#also love love love love love knightley in this version

[rendnotmyheart]

Frank Churchill <33333333

[itskaitsart]

worlds end portrait studies (always on my brain)

[hotjaneaustenmenpoll]

Third Place Poll

Propaganda...

Colonel Brandon (1995):

Alan Rickman has the sexiest voice. Just listen to him reading poetry to Marianne at the end to witness how hot he is.

Alan Rickman simply embodies the truth of Col. Brandon in a way that no one else every could. It's the perfect merging of actor and role. He brings the perfect combination of honor, decency, sensitivity and passion. He is the ultimate mensch.

Brandon propaganda in which even the film's director agrees that Brandon is sexy.

More Brandon propaganda! This photo could only be published in black and white because it would have been too powerful in color (the original color version is currently being used to provide electricity for a medium sized town in Devon. It's THAT powerful).

The brim of the hat falling over his eye. The casual lean. The hunting rifle slung across his leg. The puppy bestie. The fact you know he could row that boat while you watch and wish you were the boat.

From Emma Thompson's diaries which she kept while they were shooting Sense & Sensibility. Emma Thompson said vote Colonel Brandon.

The man has just heard her sing for a minute and he’s positively awestruck!

also adding his adorable adorable smile just bc i can.

Mr Knightley (2009):

Johnny Lee Miller as Knightley is JUST SO. I mean the way he says "if I loved you less I might be able to talk about it more" IS JUUUST. The dance scene. The tentative shy smiles. The fact you can see in his eyes the entire time " I am completely in love with this woman. She'll never love me back BUT I DO NOT CARE I'LL LOVE HER FROM A DISTANCE ANYWAY" IS JUUUUUUST

We need to appreciate Mr Knightley more for both his snark and for those soft eyes just so full of love for Emma

GIF by��dearemma

I was just going to send in the actual dance but the little panic he has when Emma says she knows his secret is just soo charming. There was some thread on twitter a few years ago about how a romcom man's most important quality is knowing how to look at a woman and JLM is just the master of it in this Emma

I really feel like the pictures say it all. He stands there, head tilted to one side. He is listening to you. His posture is relaxed. His gaze open, frank, candid. He's not trying at all. He just is.And that's why he is Knightley.

GIF by night-unfurls-its-splendour

Some propaganda, not just for Jonny Lee Miller, but the general interpretation of 09 Knightley. I have some excerpts here from my review of the 09 adaptation:

What I really think is great about the 2009 interpretation of Mr. Knightley is what an easy and comforting presence he is, without being apologetic when he scolds Emma. I think this is communicated especially well by how often we are actually shown Mr. Knightley taking his almost-daily walks to Hartfield, how smoothly he comes and goes, and how happy Emma is every time she sees him coming up the path (usually, just at the perfect moment when she needs something to put her back to rights.)

64.media.tumblr.com

Here is Emma, feeling lonely after Miss Taylor's wedding. And in the background, walking up to Hartfield--there's Knightley. He's always been there for her, and he always will be.

And also this Mr. Knightley is as understated as ever, but I wanna highlight this outfit and why I love it: This is Knightley’s first appearance in the series and it’s the perfect establishing shot that shows the viewer everything they need to know about Emma and Knightley’s relationship and how it has always been. He sort of materializes, out of focus in the background, but Emma immediately knows he’s there. And to accentuate how much Knightley is part of her home and scenery, his clothes (similar shades of pale tan, white and minty green to the wall behind him) almost camouflage him and make him seem at one with the moulding of her home.

Additionally, Jonny Lee Miller captures Knightley’s playful qualities, and his exasperation is so endearing

GIF by christophernolan

GIF by sashajames

GIF by christophernolan

I can’t be the only one tickled by this Knightley’s frustration with Emma! JLM FTW!

Jonny Lee Miller is mesmerizing in any role he inhabits. It’s 2009 Knightly all the way.

no but can you actually go vote for mr knightley he was FOUNDATIONAL for 16 year old me my favourite portrayal of my favourite austen man cannot fall at this hurdle!!!

He is my ultimate Austen Dream Man, I'm with him until the end. Honestly this adaptation is my very favorite of them all (P&P 1995 is a VERY close second) because it made me fall in love with Emma as a story? Honestly no other adaptation or indeed even my reading of the book made me love it quite as much. My crush on JLM goes back to 1995 and I do think he is one of the better actors of his generation - his range alone is just impeccable. The fact that he can go from Sick Boy to Mr. Knightley to Sherlock to Jordan Chase is really something. Of all the actors I know, his range is the most impressive. But i love how bright and sunny this adaptation is. The colors, it is as vibrant as Emma should be! The Kate Beckinsale Emma is dark and terrifying to me, not at all suitable an adaptation. I like the Paltrow Emma a lot, but it's got the same issue the 2005 P&P has for me -- it's just too short. This is tonally just right, and the casting is lovely, and JLM is just at his dashing best. His face is so expressive, he is so capable of communicating so much without saying a word. His open jealousy of Frank Churchill is delightful to watch. His face when Emma tells him his secret is out at the ball! JLM is maybe the most underrated actor of his generation and I LOVE that he has been multiple Austen heroes. I maintain that in a future adaptation of Pride & Prejudice, an older JLM would make an EXCELLENT Mr. Bennet. He would convey the right amount of grumpy but fond beautifully.

Look. Do people realize JLM hates wearing period clothing AND hates dancing? And yet in Emma he's sashaying around in pink jackets looking amazing and is THAT convincing? That's called BRILLIANT ACTING!!

A tiny bit of Mr Knightley 2009 propaganda but I love that they put in that bit from the book where he looks like he's going to kiss Emma's hand when he's saying goodbye but then he hesitates and doesn't and I just...it's such a tiny detail but conveys so much!

GIF by myforeverworldofmovie

It’s the only Emma adaptation that really hits the romance notes well. Knightley’s crowning moment of awesome really feels like it (when he rescues Harriet from humiliation) and his subsequent dancing with Emma does make you feel a shift in their relations. Love this adaptation. - This Knightley and Emma in particular are equals. They quarrel, not because he’s telling her off, but because they can have an argument because they know each other, trust each other and care about each others opinions, and there is never a sense of domination of one over the other. This adds so much fire to the romance, and it’s so unusual for a romance of that era (or even one written today!!). - Emma is rich, clever and beautiful and as powerful as a woman of her age and situation could be at the time and she married Knightley for no other reason but because he’s her best friend and his company for the rest of her life will enrich her. - He even leaves his house to move in with her!

GIF by elinordash

[elyvorg]

The Most Significant Change in AAI2’s Official Localisation (according to me)

Ace Attorney Investigations 2 finally has an official localisation! This is kind of mind-boggling to those of us who played the fan translation and have loved it in that form for years, never expected an official localisation to happen, and now suddenly have to get used to everything about it being Just Slightly Different.

Having played the official localisation in full, I can say that for the most part, it’s even better than the already-excellent fan translation! Most of the lines have just a little bit more colour in them now, and there’s a bunch of small nuances that went over my head before that are emphasised better in the new version. There are some lines I prefer in the fan translation, but they’re vastly outnumbered by all the lines I prefer in the official version. All in all, strongly recommend fans of the fan translation to check out the official version in some form.

However, among these minor lines here and there that I prefer in the fan translation, there is also this one small but much more significant thing from the fan translation which is not present in the official version. I happen to care about this small-but-significant detail a lot, so here is a post explaining exactly why this is a Thing that Matters (to me, at least).

(This will mention major spoilers for the game! Do not click the readmore unless you have experienced the entire story of AAI2 in some form.)

The Thing is this: In the fan translation, Simon refers to his friend as “Knightley”, all the time. Meanwhile, in the official localisation, Simeon always calls him “Bronco”.

Now, I get why the localisers did this. It’s a Japanese cultural thing – in Japanese, it’s common for even close friends to address each other by their surnames, and indeed, Sim(e)on referred to Knight(ley) by his surname in the original Japanese game. This is usually changed into friends using each other’s first names in English localisations, because it feels strange in English to see two close friends addressing each other in what feels like a distant and formal kind of way.

(For example, in The Great Ace Attorney, Ryunosuke and Kazuma addressed each other by their surnames in Japanese, and this was – very correctly – localised to them using each other’s first names in English. It would feel wrong to an English speaker for these best friends not to do that, even though they are still characters from Japan.)

So it just makes sense as the obvious localisation choice to have Simeon refer to his friend with his given name, rather than his surname.

However! In this particular instance, I firmly 100% believe that this was the wrong decision.

See, Simon calling Knightley by his surname in the fan translation isn’t just an awkward holdover of a somewhat more direct Japanese translation – it actually means something. It’s a subtle hint that Simon doesn’t actually see Knightley as the friend he supposedly is; he’s distancing himself from his friend by talking about him in this more detached way.

This is subtle enough that it isn’t a spoiler, either! On my first playthrough of the fan translation, I never batted an eye at Simon using his friend’s surname. Some people in English-speaking countries do just prefer to go by their surname, even to their friends – particularly when their first name is kind of awkward. It felt perfectly natural that Knightley might prefer to be called just that even by his best friend, instead of “Horace”, which sounds somewhat old-fashioned and dorky.

(And this would go double, surely, for someone whose first name is freaking Bronco of all things. It’d make plenty of sense that he’d rather be called Knight!)

Knightley himself probably didn’t even question it. I imagine Simon would have called him Horace while they were kids at the orphanage, but then when Simon reappeared in his life years later after his disappearance and was calling him Knightley instead, Knightley probably shrugged and figured, yeah, Horace is kind of a dorky name, he’s not a kid any more, “Knightley” is way cooler. (Especially with his obsession with chess, not to mention his whole white-knight complex towards Simon.)

The biggest reason why this means something is that Simon calls him Knightley almost the entire time, with one single exception. In the flashback to their impromptu nighttime meeting in the prison, in which Simon knows he’s about to get his “friend” killed and this is the last time he’ll ever see him, the final thing he says to him is, “Goodbye, Horace.”

He uses Knightley’s first name, for the only time in the game’s present. And so, precisely because he’s used his surname every other time, this simple line becomes an achingly telling sign that Simon still cares about his best friend despite everything, despite the fact that he is literally getting him killed. It’s like he’s remembering the happier times they had being friends at the orphanage before everything turned sour, like a part of him wishes they could still have that, and it breaks my heart.

(This is the same in the Japanese, too – he uses his friend’s given name, which is a sign of extremely close friendship in Japanese and would have even more of an impact to Japanese-speaking players.)

This implication isn’t there in the official localisation, because it can’t be. Not when Simeon calls him Bronco all the time anyway, even when he’s revealed his true colours and is no longer pretending for the sake of Edgeworth and company. Which means that he simply did call him Bronco the whole time, even after they reunited, even while secretly wanting him dead. In that context, using the name Bronco when saying goodbye to him in the prison means nothing in particular. It’s just the name he always uses.

…Okay, granted, it’s not like that flashback scene has no emotional weight in the official version. It still is Simeon coming to talk to his friend one last time when he doesn’t really need to, which still means a lot on its own. But the final line itself isn’t a particularly notable part of it. In the localisation, it’s “Goodbye, Bronco. …And farewell.” The added “farewell” mostly just serves to make it obvious that he knows this is the very last time they’ll meet, but I suppose there is at least something to the fact that you wouldn’t usually say that to someone you didn’t care about. I don’t think it hits nearly as hard as calling him Horace for the first and only time in twelve years, though.

It seems like either the official localisers didn’t notice the significance of the given name in that line there, or they did notice it but they decided that localising Simeon to use his friend’s given name the rest of the time, like localisers normally would, was worth losing the impact of that line. And I firmly disagree that this was worth it. There’s nothing inherently wrong about Knight going by Knight even to his best friend, even if it might feel a little awkward in principle, and the emotional impact of the final thing his best friend says to him would have absolutely made up for that.

[bethanydelleman]

Do you think the Austen heroines will get along with each other? Who do you think will become close friends and whose personalities will clash? (please include secondary heriones like Jane Bingley, Marianne, Jane Fairfax, Miss Crawford etc.) in your analysis as well

To be honest, I think most of them would get along because of the societal demands of mixing and their solid moral base, but here are some predictions:

Best friends:

Marianne Dashwood & Fanny Price, both of them are super into poetry and rhapsodizing about the outdoors. Marianne can stand up to Fanny's attackers and Fanny can teach Marianne some temperance.

Elinor Dashwood & Jane Bennet, they both are carrying the family in times of need, both disappointed in love through no fault of their own. Elinor's clearer-eyed view of the world would help Jane take off those rose-coloured glasses, but Jane's love and hope would be warm to Elinor.

Elizabeth Bennet & Fanny Price, extrovert/introvert adoption. Elizabeth is delighted when Fanny finally starts to talk and it turns out she's super smart, but she would have kept her anyway.

Jane Fairfax & Fanny Price, in very similar situations and similar personalities, they get each other. Fanny is very worried about this Frank Churchill character.

Catherine Morland & Emma Woodhouse, a healthier and more equal version of the Harriet/Emma dynamic. And given social class, this is one that can be sustained long term. Catherine starts by admiring Emma and then catches up with her.

Harriet Smith & Catherine Morland, they would get so deep into novels together it'd be amazing. The fanfics these girls would write together.

Caroline Bingley & Emma Woodhouse, they would enjoy making fun of Miss Bates behind her back... they would make each other worse. Eventually Emma would look at herself in the mirror with disappointment.

Anne Elliot & Anyone, please anyone who is an intellectual equal. Do you see the people that she has to put up with? It's literal torture. I could see Fanny Price, Elizabeth Bennet, or Jane Fairfax.

Mentor/Mentee:

Catherine Morland & Anne Elliot, Anne is the oracle of all knowledge and Catherine admires her exceedingly. (Fanny Price would also work here)

Elizabeth Bennet & Anne Elliot, Elizabeth could learn so much from her! Anne would see through Wickham in a minute. They could play some duets too!

Georgiana Darcy & Anne Elliot... just send everyone over to Anne Elliot. She's the group mentor.

Instant Hatred:

Elizabeth Bennet & Emma Woodhouse, Emma would be too much like Darcy and Elizabeth would hate her snobbiness. They would likely become friends in time, but it would be after a good deal of dislike.

Marianne Dashwood & Emma Woodhouse, Emma is not impressed by the drama and HOW DARE YOU CALL MR. KNIGHTLEY OLD! Marianne doesn't like Emma's attitude.

Elizabeth Bennet & Mary Crawford, they are similar and their personality tends not to like each other. Also, Mary C would probably try to take a mentor role with Elizabeth (as one who knows about town) and Elizabeth would hate her for it.

Catherine Morland & Marianne Dashwood, Marianne is astounded by Catherine's ignorance, because it tends in a different direction than her own.

(Honestly, the most clashing personalities are Marianne Dashwood and Emma Woodhouse, someone like Elinor Dashwood, Anne Elliot or Fanny Price can put up with almost anything placidly)

Bonus: Miss Bates & Mrs. Jennings would LOVE each other. They would totally talk at the same time. Another older lady pairing that would work is Lady Bertram and Mrs. Allen.

Feel free to add!

[yeetushaitus]

i will defend capcoms translation of aai2 to hell and back because ykw if it gets more eyes on this game then im all for it but theres just. ONE thing that gets me about the new translation dont know if i can explain this very well but whatever ill try

also HUGE HUGE spoilers for AAI2, PLEASE dont read if u havent played the full game

ok so. i was just listening to a steamer play the collection in the background and at the end of the 2nd convo w simeon in ch2 i heard this

and thn i backtracked and noticed that he kept calling knight by his first name

i was like "huh did he always do that? swear he called him by his last name in the fan translation" and turns out he does

the only reason i even remembered that was bc in the flashback convo in ch5 between knightley and simon, when simon calls him horace it REALLY stuck out because up until this point basically nobody has called knightley by his first name, not even his best friend

imo his own best friend calling him by his last name kind of foreshadows the emotional distance simon feels towards knightley and just. dude this was SO intentional

and in case youre wondering, simon calls knightley by his last name, 内藤(naitou), in the japanese version too until the goodbye part where he calls him マノスケ(manosuke)

usually manosuke is written out with kanji, but when he says it here its in katakana which is only used for loan words blah blah blah ok

if im wrong sue me but using katakana like this is either a sign of closeness, like how in japanese edgeworth calls kay ミクモくん(mikumo-kun) in katakana(also probabaly partly bc he doesnt speak formal japanese with like. anyone?? see this post) or emphasis like how capital letters are in english(obv its not a one to one comparison but whatever u get it)

my japanese isnt the best so. take this w a grain of salt BUT

basically. the use of katakana emphasizes his use of knightley's first name so this was TOTALLY an intentional thing(bc otherwise they wouldve just written it normally) that the localizers just i guess opted to ignore???? or maybe im just a crazy person whos watched like every lets play of this game ever and im reading too deep into it

tbf its a REALLY small detail in the grand scheme of things but with how carefully every detail that hints to simon's identity as the mastermind has been planted in this game, its kind of sad that a lot of players will miss out on this

ANYWAYS sorry it was 2am at the time of writing this and im so bad at explaining my feelings but. hopefully this made sense idk i dont write good but like im convinced this flashback and this line specifically is like at least half of the reason i love manosouta

[thatscarletflycatcher]

Top 10 favourite portrayals in Austen adaptations?

Hi!

10. Peter Gale as John Dashwood in Sense and Sensibility 1981

John Dashwood is most often portrayed as a weak, stupid fool designed to get on everyone's nerves, which tends to shift all the blame that belongs to his character upon Fanny. It is not so with this version of the character. It is obvious that he is rather stupid, but he's also greedy, selfish and callous himself, and an all around superficial person you can laugh at and be infuriated by.

9. Joseph Mawle as captain Harville in Persuasion 2007

Another example of a minor character done well, specially meritorious in this case because this adaptation is a tv movie. It is usually a problem that Wentworth's friends come across as a bit of a blur, but in this case, between writing and acting, Harville comes across as intelligent, loyal, amiable, etc, an all around gentleman whose friendship does credit to Wentworth's character.

8. Guy Henry as John Knightley in Emma (ITV) 1996

And another one! There's several "minor character in movie adaptation" in this list, because it is really hard to make a minor character feel "alive" or nuanced when said character is given very little screen time. Guy Henry steals the scene every time he appears in this adaptation. His delivery of the famous Christmas speech is impeccable. He also comes across as a loving father and husband too.

7. Angela Pleasence as Lady Bertram in Mansfield Park 1983

Jemma Redgrave (Lady Bertram in Mansfield Park 2007) is, in my opinion, a mesmerizing actress, one of those beings that are both beautiful and have a very strong scenic presence. I love her version of Lady Bertram, but Angela Pleasence is something else in the role, and somehow specially because her vibe is the strong opposite of JR. Always sweet, delicate, and soft spoken in her roles, her Lady Bertram is hysterical; I don't think there's a scene where she gets a speaking line where I don't laugh, and laughter is so very welcome in a story that can be as heavy and as painful as Mansfield Park. She provides a characterization that fits Austen's (pliable, lazy, dim, perpetually distracted) without making her insufferable.

6. Kate Beckinsale as Emma Woodhouse in Emma (ITV) 1996

Kate Beckinsale has always had queen bee energy, but her youth in this movie softens it enough that we can see how Emma is ultimately a young woman who means well, and means to be just. I don't read Emma as having the finishing school affectations of a Caroline Bingley (something that in my opinion happens in 2020 and to some degree in the Miramax movie); she was raised at home by an indulgent governess and rarely if ever meets other ladies of her rank. But I also do see where people are coming from when they criticize 2009 Emma for being too modern and her way of carrying herself as one that would have been considered vulgar in the regency era, and I think this Emma strikes a happy compromise. Emma has good manners and a sense of rank, but she's also decidedly provincial.

5. Hayley Atwell as Mary Crawford in Mansfield Park 2007

Love, hate or be baffled by this adaptation of Mansfield Park, most people seem to agree that this casting choice was great, and there's reason to it. Atwell is a very talented actress, and despite the script not helping, she brings out both the best and the worst of Mary out, avoiding both the femme fatale and the pure victim we don't talk about the expose my ankle scene

4. Olivia Williams as Jane Fairfax in Emma (ITV) 1996

I feel like Jane Fairfax also suffers from a problem similar to Emma in adaptations. She's made to have these very suspicious vibes and heavy-looking aspect (against the trendy more Heroin Chic look of Palthrow) in the Miramax movie, she's a mousy creature in 2009, and a sort of severe schoolmistress in disguise in 2020 (I'm exaggerating for effect, but for a character that is traced with few, delicate strokes in the novel, she surely gets a lot of rather sharp depictions). Olivia Williams gives a Jane that is very accomplished, but also elegant, understated and reserved. She's someone we can look at with Emma and see as a glaring spotlight on our shortcomings rather than an interloping rival.

3. JJ Feild as Henry Tilney in Northanger Abbey 2007

I feel a bit silly, because rivers of electronic ink have been poured over this beloved interpretation of one of the favorite Austen heroes, so what can I say about this one that hasn't been said before? Most of the choices in this list are unusual, and while I picked them because I think they are spotlight worthy and truly are favorites at the moment, I won't deny there is an element of... isn't it boring to repeat to each other ad nauseam what has been said over and over and over again and almost everyone is already familiar with? So I'll let you all fill in the blanks here.

2. Robert Swann as Colonel Brandon in Sense and Sensibility 1981

This one is very high on the list because Sense and Sensibility is very dear to me, faultless despite all its faults, I obsess over it, and colonel Brandon is a very dear favorite of mine. So I am very picky about it all, and have grown dissatisfied with the 95 adaptation (I was never particularly keen on 2008) despite acknowledging its many merits as a movie and a period piece. One of the most interesting things about this novel to me, is the treatment of strength and power in its male characters -it's not a central theme, but it is certainly there. John Dashwood and John Willoughby are men who have power, and the power society and money give them, they use to vulnerate the women under their care or influence; and they are morally speaking, extremely weak men. By contrast, both Brandon and Edward are men rendered more or less "powerless" in the circumstances presented in the novel, in appearance "emasculated"; they are soft, unimposing, they don't demand attention or space, but underneath all that lays great moral strength, and it's said moral strength to do what is right and helpful that makes them dependable and even admirable.

That's why it is very important to me for Brandon to keep these traits -that softness, melancholy, humility, unobtrusiveness- besides his moments of high dramatic emotion that showcase his affinity to Marianne, and Robert Swann is the closest to this that we have ever gotten (I cannot call it perfect, but it is so very close), where other adaptations, to different degrees, try to "butch up" his character.

Elizabeth Garvie as Elizabeth Bennet in Pride and Prejudice 1980

We have had our good Lizzys and our bad Lizzys and it gets on my nerves every time someone says "[actor] is [character]!" even and maybe specially when I say so myself, but, boy, has it happened very few times in my life that I have seen a performance and been struck by its likeness to the experience of reading the source material, and this is one of those. She's witty and she's lively but she's also young and vulnerable at times. She makes mistakes, she rationalizes, she reflects and changes and grows. She is what Caroline Bingley would call small and brown and not a beauty, but we see with Darcy the charm of her expressive eyes. I'd say if there wasn't any other reason to watch Pride and Prejudice 1980, Elizabeth Garvie's Lizzy would be reason enough and some.

Some honorable mentions:

Felicity Jones as Catherine Morland in Northanger Abbey 2007 and Hattie Morahan as Elinor Dashwood in Sense and Sensibility 2008

I struggled a lot back and forth with the first. It is a really, really good portrayal of Cathy's ingenuity and honesty and JJ Feild's Henry wouldn't have been as good without her to play off of, but I also sincerely couldn't find a spot in between the others for her anywhere either at the top or the bottom of the list. So she remains in limbo without fault of her own, and I apologize to her for this failure.

Now, the second... there's this story Emma Thompson tells in her diary of the making of the 1995 Sense and Sensibility where she talks about sitting on at casting auditions for Elinor, and, unlike other roles, there being many candidates who gave great auditions, and her commenting "this is a country of Elinors". EDIT: it's been called to my attention in replies that it was Ang Lee calling Britain a country of Fannys, as it was Fanny's casting process. I do feel the dictum also applies to Elinors, on othe opposite end of the spectrum. That's probably the main thing keeping Hattie Morahan off the list. She's my favorite Elinor, but I don't think we ever had anything closely resembling a bad Elinor. 81 wasn't directed well, and Emma Thompson was indeed too old for the part, but characterization wise, they were good. Joanna David was really good in 71. And I felt on making this list that the "standing out significantly" was a key aspect. but she was, indeed, a really great Elinor.

Dan Jeanotte as Edward Ferrars in Sense and Sensibility 2024/Bosco Hogan as Edward Ferrars in Sense and Sensibility 1981

These interpretations of Edward are dear to me, and linked by being sort of opposites that complement book!Edward. Bosco Hogan is an unfiltered portrayal of Edward's diffidence, depression, and lack of personal charm even if his manners are polite. Jeanotte's captures an undercurrent of sass and glimpses of the character's deeper feelings and active negative emotions. Each on its own is incomplete, and yet show something essential to the character that is dissimulated or erased in 95 and 08; I wish I could mush them together somehow and have an Edward portrayal I could wholeheartedly love (From Prada to Nada's Edward gets relatively close, but then that is a rather loose adaptation).

Ask me my top5/top10 anything!

[regency-monster-love]

Austen heroes as monsters

In honor of Halloween (and just because monsters are hot), let's imagine what kind of monster/mythological creature each Austen hero would be.

Captain Wentworth: minotaur

He's bull-headed, I mean, what more do you need? But he's also strong and solid and sexy and will fiercely fight off whoever fucks around with someone he cares about.

Colonel Brandon: orc

I like imagining Brandon as this gentle giant type orc, who doesn't seem appealing at first, because he's just this big ugly oafish orc, but hidden under all that is a passionate soul who will protect who he loves, with his very life if he has to.

Henry Tilney: satyr

Satyrs aren't necessarily the most sexy monsters, just like Henry is not super attractive physically, but they more than make up for this by how fun and playful and irreverent they are. Satyrs are just a damn good time.

Edmund Bertram: vampire

I'm not talking about the modern sexy suave playboy vampire. I'm talking about a guy who just sucks the life out of you. And yeah, maybe he's physically very beautiful and refined and intelligent, but god, he just sucks so much, it's exhausting. That's Edmund.

Edward Ferrars: elf

I don't know, he just seems like the most delicate of all the heroes, you know? Not weak at all, just not beefy or energetic. Quiet, calm, mostly serious. A kind of LOTR type elf.

Mr. Knightley: dragon

This one was hard for me to decide. I went with dragon because dragons are old souls, strong and serious. And both dragons and Mr. Knightley have kind of this caretaker vibe: yes, the dragon's version of it can be more possessive and greedy, but it doesn't have to be, and Mr. Knightley I feel like has this air of looking over and out for all the people who he feels a responsibility for, including his tenants but also his neighbors, family, and friends.

Mr. Bingley: werewolf

Hear me out: not a snarling ferocious werewolf but one who is like an overgrown dog that wants to run around and play all the time. A happy werewolf with his tongue lolling out of his muzzle who gets the zoomies and likes scritchey scratches behind his ears. Plus he's a loyal pack animal who obediently listens to his alpha.

Mr. Darcy: gargoyle

Seems kind of stony and intimidating, but can transform into something that is really soft and wonderful. Another monster who is serious and strong and a great protector. Plus, if we ignore the goofy-faced gargoyles, many gargoyles can look very impressive and rather noble.

[fraeuleintaka]

Remaining new names in the official Investigations 2 Localisation - Cases 1-3

This is the 68th post in the Ace Attorney Investigations Collection Countdown: 13 days left until release!

Today's topic: the remaining new names in the official Investigations 2 localisation from cases 1-3!

Thanks to the release of the demo of the Investigations Collection and some very hard-working people we now know of all the remaining new names for the characters and cases in the official I2 localisation. Since there are so many names to discuss I'm going to divide this into two posts, one for the cases 1-3 and one for cases 4+5, because most of the names we already know of (that I discussed in previous countdown posts) are from the first two cases. First, the names of the characters:

Bastian Rook (for Ethan Rooke): His last name was already known and I've talked about how I don't like that it's just the name of the chess piece he's supposed to represent, I prefer the fan translation for that one, it's a little bit less on the nose (same with "Knight" and "Knightley"). His first name sounds similar to bastion, a fortified building, which fits what the rook is and Rooke's job as a bodyguard protecting his "king". His first name in the fan translation has a similar connotation meaning "safe and strong". Between those two I don't really have a preference, they're both good choices for his first name.

Samson Tangaroa (for Jeffrey Masters): A very drastic change! His official name has a more elaborate meaning with both parts referencing mythical figures: Samson to the judge in the bible who lost his superhuman strength and was subsequently imprisoned, fitting Masters' own imprisonment, and Tangaroa to a Māori god of the sea, fitting the nautical theme of his chocolate desserts in the contest. In contrast, his fan translated name is a play on "master chef" (even going as far as giving him the nickname "Master Jeff") and not much more. Purely from the meaning his official name is obviously better but I prefer the sound of his fan translated one. It sounds more like a complete name instead of two that just got stuck together, though that might change once I read his official name in context a few times.

Judy Bound (for Katherine Hall): In this case the name puns are about equal, the official localisation goes for "duty bound" referencing her loyalty to Masters whereas the fan translation goes for "catering hall" (even more so with her nickname "Kate") keeping the mansion reference from her Japanese name and the chef theme with Masters. However, I vastly prefer her fan translated name because it's so much more elegant! Her present design doesn't fit "Judy" at all but it perfectly fits "Katherine", her past self might fit but it also fits "Kate" perfectly, and I love the contrast between the two and how much of her personality gets conveyed through it. I hope her official full name is "Judith" or something similar to get a little bit of the same sentiment across.

Carmelo Gusto (for Dane Gustavia): For Gustavia's name the change isn't as drastic but still significant. His official first name is a shortened version of "caramello" which is Italian and translates to caramel referencing his candy making. "Gusto" comes from Latin "gustus" which translates to taste, very fitting considering his business and his taste issues, and doing something "with gusto" means doing it with a lot of passion which is exactly what Gustavia has for his goal of becoming the greatest pastry chef alive. His fan translated name has his last name going for the same association with taste, "Gustavia" sounds similar to "gustatory" which comes from the same Latin source. "Dane" is a reference to "danish (pastry)", the English name for a type of pastry from Denmark keeping to his pastry chef theme. I also like the interpretation of his name referencing Gustavus Swift who apparently invented the first refrigerated railroad car which is wonderfully hilarious considering what Gustavia does in the case. I don't really mind his official name, it's a good choice, but I slightly prefer the fancier sound of "Gustavia" from the fan translation.

Delicia Scone (for Delicia Scones): Not much to talk about with this one, the names are almost the same and just use her Japanese name without changing much (referencing "delicious scone" like the British quick bread). I don't think the change from "Scones" to "Scone" makes any difference and I like that both the official localisation and the fan translation chose "Delicia" as her first name, it fits her well.

[Spoilers for Investigations 2 in the next two name entries]

Artie Frost (for Isaac Dover): The meaning of his official name is pretty obvious, "Artie" referencing his job and talent as an artist and "Frost" referencing his work with ice and his corpse being frozen. His fan translated name focuses more on the "ice" part with "Isaac Dover" being a play on "iced over" which is, again, the type of dessert he uses in the contest (sherbet) and how his corpse was hidden. I hate to repeat myself but yet again I slightly prefer his fan translated name because it sounds more serious and mature and not like a nickname. (Artie? Couldn't they at least have gone for "Artus" or something and have Delicia use "Arty" as a nickname?)

Paul Halique (for Pierre Hoquet): With this name they couldn't change around too much because the initials still had to be "PH" for the signet ring to make sense. The official localisation just used an alternate spelling of his Japanese name (Paul Holic) while the name in the fan translation doesn't have any meaning associated with it that makes sense in the game's context apart from just sounding nice. In that sense the official localisation easily wins with this one.

And now for the case names (my discussion for the new name of the first case is here):

The Captive Turnabout (for The Imprisoned Turnabout): Nothing to complain about here, "captive" and "imprisoned" mean almost the same thing. They both sound great as well, I don't prefer one over the other.

Turnabout Legacy (for The Inherited Turnabout): Wow, that official name is amazing! I love the fan translated name, don't get me wrong, and it fits but the official one has such a weight to it - Legacy - you really feel how significant this case is, to Miles in particular but also to the series as a whole. Its impact cannot be overstated and the official name absolutely does it justice. Perfect choice for one of the best cases in the entire series!

[mrdarcygenderenvy]

Recent Austen adaptations yelling

Ok I DID make this blog to review historical-set Pride & Prejudice adaptations (with an exception made for iconic B&P). But for everyone who was DEFINITELY WONDERING, yes I have also been storing away a lot of opinions about other recent Austen adaptations that I Must Tell Someone.

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Fire island (2022)

A modern gay party cheesy rom-com P&P that genuinely made me laugh. Having seen some other (whiter) cheesy gay romcoms that were extreeeemely PG & playing it safe, I was pleasantly surprised.

Also Bowen Yang and his story just came across really earnest in a way I was into - would watch this man cry again, 10/10.

Personally as an extremely disabled british nerd (now tragically unable to travel and/or go to the club...) this gay scene is a long way from my queer scene. But I still had emotions, you know?

Kinda wanted more of the Mary analogue and generally just normal looking people (almost everyone is so ripped) but I appreciate that's how beautiful smooth people often look in mainstream american films, we can't have everything.

DARCY WATCH: I do not want to dress like this adaptation's chinos Mr Darcy. But Conrad Ricamora was generally great and very hot and awkward and understood the assignment. Good ice cream throw.

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Emma (2020)

I know I know, it's pretty... but I don't think that's enough!!!!!

Lovely production, beautiful costumes, a candy wes-anderson cinematography that really suits the story, and it's fun to notice references to actual outfits and prints from the time but lads. LADS. UNPOPULAR OPINION TIME: Where is the chemistry???

You can’t make Mr Knightley a nice sweet boy (so funny to have cast a posh folksy singing man) and leave the plot the same and expect it to work!! Also I was personally pissed off that a lot of the promo/ ads for this made it look like ~forbidden love~ when it's the 2 richest white people in town getting together?? ? There's actually not even a class difference in this one, guys.

Basically this romance was nothing to me!!! I felt nothing!!!!!!!! WHERE'S THE DEPTH

I did like the bit where he lies down though. Relatable.

Also why are you drawing so much attention to the servants when you don’t seem to have anything to say about class...? 'Wow look how many servants they had! Anyway, they don't get any speaking lines'... it's 2020 guys!!! like what are we saying here. 'isn't it cool to think about how people were rich'??

kind of the point of Emma (character) is she's pretty superficial, but the story does not, in fact, have to be

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Persuasion (2022)

Weeping softly into a pillow........ did you know this version meant a version with Sarah Snook and Joel Fry got cancelled?? we could have had it all

(standing on a table yelling) THE MODERNISATION WAS NOT THE PROBLEM WITH THIS FILM!!!

Honestly I actively liked all the entire secondary cast in this. Louisa and Mary were extremely charming fun takes to watch. ('I'm an empath' IS right for the character if you're doing modern jokes!!!) And nobody can deny this was a correct and powerful use of Richard E Grant.

Henry Golding was naturally great. Apparently he got offered the lead and took the villain instead, which DOES mean the villain is super charming and fun to watch which is... hard to match and.... kind of shows up.... the main man.

It's been said before but the main two were WOEFUL imo. I have no beef with the actors I just question the DIRECTION and whether anyone making this knew (or cared) why people... enjoy things.

Book Anne is the quietest gentlest loser and I LOVE HER and so does basically every Austen nerd. Making her a quirky wine-bath girl who's honestly just cruel sometimes fully stops the main romance chemistry and plot from working.

And it means the main boy is still like 'god I'm so horny for how KIND AND CAPABLE YOU ARE' which is just 100% no longer true. You can't transplant a personality in a romance but leave the plot the exact same and expect it to work. The chemistry IS the plot in a romance..........

you can't act morally superior to your siblings and still rate people out of ten.... also so funny to me that everyone else gets period outfits and hair whereas this protagonist looks like she just glanced at a picture of any time in the past and grabbed a couple shirts from primark. it doen't even look good or build character!!!!!

Anyway, not to be an elderly man like 'ohhh why does nobody care about character these days' but the reason something like Clueless works is because it has the heart of the story right, instead of just copying the surface level stuff.

[shrimpchip123]

YOU DREW TNTDUO AS EMMA I ANGBVTESCVHK, BRSACVG VRS LOVE IT

heres a swap version just for you! i actually prefer cwilbur as emma now i think its way funnier (even if knightley's pathetic pining ALSO suits cwilbur very well)

[thatchronicfeeling]

It has come to my attention that it's Period Drama Appreciation Week 2023. I love period dramas and grew up watching them. They have been a formative part of my life and I'm now too disabled to watch video. Even gifs are too difficult for my brain to process. It is also Bi Visibility Week and I'm posting this on Bisexual Visibility Day. Since I can't safely post a pile of gifs, here is a list celebrating actors/characters/moments from period dramas that have been significant to my bisexuality. [Yes, this is a big list. I am missing out on watching and re-watching A Lot of awesome period dramas and I hate it. This list is helping me reclaim a bit of joy. Also I've probably forgotten some favourites and may update this.]

Lori Petty in A League of Their Own

Jodhi May in any period drama

Mary Wickes in any period drama

Freddy Honeychurch in A Room with a View

Anne Hathaway playing cricket in that rust-coloured dress in Becoming Jane

Esther Summerson (disabled heroine!) & Allan Woodcourt in Bleak House

the freshly-painted yellow cabin door swinging shut with the names 'Calam & Katie' painted on it in Calamity Jane

the sequence where Doris Day sings 'Secret Love' in Calamity Jane

Michelle in Derry Girls (and James too, a wee bit)

George Eliot & Lenore in Edgar Allan Poe's Murder Mystery Dinner Party

the moment where Emma and Mr Knightley start dancing together and it feels like you're inside the music in Emma

Polly Waker's haircut in The Enchanted April

Matthias Schoenaerts in Far From the Madding Crowd

Idgie & Ruth in Fried Green Tomatoes

Suranne Jones in Gentleman Jack

recognising Marian Lister as a bisexual who hasn't realised it yet in Gentleman Jack

Mary Agnes McNue in Godless

Bel & Freddie in The Hour

June Allyson leaping over a hedge (or is it a fence?) as Jo March in Little Women

the Patricia Rozema adaptation of Mansfield Park

the whole sequence where Judy Garland strides onto the neighbours' porch to sock The Boy Next Door in the jaw in Meet Me in St Louis

Katie the cook in Meet Me in St Louis

the moment where Benedick braces his arm against a doorframe in a desperate panic to stop Beatrice from going to eat Claudio's heart in the marketplace in Much Ado About Nothing

Denzel Washington in Much Ado About Nothing

Mr Thornton's hands (ok, and also his face) in North & South

tomboy Doris Day in On Moonlight Bay

Valentine in Parade's End

all of Portrait of a Lady on Fire

Papi in Pose

Lizzy Bennet declaring that she would never marry someone she did not love in Pride & Prejudice

Mr Darcy diving into a pond in Pride & Prejudice

both Angel and Joanne in Rent (the 2008 broadway version)

Martha the maid in The Secret Garden

Lelia Walker in Self-Made

swashbuckling Margaret Dashwood in Sense & Sensibility

the dance sequences in Seven Brides for Seven Brothers

the whole Thomas Kent situation in Shakespeare in Love

Maria (when she is not a nun) in The Sound of Music

Kitty Butler onstage in Tipping the Velvet

Annie and Janette and Jacques and Linh in Treme

Audra McDonald and Anne Hathaway and Raúl Esparza in that promotional photo for Twelfth Night

Julie Andrews and her male co-star singing a version of 'Home on the Range' with the line 'and the deer and the antelope are gay' in Victor/Victoria

Justine Waddell in Wives & Daughters

[hotjaneaustenmenpoll]

Round Three Round Up!

In Round Three we were seeing double as 6 out of our 8 pairs were put against their alternative selves and we asked why not pit two bad bitches against each other ?

In the only match-up where the newer version won out we lost another one of our tournament's Mr Knightleys as you declared that riding through rain, willing to ride through worse was not enough to win your hearts - instead he must have a proper understanding of muslin! And so Mr Tilney (2007) became our first Quarter-finalist.

Mr Knightley (1996) was not alone in taking his leave of us as your votes decided that Johnny Flynn's Mr Knightley (2020) was too blonde badly done compared to Mr Knightley (2009) and must go!

Mr Elliot (2022) will be likely soon spotted in town with a Mrs Clay on his arm as though he may have proved himself the hottest of the Persuasion (2022) men he was no match for Colonel Brandon (1995). Joining him in bad-boy exile is Willoughby (2008) who could not beat the man best known as Emma Thompson's husband leaving Willoughby (1995) as the last libertine standing.

In another win for Sense and Sensibility (1995) Edward Ferrars (1995) proved that while a Wet Shirt scene written by Andrew Davies might have worked once, Dan Stevens chopping wood in the rain was too blonde not enough to prevail against Hugh Grant and the power of being married to Emma Thompson in any universe, real or imagined.

Captain Wentworth (1995) also sailed through against his 2007 counterpart as the voters told us once again that they hated blonde men if it was made in '95 that man was staying alive for another round and so Captain Wentworth (2007) becomes only a gallant Captain Wentworth, in a small paragraph at one corner of the newspapers.

In one of our tightest run polls that went back and forth several times it was Bingley Vs Bingley but in another win for the '95 contingent - the curly hair clinched it and Mr Bingley (1995) proved the victor.

And of course I must end with the biggest poll of the week, breaching the walls of our little tournament to be voted on by 28,987 tumblr users, the poll that ended in a most well deserved 50/50 split, Mr Darcy Vs Mr Darcy. How could anyone vote for THAT Mr Darcy you yelled at each other - HAND FLEX! WET SHIRT! you cried! But when push came to shove despite 14,484 of you declaring that you loved him most ardently 14,503 of you had decided he was the last man on earth who you could ever be prevailed upon to marry and left that wet cat out in the rain. And so, though we offer him a most cordial curtsey we must say goodbye to a very worthy loser Mr Darcy (2005).

Thank you for all the excellent propaganda sent in - I will be taking a days break before putting up the Quarter-final polls, giving you until Thursday to send in any propaganda you want included on the main poll posts and me time to add it! But for now we must once again say...

Farewell Gentlemen!

[sailforvalinor]

I wanted to watch Emma, and I was thinking of watching the 2009 version, but my mom wanted to watch the Gwyneth Paltrow version from 1996, which I hadn’t seen before, so here’s a few thoughts:

I didn’t think I’d like Gwyneth Paltrow as Emma—I was wrong, she was good! I think I still like Romola Garai better, but she was great!

The costume and set design was lovely—I wanted ALL of Jane’s dresses (*Anne voice* the puffed sleeves!!)

The score was also really nice

I loved how Emma and Mr. Knightley’s argument about Harriet happens while they’re doing archery—also “try not to kill my dogs” was a nice addition, lol

On the whole this version spent a lot of time outside, and those scenes were beautiful to look at

This Mr. Elton was the worst. Excellent (although I’ve never seen an adaptation slack on this point)

BLESS THEM for letting Ewan McGregor sing. BLESS THEM

Why did they do his hair like that though. They really didn’t have to do that to him

However, despite this he might be my favorite Frank Churchill

I loved Emma and Mr. Knightley’s conversation during the ball (him reaching for her hands but stopping himself!!) and how they are outside with the ball framed in the windows behind them. 10/10.

The Box Hill Incident and the subsequent “badly done, Emma!” scene didn’t hit with the same sort of punch this time around—probably because a) they didn’t really show how miserable that party was or Frank egging Emma on at all, so Emma’s insult to Miss Bates seemed to kind of come out of nowhere, and b) while the Mr. Knightley scolding Emma scene was not badly done (hehe) at all, he is a bit gentler (at least in delivery) than other Knightley’s I’ve watched. Not necessarily a bad thing, I rather like it as a different take of his character, but I think it might’ve taken away the punchiness slightly. However, having Emma face away from him during his lecture so he can’t see how upset she is was a great choice.

They kind of slacked on the hints about Jane and Frank being secretly engaged, aside from a few shots of them looking at each other for half a second, which was a shame.

No “I cannot make speeches, Emma”??? No “if I loved you less I could talk about it more”??? JAIL. JAIL. JAIL JAIL JAIL JAIL JAIL. JAAAAAIIIIILLLL.

However, on the whole, this version was pretty good! I’d rate it probably at the same level as the 2020 version. But 2009 wins every time.

[bethanydelleman]

what do you think would have been the most personally tragic (plausible) outcomes for each of the heroines?

Catherine Morland - She was somehow forced to ride in John Thorpe's gig for a third time.

Now I'll be serious. I refuse to imagine my dear Catherine in a tragedy.

Marianne Dashwood - Willoughby seduces her and she ends up pregnant and ruined. I've written this, twice. Also, she could have died from her fever

Elinor Dashwood - Edward marries Lucy Steele, she ends up resigning herself to a prudent but loveless marriage or never leaves home, occasionally hearing through her family that Edward is completely miserable

Elizabeth Bennet - marries someone she doesn't really respect and becomes a female version of her father

Jane Bennet - never gets over Bingley, eventually settles for a loveless marriage and it kills her inside

Fanny Price - Edmund marries Mary Crawford and Fanny watches in silent agony as she destroys Edmund's (weak) moral core and he becomes an entirely different person. William's ship is lost and Fanny never hears from him again

Emma Woodhouse - kind of cheating since it's in the book: Mr. Knightley does fall in love with Harriet Smith and stops coming to Hartfield as often, leaving Emma loveless and lonely

Anne Elliot - Captain Wentworth marries Louisa Musgrove out of duty, he also realizes his love for Anne but sees no way out. Anne remains within his sphere through her connection to the Musgrove family, she is aware that he loves her but there is nothing either of them can do about it. After a few years and two children, Wentworth confesses and Anne is forced to remove herself to the house of a distant family member. She eventually marries and Wentworth takes on more and more risks as a naval officer, leading to his ship being destroyed and his entire crew dying. He survives and feels so guilty that he eventually hangs himself, leaving his disillusioned wife and kids to fend for themselves (don't worry, Louisa has a great family and a good fortune).

Lady Susan - Sir James refuses to die and escapes all of her attempts like a clueless cartoon character who cannot be killed. Her daughter is also widely reported to be more beautiful than her.

[lurkingshan]

🎶when you get this, put 5 songs you actually listen to, then publish. Send this ask to 10 of your followers (positivity is cool) 🎶

I've been on my emo girl music this week:

16 Carriages, Beyoncé

Beyoncé is putting out a country album and I am unreasonably excited to see her conquer another genre.

Chosen Family, Rina Sawayama

May or may not have been listening to this old fav sobbing all week thanks to TsukuTabe. I also love this version Rina did with Sir Elton.

Nobody Gets Me, SZA

One of my favorite SZA songs, even though it's so different from her usual sound. I just love it when artists refuse to stay in their boxes.

Lost Stars, Keira Knightley

@neuroticbookworm reminded me about this song earlier this week when she randomly stumbled upon a Jungkoook cover. Still hits.

You and I, Valerie June

Fun fact: I randomly heard this song for the first time at a live trapeze act in a cemetery. Have been obsessed ever since. If you're unfamiliar with Valerie June, she also did a Tiny Desk that I highly recommend.