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#also just in case someone doesn't get it HENry
definitely18 · 2 years
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fideidefenswhore · 3 months
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[Henry] had asked Lady Shelton whether Mary [was] persisting in her obstinancy. Hearing that she was, Henry became certain that she was being encouraged by secret communication from Katharine. Lady Shelton thought the only possible messenger was Mary's chamber woman. In this she was correct. The maid had been smuggling letters in and out. She was dismissed, as was Mary's confessor, to be replaced by one whom Chapuys characterised as 'Lutheran'.
The King’s Pearl: Henry VIII & His Daughter Mary, Melita Thomas
#as i'm going through this refresher in tandem with reading weir's new novel...#she actually writes shelton as being the one that managed to get her mother's letters to her into her hands#even for fiction that feels...far fetched#ostensibly someone had to be getting her letters from chapuys as well; even chapuys reports at times#that he doesn't know how it's possible she's getting letters out to him#but i doubt it was either of the boleyn aunts here#nor margaret bryan; anne's maternal aunt#even the interpretation that anne was a nonentity by this point and had no clout; basically#would not bear this out; if they didn't fear anne then they certainly would've had reason to fear henry#and i doubt they would've circumvented what he ordered#until after jan 1536 (where shelton is allowing visitors from chapuys bcus she's been sent gifts) this just does not seem to be the case#melita thomas#(also had weir been more faithful to primary sources. then this interpretation would mean shelton threw this chamber woman under#the bus...which she did; but in her rendering it would be to save her OWN skin#rather than at great personal risk which is what she#portrays; for the construction a sympathetic character in lady shelton)#i also think there's a question of agency on this unnamed maid's part that i don't really ever seen given space...#insofar as the hierarchy of privilege etc#was she actually willing to risk her income to do this? that's generally how it's portrayed#but it's just as possible that she felt constrained to do so bcus mary; despite her demoted status; was obviously her superior#even if not her employer#not to mention after being dismissed for such a reason; it's not like she was going to get a reccomendation to another household#it's fair to talk about how both coa and mary were placed in these hostile environments but the hostility and tension#those placed as their servants (not those that had chosen to be there; like elizabeth darrell for coa)#is again...not given the same space; generally#it was probably very frustrating to serve two highly privileged women that refused to answer or look at or acknowledge them#because they were addressing them as the law required.#you can imagine the eye-rolls of the servants which coa called 'gaolers'. since. yk.#a person of a servant's status was likely to have a friend or relative that spent time in an *actual* jail cell. if not themselves .
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maniculum · 2 years
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200 13th-Century Names
I've made a thing and thought others might be able to get some use out of it. If you just want the d100 tables, scroll down to the cut and skip my rambling as to what this list is. Short version, it's a d100 table of male names and a d100 table of female names, taken from 13th-century English records and trimmed to minimize names that were used within the last 140-odd years.
While working on my Dungeon23 project (updates collected here, by the way), I was looking for names for my NPCs, and stumbled upon the Henry III Fine Rolls as a source. This is a digitization and indexing of records from 13th-century England that include a lot of personal names. It contains references to a database they made that sorts these names by popularity and other factors, but the database apparently hasn't been maintained, because it's gone. For a while, I was just picking names from articles about that database, but I started to worry I was going to run out (due to my tendency to name any corpses of dead adventurers in the dungeon just in case someone likes to cast speak with dead). So I went to their index of names, which is great if you're looking for a specific person, but not useful if you just want a list of personal names, and decided to use their data to make a couple d100 tables for myself.
I went through the index and typed all the names into a spreadsheet. Then, to give the list a more medieval feel, I sorted them by how often they appeared in the Social Security Administration's data on baby names. (I know that's a bit US-centric, but to my knowledge there is no global database to use for this purpose.) Then I removed all the ones that appeared most often on the baby names list -- I figured if you were rolling on a table of medieval names, you'd be a bit disappointed if you got "John" or "Mary". (Incidentally, the following names appear both in the Fine Rolls and on the SSA's list of the top 10 (male and female, so 20 actually) baby names for 2021: Emma, Oliver, James, Ava, William, Isabella, and Henry.) I used the data going back to 1880 for thoroughness.
In the case of male names, this meant I was able to remove all the names that appeared in the SSA records. So the names in that table were (probably) not used at all in the U.S. between 1880 and 2021. (The SSA apparently doesn't keep records on names that appear less than five times in a given year, so it's possible there were a few of these guys around, but not many.) This is because, as you may expect from medieval records, there were more than twice as many male names in the records as female names, so there were more left over after cutting the ones that appeared in the SSA data. So twenty of the female names on the table were also used in the US since 1880, but not often.
I did not make any effort to sort names by etymology, so the list includes French, Welsh, Scandinavian, &c. names, not just names that have an English origin. Multicultural, for "pretty much just one quadrant of Europe" values of "multicultural". I don't think that should break anyone's immersion or anything; medieval people traveled around more than people tend to think.
Speaking of breaking immersion, I also cut the following names off of the list because I thought they might be distracting to your players if you randomly assigned them to an NPC -- or to your audience if you use this to name characters for a writing project. I'm not going to say there's something wrong with these names, just that they're the sort of thing you would want to only deploy on purpose:
From the male names:
Cok
Flourecoc
Hammecok
Marmaduke
Odo
Vivian
From the female names:
Cuntessa
Cuntus
Licorice
Also, to note, I've kept them separated into 100 male names and 100 female names because the source data was pretty firmly entrenched in the gender binary. Obviously you can do what you want with your characters' genders, though, and if you want to completely ignore the division, feel free to combine them into a single list and roll a d20+d10 for a d200 table.
Anyway, without further ado, the tables (or, well, lists numbered 1-100) are below the cut.
d100 Medieval Female Names
Acilia
Albrea
Alcis
Aleys
Alveva
Alvona
Amabilia
Amice
Amphelisa
Angaretta
Annora
Antigonia
Anura
Argia
Arniun
Ascelina
Aude
Avegaya
Avice
Barbata
Basilia
Belasez
Belina
Bertrada
Blitha
Bruncosta
Burgia
Celecestra
Claremunda
Clemencia
Comitessa
Constantina
Cundya
Custantia
Dervorguilla
Desiderata
Duva
Edelina
Egelina
Egidia
Emicina
Ermengard
Ermintrude
Escilia
Esterota
Eustachia
Fluoria
Frethesenta
Genta
Goda
Godelina
Godina
Goditha
Goldcorna
Goldina
Guinda
Gundreda
Gunilda
Gunnora
Hawise
Huwelina
Idonea
Imayne
Imenia
Isolda
Ivetta
Kamilia
Langusa
Laurencia
Lesianda
Letewaria
Liveva
Maciana
Mariota
Maszelina
Meisenta
Melcana
Nesta
Nichith
Olencia
Olenta
Oriolda
Osamunda
Pavia
Pelaga
Petronilla
Phillipa
Quenilda
Sanchia
Sapientia
Sarotha
Scolastica
Sigerida
Sinolda
Slima
Theophania
Wulveva
Wymarca
Ymanea
Yselia
d100 Medieval Male Names
Alard
Albric
Alfwyn
Algrym
Alnothus
Amauvin
Amfrid
Anessans
Arnewic
Arnulph
Ascelin
Asketillus
Astun
Avenel
Azus
Baldekin
Bonefey
Chernon
Costericus
Cradoc
Deodatus
Deulecresse
Deulobene
Eglinus
Ellemus
Elvered
Engelard
Engeram
Ernisius
Ernulf
Everwin
Ferrand
Fraricus
Fulk
Galerand
Gemmion
Gernegan
Godebrich
Godescallus
Gruffydd
Gundwin
Hagin
Halengrattus
Hasculph
Heinfrid
Heltonus
Herlewin
Hermer
Ilger
Imbert
Innorus
Isenbard
Joldwin
Jollan
Jukell
Jurninus
Ketelbert
Lefrich
Lefwin
Manasser
Mauger
Meredudd
Meuric
Mosse
Odard
Odinell
Orm
Ranulf
Ratiken
Reinfrid
Rochulf
Roscelin
Ruellus
Runcinus
Salekin
Samariellus
Savaric
Selvius
Serlo
Terricus
Thoreword
Tollanus
Turgot
Turkill
Ulf
Ulfketell
Urricus
Vivard
Waldethus
Walding
Waleran
Walkelin
Wandregisilius
Wicmannus
Wigan
Wischard
Wurmund
Wybert
Wymarc
Wynan
So yeah. There you go. For your TTRPG or writing project. Knock yourself out, let me know if you do anything cool with this.
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stitchedcosmos · 4 days
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Abt the Orcatstra stuff
TLDR: I've looked through their posts as well as others and I can't find any proof they did anything wrong. Orca making NSFW art, saying they don't like a ship and blocking people who like that ship is completely normal and you shouldn't take it personally.
Long ver:
People in the DSAF fandom (mainly Tumblr) are freaking out about a take Orcatstra made on shipping Jack with Harry, Jake and/or Rodger, allegedly harassing people who ship them, one case being running a 14/15-year-old off the website and making NSFW art, mainly gore.
About the ship: I think Orcatstra's take is completely understandable. "Oh but the phone can leave" and "Oh but he treats them well in the Good ending" doesn't matter. At the end of the day, whether he treats them well or not is completely irrelevant. Jack can choose at any time whether they live or die. When he fires them, they get murdered. He has power over them and that is a power imbalance that a lot of people are going to be uncomfortable with. In cases like Dave, Matt, Steven or Henry, if things don't go well between the two, they have the ability to leave with no fear of something bad happening to them. The phones on the other hand, could get fired (die) if they're not on Jack's good side with just a simple phone call. Even if they left, they literally mention Afton Robotics hunting down escaped phone guys and a simple phone call telling AR one's gone rouge is all it takes. Doing this after getting pissed off by them or whatever, is completely in character for Jack to do (especially legacy). People bring up that Jack treats them well in the good ending but how about all the other routes? Especially in the Legacy routes, Jack treats them like shit and actively uses this power imbalance against them on multiple occasions. People bring up Davesport as a retort to this, bringing up how utterly devoted Dave can be, but Dave when treated like this usually fights back or distances himself away from him, neither is something the phones can do without fear of getting killed. At the end of the day, it all comes down to how you headcanon Jack to act, but the power imbalance is definitely enough to put a lot of people off. Also, as a POC myself, I don't think them saying it felt like "Owner x Slave" to them, was racist.
About the blocking: Blocking people is something people are allowed to do for whatever reason they like. If someone posts content you don't like, the normal response most people have is to block them. Whether you feel the block is "deserved" or not, doesn't matter. Hell, sometimes I block people over a single post or comment they make because I simply disagree with it so much. Blocking people is completely okay under literally any circumstance.
About harassment: I have found no proof of this. Seriously. I've looked through multiple people's accounts, including Orca's and have found nothing. I'm even seeing people ask for proof and being told the person has none. the dsaf confessions account keeps getting brought up as proof of someone who got harassed but looking at both their posts and Orca's, from what I've seen, no harassment happened. From what I can tell, all of this is a complete misunderstanding where Orca talking about not liking the account got interpreted as Orca bullying them. If they don't like them and want to post about not liking them, they have the right to do that.
Edit: Just remembered this so I’ll quickly add it now, people are shouting at orca 4 “harassing a minor” but they’re a minor themselves.
About NSFW: They're allowed to draw it. DSAF is an NSFW series and therefore has A LOT of NSFW topics, subjects, scenes and characters in it. If someone wants to draw that, they have the right to. If you don't like it, block them. Some people are saying they should tag their gore art and while I personally agree with that, if they don't want to, they have every right not to. It's their blog and if you don't like it, just block them and move on. "But what if a child sees it" on Tumblr, you can only see what you search up or are personally interested in, a child shouldn't be looking at DSAF-related content in the first place because, again, it is an NSFW series.
Overall, my thoughts on the matter are... *drum roll*
It's not that serious and the block button is free. If you don't like someone, what they're doing, what they're posting, block them. It's that simple and getting blocked doesn't mean anything. This situation, as well as others like it, are making me fear that most of you aren't old enough to even know what DSAF is, let alone be in the fandom.
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zeroducks-2 · 5 months
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Do you really think reverse flash is in love with Barry? I don't mean for this to sound snarky I'm just confused. Thawne killed Barry's mom how can you say he's in love with him? I like all the things you post and rb about them I really enjoy the ship. I just don't get it can you explain?
The question "how can Eobard be in love with Barry if he hurt him" has both a short answer and a long answer. The short answer is that people are very much capable of hurting the ones they love, on purpose or by accident.
The long answer is that Eobard is a deeply disturbed individual who has never been the recipient of love, and because of that and of many extremely traumatic events (including but not limited to being brainwashed in prison, being trapped in a timeless limbo alone for years, being tortured and treated like cattle and put in sensory deprivation for ludicrous amounts of time, dying at the hands of the only person who had ever shown compassion towards him), he has a skewed perception of a lot of things and is extremely bad at emotional regulation.
Moreover, and this is something which is easy to overlook but it's actually very important, Eobard is not human. His actions are informed by his traumas, but the way he approaches pretty much everything (including his "problems" with Barry) isn't done the way a human would.
Eobard is a timeless, deathless creature which embodies one of the driving forces of reality itself (the Negative Speed Force). He lived probably more than a few hundred years considering how he keeps running around through time doing stuff, and how he keeps going back to watch past events and adjust the way he will interact with the timeline next.
He knows the huge impact that killing Nora will have on Barry, but from a moral and ethical standpoint it's not a big deal for him. Nora is less than a speck in time, an NPC who served her role for that briefest moment in which she existed. She is a big deal because she is a big deal for Barry, not because she's meaningful in any other way.
"But then he did want to hurt Barry when he killed her" Yes, absolutely he wanted to. Eobard didn't "just" kill Nora Allen - he went back in time and changed everything about Barry's life, made it so he had no friends, made him grow isolated and insecure and shy, lacking confident in his abilities. And he did it because he is very, VERY angry with Barry for one, and also because isolating Barry makes it easier for them to grow closer.
And it worked! Back in the Silver Age, when Nora and Henry were alive and not in prison, Barry couldn't be bothered with Eobard. For him Eo was just a random criminal with superspeed, and sure he was threatening because speedsters always are, but not that much of a big deal.
Now? Now Eobard is a primary element in Barry's life, a constant he's had to deal with basically since birth, someone who rewritten his entire life to make himself part of it in an indelible manner.
It worked because now Barry is more likely to fall for Eobard's manipulation, to listen to him, to just accept that he's THERE because he's always been. Near the end of Running Scared, Eobard tells him "run away with me", and Barry says yes.
Back in the Silver Age there would have been no way.
It's worth mentioning that to understand Eobard, you need to understand that everything he does, every single thing, has the end goal of being with Barry. Whether he's trying to protect him or trying to hurt him or trying to manipulate him, whether they manage to work together against a common enemy or they're on opposite sides of the fight, every single one of Eobard's actions is motivated by love (his personal, inhuman version of love).
"But if that is the case, then why doesn't he just tell Barry 'I love you'?"
Two reasons, and one is meta.
The in-story reason is that every time Eobard tried to do something good without masking it as horrible, it went sideways and backfired spectacularly - mix that with poor emotional regulation, and you have someone who's not going to be able to handle rejection and is outright scared of doing good things openly. I think if he told Barry "I love you" and Barry reacted badly it would hurt too much. Also he wants Barry to understand, and thanks to a couple of competent writers who sadly don't work on Flash anymore, we were getting there.
The meta reason is because DC is homophobic, plain and simple. Eobard DID SAY I love you many times except with words, because DC editorials won't let him. That's it. It's the same reason why Joker can't tell Batman "I love you" and has to do weird ass word plays and even more weird ass attention seeking maneuvers. They're stunted by reasons which no one but DC itself can control.
So in short. How can Eobard be in love with Barry and hurt him so much at the same time? Because he doesn't have many ways of express love, he has a hard time being caring, and every time he allows himself to be soft it backfires. Because he wants Barry to belong to him and will isolate him and make him suffer to get there. Because he's angry with Barry -- Barry hurt him too, rejected him and left him alone and refused to accept that Eobard is his lightning rod for a long time.
Eobard easily lashes out when he's hurt, and the less grounded he is the more vicious and violent he turns.
"But Zero, how can Eobard think that Barry will ever forgive him for having killed his mom?"
I don't believe Eobard was ever looking for forgiveness, but fun fact. Barry did forgive him already. Barry is not human either, and at this point I think he'd forgive Eobard just about anything, and despite how difficult everything is between them, he really wants to get to a place where they don't need to hurt each other.
The problem with this, and it's one of the reasons why they have so many issues communicating, is that Barry is in denial about many things - about being the Speed Force, about Eobard being in love with him, about how they're two constants through time and two sides of the same coin and basically can't exist without each other, about how they're each other's lightning rod.
Their relationship is very complex, absolutely not what it looks like at first glance, and it's colored by all the hurt there is between them. But again, ultimately understanding Eobard is understanding that love is what motivates him, even when he does the most horrible unhinged things.
In conclusion, have this panel from The Flash Age which is one of my favorite Flash comics, in which you can see the way these two manage to trust each other and fall into the right rhythm, despite the oceans of misunderstandings and suffering between them.
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Pages from The Flash Age, by Joshua Williamson. In which Barry tells Eobard to "do the right thing", and Eobard just does it.
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poopingonthefloor · 1 year
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Davesport is Toxic NOT abusive
(((WARNING: PRETTY LONG POST UNDER THE CUT.))) I've seen some people making the claims that Davesport is comship/proship (ok well i've more seen people bitching about it) and im tired of the Davesport slander so this will be an analysis of their relationship. My motive isn't to force anyone to ship it or anything- i really dont care what you do with your life, my frustration is just when people try to make up REASONS why they don't like the ship, even though its literally canon (and not badly written). My main point is -- You can hate what you want. You don't need a reason, and it doesn't need to be bad just because you don't like it. But I will not take any slander on their ship nor any slander of people who like davesport. Davesport is absolutely toxic-- No DSAF fan would disagree. They are literally child murderers with little to no souls and literally are physically disfigured to the point they don't have the capacity to feel proper humanity anymore. You cant expect 2 men who live their lives willingly murdering and then partying in vegas to celebrate on repeat to be gentle and kind to themselves or anyone else.
However, its NOT abusive. I've seen multiple people (mostly from twitter screenshots) claim that Davesport is abusive or the way people portray it is in a fetishy or romanticizing way of abuse, when that's just not the case. I don't blame a lot of people, since a lot of it comes from reading context and intent of the artist, which not everyone is good at-- BUT I'm here to assure you that MOST people don't intend to do that much and just like to portray how their dynamic is canonically like or portray Daves obsession with Jack. Another argument I've seen (by a twitter screenshot...) is that people are comshipping Davesport because people draw Jack annoyed a lot at Dave when...thats not true? That's just Jack's personality, first off:
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(From the Dave x Reader fanfic by Directdoggo)
"Jack is a bastardman not very touchy-feely. We can see this in many scenes, where Dave more or less says “I love you” and Jack responds with deflecting humour, or outright scorn. When Dave says it for the final time, this time, Jack tries to say it back, but can’t outright, only getting out: “Why is this so hard?” and “I hope you can find peace with what you’ve done.” Which Dave understood the meaning of. (Hey, better than Henry (LEGACY Jack) hearing “I love you” and proceeding to tear Dave limb from limb, huh?"
(Directdoggo describing Jack's personality)
I know it can be a little confusing to some people, but as someone who struggles with similar issues, just because he struggles to express intimately doesn't mean he can't love anything. Sometimes people are just different and communicating like that doesn't come as easily, even to the people you're closest to. To make it as easy as possible to comprehend-- He's quite literally a tsundere. (Minus the exaggerated ridiculousness in anime) He loves Dave, he just cant bring himself to say or act like it. The dismissiveness or rudeness in response to Dave's affection is not abuse, it's just a defensive response since he doesn't know how to say it back. (His way of being "shy") -- Also note its important that Dave UNDERSTANDS this about him by that point.
However Jack isn't the only thing I've seen regarding the claims that their ship is abusive-- and to debunk all of those I'm going to explain the three points that keep Davesport from being abusive, and I'll use Henry x Dave (which is what I'll call it to prevent it getting confused for FNAF willry) as an example alongside it since its super obvious why that one is messed up. Firstly, They are both bad people. By this point, Dave and Jack are murderers. It's just not surprising that they will be willing to kill each other at at least some point, considering they are willing to kill 5 year olds without remorse- and they'll both deserve it. It's only their own faults that they teamed up with the other, and it's meant to be the ultimate irony when Jack becomes even worse than Dave by "An ending". My point is- they're bad people. It's not like they're owed perfect company or would choose wholesome people to hang out with when they're literally both child murderers. Dave wasn't evil and didn't want to kill by the time he teamed up with Henry (and even after it was Henry's fault), so by that point his suffering was absolutely undeserved.
Secondly, They're lacking any specific power dynamic. Unlike Henry and Dave- whom have several levels of "Age, Father figure, and Employer", the most important one is that Henry is Dave's abuser. He manipulated him and purposefully harmed him both mentally and physically, whereas Dave never had any intention of doing either because Dave loved him and didn't want to lose him (because he had nobody else) This obviously much different with Dave and Jack, whom other than being taller and several years older than (which you can argue their 6 year age gap is weird but they didnt get to know each other till they were both older than 30 so by that point age difference doesnt rlly matter and (also theyre "mentally" like 24 and 22 canonically anyways (as much as I usually hate that argument)) Other then that they are only co-workers. This is a bit more arguable during DSAF 1, where Dave comes across more threatening and comes across like he's manipulating Jack, but I don't exactly count that because I wouldn't say theyre "shippable" or in their "situationship*" by that point (but also because them even being a ship was barely considered by the creator at that point obviously)-- whereas Dave is certainly more easily recognized as sincere to Jack in DSAF 2. Jack also is not someone who is afraid to defend himself against Dave, as shown by the fact he's willing to call out Dave's ridiculous behaviors (which is reasonable of him to do).
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(Also from the Dave x reader fanfic) (I just think this specific screenshot debunks any sort of "power dynamic" claim)
My Third and Final point: There is a CHOICE involved I haven't really done much Dave defense in this post, but his defense is very simple: He is literally physically unable to comprehend guilt or conscience. Dave didn't want to murder anyone in the first place, but it was Henry who fucked with his (literal) head so much to the point he stopped being able to feel guilt. He doesn't care about murder and doing wrong because he CAN'T care. You can't really let that reflect Dave as a character when he's really not in control of himself in the first place. Now with that, that doesn't change the fact he could certainly affect and hurt people, and it's fully up to Jack as to whether or not he wants to deal with this purple man's freakish life choices and hobbies or not. And that's honestly super dependent on the ending you decide to base Jack on. Most people see the 'canon' endings to be: Gnarly ending (DSAF 1) -> An ending (DSAF 2) -> Good ending (DSAF 3) Where in all of these, Jack DOES choose to deal with Dave and basically is completely cool with murder. You don't have to follow those endings if you don't want to, but that's just typically what the modern "Davesport" is known for, but its what I'm using for my defense (considering this is a defense of both fandom and canon Davesport.) Though as opposed with Henry and Dave- Dave had no choice. Henry only ever manipulated him into thinking he did, and Henry made sure to feed this whole 'we will be a family' ideal into Dave (who never had one) so that Dave would be terrified to lose him. Jack never manipulates Dave (when teamed up with him), and Dave never manipulates Jack (tho arguable in DSAF 1 as well). They stay with each other despite all of their issues, and I believe its due to some co-dependency (imo I think Jack is also obsessed with Dave just in a different way before DSAF 3) Which isn't healthy, but not...inherently abusive.
I believe my main three points kind of cover the most of why I dont consider Davesport to be inherently a bad ship, but like I said- if you don't like it, none of that matters anyways. You dont NEED a reason to like something, and I wont try to convince you why you should ship something because I like it. Just don't hate it just because of what someone else says-- 90% of the dsaf fandom aren't comshippers, and Davesport isn't gross or "toxic /neg" just because it's not healthy. I think "Don't fetishize/romanticize literal abuse like its normal or sexy" and "We should explore more complicated and unhealthy dynamics" can and SHOULD coincide with each other!!!! I think Davesport is great because of how bittersweet it is that these two people finally found solace and acceptance in each other but couldn't get past the self-sabotaging nature of what Henry turned them both into, ultimately making it impossible to work out forever. I think embracing the Davesport makes the (kind of aged) trilogy a lot more enjoyable of an experience and I DO encourage any davesport skeptics to keep an open mind. [Pretend I wrapped this up super nicely I can never do that--- Also this is open for conversation and/or debate, and also yada yada my bad if i said something randomly terrible I have extremely poor social skills lol let me know so I dont do it again yada yada] *Also if anyone doesnt know a situationship is (at least in the context im using it in ive heard other definitions for it but its not a real word so i actually dont care) when 2(or more) people basically treat eachother like lovers but they never communicate this outright and dont technically officially date but like they treat and commit to eachother like a partner would) (So its kind of what all those people who playfully flirt and call each other their spouses as a commited running joke are in)
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chronicbeans · 1 year
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okayokay I really wanna know some headcanons on what it would be like if puppeteer reader never got knocked out and wally never tricked them and they now just have to deal with wally being part of their daily household life in the real world 😭
Yippee! Okay, so I think this is how it would go...
Wally Darling Living Life with a Puppeteer Reader in the Real World:
🏡 You better be ready for some chaos. In this world, you probably decided not to even threaten Wally with burning. He probably managed to, somehow, convince you that he will be good from now on. He truly means it, too! The problem is... He doesn't understand what humans can and cannot take.
🏡 You see, as an example, he'll probably be confused about what you are doing with your mouth and that piece of food. Puppets don't eat. Well, Wally does, but he eats with his eyes. He just kinda... Stares the food into nonexistence. So, when he hears that humans, like Henry, Angela, and yourself, need to chew and swallow? He is amazed and wants to try so himself! This causes him to get peanut butter and jelly stuck in his felt for about a week.
🏡 When you begin working, again, you realize that Wally can't come home with you. You put him in the tote, telling him to stay put. However, when you get in your car, he is somehow already in the passenger seat and ready to go back to your place. Your boss keeps asking you where he goes, but you just tell him you don't know.
🏡 Wally's voice actor (who I actually have a draft in the works for information on my version of them), Eddie's puppeteer, and everyone else who was present at the night of the incident will avoid you because Wally is ALWAYS close to you. They're smart people, and Eddie's puppeteer saw with their own eyes that it was him. They all know that Wally is a threat that is not to be trifled with.
🏡 Angela is probably going to be tormented everyday by just the knowledge that Wally is alive. She'll never get over it. The only small thing that makes it better is that she gets to see Henry make a friend. They ended up making up for Wally breaking into her room, so now Henry and Wally are constantly hanging out whenever you aren't around. She also likes the fact that Henry has someone else to look over him if you ever get sick.
🏡 The one downside for Wally is that, because he never really gets any sleep, he is going to be getting more and more tired. He can get a little sleep whenever you are there to watch over him, though. Especially if you hold him like a stuffed animal while you sleep! He will be out like a light switch if you do that.
🏡 Wally will have some sensory issues. His neighborhood is all soft and plush. He has tried to describe it. The most he can really say is that it is like all your senses are muffled. So, when he is in your world, everything can just be too much at times. When he gets like this, you'll most likely find him in your room, rocking back and forth a bit or scribbling aggressively on a piece of paper with any writing utensils he can find, not really drawing anything and just doing so to move his arm in a soothing manner. In those cases, he likes to have you give him a tight hug to ground him. It reminds him of the ones Barnaby gives him when he is in the neighborhood, actually. Just not as fluffy.
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half-oz-eddie · 7 months
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I am so utterly obsessed with rag-tag team heist movies so I made a Stranger things heist crew AU roster
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Steve "Moneybags" Harrington's heist crew used to be a team of 2, the other being Dustin "Phisher" Henderson. Steve was the only person Claudia Henderson trusted to look after her son, and as Dustin grew older, the two of them became close friends.
Steve watched Dustin hack into all sorts of databases, uncover the truth behind town conspiracies and even hack a few of his bullies.
When Mr. harrington cut Steve off financially, he wanted to get back at him, and pull a "prank" with Dustin to empty out an offshore bank account that his father kept hidden from Mrs. Harrington.
The plan went smoothly. A little too smoothly, maybe. Or perhaps Dustin was a natural at this, that's what Steve believed. And since it was that easy for Steve and Dustin to get their hands on $1.5 Million, they decided to take their pranks to another level.
Steve proposed for their next prank, they should clean out one of Mr. Harrington's friends' cryptocurrency. He explains to Dustin how the asshole keeps his assets on a physical drive in his house that they could wipe while he was away on vacation.
Dustin agrees and suggests they bring Eddie "Safecrack" Munson into the fold. He tells Steve Eddie's trustworthy and knows how to pick locks and hotwire cars, y'know, just in case.
Eddie, of course, is thrilled by the idea. Not only does he love a little mischief, he'd love to get his hands on some money and a fast car. "However," Eddie told them "we'll need someone to drive one of those fancy cars outta there. We may be good drivers...but we're not that good. But not to worry, I know a guy."
The guy in question? Billy "Wheels" Hargrove. A California bad boy who knows plenty about fast cars and fast cash, so he's in without question. He also doesn't mind hassling pretty boy Harrington. (there's so much sexual tension between them. Billy's the one who gave Steve his code name. He said 'the hair' didn't quite fit.). But Billy's not doing anything unless his stepsister, Max "Sticky Fingers" Mayfield can come in and swipe whatever isn't nailed down for a cut.
They used to have a complicated relationship, but they bonded by shoplifting whatever Billy's dad wouldn't let them have. Max was a skilled thief. She could get out of any store with anything that she wanted, and Billy would drive away like a bat outta hell. She lifted consoles, games and even a little lipgloss, for Billy.
So their first heist goes without a hitch, and after wiping millions in crypto off some hard drives, swiping some expensive paintings and a 2020 Mclaren, they can't resist the urge to plan bigger heists together.
Billy suggests they call up his coworker Heather "Chameleon" Holloway. "She's got more wigs than personalities" He joked. When they brought Heather onto the team, she showed them her massive walk in closet, full of clothes, wigs, shoes and more. Not to mention, she could use her charm and distract anyone. Heather was bored at home, spending time perfecting her hair and makeup skills. She could change her appearance to look like a completely different person. It was all the fun she had. Her mom was always wine drunk, and her dad was a jerk who ignored her because he wanted a son, so she was happy to be part of a team that didn't treat her like she was invisible.
Under normal circumstances, they'd never spend time together, but now? They're an inseperable friend group.
They've made some friends (and enemies) in their line of work, but everyday is an adventure.
They recently took on a half a billion dollar heist job for a mysterious man by the name of Henry Creel, unaware of the dangers that lie ahead...
Tagging some people: @shieldofiron @adelacreations @dragonflylady77 @harringroveera @bigdumbbambieyes
Because I love your writing and I'd love to hear how y'all would include some other characters/ships in the mix. I just love heist AUs so much~
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mulderscully · 3 months
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feeling yappy tonight sorry but one argument that i get tired is firstprince not kissing with tongue in the movie. i find this annoying because it doesn't really matter to me. i think tongue kisses look kinda gross on screen sometimes tbh, but that's me. maybe nick and taylor didn't want to kiss with tongue, but i honestly do not think that is the case (and i say this is in the least rpf way because i'm being serious) because there actually is some tongue in the paris scene, it's just quick and not really prominent. i think they probably didn't use much tongue because they were attempting to avoid an r rating. matthew said he wanted teenagers to be able to watch this etc to me it really feels like they expected/wanted pg-13 and knew that queer movies unfairly get r-rating easier. romcoms honestly rarely have as much kissing and sex as the rwrb movie does even though it isn't explicit but does it deserve an r? i don't think so. but it still got it. so me the lack of tongue is due to that and i wonder why others don't even consider it.
another thing is i feel like tongue is the last thing i really care about when i think about henry and alex kissing. yes, i assume they use tongue but tongue isn't like narratively important per se. and despite the hayescodification of society lately, kissing and sex can and does have a place in a story.
one perfect example of an in character kiss is this:
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if you watch the body language here, and you know the characters, you understand and recognize what is going on. look at how nick is making henry move here: running his fingers through alex's hair, pulling him closer, basically arching his back and the look of yearning on his face. he loves alex and he knows he loves alex, and someone who read the book will see that. a casual viewer might miss it, but it's still part of the character and the performance.
you can read alex's body language too, how he surges up and doesn't know where to touch henry because he wants to touch him everywhere. for henry it's years of quiet burning, for alex it's years of repressed desire. now alex has accepted it and can't get enough. he isn't thinking much about the depth of those feelings because he just likes henry so much and feels free in that understanding.
i think the biggest scene people complain abt no tongue is in the paris scene, but look at this kiss
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they're shaking. they're nervous. they're falling in love.
there isn't tongue because this scene isn't meant to be pcrnographic, it's meant to be emotional. alex has never had sex with a man, and how he's having sex with henry.
henry, who months ago, he was convinced he hated, who he thought hated him, who he was always compared to, who he had an open rivalry, who has become his best friend somehow?? of course he's shaking. and henry is having sex with someone who he loves for the first time, someone he has loved for years and who he never thought he could have and who he thinks will move on and this will have all been his only taste of love before returning to a life of boredom and sadness??? you can see that in this kiss.
it adds to the story.
and there are other examples like taylor using teeth which is a reference to one of the emails, like alex kissing that corner of henry's mouth which is also a reference to an email.
there is insight to the characters in those kisses which is why we always say we can feel the love between them. because we are seeing what is written into the script actually reflected on the screen.
so yeah idc abt tongue 🫶🏼
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roryelijah02 · 8 days
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Carol's hair: a theory and analysis
Warning: there will be mentions of Ed's abuse towards Carol in this post
I will start this post by talking about my inspiration for bringing this topic up and writing this analysis. A few days ago, the character descriptions for The Book Of Carol got released including this one for Carol:
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Within it, there are so many wonderful things. Specifically, things about her relationship with Daryl. Not only does it talk about them being bound by one soul (which is such a beautiful analogy and refers to them being soulmates) but it also mentions how he is the only person who she feels truly safe with and it's this point that reminded me of the theory I have surrounding the topic of Carol's hair throughout TWD and inspired me to share my theory in an analytical post for all of you. So, let's get this show on the road.
In season 9 episode 10, Omega, Carol's son Henry has a conversation with Daryl in which he explains that Carol started out with long hair before the apocalypse and the reason she chose to cut her hair in the first place is because her late, abusive husband, Ed, would use it to his advantage and pull at it before throwing or pushing her against a wall or hard surface. This meant that Carol grew afraid of having her hair longer in case anyone else treated her in the same manner. Henry goes on to explain that he feels the reason why she was able to fully grow it out again is because she met Ezekiel, someone who treated her right and finally made her feel safe enough to grow her hair out again, safe in the knowledge that Ezekiel would never hurt her in the way that Ed has.
However, I don't and never have believed that Carol growing her hair out was to do with Ezekiel and this character description only confirms my thoughts and suspicions to me. I have always thought that Carol growing out her hair was down to her one and only safe person, safety net and soulmate: Daryl.
Whilst it remains short, you can see Carol's hair is starting to grow slightly by the beginning of season 3, way earlier than she met Ezekiel. This fits in with Carol starting to grow her hair out because of Daryl because season 3 takes place just after the farm era - where Daryl and Carol started to become closer with him giving her the Cherokee Rose and looking endlessly for her little girl, Sophia.
Even when Carol is married to Ezekiel, she spends the majority of her free time, when she doesn't have obligations and responsibilities at the Kingdom, visiting Daryl at his camp in the woods, making sure he's okay and trying to maintain her strong bond with him.
Something interesting to note is that even after Carol breaks up with Ezekiel in season 9, episode 16, The Storm, she still keeps her hair long because despite Ezekiel not being by her side anymore, her safety net and soulmate, Daryl, still is. He is the one there keeping her from harm, giving her comfort, making sure she's safe, never turning his back on her, never hating her.
So you might be thinking - why does Carol cut her hair again right at the end of the show in the finale? Ask yourself - if Carol feeling safe enough to grow her hair about was really about Ezekeil, why would she wait until the finale of the show to cut it again? Again, I feel that there is a very simple answer to this - it was never about Ezekeil. So, Carol cut her hair again right at the end of the finale - does this mean she doesn't feel safe anymore? The answer to this is yes but why? Think back for a moment - what happens just after Carol cuts her hair again? - Daryl leaves. Obviously, we can’t be sure where abouts in that last year long time jump Daryl decided to leave or when exactly Carol cut her hair but my theory, that to me makes a lot of sense, is that Carol decided to cut her hair again when Daryl decided to leave because her safe person, her safety net, was leaving her and without him there for her, she didn’t feel safe again. That’s not to say that Carol doesn’t in fact keep all of her badass qualities but the one person whom always been there for her (and whom she has been the same for him), the person who is her rock, her confidant, her soulmate - has gone and that leaves her feeling a sense of vulnerability that, in my opinion, she will not get back until they reunite.
The character description above, particularly where it talks about Daryl being the only person to make Carol feel truly safe, only confirmed to me how much my thoughts are likely correct and I love that. I hope you enjoyed my analysis!
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beeanca-writing · 9 months
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That other anon was being an asshole, but I am curious about what you had planned for EfC? Not gonna lie, I'll miss the cast—would be nice to know what happens to who!
I'm still unsure what I'll do with EfC. I might come back to it once this current period of my life is over, though it'd likely be very different. First of all, it'd be a shorter story. I'd either get rid of some of the ROs, or find some way to better integrate them into the narrative (compare Harry, who you can have this huge, important backstory with vs Val, whom I love but is also just some guy, I guess?). It'd also probably be more focused on romance since that's usually what interests me the most in IF anyway.
I also might scrap a lot of it and stick to the storylines that interest me the most—mainly the Harry stuff. A shorter game dealing with The Hedonist returning to Court and having to face Harry sounds really fun to write, and it'd be a lot less complex to plan than this whole mess. Also, Harry is definitely a more developed character than some of the other ROs. For example, I love Camila to death, but she doesn't have much significance in the story other than "The Hedonist's friend" and I was never able to find her some meaning.
I'd also make The Hedonist even more of a fixed character by getting rid of all personality stats and focusing solely on their actions instead of worrying about personality. The stats were all carried over from CoG, and it's never been something I enjoy in their brand of IF. I was going to do this anyway when I first transferred the game to Twine, but stupidly asked Tumblr what they thought and, since most people preferred keeping the stats, I did that even though I didn't really want to.
As for to what would happen to the cast... In case I do come back to EfC, I don't think this would change much, so I'll put it into a read more in case someone doesn't want to know. If anyone has any more questions, don't hesitate to ask!
Grandma would die. Sorry!
Also, Cordelia was The Hedonist's twin who drowned in front of them, but that was a bit obvious, wasn't it? I'd definitely remove that from any rewrites, it's so unnecessary and cliché.
Henry would divorce Elizabeth to be with Nicholas. The Hedonist could either support him on this or not.
Due to the divorce, the rest of the family would be disgraced in Court. Evie's reputation is a little less affected if she's still with Harry.
As I mentioned in the past, The Hedonist can choose whether to stay in Court or not at the end.
The Hedonist and Evie can repair their relationship or not. Evie eventually makes an effort to become friends with The Hedonist, and you could choose whether to play nice or not. If The Hedonist romances Harry and you manage to have a good relationship, she forgives you, but asks for some time away from both The Hedonist and Harry.
I didn't really plan Camila's character arc well. She becomes a Republican rebel and can either still be friends with The Hedonist or have distanced herself a bit if they continue to be an asshole.
Sabina can choose to no longer be a nun if encouraged either by a friend or romanced Hedonist. If you romanced her but didn't encourage her to leave the convent, she dumps you. (Note: You later find out she was forced to become a nun by her family.)
Similarly to Sabina, Narcissa can choose to break things off with the Emperor if, again, encouraged either by a friend or romanced Hedonist.
Calvin's ending is the wildest one, actually. He finds out he's a father after the boy's mother passes away. The Hedonist can either tell him to abandon the boy or tell him to raise him (if Calvin is romanced, they kind of become a step parent).
Val can be encouraged to start studying to become a librarian. Also, his whole thing is that his father is the Emperor lol
Lastly, horse boy Harry will want to divorce Evie if romanced and marry The Hedonist instead. If you refuse to marry him, he divorces her anyway but doesn't stay with The Hedonist. A friend!Harry stays with Evie, I think? I don't know.
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jamiesfootball · 1 year
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Today on the wheelodex of things I'd like to discuss regarding Mom City / the Finale-
It's fucking weird that Ted's mom didn't come to the match. I also understand it completely.
(And I don't just mean writing weird, although I do think the decision was in part made so that they wouldn't have to spend a whole character-centric episode's B-plot revolve around introducing a new character around. Which is another complaint on the overall pacing of s3, but i digress)
But I'm talking about the 'meeting someone's mom is like getting a manual on why they're nuts' of it all. Ted's mom:
Flew in from the states, without letting Ted know she was coming
Proceeded to stay at a hostel for a week, hanging around 'near' his place for ??? amount of time until he happened to walk past her
Did the 'oh no, I couldn't' dance with him regarding staying with him (conceded)
Did the 'oh no, I couldn't' dance with him regarding going to work with him (conceded)
Did the 'oh no, I couldn't' dance with him regarding going up to Manchester -- and was left back at his flat.
Like. Holy fucking shit. That was all in the span of like 1-2 days.*
This is what Ted grew up with. Someone who constantly refuses to outright ask for anything or confront anything without making it an exercise for the other person. She's so passive aggressive that makes Ted seem like a direct person in comparison.
But what's interesting to me is that when it came to coming to the match in Manchester, that's the one where Ted folded in the towel and went 'yeah just stay here then'. Because that is the antithesis of Midwestern hospitality, isn't it? To leave your guest--your mom--back at home while she's visiting while you go off and do something else, something interesting, for a long stretch of time. It certainly makes my learned southern hospitality shudder in social faux pas. That's just not done. It's rude. Ted does it anyways.
With passive aggression, it's about what's not said--not what is. Both parties tend to know that the person being passive aggressive actually wants the opposite thing. The 'polite' way to tell them 'no' is to pretend you accept what they're saying. Ted's insistence that she tag along is noticeably weaker than when he's telling her to take his bed or come to work with him. It's not that her counter-arguments are any better; it's that he does the courtesy dance in a way that gets him out of the situation by giving her what she's asking for.
So Ted, Ted, does something people could consider rude. Because the alternative is doing this goddamn song-and-dance with his mother again. And I think that's fascinating. Not just from a character perspective, but for how it shows Ted's priorities in that moment. He says it backwards, he says it in an absence, but it's implied all the same, I don't want you there.
His team is facing off against their white-whale. They've been chasing Pep's team and his strategy, and now they're going head to head. If his mom came to the match, he'd be focused on her. On making sure she was taken care of. He doesn't want that.
For him, that's about as close as we ever get to him saying that he wants something (that has nothing to do with Henry.)
Of course then, just like Jamie's dad hovers over him even when he's not there, Ted's mom follows him to Manchester in his head. When Ted talks to Jamie, he's got one foot back in his kitchen at home. He's there, but he's not there. He's talking to Jamie, but he's talking to himself.
And it makes me wonder how often this was the case--how often did he throw in the towel and give her what she asked for because he just couldn't take being the one who had to handle all the decisions. It's a backwards negotiation, making his mother show up for him. She does love him, but god you can see how much strain reassuring her that he loves her too takes.
If I may be so bold, I think Ted also deserved to say 'fuck you' to his mom without attaching a 'thank you'.
*(SIDE COMPLAINT - The timeline of Mom City expands and contracts to fill the narrative space as needed, and it was goddamn infuriating to write about just tell me when things happen damnit)
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peachymilkandcream · 8 months
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My Husband, My Monster|Part 9|William Afton x Wife!Reader
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(A/N: We're getting closer and closer to the end of this series, I'm still not sure how many chapters it will end up being but for now we'll keep pressing forward! Hope you enjoy and comment to be added to the taglist!)
WARNINGS: noncon, dubcon, manipulation, domestic abuse, yandere themes, forced marriage, forced pregnancy, stockholm syndrome, violence, mind breaking, misogyny, etc.
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Thankfully the next funeral William had to go to wasn't that of someone he cared for. Now it was Henry's turn to feel the pain and loss he had, poor little Charlie, dumped in the alley, strangled but with no suspects to be found. What a sob story. But when his child died the world didn't care for the innocent life snatched away too soon, no they cared about the chance to drag down his name and his life's work. My how different they were.
Granted it had been William's own fault, his drunk escapades rendered him useless to think. Therefore Henry found the body before he could bury in launch an investigation. So far he couldn't be linked to anything, the cameras outside of the building had always been sketchy at best. And it could have been any old tie that killed her, his was normal enough if they found any fibers it couldn't be linked to him. He was free. Although he couldn't shake the uneasy feeling that Henry suspected it was him. Their relationship was never good, but now it was on a new low. Glares and whispers replaced civil conversation, they were both biding their time.
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Months passed, Charlie's death had been officially branded a tragic random act of violence and the case was closed. Law enforcement after some time give up when it's not an open and shut case. Millions of tax dollars for this kind of justice. William didn't mind, lazy cops meant more fun for him.
His home life had never been better. His beloved wife was developing nicely, and she seemed to have come around to his behavior. She let him control more and more aspects of her life, where she went, how she dressed. The list went on and on. Her showing pregnancy also helped to limit the amount of time outside the house she could spend. And since his true personality of absentee husband did nothing to control her moods his newest role as caring husband who dotes on his pregnant wife seemed to work wonders on her pliable mind.
His son was still a handful, haunted by what he had done to his brother. Michael had gotten into a habit of sneaking out to find distance from the space that once held his younger sibling, it was driving his mother sick with worry. With a child on the way the less stress the better, so William agreed he would talk to the boy and try to ease his guilt. Trips to the now closed diner that killed his brother had it's intended effect. Michael, seeing the dried bloodstains and rotting animatronics plagued his mind with nightmares. Nightmares that they were coming after him now, William could hear him crying in his room with terror, lights left on so they couldn't come to get him. He learned to stay indoors in the dark.
The Afton family was growing and thriving, William had intended for them to forget at least a little of their recent loss, he wanted to be the bearer of their sorrows, so they would love him as much as he loved himself. They were flying high and nothing could bring them down.
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"Scrapping Spring Bonnie?" The outrage was impossible to conceal in his voice. "That was my character, he's what started this whole business!"
"We already have another Bonnie, so your suit doesn't fit William." Henry didn't even give him the decency of eye contact.
"Then he can be a floor animatronic, you can't just get rid of the original mascot-"
"To tell you the truth William parents are afraid of it, since that suit and Fredbear had the same mechanical system parents are hesitant to bring their kids near so there's not a repeat of the accident."
"My son has a name, Henry. He's not just "the accident"."
Henry holds his hands up calmly and apologetically. "Alright, I'm sorry. What tragically happened to Evan makes parent's warry to trust our animatronics."
"The kids loved it!"
"True but they can't if they're not coming since parents are so concerned."
"So what, I'll just hide away in my office like you from now on?"
Henry scratches the back of his head. "About that-"
"You're joking-"
"Listen William, out on the floor your behavior is...eccentric. And I think it's too much for the kids."
"I'm a partner to this company shouldn't I have a say what I do?"
"Technically William I own most of it. I could buy out your shares in an instant."
"So you get to push me around."
"I hate that you word it like that but yes."
William scoffs. "I can't believe you."
"Believe what you want." He turns around in his chair. "I'll expect that suit to be in parts and repairs by the end of the day."
William storms out, fuming with rage. How dare he? He was just reacting to his dead brat. Children mean so much to him yeah? Well lets see what he'll do next. For weeks that insatiable thirst for blood plagued his every sense. No longer. He'd oblige that craving, indulge that urge. If William couldn't run the restaurant like he wanted, he'd burn it to the ground.
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Choosing the victim wasn't hard. Birthday parties at the Pizzeria always meant a lot of commotion and confusion, the little blonde girl just happened to be all on her own. He recognized her, Henry had given the girl and her family permission to hang up missing dog posters in the door window since he cared so deeply about children's happiness. The stupid girl even gave him bait with which to lure her into the backrooms.
Henry wasn't here today, no one would notice the security cameras being tampered with. They wouldn't see him putting on his favorite suit since the parts and service camera busted months ago. It felt like home, smelled like home. He remembered the first time showing his wife his disguise and how she had laughed at "how adorable he was". Now she was at home caring for their newly born Vanessa, probably hoping he had a good day. Good, he had become very fond of the woman he vowed to spend eternity with. He'd hate to lose her over something like this.
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His approach started subtly, just another mascot approaching a seemingly depressed child to cheer her up. He put on his best cartoon voice and offered her a balloon animal dog.
"Hey there miss, I couldn't help but notice your frown. What's wrong? Parties are no fun if you're sad." It was corny and made him cringe, but it always had a response with the kids.
"My dog, he's missing."
"Aw, well I am so sorry to hear that. But wait, is that your dog in that poster?" He points, a part of him wishing this was over so he could at least talk like an adult.
She nods, making him grin under the mask. "Good news! I think I saw that same dog in the back of the Pizzeria."
The way her eyes light up almost causes him to laugh, so gullible and naïve. Believing everything anyone says, she almost deserves it coming. "Really!?"
"Come with me!" He offers his large hand, having her take it as he slowly and surely leads her into the parts and service room, keeping his grin hidden and excitement in check.
Once there in the dark she looks around curiously, waiting for her dog to jump out of nowhere. When it didn't happen she looked up at him confused. "Mister, where is my dog?"
The knife plunging into her stomach severed all further questions. Her mouth hung agape in shock and horror as he repeated the action again and again. Not stopping until he was satisfied with his work.
When he was finished, a smile carved into her face, a wave of panic washed over him. What now? What about the body? Where wouldn't they look? He couldn't get lucky a second time.
His thoughts raced and raced until he spotted Chica, in for some routine maintenance with her chest cavity wide open. Perfect for a little girl.
With the body carefully hidden, William allowed himself a chance to enjoy his work and to revel in what he'd done. Nothing beat a high like this, he had to keep chasing it. But what could he do in this moment? Another kill would be too hasty.
His thoughts wandered until they finally came to his wife, knowing that she would be willing to feed until this high wasn't enough anymore and he needed his next rush. And then the one after this.
William stared at all of the parts and machines around him, Henry's pride and joy.
"Just think old friend." He said to the silence. "Now your precious machines are as corrupted and foul on the inside as you."
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Tags:
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@fandomreader @n3r0-1417 @2pacl0ve
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icycoldninja · 3 months
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Allow me to elaborate:
What about the DMC men with a devil hunter reader who seems very stoic, reserved and quiet spoken ( it can be mistaken them as shy ) but is actually a big dinosaur nerd
Like one moment, she can zone out into another dimension but when the topic of dinosaurs came up, immediately “locked in”, and especially interested if it comes to the topic of Jurassic Park and Jurassic world(Reminds me of that one interview where Henry Cavill immediately get interested in the conversation once WarHammer 40K was mentioned)
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Reader: Did you know that in the novelization version of Jurassic Park…Nedry was killed in a very gruesome way in comparison to the movies ?
Vergil (uninterested yet interested): What about it?
Reader: He got blinded with the acid, which caused him to topple down in pain. After that, he was slashed across his lower abdomen but he was unaware that he was holding his own intestines so it did take tine for him to come to a realization but not long after, the last thing mentioned of him was the Dilophosaurus holding his head in its maw…Yes, it’s bigger than it’s Chibi version in the film ☺️✨
Vergil (unsure what to say in case he hurts her feelings): That was…violent to say the least
Or maybe one day when they accidentally walk into her bedroom, just to find out hundreds of dinosaur related stuff, and a freaking 1:1 ratio of a Velociraptor dressed in Victorian ball gown and a feathered hat on top. Weird but endearing
Lol sure.
Sparda boys + V x Dino nerd!Reader headcannons
¤ Dante ¤
He originally thought you were one of those cold, quiet and reserved types, to which he was used to, and was very surprised to find you had a soft spot for dinosaurs.
-Has no idea what dinosaurs are; all he's ever known are demons, which are somewhat similar to dinosaurs, but not exact.
-He once went into your room to ask you something and found a 1:1 Velociraptor statue smack dab in the middle of it.
-He thinks you're cute when you start rambling on about dinosaurs and their characteristics. Even though he doesn't understand much of it, it's fun to see you smiling and happy.
-Buys you dinosaur figurines because he knows you love them.
-Will certainly re-watch all the Jurassic Park movies with you, and since there's a healthy dose of violence, he actually finds it pretty interesting.
■ Vergil ■
-Vergil always thought you were like him since you were silent and rarely ever disclosed anything about yourself.
-You also had a habit of staring off into space, not paying any mind to the world around you. It was a strange habit, but Vergil didn't mind. He liked the silence.
-Then one day, someone mentioned dinosaurs around you and your whole personality switched. You were instantly on your feet, rambling excitedly about the lore of the dinosaur being discussed.
-Vergil was surprised to see this kind behavior from you, but was also intrigued. You were full of surprises, weren't you?
-He will sit through Jurassic Park movies with you for however long you want and will gladly listen to any fun facts you wish to disclose. It's not long before he develops an interest for dinosaurs himself.
-Vegil eventually finds himself a walking encyclopedia on dinosaur knowledge, and it's all because of you.
□ Nero □
-Nero never expected you to be such a nerd; he'd always pegged you as a serious, stoic individual, but you still managed to surprise him.
-Nero is somewhat familiar with dinosaurs thanks to excitable children with personalites much like yours at the orphanage.
-He only knows the basics, as mentioned before, and was never really fond of them, even in his youth, but you're here to change all that, aren't you?
-Loves to look at your dinosaur collection because he just likes to spend time with you, and if that means staring at all the different figurines you have, so be it.
-He'll watch all the movies you want with you, even if he doesn't find them all that interesting.
-He thinks that velociraptor statue in your room is cool as hell, though, and wonders why it's wearing a dress.
● V ●
-V admired you at first for your quiet mysteriousness, and later, for your hidden dorky side.
-It might be because the hidden nerdy aspect of your personality is just like his; he has his poetry and you have your dinosaurs.
-Speaking of dinosaurs, V would love it if you could tell him more about these magnificent creatures. Did they really roam the earth? Do you really have one in your room? Will it move?
-Upon seeing the dinosaur statue in your room, V is astonished. He's never seen such a large creature that hasn't tried to kill him, and finds it adorable that you put a Victorian dress on it.
-He watches all the movies you set up for him with glee, and even though some parts can be quite violent, it's nothing he hasn't seen before.
-Slowly becomes as much of a dino nerd as you are. As a result, chatting about dinosaur trivia becomes a daily, if not hourly, occurrence.
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misc-obeyme · 4 months
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Hi there, 📻 anon!
I am answering like this because you weren't on anon when you sent your ask, so I figured this way your identity is known only to me! I hope that's okay! (I know the identities of several of my anons actually. :3) ETA: I was on desktop when I took the screenshot of your ask, so the emoji looks a bit different than the one on mobile lol! I forget that they change between devices like that.
Okay so I recently replayed Lesson 1 and omg he's such an info dumper. Like I love Levi, he's my sweet precious baby, but wow the boy can talk. Honestly I'd probably enjoy just listening to him ramble about TSL. Like yesss tell me all the facts, I wanna know everything lol.
I honestly love the implications of TSL. Like you said, Levi seems to be completely oblivious in the beginning that the lords are based on him and his brothers. And it's really dang obvious????
TSL is interesting to me because on the one hand they use it as a way to sort of parallel a lot things for Levi - he's the one who's always wanting to cosplay as the lords and didn't we get sent into the TSL world for something involving him? Shoot now I can't remember what it was. I'm having a memory of something to do with a golden pig, too. Anyway, the point is Levi is so into this world he almost doesn't realize it's about him.
But TSL is also Simeon's creation. So it's like yeah, it means one thing for Levi, but it means something else entirely for Simeon. In his case, it feels like a commentary on how he feels like such an outsider. There is no character to represent Simeon in that world. But there is one for MC. So it's like Simeon was imagining the brothers would end up with their own Henry before even knowing who that might be. Someone who could be everything to them. A world and a family that exists without him. My poor heart!!
Anyway, I agree, Simeon's observation skills are slightly terrifying lol.
My day is going well! It's finally Friday, so that always makes me happy! I hope you're doing well, too!
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lunar-years · 5 months
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okay now that it's been a week+, I can humbly offer you my comprehensive list of all the ttpd songs I have somehow managed to make about Ted Lasso...
The Tortured Poets Department - Look, unfortunately...this is a BeardJane manifesto | “I chose this cyclone with you / and who’s gonna hold you like me?”
My Boy Only Breaks His Favorite Toys - RoyKeeley breakup anthem:( | “he saw forever so he smashed it up” :(
Down Bad- s3 Keeley (and RoyKeeley + JackKeeley) | “how dare you think it’s romantic / leaving me safe and stranded”
Fresh Out the Slammer - Jamie returning to Richmond from Manchester/LCA with a side of JamieKeeley (he came back to richmond FOR HER!! idk. if you get you get it) | “camera flashes, welcome bashes, toss the ashes off a ledge”
Guilty As Sin? - RoyJamie. Enough said. | “I keep these longings locked in lower case inside a vault”
I Can Fix Him (No Really I Can) - s1 JamieKeeley | “good boy, that’s right. I can show you heaven if you’ll be an angel <3”
I Can Do It With a Broken Heart - Jamie. | “All the pieces of me shattered as the crowd was chanting MORE!”
The Alchemy - RoyJamie. Based on vibes alone, tbh. | “These blokes warm the benches / we’ve been on a winning streak” :)
Clara Bow - Admittedly this one is only very vaguely applicable from lyrics alone. but thematically...it is giving Roy's journey from seeing Jamie as the threat of someone new and bright and young taking his place to eventually becoming his guiding light and warning and source of encouragement and another fan all in one. | "take the glory, give everything"
The Black Dog - okay, hear me out. Think of bartender Rebecca. Think of Rupert going back to that bar after the divorce with one of his new young flings. Think of Rebecca tracking his location. yeah! | "you said I needed a brave man, then proceeded to play him until I believed it too"
How Did It End? - Another RoyKeeley tragic breakup song :I Specifically considering they have a lot of the same friends, coworkers etc., all of whom were completely shocked by the breakup and surely ALL asking the two of them what had gone wrong, because it was so unbelievable! they seemed like such a fairytale romance! | "But I still don't know, how did it end?"
imgonnagetyouback - royjamiekeeley <3:) THEY ARE ALL THIS MESSY ABOUT EACH OTHER!! | "you'll find that you were never not mine."
The Prophecy - REBECCA. God this is THE Rebecca song. is this not the whole s3 psychic plot? I mean. come on. | "Don't want money, just someone who wants my company."
Cassandra - Also Rebecca i fear. FUCK the haters!!! | "They say 'what doesn't kill you makes you aware.' What happens if it becomes who you are?"
Robin - TED & HENRY. and a bit roy & phoebe but idk I like it most for Ted and Henry. | "The time will arrive for the cruel and the mean / you'll learn to bounce back just like your trampoline"
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