someone out of their shell -- p self explanatory, pushes them to have fun, w everything happening shes rly like lifes too short to not take the opportunities around u

cousins! probably on her dad’s side! i figure she has some east coast fam

anything? truly?

#pyrrhic.intro #intro.#divorce tw #crime mention #drug use tw #alcohol use tw #i pulled this out of my ass

5 notes · View notes

jessethorn · 5 years ago

Text

Some Los Angeles Tips

People are always asking me what they should do when they visit LA. I am by no means the greatest LA expert on earth, but I’ve lived here more than a decade now, and I have some ideas for you. Note that I live in the far Northeast corner of LA, and really rarely travel to the western half of town. So if you are looking for advice on Beverly Hills stuff or Malibu stuff or whatever, I am not that helpful. Also this is very subjective and really non-comprehensive in general. Just some stuff I like!

In General

Rent a car if you drive, but don't be afraid to take the bus or subway. There are some very long distances to traverse, and not everything is convenient to transit, but the transit is reasonably comfortable and efficient for a lot of purposes (going downtown, for example), particularly when combined with some judicious ride-sharing. There's plenty of parking everywhere, despite what Angelenos would have you think. Don't try to do too many things in one day, or cross town on the 10, 101 or 405 at anything even resembling rush hour (ie between like seven and ten thirty or three and seven on weekdays). Stick to one area for the day, maybe two.

The Museum of Jurassic Technology This is the best thing in Los Angeles and one of the best things in the world. It is part museum, part art project. To explain it much further might ruin the experience of visiting it, but please take my word that it is one of the most amazing places in the world.

The Watts Towers As the name suggests, they're in Watts, a bit out of the way for some trips, but absolutely without a doubt worth the travel. They're an incredible artwork/building built in a backyard out of rebar, concrete, glass and tile by an illiterate Italian immigrant in the mid-20th century. Worth signing up for a tour, they are cheap (it's a city park) and not all that long. There's also a little gallery on the site. One of the great works of American outsider art and a deeply beloved city treasure.

Other, More Regular Museums LACMA is a world-class art museum. The collection is a bit scattered (and as of this writing a wing is closed for renovation and replacement), but it's really good. It's in Mid-City on the Miracle Mile, and surrounded by other museums. The Petersen Automotive Museum is pretty cool if you're into cars. La Brea Tar Pits are more park than museum, but the museum is fun in a kitschy way, if you're into prehistoric creatures. It's also a nice place to eat lunch. In Exposition Park are a few major museums - the Natural History Museum is pretty good, though not better than others in other major cities (the Field Museum or whatever). The science museum is OK but significantly outclassed by the competition (it's no Exploratorium), though it does have a real space shuttle, which is pretty sweet. The Annenberg Space for Photography does what it says on the label. A good mid-size museum of photographs, check what show is up. The Broad is a nice contemporary art museum in a beautiful building that's right near Walt Disney Concert Hall, also an incredible building. They have a second campus in Little Tokyo that's very nice but smaller.

Architectural Stuff The LA Conservancy runs affordable walking tours that take you into some of the most fascinating built environments in LA. The subject matter ranges from Art Deco in downtown to the modern skyscrapers of the 50s through 90s. They're mostly Saturdays, but a few also run on weekdays. Can't recommend them enough if you're up for a couple hours of walking. You can go inside the Bradbury Building and up into the upper floors! It's cool. (The Conservancy also runs screenings in the big movie palaces downtown, which are mostly otherwise closed to the public. Definitely recommend those.) A couple of other architectural highlights: the Hollyhock House is in Barnsdall Park in Los Feliz. It's a restored Frank Lloyd Wright estate willed to the city many years ago that as of relatively recently runs regular tours. Also in the park is the city art museum of LA, which sometimes has some cool shows. Cal Poly Pomona students run tours on Saturdays of the Neutra VDL studio and residences in Silver Lake, which can be combined with a nice walk around the lake and some middle-aged-hipster watching. The Gamble House in Pasadena is an absolutely breathtaking craftsman mansion with a lot of

Griffith Park Griffith Park is one of the largest urban parks in the United States. It has all kinds of stuff within it - the LA Zoo, the Griffith Observatory, some great hiking. It's a great place to spend some time. If you have little kids, they will love Travel Town, a train graveyard/museum that's inside the park (and free!). The zoo is good if you like zoos, though not incredibly great or anything. The Autry Museum of the American West is worth a visit if you're into that kind of thing.

The Grove I know that we talk about The Grove a lot on Jordan, Jesse, Go. Please do not waste your vacation time at the Grove. It's a mall. It's fine. This also applies to the Americana at Brand, which we sometimes talk about because we have talked about the Grove too much. Also a mall. A little nicer than some? I went there when I needed a new power cable for my Surface.

Dodger Stadium Look, I am a Giants fan and hate the Dodgers, but if you are a baseball fan, Dodger Stadium is a great place to watch a baseball game. Even I can admit that. Angel Stadium is about as generic as it gets, but if you go on a weekday you can take a train from Union Station in LA.

The Getty Center The Getty Center is a beautiful building on a breathtaking piece of real estate. It's pretty cool to visit, but be aware that most of the art is pretty early, so if you don't like busts or paintings of feasts and stuff from the bible, then it might not be your jam art-wise. And getting up there is a whole thing. That said: it really is a beautiful building and an incredible view, so you probably won't feel like it's a waste. And if you like busts, then get your ass over there.

Downtown Stuff I will again recommend the LA Conservancy's walking tours to get a flavor of downtown LA, which is very walkable and full of incredible stuff. The main library is a beautiful edifice, the history of which is detailed in Susan Orlean's The Library Book. Worth wandering around in. Grand Central Market is a great place to get a bite, though pretty bougie at this point. Right next to Grand Central Market is Angel's Flight, a block-long funicular that is a lot of fun and costs next to nothing. Besides this, there are still functional specialized commercial districts in downtown LA. The flower district is particularly fun - the big flower market opens early for wholesale sales but is open to the public and there are tons of stores selling silk and artificial flowers which are very fun to wander through. There are also areas with stores specializing in selling imported toys, store fixtures (a favorite of mine), jewelry and fabric. Most of the fabric is kinda garbage honestly but there is a good tailor supply store called B. Black and Sons and a great hat making store (worth visiting even if you don't make hats) called California Millinery Supply. FIDM also has a thrift store with cheap fabric leftover from LA-based factories.

Movies The Arclight is a fancy movie chain, and the Hollywood location (near Amoeba Records) is also the home of the Cinerama Dome, which is pretty fun. The Vista is a great single-screen theater on the east side. There are some great rep houses on the west side - check your local listings.

Comedy Stuff The UCB has a few great shows every night at both locations. It's hard to go wrong, though you should be aware you will be seeing things that are a little rougher than whatever makes it to your town as a road show. The signature improv show is Asssscat, which is absolutely as good as it gets. Dynasty Typewriter (right by our office) has a lot of great shows these days. A great standup show is Hot Tub at the Virgil. The big comedy clubs have pretty comedy-club-y comedy in them, not necessarily what I'd recommend, though you will certainly see a lot of relatively big names doing sets. The Improv Lab sometimes has MaxFun-adjacent headliners who've put together their own lineups, as does Flappers in Burbank. Largo has bigger-name shows of this variety as well, and if you go see a show there headlined by a Sarah Silverman or Patton Oswalt, the lineup will likely be packed with their pals, even if they aren't advertised.

Some Places To Eat This is NOT a comprehensive list. First: Jonathan Gold died a few years ago, but he is still the king of LA food. Anything he recommended in the Weekly or Times is still the gold standard (no pun intended). He was also a wonderful writer and a champion of foodways that are unfamiliar to many in LA, much less outside LA. If you are a food nerd, KCRW's Good Food is a superb local food show (and podcast) produced by Nick Liao, who used to work at MaxFun.

Philipe's The French Dip A restaurant that's been around for literally a century, with sawdust on the floor, big jars of pickled eggs, ladies in hairnets and really tasty French Dips. They have competing claims to having invented them but the other competitor turned into one of those goofy sleeve-garter-barman subway tile exposed lightbulb places about ten years ago. Philipe's is totally for real and great.

Pie N Burger This is just a burger place in Pasadena that sells classic SoCal-style burgers and is really great. Cash only, though.

Langer's The only one of the Jewish delis in LA that's really worth a special trip. The #19 (pastrami, cole slaw and swiss on rye) is truly one of the world's greatest foods. Pastrami here is better than anywhere else I've ever eaten, including those famous delis in New York.

Park's BBQ

One of many great Korean BBQ restaurants in LA, but the only one recommended to me personally by Jonathan Gold. (I also like Soot Bull Jeep, which barbeques over charcoal and will leave you smelling like smoke, and Hae Jang Chong for all-you-can-eat.) (There are LOTS of different kinds of Korean food, but I am not an expert on the soups and blood sausages and bibimbaps and etc., but if you're adventurous, you could eat a different Korean food at a different spot every month in LA and make out well.)

Guelagetza Oaxacan food is one of the best kinds of food in the world, and Guelagetza is an LA institution that serves good-quality Oaxacan food. Moles, tlayudas, queso fundido. If you've never eaten any of this stuff, a couple of chicken moles are a great place to start (as is Guelagetza).

Dim Sum You can drive all the way to the San Gabriel Valley and eat at one of the many wonderful dim sum places there. That's where the best stuff is. If it's not worth a special trip to you, I like a place called Lunasia in Pasadena, and they also serve dim sum for dinner. Not a HUGE menu but good food.

Mozza This pizzeria, now a sort of group of restaurants, is an unimpeachably excellent Fancy Meal in LA. So (per my producer Kevin) are the other restaurants run by the same chef, Nancy Silverton.

The Dal Rae This is an old-timey fancy restaurant in Pico Rivera, a semi-industrial part of LA. It's just a great place to wear a suit to and eat Clams Casino. Famous for their table-made Caesar salad (legit great) and pepper steak (too peppery for me). Generally the food is excellent in a 1955 sort of way.

Bludsoe's Best Texas-style barbeque I've had outside of Texas. Used to be a window down by the airport, now a fancier place on La Brea, but I'm told the food is just as good at the fancy place.

Pupusas I love to eat pupusas. Maybe my favorite food. I really like to eat pupusas at Los Molcajetes on Hoover in Westlake (near Koreatown). Note they are weirdly big here (a regional variation of some kind) and they only take cash. (Note also this is one of 10,000 restaurants in LA named Los Molcajetes.) I also sometimes eat at a nice sit-down Salvadoran place called Las Cazuelas on Figueroa in Highland Park.

In N Out In N Out is good! It will not change your life! But it is very tasty, especially for a $4 food! Some people complain about the fries, which are fresh-cut and fried only once and thus are less crispy on the outside and fluffy on the inside than some others! I think they are fine! Try In N Out, why not! But maybe don't make a whole special trip to do so!

Tacos and Other SoCal Mexican Food Stuff Everyone has their own favorite taco places, and none of my favorites are so special they should be destinations. They are mostly my favorites because they are close to my home and work. But I can tell you that I like to get sit-down Mexican-American food at La Abeja on Figueroa in LA, where I eat a lot of carne adovada and enchiladas and sometimes albondigas or breakfast. I also really like to eat carne en su jugo at Carnes Asadas Pancho Lopez on Pasadena in Lincoln Heights. I eat tacos from Tacos La Estrella on York in Highland Park or the truck (with no name) across from the Mexican consulate on Park View at sixth in Westlake. At night I sometimes get cheap tacos (I like buche) from the place that opens up on Pasadena at Avenue 37. I like the shrimp and fish tacos at Via-Mar on Figueroa. I like Huaraches from Huaraches Azteca on York. The burritos at Yuca’s in Los Feliz (or Pasadena) are great, though they are totally different from the SF-style burritos that I grew up eating. I sometimes get nachos at Carnitas Michoacan on Broadway in Lincoln Heights, which feature meat and cheese sauce and are gross but also really, really good. I have also eaten at the very fancy Mexican restaurant Border Grill and to be honest it is really good even though the interior feels a little like a cross between a fancy restaurant in 1989 and a Chili's.

El Coyote This is a famous Mexican-American restaurant from the early part of the 20th century, but you shouldn't go there because the food sucks.

Stores I Like This is going to be REAL subjective, but a few stores I like which sell the kinda stuff you'd expect me to want. &etc - A great (small) antique store at 1913 Fremont in Pasadena. The Last Bookstore - A downtown bookstore that is the closest thing to a "destination" book store in LA. Good selection and reasonable prices on used books, and a nice art book room. (Records as well, but they're not very good.) Gimme Gimme Records - I like this record store in Highland Park. You'll pay retail here, but reasonable retail, and the selection (while not immense) is really excellent. Good stuff in all genres.

Secret Headquarters - One time at this small comics store in Silver Lake the lady at the counter asked if I was Jesse from Jordan Jesse Go and they won my business forever in that moment. Don Ville - My friend Raul makes and sells shoes (and repairs them!) in the northern part of Koreatown. If you have the dough, get him to make you some shoes! The Bloke - A really great little menswear store in Pasadena. Sells cool (expensive) trad-ish brands like Drake's and Hilditch & Key and Alden. The Good Liver - A beautiful shop in Little Tokyo specializing in perfect home goods. The perfect scissors, the perfect dish towel and so forth. Some things are expensive, some aren't. H Lorenzo Archive - The "outlet" shop of a designer clothing store on the west side. Discounts aren't huge, but the selection is really interesting, and they have a good collection of one of my favorite brands, Kapital. Sid Mashburn - Excellent classic clothing shop on the west side. Suit Supply & Uniqlo - if you haven't got these where you live, they're the places I usually send people for reasonably-priced tailored clothes (Suit Supply) and cheap basics (Uniqlo). Olvera Street - This is an old-timey tourist attraction, a street of folks selling Mexican handcrafts (and their Chinese-made analogs). Right near Union Station and Philipe's, and a great place to buy factory-made huaraches (the shoes, not the food). They even have sizes big enough for me, which is pretty much impossible to find in Mexico or most Mexican-American shoe stores. Thrift Stores - I go to a lot of thrift stores but if I told you which ones you might buy something I would have bought so I'm not going to tell you which thrift stores.

Flea Markets You may know I am at the flea market every weekend. The good fleas are on Sundays, and there's one every week. First Sunday of the month is Pasadena City College, a big (and free) market with pretty reasonable pricing. PCC has a pretty big record section in addition to the regular flea market stuff. Second weekend is the famous Rose Bowl flea, which is HUGE and has a big new goods section (blech) and vintage clothing area (good!). Third weekend is Long Beach Airport, which is a great overall show. Fourth is Santa Monica airport, which is smaller and a little fancier but very nice. The Valley flea is also fourth Sundays, at Pierce College, and that's not huge but sometimes surprises me. With all of these, the earlier you can arrive, the better you'll do (not least for weather reasons). I usually try to get there around 7:30 or 8:00. The Rose Bowl in particularl is a 4-6 hour operation if you do most of it. There are also a lot of swap meets - I don't know enought to recommend any in particular, but these are much more about tube socks and batteries and bootleg movies than antiques and collectibles. Still can be fun, though, and are certainly a proud SoCal tradition. (The Silverlake Flea and the Melrose Trading Post are garbage, don't go there.)

Going to the Beach I'm not a huge beach goer, but by all means go to the beach if that's your thing. The Annenberg Community Beach House in Santa Monica is a great place to base your operation, though you have to arrive in the morning on busy days to get a parking spot.

Kid Stuff I mentioned Travel Town, that's pretty great. Kidspace in Pasadena is a very good children's museum. The Bob Baker Marionette Theater is a great place to see a marionette show straight out of 1966. There's a good aquarium in Long Beach though it's a bit nutty there on weekends, and the zoo in Griffith Park is a good zoo. I really like Descanso Gardens, a big botanical garden northeast of LA. Huntington Gardens is also very nice, though it's much more expensive and hotter.

Geography Los Angeles is BIG. I'd say try to spend each of your days within about a sixth of it, geographically. It's entirely possible to do west side and east side stuff on the same trip, but don't try to do them on the same day. Look at a map and look at driving times when you're planning. Neighborhoods in LA are BIG, geographically speaking, don't assume two things in the same neighborhood are an easy walk. There aren't a ton of urban neighborhoods suitable for wandering in the way there are in some places. A few manageable general areas for stuff you might like: Silverlake/Los Feliz/Echo Park, Koreatown, Highland Park, downtown, Little Tokyo and the Arts District. (I live in the northeast part of town, and don't spend much time on the west side, which is one reason why this list focuses more on east side stuff. Some folks like West Hollywood and Venice on the west side. Long Beach and Pasadena are both neat towns with their own thing going on that might be worth a visit, too.)

Books & Media The Great Los Angeles Book is probably City of Quartz, a socialist-leaning history of LA. I really loved Susan Orlean's The Library Book, which is about the library as an institution, but also specifically the LA central library and the mysterious fire that nearly destroyed it. And a wild guy named Charles Lummis who was one of the founding fathers of LA culture and was really something else. (You can visit his house - it's right off the 110 near Highland Park.) An LA movie I love is The Long Goodbye, which is sort of a predecessor/inspiration for The Big Lebowski. A shaggy mystery directed by Altman where Elliott Gould just sort of wanders around LA. Another really cool one is Los Angeles Plays Itself, a long (long!) film essay about the ways the real Los Angeles has been used to create fictional worlds in film over the decades.

TV Tapings I'm not an expert in TV tapings. I can say that I've been to a few Conan tapings, and while it takes a LOOOOONG time to get in there, the show is fun to watch live. This is generally true of talk shows and most game shows, which tape more or less as-live. Sitcoms take WAY longer than you were expecting them to. Make sure to try to book tickets early if you have something you want to see. No matter what it's a most-of-the-day thing.

Nightlife Is a word that describes evening activities - especially dance clubs. I am old and don't know about these things.

The Magic Castle I can't get you in, please don't ask me to. I went a couple times. It's fine. If you're not into magic you're not missing too much. If you are, then obviously, it's a priority.

The Walk of Fame and Hollywood Not recommended, not worth it, don't bother.

Disneyland Why would you want my opinion about Disneyland? It's Disneyland. You're in or you're out.

San Diego If you happen to plan a side trip to San Diego, you can take the Amtrak there, and it is a breathtakingly beautiful and exceedingly pleasant trip. I have no San Diego expertise to impart beyond that, however.

64 notes · View notes

penniesforthestorm · 4 years ago

Text

“Never trust a man with three first names”: ‘Justified’ Season Two, Episode One

That’s right, I’m still doing these! Before we start, a few procedural notes-- the premiere and finale episodes will be given the typical essay-style treatment, the rest recapped 3 at a time, according to whatever I jot down while watching. This particular season has a relatively self-contained narrative, so if you were only going to watch one season of Justified, this might be the one to choose-- I like S1 a lot, obviously, but after the pilot, it takes a rocky road for a few episodes (though the final six are pretty uniformly riveting). My thoughts on S1 can be found by clicking through (pilot, Episodes 2-5, Episodes 6-9, Episodes 10-12, finale), or you can search the tag ‘#did you miss my heart on purpose’ on my blog. Read on for my thoughts on S2:E1: “The Moonshine War”.

This episode begins with a refresher, taking us back to the chaos of “Bulletville” (S1:E13)-- Deputy U.S. Marshal Raylan Givens (Timothy Olyphant) is taking shelter in a cabin somewhere in Harlan County, Kentucky, with his former coal-mining compatriot Boyd Crowder (Walton Goggins), and Boyd’s sister-in-law Ava Crowder (Joelle Carter), facing fire from two emissaries of the Miami drug cartel, Ernesto and Pilar, who want revenge on Raylan for killing one of their own. Raylan manages to give Ava and Boyd the chance to escape, and shoots Ernesto. Pilar flees, and Boyd offers to track her down, making another claim to the old friendship between himself and Raylan, who allows him a head start.

We pick up with Raylan’s boss, Deputy Chief Art Mullen (Nick Searcy), and his team in the woods, questioning Ava. He asks, “Where’s your boyfriend?”, referencing Raylan and Ava’s brief affair (which compromised the initial investigation into Boyd Crowder’s criminal activities), and Ava replies, “Which one?” I think, in the moment, this is just Ava being flip, but in light of later developments, it caught my attention. After that, Boyd and Raylan catch up to Pilar, and Raylan delivers her (quite literally) to the home of Miami cartel boss Gio. Raylan’s former boss, Deputy Chief Grant, arrives, and the business between them is concluded with a pointedly off-the-record conversation. Following that, Grant tells Raylan that he’s welcome to return to Miami-- in fact, that Art Mullen wants him gone. Raylan, typically, takes this with the utmost maturity and declares that he just wants to go home (i.e., his motel room in Lexington) and go to bed. This is one of numerous examples of my favorite bit of characterization: Raylan Gives is handsome, funny, good at his job, and generally a good guy to have in a crisis. He’s also kind of an asshole. There’s the hoary stereotype of “yeah, but he gets results!”-- the renegade cop who is nevertheless always right. Raylan Givens is a great illustration of what a pain in the ass someone like that is for his colleagues.

One of those colleagues, Deputy Rachel Brooks (Erica Tazel), asks for Raylan’s assistance tracking down a sex offender who’s been spotted in Harlan: Jimmy Earl Dean. On the way, Rachel confesses that, as an African-American woman, she feels uncomfortable around the local white population, and since Raylan is a native Harlanite, she thought having him along would smooth the way. Rachel, from what we’ve seen so far, is tough and competent-- she’s not asking for a babysitter, she’s just being cautious. She can’t afford to be as reckless and nonchalant as Raylan is, and I like that the show calls our attention to that. And, likewise, that Raylan helps out.

It turns out that Dean is currently in the employ of the Bennett family-- matriarch Mags (Margo Martindale), and her “tads” Doyle, Dickie, and Coover--who run what appears to be a sizable marijuana operation. Dean attempts to menace a young girl, Loretta McCready (Kaitlyn Dever), whose father Walt (Chris Mulkey) has been growing his own bud on Bennett land, but Loretta’s a tough customer, and she’s able to get away. At home, Walt tells her that he called the tipline set up to catch Dean. Loretta realizes that this was a mistake-- the Bennetts won’t appreciate outside attention being brought to their business-- and goes to apologize to Mags.

The Bennett family is about as colorful a batch of characters as we’ve seen on the show so far. Mags seems every inch the jolly Southern lady, and her concern for Loretta is genuine, but her frank conversation with Raylan, when he and Rachel arrive at her general store, establishes her as a shrewd operator. She might ply him with her famous “apple pie” moonshine*, and warmly boast of his high-school athletic prowess to a seemingly starstruck Loretta, but she knows what his presence means. Likewise Doyle, who we’ve just seen interrogating Walt at the McCready home-- Doyle jokes with Raylan and demurs that he’s ‘not involved with the family business’, but even if we hadn’t seen evidence to the contrary, we’d know from the way he and Raylan size each other up that something’s fishy.

Which brings us to Coover (Brad William Henke) and Dickie (Jeremy Davies). Coover doesn’t appear to have much going on upstairs, but his sheer size and dull aura of menace mark him instantly as trouble. Dickie, on the other hand, is scrawny and frail-seeming, with a bad limp and a soft voice, but he quickly takes control of the situation when Raylan and Rachel arrive for a chat. It’s heavily implied that he and Raylan share a history, and, retrospectively, knowing what that history is makes their first encounter even wilder to watch-- Davies’ line readings are so thrillingly weird, it’s no wonder both Raylan and Rachel seem unsure what to do.

Fortunately, their immediate problem proves easier to dispel: Dean kidnaps Loretta, but State Trooper Tom Bergen (in what I believe is his first major appearance) alerts Raylan, and they catch up to him at a gas station. Raylan, in an inspired bit of improv, squirts Dean with gasoline, and then warns him that if he fires his gun, he’ll explode. (I’m not sure this would work, but neither is Raylan, so I’ll accept it). Raylan gallantly rescues Loretta, and Dean is taken away in cuffs.

Unfortunately, Loretta’s prediction about Mags’ ire proves true: as punishment for trying to poach Mags’ business and for telling the authorities about Dean instead of going to Mags directly, Walt gets a glass of poisoned “apple pie”. This scene is haunting-- the fear and surprise on Walt’s face, the way Mags’ voice never rises above a gentle croon as she scolds him, the way Dickie holds Walt’s hand and strokes his head as the poison takes effect. In the first season, Justified’s setting seemed a little haphazardly chosen-- the action could have taken place in any number of out-of-the-way places. But this scene, and the episode around it, show us that this season will be taking full advantage of the Appalachia featured in Leonard’s novels and stories. (Despite being filmed in Southern California. No, this will not be the last time I complain about that.)

*I have two notes about the moonshine: 1) Rachel refusing a sample, while it makes sense for her by-the-book character, is, in my opinion, a grave mistake of politesse. 2) My great-uncle, who ran a small, but successful cattle ranch in north-central Montana for most of his life, was famous for giving away jars of something we all called “cherry-bounce”. I’m a little sorry I never had the chance to try any. (He did teach me how to dance the polka, though. He was a cool guy.)

#tv #tv review #long post #justified season 2 #did you miss my heart on purpose

1 note · View note

browntownsquantos · 5 years ago

Text

Day 2 - Vancouver

We woke up early this morning, and had some breakfast. Aaron served us his famous “Turner Continental”, which is just unsweetened oat milk over wilted romaine lettuce. I’m doing the Whole 30 diet right now, so I was ok with it. I know I can have 29 more small meals today, so I’ll be fine. Nate wasn’t stoked, and I caught him pulling raisin toast out of his boot. Steve claimed it was the best breakfast he’d ever had. His positivity might start to grate on me.

Anyway, we loaded up the Turner mobile, and got on the road. Once we hit the border, I knew we would be in the shit, so I ate a bunch of weed gummies about an hour before we got there. Well, I didn’t realize a serving was one gummie, as opposed to the whole bag, so by the time we got to the border, I was completely stoned to the bone. Luckily, we’ve been in this situation a few times, and we’re all quite adept at pulling a “Weekend at Bernie’s”.

As usual, the border agent waved us to the side, and as Brian Eno once said “here come the warm fingers”. We pulled over, and they kindly asked us to exit the vehicle for a quick looksie. Aaron having had a small child recently, he had a baby Bjorn in the truck, so he strapped my stoney baloney ass to his back. The Canadians didn’t seem to care that this weird heavy metal hobo had a little brown fella on his back like a fucking tiny Mexican koala bear, and they finished up their search, confiscating Nate’s loaf of raisin toast and Aaron’s 5 gallon bucket of homegrown micro greens.

We were on our way! Once we got to the venue, I felt a little better, and started helping with the load in. Later, I would find out it took me an hour and a half to bring in one wet wipe and an old cashew I found under the truck when I fell face down trying to climb out. Needless to say, soundcheck was pretty anticlimactic, as I sat backstage thinking I was playing Galaga, but I was just holding a banana and staring at a jar of mustard.

The fellas aren’t really the type to panic, and they knew Nick from Sumac was gonna be at the show. He got there early, and they explained the situation to him. He agreed to cover for me. They asked if he needed some time to learn my parts, and he used that time uncontrollably laughing at the idea that he would need to “learn” anything from me. I still don’t get the joke. Must be a regional Canadian thing.

The result was what I’m told was the best Old Man Gloom show ever! It was certainly the most fun I’VE ever had at an OMG show. I sang along, did some head banging, made tons of friends, I even somehow had a chance encounter and had a very intimate kiss with a stranger. I later found out I wasn’t at the show at all, but had wandered into a church service up the street. Those overly polite Canadian god fearing people didn’t have the heart to tell me I wasn’t at a heavy metal show, and just let me do my thing til I ran outta steam.

I wandered Vancouver for a few hours screaming for Carly Rae Jepsen to face me in the street so we could win the rights to release our new record this week, but she didn’t show. Coward. The Gloom scooped me up, and I slept all the way to, well, wherever the fuck we are right now.

This is what transpired while I lay comatose in the backseat:

Aaron - That was an awesome show tonight. I felt so much more at peace knowing nick was back there.

Steve - Nick is definitely an amazing musician, but Santos brings a lot to the stage also! I missed him.

Nate - Ummmmmmmm....tell me ONE thing Santos brings to the stage that Nick doesn’t.

Steve - Well, he has amazing hair!

Aaron - Have you seen Nick’s hair? It’s incredible. He’s like the Crystal Gail of art metal! It whips around his head like two beautiful brown dolphins swimming around a yin yang belly button ring on the Jersey Shore.

Steve - ok, true. He has really nice hair. Well, drums.....ok. No....Well, Santos is brown, so he brings diversity!

Nate - Hello? I’m also not white. And Nick’s last name is fucking weird, so I bet he’s like some weird Eastern European minority group, or like Yugoslavian or something. He’s definitely not regular white. Plus, drums.

Steve - Ok, true. Well, Santos looks like we gave a Mexican American Girl doll a chance to be in a band! And he for some reason insists on just striking up conversations with specific audience members while we’re playing. That’s kinda interesting, right?

Aaron - No. I hate that. Maybe more than anything else you mentioned.

Steve - Well, he’s good about helping with load in, right?

Aaron - Shut it, we’re coming up to the border, tie a hand and a foot to yourselves each, let’s get this little chocolate Bernie propped up before they send him on a bus to Tijuana.

6 notes · View notes

why-this-kolaveri-machi · 5 years ago

Text

you look pretty, too.

first off: spider-man: far from home is a lot of fun. much like the end of homecoming, it left me feeling warm and happy and already making plans to watch it another time. it doesn’t hang together quite as well or quite as coherently as homecoming, but it takes more risks and displays more ambition, and honestly, how could i not appreciate that?

far from home is absolutely FANTASTIC as another chapter in the mcu saga, much more so than any other film in the series (bar homecoming). it gives a great ground-level perspective on all the mind-bending cosmic shit that goes on in the other movies and does a fair bit of world-building. because it’s so interlocked so organically with a larger narrative, it serves to both bolster that larger vision and provide snide commentary on it. there are so many wonderful moments in this film that deal with the extremely bloated and extremely complicated legacy of iron man, and one gets the feeling that, even by the end of the film, spider-man hasn’t completely shaken off the spectre of tony stark.

maybe because far from home functions so well as an episode of the mcu, spider-man doesn’t get to own even his most heroic moments. there’s still nothing here that i can brand as Iconic on the scale of some of the most memorable shit from other entries in the franchise. it also means that there are so many extra-textual pressures from so many directions on this movie, that the writing often comes off as sloppy.

anyway. i have a veritable fucking dissertation brewing in my head right now, so let’s get right on it.

SPOILERS ahead. if you’re on a device/app that doesn’t recognise the ‘read more’ cut i’m about to insert here and don’t want to be spoiled on basically every aspect of the film, please scroll past as fast as you can.

1. sorry to start off with a bummer, but the premise of this movie is bullshit. i see no reason why this whole shebang couldn’t have been set in new york. there could’ve been more time to deal with endgame-aftermath, we could’ve had more aunt may (criminally underused both here and in homecoming), and peter’s emotional arc could’ve had more set-up. the european locales contribute nothing beyond being pretty backdrops; all of the vital players in the story are american; a lot of the jokes revolving around them being tourists just. don’t. land.

1.25. i appreciate the impulse to be Different given how many Spidermen have appeared on screen just in the last couple of decades, but the european setting is wholly incidental to the plot and wastes valuable time, so.

1.5. apparently a fair bit of footage setting up the vacation was cut so that we could get into the action faster? but honestly, regardless of pacing, the vacation could’ve used some set-up; the jump straight to the holiday was jarring, and i can’t help but feel some vital foreshadowing regarding peter’s spidey sense was sacrificed as collateral. that wonderful moment in the climactic fight when peter realises he can trust his spidey sense to work around mysterio’s illusions feels like the end-point of an arc that never began in the first place.

2. honestly, what a genius way to work in somebody as goofy as mysterio, tho!

2.25. *flails* ok. a little digression here, because my love for this character needs actual build-up, and the build-up needs to start with how much i disliked captain america: civil war. there’s an intriguing ideological conflict that’s set up at the core of the movie that never gets followed-up in any meaningful sense and ends in a facile little brawl between two sets of superheroes who, in any case, are way, way too close to the situation to give us any interesting insights about it. what the two spider-man movies have ended up doing, however, is giving us actual glimpses of the legacy of having superheroes at all instead of just talking about it. the vulture swooped in on the carnage left behind every battle between the avengers and civil war, selling alien tech to anybody who would pay for it, from small-time weapons dealers to desperate people looking to arm themselves in a world that experiences cataclysms every other week to shady-ass governments and secret agencies. a lot of silent and potentially catastrophic damage has already been inflicted by the time spider-man takes him down. similarly, mysterio zooms in during a particularly vulnerable time, playing a world both ravaged and rebuilt by ineffable cosmic forces to build himself up through fancy smoke-and-mirrors work. as always, mcu’s spider-man delights me over and over again with just how organically it both manages to feed off and enrich this larger universe it belongs to.

2.5. mysterio talking about how people these days tend to believe flying people in capes more than technology used in more traditional ways--about how people would believe anything these days--is a bit of snide commentary on the state of the mcu itself and perhaps the world in general. there are now more and more ways to construct narratives and bend lies into almost-truths. social media, ‘deepfakes’, clever editing: you can build yourself into whatever you want the world to see you as if you just have access to the right tools. and it isn’t just mysterio that’s indulging in deception here--so are the ‘good guys’. nick fury getting skrulls to impersonate him and other shield agents to handle missions on earth is a quieter, more insidious kind of unsettling. it’s a mode of deception that is so much more complete and effective than mysterio could ever dream of achieving: you are being lied to by your enemy, but perhaps it is the lies that are being told in the name of your protection that you must be truly wary of.

2.65. quentin beck walking around in a cgi suit while orchestrating and editing big, fake spectacles where a cgi-ed mysterio fights a cgi-ed monster? fucking. brilliant. i thought i would crawl out of my own skin with how fucking meta that was.

2.75. mysterio’s motivations aren’t entirely clear and his ‘toast’ to his team midway through the movie is one of the cheesiest infodumps i’ve seen on film, but jake gyllenhaal makes it all fucking work. there’s a seething, manic energy just bubbling under the surface, and he puts it to brilliant use. he had me totally sold on both his intent to kill peter dead and his grudging affection for the kid. few actors could’ve pulled this off like jake gylly.

3. aah, tony stark. we see iron man’s face multiple times through the movie, to the point where it’s less a tribute to the man and more a depiction of a spectre that’s haunting peter parker wherever he goes. he looms so large that honestly it seems like peter’s biggest battle here is fighting his legacy as iron man’s protege.

while ensemble films like civil war and the avengers movies were content to let the tony/peter mentor/mentee relationship play out without bothering to interrogate it at all, having tony stark so integral to this universe’s peter parker’s origin story is something the solo spider-man movies have to grapple with. there was always going to be tension between tony’s sweeping, big-picture perspective and peter’s focus on being a friendly, neighbourhood hero; between tony as a symbol of the corporate elite and peter being relatable to the everyday, common man; between iron man in his ivory tower and peter painstakingly cutting holes in a sweatshirt in an apartment in Queens. both of spidey’s supervillains so far are born out of tony’s actions--and not even through a deliberate misstep, like creating ultron or trusting secretary ross. they are born out of callous indifference--people who fell to the wayside as tony stark’s corporate behemoth pushed on, oblivious. both toomes’ and beck’s anger is justified, even if what they choose to do with that anger is not.

even when it comes to peter, tony is spot-on in his judgment of peter’s potential, sure, but there’s something awfully... glib in the way he thinks about peter’s life outside of being spider-man. bequeathing him EDITH is a shockingly irresponsible thing to do--and the decision nearly kills both peter and his friends multiple times! i know the saying goes, ‘with great power comes great responsibility’, but as mature as peter is, i don’t think anybody ought to be solely responsible for controlling a super-advanced AI that can summon drones and engage an entire planetary defence system. it’s bonkers, and something i absolutely believe tony stark would do.

so, yes--both homecoming and far from home have no choice but to deal with iron man’s legacy, but they also do a good job in showing how complicated that legacy is. another thing that the solo movies have to contend with from the ensemble films is the clear love and respect tony and peter have for each other--if in civil war peter was utterly starstruck, by infinity war and endgame he’d begun to see tony as a father-figure. their relationship struck among the most resonant emotional chords in both movies, and it would have been near-impossible to have peter interrogate his relationship with his just-deceased mentor in the light of all of that. so while the actual movies complicate and darken tony’s legacy, peter never gets to acknowledge any part of it, which is a pity.

(having iron man appear as an actual zombie in peter’s trippy mysterio-induced vision was a great touch, tho: the words ‘next iron man’ followed him through the movie not as a privilege but as a noose cinching closer and closer around his neck)

3.5. all of this aside, tho, i do feel like something vital about spider-man was lost forever when, lost and hurting and alone, peter could summon a private jet and build himself a new suit in tony’s fancy 3d printer. i realised when i was watching this that i’d been expecting peter to fashion a plan entirely out of his own ingenuity and determination, but this peter... has all of stark industries on call.

4. tom holland’s peter is as charming as ever and i hope he gets to play him for as long as possible--it really does feel like peter’s still in the beginning stages of a very long and fruitful arc. here he’s traumatised and exhausted, pulled by the allure of avengers-level fame and pushed away by the burden and trauma that being an avenger truly entails. he’s wide-eyed and wholly likeable when he’s chilling with his friends or pining after mj, but his bone-deep exhaustion and grief and guilt shine through the cracks in his veneer at exactly the right moments. peter’s put through the wringer here, both emotionally and physically--and holland plays it all perfectly.

given how much is going on in this film, a surprising amount of time is devoted to peter and mj’s budding romance? and almost every second of it absolutely works?? their sweet, tentative kiss on the bridge after the climactic fight feels absolutely 100% earned, and i’m HERE to see them grow as a couple.

5. the fucking mid-credits scene, man. the entire theatre gasped as one, followed by excited chatter and scattered ‘oh my god’s as the end-credits rolled--i’ve never seen anything like it. this is an incredibly bold new direction for spider-man, and it hit me absolutely out of left-field. i can’t wait to see what happens next.

6. honestly, i could go on for longer, but i’m super-tired rn and need to re-organise my thoughts. ultimately far from home is a fascinating consequence of the burden of both extra and intra-textual legacies--funny, wild, and imaginative, but always aware that it can’t run too far away from all of its responsibilities.

#mcu #spiderman #spiderman far from home #far from home spoilers #SPOILERS #peter parker #quentin beck #mysterio #tony stark #this kid is So Important #meta

33 notes · View notes

homiegeesus · 5 years ago

Text

The Year of Magical Thinking, Ch. 3

Summary: Francis Sinclair believed Arthur Morgan had not finished living. In a second chance at life, Arthur discovers what it means to love himself.

At the edge of a precipice and nowhere to run, Arthur concedes defeat. In an extraordinary turn of events, he is sent through the ether to another time where his path crosses with a group not too unlike his own family. After discovering the fate of those he loved before, he races to find a way back. But what if he realizes that there is something worth staying for in this new world? Can two people separated by nearly a hundred and twenty years of living find their happily ever after?

AO3 Link (edit: link fixed)

Author’s Note: So sorry for saying that I would post yesterday when I did not. We had some terrible weather 'round here, and it took me forever to get home last night. Long chapter is long, though. I know y'all are probably like "where is your OFC"? Well, she'll be introduced in the next chapter, I promise. I should have it posted in a couple of days. Shoutout to TheTiniestTortoise ( @shallow-gravy ) who has valiantly offered to beta this story (this chapter was not). Fair warning: I'm seriously going to take you up on this, so be prepared lmao. In the meantime, y'all need to go read "Blackbird's Song". It's a fantastic ArthurxOC take on the RDR2 plot, seriously drop everything and read it! Also, I created a "We Heart It" collection thing where I pin images that inspire me while writing. Just a warning, though: It might spoil some elements of the story. If you don't want any idea of where I'm taking the plot, do not click here.

Thank you to @tiesthatbind1899 (author of Memories of the West - another must read), for the idea. You're awesome.

Almost forgot, in this story, Blackwater is Dallas. I read in the wiki that Blackwater was likely modeled after early 20th century Dallas, so I'm running with it. Plus, it's where I live, and even though most authors can't agree on whether you should "write what you know", this is fanfiction, so hell yes I will write what I know...at least in the first few chapters lol. Hope y'all enjoy this chapter, and as always, constructive criticism welcomed and appreciated!

The Year of Magical Thinking

Chapter 3 - American Remains

Not knowing if the doctor wanted Arthur to follow, he stood for a moment and stared at the carving on the cave wall. After Steven exited the chamber, the cave was again silent allowing Arthur to observe and reflect. His fingers traced the broad lines of the design as he pondered just how the whole situation had come to pass. What an interesting sequence of events. One moment, Arthur was dying and the next he was not. Having been a hair’s breath away from death had changed him fundamentally. Suddenly being thrust into wellness had been jarring, to say the least. Itching to sketch the new carving, he reached to his side for his journal. Hand feeling empty air where his satchel would usually be, he closed his eyes and covered his face.

In a last act of brotherly affection, Arthur had given John his most important possessions: his father’s hat and his satchel along with everything in it. Suddenly, a deep homesickness fell on him like anvil. The realization that he would never see his family again caused a well of emotions to rise up and threaten to consume him whole. He didn’t belong in this place. If Arthur was a part of a dying breed back then, then how would one hundred and twenty years of so-called progress treat him? With no place to call home and not a penny to his name, how would he survive?

Feeling suddenly claustrophobic in this cool, damp place, Arthur turned and followed the path of Steven’s exit. As the natural light of the sun reached him, he felt a wave of humid heat hit his face, instantly causing tiny rivulets of sweat to breakout across his forehead. Finally exiting the cave, he stopped for a moment and took a deep breath. Even in the heat, Arthur delighted in clean, easy breathing. Tortured by diseased lungs in the past months, he had forgotten what it meant to be well.

Looking at his surroundings, he spotted Steven near a table off to the left of the clearing. Arthur began walking towards him, that is, until he spotted the younger man talking to himself. Rooted in place, he observed Steven holding what appeared to be a small black book while gesturing wildly with his arms.

Damn it, you old fool, Arthur inwardly chastised. He had driven the man to madness with his scarcely believable tale. He walked closer to make out the words coming from the young doctor. That’s when he heard the other voice bleeding from the air that surrounded them.

“Steven, my love, my future husband, my everything – if you do not make it to this dinner, I will leave you. And then, I’ll cancel you. You will be canceled!” The voice yelled, sounding as if it came from a phonograph. Arthur furrowed his brow and looked for the source.

“Nick,” Steven responded in voice that even Arthur could tell was full of condescension, “first of all, you know I love you, but you also know I hate these dinners. Secondly, I just told you that something came up at work.” He then cradled the little black book in both hands, thumbs moving wildly over the cover. “It’s incredibly important that –”

Nick interrupted, “It’s incredibly important that you be at this dinner. Steven, we’ve had this planned for two weeks. All of the partners are going to have their significant others with them. They’re expecting you there. They all fucking love you; always like ‘Steven is so charming’ or ‘God Nick, how did you bag a guy like Steven? He’s so funny and you are so – not.’”

Steven laughed, “They don’t say that.” He finally glanced up in Arthur’s direction, smile falling from his face.

“Ugh, yes they do. It’s annoying as shit. I mean, I can be funny,” the voice replied. Steven began looking from the book to Arthur and back again in quick succession.

“Babe, I gotta call you back –”

“Steven –”

“Nick,” Steven interrupted sternly, “I’ll call you right back, I promise.” Call? Arthur thought to himself. That little black book’s a telephone? Nah…

Nick sighed loud enough for both men to hear. “Just please show up tonight. It’s all I ask.”

Steven nodded as if he could be seen. Arthur thought maybe he could. They each said ‘I love you’ and Steven glanced up at him.

“Holy shit,” was all he said.

“What?” Arthur frowned.

Steven just shook his head and held out the little book, or whatever it was. From where Arthur was standing, he could barely discern what looked like a photograph. Steven glanced quickly between the object in his hand and Arthur’s face. He seemed to realize the older man’s cluelessness.

He dropped his arm halfway and grinned, “Oh sorry, you’re probably like ‘what the hell is this?” He gestured to the device and laughed. “Jesus, well, this is a phone. A telephone.” A flipped it in his hands, and then held it out to Arthur. “Go ahead. Check it out.”

Arthur stepped closer and cautiously took the gadget. Looking at it, what he saw would take him back some five years ago to a hunting trip he, John and Hosea had embarked upon in Tall Trees, a year before John had left to God knows where. The trip had been a fruitful one, as the trio had taken down a bear with size to rival the one they had caught in the Grizzlies. It was a good memory, set before his relationship with John had descended into spite and jealousy. He stared at the photograph, the sepia tone making it seem so unreal when his memories burst with color. Arthur, John and Hosea looking as serious as three feared outlaws could, each held rifles behind a large grizzly bear.

Arthur looked up to Steven, “Where’d ya get this?”

The corners of his mouth quirked as if he went to smile but then thought better of it. “That’s a, uh, long story. But I mean –,” Steven then smiled, “it’s you.” He laughed a little manically, “That’s you in that photo.”

Arthur, not realizing the significance of this moment, just replied with a shrug of his large shoulders, “Yeah.”

Steven briefly ran a finger over his lips as he continued to smile, “Dear God. How the hell did this happen?”

“Ain’t gotta clue,” the outlaw replied simply.

Steven just shrugged. “Well, in any case, we have to figure out what we’re gonna do with you. I mean,” he laughed, “you could come home with me, but my, uh – Nick would probably freak the hell out.” A considering look passed over his face. “Hey, you said you were sick before?”

Arthur nodded, “Yeah, but I ain’t coughin’ no more.”

“Tuberculosis?” Steven supplied. The other man’s eyes narrowed fractionally.

“How’d you know?” The doctor just gave a toothy grin.

“Mr. Morgan, you’re quite famous. Like Jesse James.” At Arthur’s perplexed face, he continued, “Didn’t you, like, have your own gang, or something? You know, like Jesse James did?”

Arthur laughed, “What? No.” He shook his head, “I was in one, but I weren’t the leader. That was Dutch.” Steven’s face lit in recognition.

“Oh yeah,” he then looked off to the side. “I haven’t seen any westerns since I was a kid, so I’m only vaguely familiar with the history.” He looked back to Arthur with a smile, “My friend Ada would know. She loves them.”

“Uh-huh. Western? Like a dime novel?” The outlaw asked, head tilted in question.

Steven shook his head. “No, movies. They’re like, uh –,” obviously wondering how to explain, “you know, moving pictures.”

“Oh yeah, I know ‘bout them. Used to go to the theater on special occasions an’ such,” Arthur recalled.

“Well, they’re a little different now,” the doctor laughed. “They’re in color and have sound, so –”

Arthur tracked his thumb across his stubbled chin. “Ain’t that somethin’,” he replied a bit in awe.

Steven smiled, “Yeah well, you’ve been portrayed a couple times, I think.”

Amazed, Arthur responded, “Yer kiddin’.” The younger man just shook his head.

“Nope. The only ones I know of came out a long time ago, like the ‘40s or ‘50s. Maybe earlier.” The outlaw lightly laughed.

He looked slyly to Steven. “Were they, uh – were they handsome?” The corner of Arthur’s mouth ticked slightly up.

Steven barked out a quick laugh. “Oh yeah. They were.” He shot the other man another toothy smile. “Though, I’m beginning to think that they didn’t do you justice!”

Unfamiliar with such bald-faced compliments, Arthur bowed his head in an attempt to hide the shy smile forming on his face. Damn it all, he didn’t have his hat. He just swatted his hand and said, “Nah.”

Steven was apparently having none of that. “Trust me, Arthur. Even covered in dirt, you’re a tall drink of water on a hot day.” He let out a loud guffaw at the sight of the blush that crept up on Arthur’s face. “I’m just messin’ with ya.”

Arthur just shrugged and tried to conjure up what little was left of his mean outlaw persona. “Yeah, well –”

“Alright,” laughing again, Steven stepped past Arthur, clapping him on his shoulder. “I’m gonna go turn off the generator and stuff, and then we’ll figure out what to do.” -------------------------------------------------------------------------------

What in the hell was he going to do? Nick would kill him. No doubt about it. His future husband would whip out that Latin Fire and scorch him where he stood. Steven could see the inevitable conversation play out in his head. ‘Honey, I’ve brought home an outlaw from the 19th century. He’s going to be staying with us for a while. Oh, and he has a gun, and he could shoot us in our sleep and rob our corpses.’

“Jesus,” Steven said quietly to himself as he gathered the equipment around the worksite. His morbid train of thought was then interrupted by the shrill sound of his cellphone ringing. Grabbing the device from his back pocket, he looked at the screen.

Nick, the ID screamed at him. Steven stared at it a moment before answering.

“I swear I was just about to call you,” he started. He could hear the eye roll coming through the phone.

“Uh-huh. Why did you tell Jeremy to go home earlier?”

Shit. “Well, I uh –,” completely unsure with what to say and totally unfamiliar with lying to his partner, he explained the best he could. First though, “How did you know I sent Jeremy home?”

“You sounded weird when I spoke to you last, so I texted him. Stop trying to change the subject.”

Figures. He needed to teach the kid about worksite discretion. But right now, he had to get through this conversation. “Something did come up. Nick, there’s something I need to tell you.”

Nick responded in a concerned voice, “Steven, what is it? What happened?”

“Well – you see – I, uh, I’ve met someone else, and I’ve decided that we’re going to be together.” Steven paused a second, then added, “I’m leaving you.”

“Good lord, Steven. Be serious. I’m sitting here thinking you’re about to tell me you have cancer or something.”

“Oh, no. I’m healthy as a horse. I am leaving you, though.”

“Mi amor. Please. What’s going on?” Nick was sounding legitimately concerned now.

Steven sighed, “Look, I’ll tell you everything. This evening.” He added, “Just trust me. We’ll talk about it tonight after dinner, I promise.”

Giving a light chuckle, Nick reassured, “Okay, okay. I trust you. I wouldn’t be marrying you if I didn’t.”

“Thank you. I’ll see you tonight, okay?”

They said their goodbyes and hung up. Steven turned and looked at Arthur across the clearing. The outlaw was sitting at the picnic table, arms folded. Suddenly remembering a part of their conversation from earlier, he looked again to his phone. Selecting a contact, he dialed Lauren Linklater’s number. She answered on the third ring.

“Linklater.”

“Hey, it’s Steven. You gotta minute?”

He could hear a distinct crunching noise. “I’m at lunch. What’s up?” Always succinct and to the point. Steven appreciated that right now.

“Well, I have a question about something. Completely hypothetical,” he started.

“Okay.” She waited for him to elucidate.

“Okay, so again, completely hypothetical –”

“Steven.”

“Yeah?” He asked.

“I’ve got like ten minutes to eat before I have to go put my hands in some dude’s chest cavity –”

“Right. Yeah, sorry, so – say someone traveled through time from, I dunno, 1899 to our time. Would you be concerned about them getting deathly sick from something really simple, like a common cold? Would they be more susceptible?” Then he remembered, “Oh, and what if they had tuberculosis before they – you know, time-traveled?”

Steven figured she might be chewing her lunch, when it took a moment for her to answer.

“Is this a part of your weird cave art or something?” She asked.

“Rock carvings,” he corrected. “Well, kinda. I mean, yes. It is.” He explained, “I’m asking you because it’s a little bit outside my purview.”

“Okay, well, it’s a little bit outside of mine, too. This would be a great question for, I dunno, an epidemiologist or – heh, Doc Brown. I’m a general surgeon.”

Steve sighed, “Right. I just needed a quick opinion, so –”

“I just don’t want to give you incorrect information, especially for your job, ya know? If this is off the record, or whatever, I can try to resurrect some of the ole braincells from med school.”

He laughed, “Yes, if you could do that, I’d appreciate it.”

“Okay, so I probably wouldn’t be too concerned about this hypothetical person getting a modern day cold. Our immune systems are pretty badass, and it’s been that way for a long time. I’d be more concerned about a modern-day person going back, like, five hundred years, I guess. Still, I would maybe want to do a blood test and a cheek swab to make sure they’re not bringing small pox or something with ‘em. You say this hypothetical dude had TB?”

“Yeah, but afterwards, he didn’t have any signs of still being sick. And before, he was near death, like minutes or hours away.”

“Okay, well, they’d probably need to get checked out anyways. TB is highly treatable with antibiotics these days, so not much to worry about. If this dude wasn’t showing any signs of illness, chances are he didn’t bring it with him.” She then began to laugh.

“What?” Steven asked.

“Nothing, just – we’re talking about it like it exists. I dunno, just thought that was funny.”

“Yeah,” he breathed a laugh. He heard her begin chewing again.

“Steven.”

“What?”

He could hear the smile in her voice, “Did you find a diseased time-traveler?”

“Very funny,” Steven muttered sarcastically. “I’ll let you get back to your lunch, and your – chest cavity.”

Lauren laughed, “Okay, let me know how your project goes.”

“Will do.”

Hanging up, Steven sighed. Thinking about where in the hell he could stash a time-traveling cowboy, he walked back over to Arthur. The outlaw was hunched over the picnic table, staring intently at his hands. He looked up when Steven’s boots entered his field of vision.

“Well, we gotta head out pretty soon before traffic gets too bad.” He glanced in the direction of his car beyond the wall of pine trees.

Arthur frowned, “Traffic?”

Steven nodded, “Yup. You know, lots of vehicles, people.”

“Yeah, I know what traffic is. Jus’ wonderin’ if we’ll be goin’ through a city?” He clarified.

Motioning for Arthur to follow him, Steven elaborated, “Yeah, but not for a while. It’s pretty crazy, but it’s not just the cities that hold most people now. There are a shit ton of people in the boonies, too.” Judging by his expression, Arthur didn’t seem to like that little tidbit. Steven pointed to a couple of small crates, “Mind helping me carry these?”

Arthur moved to pick up one of the containers, “Naw, ‘course not.” Both men began walking along a path surrounded by trees leading out to the parking lot. Steven let out a loud laugh at Arthur’s face when they reached his silver Ford truck.

They sat down the crates as Arthur took a moment to absorb the vehicle in front of him.

Steven, thinking of the Bon Jovi song, tried his best to explain. “It’s like, uh, a steel horse. Ya know – “

Arthur just looked to him with a sardonic face, “I know whatta automobile is.”

Steven nodded, “Oh, right.”

“They’re just, ah – a li’l different than I remember ‘em.” Walking around the perimeter of Steven’s car, Arthur seemed to observe every little detail. Almost like an artist would a subject, he thought vaguely.

“Yeah, well.” Steven kicked a rock at his foot. “Wait ‘till you get inside.”

“Huh,” the cowboy huffed. Coming to stand beside Steven, he looked to the younger man. Placing his hands on his hips, Arthur pondered, “Just how would one go ‘bout doin’ that?”

Steven huffed out a laugh, “We’ll get to that, but first, we need to, uh – talk about your, uh, gun.”

“You ain’t takin’ my gun, Doc.”

“Steven, and it’s just –”, Steven took a step forward. Arthur’s hand went to his pistol grip, as if preparing to draw, and Steven shot his hands up in surrender. “Woah, I’m – I’m not going to take your gun, well – not for what you think. Can you just please take your hand off the gun? Please, don’t shoot me.”

Arthur acquiesced by removing his hand and briefly raising it palm forward in the air.

“Look, I’m not trying to take your gun, at least not for why you’re thinking. It’s just – times have changed. You can’t just walk around strapped like Jesse James.” Arthur quirked a dark brow. “I mean, this is Texas, but still. Cops can have itchy trigger fingers ‘round here.”

“Ain’t that all the more reason I should keep my gun?” Arthur’s deep voice drawled.

“No! Absolutely not!” Steven laughed incredulously. “I mean, that may seem logical to you, I guess, but trust me when I say you do not want to go shooting cops. ‘Law and order’ is – well, it’s just not the same as it used to be.”

Arthur looked pensive for a moment as he stared at Steven, as if to determine if the younger man was being truthful. Finally, his hands went to the buckle of his gun belt to loosen it. “You ain’t gonna make me regret this, are ya?”

Steven exhaled a nervous laugh, “What? No, no. I mean, you have more of a chance of being, I dunno, sucked up by a tornado than you have of being shot at between here and where we’re going.”

“Uh-huh, and jus’ where are we goin’?”

“Well, that’s TBD.” At Arthur’s confused expression, Steven quickly amended, “To be determined.”

“A’right,” the cowboy waved a hand in the air. “Let’s get a move on then.”

-------------------------------------------------------------------------------

After placing the crates inside of the bed and Arthur’s gun belt under the backseat, the men climbed into the monstrosity of an automobile. Steven had shown Arthur how to open the door and put on a seatbelt, but it seemed easy enough. Sitting in the interior of this modern-day work horse, he luxuriated in the leather seat. He ran his fingers along the armrest, the treated leather feeling like smooth silk against his calloused hands. Looking up, his antiquated mind tried to conjure up why a person would need all these knobs and dials. What was their purpose? Steven settled into the seat beside him.

“You ready?”

“I gotta choice?”

Steven quirked a brow, “Not really.”

“Well then. There’s yer answer.”

And with that, the young doctor turned on the beast beneath them. Arthur did not expect the burst of noise that felt as if it hit him physically. Steven reached for the dials in front of them and quickly apologized.

“Oh god, sorry! I forgot I had the radio on, I’m so sorry,” he said quickly.

“Good god, man. How do you still have yer hearin’?” Arthur questioned, absolutely astonished.

“Yeah, that was loud. It keeps me going on a long drive.” He laughed, “I’m so sorry.”

Arthur just shook his head, “What in the hell was that?”

“Uh, music. Metallica, I think.”

The outlaw stared at Steven like he’d grown two heads, “Music? What the hell kinda music is that?” He shook his head. “Sounded like a thousand cats dyin’.”

Steven shrugged, “I think they’d like that comparison.”

The doctor tinkered with some levers and such around the wheel, and suddenly they were moving. Exiting the area, they pulled out onto the road. Despite the anxiety Arthur felt at the fast movement, he decided it wasn’t too terrible. That is until the speed caused his world to tilt.

Steven was chatting away about where they were going and what they would do when they got there, when Arthur began to feel utterly nauseated. Mesmerized by the white lines in the middle of the road as they moved past so quickly that they turned into one blur, his vision doubled, eyes nearly rolling back in his head. If Steven noticed, he didn’t say anything, so preoccupied as he was.

“I mean, we have a pullout couch. But our place is tiny. We’d be like sardines in a can. You had those in your time –”

“Doc.”

“– right? Of course, you did. Well, we’d be like sardines. It’d be uncomfortable. I’d ask –”

“Doc.”

“– Lauren, but she’s a doctor. She’s always working. It’s not like –”

“Pull over.”

“– I can leave you alone. Holy shit, I know who –”

Arthur finally raised his voice, “Steven!

Confused, Steven replied, “What?”

Looking at the other man, Arthur gritted lowly, “Stop this damn contraption ‘fore I vomit all o’er this nice leather.” Finally understanding, Steven pulled to the side of the road. As Arthur went to hop down from the vehicle, something jerked him back into place. Before the outlaw could grab his knife, Steven calmly reached over and unbuckled the belt. Murmuring a quick ‘thanks’, Arthur hauled himself out of the truck and into the field. A loud horn from another passing vehicle would have scared him out of his boots, if he hadn’t been so overcome with nausea.

Steven yelled a sarcastic, “Ok, thank you!” before saying to himself, “Asshole.”

Wiping his mouth, Arthur turned and walked back to the truck. Once they were both inside, Steven looked at him.

“You okay?” He asked, concerned. Arthur just nodded. Steven continued, “I didn’t even think about you getting motion sickness. Sorry ‘bout that.”

“S’alright,” Arthur said quietly.

The doctor handed him a bright pink pill of some sort and what looked like a clear canteen.

“It’ll help with the dizziness. Plus, it might even help you get some rest. We got a couple hours drive before we reach the city.” Arthur took it without question, washing it back with the warm water as Steven pulled the truck back onto the road.

He questioned, “City?”

“Yeah. Blackwater.”

Unable to help it, Arthur felt his blood run cold. Knowing that his bounty was long gone was not enough to keep his anxiety from spiking. Arthur did not say anything. This man knew his name, did he know his sins? Would he still be so generous and willing to take him in, knowing the blackness of the outlaw’s heart?

Steven briefly glanced his way. “I have an idea about where you can stay. I have to call her, but I know she’ll be okay with it.” He looked back at Arthur. “I think you’ll like her.”

Arthur just nodded, feeling the effect of the medicine begin to take hold. Eyelids turning heavy, he shifted until his head lulled forward. Exhaustion catching up with him, he surrendered to Morpheus in a dreamless sleep.

#Red dead redemption #red dead redemption 2 #Arthur Morgan x oc #Arthur x oc #the year of magical thinking #rdr2 #rdr2 fanfic #rdr2 fandom #rdr2 fic #arthur morgan

6 notes · View notes

creativity-is-rebellion · 6 years ago

Text

Top 10 Creepy/Scary Songs

I know it isn’t Halloween, but really, we can do this kind of thing any time of year, because I like discussing scary things. The following list is an eclectic mix of songs from varying genres that have creeped me out to varying degrees over the years. Enjoy!

'Acid Rain' Lorn (2015)

The the music video clip features zombie cheerleaders dancing their final dance for their onlooker (presumably Death himself) around an abandoned diner before they pass on into the afterlife. You-Tubers and Reddit users alike believe that the video depicts “Native American traditions that believe when Death comes you have the chance to dance your last dance, and Death has no choice but to watch. The wooden Native American looking into the distance in the diner for the video is a tell tale sign of this artistic vision.” Symbolism aside, it is hauntingly mesmerising.

In addition, and aside from the music video, the lyrics "daylight in bad dreams" makes me think that the subject of the song has bad dreams about living their everyday life, and that he doesn’t want to wake up, because his day-to-day drudgery is one long nightmare. This unsettles me, because it reminds me of the quote by Hannah Arendt, who discussed the banality of evil, within the context of Nazi Germany. Horror doesn’t have to be fantastical when reality is horrific enough. Which brings me to my second song....

'This is America' Childish Gambino (2018)

The music video for this song went viral at the beginning of 2018 for its shock value and controversial symbolic imagery. Several YouTube videos have been dedicated to deciphering the meaning behind both the video and the lyrics. The video and the lyrics are primarily dealing with the plights of African-Americans, and also seem to depict the careless handling of gun violence in America, in the wake of seemingly endless massacres and shootings. The laws don’t change, despite the damage that these events do. All of these issues create a horrific landscape for modern-day America, which can be far more terrifying than any supernatural phenomena.

'If I Had a Heart' Fever Ray (2009)

Also the theme song for the TV series 'Vikings,' the music video for this song by Swedish-Norwegian folk group Fever Ray depicts children fleeing with creepy-looking shamans from what appears to be a massacre in a palatial mansion, where bodies are strewn across the living room and even across the empty pool in the back garden, all while a demonic voice utters “more, give me more, give me more.” It appears that it may be Death itself panning his eyes across this visual landscape, watching it all unfold, and always wanting “more” death. It also fits the TV series it is a theme song for, as it could also be seen as an ode to human greed, as seen in the lyrics, “this will never end because I want more.” The whole song makes for eerie, ethereal listening.

'Theme Song' American Horror Story (2011)

Speaking of theme songs for TV series, the opening theme for this FX anthology series is one of the most disturbing I have witnessed, and of course, the one that had the most impact was the intro for the the first season, Murder House. Baby heads in jars, along with other body parts, a gruesome cellar, and a lot of creepy child pictures flash on the screen sporadically as the theme song plays at the beginning of each episode. The discordant, spooky sounds set up an uneasy vibe for each episode, making audiences constantly on edge

'The Carnival' Amanda Jenssen (2012)

Also featured as a song in AHS Freak Show, this song has a foreboding, long intro before Ms. Jenssen’s moody voice kicks in, and, thanks to Freak Show, I will always associate this song with Twisty the Clown, and those scary teeth he has. The lyrics fit well with Jenssen’s album that they were featured on, entitled, “Hymns for the Haunted.” Give it a listen.

'Hurdy Gurdy Man' Donovan (1968)

If you've ever seen the 2007 movie 'Zodiac,' you'll know what I mean. But even before this movie came out, I remember travelling in the car with my parents and listening to this song playing on the radio, or on one of their cassette tapes on a long road trip, and even if it is not supposed to be a creepy song, it always sent shivers up my spine when Donovan sang the lyrics, “Down through all eternity, the crying of humanity.” It just felt so final and nihilistic, and that the Hurdy Gurdy Man was not the answer, but rather the cause, of all this endless sorrow. Call me weird, but this song definitely fits that shooting scene in Zodiac, if only because of how it mirrors the helplessness one would most definitely feel if being shot at unarmed, or if trying to calm the eternal cries of humanity.

'House of the Rising Sun' Lauren O'Connell (2012)

There are many versions of this song, the version by The Animals in being the most well-known and popular, but it’s Lauren O’Connell’s version (also featured in AHS Coven) that is the creepiest rendition of all. It’s slow, moody and builds tension in a way that makes you feel that the “House in New Orleans” is definitely a godforsaken place that no-one would want to end up in, and that all who go there face certain doom. Let’s just say the AHS franchise does creepy songs well.

'Turn Around, Look at Me' The Vogues (1966)

Made creepy by Final Destination 3, and probably one of the best things about this dismal instalment to the Final Destination series. Every time this song comes on the radio or over a loud-speaker, we know that the protagonist and her pals are in for a rough time, and the final time it plays on the train, when a guitarist disembarks, you feel as if Death itself is singing the song, and it is a memorable omen for the devastating events that follow. What can I say, I just really appreciate a well-placed song in a movie that creates the right atmosphere (or more appropriately, “atmosfear”). This song in this movie does exactly that.

'Missing' Everything But the Girl (1996)

Seriously, just listen to the lyrics behind this dance-y track. The singer asks pretty early on if the subject of her song “could be dead.” Other depressing lyrics are hidden in this seemingly upbeat Eurodance track. I like that lyrics such as this can exist in what appears to be a cheerful song. It gives it layers, and I appreciate layers as much as I appreciate symbolism.

'Every Breath You Take' The Police (1983)

The ultimate stalker song. I read that Sting was inspired by some sort of Cold War version of a Big Brother situation, and I never got why there were people that thought this was such a romantic song they played it at their wedding. It’s musically pleasing, but the lyrics give off a suffocating vibe, and I cannot help but think the stalker in the song got the upper hand in the end, probably in some sort of Nick Cave “Where the Wild Roses Grow” scenario. Brrrr.

And that concludes my list for now. There might be a part two somewhere down the track. Adios, and pleasant nightmares.

#creepy #creepy songs #favorite lists #symbolism #music #creativityisrebellion

100 notes · View notes

dailyfeartwdgifs · 5 years ago

Photo

Fear The Walking Dead Season 5, Episode 1 Review: Crash And Burn

I'm having a really hard time mustering up any sort of enthusiasm for Fear The Walking Dead, and the opening episode of Season 5 isn't helping.

It's not that last night's episode was terrible. It even had a few good moments, and an interesting twist with the mysterious armored zombies and the documents Al found, all pointing to the same group that whisked away Rick Grimes in The Walking Dead's most recent season.

Likewise, when Strand (Colman Domingo) discovers that the guy Al (Maggie Grace) knows who has a plane is Daniel (Ruben Blades) and looks so distressed, I had a good chuckle. Strand and Salazar are not on the best of terms.

I even liked the ragtag group of kids that the survivors run into, as well as the new sort-of-bad-guy Logan played by Honey I Shrunk The Kids alum Matt Frewer. I don't think I've seen Frewer in anything since that 1989 film, but I recognized him instantly. I say "sort-of-bad-guy" because the dude has a point. Just because Morgan and his group moved into the Mill doesn't make it theirs necessarily. If he owned it before the apocalypse, I see no reason why he shouldn't own it now. He got them out of there without firing a shot, also, which is pretty nice for a villain, especially compared to basically every other villain in either Walking Dead show.

But other than that, and some cool Alicia (Alycia Debnam-Carey) zombie killing moments, the episode just fell enormously flat for me. I think part of it is the premise now that the show has adopted Morgan (Lennie James) and his do-gooder philosophy. I guess now our heroes are literally heroes, out trying to help people no matter the risk.

Crash Landing

I mean, they somehow managed to get a plane which none of them knew how to fly, and then flew somewhere in order to help Logan (who was tricking them) with no real gameplan. I'm not sure how they were going to fit everyone in such a small plane after this theoretical rescue, but considering that they didn't even know how to land the thing and could have all died in the process, this just strikes me as enormously stupid.

Almost as stupid as not drinking the damn ethanol when the tanker got shot up last season. My goodness, it's like watching a show about the stupidest people alive somehow managing to survive a zombie apocalypse. It's painful to behold. It would be funny if that was the actual premise (seriously, I'd watch the Idiocracy version of The Walking Dead) but alas, these are supposed to be tough, smart survivors. Not the imbeciles they've been written as.

In any case, they crash land and Luciana (Danay Garcia) is impaled in the crash. Nobody else is severely injured. This would have been a good time to kill of Luciana who hasn't been an interesting or useful character since she became Nick's girlfriend shortly after being introduced as a badass leader, but no. Rather than mercy kill her, the character assassination will continue apace.

Also, while I'm happy to see Daniel return (he's by far the most interesting character other than Alicia at this point) I'm not sure why Blades would want to return to this sinking ship. Maybe (hopefully) the season improves after this episode, but I'm not getting my hopes up. The fact that Al has also interviewed him is just too convenient, too much of a coincidence, on top of her having also interviewed Madison before meeting up with Morgan and John Dorie (Garret Dillahunt). Al just knows everybody, I guess. And everybody just magically shows up in the same vicinity as one another for some reason.

Speaking of John Dorie, I really do like his character but they're just not using him for anything interesting at this point. I'm also having a hard time buying his and June's relationship. June (Jenna Elfman) is another character I just have no feelings for whatsoever. Why did they make her a nurse when she's basically a doctor? Nurses don't operate on people. They don't perform major life-saving operations like this at trauma centers or anywhere else. I could believe that she'd make an attempt in a pinch like this, but the whole notion that she's some seasoned surgeon at this point is just silly. Just make her a doctor in the first place if this is how you're going to use her character.

I don't know exactly what it is that rubs me so wrong about June, but I guess maybe it's both Elfman's performance to some degree, as well as her character arc and how she's been written. The whole "nobody can help me" character always running away suddenly transforming into another of Morgan's Avengers just didn't land for me. And I'm not really feeling much chemistry between her and Dorie, though that may be a symptom of the writing.

Stupid Is As Stupid Does

In any case, Al is knocked out and captured by one of the mysteriously armored people because I guess she thought it was a good idea to go back to the crash site in the dark and rain by herself to investigate for some reason. Like everyone else on this show, and for reasons known only to the writers and producers, Al is a total idiot.

Meanwhile, Logan pulls a fast one on Morgan by tricking them into going to a distant truck stop (we still don't know where, but I guess it was far enough that they had to fly in a plane they found somewhere but didn't know how to actually pilot, oh my god who writes this stuff???) and then peacefully taking back what was his to begin with. He even dumped a bunch of their stuff outside the fence in the process. In yet another scene of abject stupidity, when Strand and his new trucker pals, Sarah (Mo Collins) and Wendell (Daryl Mitchell) show up and see other people have occupied their base, they all get out of the truck and point guns at them, just standing there right out in the open, outnumbered, making themselves the easiest targets imaginable. If Logan had been a more ruthless foe, he would have had them all shot right then and there and wouldn't have faced a single loss.

Who does this? Nobody, that's who. Nobody would just walk out there like that, knowing they could be easily shot and killed, with no semblance of strategy and apparently no lines of dialogue either. Also, they'd need to actually help Wendell get out of the truck and into his wheelchair, so now I'm just picturing how ungainly and awkward that must be when you're trying to have a proper standoff. Like, sorry yguys can you just not shoot at us while we get our friend out of the truck and into his wheelchair?

Ugh. What a letdown. This show has really tanked since the new showrunners took over and since virtually the entire main cast was killed off and replaced. I was never the biggest fan of Madison, but she grew on me in Season 3 and it really was a show about her and her kids, and now Nick is dead and Madison is dead and it's like we're watching an entirely different show now. Why not just make a new show instead of cramming this new cast together? It's all so jarring. Morgan makes no sense on this show. I can't stand him and I can't believe they've actually made this show into a "let's help people" story. It was so much more interesting when Madison was playing both sides of the Otto/Native American conflict, or when we had characters like Troy around keeping us on our toes.

It's gone from a zombie show about morally grey characters to one led Morgan Jones for goodness sakes. Morgan is a fine character, as a secondary character, as Rick's mentally disturbed friend, as a moral compass for the main group. He's not a leader or a lead.

It's a crying shame that it's come to this. I am not particularly hopeful for this season, though they've surprised us before. Last season I actually really enjoyed the first few episodes before it went over the cliff, jumped the shark, killed off the best characters and introduced the lamest villain any zombie show has ever seen. So maybe the opposite will happen here, and the writing will improve and our heroes will stop acting so stupid all the time and we'll get a decent conflict.

Yeah, I don't think so, either, but it never hurts to have a little hope. Rebellions are built on hope.

#ftwd #fear the walking dead #season 5 #spoilers #review #article #forbes #aheartfulloflexa #camila

12 notes · View notes