#also just in general I would like to learn more about this

[squooshit]

this is such a black and white approach and ops information seems outdated. I support op's rejection towards k-feminism bc of transphobia but I would like to mention, it is also not right to just completely shit talk Korea's feminist movement

like "4b is an effective feminist approach to Korea's misogyny" and "Mainstream korean feminism is transphobic" are literally two statements that coexist and are both true.

radical feminism is already being criticized in korea bc of the alt-right pipeline and the whole "women want men to suffer" thing is literally like a handful of people online who learned all their feminism from twitter terfs, and is not like the main theme of k-feminism. kinda touch some grass.

also, the radicalization of men is not exclusive to the military, it's literally a systematic cultural issue. Op makes it sound like the military is the center of patriarchy in korea, when it's just another branch in country built on misogyny. Especially with the current administration, right-wing politics are almost exclusively anti women and misogynistic, femicides aren't even making the news bc it's happening so often. There is a RADICAL anti-women anti-feminist wave that's happening, and saying that in the midst of all this Korean Feminism is entirely problematic as a whole, is such an out-of-touch statement. Also WOMAD and Megalia have not been active for a long time.... like WOMAD/Megalia have not been a part of Koreas feminism conversation for a long time. Nobody is putting WOMAD as the leader for the Korean feminist movement anymore.

Also (idk about the western one) 4b movement is focused mainly on and built upon women's reaction towards an anti-woman government and society, and not an exclusively transphobic movement. Although, yes it is true that terfs are partaking in this movement.

Also, 1 more thing. The people fighting for trans rights are probably also Korean feminists. The people who are against military conscription and propaganda are probably also Korean feminist. Queer korean people are korean feminists. People who are gender-queer and trans themselves (like me) are Korean feminist.

Terfs in korea are a legitimate problem and I literally hate them as well, but op taking korea's feminism out of context and generalizing it to a transphobia black and white conversation is problematic as well.

I need people to stop glorifying the 4B movement in Korea, from a Western (white) perspective. Stop it. If you are blissfully unaware of this (having not been on TikTok) - in theory, it makes sense. No sex with men, no dating men, no child rearing with men, and no marriage with men. But. BUT. Feminists in Korea are problematic AF. I know this from both personal experience (having been on the receiving end of their ire online) and everything I've read about them, in Korean. I see all these white TikTokers (and even some in the Korean diaspora) fawning over how "we" in the US need this and, no. If your feminism is transphobic, hates gay men, hates men in general, that's not the feminism I'd endorse. Why is Korean feminism transphobic? In 2020, Korean feminists ACTIVELY CAMPAIGNED AGAINST a woman who was accepted to Sookmyung University. An all womens' university. But she was a woman, you say. What could be their problem? According to Korean feminists, they didn't want a "man" in their space. Because she is a trans woman. This is not unusual for Korean feminists. Having lived there for 5 years, to some extent, I understand their anger against misogyny. But if you are truly against the toxic patriarchy that exists in Korea, you must also help dismantle military conscription because that is where a lot of men become radicalized, bullied, etc etc and "grow up" to be the most toxic form of men seen on this earth. But Korean feminists don't give AF about that and in fact, I've read a lot of them express that it's good for men to suffer. Guess what? That view is internalized misogyny and toxic patriarchy, too. And I don't want to hear it about the movement being so "young". Korean women have stepped up to the plate before in our history. We are capable of better than this fucking nonsense. It's a bunch of transphobic, gay hating radicals that have hijacked what was supposed to be about social justice. WOMAD (link is to the Wikipedia article, not their site) and Megalia are the two sites they stem from. It is the most toxic group of people I've ever had the displeasure to encounter online. Any form of criticism is, at best, ignored and worst - I've been "called out" for being Korean-American, and therefore, to "butt out" of "Korean issues". Amongst other bullying I've personally received. And yes, not just on forums but on public articles that I've commented on.

I know it's a catchy title and it appeals in theory but please, please do not glorify these transphobes and TERFs. They don't deserve your attention.

[agirlwithglam]

🌟 become your dream girl before 2025! 🌟

THIS WILL *ACTUALLY* CHANGE YOUR LIFE.

do you know how many people are waiting until next year to glow up and actually start to become their dream self? now just think, if you started now, before 2025, how far you would be. how much more skills and knowledge you would have. you're literally getting a head start. so what are you doing dilly-dallying until 2025? heres your guide to ending this year accomplishing everything you need to and starting 2025 with everything you need.

in this post i will include mindset shifts, how to become a better person, actionable advice, actually becoming a new person <3

👑know what you want.

who do you want to become at the end of this year? what does your dream girl look like? what kind of body does she have? her clothes? who are the people she hangs out with on a daily basis- friends?

create a very clear version in your head and use pinterest to show photos of what your goals are- for ex: girls at the gym, journalling, writing, studying, reading, learning, walking, with friends, spending time outside, going swimming, playing sports, doing a skill/ hobby.

you can also find an idol/ an inspiration- a youtuber, influencer, parent, anyone who you look up to and want to somewhat have a similar life like them. (for ex: thewizardliz, tam kaur) whatever is important to you this goes hand in hand with the next point:

👑goals.

any unfinished projects, any goals you said you'd do in the beginning of the year, get them all down on paper. if you've finished any of them, great!- tick them off. but if you haven't then its time to lock in. pick the ones that are most important to you. that you know that achieving these will 100% get you closer to your goal. doing this makes sure you get rid of the ones that you think are "productive" when in reality they just help you procrastinate.

finish any unfinished projects or books you have before the new year begins because 2025 is about bringing in new, fresh opportunities and things. for me personally, i have a few crochet projects that i want to finish before the end of this year so i can start the new year with nothing old from the year before!

👑cutting.

you are going to be becoming a new person- new mindset, new values, new perception on life, etc. the people in your life currently probably won't align with this new version of you. because if the people around you still only know the old you, your growth won't happen because it will feel extremely unnatural without the right people around you. this means you're going to have to decide whether you are letting any of your friends go. if they don't serve you or make you feel happier or bring in any value to your life, im sorry but its time to cut them off.

but of course if you actually have good, kind, loving friends who grow with you and support you all the way, keep them. the goal is to remove the people who don't serve your highest self. not remove the people who you know will be there for you.

but along with this, if you notice that those people are acting a bit more weirdly/ strangely now that you're improving- giving you backhanded compliments, talking about you behind your back, or just giving you a weird vibe in general, trust your gut. those people don't want to see you going to a higher place where you're thriving- keeping them in your life can be terrible for your highest good.

remember that doing this doesn't mean that you're not going to get better because BETTER ALWAYS COMES. god will give you more people who you couldn't have ever dreamed could be so amazing. so never keep toxic people in your life out of fear that you'll be alone forever. (remember: 8 billion people in the world.)

👑mindset.

dont wait to change your mindset only once you achieve the dream body or the best grade- start now. people can take away everything from you but they can't take away your mindset, skills, and knowledge. here are some mindset shifts to develop:

the abundance mindset. know that everything happens for your highest and greatest good only! everything will work out in the end for you because God hasn't put you on this earth to suffer. if you are religeous (God) or spiritual (the universe) or even believe theres a higher faith, why on earth would you willingly believe that your purpose here is to have a bad time? obstacles will come your way and you will make bad decisions and mistakes. but all these jsut contribute to the person you are today and the person who you'll be in the future!

i will make it. believe in your vision and yourself so fiercely that you know in your bones that you will achieve your goals. you will travel the world and discover new places, you will get to retire your parents, you will get to buy expensive bags for your mom, you will be that rich sister/daughter/ wife, you will help people around the whole world, you will have people around you who love and care for you, you will achieve whatever dream you had since you were a kid and whatever dream you have right now. you will you will you will! know this so strongly but also know that i will achieve there one day, but i also am so blessed and grateful for the life i have right now! i have so many privileges and such an amazing life that i would never trade away for anything.

growth mindset if you fail, IT IS NOT THE END OF THE WORLD. please stop being afraid of failing, be afraid of never trying!! you have no idea how freeing failing is because once you do, then you'll never have that "what if" in the back of your mind, never have that small voice asking what could have happened if you had done that thing. so if you do fail, perfect! that means that you won't waste any more time wondering what would have happened. having a growth mindset means that you know you're human and you'll make mistakes, but that doesnt make you a bad person and it doesn't take away your capability to still accomplish your goals. if you fail be able to brush it off, and keep trying again and again. Thomas Edison had 1000 failed attempts to make the light bulb. yet he learnt from what didn't work, took that into consideration, then tried again. and again. and again. and now? your probably sitting in a room with light that you have because he persisted in his goal!

stay positive always have a positive outlook and perspective of life. look at the beauty and what you have instead of what you lack. feel happy joyful energy vibrate through you everyday. do things that just make you a more positive person in general! feeling happier makes you look 100x more attractive and will change the way you interact with the world!!

👑be a better person.

new year new you right? so its time you up level the way you talk and treat others. because the goal isn't to be A b*tch, the goal is to be THAT b*tch! so going around being rude isn't going to do anything for you. being kind however- having manners, checking up on people, asking how their day was, being charismatic, etc- thats what can get you so much more opportunities! you're going to be kind, but not a people pleaser- ofc prioritise yourself always but also at the same time- if you have made a commitment to be somewhere for someone at a certain time, honor that commitment. be the friend you wish you had.

being mean to everyone just because you were hurt by someone else is not it. yes, so you were hurt. grow, evolve, heal. you're stronger than this. you're stronger than you think. you can overcome anything and you can become an even better person, capable of loving fully and wholly!

misc tips:

change what you consume. start watching thewizardliz, tam kaur on youtube. have an inspiration/ idol to look up to in life.

workout. i dont care if its not one of your goals to have a fit body, but don't workout for that. workout because you love yourself. because its actually proven to make you happier, because you deserve a healthy, fully functioning body.

DRINK WATER. do you know how many benefits something as simple as that has? clear skin, unchapped lips, better digestive health, weight management, better health, feel more alert and energized, better for immune system, increases brain power, eliminate toxins, ETC ETC!

have a morning routine that literally sets yourself up for success. stimulate your mind with reading self help, learn something, study, focus on a skill, do something that makes your mind active.

journal & check in with yourself.- document your progress! write about how you felt after everyday. did you feel esp happy during anything? do you feel satisfied at the end of the day? or do you find that your day made you feel tired and drained? do you feel regret and wished you did more at the end of the day?

diary- links with the earlier point. document the day. you can write about it, or what i also like to do is video myself yapping to the camera. talk about whatever you want and let your mind wander free!

you are that it girl! dress the part, smell good, make yourself feel so good that you just can't help but feel like you can conqure anything!!

make sure you're consistently reminded of your goals. what do you want? why do you want to achieve it? reminding yourself of your goals will actually motivate you and make you stop procrastinating. for me its that i don't want any old projects or books having to continue into the new year so i've made a plan that will definitely get it done before the next year!

[rose-maidenn]

Pac : Let's get insights on your purpose for the next 5 months !

nov-dec-jan-feb-mar

using safe passage tarot from "Agatha all along"

Pile 1-2-3

Hey guys hope you're doing well , chose the Pile that calls to you intuitively, know that I'm not gonna sugarcoat things because I want your best . Hope you enjoy this

For more see masterlist and paid readings

Pile 1 :

You are represented by the king of wands a very charismatic person , you attract people who are looking for growth and you are someone who always wins in all fields you exactly know where to play the cards right to win . Alternatively for the other part of the group king of wands can mean someone who's nose is kind of everywhere they're at too many different things not giving one thing the change to reach the full potential.

What's missing is an ending !!! Ending to certain things relationships, people , in order to reach something new you have to let the old things go which is something you have to learn . You need stronger boundaries , more self worth and less attachment issues .

The lessons you have learnt is represented by the queen of wands it is about social settings I feel like you're someone who easily becomes friends with everyone and that's a good networking skill. You could also be someone who is very creative and starts at everything their heart calls for .

Your path ahead is represented by death , it calls for an ending ending of doubts , bad thought patters , old beliefs and relationships let shit go and see what happens .

Your Obstacles is represented by chariot I feel in this case it's about you staying in the same zone and resisting change it's like an ouroburos moving but in the wrong places and wrong circles , cut the string , your comfort zone is killing you honey

O of wands in this case is like don't wait around for anyone not even about being ready yourself just do what you need to do end the things that you need to you can't drag this anymore dear, this could also be about drug addiction or addiction in general .

Your destination is magician yay ! You know how if you just let shit go the magic happens so will it happen for you. Just let it go let people be , only work for yourself, give yourself all, heal and you will know you're powerful, you don't need a guru you're the star itself.

Thank you for reading, if you liked this and would like personal insights or a longer read to book click here .

Pile 2 :

You are represented by four of cups , you are someone who wants what they want and won't settle for anything. I sense a stern energy . Alternatively you might be someone who is extremely bored these days and just wants to lay .

What is missing is justice , you need to work hard rn for your dreams , but in the write direction I won't say you never worked hard but somehow in the wrong way , you might have a retrograde Saturn. You need to find what can do justice to yourself as you owe yourself everything and you are worth everything.

The path behind is represented by page of wands , your reading is like you were a very enthusiastic person once but now you have lost the zing for life . You have a great influx of ideas why don't you use them dear.

Path ahead is represented by the empress , clearly you are to start working on these ideas start the creative project take the leap. Focus on letting your creativity flow , your intuition knows , your soul knows.

The Obstacles is represented by eight of coins is that you need to learn dedication and working on something even if it takes time be it studying , art or relationships you are called to enjoy the journey and not just the victory.

Represented by ace of wands in this case I think you should avoid working on something new until you finish the old , you need to give one thing commitment and mastery then you will reach your destination

Represented by the king of cups. Mature and passionate about what they do . This infact represents a chance that you might become the best at what you wanna do . You might become a professor a teacher or a guide to people if you choose to follow this path .

Thank you for reading, if you liked this and would like personal insights or a longer read to book click here .

Pile 3 :

You are represented by six of coins a very beautiful earthy loving energy of gratitude and kindness , you give without thinking anything part of why you are blessed with more .

Ten of swords is what is missing in my deck it's literally a person cutting off a hand honey someone is using you , the awareness and discernment on who deserves your time money and energy is the thing that is missing .

You have learnt that people will be who they are despite giving your all so why don't you apply that in new relationships keep the knowledge but also use it . Alternatively this could be about relationship and someone leaving you in the past who was toxic.

The path ahead is represented by the fool , you're in the start of a new journey you have endless possibilities you can now leap into new and have faith that universe will do the best for you.

Your Obstacles are represented by death , you're ruminating on a past relationship too much which is making you work extra even for the bare minimum you have to work to stay in your queen energy don't do too much it's not worth it .

You must overcome the queen of wands I think this is a toxic person who was in your life you said you stupid shit that didn't align with you and now you have taken their words literally , recognize who this is maybe a family member a friend or a youtuber guru idk they have flowery energy but they're unhealed

Your destination is represented by the two of cups yay a union this can be the union of your logic and intuition. Masculine and feminine energie or a new relationship:) all in all an energy of balance and love .

Thank you for reading, if you liked this and would like personal insights or a longer read to book click here .

[certifiedsexed]

hey there! i don’t mean this in bad faith at all, and i’m not trying to use a term that’s a fascist dogwhistle. i promise i’m just confused😭

so i’m not a guy, nor have i ever been perceived as one, but in one of your recent posts, you said that men can’t experience oppression solely based on the fact that they’re men. which was kind of confusing to me — i don’t think you’re wrong, i think it’s me but i don’t know how to get to how you see it like that.

because in my experience, men can experience oppression because they’re men, although i don’t know if i’m saying that right or conflating the meanings of certain terms. i’m probably wrong, and would just love some clarification?

for example, my brother and i were always held to different standards growing up — it was expected of me to always cry and be emotional, and i was a ‘stone cold bitch’ if that wasn’t the case, but if my brother wanted to show negative emotions like sadness he was treated like there was something wrong with him too. and i know it wasn’t my brother — i spend a lot of time working with my high school’s diversity team, and in a lot of the events we organise, guys talk about how they feel enormous pressure to be angry and never sad, and to have stereotypically masculine interests and never deviate from that norm.

i also know men who’ve struggled to get jobs such as teaching as those are viewed as ‘female’ jobs and it’s a common view that men who want those jobs are ‘only in it to be around kids’. i’ve heard many women around me perpetuate sentiments like that, so i know they’re not making it up, even if it isn’t equal to the systematic oppression women face in almost every aspect of their careers.

i’m not providing these examples to prove you wrong, since i do think you’re right. i’m hoping that a window into the way i’ve always thought might help you clarify this in a way that can help me to change my mind, since i just think i’m lacking some clarity or context here. i think i’m conflating abuse and stereotypes with oppression, but i’m really not sure. any advice would be really appreciated!

i’m so sorry if this comes off badly, i don’t mean it that way. i’m just trying to learn, i promise i’m not trying to promote the kind of hate and close mindedness you’ve been seeing in your inbox as of late.

Hi! As always, I do not mind answering genuine questions!

The things you're talking about growing up and seeing boys around you pressured to present only certain emotions, that's part of the patriarchy!

Certain emotions are supposed to be "feminine" and thus boys shouldn't show them, while girls are often always considered "emotional" in some fashion. That's not oppression based on those boys being men that you're talking about.

It's the backlash that the patriarchy, and by addition trans/misogyny has on men. It's boys being pressured not to show certain emotions because those emotions are "feminine" and they're supposed to associate feminimity with weakness and shit.

What you're talking about there is also trans/misogyny!

The idea that men who do things perceived as feminine are predators, the idea that specific jobs are "female" jobs [while even in those specific female jobs, men are generally paid better and find it easier to get into those jobs than women trying to get into traditionally "male" jobs"]

[Though obviously this varies based on race and whether they're trans, etc, etc.]

To be a little more clear, all of the things you're talking about don't primarily affect cis men/boys. They fuck up transfems, because it's trans/misogyny.

You're right! It's not systemic oppression.

You might wonder if it's social oppression, which is also a no. Social oppression would require a historical/systemic oppression behind it. But that doesn't exist in this case.

What it is is the common issue oppressors run into. While they benefit greatly from oppression, there is also backlash they face from their own systems of oppression.

Like white people who fall into suicide cults trying to work towards white supremacy, or TERFs who fall into groups where they slowly pick each other off as they discover they're not all exactly the same and wind up accusing each other of not being "real" women, systems of bigotry simply do not work out perfectly even for the oppressors.

They never do.

To create the patriarchy, you must establish trans/misogyny, you must establish intersexism and you must push people to conform to those ideals, even if they hurt your own.

It's similar to how white supremacy can harm white people, despite white people obviously not being oppressed racially. The backlash of oppression hits even the oppressors sometimes.

Suppression, as a term, would honestly work far better to describe what you're talking about.

So yes, it's stereotyping, yes it's abusive to tell your children not to show/feel their emotions but it's not oppression based on these guys in your life being men! It's part of how trans/misogyny, transphobia and intersexism are enforced.

I understand exactly where you're coming from! It doesn't sound bad and I genuinely don't mind answering questions! Especially since you've got some good ones!

I'm not sure if I rambled too much to explain this properly but I hope this helps! Let me know if you have any other questions and/or need me to clarify anything here. <33

[tench]

Veilguard is such a weird game.

It's not a Dragon age game, it's bately a role playing game. It's an ok action. Even though it is the most stable AAA release it is still just a bunch of barely tied together stuff in a trench coat.

The writing (insultingly dumbed down and absolutely incapable of taking itself seriously untill the last 1/6 of the game) is all over the place, the direction is nonexistent judging by the tonal shift from one quest to another. We can have very heart felt monologue about the fear of death sit right next to a conversation where a lot of things are told using one specific phrase (I really hope in a clumsy attempt at emphasis) repeated till these words lose any meaning to you.

There's also a problem of role-playing in this "rpg" and the Rook. None of your dialogue choices matter in terms of defining your character, no matter the option you choose, the general conversation will carry the upbeat silly tone. "Your backstory and class matter more than your race" works untill it doesn't, like when you are a dwarf but you are denied your own journey and realizations tied to the titans, and maybe it is not your journey to take yet you can't even try to be a part of it, even when Harding is actively reaching out to other dwarves to share this connection. It's also weirdly more interested in writing romance between npcs than for the main character (Lucanis comes to mind, it feels like the game is actively punishing you for pursuing him, you have to lose the whole shadow dragon faction, you won't get to hang out with Dorian and still you have bare minimum and he more interested in Neve anyway), that's extremely funny that this game is player-sexual yet completely player-aromantic. (And I miss the dai option where you can come up and kiss your LI whenever you feel like it).

I won't even touch on the weird and unnecessary sanitation of everything, like we can't allow people or factions to have negative traits whatsoever. And it's not "southern propaganda", it's "we are not engaging with complex topics for the sake of clear dichotomy between good us and evil overlords". Speaking of which

The whole plot.. The general idea of it is ok. You come to stop Solas, you make the situation go sideways, you have to work together to fix your mistakes and maybe learn to sympathize with the antagonist haunted by his own transgressions with the main theme being legacy and your relationship with your culture and the baggage it brings. But the journey is a complete disaster. Part of it works solely because the characters absolutely Refuse to make a plan and the other - because the main character has a blunt head trauma. Maybe it's related. Maybe it's all a mass hallucination. I may try to elaborate on how it's absolutely ridiculous how little the inquisition and the politics have any impact in this game yet somehow 8 people squatting in the Fade with no political affiliations are held responsible for providing for every faction they come across. I won't even try to make sense of it. It's the usual case of "the main character does everything".

The direction is not only absent in the writing. Some lines that are ok in text delivered in such a way you may think they were allowed only to use the very first take.

The music is absolutely forgettable. Also the odd riff during the dramatic reveal absolutely took me out because I thought I heard kazoo (but I bet Varric would love it).

The visuals are.. Ok. It's pretty on the first glance but the more you travel the more you realize that the general design of the locations are kinda lacking. They have this weird gradient that makes everything a little bit more unfocused and a bit washed out. There are also too many cases of the horisont just drowning in the fog. Air perspective is great and it suits locations like Necropolis, but I would argue that these establishing shots should be used for environmental storytelling in other places, with some focal points in the background, like during the final mission where you see the world absolutely drowning in the blight, devouring local statue of liberty. Or the dead Titan. Or the first shot of the Veil jumper forest (I forgot how it's called) where you see the ruins going into he sky. But because of the fog (or sometimes darkness) it feels like the game is more interested in cheating the optimisation than to hint on the bigger picture (like the chantry and the gallows buildings that you can see almost from all locations in DA2 or the andrastian/dread wolf imagery of inquisition)

So, in conclusion. Not the worst game I played, yet disappointing, even if we pretend it's not an installment of a beloved franchise that people were waiting for 10 years.

Ps. Also making such a game with nerfing all the lore only to nuke all the legacy locations is a choice I won't ever understand. It's like it is not for the fans and it's not for the new people but a secret third thing.

[blues-valentine]

This is my last post about it. OBX 4 wasn’t just bad in terms of JJ but all characters in general.

The writers, knowing they’d kill JJ off, started a character assassination train on him perhaps expecting us to feel like he deserved to die? But we know JJ. We all know JJ’s reckless but not to this level of detachment. He was acting like an entirely different person. JJ would’ve never treated Kiara, John B or any of his friends like that. Ever. Not matter how bad life turned out. Even with the whole “JJ blew all of our money!” it’s like they wanted us to hate him so badly.

Don’t even get me started on how bad that JJ plot twist was and since Part 1 I said it. Trying to erase his entire life like that even when it didn’t make sense was lazy writing. And all for what? To have his biological father be the one to kill him at the end? Because that’s the only possibly cruel explanation for that plot twist.

Killing JJ in such a way when this character spent his entire life suffering physical and emotional abuse from his adoptive father is cruel and it sends such a sad messaging.

OBX has always been bad at giving the girls good story lines and that aren’t always about their boyfriends. Kiara’s relationship with her parents was totally ignored. We got from them cutting her off at 401 to them clapping for her at the ceremony and we never got to know how they reached that place. Did they go to family therapy in those 18 months? Did they talk and came to an agreement together? But nothing.

Cleo didn’t get to have a story line that wasn’t mostly adjacent to Pope. And for a character that’s been here for 3 seasons we only know she worked for Terrance and it’s good with knifes. We don’t know her actual surname. And I was expecting more from her revenge plot and I feel silly for expecting that from those writers.

Sarah’s PTSD regarding Ward was never further explored. The writers also forgot about Wheezie and Rose. Sarah wouldn’t have continued on without trying to reach out to her. It’s like they just didn’t want to deal with it. And the worst one is them making Sarah say she didn’t feel ready for a family at her age for them to forget about it and have her pregnant. Despite how silly it is considering the circumstances of their life and how much trauma she has to heal from.

Don’t even get me started on the way the writers never explored the girls relationship. The only bonding scene between the girls we got was Sarah telling Kiara she’s pregnant and Cleo wasn’t even there. We never saw them just existing as young girls just joking around. Hell; even a whole boys conversation would feel somehow natural and we didn’t even got that.

Pope is a killer now? And by the influence of Cleo not less. Did the writers forgot about Season 3? And how she was the one that stopped him from killing Rafe. So, now you’re telling me she was the one egging him on to become a killer. Make it make sense please.

And the pogues dynamic was so bad. God, it was so out of character for them all. Firstly, John B would’ve never allowed JJ to walk into that self destructive path especially after learning about Chandler. And then, the way JJ confessed to Pope he was sucidical and he just didn’t say anything about it? Kiara was also incredible out of character. And that death scene was particularly dumb in so many levels, because it could’ve been preventable and it was pointless. But the thing that pisses me off the most is that the pogues stood there watching. In a scene that felt perhaps a bit anticlimactic. “Not pogue gets left behind” but they buried him on a desert in Morocco and had Rafe be the one to dig the hole too. Those are not my pogues and this wasn’t the dynamic I feel in love with. OBX went from being a comfort show to give me so much unnecessary frustrations.

[admiral-mason]

Yo, sorry if this is out of the blue but I just had this idea and I have to share: Inazuma (cuz I'm still obsessed with the place) has specific hair styles with meanings attached to them, like flower language but for hair.

And the Creator, also apparently a budding hair styler, knowingly or otherwise cooks up chaos after practicing on their inazuman acolytes.

Fucking imagine Ei goes to visit Miko or smth and she nearly loses her composure cuz WHAT THE FUCK is Ei doing with a 5-strand marriage braid- AND WHY IS SARA'S HAIR TIED BACK WITH A RED RIBBON MEANT DEBUTING MAIDENS? WHAT IS HAPENING-

Trolling in Roblox but for Teyvat instead lmfao

Also I apologize if I don't do this idea justice, I can understand symbolism but not in flowers or hair

Reader is gender neutral as usual

Creator trolling Inazuma with hairstyles

So when you visit Inazuma you eventually find out through conversing with the people that a person's hairstyle reveals some ways they live their life.

For example, Kujou Sara (or Sara Kujou depending on name order since her name is a Japanese name with family name before first name) keeps her hair cut short and tidy, representing discipline,

But people like Arataki Itto who, with their messier hair, symbolizes a more laid-back lifestyle (Kuki Shinobu is an exception to this rule since she apparently just likes it)

Most of the Arataki Gang apart from Itto and Shinobu do have neat-ish haircuts but I headcanon that they have to go to Shinobu to help maintain them lmfao

Generally speaking, the neater someone's hair is the more likely they are in a position of nobility/professionalism

Now, you did mention a 5-strand marriage braid of sorts. There are braids with fewer strands; by this logic, the more braids a woman accumulates, the more visible she's in love with someone with the fifth braid being the marriage one.

Then there's the red ribbon: not sure what you mean by 'debuting maidens' and maiden does mean an unmarried woman though, so let's make this a twist:

Red in Japan has many meanings, from authority and sacrifice to joy and happiness.

Inazuma draws heavy inspiration from Japan, so here's the twist:

Someone who wears a red ribbon implies that they desire to obtain the opposite of their current traits (I.e. Sara Kujou would want to wear a red ribbon if she ever wanted to wear a symbol of her possibly attempting to learn some domestic ways of life, contrary to her rigid and stalwart lifestyle)

Now, the trolling commences.

So you possess hairstyler skills from back in your world, likely either as a job or an activity in your free time.

After realizing the amount of tomfoolery you could commit with this information, you decided to use it.

One night, you asked Kujou Sara if she wanted to personally accompany you to see the Shogun. She accepted, albeit with a bit of hesitation and fluster since she's not used to being singled out.

Once the two of you arrived at Tenshukaku and greeted Ei. Then, you asked the two how they felt about different hairstyles before you revealed that you had hairstyling skills.

Then you deviously grinned/smirked and explained the plan,

Which was for you to troll Inazumans by styling their hair. Ei would grow long hair for you to eventually style into a braid, while Sara would have her hair styled to a more gentle and off-guarded look with a red ribbon.

Both women were flustered with red all over their faces, to say the least. Their holy one wanted to style their hair? Of course they'd let them!

Day after day, you'd check in on the two to check their hair growth on whether it was long enough to change, and you simply gave a clueless expression and a cheeky "don't question it" to those who wondered what you were up to.

Finally, after around two weeks, their hair grew long enough for you to style. Ei silently hummed as you braided her hair while Sara stayed flustered as you tied a red ribbon to her hair.

The sun was still out when you finished styling the two, so you offered them to go on a walk with you.

Imagine the looks on everyone's faces when they see their shogun with a marriage braid and Sara's red ribbon telling everyone that she's attempting to take a more laid-back approach to life.

Everyone has their jaw dropped in some way or another.

News didn't take long to reach Yae Miko's ears, and then when you three actually visited her,

She's openly surprised at Ei and Sara's hairstyles while you three pretend as if this is totally normal.

A day later a rumor sprung up that you decided to marry Ei, and writers had a field day with this.

Light novels about a relationship between you and Ei skyrocket and fly off shelves far more so than any other novel beforehand, leading to further rumors such as how you two might start a family or including Sara in the relationship-

So you tell everyone that you pulled a prank of sorts on them and that you knew how to hairstyle.

The rumors eventually died down, but it turns out you now have a new crowd of people wishing to receive hairstyles from you

[gaywarcriminals]

On Mouthwashing, Qijiu, cruel characters, and the role of discomfort in blorbo analysis. 

I recently watched a playthrough and some video essays about the indie horror game Mouthwashing (spoilers ahead). For those not familiar, the game follows a man named Jimmy in a crashed spaceship where he reveals himself to be an unreliable narrator and fucked up in a variety of ways as the game progresses. 

Although I’m not immersed in the fandom and thus have a limited sample size, I noticed that people treat him as nearly inhuman. He’s the sole bad actor, a terrible monster destined to hurt everyone. I find this deeply ironic considering the game’s themes of responsibility and accountability: isn’t this kind of dehumanization absolving him of his responsibility to act decently?

It’s also strange to me, because the game goes at lengths to show Jimmy has an enabler. Captain Curly is Jimmy’s friend and boss who is made aware of Jimmy’s erratic and violent behavior multiple times, chooses to do nothing, and ultimately makes possible many deaths through his inaction. Aside from Jimmy’s public outbursts, there are even scenes with a specific member of their crew expressing how unsafe she feels around Jimmy. Despite this, a decent portion of the fandom sees Curly as nothing more than one of Jimmy’s victims, which is curious to me when placed in contrast with Yue Qingyuan and Shen Jiu.

Yeah yeah I’m blorbo-brained, but I think there’s a lot of points for comparison between Qijiu and Jimmy & Curly, at least in terms of their dynamic and social roles. Jimmy and Shen Jiu are both antisocial assholes with an unhealthy fixation on the generally well liked and affable guy just above them on the totem poll. They’re both convinced their superior is looking down on them, and resent the power he has (SJ less so, he has a lot of other reasons to resent YQY). They both use what power they do have to abuse those below them. Curly and YQY, for their parts, are shown to be explicitly aware of most if not all of their friend’s worrying/dangerous behavior, but do nothing meaningful to stop it. 

If they’re so similar, then why in the case of Mouthwashing is Curly often absolved of his complicity in the face of Jimmy’s overwhelmingly awful actions, whereas in the Scum Villain fandom, it’s just as common to see people pin all of SJ’s actions on YQY and vice versa?

Now, there’s a couple obvious reasons for this. For one, Mouthwashing is a horror game and Jimmy very effectively makes himself the antagonist, which lends itself to the interpretation of him as a the monster afflicting the other characters. For another, Jimmy sexually abused a shipmate, which is a particularly despicable crime (although so, I would argue, is child abuse). There’s also the fact that Curly is very physically robbed of agency for most of the game’s runtime, which might make it harder to see his power and agency before that point, but perhaps the most important difference is that to fans, Jimmy is deeply unlikable, and Shen Jiu is not. 

Personally, I think the reason a lot of people make Jimmy out to be a monster and Shen Jiu to be tragically misunderstood is simple: it can be uncomfortable to like a bad person. 

I don’t think there should be any shame in liking characters who are fucked up people that do horrible things, but I think it chafes at some sensibility within many of us, learned or innate, when we feel such deep emotional connection to a character who’s actions we would normally morally condemn. 

I’ve definitely observed that in some parts of the Shen Jiu fandom– it's the kind of sentiment that leads to discounting his canonical actions in favor of fanon. I’ve never found those fanons very compelling because I have never had any discomfort with Shen Jiu’s canonical actions— in fact, him being a despicable if pitiable mess is what drew me to him (I’m typically quite the fucked-up-evil-guy liker). For once, though, I find myself on the other side of this discomfort with Yue Qingyuan. 

I was thinking today about how one of the earliest things YQY says to SY!SQQ— his 9th line in the novel— was telling SQQ that LBH is strung up in the woodshed, where SQQ always leaves him after beating him. It implies not just that YQY knows about this singular punishment, but that this is an extended pattern of behavior. To me, YQY seems uncomfortable with the situation, but he does nothing to stop LBH from being abused aside from telling SQQ to “be less hard on him”, even though he’s the only person in the sect above SQQ, and potentially the only one with the authority to stop him. 

If Yue Qingyuan knew, did Luo Binghe know the sect leader had found out? Did Luo Binghe know he had been abandoned to his fate?

Like Curly, I think that Yue Qingyuan’s most unforgivable fault as a character was enabling Shen Jiu’s abuse of Luo Binghe and potentially other disciples. I think YQY’s motivations made sense, and I understand the choices he made, but when I think about it for too long I can feel a deep pit in my stomach grow. 

Why does YQY’s arguably lesser crime of enabling SJ bother me so much more than SJ’s own direct actions? Perhaps because I still want to see Yue Qingyuan as a good person, whereas Shen Jiu has already declared himself evil. Maybe I’ve been a little bit caught up in our unreliable narrator’s point of view. 

Fascinatingly, despite his adoration for Luo Binghe, Shen Yuan cum Shen Qingqiu never (to my recollection at least), blames Yue Qingyuan for SJ’s actions. Instead, he sees YQY as one of SJ’s victims— someone that SJ as good as killed, even if it was LBH’s orders that loosed the arrows. 

Shen Qingqiu has a tendency to, for lack of a better term, woobify his favs, and although LBH is by far the most frequent recipient of this treatment, I’d argue that YQY actually receives it more consistently. This is partially because he’s relegated to friendly NPC whereas poor Binghe is the Big Scary Protagonist, but the only time in the whole novel I can think of SQQ seeing YQY as a person capable of harm and fucking up is after YQY’s confession where SQQ puts it together with SJ’s flashbacks, but even then, SQQ sees him more as a cautionary tale for him and Binghe than someone who’s hurt others. Given this narrative bias, I’m honestly surprised* that more of the fandom isn’t simping for YQY too.

Ultimately, I think this discomfort is normal and worthwhile– something to lean into rather than away from. I’d even say it's necessary, should we ever hope to be more media literate than Peerless Cucumber.

*well, I’m not, but that’s a whole piece of fandom history better left untouched

[bi-planeandsimple]

You (wsj article author, not op) supposedly cherish “freedom of expression” and “stories” - which party is doing book bans?? And Which party is against censorship?? Hmmm??? And by voting for Trump you proved everyone else right! You are too stupid and racist and sexist, especially if you think Trump winning will stop these “divisive and destructive” arguments. Leftists and liberals still exist and we still know we are smarter than you and that trump is bad. Or were you hoping we’d all be put in jail? Which trump said he would do-jail all his “enemies” but oh no Democrats enacted constitutional overreach to address actual treason on Jan 6th. You are also stupid for not knowing what 3rd graders are actually taught, and that it’s not Critical Race Theory. I will also bet $1000 you don’t know what CRT actually is or who Kimberlé Crenshaw is. You fear the sway of Big Pharma and you voted for trump?? When Biden has been capping insulin at $30?? And got us vaccines and covid tests for free?? Like none of what you wrote makes sense!!

Thank you, Wall Street Journal, for giving us an editorial that tells us "I voted for Trump because Democrats were mean and rude and 8 year olds are learning CRT and Trump will bring us freedom." Fuck's sake. You bought into Republican propaganda.

[nadas-dirthalen]

A Veilguard Achievement Icon Opened My Eyes on 15 Years of Lore... but Was I Right?

PART TWO: What Veilguard Did Narratively, and What That Tells Us Going Forward

[ 1 ]

Hello again, friends and travellers. Now that I've beaten Dragon Age: the Veilguard, I wanted to go through all those 30,000 words of predictions that I wrote in the ~11 days leading up to its release. I'd seen an achievement icon that pieced together a lot of Dragon Age lore for me.

But, I hadn't played Veilguard. All I had was the footage from September 19, the achievement list, and anything else BioWare had released.

So... was I right? And if so, how much was I right about?

This is your warning:This post will contain spoilers for the entirety of Dragon Age: the Veilguard, and all Dragon Age content made before Veilguard.

(my davrinmance is going great as i try and collect every codex, thanks for asking!)

Today's Discussion: to Understand Dragon Age, We Must Understand Its Writing.

Before I can go any further on why I think the way that I think, or why I imagine the story might take us in certain directions, it's essential that you all understand where I'm coming from. Veilguard, like any game, is a piece of art. Its bones are built with similar narrative structures to novels (though not identical, and that's important!). To make sense of what's to come, we must examine Veilguard's bones the same way.

I've seen a lot of people wondering why, for instance, the Inquisitor is not Veilguard's protagonist. I've seen people lamenting the fact that there were not on-screen clarifications of popular lore theories. Before this series goes any further, I need to say my piece about why I believe that it was essential that Veilguard was written as it was, and why its writing does in fact help us better predict Dragon Age's path forward moreso than even Inquisition.

That said, today I hope to cover:

What Veilguard Demanded of BioWare's Writing Team, and Why

The Protagonist: Why Rook's Perspective Matters

The 3 Act Structure: Our Lens

The Companions: Paths to Our Answers — and Future Games

What Veilguard Demanded of BioWare's Writing Team, and Why

Let's get this out of the way right away: it has been 10 years since Inquisition. And, like it or not, that means one gigantic thing for BioWare: if they wanted to have any hope of making more Dragon Age, they needed to bring in new players and resuscitate the interest of many old players who did not stay in the fandom the whole time. They didn't—and couldn't—write Veilguard specifically for you or I, people of Tumblr. If they did, it would've pleased us... and then cost them so much money that we'd never get any more Dragon Age.

That doesn't just mean modernizing the game's aesthetics, or providing a glossary in its Codex. It means they would have to balance all of the following (just at a glance):

Managing the learning curve in general. Not even I looked in the glossary as I played. Me, supreme enjoyer of all codices ever. It's just not something most players are ever going to do, as much as it the lore is such a fundamental part of the game in general. That means simplifying terms where possible — elven gods in place of Evanuris, for example — but also trimming down what would have to necessarily reference past games. Only a tiny fraction of the fanbase has played Inquisition in the last 3 years, nevermind this year.

Recontextualizing the lore. That does not mean rebooting it, it means situating all we have learned so far in a framework that fits all we have learned so far. Much of what we learned about the Evanuris seemed, for so long, to be totally separate for the things we knew about the blight and Blights. Veilguard needed to show us how those things relate, and to do so in a fresh context that would allow everyone to develop new understanding.

Pushing us one step past Inquisition's knowledge. Veilguard, after reframing the lore, had to leave us a path for new lore, and increased understanding. I think the devs put it really well when they say that their aim is to give us some answers, but leave us with even more questions. More on that later, and in future posts.

Updating Thedas' ethos. Let's face it. It has been 15 years since Origins came out. The things that were more typical of scifi/fantasy (SFF) then are just not the same now, and would not be perceived by 2024 players in the same way as by those who started Origins in 2009. The world has changed; our cultural understandings are broadening and need to continue broadening. BioWare is doing a good thing by incorporating things like nonbinary identities into Veilguard, and it is good that Veilguard is progressing the world of gaming in that way, especially considering its success. (This is also, I wager, why we choose an Archon out of two choices who want the same thing, rather than leaving that open to a more "evil" option).

Dislodge older fans from their Solas headcanons to get everyone old and new to the same confusion and potential distrust. Hear me out. Everyone who's stayed since Inquisition has beliefs about Solas. Even me, who got here in March of this year, whose fic reads overly soft now because I just didn't know Solas' grander plan until 48 hours before Veilguard came out. Everyone has had headcanons for so long that everyone has had time for their opinions of Solas to cement themselves. In order for Veilguard to work as a story, they had to debunk what everyone thought they knew: both lovers and haters of the famously controversial egg. By breaking down our existing beliefs, the devs open up essential curiosity from the players as to who—and what—Solas really is, which propels us through the narrative and has us absorbing information.

And this curiosity? It is why Veilguard could not have the Inquisitor as its protagonist. To keep us curious as players (and "readers" of the lore), BioWare needed a new protagonist.

Specifically, they needed Rook.

The Protagonist: Why Rook's Perspective Matters

Here's the thing. The protagonist is not just the face of the game. They are our vehicle to understanding that game. The plot follows their wants and responds to their understanding. What they don't know, what they want to know, is what makes up our every objective. Their emotional journey through the game is our emotional journey through the game. Following it, going after the things that matter to our protagonist, is how the entire game (including its lore) takes shape in our minds.

That's why it's essential that they don't know everything—especially after a ten year interim between games.

Veilguard's plot and twists proved that the Inquisitor did not know everything. They, in fact, knew less than half of everything. If we had kept them as the protagonist, all of our knowledge and curiosity would be shaped by the Inquisitor's understanding: a wrong understanding. We could constantly be fighting with what we think the Inquisitor should know, what should be true because we had seen it through the Inquisitor. We would be set up to be at odds with the very events of the game. Rook is a blank slate, barring a few key tonal indicators, and that blank slate allows for us to fit all previous lore into its new, recontextualized shape that I mentioned above. (Again, note that I am not saying rebooted.)

That, and Rook has multiple motivations. The Inquisitor is focused largely on stopping or saving Solas; Rook is charged with figuring everything out as it is happening to them in real time with almost no context or experience, AND stopping or saving Solas. The Inquisitor has existing allies and resources; Rook does not. Rook must build their own campaign from the ground up, and that means the player is building their own experience from the ground up. Their allies, abilities, and home base, yes, but also their knowledge. Discovering things at the same pace as Rook, with a similarly urgent drive to do so, keeps the game from infodumping at us. It keeps the reveals evenly spaced, but also immediately interesting to the player.

And best of all? Rook allows the writers to do what they want to Solas without breaking his dynamic with the endless sea of Inquisitors (or, at least, with way less risk of doing so). We needed to have our theories about him broken down and rebuilt as players; to do that to the Inquisitor would damage an entire sea of headcanons. We'd never get the Solavellan ending we wanted, for instance, if Solas had played mind games with Lavellan for that many months. And if Solas didn't do those things, if he'd been wholly defanged, he would have lost his appeal and importance in the narrative. He wouldn't be the Dread Wolf in the ways that matter to Veilguard.

It's important, then, that Rook has just the slightest bit of backstory. They care about their allies. They are not a potential political force like the Inquisitor. They have many options to be impulsive. Every single Rook has rebelled against authority. Every single one has a stubborn streak. BioWare put all those qualities there on purpose, because Solas uses every single one, in every single Rook, as a tool. That was all essential for his character development in this game! At the same time, they couldn't do that with the Inquisitor as protagonist, because after 10 years, no two Inquisitors are similar enough to predict/script their actions and responses in that way.

Those twists are perhaps the most important tool for forward momentum in the game. The more they keep us guessing, the more we'll play and seek new information, the more we'll learn. Which brings me to...

The 3 Act Structure: Our Lens

Like I said: BioWare couldn't just infodump at us in Veilguard. It wouldn't be interesting to even half the fans that stayed, these ten years. To keep us engaged as players, they had to string the lore through a series of engaging events. Keep the momentum up, so we would not be lazily looking over codices, but chasing new knowledge and understanding. It all had to be emotionally relevant and resonant to keep us caring, because very few people play games they don't care about.

Veilguard, like a lot of written art, follows the three act structure. Though there are a lot of variants on the more precise beats, they all broadly follow the same-ish path.

Hook: The opening image. In Disney movies, this is the song where the character sings about all the things they want in their journey, and what they truly need is only implied. It gives an opening note for the theme by showing what the character lacks, and what they might need to gain before defeating the final villain. In Veilguard, this is our prologue, centered entirely around Varric: the big red herring where we see that Rook is out of their depth, opting to push over a support beam rather than take on the Dread Wolf. Off-screen, it is also the background information about Rook, showing us who they are and what they want before we play.

Inciting Incident: The event that kicks off the main plot. In DA:tV, there's a big collection of these (because every companion needs one; we'll get to that). The first big one is, of course, the failed ritual. The death Rook doesn't see. The Evanuris are freed, but Rook has only half the information.

First Plot Point: "Plot Point" means "big/defining decision" in writer-speak. This is the moment the protagonist decides to go forth on their adventure. In video games, this is more or less determined for you, but you have the option to flavour this moment in Veilguard. You can choose how to tell Solas that you'll do what he wants: either by appeasing him or angering him. You do the same for Neve and Harding afterward, and then again in Arlathan and D'Meta's Crossing. You state that you're doing this, no matter what it takes.

First Pinch Point / "The Setback": "Pinch" means "twist" in writer-speak. It's the first time the narrative is shaken up, and is also usually the first time we see the true scope of the villain. In Veilguard, the first big twist has been called "the Setback" by some of the devs (notably, I heard it at a panel in September). For Veilguard, this is Weisshaupt. We see the true scope of Ghilan'nain's horrors, but we also see the first BIG hints (outside of Varric) that Solas is manipulating us—because he really doesn't seem to hate the Wardens as much as Inquisition enjoyers like myself expected. This event concludes act 1.

"New World" / "Fun and Games": The devs have remarked that they wanted to see the tone of their setback (Weisshaupt) threaded through the rest of the game, and we do: through Davrin and Lucanis' banter, through the reflections on the consequences of Weisshaupt, through every character struggling with their confidence and identity after that point, through the blight getting worse and worse and worse. That's what the New World is: the characters getting used to new circumstances after that first big twist. The Fun and Games are the slow and steady recovery from the twist, warming and solidifying formerly tenuous relationships. This is where we do a lot of companion and faction quests.

Midpoint: In a narrative that ends in a victory (so most games ever), the midpoint is a false victory. We think we've nailed something, only for something else to happen that begins to seed doubt in the protagonist's capability and/or ability to solve the plot. For Veilguard, this is the blighted dragon fight: we think we've got Ghilan'nain, but then Elgar'nan shows up and demonstrates that Rook is in so, so over their head.

Second Pinch Point: The second twist. The villain's identity is crystal-clear, and by now we've definitely interacted with the villain more directly. This is Arlathan, Elgar'nan's mind-trap—and Solas' "rescue" of Rook, showing his duplicity in full. Elgar'nan notably says a line about not falling for Fen'Harel's tricks again, and it foreshadows what we will see of Solas.

Disaster / Crisis: This is the event that triggers the protagonist's downward spiral. Not a twist (necessarily), but a catastrophe. In Veilguard's case, it's both: the Ghilan'nain fight leaves one companion dead-dead and another presumed dead. Then, the twist: Solas using Rook's sharply felt regret to pull his gambit and swap places with them. A series of events that literally had me gasping so frequently I got dizzy. Thanks, BioWare :) Many people say that this event, or something between this event and the "All is Lost" beat, conclude act 2. For games, the pacing is sometimes different, as is the cutoff mark, because otherwise the third act has the potential to be very short.

"All is Lost" / The Dark Night of the Soul: It's exactly as the name suggests: all has been lost. The protagonist doubts themself completely. It seems like nothing more can go wrong, and like nothing might ever go right again. The protagonist is at a loss for how to move forward. In Veilguard? Varric is dead. Davrin/Harding is dead. Bellara/Neve is dead. Rook is literally trapped not only in their regret, but in a reflection of Solas' regret. And to get out, they'll need...

"The Epiphany" / Second Plot Point: "Plot point" means "big/defining decision" in writer-speak, as stated above. Only this one contains more layers than the first. This is where the thematic statement of the piece comes out: the lesson that the protagonist must learn is stated, clearly, for all of us to see. It is the thing that picks them up off the ground, giving them strength to face the climax and the danger it promises. In Veilguard, this is Varric saying to Rook, "Have you learned nothing here?" and reminding both Rook and player that he chose this; Rook's companions chose this; we cannot blame ourselves for the actions of others. We cannot carry grief for other people, or we'll drown in it. Sound like any other character we know?

Climax: The big fight! But also, the big moment where the theme is shown to be the narrative key. In every ending of Veilguard, Rook being Solas' perfect mirror is the key to winning the day against the Dread Wolf. It just depends on what facet of Solas Rook chooses to mirror: the trickster, the nasty combatant, or the person who was haunted by their own failings and lost companions.

Resolution: Narrative threads are tied up, or a promise is made to tie up those loose ends in future installations. Veilguard's credits do both of those things. :)

Why am I telling you all of this? Because the lore must follow that skeleton. Every reveal we get must fit into both the timing and the feeling of those events. It would not fit to suddenly drop everything about the Titans right after Rook gets to the Lighthouse, which is why those enemies you need to kill to get the last memories are level 30-40. It would not fit to uncover everything about the blight's origin before Weisshaupt. If they forced us into that as players, all the casual fans and new players would duck out, feeling overwhelmed.

Even for us older fans, narrative structure shapes significance. You can tell a lot about a codex's overall importance and tone just by understanding where you find it, and when. That's why the Trespasser codices carry so much weight, even the ones about the Evanuris' actions that we don't see on screen at all: they are at the bitter end, and so they carry all the bitterness, longing, and mourning of that ending. Without the context of Trespasser, they mean less.

This is also why Veilguard paces its companion quests this way, not allowing you to complete them until later in the game. Every companion has something to teach us, and BioWare wanted to give each companion's narrative the weight it deserved.

The Companions: Paths to Our Answers — and Future Games

Anyone who's played Inquisition knows that companion quests shape entire facets of the lore in individual games, as well as set us up for the trajectory of the next games. Just look at Solas and Cole: together, they shaped our whole understanding of spirits in Veilguard. They set us up to ask all the right questions about not only spirits being bound as demons (Solas' quest), but about spirits being able to manifest in physical shape (Cole's quest). Together, their narrative conclusions foreshadowed much of the Evanuris' reveals in Veilguard: that they were spirits who could manifest into corporeal shape, and that they had the ability to ask others to manifest—and then bind them.

Again, these quests are paced throughout Inquisition's main plot. You cannot do their before Skyhold, and you cannot do them after the cutoff of (I believe) the Temple of Mythal. Inquisition forces you to see those quests' endings in the exact right spot: sometime around the midpoint (Adamant/WEWH), but before the disaster/dark night (the Temple of Mythal). They do that so you will feel that those things are significant.

Veilguard does the same thing. Every companion has a facet of the lore attached to it, but you cannot follow those threads to their conclusions at the beginning of the game. The game won't let you, because the moments need to be spaced out properly and carry the necessary emotional weight. Not all of their quests promise speculative material for future games in the same way, because some explain the context of the current game (Varric, in DAI, accomplished both with the red lyrium content, for instance; Leliana, meanwhile, dealt with the theme of faith in DAI and did not promise future speculation).

These concepts will all get far more attention in due time, but in short, here's what I think is associated with each companion:

Harding: Titans! But also, angry titans, and the difference between "angry titan" and "source of blight." In the same vein, what the dwarves should do going forward, and where they should place the titans in their culture.

Neve: The soul of Veilguard; her narrative is very current to DA:tV, in my early understanding. But she brings forth a lot of nuance to the themes of regret, and what that regret looks like on a smaller scale (a city, rather than a world). She does a lot of work in showing us that regret is regret, no matter the scale, and that the work we do to do better matters, no matter the scale. Additionally, her personal quest foreshadows Solas' use of blood magic against us being more than we thought by showing off Aelia's puppets, suggesting to us (tonally) that Rook may be Solas' puppet.

Bellara: The Forgotten Ones!! Anaris! Also, the place of ancient elvhenan in the future of Thedas, and what the elves should do/feel going forward.

Lucanis: I think they were going for some Forgotten One/Forbidden One hints, judging by some notes from the Ossuary and some banter between Lucanis and the others. This needs more dissection. Lucanis sort of does both what Bellara and Neve do: the Forgotten Ones, and also the heart of Veilguard's theme, with a lot of found family vibes thrown in.

Davrin: The blight itself, and the future of the blight without any archdemons left to cause capital-B Blights. Thedas' path to healing its nature.

Emmrich: The nature of what spirits are. I need to go screencap more specifics, but I swear this necromancer has referenced the difference between spirit and human soul and has stumbled upon saying that the two might not be so different at least once. Also, the Formless One centers around the Necropolis, and I'm thinking "spirits seeking bodies" and this whole idea of unlife/undeath is going to be explored later.

Taash: Remember how I said BioWare needed an ethos update? I think we see that most predominantly in Taash, whose entire personal quest is an examination of the values and priorities of different cultures, as well as the place of gender and gender ideology in Thedas. We saw this with Dorian and Krem in DA:I, but Taash modernizes that conversation (10 years has changed a lot!) and brings it front-and-center. At the same time, their existence is referencing (potentially) the Scaled Ones, and showing us that the kossith (Qunari) might have far more ties to Evanuris shenaniganry than we thought—and that those shenanigans did not happen on Thedas, but potentially far across the sea. (Neve and Lucanis accomplish this, also, with the Shadow Dragons and Crows, but not to the degree that Taash does).

This is why the companion quests MATTER, and (at least partially) why the game asks you to complete these quests or suffer consequences in the finale.

You know what else happens, upon completion of these companion quests?

You get codices. In Dragon Age, they are the threads that tie the seemingly disconnected pieces of the plot together, and that's on purpose. This time, they automatically unlock upon completing different stages of companion quests—and as far as I can tell right now, days after completing the game for the first time, the ones revealed later DO contain spicier hints about future lore than those revealed earlier.

And between ALL of these things—the demands Veilguard's timing placed on Bioware, the need for Rook as a protagonist, and the structure for every companion's quests—I think BioWare did an amazing, genius job with their narrative. Yes, I have seen some of the art book content, and yes, it would have been so cool to have those things, but... I truly do not think BioWare needed them, as close as I would have held cameos like Cole to my heart.

From a lore perspective? They knocked it out of the gods-damned park with Veilguard. They did an amazing job with each of their quests, and I promise: there is no shortage of juicy lore to be found in Veilguard. Now that I've inflicted an outline of what I know about stories upon you, I promise: all of this serves as context for everything I look forward to saying in future posts.

_____

If you got this far, thank you, as always!

This series is going to take a turn toward what I noticed in Veilguard, how I feel that Veilguard adds to my theories (or perhaps debunks some of them), and where I think the series is going to go from here. But in order to write all that properly and miss as little as possible (even though, in November 2024, with no wiki or transcripts, I am guaranteed to miss things), I need to keep playing the game and keep reading the codices I find.

Stay tuned for the next instalments, though I cannot say how quickly they will come after this. <3

[i-live-inyourwalls]

more haikyuu characters i think would be friends as adults (PLATONIC! I WILL SELF-IMMOLATE BEFORE I BREAK UP MY FAV SHIPS)

bokuto + ushijima

- first of all, part of my reasoning is that it would be funny as fuck

- HOWEVER: bokuto is kinda gullible, takes a lot of what he’s told at face value without questioning it. he’s honest and open about his emotions

- ushijima is VERY literal, also takes things at face value, and doesn’t generally understand other people if they aren’t being direct

- bokuto’s inability to keep anything to himself would actually be helpful for ushijima

- he’d never be confused about bokuto’s emotional state which (as we know) is not something he would pick up on unless he was told

- bokuto would also benefit from being around someone who was incapable of sparing his feelings (ego probably would take a hit at first, but i think as an adult he’d be more capable of handling it)

- also bokuto is insanely social so he wouldn’t stop trying until he and ushijima were friends

- bonus: he’d get to hang out with tendou which would be fun for him

tendou + tanaka

- they are both insane

- high energy, like messing with people, weird hair

- somewhat self-centered but still socially aware

- i think tanaka would find tendou entertaining and i think tendou would find tanaka funny

- also the potential for them fucking with people to an honestly diabolical degree? yeah, i’m sat for that

- i think they would both mess with ushijima, but i don’t think they’d ever actually be mean— and they’re smart enough to know some of their friends should be left alone (…iwaizumi….daichi….oikawa but only because oikawa would put an honestly neurotic effort into getting revenge—which could only be learned through experience)

nishinoya + kuroo

- i mean… i feel like this one is obvious

- obsessed with themselves, enjoy causing chaos

- kuroo is so much smarter than noya but noya is more unpredictable so…they could definitely be a dangerous combination

- smarter than the tendou + tanaka duo because, like, kuroo

- kuroo would probably take advantage of how willing noya is to do dumb shit and get noya to do his stupidest ideas (noya would not realize he was being strategically convinced, also he probably wouldn’t even care if he knew because he was having fun)

- also, absolutely would be each other’s wingmen. probably with asahi and kenma. can almost guarantee they would NOT be good at this and the other men would just find it confusing

akaashi + kenma

- said in my prev post about this, i think akaashi would be friends with kuroo because they took of kenma and bokuto in high school so have a shared (ish) experience

- he’d be friends with kenma for different but adjacent reasons

- they’re both somewhat quiet and reserved but capable of being sarcastic or harsh if the situation requires it

- dating bokuto and kuroo (IN MY WORLD THEY ARE. ITS REAL TO ME!!!)

- anyway, both dating people with VERY different levels of extroversion who like to spend time together

- can sympathize with the sensory overload that is being around bokuto and kuroo at the same time

- BokuAka & KuroKen double dates??? yeah bro. bokuto’s idea, kuroo talks kenma into them.

- they’d probably enjoy watching Bokuto and Kuroo entertain themselves when they all hung out even if it was overwhelming

- ^^^ both of them have a much shorter social battery so would be allies in the situation (if they don’t want to talk, they hide from everyone in silence— my mental image is them quietly doomscrolling in the same room, or kenma playing video games while akaashi reads a book or something— point being, i think they’d be able to be around each other comfortably without it feeling like actual social interaction)

edited for spelling :-)

[uniquethingtastemaker]

Ok, now that I’ve mentioned how I think both Vil and Riddle’s overblots could’ve been prevented, I also think Jamil’s could’ve as well.

If someone realized a little earlier in the chapter that Jamil had a problem with Kalim and he was up to something, then there was a real chance to prevent this situation from getting so out of hand.

If you told him, “hey, you know Kalim is dumb. If you don’t tell him you have a problem with him, he’s not gonna know. You got all the brain power out of the two of you. That being said, Kalim is a very empathetic and generous person. He cares about you. He think you’re his best friend. If you just told him how you feel and how you have a problem with some of his behaviors, then he would do everything to make your relationship work. He knows that he’s not the best dorm leader, but you’ve never told him that you felt that it was taken away from you. It might seem really obvious to you, but clearly nobody else has noticed, so there’s a problem. If you just told him, he would give you the seat. It’s not even like a possibility situation, he straight up would. He doesn’t care much about it, so if you do, he would give it to you in a heartbeat. He values your relationship above all else. It’s not that hard. I don’t know why you’re trying to do this in such convoluted way. It’s not efficient and really risky.”

I can’t imagine he wouldn’t take this advice. He’s not my favorite character, so I’m not sure, but he seems to value efficiency. It would make sense cause he’s always babysitting Kalim and having to run around.

He would bring up the whole family expectation problem, but there’s a counter to that too. “While it’s true that nobody in our vicinity knows the answer, somebody does. Kalim has the resources to get you that help and is more than willing. Get a professional. Go to a therapist. They’ll tell you how to navigate this situation. Why aren’t you taking advantage of Kalim’s resources? If you feel that you’re taking an unfair advantage of him, then make your relationship work with him. That’s something that’s going to be a challenge for you, but that’s what he wants. He has all the physical needs he could ever wish for, but the most important thing to him is his relationship with you.”

You would also have to bring up how to solve his feelings and problems with Kalim, because that was what has really been getting in the way and fostering his feelings of condescension. “You need to put boundaries on your relationship. He wouldn’t be offended and would understand. If you don’t want to be stuck in a servant role, you’re gonna have to set boundaries. Kalim is under the impression that you would tell him if something’s wrong even if that’s not how you feel. He doesn’t mind changing if it will help you. That’s enough of a motivation for him to push through hard times and overcome some of his weaknesses. Besides, the reason why he doesn’t know anything is cause you do everything for him. You’re enabling him. If you want to get out of this role, you’ll have to tell him some of the things you’re really worried about if you leave him. He would listen to you. He would do what you ask even if he doesn’t understand everything. That’s how much he trusts you. So, you might have teach him things you would have to watch out for like poisoning and assassination attempts, but he can learn. It would be a good idea to find someone who meets your standards in terms of a replacement to your job. Kalim isn’t that self sufficient, but you’ll be able to find somebody and would’ve already created a fail safe so that if something happens Kalim knows what to do.”

You would also have to address Jamil’s fear that if he becomes his own persona and drifts away from Kalim that he wouldn’t help and support him. Just tell him “Kalim thinks of you as family. You’re gonna always be important to him no matter how close or far apart you are. Kalim cares about you and loves you unconditionally. If you need his help, you’re gonna be his first priority. That’s never going to change. He’ll give you anything you ask for.”

I’ve stated my case and I’m sticking to it. Tell me what you think

[wisteria-lodge]

Hi! I would like to ask this Narcissa seems to love Lucius and Draco, cares for them and appears to be a family oriented person but how come it is stated in her wiki that she despises the Blacks, wouldn't this imply she considers herself more of a Malfoy and I mean why would she despise the Blacks when it comes to blood purity/superiority, I don't know the correct term but don't they practice/talk about it more/the Blacks prioritize it so shouldn't she be proud of being a Black?

So I just want to say real quick that the fanwiki is not always... accurate. It includes a lot of data from the games, interviews, interviews with the actors that I would never count as canon, and it's also written by y'know, fans. it's actually pretty funny to read through the entry on say, Lucius, and be told that he was a "high achieving model student" and "his talent in potion-making even earned him a place among Slughorn's elite Slug Club." (right. it was definitely just the potions.) I'm learning that he "favours a more elegant, refined technique when he engaged an adversary and generally demonstrates great form in his duelling style." [citation: Jason Isaacs is pretty]. And while we're on that topic "it is likely that his looks might have improved upon the fall of his former Master." Very important that we know Lucius gets hot again after the books.

My guess is that this is the bit you read:

[text id: Narcissa had a close relationship with her oldest sister Bellatrix despite their differing temperaments and personality traits. Narcissa always despised the Blacks, but had great respect for those who did. The ones who dared defy their family's beliefs, such as her older sister Andromeda and cousin Sirius Black, leading her to ignore and disown them.]

I don't know about this. Maybe Narcissa and Bellatrix were close at some point, they do use nicknames to refer to each other, but in the timeline of the books there's a LOT of friction.

Narcissa is actively trying to get Bellatrix to "leave [her] alone" during the Spinner's End chapter (which is what the snippet up there is citing.) Bellatrix is... unhelpful about the Draco situation, saying things like, “If I had sons, I would be glad to give them up to the service of the Dark Lord!" She's also blaming Lucius for the Department of Mysteries fiasco, which Narcissa is pissed about:

“Don’t you dare — don’t you dare blame my husband!” said Narcissa, in a low and deadly voice

We also see some sort of power struggle between them later on, in Malfoy Manor:

“This is my house, Bella, you don’t give orders in my —”

In the books, I don't think we get any details about how Narcissa specifically feels about Sirius, or Andromeda. There's this:

“I expect Potter will be reunited with dear Sirius before I am reunited with Lucius.”

Which is just a very Narcissa way of saying "you're on thin ice." I guess the "dear" feels slightly mocking. But she's also actively threatening Harry, so not the most representative moment. We do get this from Bellatrix:

“We — Narcissa and I — have never set eyes on our sister [Andromeda] since she married the Mudblood.”

But... she is also speaking for Narcissa, and panicking in front of Voldemort. This might not even be true.

As for the wiki saying "Narcissa always despised the Blacks, but had great respect for those who did" - that's such an odd sentence I kinda feel like there must be a typo in there. I'm not sure there's any evidence in the books that Narcissa despises the Blacks.

(I mean I do think, in a fun headcanon way, that you can make a case that she went subtly low-contact with her family after she married Lucius. The Blacks seemed to have a pretty toxic family dynamic going on circa the first war, and one thing you can say about the Malfoys is that there's a lot of love there, and as a family unit they seem solid. Maybe Narcissa did start to think of herself as more of a Malfoy than a Black. (Maybe her Malfoy-blonde hair isn't natural...)

I also think there's something going on with the house elves. The Blacks clearly have a culture of house elves, and the Malfoys... don't? Like there don't seem to be any house-elves there once Voldemort takes over (and I mean, Dobby was such a *stunningly* bad security breach, I'd be shocked if there were.) But the house seems to run just fine, while hosting a bunch of Death Eaters, Snatchers, and prisoners. Makes me think Dobby was the *only* house elf, and that he was originally a Black family house elf who came over with Narcissa when she got married. In that case, I suppose the decision not to get more might mean something. But all that's just me having fun with the worldbuilding. )

[puimoo]

The Brucie and Dick relationship.

[Obligatory ‘new to comic canon’ warning, where I use my Tumblr to process all my thoughts!]

While thinking today about the impact that Bruce and Batman have on Dick growing up, I realised there was a third person to consider.

What impact does Brucie have on Dick?

Because Brucie is a big part of the Bruce/Batman/Brucie identity triangle, although he often isn’t really taken into consideration when looking at their overall relationship with Dick.  However, Brucie is who the world in general sees – his colleagues, his ‘friends’, the women he dates and the people he socialises with.  There are articles written about him in the papers, paparazzi snapping his pictures.  Businesses and charities being set up in his name.

The thing is though, once Dick comes along, Brucie isn’t just a solo act.  Now, Bruce has to decide what role Dick plays in the persona.

Brucie is deliberately crafted to send particular messages: he’s not a threat, he’s easy to manipulate, he’s rather stupid and clumsy but well-meaning and incredibly likeable.  Which means that, when they are together in public (or even when Brucie is talking about him without Dick being present), Brucie and Dick are meant to send a message as well.  I can’t see their public relationship not being just as carefully crafted as the Brucie one – if it’s not, it puts the whole Brucie persona at risk.  This isn’t Bruce having a relationship with Dick, after all – it’s Brucie.

I haven’t seen enough of Brucie and Dick together to really formulate something based more deeply in canon, so a couple of thoughts instead about what that message might be intended to be.  Is the message supposed to be that they are a shiny happy family (completely normal, as much as a man and his ward can be)?  From what we know of Brucie, that would mean that Brucie would likely be more openly affectionate when they are together, much more tactile and prouder of Dick than Bruce or Batman would be.

Is the message more supposed to be the scatterbrained playboy who collects things that interests him in a well-meaning way but moves on quickly, meaning Brucie is more likely to be kind but dismissive of Dick and their relationship?

Both versions send a message: one that is we are a normal, functional family (who clearly are not Batman and Robin!), one where the relationship is more superficial and Dick isn’t really quite that important anymore and therefore you shouldn’t worry too much about him/think about him/consider him to heavily connected to Brucie at all (and all the risks that might involve for Dick, Batman and Bruce).

Both serve a protective role and both are deliberately crafted, but neither are necessarily healthy for actual Dick in the long run – especially as this would have all started when Dick was 9-10 years old.  He’s not only having to navigate his own, actual relationship with Bruce (and Batman), but manage a fake version of it as well.  And, while Dick knows that it’s all an act and probably at times finds the whole Brucie situation deeply amusing while being frustrated at other times with how people underestimate Bruce, I could also see how the deliberate choices that Bruce makes about how Brucie and Dick’s relationship is portrayed could have a deeper impact.

After all … Affectionate!Brucie potentially highlights that Bruce chooses not to be like that with him at other times - he’s clearly capable of acting that way but doesn’t necessarily feel that way.  Or, at the very least, it highlights what could have been but isn’t.  Dismissive!Brucie potentially highlights some of Dick’s greatest fears.  

There are also things that Dick could learn just from Brucie away from the Dick and Brucie relationship (you never show your true self to people, even if they are not a threat – they are ALWAYS a threat) that have the potential to shape how he sees the world.

Again, none of these are fully realised thoughts or ideas.  There are also a dozen other variations of the Brucie and Dick relationship that Bruce might have crafted, but I think the thing I am getting at is that Bruce would have crafted something – and that potentially this might have had some impact on Dick.  He grew up with Brucie alongside Batman and Bruce, after all.  I could see young!Dick absolutely leaning into it and loving to play whatever the role was (love the ‘it’s us against the world’ feel), but you get the sense that as he gets older, some realisations might creep in.

Which leads me to my last random thought: are there some versions of the Brucie and Dick relationship where Brucie of all people is actually a better parent than Bruce is (especially later on)?  Brucie – who is generally ridiculed and looked down upon by everyone who knows that he is an act?  Who is meant to represent all the things that Bruce and Batman aren’t so as to throw people off their scent.  Are there versions of the Dick and Brucie relationship where Dick might actually prefer some of those Brucie traits to some of Bruce and Batman's more harsher edges?  

From a purely evil head canon perspective, I kind of like the thought that, out of all the Batkids, Dick is the only one who actually enjoys Brucie at times, because when Affectionate!Brucie is in action he can lean into the warmth of the father-son dynamic without it being complicated or difficult, even if it is just for a short time.  And you know what the kicker would be?  Bruce would probably tell Dick afterwards how well he played the role.

…. I did not intend to have so much to say about this relationship as I did!

[igglemouse]

What’s Going On In The Iggleverse?!(11/10/2024)

Hey everyone! I still exist! And not much happened in the iggleverse last week because I just was not in the mood to be very creative, it was a short week, but a very impactful one as well...

The first thing that happened was the introduction of Zer! Yeah, she's a wacky one. A sense of entitlement and a pinch of evil. She's an alien trying to take over the world but...she has to save it first! She also needs to learn how to blend in better...

She has a loyal assistant named Dre who means to help her with this task but they do not see eye to eye or wriggler to wriggler! There will be more Zer soon!

In other news, Frida news, a new sim has been introduced to the legacy! Florencia Alcocer! A potential heir and being the first born means she has an advantage over other future potential heirs! I can't wait to watch her grow and see what kind of character she will become!

IN other news, I did say I had another heir! I know some will say "You are juggling too much!" but in the past I would do five heirs, I think what slowed me down was this insistence on doing poses and all these posed scenes and really now....I just want to play the game lol and rotational play is how I enjoy playing! There will be a 5th heir BUT the 5th heir will be 2nd generation...so this means for example the 5th heir COULD be Florencia while Frida's rotation would still be going on!

As for Teresa, well, you'll learn more about her tomorrow!

I have been away right now just dealing with US politics, it affected my mental and put me in a short depression where I didn't really want to do anything. Didn't play games, didn't read, or write, and I just needed to be with my thoughts.

But. I am persistent and expect my posts to start rolling in again. I pick myself up and go forward and get back to doing what makes me happy and this makes me happy!

I will say the plan is on Wednesday but we will see! Thank you everyone for following, reading, liking, and reblogging!

[quibbs126]

Okay, so I think I have some more ideas for that Transformers au, since that was all my brain let me think about during the second half of my shift

It’s mostly just about Megatron and also the Decepticon cause

Okay so first off, I think if I want to make things the way I do, I’m gonna say that the Decepticons are genuinely fighting for equality for Cybertronians, while the Autobots are fighting to maintain the status quo. It’s not necessarily to say all Autobots want inequality, and some are fighting in hopes to build a better future through more peaceful means, but a lot of them don’t really recognize that the system is or was that bad. And there are still bad Decepticons, either those just wanting to cause mayhem or are just looking for a way to better their own status, but a large portion are fighting for change in Cybertronian government

Part of what makes the Autobots the generally dominant force in this conflict is that they’ve got a lot of propaganda going for them and against the Decepticons, including that being why they’re called “Decepticons”. Not everything said about the Decepticons is untrue, they are willing to do less than savory things to achieve their goals if necessary, but the idea that the Decepticons are evil deceivers is largely propaganda

I think in my head, I want the war to be portrayed as an actual civil war and revolution. When we hear about them in history, yeah there seems to be a relatively obvious good and bad looking back, like with the American Revolution and the Patriots and Loyalists, but in the moment, when they happened, neither side was entirely good or bad, and there’s reasons as to why people stuck to one side or the other, because they were people, not entities with a singular shared ideal

The French Revolution might be a more accurate comparison to the Cybertronian civil war, but also I grew up in America so the AR is my big frame of reference and I don’t know much about the FR other than it being semi inspired by the American one and having a lot of execution. But you get what I’m saying regardless

But also if we want the idea of the Decepticons being “evil”, well you gotta probably add some propaganda to explain why that’s how they’re depicted

Optimus is someone who just wants peace and is genuinely a good person, but he was also raised on Autobot propaganda and was never in a position in life where he would have particularly suffered the system (though he probably did still have hardships, I just don’t know what). Throughout this story he learns to see the truth of the matter more

Meanwhile, back to Megatron, the person I meant to be talking about

Okay so I’m thinking that he’s from a colony or city that was at the bottom rung of Cybertronian society, though I haven’t decided particularly what his job was. It might have been a miner and/or gladiator (I’m debating gladiator to have that be a reason he’s high up in rank), but maybe I should do something else

But anyways, I haven’t worked out the kinks in his backstory, but his birthplace was under control of the Autobots, and he became emboldened by the ideals of the Decepticons and their leader (who at this point I might just make Galvatron), and ended up leading an uprising alongside his fellow bots to overthrow the corrupt leadership in their home, and being successful in this attempt. The Autobots were planning to launch a counterattack to reclaim the area, but the Decepticons caught wind of the uprising and managed to get there first, leading to the place becoming Decepticon territory and being under their protection

While not everyone involved decided to join the Decepticon rebellion afterwards, plenty being content to just have their freedom, Megatron decided to join with them afterwards, wanting to bring their cause to even more places amongst the galaxy

Megatron was a powerful bot, and one with a lot of guts and courage, and he has some skill in leading other bots, which led to him becoming a Decepticon commander. He’s also extremely loyal to those who’ve earned his respect

However his main flaw is that he is deeply emotional, and as such has a tendency to let his emotions overtake his logic and common sense, and that’s when he tends to fail and make the wrong decisions. This tends to particularly be a problem because his main emotion is anger

This is exactly why Starscream ends up getting assigned to Megatron as his second in command; Starscream may not be the most upstanding bot, but he’s very shrewd and very flexible with his circumstances, always looking for a way to come out on top, not letting grudges and emotions get in the way of things. Couple that with his extensive military experience and he was considered a good fit for Megatron, with the idea the two could even each other out

Speaking of Starscream, I’m flirting with the idea he may have at one point been an Autobot, but eventually switched sides alongside his squadron, but that’s neither here nor there

Anyways back to Megatron, he tends to judge people based on their character and direct actions rather than their skills and accomplishments. It’s not to say he can’t work with someone who’s highly skilled but an asshole, he just won’t like them

You’d think this means he’d be able to make peace with the Autobot squadron relatively quickly, but he has a deep hatred for Autobots (probably backstory related but again I don’t know the specifics) that tends to override that idea of judging by their character. Over time he also learns to let this hatred of the Autobots go, particularly because of Optimus as he sees the bot is genuinely good and wants to do what’s right

Also with that, I’m thinking he and Optimus have no prior connection, only meeting now at the time of the story. They probably knew of each other, but had no prior personal relationship

So basically they get enemies to lovers instead of the divorce arc. Well I mean, I’m not sure if they end up together, maybe one or both of them have other people they date. But you get what I mean

And yeah, I think that’s about it. I should probably go do homework now in all honesty