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temis-de-leon · 1 month

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Gn!MC with chronic joint pain

Characters: Mammon, Leviathan, Asmodeus, Beelzebub and Belphegor (x reader, separately, could be read as romantic or platonic)

Main Masterlist

Anon request: Could I request the brothers with a gn!MC with chronic joint pain? Sure, medicine makes it feel better when they take it, but it never 100% goes away and the meds aren't without side effects. On a good day, they can function relatively normally even if they do certain things at a slower pace. However, on a bad day, they can hardly get out of bed or do basic tasks (brush their teeth, lift a coffee cup, use a hand towel, etc) without difficulty, and require a fair amount of support when flare ups happen

A/N: I'm pretty sure Google thinks I'm the one with chronic pain

Mammon

Although he’s the one who spends time with you the most, it took an embarrassingly long time to notice how significant your winces and fatigue were. After all, his initial belief was that humans were naturally weak.

He thought he understood why you stayed too long in bed from time to time or why your brows would frown when you grabbed your backpack if it was especially heavy some days.

You’d say you couldn’t help it whenever he teased and of course, you talked with frustration each of those times, so he learnt to ignore it; just like you tried to do.

Then came the day when he crushed you in the hallway while running away from Lucifer. The only thing he could do before both of you fell to the ground was twist your body so he could act as a cushion, but even that wasn’t enough.

You started to complain before he had the chance to ask for payment for his ‘sacrifice’, but it wasn’t just words or berating; Lucifer was already doing plenty of that.

It was a mix of gasps and moans of pain that stopped both brothers in their tracks.

The only reason why the eldest didn’t obliterate the younger demon on the spot was because the guilt was already eating him alive.

He helps you with no asking needed, carrying your backpack to and from school, helping you put on your coat or making you breakfast, although it’ll most likely be burnt.

He’ll stop if it makes you feel useless or incapacitated on days when you are mostly okay, but if you’re barely able to lift your head off the pillow, you can bet all your money he’s laying right next to you ready to make you some company, even in silence.

It will take him some time, but, eventually, you will have his undying support.

Levi

Being as distracted as he is, with his eyes glued to a screen most of the day, wasn’t an excuse for him to ignore all the pill bottles in your bathroom cabinet or the way you sometimes couldn’t keep up with him when he was excited and walking too fast.

He feels like a horrible friend when you tell him. He should’ve known!

You will have to explain the whole situation to him in the comfort of his room, moments after he requests your presence for the testing of an arcade shooting game that will, for sure, make your arms sore for the next few days.

Although you assure him you can still play, just not for excruciatingly long periods and on lower difficulty, he still feels like he failed you in some way.

Sharing his interests with you will never be enjoyable as long as it has the possibility of causing you pain.

Fortunately, he knows countless games where long-range movements are not required and you can have fun anyway: visual and choice-based novels, turn-based RPGs, social simulation games…

He especially likes the choice-based ones. From your views on morality to romance and friendship, each important interaction with the characters or the lore helps him know you more and more as the game progresses.

It doesn’t stop there, though.

He will also try, not so subtly, to find games, shows, comics and manga where you can relate to the main character in one way or another.

It could be seen as pity, but that isn’t his intention at all. You should enjoy the media you interact with! Either heroes or villains or something in between, you should have someone you can understand on the screen or paper.

Asmo

Since observing you and everything related to you is an enjoyable pastime of his, it doesn’t take him long before he figures out your medication schedule. At first his beauty-driven mind thinks your pills are vitamin supplements, but then he notices the headaches, the stomach issues and the exhaustion; no doubt side effects.

It is on one of your worst days when he knocks on your door asking to spend the evening together. The only thing you can do to greet him is throw a weak peace sign from beneath the blankets and that’s when he pouts and frowns in worry.

He hopes you trust him enough to talk about it in case you want to keep it a secret and, if not, why would he treat it like a taboo subject?

He may be the only one who straight-up asks with absolute normality.

Changes are not noticeable at first seeing that he already liked being around you and dotting on you before knowing anything, but rest assured he will be there if you ever need him.

On days when you feel like you can’t take care of yourself, the only thing you have to do is send him a message.

Whatever you need, he will do.

From drawing a bath so you don’t have to stand up while holding the shower head to applying dry shampoo on your hair so you don’t get out of bed at all. He will also do your skincare routine and even your makeup if you're up to it; brush your teeth and your hair and organize your room while mindlessly chatting with you.

His favourite shared activity is painting your nails since you don’t have to move at all and you still enjoy each other’s company.

The rest of the brothers need to remind him from time to time that you aren’t a doll for him to dress, but he won’t ever do something that makes you uncomfortable in any way.

Beel

He doesn’t really notice until it comes up naturally in conversation.

You’re both in the kitchen, getting a snack to hold on until everyone is ready for dinner, and he starts talking about a new workout plan he is following in the gym. A famous bodybuilder posted it on his Devilgram account and he was too curious not to give it a shot.

Although he can do it on his own, he likes to spend time with you, so he innocently asks if you want to go with him someday and try it, even if it’s a watered-down beginner version.

It’s not like you can’t go to the gym, but the number of exercises you feel like you can do is limited and you need to be mindful while doing all of them. Hell, even at home you need to be careful with some of your movements, doing simple chores like making your bed or washing the dishes.

You remind him how you cook too, usually doing one-pot meals and trying to use your body as little as possible; there are human influencers (highly recommend) that show specific tricks to make cooking easier for people like you, after all.

Luckily, he understands immediately, but that doesn’t mean he’s going to give up.

Unbeknownst to you, he researches specialized exercises and routines, as well as food, made to alleviate pain and strengthen your weakest points.

It isn’t a definitive solution, and certainly not the best, but it’s the thought that counts and he’s genuinely trying to make your life more comfortable and pleasant; not so draining.

He won’t push if you decline his offers and options (he’ll never force you to do anything, even if it benefits you), but will be extremely happy if you accept.

Belphie

He never asks, but you never have to tell him either, he just knows.

Your pain reflects in the way you move and live your day-to-day life, slower than the rest of them and always taking precautions, medicating yourself periodically even if sometimes that isn’t enough.

All of them have dinner in your room when you’re feeling way worse than usual and each time his memories can’t help but go back to that fateful evening in the attic.

He willingly and excitedly caused you abysmal pain back then, but he doesn’t want to imagine how underestimated his measurements are.

You suffered, yes, but all of that happened in the past.

Asking you what exactly hurts and what makes it worse won’t help his guilt at all.

Now that he can help you, he won’t do anything but.

Being who he is and liking what he likes, he has a trustworthy list of mattresses and pillows that he doesn’t hesitate to share with you.

He knows better than anybody else what a well-rested body can do to the mind and, although it may not help much, he insists you try at least once.

Going shopping for something like this and doing it with him is a double-edged sword; while he couldn’t be a better critic, there’s also the possibility of him falling asleep on one of the mattresses on display.

And you know perfectly well you aren’t going to be the one dragging him back home, so inviting Beel as well is always the best choice; especially since you can hang out after shopping knowing that you will have your purchase delivered.

If you still feel like you aren’t getting any rest, he will use a little bit of his magic to make you fall asleep more easily without waking up in discomfort.

Taglist: @hatchers-hoard @ilovecandys2010 @ollieoven @kingofspadesdelusion @whimsybloom

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an-idyllic-novelist · 1 year

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100 Milestone Event - raiden taeemon with mitsuri!reader! short story 🍡

Here it is everyone, the milestone event for reaching +100 followers! This is also part two of another milestone on my yandere blog!

The link will be here, so definitely check it out first before reading this one! Special thanks to @deathmetalunicorn1 for helping me with the sections I was struggling to write. Not gonna lie, Raiden’s dialogue is a bit hard lol. So with that being said: sit back, relax and enjoy! :)

warnings: canon divergence of manga, violence, strong language.

The moment Raiden Taeemon witnessed the strength of a Hashira is a memory he would never forget.

In Valhalla, there were many activities to entertain the masses such as gambling or martial arts tournaments, but sumo matches have been providing just the right amount of spectacle and violence far longer than any known sport. Even gods had become sponsors to certain dojos, providing funds for more equipment and so forth. Raiden was content with his lifestyle, fighting against strong opponents, eating good food and followed by having some fun with a few girls depending on how much alcohol he drank that night.

Then sumo wrestlers began disappearing from the dojos, one by one. Their remains would be discovered the following morning, torn asunder and…half-eaten. The sight frightened the customers so much that they didn’t dare go outside unless they were absolutely certain that the matches would not last beyond the first rays of the sun setting across the hazy blue skies. Even the gods had begun to worry, believing there was a serial killer on the loose…if you can call withdrawing their sponsorships an expression of anxiety. The masters of the dojos even began restricting the fighters to a curfew, forbidding anyone from going out into the night lest they face expulsion.

But Raiden was tough. He had been the strongest sumo wrestler of his time. He could take care of himself. If someone wants to come after him, he’ll return the gesture wholeheartedly.

After an evening of drinking, he took his usual stroll back home when he heard someone call out to him. Confused and half inebriated, Raiden looked over his shoulder and saw a shivering, drooling, decrepit old man with a large lump on his head. At first he thought something was wrong with him…but that concern changed to alarm when the man split his body up into four younger versions of himself with fashionable robes, fangs, and possessed weapons. One of them even had wings and talons like an eagle!

One of them opened his mouth and released a loud screech with enough strength to make Raiden’s head spin and catapulted him into a building. As he stumbled to get out of the debris, the one wearing red robes thrusted his wooden staff into the ground, lightning bolts spitting from it. Raiden screamed, white-hot pain pulsing through his body.

“This is supposed to be the strongest one in this district? How lame!”

“Shut up and finish the job, Karaku! We cannot be seen or else they will come! We cannot go back to that place!”

“Come on, it’s been so long since we’ve played with our food~!”

For the first time in his life, Raiden felt fear. He did not know what these guys…this thing was, but he had to get away. He had to get away or he might die again.

“I’ll finish it. Do not worry, human, your death shall be quick and painless.”

Raiden’s eyes widened as the one dressed in blue charged towards him, wielding a halberd with an apathetic expression. Yet before the weapon could put a hole in his chest, it flew out of his bronze hands with a loud ‘crack’.

“Geez, of all the demons that had to be causing trouble in this place, it’s you guys again?!”

The sumo wrestler whipped his head towards the rooftops of the building, seeing a young woman with braided pink-greenish hair and dressed in black, [Eye Color] orbs narrowed and face pouting as she wielded….a whip? Behind her were two other individuals. A kid in a checkered haori…and a little girl with a piece of bamboo in her mouth?

He watched them leap into the air; the kid unsheathed his sword and went straight towards Red, the girl charged at the green-robed one he assumed was Karaku, and the woman targeted the blue one that was right in front of him.

Neither opponent was giving an inch in their fight, and Raiden had to admit that the kid and muzzled girl were doing remarkably well….yet it wasn’t their unusual sword style or hand-to-hand combat techniques that caught his interest. It was the woman who had torn off her opponent’s arm as soon as she flipped him over her shoulder, knocking him into the ground with a loud ‘crack’.

The blue-eyed demon opened his mouth to scream or release an attack like the yellow one, but she swung her whip across his neck, decapitating the bastard.

Wait, where is the yellow one? Hearing a loud screech, Raiden whipped his head up to the nighttime skies and saw the demon's mouth stretching. The wrestler watched in horror as sparks of electrified air were being collected into a whirling sphere. And the target of the attack was none other than the little lady.

Somehow, he’d been able to force his aching body to move from the debris and bolt towards her, pushing the lady as close to the ground as possible without crushing her, using himself as a shield to absorb most of the attack when it came at them.

The last thing he remembered were his ears feeling wet and the woman’s worried face and… she was saying something to him before he lost consciousness.

He didn’t know what it was, but he hoped it’d been a ‘thank you’. It’s not everyday he got to protect a damsel from a demon, even when she could stand on her own ground.

As Raiden slowly came too, feeling the familiar padding of his futon, he groaned deeply, unable to open his eyes. A headache throbbed painfully through his whole head, making him both dizzy and nauseous.

He couldn't remember the last time he had a hangover this bad as he was slowly able to open his eyes, wincing at the light peeking through his window. His other senses slowly came back to him as the throbbing in his head slowly dulled. Raiden shifted and instantly froze, feeling his whole body seemed to be on fire yet so heavy at the same time.

As the minutes ticked by, Raiden was slowly able to sit up, lifting a hand to scratch at the back of his head, but his movements were stiff, almost like he was restricted, looking down to see bandages all over his body. His mind drew a blank, not remembering getting hurt and like a switch was flipped at that word, hurt, what he could recall from the night before came rushing back to him, making him fall back against his futon as his headache returned full force.

Shit…what the hell even happened? All he remembered was having a good time and then the weird old man…

Raiden’s eyes widened. That’s right. The old man turned into four demons! And then there were those kids…and that woman. The woman with hair that looked like sakura mochi and had the strength of a bear.

Head spinning, heart pounding, his mouth stretched into a grin as the memories from last night came back in full force. He had a preference for the larger ladies, but he’s always been flexible~.

Rengoku had told you countless times that if you ever crossed paths with Hantengu in the Bifrost, never confront him alone. He nearly lost his life against the Upper Moon Demon at the Swordsman’s Village if it hadn’t been for Tanjiro, Muichiro, and Nezuko. In all honesty, he thought the demon would no longer exist once his head had been cut off. But he is still there, in the Bifrost, and he escaped through a tear in the barrier.

He tried to consume as many strong humans as possible to regain his strength, though his efforts drew in unnecessary attention and that’s how he got caught. Tanjiro was able to deliver the final blow to the main body, and everything else went well….although no one had anticipated the damage done to the sumo wrestling district.

Oh goodness, what was going to happen? You knew Tengen and Rengoku loved to go there and watch the matches, especially when Raiden Taeemon was participating, but now it’d take weeks to clean up the mess! Gah, you failed on your second official mission as the Love Hashira! One more strike, and the Master’s gonna be so mad he won’t let you be part of the Demon Slayer Corps anymore!!

You sighed heavily, trudging through the streets with a heavy heart as your crow flew high in the skies above. You had completed another shift in the Bifrost, followed by an investigation in regards to another possible demon sighting in the northern areas of Valhalla.

Although everyone had reassured you that no one was seriously injured that fateful night, it still bothered you tremendously. You had offered to donate the money made from selling honeycombs at the farmer’s market towards the reconstruction of the district, but the Master told you not to fret.

You did what you had to do, and minimized the casualties as much as possible. Rengoku has taught his apprentice very well. The compliment still made your face flush with happiness…though, to your embarrassment, not as much as when you brought that handsome fellow back to his dojo. Raiden Taeemon. You rescued Raiden Taeemon from a demon and treated him in his own room!

Oh, you were such an awful woman~!

Feeling your face redden in embarrassment, you slapped your cheeks together. Pull yourself together, [First Name]! There’s no need to reminisce about the past ‘cause it’ll make delicious food go sour in your mouth! And it’s time for lunch anyway, just think about what you’re gonna order and worry about everything else later unless there’s an urgent message from the Master!

Nodding to yourself, you quickened your pace and found a restaurant with the wisteria symbol stamped just beneath the sign. If a Demon Slayer needed a place to stay or to eat, the establishments that carried the Master’s symbol were trustworthy.

You could relax here without worrying about a demon or paying too much out of your pocket, although you secretly snuck in a hefty tip to the staff for working so hard to accommodate your…quirks. Yeah, quirks, let’s go with that!

Smiling brightly at the familiar faces of the employees, you greeted them enthusiastically and wished they had a good shift as you followed one of them towards the back of the restaurant. This place still catered to other customers, so you always reserved a room for yourself to enjoy your meal in privacy.

Being gawked at for having unusual hair or how much you ate on a daily basis brought back unpleasant memories.

You squealed joyfully at the lacquered oval-shaped table, covered with every single item on the menu plus their best-selling herbal tea! You thanked the staff member profusely for their hard work in the kitchen, promising to enjoy the meal to the fullest!

The employee - a kindly older man with four children and one grandchild - smiled serenely, saying it is the least he and his family can do for the people who saved them long ago, in life and death, from demons. If you need anything, just let him or someone else know.

Upon bowing to each other, he left, closing the door behind him. You wasted no time in giving your thanks to this lovely banquet and began eating to your hearts’ desire. But an hour later, however, a knock came at the door. It was the old man again, but he sounded…worried.

You blinked. Huh? You didn’t remember asking for thirds! You just did that ten minutes ago! Concerned, you allowed him to enter, immediately inquiring what was wrong, what could you do to help.

He swallowed. “That is….there is a man who insists on asking about the ‘cute little lady with hair like sakura mochi’. I told him I knew whom he was speaking about, but politely asked him to leave because you were not to be disturbed. But he is insistent on…sharing this room with you for lunch. What should I do, Lady Hashira?”

You frowned. It wasn’t too unusual to have some rowdy customers walk through these doors, but not to this extent. Perhaps…the person who is giving the owner such a difficult time is because the man has some information he would like to relay to the Demon Slayer Corps? It would make more sense to go directly to a Hashira than pass a message to a kakushi.

You nodded your head to the owner.

“It’s all right, let him come in. Whatever he wants to eat, please add it to my bill.”

The owner’s silver brows pinched beneath his hairline as he frowned. “As you wish, Lady Hashira.” He bowed and quickly left the room, closing the sliding paper door behind him.

Humming softly to yourself, you sat yourself back down in your seat. Some of the employees appeared from behind, quickly and quietly removing the empty plates and rushing back to the kitchens.You thanked each of them for your hard work, smiling softly as you began pouring tea into two earth-brown ceramic cups.

One for yourself, and one for your guest. In your humble opinion, there is no better beverage to have mid-meal than freshly brewed green tea.

Just as you finished pouring the tea into the second cup, the door opened again.

When you looked up to thank the owner for complying with your request, blood drained from your face and your heart somersaulted in your throat. Standing behind the quaking owner was a tall, broad-shouldered man dressed in a dark blue yukata and wooden sandals. White highlights stuck out of his dark brown hair, which was tied back in a ponytail. And he was grinning.

This is Raiden. Raiden Taeemon, the man you had saved from Hantengu and patched up his wounds like the lascivious criminal you were. Oh no, did he figure out what you’d done? Wait, did he even remember that night?! His breath smelled strongly of rice wine when you carried him back to his dojo! You thought for certain that he’d been too intoxicated to realize what happened!

“Hey, there.” He purred softly.

You swallowed. “H-Hello.” You said. “I hear that you wished to speak to me. May I inquire why?” You tried to keep your voice neutral and calm so as to not show that you were nervous. Your palms began to sweat as he took a seat at the table. Raiden beamed, his smile revealing rows of razor-sharp teeth.

“I wanted to thank you!”

But you did not hear him. You were still under the assumption he was angry as you quickly backed away from the sumo wrestler, your forehead and hands resting firmly on the wooden floor in the position of the dogeza.

“I’m so sorry!” You blubbered. “I’m sorry you got hurt! I wasn’t strong enough to handle the demon on my own and you got hurt trying to protect me!! And there was so much damage to the b-buildings! What if you can’t have matches?! What have I done?! I’ll pay for all the damages somehow, I swear it in my honor as the Love Hashira of the Demon Slayer Corps!”

“W-Wait a sec, little lady -”

“But to make it even worse, I entered your home without your permission, and I even touched your body so I could patch you up! Oh, I should have done more! What was I even thinking about being a capable Hashira when Rengoku recommended me to the Master to take up the mantle! Now all the good vibes from lunch are gone!!”

You squeaked as you were suddenly lifted up from the ground, your face being gently cradled by calloused palms and being pulled towards Raiden’s face, chapped lips being pressed against your mouth. Raiden Taeemon was kissing you.

Heat immediately flooded into your cheeks yet you did not dare move, just staring at this man in disbelief. When he pulled away, he smiled at you, tilting his head to the side. “You okay now?”

Your immediate response had been knocking him back into an adjacent wall and turning away to hide your smiling, flushed face. To think you had your first kiss with a strong, handsome man! He did surprise you with a warm laugh, standing up and brushing the dust off of his yukata.

“Sorry about that! You were rambling and that was the only thing I could think of to calm you down!”

When you informed that he was in fact the first person to kiss you like that, he looked at you, completely stunned at your confession before grinning.

“You’re pulling my leg! There ain’t no way a woman as stunning as you hasn’t been kissed before!”

But you remained silent, unable to form any more words beyond the truth. You were never a very good liar. He then surprised you when he lowered his head to the floor, profusely apologizing for putting you in such an embarrassing position.

You quickly forgave him, saying that he did not know in the first place, and in fairness, you had believed that you would not see each other again after that fateful night. You did, however, emphasize that he did have to take responsibility for his actions.

He laughed warmly, jabbing his thumb against his chest. “I’ll do just that then! I’ll marry ya, if you’re willing to be with someone like me!”

You beamed. “Better yet, how about we have lunch together while we’re here? I did say that whatever my ‘guest’ would like to have would be paid by me! And the food here is absolutely delicious! You simply must try their spicy dishes and sweets, if you have a sweet tooth!”

The rest of the afternoon had been lovely, sharing dishes and sharing stories about each other. Not wanting to repeat your parents’ mistakes, you were upfront with Raiden about being a Hashira…as well as being the eldest daughter of the ocean god Poseidon. There were going to be risks if the two of you moved forward….including the possibility that you might not come back from a mission, or even a routine patrol in the Bifrost might get awry.

But to your surprise, Raiden wanted this. He wanted you, a woman who had once been told by a former suitor that only a wild animal could love someone with odd-colored hair and a big appetite.

He did not care if you were a human or a god; what mattered to him, more than strength and beauty, was honesty and kindness.

And you could not be any happier.

Bonus Content:

The last thread of Hades’ patience snapped when his little brother demanded to have [First Name] removed from the Demon Slayer Corps in his palace, after he’d just told Poseidon that she was doing well under Ubuyashiki’s watchful eye.

When he heard about his niece's promotion, Hades was obligated to tell Poseidon the truth about her whereabouts. Obviously he was not taking it very well.

However, Hades will not tolerate being disrespected in his own domain.

The lord of the underworld glared at the tyrant of the oceans. “She may be your daughter, but she is still the Love Hashira of the Demon Slayer Corps. You know damned well I cannot replace skilled soldiers at the flick of a wrist. It doesn’t work like that for this organization. I’m sorry, Poseidon…but you brought this outcome upon yourself. If [First Name] wishes to see you or talk to you, she will do so on her own terms. Do not push yourself into her life again, you’ll only make things worse.”

Hades admired his brother’s kingly qualities, he truly did…but when it came to matters about his eldest daughter, Poseidon was extremely overprotective of her. He could be…irrational.

It was a good thing he’d concealed the wedding invitation moments before Poseidon came here. The god of perfection would never allow his child to marry a human, even if he were the strongest sumo wrestler in history or treated [First Name] just as Hades treated his wife Persephone: with respect, love, and honor.

Poseidon could care less about Amphitrite. Reputation is all that mattered to him; and because he valued that so highly, the price had been paid with his daughter’s ‘disappearance’.

Too little, too late.

Taglist:

@potato-studez-hungryformore

@mallory-a-bond

@hansel-the-pierrot

@bre99-blog

@mortemorii

@myrisan-melodies

@nooneknows8976

@puffy-bangs

@onecantsimply

@nunezs-stuff

@praisethesuuun

@thatstrangesheep

@zodiacs-web

@the-dumber-scaramouche

@themoonisrising

Honorable mentions:

@deathmetalunicorn1

#shuumatsu no valkyrie #an idyllic novelist #record of ragnarok #ror x reader #snv x reader #fem reader #mitsuri!reader #snv #ror raiden #snv raiden #ror x you #snv x you #milestone event #raiden tameemon #raiden tameemon x reader

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velteris · 8 months

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I’ve seen a fair amount of posts complaining about this arc in Frieren and… we are all entitled to our own opinions etc which is why I will be launching into a Defense of Frieren’s Exam Arc :) Keeping it manga spoiler free since it seems like most of these complaints are from anime-only viewers.

For me the main draw of this arc is the world building. We’ve spent all this time with Frieren and Fern as our main perspectives on magic. Because it’s Frieren, the magics we’ve been hearing about have mostly been a little silly and sweet. But now we’re finding out that 1) “mage” is largely still a combat designation, and 2) Frieren and Fern are actually incredibly jack-of-all-trades when it comes to their magic repertoire. The “magic is visualisation” part is starting to be really leant into and we’re seeing more humans as well who seem to specialise in one magic (steel flowers, rocks, clones, ice and water…) It’s cool!! It’s objectively cool! I love being able to see this range that we wouldn’t have had otherwise! Also it’s fucking fantastic to see how much of a BEAST Fern really is when compared to other human mages. And she doesn’t even seem that aware of it.

Coupled with that is being able to see different people’s philosophies toward magic. I think a lot of viewers are kind of down about the sudden huge influx of side characters who they don’t really care about. But these philosophies—Land’s maximum wait-and-watch, Wirbel and Ubel’s vastly different approaches to killing—keep expanding the world and highlighting Frieren and Fern’s own perspectives. It’s soooo good seeing them react to situations not of their own making and people not of their own kind.

We get to see human society that isn’t a village in the middle of nowhere! We get to see Frieren being forced to socialise! We get to see Fern away from her emotional support elf! We get to see how society has changed since the demon king was defeated! I love that Himmel and co ushered in an era of peace, which it is, and yet the world is still full of conflicts. Truly the story continues after the hero is finished.

To address a few specific complaints I’ve seen brought up:

Frieren isn’t about all these nonstop shounen fights.

Agreed! Which is why it’s cool as hell that Frieren’s main badass shounen strategy is “sit very still for 10 hours”. That aside? There actually hasn’t been much actual fighting. You could probably count up the minutes in which actual spells are being cast and it’ll be something like 2 minutes max in the latest ep20. And that’s because it’s not about who beats who, it’s about the philosophies, the worldbuilding, the ways of thinking about magic. This is not a power-measuring contest, much as Genau would like to make it. And the random lucky draw-ness of the Stilles only plays further into that. It is possible to pass this exam without coming into conflict with others, and certainly without battles to the death. It hasn’t ever been about the shounen fights.

The good part of the show was about the delicate melancholy and that’s totally missing here.

I agree that it’s one of the strong points. But the thing with the melancholy is that it only works when juxtaposed against other moments. A story that’s composed of a bunch of unlinked wistful slice-of-life episodes will eventually fall apart because it has no momentum, no driving force. And ten years to Ende is too long to go without at least some conflict. Also, again, ten-hour bird meditation session?

Anyway, there’s melancholy, but how sad it would be if there was nothing but introspection and wistfulness. Frieren is bringing the memories of Himmel forward with her into the future. That means she has to be moving forward, forging new relationships with unrelated people, going into situations that she hasn’t been in before. A Frieren stuck in the past would be against the themes of the show, of remembering and yet moving on.

Why should I care about them spending ages trying to catch a bird?

You don’t like Stille? 🐤 fweet?

Actually I care lots about this funky thing. Indestructible and goes supersonic fast. That’s fucking hilarious. Bird that simply cannot be contained. Genau is a dick for setting up this kind of exam when, Your Honour, my client Stille does not deserve to be imprisoned.

Too many irrelevant side characters who it’s hard to care about, and they’re gonna be thrown away at the end anyway.

Again, it’s the worldbuilding. And also, mild spoilers for stuff that won’t be covered in the anime, but at least one of these side characters does come back and we get more delicious main character development as a result. Though frankly many of these characters are deeply compelling and interesting to me so I don’t rly get this complaint. Give me more Lawine.

Where’s Himmel? What do these exams have to do with the hero party? Frieren is good because of the links to the past.

Frieren is good because of the links to the past, which affect how Frieren responds to the present. The whole point of Frieren is that Frieren’s life continues. And through her new experiences, she comes to understand and reconnect to the emotions she didn’t realise she felt about her past. I don’t care what Himmel would think of the mage exams, I care what Frieren thinks of them now. And the answer is that she doesn’t really give a damn but she’s in here anyway because Fern strongarmed her into it, and then she was forced to adopt two more kids along the way, and all of that is something she never would have done if she was still hermiting in the Central Lands. Somehow we are still getting Himmel flashbacks anyway? So? He’s still haunting the narrative guys. Just because Frieren isn’t saying “that’s what Hero Himmel would do” out loud in these circumstances doesn’t mean his ghost isn’t here.

Even so, Frieren clearly recognises the name Serie. Do not fear. There is going to be more about links to the past.

I miss Stark.

Fair enough. It’s okay, he’s just on vacation rn. Having an appy juice.

It’s taking too long. The arc is too slow.

It’s only been three episodes… I’ve seen people going “it’s already been three episodes!” but what? Really? Is that considered an excessive amount of time now?? Given the amount of story covered I think it’s quite reasonable? There’s still 8 episodes to go in which we cover the remaining exam stages. Have some patience like Frieren. The payoffs are being set up; they’ll resolve before the end of the mage exam arc. In the meantime, let’s enjoy theorising about the soft magic system and hollering for full auto Fern.

#frieren #sousou no frieren

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yandere-daydreams · 5 months

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Can we get a rec list for shojo? I've been picking up shows you write for (like jjk) but I enjoy shojo too and I think I would enjoy similar shows to you. If not thats okay too!

uhhh i only have a few that i would actively recommend but!!! i feel very passionately about all of them. not all shows have to be fanfic fodder. some can just be fun.

♥ horimiya. it's a classic and has literally no flaws to speak of. never before has a heterosexual romance been so queer-coded and never will it be again.

♥ ouran high school host club - the anime AND the manga!!! i know everyone's already seen the anime half a dozen times, but if you liked it, i'd really recommend picking up the manga. it's aged pretty well (all things considered) and does in fact have an actual plot with a real and satisfying ending, something that i can tragically not say for the anime.

♥ jibaku shounen hanako-kun/toilet bound hanako-kun. it is vaguely shounen coded but don't let the occasional fight scene fool you, this one is for the girls <3 i'd recommend watching the anime and picking up the manga from there, since both have a really unique and charismatic art style and are very good in their own right. there are ghosts. there are gay people. the heroine is trying to brute force her reality into becoming a rom/com and repeatedly turns into a fish. what's not to love.

♥ i'm in love with the villainess!!! i would STRONGLY recommend this if you are both gay and have been repeatedly abused by just,,, so many early 2010s dating sims. the animation is a little rough at times but overall it's very enjoyable and has a surprising amount of lore. i'd also very strongly recommend watching the english dub. the mc is just,,, yeah. that's a woman who's been in the trenches y'know.

♥ the ancient magnus bride. it has aged contentiously but if you can get past the 'sixteen year old x immortal eldritch being' thing then it WILL emotionally wreck you. the ost is also just,,,, delectable. they should really pull out the lute more often that shit goes hard.

♥ welcome to demon school! irumu-kun! people will tell you that this is a shounen and those people are WRONG!!! never before has an anime been so deeply concerned with love and friendship and putting everybody's favorite little guys in situations that make you wonder if it truly is gay to kiss the homies goodnight. the animation is very rough but in a very charming way, and mc has a very cute, very prominent romance with a woman who could snap him over her knee like a twig. then english dub cast is doing the goddamn most too, but feel free to consume it however you see fit.

#personal #anon ask

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brucebocchi · 6 months

Text

Winter 2024 anime, Pt. 2: Mixed reactions, the bench, and the gems

hey y'all, this is also up on my ko-fi! it's free to read both here and there, but i'm struggling financially rn so i could appreciate if you'd throw a few bucks my way if you liked it! part 1 can be found here.

And we're back for part 2! Here's all the new stuff I finished this season, and one more I'll get back to later. As with before, these are sorted alphabetically within each category and are not ranked as of yet.

Also as before, the OP for each series is linked in the title. Check them all out if the header images aren't giving you the right feel for each show, but also check them out because most of them were actually pretty damn good this season.

[Solo Leveling OP voice] LET'S GET IT!

Mixed Bags:

Hokkaido Gals Are Super Adorable!

Your standard, quasi-harem “easily flustered Regular Guy wins over hot girls just by being really nice” shonen romcom. I really don’t have much to say about this one other than if you’ve seen My Dress-Up Darling, you’ve basically seen this already. The only thing that really sets it apart is the setting.

Tsubasa (voiced by Nobunaga Shimazaki, in a FAR cry from his turn as Mahito in Jujutsu Kaisen) is a straight-laced Tokyoite whose family situation lands him in a small city in the frozen boonies of Hokkaido. While looking for the bus to his new house, he runs into a gyaru in the snowy wild, the underdressed, hilariously-proportioned Minami, and they hit it off. It turns out they go to the same school, there are other cute girls there who take a shine to him as well, it’s nothing new.

I ultimately don’t have much to say about Hokkaido Gals, but I do have a soft spot for series like this, and after reading ahead in the manga I felt obligated to see it through. This is all junk food, but it’s all stuff you’ve seen done better in other series. I also have a soft spot for gyaru in anime and manga, and while I do like Minami just fine, she isn’t Marin Kitagawa or Rumiko Manbagi. I don’t really have it in me to recommend this show to many, though, at least not until another season rolls around, if that ever happens. The manga genuinely does get a lot better as it goes on, but the really worthwhile stuff may not happen until a third season, and I just don’t see that happening.

The manga has issues that the anime isn’t willing or able to solve, chief of which being the visuals. The art style of the manga is wildly inconsistent, and getting a mediocre animation team on this didn’t help matters at all. While the colors often pop nicely against the pretty, snowy backdrops, nobody looks all that great overall. The characters are recognizable, but they just plain don’t look great a lot of the time, nor do they look consistent from one cut to the next; I said that Minami’s proportions are hilarious, but just as hilarious is how wildly they vacillate from one scene to the next for the sake of trying to titillate the viewer.

My biggest takeaway from both the manga and anime was everything I learned about Hokkaido in the process, and if the series is taking subsidies from the island’s tourism bureau, then it’s a job well done. I want some goddamn jingisukan now. The OP is a great time, though. I’m shocked it took over a decade for us to get a proper “Uptown Funk” knockoff in an anime.

Metallic Rouge

I’ll be upfront in saying that this was my biggest disappointment of the season by far. This show had so much going for it, and what we got was… ugh.

There was an unbelievable amount of promise from the outset: This was Studio Bones’ commemorative 25th anniversary production, and coming from the studio that gave us all-timer adaptations like Fullmetal Alchemist Brotherhood and Mob Psycho 100, not to mention later works from Cowboy Bebop creator Shinichiro Watanabe (including the Cowboy Bebop movie), you can’t fault anyone for having high expectations. It looked to be a fitting production as well: Watanabe’s influence shines through immediately in the gorgeous, lived-in cyberpunk off-world locales and racially diverse cast. Action takes the form of dope robo-tokusatsu transformation fisticuffs, and it’s entirely in 2D animation to boot. The first couple of episodes were killer, too; everything looked and sounded amazing, and there were just enough plot threads teased out that I just had to see how they’d unravel.

It brings me no joy, then, to say that Metallic Rouge collapses into a jumbled mess. I don’t even want to bother talking about what happens in the show because I don’t fucking care anymore. There are few media experiences more sobering than to have it dawn on you over a span of several weeks that “oh… this isn’t actually all that good, is it?” Episode after episode piles on with sloppy lore, weak worldbuilding, warring factions whose names you immediately forget, pointless double-crosses, and the most predictable twist you’ve ever seen. For a while I was willing to accept the fact that I didn’t know what was going on half the time and expected things to become clearer, but now I’m not entirely sure the writers knew either. The stakes apparently kept rising and everything just kept getting more claustrophobic. I’m glad it’s over, if only because if I had to hear “Clair de Lune” one more fucking time, I was going to go ballistic.

There are several attempts at emotional beats, as the story is rife with tragedy and sacrifice, and every single one lands with a wet thud. Nobody gets enough time, motivation, or characterization for any of these things to feel like they actually matter, and that’s especially a shame because the finale might have been able to stick the landing if the previous episodes were less dense and better paced. Emphasis on “almost,” though, because just before the season ends, we get the absolute most pointless fakeout I’ve seen since The Rise of Skywalker, which is the lowest point of comparison you can make for any work of sci-fi.

This is especially frustrating because on paper, there is so much to like here. Rouge and Naomi are likable-enough deuteragonists with a fun dynamic, and they’d make easy yuri bait in a better show. The characters are all pretty and uniquely designed across the board, and the overall aesthetic, almost a pastiche of late-90’s anime futurism, is undeniable. The toku suit designs are neat and several of the action scenes are gorgeous. The score and soundtrack are outstanding (except for the aforementioned Debussy indulgence). I have few complaints about how the show looks and sounds; the style is great! All of my issues lie with the substance.

Metallic Rouge may have had all the ingredients, but it just needed more time to cook; whether that would have been by doubling the episode count or by more carefully planning the pacing and trimming some of the fat from the lore, I’m still not sure. Probably both. It probably needed better writers, too. Maybe it just isn’t as smart as it acts and there was no way to satisfyingly resolve the clumsy civil rights allegories that bring it uncomfortably close to the likes of Detroit: Become Human. So all of the above, I guess. I tend to adore stories that involve artificially-intelligent beings developing their own wills and emotions and learning to cut their own strings (the likes of Blade Runner, Nier Automata, even a couple of character arcs in the Persona series), but this ain’t it. I’m not even mad anymore. I’m just disappointed.

If there are two positives that will stick with me, though, they would be the absolute banger of an OP and, of course, Naomi Orthmann herself (pictured above, left). Outstanding character design. I’m mildly obsessed. She deserved a better show.

The Unwanted Undead Adventurer

This one isn’t even worth talking about, so here’s a brief synopsis, then I’ll add some commentary, and then we’ll all move on with our lives.

Rentt, a beloved but mediocre adventurer in a fantasy town, gets lost in the mysterious labyrinth that all adventurers explore for personal gain, gets waxed by a dragon, and awakens as a shitty-looking CGI skeleton. He notices, though, that he’s able to level up better as a skeleton than he did as a human, and with the more monsters he defeats, the more he evolves into something closer to human. The rest isn’t really worth discussing.

If I’m being honest, I should’ve dropped this show much sooner. It looks kinda lousy most of the time, the plot (inasmuch as there even is one) is boring, character designs are forgettable (except for Rentt’s closest ally, Lorraine, holy hell) and it seems wholly uninterested in actually building its own setting. If it returns for a second season, I won’t be there, nor will I feel like I’m missing anything. Each episode felt like a chore to watch. I probably only saw it through because 1) I liked looking at Lorraine, I know what I’m about, and 2) I didn’t want to lump it in with the shows I did drop. The Unwanted Undead Adventurer isn’t as patently upsetting or frustrating as those three, but it just plain isn’t a very good show.

The Witch and the Beast

This show could have been so much more. I was drawn in by the gorgeous character designs and intriguing blend of Victorian gothic aesthetics and architecture with modern infrastructure, and very quickly disappointed by just about everything else. The first episode is an exceptional proof of concept, and almost everything that follows is an upsetting showcase of what could have been.

The story centers around Ashaf, a languid, chain-smoking agent of the governing church with a big-ass coffin strapped to his back, and his partner Guideau, a snarling hyena in a young woman’s body, as they investigate abuses of magic across the continent in search of nefarious witches. Guideau in particular has a bone to pick with witches, as the body they presently inhabit is the result of a witch’s curse, and they remain in furious pursuit of the one who cursed them. The curse can be temporarily undone by a kiss with a witch, allowing Guideau’s true body, a hulking brute confined to the coffin, to escape and wreak havoc. Meaning that on a few occasions we get a girl-on-girl kiss followed by a big dude wrecking shit. There’s also other investigations of serial killings, necromancy, and a cursed sword, and here’s hoping you like those, because the coffin breaks are few and far between.

This wasn’t great! By the third episode I had the sneaking suspicion that the animation talent on hand just wasn’t enough to support the aesthetic. While the character designs are exceptional, almost everyone looks awful in any shot that isn’t completely focused on them. This is especially true of Guideau, who looks so inconsistently off-model from one shot to the next that I’m still not entirely sure what they’re supposed to look like, and that’s kind of unforgivable when we’re talking about a main character. Everything looks too dim and too shiny at the same time, and action scenes look like shit more often than they look interesting. I can see so many flickers of something excellent (or at least really good-looking) in Witch and the Beast, and everything else that keeps those flickers from actually igniting makes it so much more frustrating to watch. Maybe just read the manga instead; the panels I've seen from it were uniformly gorgeous.

Actually, yeah, you should probably just read the manga, because for a season of anime, the pacing is atrocious too. It’s clearly trying to angle for a monster-of-the-week format, but each of these mini-arcs is a little too dense for a single episode, so multiple episodes are dedicated to these one-off curiosities, most of which do nothing to advance the plot or show off what the show does best. And if one of them isn’t particularly interesting, you’re saddled with it for the next two weeks like you've been stuck munching on a mealy apple. And I know you can only adapt so much in a 12-episode season, but the decision to end the season on a flashback arc and a lore dump was baffling. That’s not world-building, that’s lazy, and it made the show’s existing pacing issues feel that much more inane.

I feel like I was sold a false bill of goods. I can only imagine how the mangaka feels about this. Dull and uninspiring all around. What a waste.

The Wrong Way to Use Healing Magic

Isekai, unassuming high school boy gains a unique power, impending war with the Demon Lord, yadda yadda yadda. The Wrong Way to Use Healing Magic isn’t anything new or special by any means, nor is it particularly well-animated or -paced, but at its best it’s silly and charming enough that it made a nice, brainless palate cleanser on Fridays.

Usato, your standard quiet high schooler, ends up walking home on a rainy evening with the popular, attractive student council president and VP, when an isekai portal happens. It turns out that it was just the seito-kai that was invited along for the ride (and President Suzune, as it turns out, is fucking psyched to get to be in an isekai), and Usato got caught along with them. When tested for magical aptitude, Suzune and VP Kazuki hit the jackpot with electric and light affinities, respectively, but things go awry when Usato’s reading turns up with healing magic. Terror strikes the palace as the intimidating dommy-mommy Captain Rose barges in to spirit Usato away from his new friends and into her squadron of goons to train him as a combat medic.

As character comedy goes, this one is actually pretty solid at times. Shogo Sakata is plenty of fun as the put-upon, lippy Usato (a much louder role than Chainsaw Man’s Aki Hayakawa), and Atsuko Tanaka (Major Kusanagi herself!) is a blast as the terrifying Rose, an uncompromising slave driver of a drill sergeant with a secret soft side. The dynamic between them is great, too; Usato is over Rose’s shit from the beginning and isn’t afraid to talk back to her, but before you know it, this transforms into friendly banter as Rose clearly takes a shine to Usato and knows he can handle any punishment she doles out. Suzune’s also a bunch of fun now that she’s broken away from having to be the competent, popular girl at school and gets to fully lean into being a complete dork.

Wrong Way also works decently as an isekai, because it makes an effort to stay rooted in high fantasy rather than fall back on JRPG mechanics, meaning there are no stat screens! It also avoids the trappings of wish-fulfillment isekai series by having Usato start out as a regular-ass guy; he’s not a Kirito type, just someone Rose sees as a rough gem in need of cutting. There are no cheat skills or OP weapons or anything, just a kid training every day to get stronger so he can protect the people close to him, and that’s the kind of anime protagonist you should want to be.

For better and for worse, I get serious mid-00s vibes from this one; watch the OP if you don’t believe me. Some of the colors pop uncannily in that early-digipaint-era way, and the animation is pretty middling; the most fluid animation we see is whenever Suzune is acting like a creep. Much like those mid-00s anime, though, Wrong Way may have benefited from being weekly (or twice as long) rather than seasonal. There’s a ton of planting with very little payoff, and it doesn’t feel like the actual scope of the story has even been addressed yet. We don’t even learn why the series has the name it does until someone literally says it aloud in the 11th episode. I may have to reevaluate this season after a possible second, if we ever get one, because this doesn’t stand too well on its own.

Of the anime in this “mixed bags” segment, I’d say I enjoyed Wrong Way the most, but it still had enough problems for me to keep it here. It’s not a particularly bad anime, but it’s not especially good either. I guess we can slot it into what Hazel refers to as “good mid.”

On Hold:

Cherry Magic! Thirty Years of Virginity Can Make You a Wizard?! (three episodes watched)

Man, what a title. That was the main draw for this BL series, which on paper is basically a gay version of the Mel Gibson vehicle What Women Want.

Adachi (a surname that will always make me laugh thanks to Persona 4), a gloomy salaryman, has hit the big 3-0 without getting any, and now he can somehow read anyone’s thoughts just by making physical contact with them. Just as he laments that this is his life now, he accidentally bumps into his handsome, popular coworker, Kurosawa, whom he learns has been harboring a massive crush on Adachi this whole time. Well dang, what now? Kurosawa’s a really nice, thoughtful dude, but Adachi’s never even thought about being with a man before! And isn’t there something wrong with already knowing this secret? How can he even go into the office and look Kurosawa in those big, handsome eyes… every single day…

What I’ve seen so far has been pretty solid, if not particularly well animated. The visuals are really my only gripe here; I just put it off for way too long and didn’t have it in me to finish it on time to actually get this thing written and published. Yaoi isn’t my forte, which feels like a shortcoming on my end as a fledgling bisexual, and I’ve already remarked on the solid LGBT representation this past season, so I do plan on hopping back on this one.

I gotta say, the co-leading voice actors put in serious work this season. Adachi is voiced by Chiaki Kobayashi, who continued his role as Stark in Frieren, returned to Mashle as Mash Burnedead, and contributed to Metallic Rouge’s cluttered cast as Noid. Kurosawa’s seiyuu, Ryota Suzuki (of whom I’ll always be a fan for his masterful turn as Yu Ishigami in Kaguya-sama), also held down leading roles in Bang Brave Bang Bravern and The Unwanted Undead Adventurer. They’ve been great in the few episodes of Cherry Magic! that I’ve seen so far, and they’ll be a huge part of what brings me back.

The Gems:

Bang Brave Bang Bravern

I feel like the mark of a perfectly audacious piece of media is in the moments where I find myself incredulously shouting “WHAT THE FUCK AM I WATCHING” at the screen, and Bravern made me do that at least once per episode. I have so many things to say about what makes this show great but all of it can be summed up as “it fucks so goddamn hard.”

A joint military exercise in Hawaii between Japanese and American mech pilots goes south as a sudden invasion by metalloid aliens portends certain doom for humanity. Just in the nick of time, though, a bombastic, autonomous mech named Bravern arrives from space and insists that ace pilot Isami Ao take his reins. Isami reluctantly agrees, and to his consternation, Bravern goes full tokusatsu on everyone’s asses, complete with fully-diegetic theme music, and keeps the threat at bay. With Bravern continuing to pester him to act as a pilot, Isami is forced to take up the mantle of a reluctant hero as everyone rallies around Bravern to save Earth. Tagging along is blond-haired, blue-eyed American pilot Lewis Smith, who gets to live out all of his Top Gun fantasies, right down to the latent homosexuality.

That last point isn’t a projection or anything: This show is legitimately gay as hell, and it rules. Bravern’s feelings towards Isami feel far more romantic than what you’d expect from a literal robot, and his description of how it felt to have Isami pilot him for the first time, as relayed to a grim-faced military council, is riddled with hilarious innuendo. Isami struggles not only with shouldering the burden of needing to be a hero to all of humanity, but also being beset on both sides by a loud, insistent mecha and a dewy-eyed gaijin, both of whom very well seem to want to get in his pants. Intricate rituals punctuate Isami and Lewis’ angsty relationship as these broad-shouldered, muscular men grow ever closer. It’s also worth reiterating that Isami is voiced by Ryota Suzuki, who also voiced Kurosawa in Cherry Magic!, and that may not have even been his gayest role this season. I’m not super well-versed in mecha as a genre, but I do know that there’s a lot of Warrior’s Bond-type stuff in these series, and Bravern lays it on thick. And hard.

This show looks killer, by the way. CGI implementation in 2D anime is still a touchy subject, but Bravern features some of the best I’ve ever seen. Simple cel-shading goes a long way to the point where, outside of some uncanny motion, Bravern himself feels perfectly blended into the hand-drawn animation. Mecha designs range from realistic military-style tech to otherworldly sentient robots, and battle sequences run the same gamut as the stakes rise. As goofy as all of the above may sound, it’s committed to being a grandiose, big-time mecha showcase.

This is as good as camp gets in anime; Bravern does for the mecha genre what Akiba Maid War did for yakuza film pastiche (I have also heard positive comparisons to Samurai Flamenco, which I’ll have to get on ASAP). It’s an excellent mecha show in its own right, and wildly hilarious to boot. Bravern himself is very genre-savvy and seemingly a bit of an otaku himself; he loves acting like a mecha hero, to everyone else’s chagrin. Several of the villains (also mechanical beings, voiced by an all-star seiyuu roster that includes Kenjiro Tsuda, the aforementioned Atsuko Tanaka, and Rie Kugimiya) are total dorks themselves. A CIA interrogator tries to waterboard a mecha at one point. Bravern is a deeply silly show, but its heart is planted as firmly on its sleeve as its tongue is in its cheek: For as wacky as it can get, the story still unfolds with a straight face and excellent emotional beats.

This show also has the most unskippable ED of any anime since Chainsaw Man dropped a new one every week. I will not say what happens. You cannot predict what it is. Just watch it. One of the top YouTube comments on that video says “When I saw this ending after episode 2, I thought I was going crazy.” That’s a ringing endorsement.

Chained Soldier

On the heels of 100 Girlfriends completely rewiring my brain, I was raring for some more good old-fashioned anime trash. I was told that there would be plenty this season, but you can consult the “dropped” section to see how well that worked out for me. Chained Soldier came with some significant hype, and soon enough into the first episode I realized that I’d actually skimmed through this manga before (don’t ask why), so I was on board immediately. Now here’s some nice trashy fun.

The world is in peril thanks to creatures called Shuuki that can advance on our world via portals from another dimension. Women primarily lead the charge against these monsters, as this dimension produces a special fruit that can lend them (and not men) otherworldly powers to help them in the fight. Yuuki, a perfectly normal young man, ends up in grave danger as he stumbles into a portal, where he is saved by the beautiful Kyouka, a commander who is able to subjugate Shuuki at will and use them to fight others. In a bind, she asks Yuuki if she can subjugate him, which he agrees to by licking her finger and transforming into a monster himself, at her beck and call. Because of his utility in battle, Yuuki is enlisted into her squad of baddies (and also an 11-year-old), living in their home as a caretaker and answering directly to Kyouka as her “slave.”

I know. Hear me out.

I put “slave” in scare quotes because Chained Soldier fortunately isn’t going full Shield Hero on us; this arrangement has a give-and-take baked in. See, every time Yuuki completes his service, Kyouka (or whomever else takes advantage of this anomaly) is compelled to carry out whatever suitable “reward” springs from his unconscious, and this is where the ecchi kicks in. Sometimes it’s a kiss, and sometimes it’s something a little more; the reward corresponds to the length and intensity of Yuuki’s contributions to battle, so the heat can turn up in the form of, say, clothed face-sitting, a good scrubbing in the bath, or some nice, casual CBT. All of this is to say that “slave” is a bit of a buzzword here: It’s more of a dom/sub situationship with a lot of extra steps.

Yes, just about everything that isn’t an action setup is full-on harem trash, and Chained Soldier lays it on thick, right down to full-on nudity. Nothing about this show resembles high art, but I can’t help but admire such a high level of commitment to its aesthetic, including the sleaze. It fully commits to the bit and doesn’t even bother lampshading its own trashiness. Chained Soldier knows what it’s about, and I respect that. It also has the good sense not to sexualize the youngest girl, which is a point in its favor that I can’t award a couple other shows previously discussed.

And while this show is plenty fun, the action sequences often excellent, and the character designs usually delightful, there’s not actually a whole lot going on here. As I said with Mashle, I know that battle manga like this can take a minute to really get cooking, and as I said with Witch and the Beast, 12 episodes may not always be a sufficient runtime to adapt enough to break ground, but the debut season feels more like a proof of concept than anything else. That being said, Chained Soldier’s manga has a very effusive audience, and its praises don’t seem to entirely be about the boobs and butts, so I’ll wait patiently for the second season. I think it’s earned that much.

Delicious in Dungeon

This is the one I’m having the hardest time writing about because it so confidently and so completely speaks for itself that anything I could add would feel like scattering sawdust at the beach. Dungeon Meshi (I refuse to call it by its official English title) is a widely beloved manga among those who’ve read it, and for Studio Trigger to do an honest-to-goodness manga adaptation for the first time might as well be front page news among anime fans.

The story follows Laios, the deeply weird human hero, as he delves back into a bizarre and mysterious dungeon to rescue his sister Falin from the belly of a dragon, along with his misfit party: The neurotic half-elven mage Marcille, the temperamental halfling rogue Chilchuck, and the dwarven warrior-slash-chef Senshi. The party is frequently low on supplies, so to survive the trip they’ll need to subsist on the most abundant resource in the dungeon: Monsters. Senshi’s aptitude in the kitchen helps ensure that everything is edible and sufficiently tasty, regardless of how nasty the monster it came from may have been. With monster obstructions out of the way and their bellies filled, our party delves deeper into the dungeon as the mysteries deepen in kind.

I love the character dynamics in this so goddamn much. Marcille and Chilchuck are frequently put off by the dubious monster food presented to them, but their consternation is worsened by the fact that Laios’ fascination with the monsters it came from annoys the shit out of them. I referred to him as “deeply weird,” but that doesn’t begin to describe his absolute galaxy brain, and I mean it as a term of endearment. Laios is deeply knowledgeable and curious about the fauna in the dungeon, and not just how they taste: He is vocally curious about how certain monster attacks may feel, sings along with siren songs, and even keeps a hardcover bestiary inside his breastplate. He’s one of those people you turn to if you have a question on a hyperspecific subject, but you have to be careful how you ask it or else you’re trapped for the next two hours. And I love him for it.

Even putting the comedy aside, there is a fascinating human element at play in Dungeon Meshi, and I can tell that that surface has barely even been scratched yet. Marcille is just as dogged in her pursuit of saving Falin as Laios is, maybe even moreso (remember what I keep saying about LGBT representation this season?). Chilchuck continues to convince himself that he’s only in the job for his own personal gain, but you can see that mask slipping. And I still wanna know what Senshi’s deal is. Even with the five major players I listed, there’s an increasingly deep roster surrounding them—showcasing a broad spectrum of races and ethnicities, both real and fantastical—each with their own histories and motivations, and I cannot wait to see how they play out and interact with one another. There seem to be much deeper themes at play here as well as we learn more about perceptions and grudges between differing races, oppositional magics, clashing ideologies, and the monetary incentives that drive both the dungeon’s exploration and its very existence. I’m here for it.

I’ve been holding off on reading the manga until the season is up in June (though I could crack any day), but I know a loving adaptation when I see one. Not that Trigger ever slacks off in the animation department, but they absolutely brought their A-game here. Everyone looks bouncy and cartoony in the way only Trigger can pull off while still looking as close as possible to Ryoko Kui’s source material (as far as I can tell). As with Frieren, the action sequences aren’t frequent, nor are they entirely what the show is about, but they look incredible every single time. And the food, of course, looks incredible, no matter how weird. This is practically a cooking anime and a fantasy dungeon anime at the same time, and both aspects are visually on point at all times.

I’m obviously speaking from my own bubble as one of the six people who still use Tumblr in 2024, but I rarely see new anime make a splash like this on social media every single week, and the ones that I do are usually the monster shonen hits like Chainsaw Man or Jujutsu Kaisen. Dungeon Meshi deserves the exposure and success it’s attained, and I’m excited to see it continue. I’d easily slot this right up there with Bravern as one of the best new anime of the season.

A Sign of Affection

I’ve seen a hell of a lot of shonen slice-of-life romances in the past year and change, so a nice fluffy shoujo like this was an excellent palate cleanser. There were a hell of a lot of Big Action Setpieces and panicky teens and grim dungeon crawlers this season, and at the end of the week I wanted to unwind with a bunch of pretty twenty-somethings falling in love with each other.

The show centers on Yuki, a young woman living with congenital hearing loss, making do at a public college after growing up at a school for the deaf. Though she’s able to get by with LINE messages and lip reading, she’s unprepared when a foreigner asks for help, but she’s saved by a handsome and mysterious young man named Itsuomi. He’s able to help out, and takes an interest in her when he realizes his fellow undergrad is deaf, and Yuki takes an interest in kind because he’s really goddamn hot. It turns out that he’s a polyglot and an avid world-traveler, but sign language is not in his purview. This mutual interest sparks the concern of her childhood friend, Oushi, one of the few people in her life who already use sign language, who wants to be sure that nothing untoward is happening. And it isn’t, because this is just a really lovely, low-stakes romance story.

This is pure, unfiltered shoujo at its best. Yuki’s internal monologue is peppered with flowery prose, and everything and everyone looks soft and beautiful. Fashionable, doe-eyed women and pillowy-lipped ikemen abound (seriously, holy shit, the lips on these boys) as the scope widens and the main love interests’ friends explore their own possible love stories. Itsuomi is very much of the “mysterious boy” archetype you’ll find in romance stories in this demographic, but he’s not hiding any sort of dark past like you’d typically expect; he’s just an interesting guy who keeps his personal life close to the vest. He’s a self-appointed world citizen who loves learning about how people of all cultures live their lives, and in Yuki he sees someone within his home turf who happens to live in her own world entirely. And it’s easy to see his forward behavior with Yuki as infantilizing at first (Oushi sure does, and I’ll get back to him in a second), but as they grow closer Itsuomi quickly becomes much more considerate of her boundaries and learns to accommodate her as he studies sign language and gestures that help ensure her comfort. This is a story about Yuki’s horizons broadening just as much as it is about Itsuomi wanting to be let into Yuki’s narrow world, and that sort of synergy makes for some exceptional romance.

A Sign of Affection deserves some credit for refusing to shy away from Yuki’s disability and making a point of depicting her world as one that does little to accommodate her. Very few people in her daily life ever bothered to learn sign language, she relies on a friend to take notes during lectures, and work is hard to come by. It’s an honest depiction that makes an effort not to be exploitative, which is a breath of fresh air. Not only that, but there’s some interesting meta-commentary in there: The only major conflict in the story stems from Oushi’s jealousy, and his reservations about Itsuomi possibly “taking advantage of” Yuki almost feel like he believes that he’s the only one who knows what’s best for her just because he’s done the bare minimum to accommodate her. He thinks he’s coming from a good place, but he winds up accidentally infantilizing her in exactly the way he thinks Itsuomi might. That’s a particularly interesting bit of irony!

I’ve seen enough shonen-oriented romcoms where an unassuming Regular Guy gets flustered as a way-too-casual girl pushes his buttons (hell, I’ve already reviewed two of those this season), so it’s nice to see the formula flipped for a shoujo as Yuki and her best friend Rin blush and squee over Itsuomi and his coworker Kyouya, respectively. A Sign of Affection isn’t afraid to get a little silly with it, either; plenty of these moments are punctuated by characters’ faces going low-detail or full chibi, and they are cute as shit every single time.

This one was just cozy as hell. If you’re into this sort of thing, swaddle yourself in it and bask.

Solo Leveling

I let this one collect dust after the third episode and didn’t pick it back up until the season was almost up, and honestly, I was kinda dreading it: The trailers didn’t look too promising, the show was slow to start, and it looked like yet another derivative JRPG-style dungeon crawler that managed to get popular. Turns out, nah, this show actually kinda fucks and the web novel series and webtoon it’s based on are popular for a reason. The story is nothing special, don’t get me wrong, but it’s a perfectly serviceable turn-your-brain-off action spectacle with a bit more lying beneath the surface.

In a modern-day South Korea where portals to mysterious dungeons open up and threaten the populace, those who can brave the dungeons, known as hunters, are an invaluable human resource. Once someone is assigned a grade as a hunter, they have that grade for life, barring some rare occurrences. Sung Jinwoo is at the lowest rung on that ladder as an E-rank, incapable of improvement, assigned the epithet “the weakest hunter of all mankind.” He mostly shows up to portal raids as a warm body to fill a quota, and one such job goes haywire as most of the raid party, Jinwoo included, is brutally slaughtered in an arcane secondary dungeon within a portal. He somehow wakes up in a hospital, unharmed, and able to access a digital menu before his eyes that exhorts him to do the One Punch Man workout every day, lest he incur punishment. He gets hilariously chadly in the span of a few days in the hospital, including an inexplicable haircut, and finds access to dungeons only he can enter and levels up within this new system.

This one gets off to a slow start and may have benefited from a longer premiere like Oshi no Ko or Frieren, but once the table is fully set, Solo Leveling really starts to cook. Jinwoo’s titular leveling process is a blast from one fight to the next, and as he moves to work in the dungeons that other hunters can access, it turns out he’s been training with the weights on. He’s suddenly fighting way above his pay grade, and after staving off attacks from hunters taking advantage of portals for nefarious ends, he is recruited by an ambitious corporate scion to make some real coin and establish an independent association of hunters.

While it can feel like there’s a whole bunch of table-setting between portal sequences, it’s some smart worldbuilding on Solo Leveling’s end to establish how portal hunting became a central pillar of this society, and doubly so how political and capitalist interests can leave a wide berth for corruption and bad actors. If there’s money to be made in hunting, of course people will find ways to make even more at the expense of others, both at the corporate and individual levels. There’s a lot of talk in there about “survival of the fittest” and “natural selection” and that… makes me nervous.

Those are terms that can be used to justify immoral actions in the name of money, sure, but Jinwoo also uses them to justify his own process. To what end is he constantly improving himself? Sure, he's doing what he can to provide for his younger sister and their ailing mother, but I see less and less humanity in him as this goes on. There are constant hints at something far more sinister at play than just a dude getting stronger for himself, not the least of which being “the system,” the UI that implores him to keep taking on these “quests.” Something, or someone, seems to be guiding him. Whenever another hunter turns on Jinwoo, of course his self-defense instincts kick in, but system pop-ups instruct him to defeat X number of hostiles like it’s a normal video game scenario. There’s something eerily depersonalized about these encounters, despite them being full-on mortal combat, that gives me serious Ender’s Game vibes. Consider me intrigued.

I’d heard that the Solo Leveling manhwa’s main draw was its visuals, and though I had my doubts early on, I'm sold now. This is a pretty solid presentation! Hiroyuki Sawano turned in yet another banger soundtrack to punctuate all the action setpieces, helping to stitch together a fairly complete tapestry. Said setpieces are exhilarating and almost impressively bloody, and while the animation is nothing impressive in the day-to-day, it goes absolutely batshit when the gloves come off. Movement is inhumanly fluid and the visuals can go into the same loose, psychedelic territories we’ve seen in the likes of Mob Psycho and the second season of Jujutsu Kaisen. If this is the new meta for shonen action, I’m not complaining.

By all rights, this is a pretty decent show, but if I’m being honest, this one just hasn’t stuck with me much. And that’s fine! Sometimes I just wanna see some nutty action stuff and move on with my day. Solo Leveling hits that spot perfectly, and I'll be right back there when it returns for its next season.

‘Tis Time for “Torture,” Princess

I was surprised to learn that the gag manga this is based on, with such a seemingly simple premise, has been running for well over 200 chapters and counting. As the anime progressed, I was far more pleasantly surprised to learn that it actually works.

In a standard anime fantasy world where the forces of good are fighting the demonic Hellhorde, an unnamed warrior princess and her talking enchanted sword are taken prisoner and subjected to torture as they’re squeezed for intel. Said “torture,” as the title’s scare quotes would suggest, is mildly unconventional, as the demon baddie inquisitor, aptly named Torture Tortura, attempts to ply the princess by presenting her with tantalizingly delicious-looking food that she can only partake in if she coughs up some info. Naturally, the princess caves every single time, but her intel is often inane and useless, so the “torture” continues. It’s not all food, though: The princess is soon held out of arm’s reach of adorable baby animals by a gyaru beastgirl, pampered into submission by a spa-loving giantess, and is faced with a tsundere vampire faildaughter, who… tries.

And you’d think that would be it; the joke wears thin and you move onto something else. Before you realize it, though, something’s changed: The princess and her captors are quickly becoming friends. The premise almost feels perfunctory: These inquisitors are actual people just doing their jobs, and whatever happens after the princess’ myriad confessions is fair game. There’s no malice or animosity, even during the “torture” sessions themselves: Everyone will have a blast and grow closer as friends, and then the princess will voluntarily go back to her bedless cell. It’s like Sam and Ralph after they clock out, except they’re almost always off the clock. Everyone is genuinely looking out for each other in all directions, and the only thing that keeps the torture going is the need for a status quo to return to, even as it grows more elastic. If anything, Time for "Torture" is a good example of committing to the bit without having to necessarily rely on it.

The real irony in all of this is that it becomes increasingly apparent that the princess is having her needs met in captivity far better than she ever did back home. In her proud proclamations about how she’ll never cave to the temptations before her (shortly before she does just that), the princess often talks about her upbringing and her time as the head of an imperial legion, but these stories often betray her lack of friendship or any of the little things that make life worth living. Her life as royalty was one of isolation and deprivation, to the point where she finds more freedom and fulfillment as a prisoner. She truly lives in a society.

Hellholm, on the other hand, has a surprisingly healthy approach to things like work-life balance, food, and leisure, and its most valuable prisoner is no exception. The Hell-Lord himself is a surprising exemplar of this; for as much as he looks and talks like your standard terrifying JRPG demon king, he’s a surprisingly good dude! He looks after his family, employees, and even the captive princess as if they are all one and the same; he exhibits strong principles and an aversion to conflict, sees to his employees' needs and wants alike, and is a supportive, loving father to his unbelievably precious little daughter (who also serves as a “torturer,” to the princess’ delight). He’s also a big time anime dork, and even bonds with a knight attempting to rescue the princess over their shared otakudom before sending him off peacefully. As “villains” go, he’s top tier.

Time for "Torture" is nothing groundbreaking by any stretch, but it’s a cute, silly time and it plays with anime fantasy tropes in the same way a six-month-old German shepherd “plays” with a cheap stuffed toy. How long the premise holds up is entirely up to you, but I had a lot of fun with it. I have no idea how this ended up being one of the better shows this season, but I guess it just scratched the right itch for me.

#anime reviews

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happypanda101 · 7 months

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Apologies for yet another Naruto rant, I’ve just been overthinking about things lately lol.

The fact that people continue to argue that Sasusaku got no development at all or came out of nowhere honestly boggles my mind? Granted, I know a lot of people watched the anime rather than read the manga. But looking at the manga, it’s made more obvious that Sasuke had a crush or at least had soft spot for Sakura in part 1. Things get more complicated in shippuden, but they are also able to have their moments too.

Now, am I saying it’s the best developed ship ever? Heck no. I, like a lot of people in the fandom, wish they could have gotten more development. Also maybe an explanation as to why they had feelings for each other. A lot of people like to say that Sakura’s love was shallow becasue she only liked him because of his looks, but when you actually look over everything, looks are never mentioned by Sakura at all. She’s either worried about her own or commenting on Sasuke’s skills.

Also, despite what some fans like to say, Sasuke never out right rejected Sakura’s feelings. When he knocks her out and plays the “I have no reason to love her or be loved by her” line, he’s talking to Kakashi. Sasuke is a very traumatized character, he’s not going to openly admit he loves someone.

However, what really has to irrates me is when people try to argue that NaruHina got more development, which like? Bro, a whole ass movie had to be made to get them together. And as much as a soft spot I have for the Last, it wasn’t even that good! They had to bring the space aliens in again! I like NaruHina, but it’s obvious that the simps over at SP had a role to play in why the ship actually became canon.

Anyway, you don’t have to like the pairing. I know I don’t like a few ships that ended up becoming canon. However, it would be nice that whenever a Sasusaku fan tries to explain why they ship them an anti doesn’t comment: “lol Sasuke never liked her he hated her she sucks.” The amount of times I’ve seen these fuckers on a good Sasusaku analysis is tiring.

Just leave people alone. The worlds not gonna end over people shipping a ship you don’t like.

#sasuke uchiha #sakura haruno #naruto uzumaki #hinata hyuuga #pro sasusaku #sasusaku #naruto fandom #naruto manga #naruto shippuden #//I’m sorry for all the Ted talks lately lol #//I just need to get my thoughts out before they consume me XD

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aszles · 2 months

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since my first pinned post had a tierlist of csm characters, i decided to redo it as a tierlist of Fujimoto works instead! (i had only read csm when i made this sideblog) it's a lot less ever-changing so i feel a bit safer keeping something like this at the top of my blog lol...

within the tiers there is no specific order, they're just the things i happened to put in first. if you wanna make one here's the template! (made by yours truly)

because i'm a nerd you can read my opinions about each work below the cut~

S TIER

Chainsaw Man - i mean, csm is just awesome. in all honesty, this manga has changed my life. i KNOW that sounds silly and corny but it's genuinely true. i have been able to get past a lot of my struggles and develop so much as a person since starting this manga. as a fun bonus i feel like i've finally started improving my art again (or at least changing it enough to feel fresh) after like 3 years. i can't really describe how much csm has done for me, but if i had told myself from 2021 that this would happen i would never believe it (especially because i had written off this series for some personal reasons...lol) but yeah. i think i'll forever be grateful for what Chainsaw Man has done for me.

Look Back - i think Look Back is seriously the best piece of media i have ever experienced. i don't think i have ever seen a story so beautifully crafted as this manga, it made me sob when i read it. i remember having to move the manga away from myself so i wouldn't get tears on it. at the time of writing this i am SO SO excited to watch the movie, whenever that will be. i will cry and throw up watching that thing LOL.

Nayuta of the Prophecy - ok maybe i don't TECHNICALLY believe this is an S tier work, but Nayuta is just such a lovable character that i can't possibly rank her any lower. Fujimoto was right to adapt her into csm because she deserves it!! however despite that, this oneshot is the only one that i genuinely wish he would make a sequel to. i think oneshot Nayuta and csm Nayuta are pretty different, so they still don't feel like the same character - i would love to see oneshot Nayuta's personality and relationship with her brother continue to develop!

A TIER

Sisters - one of the few other works i had heard anything about before i started exploring Fujimoto's other stuff, and i definitely felt apprehensive about it. but wow, the fact that Fujimoto is able to take the concept of "girl non-consensually paints her sister naked and it gets displayed on the school wall for everyone to see" and NOT make it weird is crazy! a sweet oneshot that i enjoyed, and love the nuance that was able to be created in such a short amount of time.

Woke-Up-as-a-Girl Syndrome - a really cute take on a silly trope that can often be handled... oddly. i love how much the characters in this really feel like teenagers, doing stupid things but being completely earnest all the while. (Spoilers) i really like how it ends with Toshihide being adamant that he is still male, and also Rie still loving him as he is. very sweet!

Love is Blind - it's no wonder Fujimoto won an honourable mention for this, it's such an adorable and funny oneshot. i was giggling the whole time reading it! i don't really have much to say about it, but i definitely enjoyed it.

Fire Punch - i don't really know where to start with Fire Punch, but wow. it is seriously so impressive to me how good Fujimoto is at tackling such sensitive topics, not shying away from them while also clearly not glorifying them. i also think a big place where Fire Punch shines is character relationships, especially Agni and Togata. they fucked me UPPPPP. it goes off the rails a bit near the end, but i also never got the feeling that it WASN'T what Fujimoto intended with this series. i may not quite get the ending, but it didn't ruin anything for me and i think the rest of Fire Punch is really good at what it does. plus the art is AWESOME ?????

B TIER

Goodbye, Eri - ohhh people might not like me for this one... i'm sorry guys, i just honestly didn't get this manga. i'll definitely reread in the future (me and my sister still haven't finished our sticky notes to read it blurry/clear) but for now i can't rank it any higher. i didn't feel much reading it, and the ending definitely confused me a lot lol. love the art though!

Shikaku - this one's interesting! i thought the story was quite cute, and Shikaku herself is completely adorable. though Yugeru is ummm... not my type let's say. i also do wonder if Makima took any inspiration from Shikaku - she looks similar to her, which to be fair for Fujimoto works probably doesn't mean much (as a lot of his character's look similar to each other /pos), but a clearer comparison is both characters presenting eyeballs they stole from people. (also... if Makima is inspired by Shikaku, is Barem then inspired by Yugeru? yuck) anyways just my speculation, back to the point. the reason this doesn't make its way into A tier is because to me it doesn't really feel like a Fujimoto work? i'm not sure why, but yeah.

C TIER

Mermaid Rhapsody - this one's definitely cute, but as a result of Fujimoto trying to create a "normal story" it unfortunately loses all of the charm of Fujimoto works!! i want it to be weird and fucked up damnit!!!!! though he did succeed in his goal of creating a normal story, so i can't complain too much lol.

Sasaki Stopped a Bullet - i don't have anything against this oneshot, but i think it just doesn't particularly appeal to me. unfortunately nothing in this story grabbed me

D TIER

A Couple Clucking Chickens Were Still Kickin' in the Schoolyard - it's no real surprise this is here, considering it's Fujimoto's first work. overall it was pretty cute, but i'm not all that into aliens..? not much to say lol

if you read all this then thank you >_o

#chainsaw man #csm #fire punch #look back #look back manga #goodbye eri #sayonara eri #tatsuki fujimoto #fujimoto tatsuki #my stuff

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project-sekai-facts · 1 year

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emurui arc ender (shocked face)

do you have everything about all of their parents? i for some reason can’t find anything about ichika’s mom, rui’s dad or emu’s mother (i may be blind, pretty sure emu’s mother was mentioned and ichika’s mom was aswell. i know she was mentioned in ichika’s introduction but i haven’t seen her in story yet)

The parents who don’t have physical appearances are generally less important and rarely show up or are mentioned (with a few exceptions) but we do learn some things about them from card stories and such. Here’s some stuff I can remember about the faceless/nameless parents

Ichika’s parents met because they liked the same song. It’s where her name comes from.

also her dad reads manga

We don’t know much about her mother. she's nice though.

Saki and Tsukasa’s mother is a piano teacher. Considering that she’s friends with Harumichi, she probably used to play professionally

We don’t know much about their father, but he has a tendency to spoil Saki (mentioned in Tenma Hinamatsuri)

Honami’s mother is a beautician (mentioned in an area conversation iirc) and her father is a hairstylist (mentioned in Petit SEKAI Episode 6)

Shiho and Shizuku’s mother is a koto instructor and their father used to be a guitarist in a band

We don’t know much about Minori’s parents but they show up in STEP by STEP!. They initially had concerns about her switching courses and being a full-time idol, but after seeing that Minori was prepared and determined to be an idol they let her go ahead

We don't know a huge amount about Haruka and Airi's parents either. Similar to Minori, we know they are nice parents and supportive of their idol careers and that's about it.

Haruka's mother is a nail artist. She was worried about Haruka when she was younger because she rarely smiled.

Kohane's dad is a photographer. He's also the one who bought Count Pearl.

According to Kohane, he has a penchant for coming up with weird names

An mentions in MEIKO's 1* card story that her mother, Yuka, is not a good cook.

I think it's stated somewhere that Yuka is a teacher but don't quote me on that

Akito and Ena's mother makes them eat their carrots because she thinks they should at least try to eat the things they don't like.

She's pretty laid-back and thinks her kids should be able to do whatever they want to do. She's meant to be the polar opposite of Mrs Asahina.

In Ena's fes card it's revealed that she kept some of the old art that Ena threw away in case she ever regretted it

Toya's mother used to bake him cookies a lot and that's why he likes them

She was also very overprotective of him when he was younger and basically wouldn't let him do any recreational games or activities in case he injured himself and couldn't play piano.

She taught Toya to play the violin. I'm assuming that she used to play professionally and that's how she met Harumichi.

We don't really know anything about Emu's mother iirc. She's mentioned occasionally but I don't remember her ever appearing off the top of my head. In Smile of Dreamer it's mentioned that she's abroad doing volunteer work in Cambodia.

Nene and Rui's mothers are good friends due to being neighbours. Nene even used to call Rui's mother "auntie" when they were younger. Her mother recorded a lot of her performances from when she was little.

Beyond that we don't really know anything. I don't remember Nene's dad ever appearing but he is mentioned.

Rui's mother is a biologist, as mentioned in Revival my dream. I have a theory that she mainly works in entomology (study of bugs), or maybe more specifically lepidopterology (study of moths and butterflies), because Rui talks a lot about a moth at one point and has books on butterflies in that event. He talks about some other bugs as well.

His dad is a robotics engineer, also mentioned in Revival my dream. He doesn't actually appear though.

Rui's mother had a very similar background to Rui. She was often called weird and eccentric because of her interest in biology and didn't have any friends until meeting Rui's father, who was really into robotics.

We don't know a huge amount about Mafuyu's father. He does push her to achieve as much as her mother does, but he seems to have limits.

We don't know a lot about Mizuki's parents either, but they are very supportive of them and were worried when they started skipping school

#parents who are very plot relevant in like one event are the ones we know most about. even if they don't have Live2D #* looks at Ms Kamishiro / Ms Shinonome *#asks #project sekai #i'm fairly certain that everyone has two parents aside from Kanade and all of the couples are married #(i say that because it used to be pretty widely accepted fanon that the shinonomes were divorced because ms shinonome was never mentioned.#i don't think it's really a HC anymore due to a new wave of fans coming in since she was introduced #but so many fics/fanart used that HC back in late 2021/early 2022 when i was new to the game so i still feel obligated to point that out.#if you've read any of the old stuff in prsk's ao3 tag and it mentions that the shinonome parents are divorced then there's your explanation

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morkitten · 7 months

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KAMEN RIDER MEGAPOST

I've been deep in the Kamen Rider hole after taking a blind chance on it about a year ago and it's been one of the most rewarding discoveries I've had, so I'm doing a megapost where I try to convey what's so interesting and unique about this series that you can literally just start anywhere. There's a Kamen Rider series for everyone, and I hope to convince you of it and point to where you can give it a try for yourself. Click on the read more to see more!

WHAT IS KAMEN RIDER?

Kamen Rider is a superhero that rides a motorcycle who's often bug-themed, but not always. The Kamen Rider franchise started in 1971 and, with the exception of a few periods of dry spells, keeps making new yearly series to this day. It's part of Japan's many, many decades old craft of special effects-focused TV shows and movies, called "Tokusatsu" (literally, "special filming"). It was conceived and spearheaded by Shotaro Ishinomori, an incredibly famous mangaka in Japan, responsible for not only Kamen Rider, but also Super Sentai, Cyborg 009, Zubat, Kikaider, and many other TV series and mangas. The amount of works he has produced in manga and TV is incredibly huge, and his works have been incredibly influential to Japanese culture as a whole. Kamen Rider can be argued that is his biggest, most important contribution.

A consistent theme in early Kamen Rider series is that he's a lonesome, grieving hero, in which his sadness fuels his righteous anger at the evils that he's fighting against. He's been transformed into a monster against his will, and now must fight against the very forces that created him. In every Kamen Rider series, the power that the protagonist wields is the same power that fuels the evil forces he fights against. In a way, you can see it as a metaphor for Kamen Rider's production itself: It must use the evil power of mass media to carry its anti-authoritarian messages that go against the very forces that even allow it to exist. It's the tale of every artist trying to create something earnest and culturally and artistically enriching in the cynical mass media space.

WHY WATCH KAMEN RIDER?

I was never really sold on Kamen Rider at first. I remember watching a bit of Kamen Rider Black when I was very young, so I was always nostalgically curious about it. But whenever I saw the newer Kamen Rider stuff pop up on Twitter or whatever, I had always dismissed it as "eh, whatever bug bit you I guess made you interested in that". Something about the super toyetic costume designs and super fake CG just never really inspired my attention, and it was easy to dismiss it as something for kids, something in that same place in my mind as "what shonenheads are into". I guess what I mean is that I saw newer Kamen Rider as "low art". It's easy to categorize it as such, people in silly suits selling toys, doing really silly comedy, with silly CG. I've seen Power Rangers before, it's just that. It has to be cynical!

I had never done such a big 180 before. Yes, Kamen Rider is "for the kids" (with some exceptions), yes it has a ton of silliness to it, but there's also a lot of good cinematography, fantastic stunts, and really great, serious drama. Kamen Rider is seen as a cultural institution in Japan for all those reasons. It's a way to keep a lot of theater traditions alive in a modern space, a way to have many young, extremely talented actors have a big break, a way to keep tokusatsu traditions and craft (analog special effects, stuntmen, martial arts actors) alive, employed, and continuously evolving, to create something that bridges the gap across all generations in Japan.

It's difficult to explain, but Kamen Rider has the important positive qualities of extremely good older television like Star Trek and Columbo. A TV show that doesn't want to aspire to be a hollywood movie like Netflix series cheaply try to do, but that sees the value of theater and theater skills in television.

Another thing to note is that because Kamen Rider is such a huge cultural institution, if you enjoy anime and japanese video games, there's so so much about what you love on your favorite anime and games that are directly inspired by Kamen Rider. Every japanese action game you've enjoyed? Ninja Gaiden, Shinobi, Devil May Cry, Viewtiful Joe, Hagane, Bayonetta, they -all- have an incredibly huge amount of Kamen Rider in them. Nearly everything Gainax, Hideaki Anno and Studio Trigger made. Pokémon, Digimon, Dragon Ball, One Piece, Yu-Gi-Oh (especially on the superb monster designs), Taiyo Matsumoto, every japanese character that has ever stricken a dab. It's not just references, there are fundamental things about pretty much all of these games, mangas and animes I've listed that are directly attributed to Kamen Rider. So if you enjoy anything I've listed, you ought to give it a try.

OKAY, WHERE TO START?

One of the greatest things about Kamen Rider is that since every series is its own closed continuity (there are crossover movies but they largely don't matter), you can pretty much start anywhere you'd like. Of course, with this many ice cream flavors, one can't help but become paralyzed by the abundance of choice, even though, and I can't emphasize this enough, every Kamen Rider series I've watched so far have all been pretty good to fantastic. I'm sure there's a couple of stinkers I've avoided, but a hitrate like this feels miraculous, I don't understand how does Kamen Rider from so many different eras can keep such a consistent quality even when they can feel so different from one another and be spearheaded by such different creators. You can maybe look them all up and decide what theme you're most attracted by, or, I can maybe help you and tell you about the ones I've watched!

So, here's a list of the Kamen Riders I've watched, with short descriptions of each of them and what makes them appealing, and a mini-list of recommended episodes to sample, in case you're still not sure whether to jump in:

SHOWA ERA (1971 - 1994)

KAMEN RIDER (1971)

The original, and also the least I've watched so far, haven't even gotten to 10 episodes yet. It famously started with an incredibly small budget and it's magical to see what tricks the production employed in order to make it work and be exciting and fun while spending as little money as possible. The stunts are very dangerous but very cool to see. A long, very episode-by-episode affair, but if you get excited on cheap sets and cheap cinema tricks and special effects used very cleverly, this is going to light you up like a christmas tree. It also employs some thriller-inspired cinematography that is very exciting. The writing doesn't offer much substance, but it has this quality where it really believes in itself and in the ideals that Kamen Rider is supposed to represent that is very easy to feel wrapped up in. Might bore you if you're not already sold on the appeal of old tokusatsu.

RECOMMENDED EPISODES TO SAMPLE: Episode 6: The Grim Reaper Chameleon! Episode 7: The Grim Reaper Chameleon Showdown: Old World's Fair

KAMEN RIDER AMAZON (1974)

It's basically just the 1971 Kamen Rider but the main character is Tarzan. It runs only half as long as other Kamen Rider series so if you wanna do a whole Showa-era KR series quickly, it's a very solid recommendation. It's very violent for a children's show, with Amazon often slicing and mauling his monster opponents in bloody messes, and it looks really sick. The suits and special effects are better than how the original Kamen Rider starts off, but it still has that appeal of being old and budgeted for a TV show, which in this case is a huge positive, imo. Also again, the writing isn't much to write about, so don't expect big narrative payoffs or anything like that, you really have to enjoy it on an episode-by-episode basis, which is fine, because the monsters and special effects are extremely cool, the characters are charismatic, and the little episodic plots are fun.

RECOMMENDED EPISODES TO SAMPLE: Episode 4: Run! The Raging Jungler! Episode 11: The Golden Snail is the Grim Reaper's Envoy!? Episode 16: Garanda's Tokyo Sea of Flames Operation Episode 17: Mt.Fuji Big Explosion?! The Tokyo Fry Pan Operation

KAMEN RIDER BLACK (1987)

This was supposed to be a revival of Kamen Rider into public interest after being dormant for a while, so it also feels like a retelling of the first Kamen Rider in a sense, has a lot of common elements, but with slick 80s production and sensibilities all over. If you love how 80s action, sci-fi and thriller movies look like, you'll love the cinematography and production of Kamen Rider Black. It's edgier, sleeker, and even scarier, borrowing a lot of horror/thriller elements that were in vogue at the time, while still being a hopeful, heroic and uplifting presence for children. Has an overarching plot that develops over time but it's, again, really about enjoying it on an episode-by-episode basis, as the overarching plot develops veeeery slowly and in very small portions. I supremely love how this series looks, I love the special effects, I love the suits, and it has my favorite transformation sequence.

RECOMMENDED EPISODES TO SAMPLE: Episode 1: Black!! Transformation Episode 2: Monster Party Episode 18: Sword Saint Bilgenia Episode 20: Rider's Grave Episode 23: Marumo's Magic Power Episode 24: College Girl's Nightmare

SHIN KAMEN RIDER PROLOGUE (1992) (MOVIE)

This doesn't have anything to do with the Anno movie, the Shin here is written differently. A movie that celebrates the series' 20th anniversary that tells its own story with its own Kamen Rider, so it feels like a "reboot" or "re-interpretation" of Kamen Rider. It's darker and scarier, with a Kamen Rider that looks much more like a monster than an armored hero, and leans more into the horror side of Kamen Rider, being more adult-focused. Very violent and very cool.

KAMEN RIDER ZO (1993) (MOVIE)

This was supposed to be a full-fledged Kamen Rider series but the 80s bubble popped and they decided to shift production into a short movie instead. Might be a good introduction point, since it's a short 1-hour watch, and has a ton of really great special effects. Everything that is great about Black's cinematography, propwork and special effects apply here, except since it's just one movie, they're really throwing everything they've got into it

HEISEI AND REIWA ERAS (2000-Present)

Kamen Rider went dormant in the 90s until it was revived back into its TV format by Kamen Rider Kuuga, which was a major success. Since then, there's been yearly new Kamen Rider series on Japanese television, non-stop.

The difference between the Kamen Rider of old (Showa era) and the Kamen Rider series past this revival (Heisei, Reiwa) is that newer Kamen Rider series, despite also being monster-of-the-week romps, tend to have a more complex overarching plot which they tend to lean more into, and less of dangerous stunts and practical effects. Episodes also tend to be two-parters, so maybe calling them monster-of-the-week is innacurate, it's more like monster-of-every-two-weeks. This shift is fine because their reliance on denser plots with a much larger supporting cast of characters, more than makes up for it. It feels less that they're stretching episodes into two-parters and more like they're filling these episodes with so much other stuff that making them 2-parters makes sense.

Also, to note, as modern Kamen Rider goes on, there's more reliance on CGI, but all the monsters (and Kamen Riders) are practical suits and there's still plenty of practical effects, so don't let the super artificial candy-colored videogamey CGI effects trick you into thinking that that's all there is to modern KR.

KAMEN RIDER KIVA (2008)

Kiva is the only "Heisei phase 1" series I've watched so far (early to late 2000s), and I absolutely love it, one of my favorite Kamen Riders. It's considered to be a bit of a black sheep of Heisei phase 1 Kamen Riders but I think fans severely overlook and misjudge Kiva. Kamen Rider Kiva is vampire-themed and is about this shut-in, extremely shy boy who, mysteriously, is also the heroic Kiva, that springs into action whenever Fangires (vampire monsters) are about to kill humans. However, it also takes place 20 years before, in the 1980s, where Fangires are also attacking, but there's no Kiva around to stop them. Instead, humans have created a secret vampire-hunting association and are developing their own technology to stop them. What's the connection between the characters from each time era? Mysteries...!! It has a large cast of characters and incredible soap opera drama and romance that'll keep you heavily invested in all of its twists and turns. It's a very narrative affair which makes it difficult to recommend episodes out of order since it can be confusing to catch things out of context. The fact that it takes place both in the 2000s and in the 80s means every episode has both an A-plot and a B-plot, which avoids the pitfall of some modern Kamen Riders of two-parters that don't have enough going on, because Kiva is absolutely overstuffed with great characters and narratives. The drama is great, the romance is great, the comedy is superb, and the fights are awesome too. I really can't recommend it enough.

RECOMMENDED EPISODES TO SAMPLE: Episode 1: Fate: Wake Up! and Episode 2: Suite: Father and Son Violin (2-parter) Episode 17: Lesson: My Way and Episode 18: Quartet: Listen to Your Heart's Voice (2-parter) (I have trouble recommending more episodes out of order because this series is very narratively-involved!)

KAMEN RIDER W (2009)

W is a very well-received and loved series, and it's easy to see why. It's one of those things that if you watch it you immediately go "oh, if I watched this as a kid I would be so so into it". It has fun, charismatic characters that you want to see every week, simple to understand and easy to like. It's detective-themed and the Kamen Rider is actually comprised of a fusion of two people - Shotaro, who wants to be a tough, hard-boiled detective but is unintentionally kind of stupid and goofy and isn't seen very seriously by people around him, but has a heart of gold, and Phillip, who is an androgynous autistic introvert that basically has the entirety of Google inside his mind, and uses this to help find information to solve cases. Together they transform into Kamen Rider W (W as in "double", get it?), with each controlling a literal half of the suit (right and left), that they can switch properties of and create different combinations. They're great characters but who really steals the show is the comedy relief sidekick, Akiko. She's an immensely funny actress and character.

RECOMMENDED EPISODES TO SAMPLE: Episodes 1 and 2: W Search Episodes 9 and 10: S Terror Episodes 23 and 24: L on the Lips Episodes 25 and 26: P's Game

KAMEN RIDER OOO (2010)

OOO is another extremely beloved Kamen Rider series, and the one I actually started with. Its themes are "desire" and "currency", and the evils and necessities of living in a world that depends on them. The main character is a lovable homeless hippie (Eiji) who's egged on by his extremely androgynous edgy greedy demon boyfriend (Ankh) to collect "medals", because said demons are greedy for them and require them for power. These medals also allow Eiji to transform into Kamen Rider OOO (pronounced "Os" or "Osu"), and different medals can be slot into his transformation belt to create different combinations. Other demons, that are not Eiji's demon babygirl, want to use humans' desires as piggy banks to generate more medals for their own greed, at the cost of these humans' lives. Eiji needs to stop them and collect all the medals before they do. Again, easy to enjoy, easy to see why it's beloved. Filled with a light-hearted fun energy that you can feel as soon as you watch the ska-inspired opening. There's a small stretch of it that feels a bit by-the-numbers, but the drama ramps up and pays off immensely well as it goes on. An extremely fujoshi Kamen Rider series.

RECOMMENDED EPISODES TO SAMPLE: Episode 1: Medals, Underwear and a Mysterious Arm Episode 2: Desire, Popsicles and Presents (2-parter with Episode 1) Episode 13: A Siamese Cat, Stress and the Genius Surgeon Episode 14: Pride, Surgery, and a Secret (2-parter with Episode 13)

KAMEN RIDER FOURZE (2011)

Fourze is written by Kazuki Nakashima, the Studio Trigger writer responsible for stuff like Gurren Lagann, Kill la Kill and Brand New Animal, so that may be something that's either going to extremely excite you, or make you very wary of it. I personally feel he's not a very good writer, but that's okay, because the rest of the production is fantastic, and I still enjoyed Fourze a good amount! The main character is an extremely likeable and charismatic school delinquent that wants to befriend the entire school and creates his own Kamen Rider school club after being bestowed with the Kamen Rider Fourze technology thanks to, uh, a portal that sends him to a space base on the moon? So it's a half-and-half school theme and space theme Kamen Rider. The school club has a large cast of characters but the show doesn't really know what to do with them unless the episodes focus on a specific club member. Fourze really, really drags in the middle (this is when the problem of two-parters feeling stretched out when the writing isn't very strong hits hardest), but as it crescendos to its finale it gets -very- good again. This might be the weakest Kamen Rider out of the ones I've watched, imo, but still, I think there's quite a lot to enjoy here.

RECOMMENDED EPISODES TO SAMPLE: Episodes 1 and 2 (Youthful Transformation and Space Superiority) (2-parter) Episodes 5 and 6 (Friendship, Inside and Outside and Electric Shock, Steadily) (2-parter) Episodes 13 and 14 (School Refusal and Stinger Onslaught) (2-parter)

KAMEN RIDER AMAZONS (2016) (WEB SERIES)

Wait, didn't I review this one before?! No, no, this is AMAZONS, plural! It doesn't actually have that much in common with the original Amazon, being very much its own thing, and what it borrows from Amazon is mostly just to help frame this series as a more adult, violent affair, since Amazon, despite it being very much for kids, was back then known as "the violent Kamen Rider". It's also an Amazon Prime-exclusive series, so they did it for Branding, too. A very dramatic, violent, adult Kamen Rider show that's spearheaded by my favorite Kamen Rider director, Hidenori Ishida. He's a supremely good director that brings his A-game to this series. It follows an extermination team that hunts terrifying man-eating monsters called Amazons. There's two Kamen Riders, Alpha and Omega, that are also Amazons but they largely fight against other Amazons. Alpha is set on killing every Amazon, while Omega has just awakened into an Amazon and a Kamen Rider himself, and has to decide what he wants to do and who and what to fight for. At least this is the premise of Season 1, Season 2 I will not spoil but it is the production going "oh, Amazon season 1 did well enough for us to do whatever we want, and we'll do exactly that". It's the most well-equipped artists in tokusatsu breaking off their shackles and doing a dramatic magnum opus. It's dark, edgy, but also earnest and sentimental. It's my absolute favorite Kamen Rider show. Also, the fact that the monsters are called "Amazons" is used for extremely pointed stabs at Amazon (company), which is hilarious.

This series is completely narratively-driven, so I can't recommend episodes out of order! Watch the whole thing!

KAMEN RIDER ZERO-ONE (2019)

Robot-themed! Zero-One takes place in a future where robots and humans live together, like Megaman or Astro Boy. It's about the struggle of humans and robots to live in harmony with one another, and it develops those themes and its world extremely well. The main character (Aruto) is very goofy and wants to be a manzai comedian but his lame puns always bomb. He is, however, also the heir of a massive company that builds all the robot people! Aruto is suddenly, unexpectedly, thrown into the company as its President after his grandfather dies. This responsibility is too much for him, but he decides to take on the mantle as he wants to bring a smile to people's faces, and that he legitimately cares about robots, as he was raised and saved by one as a kid. With this in mind, he takes on his grandfather's KAMEN RIDER ZERO-ONE technology and uses it to attempt to stop a terrorist robot faction (METSUBOUJINRAI.NET) that's bent on killing all humans, and corrupting other robots for that goal. All while also trying to advocate for a harmonious relationship between humans and robots. This is honestly fantastic, and may seem super goofy at first but gets very complex as it goes on. Very great balance of lighthearted comedy and serious drama, and another one of my absolute favorite Kamen Rider series, right up there with Kiva and Amazons.

RECOMMENDED EPISODES TO SAMPLE: Episode 1: I'm the President and a Kamen Rider Episode 2: Is AI an Enemy? Ally? Episode 5: His Passionate Manga Path Episode 6: I Want to Hear Your Voice (2-parter with episode 5)

KAMEN RIDER GEATS (2022)

Battle-royale themed Kamen Rider, with a lot of inspiration on korean dramas and reality shows. It definitely feels inspired by, say, Squid Game. Gods select people to compete in a Kamen Rider battle royale, and the winner of the final round gets to remake the world in whatever way they see fit. The production is a bit cheap after the last two KRs before Geats underperformed, and they had to scale the production down. The fact that the series tries to convey the excitement of extremely high stakes so often only for those stakes to completely deflate thanks to how the premise works, creates a situation where you don't know what to care because anything can get undone and completely changed so often anyway. Near the end the series gets particularly bad with this. Still, it has some good characters, some nice drama and some fun comedy, so it's not bad, but definitely on my lower tier of KRs alonside Fourze. Again: No KR I've watched was bad! So, even the ones that might sound that I'm down on them I still very much enjoyed.

(Too narratively-driven to recommend episodes out of order! Try the first couple of episodes!)

SHIN KAMEN RIDER (2023) (MOVIE)

Hideaki Anno's film! Hideaki Anno is a huge Kamen Rider fan and it really shows throughout the movie, with a lot of pulls from the Kamen Rider manga specifically, while also being nostalgic for a lot of the original Kamen Rider TV show from 71. Still, it ends up feeling less like "a Kamen Rider movie" and more like "an Anno movie" with a Kamen Rider-theming to it. It doesn't put its focus on the stunts and the fight choreography that you'd see in other Kamen Rider productions, but more on Anno's style of cinematography, his sense of timing, special effects and animation. It also retreads several of the themes and elements that he's drawn from before, a lot of Evangelion is in this. It's good, I like it!

KAMEN RIDER GOTCHARD (2023)

Currently ongoing! Very Y2K nostalgic, with a Kamen Rider suit that has that Y2K aqua color to it, and is themed around... Pokemon cards? There are these creatures called Chemys, that are contained inside alchemical cards that have been let loose and need to be captured again, or at least kept away from the villains. The main character is this super earnest, almost helplessly naively optimistic schoolboy called Ichinose that has been unexpectedly thrown into the secret world of alchemy and given the power to become Kamen Rider Gotchard, as a powerful benevolent alchemist dies in his arms. As a promise to him, he vows to find the Chemys. Ichinose also believes that they're extremely good-natured beings that are only corrupted by human malice, and really believes in the friendship of Chemys and humans, while other alchemists feel Ichinose's ideas of Chemys are too naive and soft-hearted. It's, uh, I don't know what to think of it, honestly! The first couple of episodes really did not sold me on it, but it gets better and better as it goes on, though, it's also, like, a lot of Big Important things keep happening in rapid-fire in a way that I can't tell whether the show has a higher plan for all of it or if it's just throwing things for easy hype. Nearly every episode there's a new Kamen Rider transformation, it's kind of insane. Still, this is preferrable than the stretches of not much happening that plague some other KR seasons. I've been enjoying it a good amount, honestly!

RECOMMENDED EPISODES TO SAMPLE: Episode 5: Burn! Fight! Wrestler G! Episode 7: Goodbye, Saboneedle

And those are all the Kamen Riders I've watched! Something else that can help you decide on which series to try out, is that the NHK made a public popularity poll of Kamen Rider series, with the results being found here! From here, you can tell which KRs are most beloved and well-remembered in Japan, and use that as a guidance for yourself, if you'd like. But again, I must emphasize, you can really start most anywhere, so feel free to do exactly that!

#kamen rider #kr #tokusatsu #gotchard #shin kamen rider

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helloliriels · 2 years

Text

It Belongs In A Museum

"John ... I thought you said this was a library?" Sherlock turned a corner and found himself in the middle of what instead appeared to be ... a museum?

John meanwhile, rounded the corner and came crashing into a halted Sherlock.

He looked the taller man up and down before peering about the room before them. Trying to see what might have arrested his flatmate's attention?

John's breath caught.

Hanging on every available inch of the walls ...

. Were brilliant works of art, in every style and fashion ...

Full sized paintings ... hand drawn sketches ... and mostly digital works ... some full color, some in a manga or comic book art style ... but all featuring ...

. "It's ... it's us?"

John asked, stunned.

The question had also paralyzed the detective. Try as he might ... he simply could not compute the sheer amount of time and effort that had been put into this lovingly curated hall of art works ... ?

"John ... are you seeing-?"

. "What you're seeing ... ?" John finished for him, "yeah mate." He nodded imperceptibly. Unable to tear his eyes away from the mesmerizing pictures that graced the gallery walls.

His tongue darted out to wet his lips, as he caught a glimpse of something he definitely wanted a closer look at! And he was off ... Sherlock hard on his heels.

They spun about, smiling ... laughing ... tugging each other to see and comment on various pieces ... catching themselves eyeing each other with newfound wonder as they explored ... and often a hand over their mouths as they suppressed the joy that threatened to spill over like an uncorked bottle of champagne!

John had never seen Sherlock so animated, as when he was choosing his favourite image of John and having John imitate - or try as he might - NOT imitate - the position or stance that the artist had put them in ...

They landed on the floor laughing and rolling in each others arms after chasing each other around the silent gallery ...

Until John remembered - they were in a gallery! or what was supposed to be a LIBRARY! - and he hushed Sherlock with a finger to his lips ... Following it with a hesitant ... and careful kiss.

Their first.

Sherlock blinked.

"How long has this been going on, John?" he asked, needing to know more. John shrugged, his smile deepening even as he flattened himself against the ground and simply enjoyed the feel of Sherlock in his arms ... The man was gorgeous with his hair all aglow in the gallery lighting ...

. "I honestly don't know, Sherlock," he replied ... tugging the detective down by his shirt front for another good snog ... "but I'm guessing they all noticed it before we did?"

. Sherlock hummed in acknowledgement. Accepting John's lips and the warmth of his nearness like a glove that fit only too well ...

John felt a twinge in his back at being on the cold, hard floor too long though - and pushed Sherlock off of him, playfully - rising and helping the man to his feet.

"Guess we should see what we came here for?" John offered, leading the way, "think the library is back here? Ah!" He flicked on a lightswitch behind a pair of double doors ... and a

. "WHOA!!!!"

Slipped out of their mouths simultaneously ... jaws dropping.

As the darkened warehouse before them flickered to life, row ... by illuminated row ...

Revealing hundreds ... if not thousands ... NO ... HUNDREDS of thousands!!! Of stories ...

. Written about ... them?

John winked at Sherlock.

Before dashing ahead in a mad chase. Each grabbing up several volumes apiece and meeting to read a few pages ...

. "Look at this one!"

. "John - you won't believe-!" "Sherlock!" "John!"

. "This is-" "-I'm taking this one!" "This is brilliant!"

. "We're in a sci-fi!" "oooh an epic!" "OHmyGOD!"

John's giggling could be heard a few rows down, and Sherlock tucked another in his pocket and swung around the shelving to peruse over John's shoulder.

His jaw dropped.

"I think ..." John grinned wickedly "... I've found the E rated section ...!"

Sherlock's eyes grew wide as saucers and he tore the book from John's hands ... devouring pages at a time! Then he looked up at the rows and rows of shelves, his gaze glossing towards empty - but John could see he was critically engaged in making a heavy calculation.

"Verdict?" John asked, smirking. Having allowed the great genius to do his mental gymnastics.

"I think we're going to need more bookshelves at Baker Street," Sherlock stated, "... and we may need to try everything suggested."

"For science?" John asked, solemnly.

"For science," Sherlock agreed. Hiding his own burgeoning grin.

Then they both stood. Sheepishly looking down at their own feet ... and then at the rows and rows of unexplored fiction they could wander through ... endlessly ... nightly ... for the rest of their lives ...

"John ... ?" Sherlock asked, then, quietly. As if whispering in a holy room, "... what did you say this place was called again?'

He was a boy again. Full of wonder.

John smiled. Recognizing the dawn of a new era of their lives. He answered, just as solemnly,

"I'd say it was ... an archive of our own?"

Then he met Sherlock's adoring eyes,

. ... as the lights above ... winked.

For @sherlockchallenge February Prompt: Museum. and for all you lovely @fluffbruary writers and artists making the month delish.

@johnlocky @fluffbyday-smutbynight @ohlooktheresabee @john-smiths-jawline @whatnext2020 @chinike @rhasima @totallysilvergirl @blogstandbygo @egregiously-chuffed @raina-at @thelazyecrivain @topsyturvy-turtely @the-reading-lemon @aquilea-of-the-lonely-mountain @safedistancefrombeingsmart @keirgreeneyes @elwinglyre @belles-magnetic-violin @thesunandherflannelcurtains @iwlyanmw @meetinginsamarra @hellolovelyscientist @ecsapingthereality @wizama @anyway-kindness @inevitably-johnlocked @iamjustreading @demonicangeling @summerfly-blues @eplapourdissant @lovelenivy @kittenmadnessandtea @leny-nguyen @calaisreno @discordantwords @thetimemoves @7-percent @shelleysprometheus @anyawen @gregorovitchworld @janetm74 @mrb488 @hasenkind687 @khorazir @kettykika78

#archive of our own #library love #museum #sherlock challenge #johnlock fluff

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mysterious-ocarina · 1 year

Text

Command Me

Toge Inumaki x reader

A/N when I wrote this, I had only seen the show, haven't had the time to watch the movie, and have not read the manga so i'm sorry if it's not very good. I was just bored and i love him so much

Main Masterlist JJK Masterlist Requests AO3

(1.5k words)

“And these will be the idiots I was telling you about,” Maki pointed at a group of guys hanging out under a tree. You were new to the school and she was showing you around.

“We’re not idiots,” the one with pink hair replied indignantly. “I’m Itadori.”

“The vessel,” Maki told you. She told you about all of her friends so you would be prepared in advance for the weirdness you would encounter.

“I’m y/n,” you offered a small wave.

“And that’s Fushiguro,” Maki pointed to the guy next to Itadori, “The giant panda is Panda and the one with the collar is Inumake.”

You let your eyes slip from each person she introduced you to until your eyes landed on Inumaki.

He was a shorter guy from what you could tell with him on the ground. He had his legs stretched in front of him and was leaning back on his hands. Upon making eye contact, you noticed how striking his eyes were, a dazzling shade of lavender.

“Kelp,” he said with a little wave.

Confused, you repeated, “Kelp?”

Panda spoke up from his spot, not surprising you that he talked because Maki had already informed you, “He can only speak in rice ball ingredients so he doesn’t hurt anyone with his cursed speech.”

“That’s interesting. Is that hard to communicate with?” you asked Inumaki, curiously.

Usually he would be kind of embarrassed or offended by being asked that, but with the way your eyes shone with genuine curiosity without any trace of malice, he responded, “Salmon.”

You were about to open your mouth to ask what that meant before you watched him pull out his phone as well as a stack of post-it notes with a pen.

“Texting is the best thing to happen for cursed speech users,” Itadori joked.

Embarrassed, you dropped your head, “I didn’t think of that.”

You watched as Inumaki wrote something on the note before passing it to you. In the neatest handwriting you have ever seen was a series of digits with his name, Toge Inumaki, at the top.

You gave him a joyful smile before thanking him, “Perfect, I’ll text you right now so you have my number too.”

And you have been a goner ever since then. Meeting everyone was probably the best thing that happened to you since becoming a jujutsu sorcerer. Every day was filled with laughter and camaraderie and the occasional blush.

Ever since meeting Inumaki, you have been besotted with him. It wouldn’t take you long to understand his rice ball language, it also wouldn’t take you long to fall in love with it. You found out how sweet and funny he is as well as how strong and level-headed he was in a fight.

You guys always sparred together, making Panda slightly jealous but giving him cuddles always makes him forgive you.

The few missions you went on together, you got to see his cursed speech in action. It was a chilling sight to see him yell “Explode” at a curse and watch as it. . . explodes, then hear him say “bonito flakes” to you right after.

You were broken out of your thoughts when a light blue note was waved in front of your face. Right, you were watching a movie with Inumaki before your thoughts wandered to the boy. Your wandering thoughts seemed to happen the more and more you hung out with him.

You softly grabbed the note, reading the familiar neat handwriting.

What’s on your mind? There was a little doodle of a thought bubble with a question mark in the middle.

Something endearing you would find out about him, was the amount of doodles he would draw you. You weren’t sure if he did this for anyone else, but you liked to pretend that they were just for you. They always made you smile and you secretly kept the notes he gave you in a box, under your bed.

“Nothing’s on my mind,” you gave him a reassuring smile and placed your hand on his arm as confort. His ears turned red looking at you, before he started to write again.

Passing you the note, I can tell when you’re lying. He pointed at the first note he gave you that was sitting in your lap, seemingly asking the question again.

“I’m just having guy problems, nothing important,” you waved off. You would not admit that you were thinking about how much you liked him.

Inumaki scrawled quickly. If you didn’t know any better, he looked jealous, or maybe sad.

Who is he? This note was urgently shoved in your face. You guys talked about everything so he was probably surprised you kept this a secret.

“I am not telling you about my little crush, I’m sure it will go away soon,” you lied. Nothing about the feelings you had for Inumaki would ever go away. And from the look he gave you, he could tell you were lying and knew your feelings for the guy were more serious than that.

As long as he didn’t know it was him though, you were fine. You didn’t want to ruin the friendship and partnership that you guys had developed. You thought that he wouldn’t reciprocate your feelings and then it would just make the group dynamic weird.

“Spicy cod roe,” Inumaki waved in your face, urging you to explain.

“I can’t tell you. It’s embarrassing,” you replied, hoping he would leave it at that. But when did he ever let you off the hook.

You watched as he made another short note, handed it to you, then made the cutest puppy eyes you had ever seen. The note read, pleeeeeeeeeeease

“Fine. Your stupid begging puppy eyes might as well count as cursed speech with how well they work on me,” you sighed. Inumaki laughed at your joke, making you smile and blush at the sound, before giving you his fullest attention.

“I’m not telling you who it is-” a dramatic eye roll and a huff from him, “-but I’ll give you hints.”

He nodded his head vigorously, excited for what you had to say to him.

“He’s short, he goes here, you know him, and he’s the cutest and most handsome guy I’ve ever seen,” you told him. You were blushing so hard under his gaze you thought you might faint.

There was something in his eyes that made you pause. He looked jealous and the confused glare he was giving the wall behind you had you rethinking yourself.

“I’ll tell you one last thing, but you have to promise not to tell anyone,” you whispered. He nodded again.

You were so beyond nervous, you felt sick to your stomach. You couldn’t get the words out. You opened your mouth several times, trying to push the words off your tongue but it felt like something was stopping you.

“I need you to do it,” you whispered. “I can’t do it on my own.”

Inumaki gave you a confused look, not understanding what you meant. You didn't blame him, there was no way he could guess what you wanted him to do.

You didn’t have the courage to say anything else, feeling like your tongue was numb.

You brought your hand to the zipper of his collar. He gave you a surprised look and grabbed your hands, stopping your motion. You simply stared into his eyes, hoping he would understand.

At your pleading look, he slowly moved your hand and pulled the zipper down with you. You have seen his mouth and tattoo before but that was always under the heat of battle. This felt different, it felt vulnerable.

Instinctively, you licked your lips. You watched as Inumaki tracked the motion before bringing his gaze back to yours. He gave you a questioning look as if to ask, are you sure? Which you nodded.

“Tell me.” He commanded, voice smooth as honey. You felt as your mouth moved without your control, “You.”

The word barely made its way out of your mouth before you felt chapped lips on yours. The kiss was heated, as if you both were relieving tension that had been there since the dawn of time. This was a kiss that screamed I love you. You could just barely taste the cherry cough medicine he always drank, before the kiss ended all too soon.

You both pulled back to gain your breaths. The smile that was painted on Inumaki’s face was so beautiful, you kissed him again, softer.

You placed a short kiss on his lips, then pecked each side of his tattoo, then his nose.

The look he gave you was pure adoration. He smoothed your hair then held your face, “Salmon.”

You giggled, “God, we should try that in the bedroom. It was exhilarating!”

He blushed a dark shade of crimson, “Kiss me.”

You leaned forward before you even processed what he said. This kiss wasn’t as heated and passionate as the first one. It was soft and comforting.

You both giggled together, excited for what may come.

#jujustsu kaisen x reader #inumaki #jujutsu kaisen #inumaki toge #toge inumaki #toge inumaki x reader #fanfiction

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redrobin-detective · 2 years

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Iruma-kun, the Six Fingers and Humanity

I have been mulling over this idea for days as I devoured the Iruma-kun anime then manga and am still struggling to articulate it. The best I can boil down to is the whole goal of the Six Fingers and the return to origins is, unbeknownst to them, a desire to become more human.

I can understand, in a way, their frustration. Demons used to be merciless killers, where the strong surpassed the weak and magic, aggression and power won the day. Now we see they have idol concerts and theme parks and silly games to help demons safely purge their “wickedness” which is, in reality just another part of their nature. The majority of modern day demons deny a large part of themselves. The whole idea of a wicked cycle is endlessly fascinating to me, like this species has compartmentalized themselves so much that their pent up darker impulses periodically spring out and require them to be handled gently or hidden away. I can see how this practice is insulting and incredibly restrictive of what a demon is.

Now, right from the start, Iruma has stood out in the demon world for a few reasons. First and most obviously, he lacks any practical or cultural knowledge of demonic society. We see Iruma ignorantly stride past social norms and boundaries he didn’t even know existed. If it weren’t for his upbeat, people pleasing attitude he’d be written off as a delinquent but instead he helps foster an environment of change in a bunch of slackers and misguided students. And change is a radical concept in a society that hasn’t replaced the demon king in centuries since the old one disappeared. The effect of Iruma’s very presence, his enthusiasm and attitude and cooperative abilities can be seen so strongly on the Misfit class that its no wonder he’s become such a stand out student.

So I had heard of Irumean when I first started the series and had high expectations of him being a full on bastard. And he simply wasn’t. He was arrogant, reckless, rude at the worst but even those around him commented that his innate, unnatural kindness was still there. I argue because Irumean was never a true wicked cycle. It was Ali-san’s attempt to induce a demonic ritual onto him. But humans aren’t like demons, Iruma is a good, kind, patient boy due to his trauma and strength of character. At any point he could lash out in the most horrific fashion and leave everyone stunned because he is not bound such such strict rules of personality and conduct. His humanity is as much a strength as it is a weakness.

So according to recent chapters, Iruma has traces of Delkira’s energy. My first thought was that it was emanating from Ali-san, which is a distinct possibility but why was the ring attracted to Iruma in the first place? My next theory is that Delkira had some connection to humans as well. Either he’s a hafling or a demonized human or spent a significant amount of time in the human world. Either way, this human perspective is what made him so powerful, such an irreplaceable leader that his throne has remained empty for so long. One could even argue that the energy that the Six Fingers identify as ‘Delkira’ is actually just ‘human’ since the King’s energy is familiar while a human’s is not.

My whole round about point I’m doing a very poor job of explaining essentially boils down to, demons want to return to their origins to have more control over their baser instincts. Instincts and free will that humans, such as Iruma, possess naturally. But while Iruma has the capability for great evil, unrestrained by a set cycle, he also has such an overflowing well of love in him. Delkira, what little we’ve seen of him comes across as brash, fickle and cruel. You may note those are human traits as well. But Iruma also leads with kindness, dedication and teamwork. He will make a marvelous King because the humanity he brings to the table will help all of demonkind.

I do believe as the manga progresses we will see Iruma’s humanity become a game changer in the battle against the Six Fingers. How he sees the world (both human and demon), how he interacts and inspires others, how he fights. Reaching a point where not only does Iruma stand up for himself but he is forced to cause harm (and by consequence addressing his people pleasing trauma) and behave in a manner not seen by demons outside of their wicked cycle. When he does, years down the road, become King, I believe he will address the concerns of factions like the Six Fingers. Demons are not meant to be fully contained but cannot be allowed to run rampant. With his feet in both worlds, I believe he will be able to balance both opposing views and ‘heal’ the underworld as the prophecy states. Not just from the instability of the Six Fingers but from this bizarre evolutionary cycle demons have fallen into over the centuries.

#mairimashita! iruma kun #welcome to demon school iruma kun #iruma kun spoilers #not sure how to tag this??#the wicked cycle is fascinating to me #so youre saying i can compile all my bitchy evil energy into a few day cycle??#its absolutely insane if you think about it #and Yes wtds is a lovely lighthearted series that I adore but sometimes I think 'gosh this is tame for hell'#and i argue that its not supposed to be like this!#how they got stuck in this cycle is up for debate if it pre or post dates Delkira #the point remains that Iruma can and absolutely should go feral at some point #bc he is a human and his personality and actions are managed only by himself #I want all his people pleasing meek adorableness to backfire on him and we see a hint of the rage beneath #I want him to maim even kill in a rage bc the indignities done to him have been simmering for years and now someone is threatening his new h #*home #The six fingers want him bc of delkira yeah but also his ability to transcend the limits of being a modern demon #something something humans are the true demons the latter having managed themselves so tightly they no longer resemble demons of old #that Iruma even as good and pure as he is is still more alike Delkira than any modern demon #Ive kind of lost the bubble on this but things Ive been thinking about #Im all caught up and I feel Extreme Stress over the Diverticulum #i cant wait!

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swallowerofdharma · 7 months

Text

Over Casca’s naked body

Part one: A long premise

We can’t escape from our geopolitical context even when we are reading manga. We have internalized a good amount of beliefs, values, practices, even regulations from our lived experiences and various simulacra we have been exposed to, especially those in an audiovisual form.

If you grew up in the US, you know that freedom of speech is a core value there. But, while you can say mostly whatever you want within your own country, the US constitution has given the government the right to regulate what comes in from abroad. [1]

And that power has been used. Idealistically, greater access to common technologies even before the internet should have seen a redistribution of the media-creating capacity to many foreign countries outside of the US, so that people could tell their stories. But that hasn’t always been the case, with some exceptions, especially if we consider the biggest narratives that reached global popularity.

During the Cold War, anything that might be considered “communist propaganda” could be seized by the Post Office and never delivered. Books or even souvenirs from communist countries, for instance. Pamphlets criticizing US foreign policy. (…) Obviously it wasn’t totally like North Korea, plenty of foreign movies and music were allowed into the US. But the media that caught on was either already Americanized, or so plastically exotic that it doesn’t really say anything about the culture where it is from. The Beatles were British, but they got their start covering American rock and roll musicians. When John Lennon stepped out of the line, the American government made sure that he knew it. Movies imported from Japan were mostly samurai flicks, with very few movies set in the modern day. The film Ikiru is widely considered the best Japanese film ever made (…) but this existential drama about a depressed lonely man was only given a limited release in California, and the poster was edited to feature a stripper who is only in the movie for one minute. The narrow stream of European movies that made into the USA came in the form of the French New Wave cinema, movies that were stylistically inspired by American films, but also so stuffy that few audiences would ever want to watch them anyway. This was further stifled by the Hays Code, a set of extremely strict regulations that were in place from 1934 to 1968. (…) Some things that were completely banned from ever being shown in any film included: bad guys winning. All movies must end with the police outwitting the evil criminals, or the criminals causing their own demise. Any nudity. (…) Blood or dead bodies. (…) Interracial couples. White people as slaves. Criticism of religion, or of any other country. Naturally this prevented the more artistically liberal European films from being shown in American cinemas and when they did get a release, they were usually edited (…). At least until the rules were abolished in 1968 and replaced by the age rating system we have today. [1]

Even after several decades of access to the internet and foreign cultures, some attitudes have been internalized and carried on. For example, I had direct experience of the ways my own culture has been perceived and stereotyped or interpreted in terms not dissimilar from the exotic. And the same happens to me probably if I don’t keep in check my own personal beliefs about cultures that have been presented to me in similar ways. And I was surprised to see by how deeply rooted and spread are certain attitudes towards punishment or violent retribution viewed as necessary, the policing and self policing, and the expression of judgments or condemnation, and all this can complicate the understanding of different forms of narratives and the acceptance of different cultural attitudes and norms, without the expression of any opinion about morality or legitimacy.

I am reminding you that this is a long premise because I evidently don’t have the gift of brevity but this article is about Berserk and Casca.

In 1956 Anna Magnani won the Academy Award for Best Actress for her first English-speaking role in the American movie The Rose Tattoo. In 1958 Miyoshi Umeki was the first Asian born actress to win an Academy Award for Best Supporting Actress in Sayonara, a movie that despite its title was an American drama starring Marlon Brando. It isn’t hard to see in these decisions from the Academy, or the ones that followed in other categories, the willingness to build relationships between the US and specific foreign countries where the American army had a massive presence and that after WWII were ideal places for American investors, considering significant rebuilding necessary after the loss in the war. The movie industry and everything around it had instrumental roles. When it comes to the Academy Award, it is very interesting to notice that the women were the first ones to be nominated, becoming ambassadors and facilitators of the reshaping of the images of Italy and Japan from enemies to new essential strategic allies in the Cold War. And here comes the problem of the exotic, because after several decades I still see similarities in the American perception of those foreign cultures, Italian and Japanese, to those easy and friendly and intentionally constructed imaginaries of that time. Take the press around Anna Magnani or Miyoshi Umeki for example. Terms are so widely used and repeated that they are still in their Wikipedia pages in English today. For what interests me here, I am going to quote or summarize parts of the video essay listed below as [2] but I really recommend watching it entirely. It really helped me understand some of the issues I am talking about here, but it is much more than just this. And there is footage worth the time. [I know that many people here on tumblr really dislike YouTube videos. I understand why, when it comes to manga and anime, written articles have still better quality and content, in my opinion, but there are also many video essayists doing their due diligence on several other topics. And when I am busy cooking I put them on].

In the 1950s one of the problem with the new alliance with Japan was the widespread hate and racism towards Japanese people.

The government stepped in, producing educational films meant to endear Japanese culture to Americans (…) They showed off Japanese industry, introduced Americans to sushi and sumo wrestling, explained the country’s new democratic system et cetera. (…) A lot of [musical] acts that were popular with American soldiers, specifically exoticized Asian girls bands, like the Kim sisters and the Tokyo Happycoats, come over to the US and appear on television as both entertainment and a sort of cultural ambassadors, not only demonstrating America’s cultural power and dominance by performing recognizable American tunes, but also signaling to white Americans that those cultures didn’t pose a threat. (…)

It’s worth looking at this film [Sayonara] as part of a larger theme in a very specific post war moment. Gina Marchetti points out in her book Romance and the yellow peril: «Between June 22, 1947, and December 31, 1952, 10517 American citizens, principally Armed Services Personnel, married Japanese women. Over 75% of the total Americans are Caucasian». Meaning, Japanese war brides and the concept of interracial marriages was very much a conversation. (…) Sayonara must be seen as one of many films which called for a new evaluation of Japan as an enemy nation. (…) Much of the way [Miyoshi Umeki] was discussed is probably exactly how you might expect. The language journalists used to describe her was unambiguously racialized and often condescending. In the aftermath of her Oscar win, for example, Louella Parsons called her «a lovely little bit of Japanese porcelain», adding: «What a cute little thing she was in her native costume». Still, her Japanese identity also seemed to serve as a symbol, an embodiment of the new friendly Japan. In Miyoshi, Americans would find an idealized portrait of reconciliation, a woman who bore no resentment over the war, a woman who brought homesick American troops to tears by singing White Christmas, who adored American pizza, who learned English by listening to American records. She was accepted because she actively appreciated and participated in American culture. [2]

The roles offered to Miyoshi Umeki are significant in many ways. After Sayonara, she was cast to play other Asian characters besides Japanese ones. One recurring theme in those movies in particular is the contrast between modernity and tradition.

William G. Hyland writes, Flower Drum Song is a «clash between the Americanized lifestyle of the young Chinese and the traditions of their parents». (…) Miyoshi Umeki plays Mei Lee, a Chinese stowaway who arrives in the US for an arranged marriage. The more Americanized she becomes the more independent, the more willing she is to strike out on her own. [Chang-Hee] Kim writes: «[Flower Drum Song] flamboyantly shows that Asians in America were ready and willing to cast off their heritage and become real Americans in repudiation of the pre-war racial consideration of Asians as permanent aliens». I mention this not only because it’s one of Miyoshi’s major roles, but also because this theme, a supposed enlightenment via westernization, occurs again and again in her filmography, particularly in her work on television. Han [?] writes «Umeki’s representation on television is in constant oscillation between her status as a subservient Asian woman and her transformation into an assertive, modern female professional who has achieved independence through American cultural influence». [2]

Bear with me for a little longer if you can, because we are at the point where, watching the video, I experienced that sensation better translated visually in a lightbulb being turned on. I am skipping here the presentation of the story and footage from Miyoshi’s first appearance on television in The Donna Reed Show, but I once again invite readers to watch the video, which features high quality original footage. I was really struck by the “sensitive way” the American woman - Donna Reed I presumed - approaches the character played by Miyoshi, as the writers back then were well aware of the sensitive racial implications, and nevertheless a certain mentality pushes thought. Watching still, it is easier to avoid the presumption that in the 1960s “they didn’t know better” or that contemporary attitudes have improved greatly, just because we are more careful about the language we use.

The thesis statement of this episode is not subtle. The rejection of traditional Japanese customs allows her to live more fully in a democracy. Of course it isn’t really much of a choice, is it. Maintaining the customs of your culture or risking alienating your entire community. She changes her clothes, puts on a hat and goes shopping because she is an American now. Obviously these stories are told from the white American perspective, where this rejection of tradition and culture is portrayed as unambiguously positive and relatively tension free. This was not the case in Japan where the relationship between modernity and tradition were richly explored in cinema, particularly in women’s films. [2]

I would like to add that the independence that Donna’s character shows is only possible because of a series of factors, including the fact that her husband secures her a higher level of comforts, in comparison with lower classes or non-white Americans, and that domestic work is presumably done by home electrical appliances or other women, especially when you add child care and looking after the elderly to the equation. The unwillingness to consider those types of labor, traditionally carried on by women, as of equal importance to any other jobs is rarely discussed when it comes to the issue of women’s emancipation. Not to mention how, alongside this idyllic world shown on television, in the same country large numbers of women have to deal with continuous push backs in the name of different traditional values that all the same prevent many of them from achieving true equality. Those types of conversation and conflicts between traditional and modern happens at the same time in many countries and in most cases translates to continuous negotiations and compromises carried by men and women in real contexts and real situations, without necessarily white American women being aware of it or of all the necessary nuances.

Let me add this last element of conclusion about Miyoshi Umeki’s story.

In 2018 her son told Entertainment Weekly that in the 1970s she etched out her name on her Oscar and then threw the trophy away. Although he isn’t sure exactly why she did it he said: «She told me, I know who I am and I know what I did. It was a point of hers to teach me a lesson that the material things are not who she was». What Miyoshi Umeki achieved is pretty remarkable but one can’t help but feel that she could probably have done a lot more if she’d been allowed to move beyond her identity. [2]

Part two: Are we reading the same manga?

After considering all this, and more that I can possibly include in here to avoid this being even lengthier, I can’t help but wonder about the generalizations I have seen repeated vastly about portrayals of women in Japanese media, as well as misunderstanding of cultural attitudes towards nudity or the treatment of sensitive topics like sexuality and rape. There is a diffuse certain sense of entitlement, sometimes you can hear a condescending tone even, and this isn’t limited to the US. But why approach a foreign culture with a patronizing attitude instead of trying to understand the context more deeply? So many manga readers are willing to ask for clarification on translations, but not many ask about the context or the visual aspects involved in manga writing. I like to read analysis about different topics, so I look for them in English too because they are very numerous and easily accessible, but when it comes to the critique about the portrayal of women in too many cases I have to click away because of too many bias or that subtle sense of superiority of judgment. Berserk has become easily accessible and more and more popular but it is so greatly misunderstood at various degrees by a lot of its western readers - me included - and I really wanted to understand what is preventing, in most cases, a textual and contextual analysis.

The Hays Code hasn’t been around since 1968 but the sentiment that the only proper conclusion for every story is the triumph of the good guys and the punishment for the wicked is very much alive and well. There is this conviction that the only clever readers are those able to separate the heroes from the villains, or the good deeds from evil, and root for the right side to achieve retribution and satisfaction. The Hays Code hasn’t been enforced officially but it’s there in essence and every counter narrative has been rendered almost ineffective or judged poorly. As for the treatment of women, I don’t feel like we can honestly and surely compare or scrutinize Japanese media under special lenses. Nudity in comic books seems to me to be very common outside of Japan too, depending on censorship rules. I certainly notice how frequently Casca is shown naked or has been threatened with sexual violence, but I also notice that she isn’t the only one. The exaggeration of Guts’ muscles and the mutilation of his body are largely put on display. Griffith is intentionally shown fully naked, or completely covered by an elaborate armor, and he is subjected to many threats of physical and sexual violence as well. Charlotte is shown naked, but always in her bedroom, in a private environment or with a transparent cloth or a sheet of some kind to make her nudity different from the occasions when Casca’s body is publicly displayed. I am careful with my own thoughts when I read Berserk, I take the time to analyze my reactions and what I am feeling in these situations. I think that this is the reason that certain books or media are intentionally aimed to adults. I don’t feel a necessity to call to censorship or to give guidance of a moral kind but rather to make the necessary reflections. And I can’t imagine how someone can understand the story without taking their time with it. Part three: Casca’s rape

In 1973 the animation studio Mushi Production released a film called Belladonna of Sadness. I haven’t seen it yet but I know a little about it and I am planning to watch it when I feel like I can do it without being affected in a bad way. It is well known that Miura remembered this film when he designed the Eclipse. In 1975 Pier Paolo Pasolini directed the film Salò or the 120 Days of Sodom, which I strongly don’t recommend to the casual viewer or anyone who felt even slightly offended by Berserk. Suffice to say that in a particular political climate and in the context of the sexual revolution of the late 1960s, in the 1970s nudity and sexuality were at the forefront of the debate and human bodies were exhibited in a symbolic way that can be misunderstood today without knowledge of the context. Gender expression was questioned and men grew their hair or refused to wear suits or to follow rigid dress codes regardless of their sexual orientation. Sexual acts were considered political acts in ways that aren’t comparable with today for many reasons. The languages, the words and the visuals we use are ever changing and actual for a moment and gone the next one or misunderstood. Many words used by queer people in the 1970s wouldn’t be received well today, because the context has been transformed. For what I understand, in films like Belladonna of Sadness and Salò rape and cruelty are preeminently used as symbols because rape and cruelty presented in a direct visual form effect greatly any type of audience and can’t go unnoticed. The sociopolitical climate in the 1970s, in the middle of the Cold War, was particularly violent, both in Italy and Japan, and the art of the time can be remarkably bleak. [Go Nagai’s Devilman was published between 1972 and 1973, Osamu Tezuka’s MW was published between 1976 and 1978, Takemiya Keiko’s Kaze to Ki no Uta was also published between 1976 and 1984].

Kentarō Miura was born in 1966, he breathed the air and grew up in that same climate and was influenced and informed by it, especially later, when he finds himself as a young man in the renewed bleakness of the 1990s. It is likely that he saw Belladonna of Sadness when he was old enough, when he started to develop the story of Berserk, and after being greatly influenced by Nagai’s Devilman. The number of sources of inspirations that Miura used for Berserk is vast, varied and multidimensional and includes books and novels and films of various genres (historical, fantasy, horror, sci-fi in particular) manga, foreign comics books, and traditional art. It is often pointed out among fans that he was also a big fan of Star Wars. Pop Culture Detective released a very interesting video essay called Predatory Romance in Harrison Ford Movies [3] that brought to my attention many things that I didn’t notice or thought about when I was seeing those films myself as a young girl [I am more or less a decade younger than Miura fyi]. Analyzing Star Wars, Indiana Jones or Blade Runner with particular attention to the relationship between the male lead, Ford, and women is an interesting exercise and helps to re-contextualize our judgment about the treatment of women across different media with arguably less reach than Star Wars. I am not inviting anyone to make comparisons and ranking which is better, or absolve Miura because he was influenced by the context around him as everyone else, but I am asking to let go of the presumption that Japanese media in particular presents problematic attitudes towards women by default. The problems are much more generalized than we’d probably like. Better analysis or methodologies are needed to make a proper assessment, and we really shouldn’t assume by default that manga (for boys and men) equals bad treatment of women.

I hope that someone is still reading after such a long time. I didn’t know how to make my point on Casca without at least presenting some of these considerations. I must say I have understood myself better, having questioned why I was feeling uncomfortable when reading Casca but not offended. I understood that Miura wanted me to feel that way, uncomfortable, horrified, and I can appreciate Berserk better [in particular as a person that wasn’t permitted to live in a female body without a certain type of violence].

As stated previously, I noticed that Casca is more exposed and shown in all her vulnerability in much extreme situations: to multiple men in very public displays, like on the battlefield or at the center of the circle of Apostles in the Eclipse. She is also shown naked and vulnerable in other moments, especially alone with Guts. Those intimate moments with Guts, during the Golden Age, are instrumental for the readers to see her in all her humanity, without the armor, or the female dress, in order to build an emotional connection with her. In the cave, Casca makes herself emotionally vulnerable in front of Guts for the first time and tells him her story, exposing her past, her goals and her true self. She tells him things about Grittith too, things that are meant to show Guts/the readers Griffith as much naked, vulnerable and human as she is. Let’s pay attention and try to recollect Guts’ reactions to her story: he is listening to her, but he is embarrassed, distracted and attracted by her nudity and he fails to see Griffith as a human being, potentially fallible and not much different from Casca or himself. Guts also fails to take away from the story the original message, something more than Casca’s infatuation with Griffith as part of her being a woman. Comparing Guts’ reactions to Casca’s nakedness, his recollections or focus on the conversation, what he takes from it and what he doesn’t: a big part of the male readership of Berserk is probably in his same situation. It isn’t till later by the waterfall, that we see Casca alone with Guts again in an intimate way. This time he is naked and vulnerable and completely exposed too. This time through the physical connection between the two, within the sexual act, Guts can’t hide himself anymore, can’t deflect from his past and his fears. I assume that that is an important moment for the male readership to start to feel emotionally invested in the connection between Guts and Casca. That emotional connection and the investment in the relationship helps them to see Casca as a human being through the Eclipse and if that didn’t work then they still can see and feel the horror of the rape of Casca through Guts. Because Miura didn’t want anyone to enjoy that scene or to be sexually aroused without at least the horror and the moral objection to it.

Casca is a woman of color, born in a disadvantaged family and community, that ended up in a mercenary group without achieving the things she wanted, never fully belonging and constantly threatened by groups of men on the enemy side with forms of violence specifically targeted and unnecessary cruel. And everything she goes through culminates or goes back to the Eclipse - before and after - and that should be taken as completely symbolic. Like the multiple instances of rape in Pasolini’s Salò, the innocent, poor and exploitable youth is violated by those in power or those who are in charge. Gambino decides that Guts is expendable or due a lesson in humility, he takes the money and coldly facilitates Guts’ rape. Gennon is rich and powerful and pretends to recreate his fantasy, a sick version of Greek ped*philia. And all he does is using money and power to horrifically exploit the youth and Griffith offers himself up and loses a fundamental part of himself in the process. But the most cruel thing in Berserk is Griffith surrendering to the call of power and doing the same thing to Casca, in the absence of lust or desire: the corruption that has been in him - and has reached Guts as well - has spread. Griffith’s surrender to the call of power, and his intolerance for more of his own pain, silences all empathy in him.

In conclusion, nudity has various narrative functions, beside the suggestion of the erotic: through each character’s naked body, male or female, we see their vulnerability and their fundamental humanity [and if I remember correctly in contrast the rapists are always dressed or covered]. And rape has a symbolic meaning, beside the literal one and the psychological exploration of trauma. Violence but in particular sexual violence is one of the most estreme and powerful tools that can be used in stories [especially in visual media], but unfortunately the overuse of it in an edulcorate format, or as a tease, or devoid of any meaning, has ceased to call for disgust and challenge us to think, has perhaps lessen the impact and the gravity around it. In the 1970s Pasolini saw the dark side of the sexual revolution and how the rich and powerful were willing to build economic empires just to have access to the youth and to the most beautiful women. But he wasn’t the only one. We should reconsider Belladonna of Sadness and the original meaning of those themes in films or later in manga like Berserk and think about it deeply and seriously and not approach every piece of art as entertainment.

Videography:

How America got so Stupid [1]

Miyoshi Umeki: The First East Asian Woman to Win an Acting Oscar [2]

Predatory Romance in Harrison Ford Movies [3]

#berserk meta #casca berserk #manga analysis #this is so long is embarrassing #today we have largely divorced the aesthetic from the political and we look at the last century and don’t fully understand it #editing when I catch a mistake or a misspelled word #eri reads berserk

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