#also just georgie and martin are just both two people who are GOOD at social interactions and chatting and stuff
Explore tagged Tumblr posts
somuchbetterthanthat · 6 years ago
Note
You spoke so beautifully about Jon and Georgie earlier, but I would LOVE to hear your thoughts on Martin and Georgie friendship. Obviously them striking up a friendship while both watching over Jon during his coma. But also, imagine Georgie is the only person Martin talks to during his self imposed isolation. She's not involved, so he can talk to her. She's not afraid, so she doesn't want to stop talking to him. She worries about Jon, and he can tell her at least a little about how he's doing.
Mmmh, gosh. This is so hard, because while I love to gush about Jon and Georgie, and Jon and Martin, I feel like…. I’ve got a really hard time with Martin and Georgie? Probably because…deep down… i have to admit… that i’m Bad At MartinTM. He’s too good and complex for my poor mind. 
BUT. Here are a few thoughts anyway; I think Martin is painfully jealous of Georgie Barker for - the whole of season 3, really; but it’s not exactly in the same way he gets petty and protective of Jon like Basira and Melanie discuss in their office gossip; it’s more of a this woman is absurdely cool, and Jon live(d) with her, and he obviously loves her a lot and I am not cool like that, and could she TUNE IT DOWN A NOTCH PLEASE, some of us had still vague hope to ever get Jonathan Sims’ love and appreciation without being reminded of what people they might actually fall for and little chances they have considering it. 
Except, after everything - after the Unknowing, Jon is still in an hospital bed, dead-except-not, and Martin comes in feeling weak and numb and hopeful, still, he’s got to be hopeful, because Tim’s dead but Jon’s special, so Jon’s got to wake up - and there is Georgina Barker there, not even holding Jon’s hand, just, staring with such deep sadness, and Martin’s heart falls into his stomach somewhere and he starts to stammer weak apologies but Georgie looks up, stares at him for a moment and then she goes: “Oh. You’re Martin, right?”
And that small little sentence stops Martin to ever feel jealous of Georgie Barker ever again, even after the first emotional tearful night, or anything; because Georgie is like “I mean, there’s only one person Jon rarely shuts up about, so -” 
(Me: “i don’t know about Martin and Georgie” Me, several endless paragraphs later: ……um. Under the cut i guess.)
I don’t know how their friendship go though; I think it stands from the fact there the only two people who regularly come to see Jon; Martin can’t speak at all of his grief and his longing at work, and Georgie - Georgie loves Jon. She sees Jon like Martin does - yes, he can be an ass, but he’s also… there’s a kindness to him, such warmth and deep care, underneath the prickeness and stiffness, and Martin got a bit better, during season 3, understanding Jon’s jokes, and he’s so knowledgeable and he’s so bad at caring for himself, and when he likes you it feels like you’ve earnt something special and precious and - point is, it feels good, to talk to Georgie. 
And yes, first, their conversations are mostly about Jon; but Martin is very good at paying attention to people and small talk, so they start to stray to Georgie’s podcast, and her family, and her favourite foods (”hungarian food is great” says martin earnestly, and georgie goes “oh my god, of course i find the ideal man and he’s gay for my best friend” and martin blushes adorably and sputters and laughs). They most certainly bond over the Admiral. And Georgie is a good judge of character, too, and she’s got definite social skills; she gets Martin to open up a bit about his job, grumbling about his colleagues, admitting that it’s so hard to just - be hopeful when everybody else is always so - so ready to dive into unhealthy patterns without talking to each other. At some point, Martin makes an idle remark about his struggles with money when he was younger, with his mum, and Georgie goes ‘god, that’s a mood’ and opens up a bit with her own childhood and the lack of money. 
They also always sort of meet up at the hospital, at first, but one night a nurse comes to tell them it’s time to leave, and Georgie stares at Martin and she says: “wanna come eat at mine’s? it seems silly to just stop chatting, i’m having fun. and i’ve got good food at home, promise.” and Martin is so baffled but also so - pleased? and he goes “yeah. Yeah, that’d be nice, uh - thank you?” and eventually that becomes an habit, too; Martin coming to spend a few evenings at Georgie’s; he cooks sometimes (”god, i got better because - well, there were worms you see -”), and he and georgie even work together on a What The Ghost’s episode one day;
Those moments at Georgie’s they’re - they’re sort of the only good things going for Martin, at this point; back at the Institute, Melanie is constantly angry, and Basira is constantly away - even when she’s physically present - and the corridors seem filled with the ghosts of a grinning Sasha, a laughing Tim, and a pricky but amused Jon. Every day, Peter Lukas comes, sits on his desk like he belongs there, and chats for a bit; then his eyes get serious and he’ll always lean in and go: “Have you considered my offer, Martin?”
(Martin does not talk to Georgie about that)
Then the Flesh attacks, and Martin has to put a plan in action, he’s done waiting, he’s done running, he’s done - he’s done expecting Jon to wake up and make it all better. Jon is probably not going to wake up. It’s. He doesn’t think about that. It takes two weeks for Georgie to call and say “I haven’t seen you at the hospital in a while” in a careful, worried, stern voice. “I’m going to get very busy, Georgie, I’m - probably not going to have much time anymore to visit Jon.” he says, and his voice cracks a bit) (”Come by tonight,” she tells him. he looks at his hand, eyes blurry, and he doesn’t want to give up that, he doesn’t want to give up Georgie and her warm smiles and her cool stories and her underlying, deep understanding of what he feels but - “Maybe, maybe next week” he tells her weakly. “Sorry, Georgie”)
(Georgie doesn’t say how much that hurts, really. She likes Martin; she likes the way Martin is genuinely interested in her life, not just through Jon; she likes how Martin loves Jon; she likes Martin’s little jokes and his determination for things to get better, always) (she does tell Jon, softly: “well i hope you never have to live that. Easy to get attached to that boy, uh?” and jon, of course, doesn’t answer. she sighs and kisses his forehead and leaves, and mopes that night with the admiral. The next day, she thinks “no, i’m not falling into that pattern” and goes back to her life, and her other friends; She’s not as hopeful as Martin, but she’s definitely as stubborn)
(Martin calls though; he calls again, because he doesn’t know who to tell, when his mum dies) (he’s back at her place that night and he feels numb, and he doesn’t cry; he looks deathly pale, and Georgie helps him through the following days, and vaguely remembers helping Jon with his grandmother’s funeral, the way he hadn’t cried either, for a long time, just got very snippy and distant; god, it was towards the end of their relationship - she’d argued with him, at some point, that he needed to cry, and he’d said he didn’t NEED to do anything, and he was sorry if she didn’t like how he handled his grief - and she’d been like “i’m just worried about you jon” and jon’s shoulders had slumped and he’d gone “there’s no point to it”) 
(Martin doesn’t cry, he doesn’t, right until all those people talk about his mum and he realizes he doesn’t know the woman they speak of; he’ll never know this woman) (Georgie takes his hand when he starts weeping, and lets Martin’s distant family tell her that they’re really rather relieved, that Martin found ‘a nice girl’, that they thought - that Martin was, well, you know - because she wants to snap at them but it’s not drama that Martin needs right now, just comfort)
After that, Martin thinks he can’t let go of Georgie; she’s done too much for him, at this point? So, he tries to be as honest as he can; he tells her he’s got a plan, to protect the Archives (”it shouldn’t be your role” georgie tells him with a deep concerned frown, and Martin shrugs and says: “But Jon’s not here and - someone ought to. Someone ought to protect them. I - I’m not special, Georgie, but that’s - that’s something I can do, and I don’t want to be a coward.”)
He says “I can’t come by anymore” and “thank you” and, hopefully “we can still chat on the phone?” and Georgie says “… sure.”
And they do that! They keep chatting! when Martin starts to get wary of Peter listening in, he switches to texting only. 
then jon wakes up
and. ugh. Ugh. I’m sorry, I’m going to keep making this sad, but Georgie and Martin have their first argument; because Martin can’t be there for Jon right now, but it’s because he’s - he’s protecting him, saving him. He’d give ANYTHING to be able to be there for Jon. and Georgie could. Georgie has not made a supernatural deal with a dangerous man serving a Eldrich God, and Jon needs someone, and Georgie gets fed up; she’s been supporting Jon. She’s been supporting Martin; she’s supported them both through their idiotic decisions and Jon woke up, yes, but he’s fine and unblinking and his aura’s all - different and she can’t do this. She can’t. She can’t let herself be involved anymore, she’s tired and who can she talk to? Who’s supporting her? (”it’s admirable,” she says, sadly, to Martin, “how selfless you both are. It’s terrible too, you know? You could both have stood to be a little bit more selfish. Perhaps you could have both - I love you both, Martin, but I’m ready to be a little selfish now; I need to get out, because otherwise, I’m gonna drown with both of you.”) 
(”Georgie -” he begins and she sighs and says. “Goodbye, Martin. Take care. Text me, if you need to.” and she hangs up)
81 notes · View notes
radiantmists · 3 years ago
Link
Title: and you give yourself away
Fandom: The Magnus Archives
Pairing: Jon/Martin
Rating: Gen
Word Count: 4414
Jon is not an idiot. Contrary to what some of the people who love him might believe, he’s not even entirely oblivious to social cues, though he’ll admit they elude him perhaps more often than is standard.
All of this to say that in the week following their escape from the Lonely, as Martin graduates from shy smiling glances and tentative clutching of clammy hands to full-bellied laughter and warm, steady embraces, Jon is fully capable of figuring out where things are going. And, yes, the idea makes him uneasy when he faces it head on, but if there's something more he can do to feed the way Martin is unfolding, blossoming into the man he'd been before— except more sure of himself, somehow, steadier—
Well, there isn't much Jon wouldn't attempt for that, given the option. This is something small, something he's not even actually opposed to, just... less than completely sure of.
So when they’re sitting on the couch together, giggling over some charming thing the grocer had said to Martin, and Jon looks up to find Martin’s blue-green-grey eyes mere inches from his own, a breath caught in each of their throats, he's prepared for what Martin is going to say before the first sound emerges.
“Jon,” he whispers, “can I k—”
“Yes,” he blurts before Martin can finish.
Too loud and too abrupt; they both rear back with the force of it, and for a moment Jon feels like an utter idiot before he notices Martin giggling softly.
“Not eager at all, are you?” he teases, and now Jon hesitates.
The thing is—he’s not oblivious, which means he’s been thinking about it. He’d known how Martin felt since just after he woke up and listened to that awful tape with Elias; perhaps he’d figured it out even before that, somewhere between the fifth cup of perfectly-brewed, perfectly-timed tea in as many days and the third scrambled phone call from an ocean away, picked up on the second ring despite the forgotten time-zones.
But there had been so much going on, at first, that Jon had never had the chance to really think about it. And then after he’d woken, when he’d really had the chance to consider what he and Martin were to each other, it had always been in a sort of abstract sense—I need him to be okay, I need to trust him and I do trust him, and in the most maudlin moments of hopeful fantasy, I want him to still want me.
Only now, when they’d found that against all odds they were okay, and they did trust each other, and even begun to signal that they wanted each other, had Jon begun to consider what exactly ‘wanting’ might look like for Martin.
“I—wait,” he begins, the word tasting bitter. He knows Martin won’t be unkind about this, but that isn’t necessarily the same as understanding. Jon still has to say it. “You can kiss me, but only if you won’t be offended if I don’t like it.”
Martin sits up shock-straight, eyes going wide as he looks at Jon. “I’m not going to do it if you’re not going to like it! If you didn’t want to, why didn’t you just say no?”
Jon sighs, irritated. That hadn’t come out right.
“I didn’t say no because I do want you to kiss me,” he says, trying to be patient. “I mean, if you want to—”
“Of course I want to, Jon, but that doesn’t mean you have to say yes!” Martin replies, frustrated, gesturing sharply with his hands. Jon blinks, leaning back slightly, and Martin sighs, arms coming down and his tone going softer, smaller. “It’s not—this isn’t something you need to give me, Jon. I know you love me. It’s okay to have boundaries.”
Jon hadn’t had to come out to Martin, because the archival gossip chain had done it for him. But he supposes there was enough ambiguity in the terms that it’s worth having the conversation anyway.
“Asexual people can and do kiss, you know,” he says. “Some even have and enjoy sex, although I have to be clear that that will not be happening.”
“I—I know that,” Martin says, going red and avoiding Jon’s eyes. “And I know you can kiss, I wouldn’t have asked otherwise, but—you said you wouldn’t like it.”
Jon wrinkles his nose with a sigh. A whole week of turning this over, of deciding how he wanted to address this possibility and even rehearsing what he needed to say, and he’s still made a mess of it.
“I didn’t say I wouldn’t like it,” he says slowly. “I asked you to be prepared for the possibility that I might not, because I don’t actually know. I want to try, but only if you’re okay with this maybe being the only one you get.”
There’s a long moment of silence.
“Jon,” Martin says slowly. “Have you not—would that have been your first kiss?”
Jon has to bite his tongue on the first, defensively scathing reply, and nods instead.
“But—”
Martin stops, hesitant, and Jon waves permission for him to continue with a sigh. Maybe the next question is going to be indelicate or ignorant, but better to address it than to leave him wondering.
“I mean, I know you’ve been in relationships before,” Martin explains carefully. “I—I’m not as surprised that you haven’t done it, there’s nothing wrong with that, I’m just confused because it seems like if it was something you wanted, you could have?”
Turning that one over in his mind, Jon nods slowly.
“I suppose you’re right,” he allows. “I guess it isn’t something I want in the traditional sense. I don’t look at someone—even someone I love—and want to kiss them, any more than I look at them and want to have sex. But sex at least makes sense,” he grouses. “As… off-putting as I find the idea on a personal level, it’s necessary in an evolutionary sense and obviously it involves biological processes that are designed to be enjoyable. I get why people do it, and those reasons don’t appeal to me.”
At this point, Martin is brick red, but he nods in acknowledgement. “And… kissing is different?”
“Yes!” Jon’s maybe a little excited to get to talk about this. Sue him, he’s been thinking about it enough. “It’s not as awful as sex seems, but it also serves no functional purpose, and yet the whole world is utterly convinced that it’s absolutely wonderful, and I don’t understand it. Another person’s mouth does not seem like an appealing thing to have in your mouth. But then again, objectively neither do pen caps, and you’ve seen me with those.”
Martin snickers. “Apparently they’re irresistible.”
“Yes, well,” Jon says, flapping a hand. He’d made the joke, but somehow he still feels a prickle of embarrassment, so he moves on quickly. “The point is, there’s nothing inherently appealing or especially off-putting about it, in theory. But I’ve never had an especially good reason to try, and none of the people I’ve dated really liked it, so I’ve never bothered. That doesn’t mean I’m not… curious.”
His first two partners had also been ace; Georgie wasn’t, but simply ‘wasn’t a fan’ of kissing, though she’d never been able to explain why, any more than Jon could articulate why the idea of anyone touching him sexually made his stomach flip even though he saw nothing inherently wrong with the act. It didn’t matter why, really; as Martin had said, boundaries are important. But it meant he’d stayed curious.
There was a little more to it, of course. His first boyfriend had asked Jon if he wanted to try kissing once, casually, since he’d never done it before. Jon had declined. Perhaps he hadn’t been quite as secure in his sexuality then, perhaps he did actually feel more of a need to at least try for Martin, who genuinely wanted this. Jon likes to think, though, that his desire to try simply speaks to how comfortable this whole relationship has felt, how safe. There was no reason that kissing had to be any different from that pastry recipe they’d done together the other day, the one they’d thrown out after three bites each with little more than a regretful shrug.
“I… that makes sense,” Martin says finally, and Jon sits up.
“You still want to, then?” he asks.
Martin blinks, an uncertain smile spreading on his face. “You are excited.”
“I’ve been thinking about it!” Jon says defensively, and Martin gives a shocked laugh-gasp. “I mean—I thought you might want to, which meant I had to decide whether I wanted to try, and so now I just… I’ve just ruined the mood, I suppose,” he finishes, deflating.
Martin’s smile doesn’t grow, but it stops twitching and tucks in at the corners like it’s decided that it’s there to stay. “I wouldn’t say that. Unless you’d rather not, of course.”
“No, I’m fine,” Jon replies. “Let’s try it.”
He studies Martin’s face, leaning forward slightly. Jon has considered the mechanics of this before, of course, and he’s seen it in movies, but there’s a difference between knowing how to do something theoretically and having experience, so he’s hoping Martin will take the lead, as it were…
With a frustrated noise, Martin pulls back.
“What?” Jon asks, blinking. “Did I do something wrong?”
“No, I—I guess I’m just nervous now!” Martin replies, running a hand through his hair. “I mean, I brushed my teeth this morning, but that was hours ago, what if my mouth tastes weird?”
Jon frowns. “Is that usually a problem?”
“Not—really? Not unless you’ve just woken up, or eaten something really strong…”
Would Martin’s mouth even taste that different from his? They’d eaten the same things today, after all, and used the same toothpaste. The memory of the bathroom with their toothbrushes sitting in the same cup, of sitting across from each other over a lunch they’d made with crisp sunlight streaming through the window, makes Jon grin a little even as Martin barrels on.
“Or—I thought, something chaste at least to start, but lots of people like deeper kisses way better, and really I’m not exactly talented, or even all that experienced! What if I put you off kissing forever, but you actually just don’t like kissing me?”
He looks down at his hands as soon as he’s finished; Jon reaches out slowly to take one in his own, contemplating this.
“If I don’t like kissing you,” he says finally, carefully, “then that’s all I need to know, isn’t it?”
Martin makes a cut-off sound that Jon can’t identify, and when he chances a glance at Martin’s face, his eyes are wide.
“I’m never going to want to kiss someone else,” Jon points out. “Best case scenario, you show me a fun new activity we can do together. If we… bump teeth or something, some good reason it’s an abnormally bad kiss, we can try again. And worst case—well, you don’t get to kiss anyone, I suppose, but—”
“It’s not like it’s something I need,” Martin interrupts, but he’s squeezing Jon’s hand. “Yeah, okay, I see your point.”
“There’s no pressure to be perfect from my end,” Jon agrees, but now he can feel himself hesitating. “But—there’s a good chance that I won’t like it, and it won’t be your fault, but if you’d rather not try at all, I won’t be upset.”
“Jon, I can promise you you’re not pressuring me into this,” Martin smiles.
Jon bites his lip. “I don’t want to do it if it’s going to upset you, or make you feel like you’re… inadequate.”
Martin sighs.
“Jon, I feel inadequate all the time,” he says frankly. “As long as you don’t—I don’t know, dump me over it? Make fun of me?—it’s not going to make a noticeable difference.”
“I think that’s worse,” Jon replies, and Martin winces. Jon wonders how much he’s already contributed to Martin’s feelings of inadequacy and decides it’s definitely worse.
“Well— I can promise I won’t be upset with you if you don’t like it,” Martin says finally. “But I think at this point we’re in utter agreement that we don’t have to, so maybe we can just—table this discussion?”
Jon sighs and shifts to rest his head against Martin’s shoulder instead. “Yeah, okay.”
Martin’s soft laughter rumbles in his chest and through Jon’s cheek into his skull. “Wow, you sound more disappointed than I am.”
“I was a bit excited to try,” Jon admits, running his thumb over the back of Martin’s hand in his own. “I’ve been curious about this for decades, Martin.”
“…yeah, that tracks.”
His tone is fond, but Jon still shifts uncomfortably, trying to make himself smaller.
“That’s me,” he says quietly. “Can’t leave any question unasked.”
Martin sighs. “Jon, you know that’s not what I meant.”
Jon does know. He does, except--
“You don’t mean it until it’s what makes me do something idiotic,” he blurts, sitting up. “It’s all just me, Martin, and—”
“Okay, being curious doesn’t require you to be ridiculously self-sacrificing!” Martin argues, letting go of Jon’s hands to gesture in frustration.
“Well, fine,” Jon bites back, crossing his arms. “I’m curious and an idiot. Happy?”
 “No!” Martin snaps. “There’s a difference between being stupid, which you aren’t, and being so convinced that your own safety doesn’t matter that you’ll knowingly throw yourself into danger, or, or let someone maim you for a story!”
Jon opens his mouth. Closes it. Martin is studying him, the tension slowly leeching out of his posture and leaving him just looking tired.
“I… I needed to know those things,” Jon says weakly.
“Most of them, yeah,” Martin agrees. “But—Jon, when you need something, when you’re curious, why is you getting hurt the first option? When did that happen?”
When had it happened?
Long before he’d entered the Lonely, the possibility of his death not even registering if it gave him a chance to retrieve Martin. Surely before Jared, when he’d traded an extra rib for a statement with hardly a moment’s hesitation. One rib for the statement, one for Daisy, as though they were remotely equal, and the obscenity of it had occurred to Jon only later. He’d been glad, in a sick way, that it hadn’t worked.
He hadn’t known exactly what would happen, with Melanie, but he hadn’t exactly been surprised to look up from the bullet to see her swinging at him with murder in her eyes. It had been worth it, though, even if she’d hated him afterward.
Jon had expected to die in the Unknowing, deep down. He’d accepted that the circus would kill him at some point during that interminable month with Nikola, though he hadn’t realized it until he’d been accepting Michael’s offer of a cleaner death—a trade in itself, he supposed, his life for an end when he’d had nothing else to bargain with. He’d spent the next few months increasingly exhausted, until putting himself on Trevor and Julia’s shitlist in exchange for some real answers from Gerry had hardly even been difficult.
Did Martin even know about any of those? He hasn’t seen Jon’s rib, hasn’t asked about the new scar on Jon’s shoulder or, in the whirlwind surrounding their departure, what exactly two hunters were doing at the Institute. He must have listened to some of the tapes, in those months that Jon can’t quite remember, but had the one recording Michael’s statement ever made its way to the Institute, or has Jon just automatically included it in the perfectly-accessible archive in his head?
Martin might be thinking about the Unknowing, or perhaps about Jon’s hand, which he’d patiently helped re-wrap on the day Jon had returned to the Institute, when the wound had practically ripped itself open with the strain of holding a shovel and digging.
Maybe he’s thinking about less concrete hurts, the way Jon had thrown himself into the idea of being useful if he couldn’t be human. About how Jon couldn’t give his life anymore, how he’d traded his human death to Oliver in exchange for waking up.
Or maybe it had been earlier, in a moment Martin will remember: that first, frantic rush of Prentiss’ attack, when Jon had grabbed for the tape recorder on the desk through a sea of writhing white flesh without even considering whether there might be a second.
Whatever Martin is thinking about, he must see on Jon’s face that he doesn’t have an answer, that the list is so long and so old that he can’t even begin.
“That isn’t okay, Jon,” he says softly.
“You did it,” Jon finds himself replying, defensive. “With Peter, you knew he was dangerous—”
Martin sighs, cutting him off even though the sound is almost silent. “Yes, I did, Jon, after you’d been in a coma for three months, and Tim and Sasha were dead, and the Institute had been attacked again, and my mother had just died. Do you really think that was a healthy decision?”
No. No, it had been terrifying, listening to the tape they’d found in the Panopticon and hearing Martin’s recorded voice call it a good way to get killed. Even with him bustling around packing in the other room, perfectly safe, Jon had felt the terror rise up cold and choking in his throat.
“You’re not a tool, Jon, and you’re worth more than a statement or a convenient solution to a problem,” Martin says. “It terrifies me that you don’t seem to get that.”
“It—I can see why it would,” Jon allows, throat tight. “But what I am now, whatever it is that Peter thinks Magnus ‘got’ out of their bet—”
“That isn’t your fault, Jon—”
“I hurt people to live, Martin,” Jon replies, exhausted. “Don’t I owe those people—and the people I’ve gotten killed—whatever good I can do, even if it might not be… comfortable?”
Martin leans back, his eyes closed. He looks hurt, and Jon feels abruptly and deeply ashamed of himself. After everything he’s gone through, with everything he’s still struggling with, Martin shouldn’t have to deal with Jon’s baggage as well.
He’s searching for the words to make this go away, to assure Martin that he’ll think about it and that he’s not planning to throw himself into danger any time soon, that he’s happy to stay up here and leave it all behind for as long as it’s safe or until Martin wants to go, when Martin speaks.
“What do I owe you, then?”
Jon blinks. “What?”
“For making you come after me,” Martin explains. “My plan didn’t accomplish much except for giving Magnus something he wanted, after all.”
“That wasn’t your fault,” Jon argues. “I—it was my choice to go in, I—”
“It was Tim’s choice to go into the Unknowing,” Martin replies. “And Daisy’s for that matter. They didn’t do it for you, or even really because of you.”
Tim wouldn’t have chosen to go in if Jon hadn’t utterly ruined his life; neither he nor Sasha would have died if Jon hadn’t asked them to be his assistants in the first place. And even in the Unknowing itself, if Jon had just been able to see through it back then the way Elias—Jonah—had predicted he should, the way he’d almost easily found his way out of the Lonely, they could all have gotten out just fine.
Martin glares at him, apparently reading the justifications on his face. “They chose, Jon, with their eyes wide open. Don’t tell me otherwise, because I won’t believe you.”
“Even ignoring that,” Jon says, though the words are bitter, “it’s not—we’re not alike. You hadn’t hurt anyone—”
“I’ve been thinking about that one, actually,” Martin says, and his tone has gained the distant, thoughtful tinge he’d always had in his lonely office on the topmost floor of the Institute. Jon reaches for his hand, worried, and Martin doesn’t move away, but doesn’t close his own fingers, either. “I was enough of an avatar to convince Peter, wasn’t I? He must have been able to feel the Lonely on me, even if some of it was lies. That power had to come from somewhere. From someone, someone afraid.”
“He had control over the whole Institute,” Jon points out. “Maybe the low-level loneliness just sort of… carried over?”
But Martin shakes his head. “Maybe a little,” he says, “but I don’t think so.”
“Why?” Jon demands, frustrated. “There was no one who came in and made a bloody statement about you ruining their lives. Who did you hurt?”
“You, I think,” Martin answers, looking down at their hands. “Most of the Institute, they were afraid of the policy changes that Peter was making, or that he’d fire them or their friends—well, disappear them, but they mostly didn’t know that. And at first I think you were worried about what he’d do to me, too, but…”
“You kept making me leave,” Jon realizes, the words coming out almost before he understands them. “I started to worry that you’d chosen the Lonely, started to be afraid of more than just Peter realizing you were conning him, that you’d decide you really were better off without me.”
Martin stares at him, hands still limp in Jon’s. “That was… God, I’m right, aren’t I? You just Knew it.”
Jon had.
“It—it doesn’t matter,” he insists, squeezing at Martin’s hands almost desperately. “You didn’t even know you were doing it, it—”
“I knew I was signing myself over to an evil fear god, which is more than you did, going in,” Martin objects. “I knew Peter was evil, I knew you weren’t doing well—”
“It wasn’t your job to manage my emotional state, Martin—”
“Well, I’d have liked not to make it worse!” he snaps back. “God, talk about poor self-worth, you saved me after I practically left you to die over Peter Lukas’ theories—”
“About the literal apocalypse,” Jon points out. “It isn’t like I’ll be doing better if the Extinction really does emerge.”
Martin snorts dismissively. “His solution was to take over the world instead and kill the whole Institute in the process, that wouldn’t have been better either. And I might not have known that, but I did figure his plan was to use me for a ritual, and I still played along.”
“Because he’d have thrown you into the Lonely as soon as he realized you’d turned on him,” Jon replies.
“Which he did anyway. I’d have had to stop listening to him at some point.”
“Well, we did find out about the Panopticon, and Magnus,” Jon argues. “And you didn’t know if there was something even bigger he was leading up to, something we could use. You were doing the best you could, Martin, it’s only hindsight that makes the other options seem so much more obvious.”
Martin is blinking at him, gaze steady. Jon looks back. Thinks over his last few words. Makes a frustrated noise.
“It’s really not—”
“You’re genuinely so smart,” Martin interrupts, in a tone of wonder, “and yet so unbelievably stubborn. Yes, Jon, it is the same! You made some mistakes, most of them totally understandable in context, and none of them, even the really awful ones, mean you have to—to keep giving away bits of yourself!”
Martin voice has risen, gotten harsher as he goes, and he’s squeezing Jon’s hands tight enough that he can’t get them free to cross his arms, so all Jon’s frustration goes into his tone.
“Fine,” he snaps. “Fine! Neither of us will blame ourselves for things we couldn’t control, and we’ll both value ourselves more and build healthier self-images and all of that, and everything will be fine. Deal?”
“Deal.”
Jon glares. Martin scowls back, jaw set, still holding Jon’s hands tightly.
“Just like that,” Jon says.
“Absolutely.”
One more second of stubborn frustration passes. Then, helplessly, Jon snorts. Martin’s face twists, confused-irritated-wry, and then he’s snickering too, until they’re both laughing desperately, each leaning forward until Jon’s head is practically tucked under Martin’s chin.
��It’s not going to be that easy, you know,” Jon murmurs when they’ve calmed down, looking up to meet Martin’s eyes properly.
It’s an understatement; it’ll be hard enough just to keep things as good as they are. Martin still starts to drift off if he’s left alone for long enough, and no deal they make with each other is going to change the way Jon’s monstrous appetite is already starting to clamor for a statement.
“Well, at least we’re agreed,” Martin replies, but there’s a dry note in his voice that Jon knows means he understands. “We can remind each other.”
“I suppose.”
Their faces, once again, are very close together, and Jon abruptly realizes that he can feel Martin’s soft, tingling breaths on his cheeks. He pulls back, wrinkling his nose.
“What?”
“Nothing, just—breathing on me,” Jon explains. He’d mentioned his discomfort with that on their first night here, when he’d made sure there was a pillow between him and Martin on the bed.
Martin hums acknowledgement, then cocks his head in thought. Jon feels a curl of unease; this argument has been draining enough already.
“You know,” Martin says, “when you kiss someone, you can definitely feel them breathing on your face.”
“Oh,” Jon replies, utterly thrown. That was what had started this whole conversation. “Well. I probably wouldn’t have liked it much, then.”
“Good. And we figured it out without you actually having to do the uncomfortable thing,” Martin says. Jon sighs, then squints at him.
“And without you feeling like you’ve messed it up,” he replies pointedly, and Martin opens his mouth, then stops and chuckles.
“See? We’re going to be great at this.”
It’s not even remotely true. Jon still wants to know what kissing is like, though not with any real urgency, just as before; he’s still alarmed by Martin apparently feeling inadequate ‘all the time,’ and he doubts this has made a dent in it. Still, it might at least not make it worse.
Jon groans, leaning forward to rest his head on Martin’s chest and bringing his arms up to snake around his torso. “We can just hug instead.”
“Yeah,” Martin replies, folding him in tighter. “Yeah, okay.”
56 notes · View notes
bare1ythere · 4 years ago
Note
Do you by chance have any good tma fic recs? I have yet to read any because I'm afraid I'll have to go through a lot of not so good ones before I can find a good one.
Ohh I have a few!! I’m very biased so they’re mostly jonmartin fics but they’re all really good!! (all of these are from AO3). This got a bit long so I’m putting them under a cut
The 14 Labours of Jonathan Sims by LotusFlair is one of the first TMA fics I ever read. It follows Jon and Martin as they try to reverse the apocalypse! This was during the 6 month hiatus, so it was a prediction of what the fearpocalypse might have been like that doesn’t match up with canon 100% anymore. Regardless, It has some really cool events for each of the fears and did make me cry at the end. I really suggest it!! Description:
Atonement comes in many forms. In order for Jon to free himself, he needs to perform 14 tasks. One for each Entity. Only then will he be able to rest. Only then will he be at peace.
Guess Who’s Coming for Dinner? by pantsoflobster is a really goofy jonmartin safehouse fic where Martin accidentally invites a couple from the Scottish village over to the safehouse for dinner and have to pretend to be married. It’s really cute and, what can I say, I’m a sucker for fanfic tropes! Description: 
“Jon,” Martin said. “I have made a grave mistake.”
Jon whipped his head up, nearly tossing the elastic from his messy bun. “What? What’s wrong? What--what did you do?”
“I... might have invited guests for dinner.”
Jon stared blankly. “What, here?”
“Seeing as this is where we live at the moment, yes.”
---
In which a week in the safehouse turns into a fake-married sitcom, because they deserve to worry about social ineptitude instead of the apocalypse for a minute
and some call us fools by Brightblack is another safehouse jonmartin fic where they do pub trivia!! Really cute and wholesome stuff!! Description:
There isn't much to do at the safe house, so what better than to go down to the village pub and play some trivia?
Or, Martin and Jon get to have a nice evening.
stranger, stranger by blueskiddoo is one of my absolute FAVOURITE fics!! This is a season 1 didn’t-know-they-were-dating jonmartin fic that genuinely has some really hilarious writing. Full of fun tropes and ongoing! If you only read one fic on this list let it be this one!! Description:
“Sure,” Georgie says, still laughing at him. At least someone is having fun. “Don’t you have assistants for that kind of thing?”
“Yes, but…” He huffs, scratching the back of his neck. “I wasn’t going to ask one of them to download an app called...Lover? Lov-rrr? I don’t know how you say it.” He flaps his hands dismissively. “There are--unions and such. It wouldn’t be appropriate.”
*
jon makes a fake account on a dating app to investigate a statement. tim sets martin up with fake account on a dating app to boost his self-confidence. it goes exactly how you might expect.
And Did You Know That You Were Always Like A Fantasy? by my friend @waitineedaname​ is a really cute and wholesome safehouse jonmartin fic!! Feat. the mechs as jon’s college band and DANCING!!! It’s wonderful! Description:
Even if the worst was yet to come, it was hard to care during mornings like this, when everything felt still and quiet. Not the still quietness of a world holding its breath, but the peace of Martin’s warm body brushing against his side as they went through the domestic motions of washing the dishes together.
No More Idle Hands, You’ll Destroy the Lamps by my friend @shootlngstxr​ is a really cool ongoing fic where instead of being just marked by the web as a child, Jon becomes a web avatar and now Annabelle, Agnes, and Oliver (plus other avatars) are working together to raise him. So much found family and Agnes and Annabelle’s relationship is really interesting!! Description:
Annabelle was there right from the beginning when he woke up. She was the one who brushed the webbed curls of hair from his face, pulled him from his tangle of slumber. When he merely stared at her, confused; she sighed, wrapped him up in her six arms, and carried him to the webbed den she tentatively called home. That definition would solidify in time.
There was, after all, a reason why children were not made into avatars. They did not yet know enough of the world to solidify their own fears, nightmares ever-shifting, changing, unstable. And he would need to be taught many things.
lastly: "Have You Tried Turning It Off And On Again?" - How the Magnus Institute learned to embrace the IT ticketing system, upgraded their antivirus, and still found the time to teach one old man how to copy and paste by shinyopals!! I read this fic last night at around 3am because I couldn’t sleep and it was genuinely so good!! The format is really fun and creative and really made me have to deal with the fact that throughout all of season 4 the magnus institute was an Actual Functioning workplace gdhskjfdhs Surprisingly a little heart wrenching at parts, but over all really funny!! Description: 
I hope you find your new role as Head of the Institute as rewarding as captaining the Tundra, wrote Elias Bouchard, to Peter Lukas. There are so many people working there: all with their own interesting lives, and all desiring your attention and support. I'm sure you will relish the challenge it will bring and enjoy every moment spent with the fine men and women of the Institute. In time I'm confident they'll become like a family to you.
The Magnus Institute has a new boss. The Magnus Institute also has a new tech support technician. These two facts are unrelated, except they both happen at the same time.
Meanwhile Jon's woken up from being dead for six months and for once he's trying his best. He just wishes Martin would stop avoiding him and answer his messages...
178 notes · View notes
cardentist · 4 years ago
Text
this isn’t a proper discourse post, I Agree with a lot of what the op said but there’s specific things about it that get under my skin in a way that makes me want to talk about it, but I don’t want to engage with that post both because I don’t want to speak over the point that’s being made and frankly because I don’t want to be misinterpreted because of the point that’s being made in it.
so for context, I’ll just say that it was a long post about how a lack of engagement with women characters in fandom spaces is tied to misogyny. just be aware that I’m responding to something specific and not criticisms of this in general. (feel free to dm me if you want to see the post for yourself)
the rest of this is going to be rambly and a bit unfocused, so I want to get this out the door right at the top: it is not actually someone’s moral obligation to engage with or create fan content. all other points aside, what this amounts to is labeling people as bigoted for either not creating or engaging with content that you want to see, and while the individual may or may not be a bigot it’s not actually anyone’s job to tailor their fandom experience to cater to you. 
fandom is not activism. it’s not Wrong to point out that a lack of content about women in fandom is likely indicative of the influence of our misogynistic society. and suggesting that people examine their internalized biases isn’t just fine, it’s something that everyone should be doing all the time. but saying that it is literally someone’s “responsibility” to “make an effort” by consuming content about women or they’re bigoted is presenting the consumption of fan content as a moral litmus test that you pass and fail not by how you engage with content but by not engaging with all of the Correct content. 
judging people’s morality based on what characters they read meta for or look at fanart for is, a mistake. it Can Be Indicative of internalized biases but it is not, in and of itself, a moral failing that has to be corrected.
if you want more content to be created about women in fandom then you do it by spreading content about women in fandom, not by guilting people into engaging with it by saying that they’re bigots if they don’t. you encourage creation Through creation.
okay, now to address what Mainly set me off to inspire this post.
this post specifically went out of it’s way to present misogyny as the only answer for why this problem exists in fandom spaces. and while I absolutely agree that it’s a Factor, they left absolutely no room for nuance which included debunking “common excuses.” which, as you can probably guess, contained the things that ticked me off.
first off, you can’t judge that someone is disconnected from women in general based on their fandom consumption because the sum total of their being is not available on tumblr. 
people don’t always bear their souls in fandom spaces. just because they don’t actively post about a character or Characters doesn’t mean that they see them as lesser or that they don’t think about them. the idea that you can tell what a person’s moral beliefs are not based on what they’ve said or done but based on whether they engage with specific characters in a specific way in a specific space can Only work on the assumption that they engage with that space in a way that expresses the entirety of who they are or even their engagement with that specific media.
what I engage with on ao3 is different from what I engage with on tumblr, youtube, twitter, my friend’s dms, and my own head. people are going to engage with social media and fandom spaces specifically differently for different reasons. you can’t assume what the other parts of their lives look like based on this alone. 
second off, there can be other factors at play that influence people’s specific engagement with a fandom.
they specifically brought up the magnus archives as an example of a show with well written women. which while absolutely true, does Not mean that misogyny is the only option for why people wouldn’t engage with content about them as often. for me personally? a lot of fan content is soured because of how it presents jon. I relate to him very heavily as a neurodivergent and traumatized person, and he faces a Lot of victim blaming and dehumanization in the writing. sasha and martin are more or less the only main characters that Aren’t guilty of this, and sasha was out of the picture after season 1.
while this affects my enjoyment of fan content for these characters To Some Extent on it’s own (I love georgie, I love her a lot, but I can’t forget that she looked at someone and told them that they were better off dead because they couldn’t “choose” to not be abused), the bigger issue is fan content that Specifically doesn’t address the victim blaming and ableism as what it is, even presenting it as just Correct. 
this isn’t exclusive to the women in the show by any means, this is exactly why I avoid a lot of content about tim, but it affects a lot of the women who are main characters. that isn’t the Only reason, there’s more casual ableism and things that tear him down for other reasons (the prevalent theory that elias passed up on sasha because he’s afraid of how she’s More Competent In Jon In Every Single way. which comes with the unfortunate implications of jon being responsible for his own trauma because he just wasn’t competent enough to avoid it) but that’s the main one that squicks me out.
of course not all fan content does this, and I Do engage with content about these characters, but sometimes it’s easier to just stick with content that centers on my comfort character because it’s more likely to look at his character with the nuance required to see that it is victim blaming and ableism. 
it’s not enough to say that the characters are well rounded or well written and conclude that if someone isn’t consuming or creating content about them then it has to be due to misogyny and nothing else.
there’s also just like, the Obvious answer. two most prominent characters are two men that are in a canonical gay relationship, which draws in queer men/masc people on it’s own but the centering of their othering and trauma Particularly draws in traumatized queer people that are starved for content. georgie and melanie are both fleshed out characters in and of themselves, but their relationship with each other doesn’t have nearly as much direct screen time. and daisy and basira have a lot more screen time together and about each other, but their relationship is very intentionally non-canon because of its role as a commentary on cop pack mentality.
people are More Likely to create content for the more prominent relationship in the show and be drawn into the fandom through that relationship in the first place. I have no doubt that there Are misogynistic fans of the show, but focusing on the relationship and the characters that make you happy isn’t and indication that you’re one of them.
which brings us to the big one, the one that sparked me into writing this in the first place (and the last that I have time for if I’m being honest). the “common excuses” section in general is, extremely dismissive obviously but there’s only one section that genuinely upsets me. 
without copying and pasting what they said directly, it essentially boils down to this: while they recognize that gay and trans men are “allowed” to relate to men, they’re still Men which makes them misogynistic. Rather than acknowledge Why gay and trans men would engage with fan-content specifically that caters to them they present it as a given that it’s 100% due to misogyny anyways. they present queer men engaging with content about themselves as them treating women like they’re “unworthy of attention,” calling it a “patriarchal tendency” that they have to unlearn.
being gay and trans does not mean that you’re immune to misogyny, being a woman doesn’t even mean that you’re immune to misogyny, but that’s engaging in bad faith in a way that really puts a bad taste in my mouth. 
queer men aren’t just like, Special Men that have Extra Bonus Reasons to be relate to boys, they’re people who are more likely to Need fandom spaces to explore facets of themselves. and while you can Relate to any character, it feels good to be able to explore those aspect with characters that resemble you or how you see yourself.
when I first started actively seeking out fandom spaces in middle school I engaged with content about queer men more or less exclusively. at this point I had no concept of what trans people were, and wouldn’t begin openly considering that I might be a trans person until high school. I knew that I’d be happier as a gay man before I knew I could be a gay man, and that’s affected my relationship with fandom forever. 
I engage with most things pretty casually, reblogging meta and joke posts when I see them, but what I go out of my way to engage with is largely an expression of my gender identity and sexuality. I project myself onto a comfort character and then I Consume content for them because that was how I was able to express myself before I knew that I needed to. it’s not that girl characters aren’t “worthy” of me relating to them, it’s that I specifically go to certain fandom spaces to express and work through my gender and sexuality. that’s what I use those fandom spaces For.
I imagine that I’ll need this crutch less when I’m allowed to transition and if I ever find a relationship situation that works out for me. but also like, why should I? it’s not actually hurting anyone for me to explore my gender and sexuality through fanfic until the end of time. nor does it hurt anyone for me to focus on my comfort characters. 
fandom is personal comfort and entertainment, not a moral obligation. people absolutely should engage with women in media and real life with more nuance and energy than they do, but fandom spaces are not the place to police or judge that. 
26 notes · View notes
bubonickitten · 4 years ago
Link
Summary: Jon goes back to before the world ended and tries to forge a different path.
Previous chapter: AO3 // tumblr
Chapter 17 full text & content warnings below the cut.
CWs for Chapter 17: panic/anxiety symptoms; brief mention of past self-harm (from last chapter); mention of past (canonical) blood/injury; brief allusion to past passive suicidal ideation; brief claustrophobia/Buried themes (in the context of a nightmare); some blink-and-you'll-miss-it internalized ableism re: ADHD (not explicitly stated as such); Jon-typical self-loathing, internalized victim blaming/dehumanization, etc.; discussion of low self-worth, fear of abandonment/rejection, and other Lonely themes; extensive discussion of Jon's statement consumption (so, general warning for restrictive behaviors re: 'eating' and self-hate re: addiction/compulsions); swears. SPOILERS through Season 5.
Chapter 17: Intervention
Even asleep, Jon is a flurry of movement. The muscles in his jaw tense repeatedly as he grinds his teeth; his limbs twitch and jerk and tremble; his fingers curl into his palms, fists clenching and relaxing at random intervals. The quick, erratic motions beneath his closed eyelids are accompanied by gasps and the occasional whimper. Impossibly, he looks even frailer than usual – folded in on himself and shivering despite the thick, oversized jumper engulfing his slight frame.
Martin sits on the floor with his side pressed up against the cot, his arm resting on top of it and his eyes riveted on the few inches of space between Jon and himself. Part of him wants to reach out, to soothe away the varying shades of distress flitting their way across Jon’s face; another part of him, quieter but nonetheless insistent on making its existence known, tugs him in the opposite direction, urging him to widen that handspan of distance between them into a chasm. Something about Jon’s ragged breathing keeps Martin rooted in place, his heart skipping a beat any time the pauses between breaths stretch just a little too long for comfort.
At least he’s breathing at all, Martin thinks with a pang. His hand twitches in an unconscious desire to check for a pulse – some secondary sign to reassure him that Jon really is just sleeping.
At the gentle knock-knock on the doorframe, Martin jumps. The door to Document Storage, already cracked an inch or so, creaks as it swings wider.
“Jon?” Georgie calls softly, peeking through the gap. “You in here? I was just – oh,” she says when she sees Martin. An instant later she notices Jon, tossing and turning on the cot behind him. “What happened? Is he okay?”
“He… well, he’s fine now. I think. Just… sleeping.”
“Wait,” she says, fully entering the room and approaching to watch Jon with genuine astonishment, “you actually got him to sleep?”
“Not really? He was having trouble staying vertical, so I told him he should lie down until the vertigo passed, and…” Martin shrugs. He’s still taken aback by the fact that Jon complied without argument. “I don’t think he was planning on falling asleep, but he was out as soon as his head hit the pillow.” Jon’s fingers spasm, brow wrinkling as he cringes and curls into a tighter ball. Martin sighs. “Doesn’t look very restful, though.”
“Oh, he’s always been a fitful sleeper. Even back in uni. He didn’t used to be that bad, though. Or – he was, but in short bursts. Not… drawn out like this. He’d usually wake himself up after a minute or so of…” She frowns as Jon goes taut in a full-body spasm. “That.”
“I guess the Eye doesn’t want the dream to end,” Martin says quietly. Jon twists his fingers against the sheets, gathering the fabric in a death grip. Martin’s hand twitches again, inching just a bit closer to Jon’s. He resists the urge to uncurl Jon’s fingers, to give him a hand to hold instead.
“Last I checked, the nightmares weren’t as nightmarish anymore,” Georgie says. “I mean, by his own admission, he treated mine and Naomi’s dreams like social calls.”
Martin tears his eyes away from Jon to glance at Georgie, a puzzled expression on his face. “Naomi?”
“Naomi Herne. He said hers was the first statement he took in person.”
“Yeah, back when he was still putting on the skeptic act. And she filed a complaint against him for being…” Martin smiles and shakes his head. “Well, Jon.”
“I’m not surprised,” Georgie says with an amused snort. “They seem pretty friendly now, though.”
“What, seriously?”
“Yeah. They do have a similar sense of humor. She doesn’t seem to scare easy, which probably helps. And she has a cat, so…”
“What does that have to do with anything?”
“Jon… has trouble initiating when it comes to having a social life,” Georgie says slowly. “Just wanting to talk doesn’t strike him as a good enough reason to start a conversation. He worries he’ll just be an annoyance. It’s like he needs to come up with some concrete justification for reaching out. But Naomi is always excited to talk about the Duchess – that’s her cat – which means Jon is less likely to feel like he’s bothering her. Which also makes him less likely to talk himself out of sending a text. Plus, it’s a safe, normal thing to talk about, and he loves cats, so…” She shrugs. “It’s good for him.”
“Huh.”
“Yeah. Gives her an excuse to stay in touch, too, I think.” Georgie gives Martin a significant look. “Lonely, you know?”
“I…” Martin rubs the back of his neck, not meeting her eye. “Yeah.”
“Anyway, I thought… well, he said the nightmares weren’t as bad as they used to be.” Georgie frowns as she watches Jon’s lips twist, his teeth bared as he sucks in a sharp breath. “I don’t know. At least he’s actually sleeping. I don’t think he’s slept for more than forty minutes at a time since he got out of the hospital.”
“That was nearly a month ago.” Martin gapes at her, horrified. “How has he even been able to function with that level of sleep deprivation?”
“The same way he survived for six months without a heartbeat. And why he has to consciously remind himself to breathe sometimes, and has a tendency to forget to blink, and doesn’t have much of an appetite for normal food anymore. He’s not fully human –”
Georgie must sense Martin preparing to go on the offensive, because she holds up both hands palms-out, placating.
“I’m not saying that he’s inhuman, either. He might be convinced that he’s more monster than human, but he’s still a person. He’s just… different now, and he’s resigned to that, but he hasn’t yet gotten it through his head that there are people who will accept him regardless.” She sighs. “My original point was that he doesn’t have the same physiological needs that most people do. But he still does need to sleep from time to time. Sleep deprivation clearly takes a toll on him.”
“Figures,” Martin huffs, blowing hair out of his eyes. “He’s always treated sleep as optional.”
“Yeah,” Georgie says with a laugh. “He’s operated on a bare minimum of sleep for as long as I’ve known him. Part casual self-neglect, part allergy to the general concept of resting, and part legitimate insomnia. I told him more than once he should get evaluated for a sleep disorder, but… well, you know Jon. And now that he really does need less sleep than the average person, of course he’s pushing the limits even further.”
Martin looks down at Jon and thinks, as he has countless times before: He really does make it so damn difficult to take care of him.
It’s simultaneously heartbreaking and frustrating, even irritating at times – but somehow, whenever Jon doubles down, it only makes Martin do the same. It’s become such a familiar dance, a challenge even, and more often than not, Martin wins those contests of will: badger Jon persistently enough, strike just the right balance between expressing worry and wagging a finger, and eventually he’ll agree to take care of himself. In the beginning, he would grump and roll his eyes and drag his feet; as time went on, though, he became more receptive to it. Some days, he even seemed to enjoy – albeit in a guarded, almost shy way – being cajoled into sharing lunch or tea or conversation.
Unthinkingly, Martin brushes a lock of hair away from Jon’s forehead, damp with cold sweat. Wishes he could smooth the tension away as easily.
“Did you two talk about things?” Georgie asks.
“Some of it.”
“Do you want to talk about it?”
“I…” Martin bites his lip. “I feel like I shouldn’t want to, but I – I sort of do?”
“Well. I have some time to listen.” Georgie takes a seat towards the foot of the cot. “How’d it go? Bearing in mind this isn’t the tunnels.”
“It’s… a lot.”
“Mm. I can imagine.”
“I mean, he…” Martin runs a hand through his hair with a disbelieving, nervous chuckle. “He told me he wants to grow old with me?”
“He said that?” Georgie laughs outright. “God, he’s gotten even more saccharine than I thought.”
“It’s just – not something I would have ever imagined him saying? To anyone, let alone me.” Martin can feel his palms sweating now; he rubs them on his trousers, hoping to dispel some of the clamminess. “He just seems so… changed.”
“He is, but… maybe not as drastically as it might seem. Rather, this is him, just – without all the walls.” Georgie chuckles, shaking her head. “And less of a filter, apparently. Sorry.”
“Sorry?” Martin repeats, perplexed.
“He’s dumping a lot on you all at once. I can talk to him, if you want. Tell him to slow down, give you some space to process it all.”
“I… I don’t…” Martin pauses, coming up against an invisible wall between a daunting realization and the explicit acknowledgment thereof. He makes several abortive attempts at speech before he manages to voice the confession: “I don’t think I want him to?”
Left to himself for too long, Martin can feel himself start to come unmoored. The truth the Lonely is so loathe to have him accept, let alone speak aloud, is this: he doesn’t want that to happen. Not anymore. Being in the presence of others, actively taking part in a conversation, seeking comfort in touch – all of these things still feel grating, unnatural even, but a return to solitude frightens him in a way it hasn’t for months. It’s an old terror, one that he had become numb to since accepting the Lonely’s embrace. Now, it seems to have returned with a vengeance. The lingering, ambient discomfort that comes with human connection is quickly becoming preferable to that looming fear of absence.
Still, though…
“It feels like – going against my nature, every minute I spend talking to him, to you, to… anyone, really. I think I just… forgot how not to be alone?”
On some level, Martin wonders whether he ever knew in the first place. He’s had friends, certainly, but every relationship, no matter how ostensibly reciprocal, has been laced with an undercurrent of insecurity: a loud, nagging voice in the back of his mind, reminding him of the consequences should he allow himself to be too much or not enough. Always primed for rejection, he strove to make himself pleasant, to make himself useful, to make himself accommodating and unobtrusive and easy. Sometimes, he felt like an impostor, fooling people into believing that he was worth keeping around. He was always counting down the moments until someone would see through the façade to the inadequacy within, realize he wasn’t worth the trouble, and leave him behind.
“The Lonely… I don’t think I want it anymore,” he says, “but it feels – wrong, to leave it behind. Not me, somehow.”
“Hmm.” Georgie drums her fingers against her chin. “I can understand that. Isolation can become so habitual that it starts to feel like home, and anything trying to break through feels like an invasion. You start to feel safer alone, and you deny those moments when you catch yourself wishing things were different, because loneliness has become such a part of you that you don’t know who you would be without it.”
“I… yeah,” Martin says, taken aback by having it laid out so succinctly.
“In my experience, it helps to remind yourself that your brain is lying to you when it tells you you’d be better off alone. In your case, I guess it’s your brain and a supernatural fear god or whatever, but… unless you’re keen to fight a god, it might be best to start with your brain. That’s something you actually can exert some control over, with enough practice. And I think it might make it harder for the fear to get to you if you’re not trapped in the kind of mindset it thrives on.”
“I guess,” Martin says, looking off to the side. Once again, he rests his arm on the cot, his hand mere inches away from Jon’s, sheet still clenched tightly in his fist.
“But you don’t have to take it on all at once,” Georgie says. “If you have to set boundaries, Jon will understand. And even if he didn’t, you still have a right to enforce them. Not to sound cliché, but you shouldn’t set yourself on fire to keep others warm.”
The problem is, of course, that the concept of putting himself first is as alien to Martin as the idea of being… well, not lonely.
“I can hear the cogs turning,” Georgie says with a gentle smile. “Look, it’s easier to accept a concept intellectually than it is to actually apply it to yourself. There’s a learning curve. But it’s a lesson worth learning. Took me way too long to learn it myself. If it helps, start with – to use another cliché – ‘put your own oxygen mask on before helping others with theirs.’ Then you can move onto practicing self-care without feeling guilty.”
“What are you, a therapist?”
“Nope. I’ve just had several years of experience being on the receiving end.”
“O-oh. Uh, sorry –”
“Don’t be. It’s not something to be ashamed of. Anyway, at this point, I could probably fill out CBT worksheets in my sleep. With enough practice, it does start to become intuitive.” She shrugs. “Anyway, you can’t fix Jon, and I don’t think he expects you to. You can support him, you can care about him, but you can’t make him better. That’s true in any relationship, but… well, obviously it’s – a bit more complicated in this case.”
“I just… I want him to be okay, and I don’t know how to help –” Martin startles when Jon kicks one leg out violently, entangling himself in the sheets as he pulls it back and curls into himself again. Martin lowers his voice. “He – he was so starving he passed out, Georgie, he wasn’t breathing and it was like the hospital all over again and – and I don’t think I have any other stories I can tell that would count as statements –”
“Wait, you gave him a statement?”
“Y-yeah.”
“I thought he didn’t want –”
“I don’t know if he would have agreed if he was conscious, but he… he wasn’t waking up, and I didn’t know what else to do,” Martin says pleadingly, watching Georgie carefully to gauge her reaction. “He needed a fresh statement. Old statements aren’t enough, and he said new ones cause nightmares regardless of whether he takes them in person or not, so we can’t just give him new written statements that come in, and I – I don’t know what we’re going to do if he gets that bad again.”
Martin remembers the look in Jon’s eyes: glossy, glazed and almost luminous with an alien sort of hunger, but shot through with a terror more devastating than Martin had ever seen from him. The unflinching intent with which he hurt himself; the erratic rhythm of his breathing; the way his dilated pupils swallowed the irises just before he fell unconscious. He was lost to the world in those moments, alert but unresponsive, seemingly unable to hear a word Martin was saying.
And the abject horror on his face when he commanded Martin to stay away…
“He was… he was so scared. Of himself. He doesn’t want to hurt anyone, but he – he can’t think straight when he’s like that.”
“Shit,” Georgie says, pinching the bridge of her nose.
“I think working in the archives gives some immunity? I’ve given a few statements, before we knew how all this works, and he never showed up in my nightmares. Tim’s or Sasha’s, either, as far as I know. And I actually… well, I don’t actually mind giving him statements, to be honest? It’s – hard, to relive it, but it’s… cathartic, too. To get it all out, to be able to actually – describe it in words. Maybe I’d feel differently if I came in off the street – or was approached – and I didn’t know him, and wasn’t protected from the side effects, but – as it is, I would be fine giving him statements when he needs them, and that’s not – that’s not a huge sacrifice on my part, is what I’m saying. But I don’t… I don’t think I have any more stories to give.”
“Okay,” Georgie mutters to herself, rubbing her temples. “Okay. We… we’ll figure something out. Obviously, Jon needs to be part of that conversation. Maybe Daisy, too – Jon seems to trust her.”
“Why would he trust her?” Martin asks, incredulous, almost incensed. “She kidnapped him. She – she slit his throat, she was going to –”
“I know. I don’t really understand it either. But supposedly she’s changed a lot, and she’s an Avatar like he is. I get the feeling he might want her there.”
“Fine,” Martin says in a clipped voice, even though fine seems like a wildly inaccurate descriptor to him. “What about Basira? And Melanie?”
“Melanie… with Jon’s permission, I’ll invite her, just so she’s not out of the loop, but I doubt she’ll take us up on it.” Georgie frowns, rubbing her jaw absently. “As for Basira… I don’t know. Something Jon said…”
“What?”
“I’m…” Georgie pauses, tilting her head from side to side as she deliberates. “Concerned. About how Basira might approach the situation.”
It takes a few seconds for Martin to work out the implication. When he does, he pales, mouth going slack.
“You – you don’t think she’d hurt him?”
“I don’t think so,” Georgie says haltingly, “but there’s a chance she might put the option back on the table if she thinks he’s too dangerous. She wouldn’t like it, but… well, she seems utilitarian. I think she’ll do whatever she thinks she needs to do. And even if she doesn’t threaten him directly, I still…” She sighs. “Jon’s not in a good place right now, mentally. Frankly, I worry about exposing him to anything that might encourage a better-off-dead mindset, even if it’s just… perceived condemnation.”
“God, this…” Martin laughs, high and stressed. “This entire situation is…”
“I know. But we’ll figure something out. And in the meantime, make sure to take care of yourself too, alright?”
“Yeah,” Martin says, only half-listening.
“I mean it. Jon cares about you. He wouldn’t want you to run yourself into the ground on his behalf.”
Before Martin can respond, Jon jumps in his sleep again with a strangled gasp. Flinging one arm out, his hand brushes against Martin and seizes a fistful of his sleeve. Tightening his grip, he tugs on Martin’s arm to bring it closer, practically hugging it in a vice grip. Almost instantly Jon calms, tense muscles relaxing, pained expression going slack, a relieved sigh shuddering out of him as he nuzzles into the crook of Martin’s elbow.
Martin can feel his cheeks burning. He shoots a preemptive glower in Georgie’s direction, daring her to laugh – but she only smiles.
“Well, I’ll leave you to it,” she says, rising to her feet. “Text me when he’s awake, will you?”
“Y-y-yeah,” Martin stammers. “I’ll – I’ll see you later.”
He barely notices her departure, instead staring down at Jon with a vague sense of wonder. Jon holds fast to him like he’s a lifeline, and Martin can feel him breathing warm and steady through the fabric of his sleeve. The cold sweat on his brow seems to be evaporating now. Martin shifts his position to more fully face the cot. As he reaches up with his free hand to brush away the hair clinging to Jon’s forehead, a slow, shy smile begins to spread across Martin’s face.
It won’t be long before Jon succumbs to another fit of tossing and turning, but in the meantime, Martin simply watches him with faint awe and renewed affection. He’s never seen Jon look so at peace, and he takes the opportunity to memorize the sight.
When another shard of the Lonely shatters and crumbles away, Martin is too preoccupied to note its passing.
With a startled yelp, Jon sits bolt upright. Gulping down air in deep, ragged breaths, he looks wildly around the room, not taking anything in: it’s all visual noise, smudges of loud colors and sinister shadows, all of it closing in and bearing down on him.
Something next to him – close too close too close – moves abruptly, rising up and looming over and settling down beside him. Jon cringes away, only to find that his legs are pinned together by something, restricting his movement, and there’s dirt in his mouth, and dirt in his throat, and dirt in his lungs, and he cannot breathe, cannot breathe, cannot breathe, cannot breathe –
“Jon,” comes a voice – somehow both close and far away. “Listen, you’re – you’re okay, you’re safe.”
Trapped in that liminal twilight haze between sleep and waking, Jon gropes blindly for a handhold, an anchor, something real and solid and –
His hand collides with something soft, warm – wool, his mind supplies, and then:
…wool is able to absorb nearly one-third of its weight in water…
He shakes his head to chase away the stray scrap of trivia, digging his fingers into the fabric to ground himself.
“It was just a dream,” says the voice again – a kind voice, a safe voice – and Jon takes a shuddering breath, like a drowning man clawing for air.
Then a hand closes over his, and that light pressure is enough plunge Jon right back below the surface. He thrashes violently, desperate to break away from the throbbing litany of too close cannot move trapped held pinned in place screeching metal crushing in and down and down and down and Karolina beholds her encroaching fate with tranquil acceptance and the Archivist feels her skull crack and her chest cave in and her lungs collapse and still she smiles and she watches as the Archivist flails uselessly for an escape that does not will not cannot exist and the door bulges and splinters and explodes inward and the deluge rushes in and the Archivist is drowning, drowning, drowning –
The hand draws back, the pressure lifts, the train car finally collapses, and the last remnants of hazy sleep begin to disintegrate.
“S-sorry, I didn’t mean to – it’s – it’s just me, Jon.”
“Martin?” Jon chokes out, tightening his grasp on Martin’s jumper – wool, warm, soft, safe – still bunched in one hand. He reaches out his other arm to find a second handhold.
“Yeah. I – I won’t hurt you.”
Safe.
“I know,” Jon says groggily. The tension drains away and he sags against Martin’s side, breathing in slow, deliberate swallows. “’M sorry. Dream.”
The first time he’s slept, truly slept since leaving the hospital, and of course it had to be while Karolina Górka was dreaming. Of course.
“Do you… want to talk about it?”
“Buried,” Jon mumbles, face partially burrowed in Martin’s shoulder. Self-explanatory, he figures.
“Oh,” Martin says in a broken whisper. Jon opens one eye to see an expression of helpless pity on Martin’s face. “That’s…”
“’S okay,” Jon assures. “I’m okay.”
Reluctantly, he releases his hold on Martin and leans away. When he stretches – partly out of habit, partly to reassure himself that he can – there’s still something pinioning his legs. A spark of panic tears through him before he realizes that it’s just the sheets, tangled hopelessly around his lower half. With some difficulty, he manages to extricate himself and kick the blankets away.
“How long was I out?”
“Couple hours.”
“Have you just been sitting here the whole time?” Jon frowns apologetically. “You could’ve woken me.”
“Wake you when you were actually sleeping for once? Uh, no. How are you feeling?”
“Better,” Jon says simply. “I’d like to know how you’re doing.”
“I’m – fine,” Martin says. Jon raises an eyebrow. “Really, I – I am. I’m more worried about –”
“Me, I know. And I’m worried about you. I… don’t think you’re just ‘fine.’” Martin gives a noncommittal grunt. “I really would like to know where you are in all this. How you’re faring. How I can help.”
Martin remains silent, lips pressed tightly together as if to seal them.
“I know I was – distracted, earlier, but I… I really do want to help,” Jon tries again. “Please let me help?”
Something finally gives and Martin slouches with a sigh.
“I’m… still trying to figure it all out,” he says slowly. “I don’t know what I’m feeling most of the time, besides… worried, and…”
“Lonely.”
“Yeah,” Martin says with a wistful smile.
“You don’t have to be,” Jon says quietly.
“I know.”
“I’m not – I’m not trying to –” Jon sighs. “I just… I need you to know.”
“I know,” Martin says again.
Jon bites back the nagging impulse to ask all the questions itching on his tongue: Have you decided what to do about Peter? How Lonely are you now? Do you need closeness or distance? What should I be doing, or not doing? What can I do to take care of you? Where do we stand?
What do you see, when you look at me?
Jon looks away and shuts his eyes.
“I’m sorry you had to see me like that, by the way. It wasn’t my intention to frighten you. Or to…” He swallows, fighting back the nausea rising in him. “To compel you.”
“It’s alright –”
“It’s not,” Jon says brusquely. He makes a conscious effort to soften his tone before he continues. “I don’t want to be the thing that frightens you.”
“You’re not,” Martin says with a bemused frown. “I know you didn’t mean to use your powers on me.”
“You were afraid. I could…” Jon closes his eyes again and forces himself to say the words. “I could taste it.”
And the Archivist in him savored it.
“I wasn’t afraid of you, Jon. I was afraid for you. You looked terrified, and in pain, and you were hurting yourself, and I didn’t know how to help, and then I didn’t know if you were going to wake up, and… that’s what scared me.” Jon’s skepticism must show on his face, because there’s an intensity to the words when Martin reiterates: “Not you. Never you.”
“Never say never,” Jon says with a brittle, self-deprecating smile.
“I’m serious, Jon.”
So am I.
“I… I think we need to talk about where to go from here,” Martin says after a moment, averting his eyes.
“I agree.”
“You do?” Martin looks back to him, blinking in surprise.
“Yes,” Jon says, adjusting his position to sit cross-legged and pivoting to face Martin fully. “The others need to know what happened. I can’t be trusted not to hurt anyone –”
“No, that’s not what I –” Martin sighs. “I’m worried about what could happen if things get that bad again.”
“That’s what I’m saying. I came dangerously close to – to relapsing. We need some plan in place, some way to keep me contained so that I don’t –”
“Stop, stop, stop,” Martin says, holding up a hand. Jon tilts his head, bewildered. “I’m not – I’m not talking about keeping you contained, Jon. I’m worried about you. This goes beyond a compulsion you can beat with enough willpower. You were starving. You… you could have died.”
“We don’t know that.”
“Exactly! We don’t know, and I don’t want to find out.”
“Well, yes, but –”
“No ‘but.’ There has to be some way to keep you fed without hurting anyone. We just need to –”
“Martin, terror and suffering is the entire point. That’s what sustains it. Mine, my victim’s, doesn’t matter as long as it hurts.” Jon laughs, hollow and bitter. “It’s not like there’s an ethical way to – to harvest trauma –”
“We don’t know that for sure,” Martin says fiercely, “and I’m not ready to just give up. I would hope you aren’t, either.”
“I…” Jon busies himself with tucking a flyaway lock of hair behind his ear, using it as an excuse to break eye contact.
“Please, Jon.”
Martin takes his hand, prompting Jon to look up again. A familiar guilt rises up in him, shame at always being the one to put that expression of desperate worry on Martin’s face.
It’s enough to make him agree, albeit in a whisper, “Okay.”
“Right,” Martin says, giving Jon’s hand a brief squeeze. “Georgie and I were talking while you were asleep. She wants to be part of the discussion, so long as you’re alright with it.”
“Of course. We should probably tell Daisy and Basira as well.”
Martin appears to hesitate.
“I was thinking the three of us can meet first,” he says carefully, “and then we can open up the discussion after.”
“Why?” Jon observes the slight concavity that forms as Martin chews the inside of his cheek. “Martin?”
“Georgie’s worried about Basira’s reaction,” Martin says abruptly, “and honestly, so am I.”
“She needs to know.”
“I – I know, it’s just…”
“We have so few allies; we can’t afford secrecy and mistrust. And…”
And of all of them, Basira is the one Jon can trust to do what must be done if things go wrong. If he goes wrong.
“Basira is a strategist,” he says. “She’s good at viewing a problem from multiple angles, considering all the variables, predicting potential solutions and outcomes and then weighing them with a… pragmatic eye.”
“The pragmatism is what worries me.”
“I want her there,” Jon says simply.
“Okay,” Martin says, but Jon can tell he’s not thrilled about it. “What about Daisy?”
“Yes,” Jon says, not missing a beat. At that, Martin somehow manages to look even less thrilled.
“And Melanie?”
“I… I’m alright with her being there, but I don’t want her to feel pressured. She’s dealing with enough as it is.”
“Okay. I can let everyone know, but I think you should get some more rest before –”
“No.”
“Jon –”
“I need to confront this now. While I’m still… in my right mind,” Jon says, plucking absently at his sleeve with his free hand. “Sober.”
For a brief second, Martin looks ready to argue, but then he capitulates with a sigh.
“Okay,” he says, releasing Jon’s hand and standing up. “I’ll… round everyone up, I suppose.”
“Thank you,” Jon murmurs.
Martin glances back several times as he leaves the room. Jon waits until he’s out of sight before he puts his face in his hands, sighs, and tries to brace himself for a conversation he dreads almost as much as the Coffin.
A short time later, the group – minus Melanie – convenes in the tunnels, five chairs arranged in a loose circle with a sixth left empty off to the side. Sitting almost directly across from Jon, Basira watches him with eyes narrowed, arms folded, and mouth pressed into a firm line.
“What do you mean you ‘almost’ relapsed?”
“Martin suggested reading a new statement that came in earlier this evening,” Jon tells her in a straightforward near-monotone. Pushing through the discomfort it brings, he forces himself to meet her eyes when he speaks. “I agreed, without informing him that reading a fresh written statement has the same repercussions that taking a live statement in person does. I was going to feed, knowing that it would hurt an innocent person.”
“But you didn’t,” Martin says emphatically. “You stopped yourself.”
“Only because Helen pointed out the cognitive dissonance. Took a monster to remind me not to be a monster.” Jon scoffs. “Even then, I almost did it anyway.”
“But you didn’t,” Martin repeats.
“What about next time?” Basira asks, unimpressed. “When you get hungry again, what then?”
“That’s what we’re here to discuss,” Georgie says, assuming the role of mediator the moment she notices Martin’s scowl deepen. “We need to find some way to keep things from getting that bad in the first place.”
Thoroughly unnerved, Jon squirms in his seat. Basira has had him pinned under her stare for several minutes now, and she seems unlikely to cut him free any time soon. But what right does he have to object to scrutiny, given what he is?
“What did you do with the statement?” Basira demands. “The one you were going to read?”
“I… asked Martin to burn it.”
Her eyes flick to Martin. “And did you?”
“N-not yet –”
“Burn it. As soon as we’re done here.” She shifts her attention back to Jon. “Is there an alternative to new statements?”
Jon doesn’t miss a beat when he answers, matter-of-fact: “No.”
“Jon,” Martin and Georgie say simultaneously, with the tenor of a reprimand.
“I’m not – I’m not trying to be difficult,” he replies, finally breaking eye contact with Basira to look down at his hands. “It’s just… reality. I’m an Archive dedicated the curation of statements – of fear.”
“You never actually explained what that means,” Basira says. “You being the Archive.”
“It’s… hard to put into words.”
“Try.”
Jon sighs, taking a moment to collect his thoughts.
“The Archive is more than – paper and files and tapes. The reason it needs to be housed in a living mind rather than a mere building is because the statements themselves have a living quality to them.” He crosses his arms, brow furrowing as he struggles with his phrasing. “They need to be immersed in a steady supply of fear. A shelving unit, a filing cabinet, a hard drive, a cassette tape – those can’t provide the ideal habitat that they need to thrive. The Archivist is –”
“– simply a battery, a ready source of constant terror –”
He cuts the Archive off with a frustrated snarl, digging his fingernails into his arms.
“Hey,” Georgie says gently, “you’re alright. Take your time.”
Jon has to spend a few minutes counting breaths before he feels ready to try again.
“What I was –” He cuts himself off preemptively, half-expecting the Archive to intrude again. Once he realizes the words are his own, he clears his throat to recover from the false start. “What I was trying to say is – without a living consciousness to contextualize them, the statements are just… stories. When I consume a statement – read it, hear it, doesn’t matter – I See the events play out through the victim’s eyes. My lived experience of it is essential to the recording and preservation of the story. I need to be able to recall how it feels, not just summarize the major points of interest.” He sighs again. “And… that’s also the point of reliving the events in the nightmares. All of it is to keep the memory fresh. To keep the story – the fear – alive.”
When he looks up to see all four of them staring at him, he begins to rub his arms absently, increasingly self-conscious. He can feel the semicircle grooves leftover from where his fingernails cut into the skin.
“So… yeah,” he finishes awkwardly. “The Archive is defined by the statements and the fear that embodies them. The Beholding always hungers for more, and the Archive is a… a receptacle for all of its knowledge. The continual curation of new statements is what sustains it. Without that, it withers.”
“And dies?” Basira asks.
The question isn’t unkind, per se, simply businesslike: an eagerness to discover an answer heedless of whatever messy emotions it might elicit. Jon understands that impulse all too well. Not for the first time, he wonders whether Jonah had a secondary, hidden motive for recruiting Basira: a backup Archivist, in the event that his first choice be unable to endure the process.
“I still don’t know if it would physically kill me,” he replies, “but the hungrier I get, the more I forget myself. I’m liable to do things that I wouldn’t normally do, monstrous things.” He huffs. “And at the same time, giving in to that hunger will also make me more monstrous over time. It seems like… either way, I – I can’t avoid losing sight of… well, me. The human part of me. Whatever’s left of it.”
And wouldn’t losing himself be a death of sorts?
In a way, Daisy died the moment the Hunt recaptured her. What she became was her, undoubtedly, but only a small piece of her. The creature that Basira eventually killed… it was an echo of all the hated, feared parts of herself that Daisy had tried so hard to starve out. The rest of her – all the things that altogether made her Daisy – had long since been burned away.
If Jon didn’t manage to find a way out of that doomed future, he suspects that his ultimate fate may have been similar: all the fragile scraps of himself that still belonged to him, every sliver of personal identity, every shred of humanity crushed and buried beneath an ever-swelling ocean of dispassionate knowledge. The Archive would have carried on expanding and curating until, one day, it would have either collapsed under its own weight or simply run out of things to catalogue, then to waste away – but by then, it would have borne no resemblance to the original owner of its ravaged vessel.
Some endings play out in merciless increments. Jon has witnessed – has caused – more than his fair share of pointless, drawn out suffering. It would have been only fitting for his end to follow a similar path.
“Well, shit,” Basira mutters.
“What about statements given consensually?” Martin asks tentatively. “The one I gave you seemed to satisfy the Archive, or – or however you want to call it. And in the past when I’ve given you statements, they never gave me nightmares, so…”
“Anyone aligned with the Eye has a measure of protection from the Archivist,” Jon answers. “I was never privy to Tim’s or Sasha’s nightmares, either. Once Melanie and Basira started working here, their dreams were cut off from me as well. And… last time, Daisy ended up signing an employment contract after returning from the Buried. Same result.”
“Is it just the archival staff, or any Institute employee?” Basira asks.
“I… don’t know,” Jon says thoughtfully. “If I had to hazard a guess, I would say that it’s restricted to those most strongly connected with the Eye. Archival assistants, primarily. Possibly the research department, or at least those individuals who are the most… compatible with the Beholding, so to speak, though I’m not positive.”
Now that the question has been posed, Jon craves an answer.
“But – but experimenting isn’t worth the risk,” he says, mostly in an attempt to dissuade himself from pursuing the matter any further. He’s pleasantly surprised to hear the confidence in his own voice.
As if satisfied with that answer, Basira gives a tiny nod. Jon doubts it’s meant as a vote of confidence or as approval, but her posture does relax somewhat. He doubts that she trusts him by any stretch of the imagination, but for the moment she seems to have decided that he isn’t an imminent threat, at least.
It feels remarkably, disconcertingly like passing a test he didn’t realize was in progress.
Georgie’s eyes are fixed on the floor, her chin propped in her hand and a contemplative pout on her face. Martin has his lips pressed together, as if biting back an objection. Daisy is the only one looking directly at Jon. She hasn’t said a word since Jon gave his confession, but now her head cocked slightly to the side, as if she's weighing her words.
“I have a lot of stories from my Sectioned days,” she muses. “I could –”
“What would you say if I told you that you should go hunt a few monsters?” Jon says immediately.
“I…” Daisy stalls for a moment, and then gives a resigned sigh, understanding. “I would be worried that I wouldn’t be able to stop at a few,” she says grudgingly. Her shoulders slump as she adds, “Or at monsters.”
“Exactly.”
“But wouldn’t it be different?” she asks, perking up again. “The prey doesn’t consent to the hunt. The fear is taken, not freely given. But a statement – that can be consensual.”
“The Hunt cares about the terror of the prey in the moment. The Eye cares about the terror of the victim in the retelling. The consent aspect is only relevant in terms of whether and how it influences the fear. The fear is all they care about, and I doubt anything benign can come of consuming the fear our patrons want, consensual or no.”
“Do you remember what I said about harm reduction?” Georgie has been sitting quietly with her thoughts for so long, Jon startles at the sound of her voice when she rejoins the conversation. “We need to keep you from getting so hungry that it changes who you are, and new statements are the only way to satisfy that hunger. Correct?”
“Well, yes, but –”
“No ‘but.’ According to you, right now your options are statements or starvation.”
Struck with a fleeting impulse for petulance, Jon has to swallow a biting retort. It’s an old habit, hackles rising at having his own words turned against him – something for which Georgie has always had an aptitude. Between an impressive memory, an analytical nature, and a tolerance for confrontation, she’s never been shy to speculate on what’s really going on in Jon’s head at any given moment. That ability to dissect his motivations and insecurities and cognitive distortions – it used to feel like being flayed alive, all the vulnerable bits of him exposed and shoved under a spotlight.
It’s probably fair to say that his inability to weather that level of scrutiny was a big factor contributing to their eventual breakup: his guarded nature was incompatible with her more straightforward approach to relationships.
“I realize it’s not ideal,” she’s saying now, “but taking statements given with informed consent seems like the most ethical choice.”
“It isn’t just unideal, it’s – it’s –” Jon puts one hand over his eyes, rubbing his forehead and fighting back the urge to shout. “This isn’t a solution.”
It’s still feeding the Eye. It’s still capitalizing on other people’s trauma. And the stories Daisy has to offer… Jon has to wonder how many of them feature Daisy as a victim or a bystander, and whether those outnumber the ones where she herself is the object of fear. He’s taken statements from Avatars before. Some of them were indeed stories of experiencing fear firsthand. Others, though… the fear threaded through the statement came not from the teller, but from their victims.
Jon isn’t keen on siphoning off the secondhand terror of Daisy’s prey. Maybe he can’t afford to be picky, but if there’s one thing he’s learned, it’s that lines have to be drawn somewhere.
“We can keep looking for a better alternative,” Georgie says, “but for now… think of it as a stopgap measure.” Sensing Jon’s continued aversion to the idea, she continues: “If your own wellbeing isn’t enough to convince you, consider how you starving would affect other people.”
“It might make me more dangerous,” Jon says quietly.
“I mean – maybe, I guess? But that’s not what I meant.” At Jon’s blank expression, Georgie sighs. “When you suffer, it hurts more than just you. You have people who care about you. They’re sitting with you right now.”
“Still, I – I can’t ask that of –”
“Oh, come off it, Sims,” Daisy says, rolling her eyes. “You crawled into hell to drag me out when all I’d done was treat you like prey. And even after seeing what it was like, you went back in and brought me back a second time.”
“Yes, but –”
“If I sign a contract to work in the archives, it’ll stop you showing up in my dreams, right?”
“Yes. I’m – I’m sorry, again, about –”
“And it’ll keep new nightmares from cropping up if I give you more statements?”
“Well, yes –”
“Then what’s the problem?”
Jon opens and closes his mouth soundlessly several times.
“I – I – I don’t want you to sign yourself over to the Beholding just so I can – treat your memories like a – like a snack” – Jon flings one arm out in a sweeping gesture, supplementing the disgust with which he says the word – “without facing any consequences!”
He looks around at the others, arm still outstretched in the air, waiting for someone to back him up on this. When no one does, he huffs a bewildered chuckle and withdraws his arm to comb his fingers through his hair instead. Why is he the only one making a fuss about this? He thought he could count on Basira at least to raise an objection, but she’s just staring off to the side, apparently lost in thought.
“I was already considering signing a contract anyway,” Daisy says. “Basira said you had a theory that the Slaughter’s effects on Melanie were slowed by her connection to the Eye, yeah?”
“Yes,” he admits cautiously.
“We were thinking – maybe it’ll do the same for me with the Hunt.”
“Did it help last time?” Basira cuts in, as if she’d never tapped out of the discussion.
“I’m not positive,” Jon hedges. “It was a theory we’d considered, yes, but it’s not like we had much of a sample size to test that hypothesis.”
He wishes he’d thought to ask these kinds of questions after the world ended, when he actually had a chance of getting the answers. In his defense, he had a lot on his mind – and it’s not like he considered the possibility of coming back in time to actually make use of that information.
“And it didn’t entirely silence the call of the Hunt,” he adds, looking back to Daisy. “You still deteriorated the longer you refused to answer it.”
“Hm.” Basira’s contemplative expression returns as she withdraws to commune with her own thoughts again.
“Well, it’s not like I’m going anywhere anyway,” Daisy says with a shrug. “Basira’s trapped here. So are you. And I don’t think I can be trusted to leave here without giving in to the Hunt again. I have nothing to lose by signing a contract, and…”
Her eyes gravitate towards Jon’s throat. Mechanically, he reaches up to adjust the scarf around his neck, to ensure the scar there is covered. At the guilty expression on Daisy’s face, Jon has to look away.
“If it can help,” Daisy continues, “then I think telling some stories is the absolute least I can do after… everything.”
“How many do you have, do you think?” Georgie asks, once again settling into problem-solving mode.
“Don’t know. Several. A couple dozen? Maybe more, depending on how far we can stretch the definition of a statement.”
“I have a handful as well,” Basira says, her tone wholly unreadable. “Not many, but… a few of the things that happened while you were dead should count as statements, I think.”
“I – I couldn’t ask you to –”
“I’m not offering; I’m just inventorying all the options on the table,” Basira says with an air of finality.
Curiously, Martin seems to tense at Basira’s words, shifting restively in his seat and looking askance at her.
“How much time does that buy us, do you think?” he asks, throwing brief, surreptitious glances in Basira’s direction. “How long would a few dozen statements last you?”
“I… I don’t know,” Jon says, still altogether uncomfortable with the idea. “If I ration myself, then – a while, hopefully? Hypothetically? But…”
He’s loathe to elaborate, but when did keeping secrets and denying reality ever help?
“Last time, it kept getting progressively worse. I needed to feed more and more frequently in order to stave off the hunger. The side effects of abstaining grew more severe. I want to hope that it will be different this time. Maybe giving in to the hunger in the first place only encouraged the Archivist’s… evolution. Whet my appetite. It’s possible that refraining from hunting will… I don’t know, slow the process? Maybe? B-but at the same time…”
He trails off, lips parted, unable to say the words.
“Jon?” Martin prompts gently.
“It’s… I’m sorry, but I – I have trouble being optimistic about it. Coming back didn’t… it didn’t reset the Archivist’s progress. I’m the product of what I’ve done up to this point, even if I’m the only one who remembers any of it. I still have all the marks. And… the Archive fledged and thrived in the apocalypse.”
“Meaning?” Basira leans forward, watching him intently.
“The Archive is accustomed to a feast, not a famine. Millions of statements filtering through every moment without pause. Even when humanity started dying off – when there was less and less fear to go around, when even the monsters started to decay in that place – the Archive was still sated, because I could See everything. No matter how few and far between those pockets of terror became, as long as fear was being suffered somewhere, the Archive had a steady source of sustenance.”
It wouldn’t have lasted forever, of course. Everything has an ending. But that had still been a ways off when Jon left that place.
“I probably would have been one of the last things standing, by the end,” he says softly.
“And you think the hunger will be worse this time because you aren’t used to being hungry,” Basira says.
“More or less,” Jon mumbles, shamefaced. “Coming back to the past, to now… there was no transition between plenty and want. I – the Archive – was just… dropped into a – a habitat it was never adapted to survive in. It’s like a… like a non-native species, as far as this reality is concerned. Like taking a fish out of water and expecting it to evolve lungs on the spot.”
“Hm.” Basira cups her chin in one hand, running a thumb slowly over her lips as she thinks.
“I plan to ration myself as strictly as possible, of course. I just want to establish the possibility that things might – escalate, at some point.”
“If it comes to that, we can deal with it then,” Georgie says. “In the meantime, we should just…”
“Take things one crisis at a time?” Jon tries to temper his bitterness with a weak smile, without much success.
“I mean, yeah, basically,” Georgie says. “But in order for this to work, you need to be honest with us.”
“I – I am, I –”
“I’m not accusing you of lying, Jon. I just mean… well, you have a long history of ignoring your own limitations, and –”
“You’re not good at taking care of yourself,” Martin interjects. His cheeks go pink and he tosses an apologetic glance in Georgie’s direction. “S-sorry, I didn’t mean to interrupt.”
“No worries,” Georgie says. Martin looks uncertain until she grins and, still making eye contact with him, jerks her chin in Jon’s direction. “By all means, go on.”
Emboldened, Martin turns his attention back to Jon, who meets his eyes with no small amount of apprehension. If Martin is intent on compiling a laundry list of examples of Jon’s poor self-care – and judging from that worryingly familiar look on his face, he is – then he has ample material to choose from. Jon barely has time to brace himself before Martin launches into his lecture.
“You used to forget to eat. You never took lunch unless I hassled you. I had to nag you to go home at night.” He’s counting off on his fingers now, Jon notes with dismay. “You went through most days fueled by a maximum of four hours of sleep and frankly alarming amounts of caffeine. You insisted on coming back to work, against medical advice, immediately after almost being eaten alive by worms.”
Jon opens his mouth to speak – and promptly shuts it again when Martin gives him what Jon can (with equal amounts of affection and dread) only refer to as that look.
“You could barely walk. I had to threaten to forcibly remove you from the building before you agreed to go home. You spent the next several weeks sneaking – hell, limping around down here” – Martin makes a sweeping gesture with his arm – “where we found your predecessor’s murdered body, and –”
“Yes, yes, okay,” Jon interrupts, hands flapping anxiously. “I get your point.”
“I also had to threaten to withhold the Admiral from you in order to get you to go to the clinic to have your third-degree burn treated,” Georgie chimes back in. Jon glares at her; she looks far too entertained by the proceedings.
“I was – I was on the lam,” he protests. “I couldn’t exactly go waltzing about in public.”
“But you were perfectly willing to go chasing down Avatars, apparently.”
“I…”
“Oh,” she adds, “and today was the first time you actually slept since you woke up from a coma.”
“I was asleep for six months,” Jon mutters, arms crossed, bouncing one heel against the floor. “I think that more than makes up for –”
“You tried to pass off a stab wound that required five – five!” – Martin holds up five fingers for added (and unnecessary, in Jon’s opinion) emphasis – “stitches as an accident with a – with a bread knife.”
Somehow, Martin manages to sound as indignant now as he did on the day it happened.
“That was several lifetimes ago,” Jon says primly. “At some point you have to let me live it down.”
“It hasn’t even been two years!”
“Seriously, Jon?” Daisy, who has been hiding a smirk behind her hand throughout the entire exchange, finally fails to contain her stifled laughter. “A bread knife?”
“I – I panicked,” Jon says weakly, cheeks burning. “Martin cornered me in the breakroom and it was the first thing I saw, and I just –”
Martin starts in again. “You were actively exsanguinating –”
“Th-that – that’s an exaggeration,” Jon sputters, watching Georgie out of the corner of his eye to gauge her reaction. She’s shaking her head with a faint smile, and Jon… well, Jon supposes that playful scorn is preferable to actual scorn.
“– and you refused to let me take you to the clinic until I threatened to call an ambulance,” Martin finishes.
“I was –” Jon twists a lock of hair around his fingers as he scrambles for some way to save face. “I would have been –”
“I think it’s safe to say you have no sense of self-preservation,” Basira says, and even she has a hint of amusement in her tone now.
“They have a point, Sims.”
“Et tu, Daisy?” Jon says, hoping to garner a laugh – or, failing that, at least halt the relentless bombardment of admonishments. Daisy simply raises her eyebrows and folds her arms, unmoved.
“Do I need to revisit some of the things we discussed in the Coffin?”
“No,” he says sullenly. When no one else speaks, he continues, somewhat irately: “Are we quite finished with the roast session?”
“For now,” Georgie says. “The point is, don’t run yourself into the ground just to test the limits of what you can endure.”
“And don’t let rationing statements turn into just another way to punish yourself,” Martin says sternly. Then he bites his lip, speaking gently now: “You… you deserve better than that.”
I really, really don’t, Jon thinks. Having no desire to unleash another lecture, though, he keeps the contrary comment to himself.
“Besides, letting yourself get that bad probably makes things worse in the long run,” Georgie says. “Like walking on a sprained ankle. Maybe you can endure the pain, but the longer you ignore it, the more likely you are to cause even more damage, and recovery takes longer than it would have if you’d just attended to it in the first place.”
“Speaking from personal experience, are we?” Jon allows a hint of retaliatory smugness slip into his voice.
“Yes,” Georgie says, rolling her eyes. “That ankle is still weak. Which is why you should listen to me. Just… try to care about yourself even a fraction of how much others care about you, alright?
Jon sighs. “Point taken.”
“You can trust us,” Martin says.
“I – I know that. I do trust you. I’m just…” Afraid. “I don’t want you to –”
“– mark me out as something other –”
“– getting used to people making polite excuses not to look at me –”
“– it wears you down to be someone whom nobody wants to see – I called out again and again but nobody came –”
Frantic, he covers his mouth with his hand to halt the recitation; the words continue to pour forth undeterred, albeit muffled and likely – hopefully – too indistinct for the others to understand.
“– I remember shouting, recriminations, and I was abandoned –”
“– no one to blame but my own stupid self – blundering in where I had no right to go –”
A flash flood of restless energy breaks through the dam and then it’s racing through his veins, filling his mouth and his mind with white noise. He kicks one foot out and brings it stomping back down to the ground in a burst of sheer infuriation and near-panic. A crawling sensation travels up and down the length of his spine, a parade of feather-light pinpricks reminiscent of thousands of scuttling spider legs.
The slight whimper that works its way up his throat is thankfully stifled by the hand still pressed to his lips.
“Breathe through it,” Basira tells him.
Irritation flares to life at the reminder, but Jon forcibly snuffs it out before the spark can catch. Basira is only trying to help – and in a way she knows has helped before.
He breathes.
A frustrated noise – something between a snarl and a whine – spills out on his exhale, and he presses another hand atop the first as if it can render him entirely soundless. Before another wave of self-directed fury can take him, Jon coaxes himself to take another breath in through his nose. And another. And another, counting up until the pressure behind his eyes lets up and the static clears from his thoughts – at which point, he’s forced to confront the four pairs of eyes playing patient audience to his outburst.
Like a toddler’s tantrum, he thinks acidly, burning with humiliation.
“Sorry.” Although the scathing edge to the word is reserved solely for himself, he takes another breath before speaking again, lest the others assume the ire is directed at them. “Sorry. I’ll try to control it better.”
“It’s fine, Jon,” Martin says. “We know you aren’t doing it on purpose.”
“Anyway,” Basira says, her peremptory tone indicating a return to the subject at hand, “can we all agree that this is the best strategy for now?”
Jon looks down, tracing the weave of his scarf, focusing wholly on the texture of fabric against fingertips in a vain attempt to distract from the pins and needles still skittering across his skin. It takes a moment before he registers the silence. When he looks up, the others are staring at him. Basira raises an eyebrow, clearly waiting for his response.
“Even if I do agree to this,” Jon says warily, “I still – I know it’s a lot to ask, but I still need to be monitored for any signs of…” Although the question is meant for all of them, Jon shifts his gaze to make direct eye contact with Basira as he asks it. “Can you let me know, truthfully, if I – if it looks like I might… if you think I’m a danger?”
“Jon,” Martin sighs, “you’re not –”
“Yes,” Basira says decisively.
Martin glares at her, his mouth falling open with a combination of shock and protective outrage. Jon recognizes that expression, and he jumps in before Martin can get a word out.
“Thank you, Basira.”
Now Jon is the target of Martin’s glower. He looks offended, betrayed almost, as if Jon took Basira’s side in a dispute between the two of them. Again, though, Martin doesn’t get the chance to scold.
“Alright then,” Daisy says, stretching. “It’s settled. You” – her eyes swivel to Jon, their piercing intensity prompting him to sit up at attention – “come to me when you’re hungry.”
“Before you cross the boundary into ‘starving,’” Martin says, carving out an opportunity to chastise despite the interruption.
“Consider me a vending machine of horror stories,” Daisy quips.
Jon grimaces and rubs the back of his neck. “Do you have to describe it that way?”
“Oh, quit grousing.” With a flash of teeth, a wolfish grin spreads across her face. “What, would you prefer I write up a menu?”
Her expression turns solemn when Jon winces and looks away.
“Sore nerve?” she asks, suddenly and uncharacteristically delicate.
“Are you sure you’re okay with this?” The question is nearly inaudible, Jon’s eyes fixed on the floor.
“I wouldn’t have offered if I wasn’t.”
Fearing his voice might crack if he tries to speak, Jon bites down on his lip and tucks his chin to his chest, letting his hair fall to hide the others from view. He shuts his eyes for good measure and swallows hard, determined to head off the tears threatening to gather.
“Hey.” Daisy stretches out a leg and kicks his foot gently. It’s enough to make him raise his head cautiously. “I was just teasing. Really.”
“I –” It comes out as a croak. Jon clears his throat and blinks several times to dispel the stinging pressure in the corners of his eyes. “I know.”
“It is… so weird to see you two like this,” Basira says with an air of baffled wonder.
Jon notices Martin fidgeting restively out of the corner of his eye. When he looks directly at him, he sees Martin glaring at Daisy with a mixture of worry, suspicion, and resentment.
It isn’t surprising; he never really did forgive Daisy for what she did to Jon. Neither did Jon, for that matter, but… Daisy was so changed after the Buried, it was difficult to see her as the same person who dragged him into the woods. She was, undoubtedly – she was the first to admit that – but she was remorseful and wholly dedicated to changing her behavior, even knowing it might well kill her. She never asked for forgiveness, never denied the harm she’d caused, never tried to justify or shirk responsibility for her actions.
What she later became… there was nothing left of the Daisy who he’d come to see as a friend. For that Daisy, being reclaimed by the Hunt was a fate worse than death. Worse than the Coffin, even. She would have preferred to die as herself, and on her own terms – and the Hunt stole even that ounce of humanity from her. It made her forget that she didn't want to be a Hunter.
Jon dreads watching her waste away again, but not nearly as much as he fears the Hunt devouring her whole.
“People change,” he says, looking from Martin to Basira, hoping those two words can convey all the things he cannot say. They both look unconvinced, albeit in slightly different ways.
The silence drags on uncomfortably long until Georgie claps her hands on her knees.
“You never answered the question, Jon. Are you alright taking statements from Daisy? At least until we can find a better solution?”
“I…”
He glances around the circle, looking at each face in turn, trying to discern their opinions on the matter. Daisy gives him a reassuring nod. Martin has an almost pleading expression on his face, worrying his bottom lip between his teeth and wringing his hands in his lap.
Basira is… entirely inscrutable, much to Jon’s dismay. He didn’t expect otherwise, but he still wishes he could get a read on her, determine exactly how she categorizes him now. Probably not as a trustworthy ally. At best, perhaps she sees him as human enough to be suffered to live, but on thin ice and under probation. At worst, she sees him as an irredeemable monster and is simply keeping her opinion to herself for the time being.
Or – no, the worst might be what he was to her last time. She saw him as a monster, yes, and was fully prepared to put him down – like a rabid animal, he thought when confronted with that wording – if he became too much of a danger. It was comforting to know that Basira wouldn’t let sentiment get in the way if he had to be stopped. Less comforting was how she saw him as an asset: a dangerous tool to be used and then locked away once he’d fulfilled his purpose.
Granted, he gave Basira permission to use him – asked her to, in fact. It would be unfair to resent her for taking him up on an offer that he himself put on the table. If his powers could be used to help for once, he was fully willing to sacrifice his humanity to do so. After all, he was already too far gone, he figured – and everyone else seemed to agree.
Georgie certainly seemed to think so. Melanie told him outright that he came back wrong. He had likewise interpreted Martin’s avoidance as a comment on his having changed for the worst, at least initially. And he knew from the moment he woke up that Basira saw him as something other, as something more akin to the monsters they were fighting rather than an ally. He understood why they all felt that way, agreed with their assessments even, but it was soul-crushing nonetheless.
But even if he couldn’t have – didn’t deserve – trust or companionship, he still needed a reason, something to justify choosing not to die. If being wanted wasn’t an option, the least he could do is avoid being a burden. An annoyance. If approval wasn’t on the table, at least he could convince people that he was worth keeping around. And hadn’t that approach always been second nature to him? In a way, he didn’t tend to seek affection so much as try to avoid rejection.
Ultimately, though, pursuing that strategy started to feel sickeningly familiar. It wasn’t until much later that he realized why: between Jonah and the Beholding – and in all likelihood the Web as well – he’d grown accustomed to being seen as a means to an end, and that made it all the more difficult to see himself as a who rather than as a what. It’s a distinction he still struggles with – particularly during those times when the Archive makes its presence known.
He might not have much right to ask for trust or approval, but that doesn’t change the fact that he craves it – perhaps from Basira most of all. If even her opinion of him can change… well, it would go a long way in helping him to believe that he really does have a chance.
“Jon,” Basira says, snapping him back to attention.
Shit. How long has he been staring?
“We need an answer,” she continues.
Jon can’t help but wonder if this is another test. If he agrees, will she see it as further proof of his inhumanity, as evidence that he isn’t trying to resist? If he refuses, will it make her suspicious, lead her to believe he plans on going hunting instead? He’s never been skilled at reading between the lines, at interpreting social cues, at deconstructing the unspoken. The best he can do is ask questions and guess blindly as to the right way to respond – and agonize over the repercussions should he get it wrong. Basira has a way of making that already difficult process even more intimidating.
“Jon,” Basira repeats herself, growing impatient now.
“O-okay,” he says quietly. “It’s… worth a try, I suppose.”
She gives a curt nod. As always, it gives him no insight into her thoughts. He has no time resume brooding, though, as Martin draws his attention with an audible sigh of relief. When Jon glances at him, Martin graces him with a smile – small, almost shy, but genuine. Jon tries and fails to mirror it.
Apparently finished with Jon for the moment, Basira turns her attention to Daisy.
“Come on,” she says, rising to her feet and tapping Daisy on the shoulder. “It’s time for your exercises.”
Obediently, Daisy starts to stand, only for her knees to buckle beneath her. Basira is there to catch her.
“Been sitting too long,” Daisy grunts, embarrassment coloring her cheeks.
“Can you manage the ladder?” Daisy shakes her head, flushing darker. “That’s fine,” Basira says, though Jon thinks he can detect a hint of fear – maybe even melancholy – in her tone now. “Let’s just… walk for now. Wake your legs up.”
The two of them start off down the tunnel, Basira supporting half of Daisy’s weight as she staggers forward.
“Jon?” Georgie says softly.
“Hm.”
“Try to cut yourself some slack, yeah?”
Jon really can’t afford to do that, but saying so will only start them talking in circles again. Martin leans closer and places a hand on Jon’s knee.
“Hey,” he says, looking Jon in the eye with overwhelming sincerity. “We’ve got this, alright?”
“Alright,” Jon responds, and wills himself to believe it.
The three of them exit the tunnel in silence. It isn’t until Jon hoists himself through the trapdoor – Martin assisting in pulling him to his feet – that one of them speaks.
“Oh,” Georgie says, looking at Jon, “by the way…”
“Yes?” Jon says, apprehensive.
“Melanie asked me to tell you that she’s ready to talk, whenever you are.”
“O-oh.”
“I know it's not a great time –”
“No, I – I think I…” Jon nods. “I think I’m ready, too.”
“It doesn’t have to be tonight,” Georgie says hurriedly.
“I really am okay to –”
Martin looks ready to object, but Georgie gets there first.
“Okay, correction: it won’t be tonight,” she interrupts, fixing him with a stern look now. “You’ve had hardly any rest since coming out of the Coffin. I think you should get some actual sleep tonight. If – if – you’re feeling up to it tomorrow, we can arrange something then.”
“Fine,” Jon sighs. He knows better than to argue with the combined tenacity of Georgie and Martin.
And he has to admit, he is rather tired.
A little over a half-hour later, Martin and Jon are back in Document Storage.
When he suggests Jon go to bed, Martin is prepared for a protracted argument. Jon acquiesces surprisingly quickly, though, his only condition being that Martin get some sleep as well. It takes slightly longer to convince Jon to take the cot. Martin pulls up a chair and sits at the bedside, refusing to budge as Jon makes his counterarguments. Eventually, though, Jon starts nodding off mid-protest. It’s only a matter of time before he begrudgingly gives in – but not before demanding that Martin take the better blanket. With an amused shake of his head, Martin agrees to the compromise.
Jon slips between the sheets, Martin leans back in his chair, and for a long moment the two of them watch each other in silence. Jon’s hand rests near the pillow, fingers crooked loosely, palm turned up like an invitation. Martin has the sudden urge to reach out and take it.
Another minute passes before Martin realizes that… well, that’s a thing he can do now, isn’t it? What’s stopping him?
Slowly, tentatively, he extends his hand, lets it hover uncertainly above Jon’s, fingertips barely brushing. He applies the slightest pressure, giving Jon every opportunity to pull back. He doesn’t. Jon interlocks their fingers, curling them over in a firm grasp, and peers up at Martin through his lashes with mingled uncertainty and hope.
“Is this okay?” Martin asks quietly.
As answer, Jon lets out a contented sigh, eyelids fluttering closed as a sleepy smile spreads across his face.
“'Course,” he mumbles, already drifting off. “Always will.”
Martin will follow not long after, slumping precariously to the side, head lolling onto his shoulder, and hand still held fast in a warm, sure grip. It’s a posture that will undoubtedly leave him sore by the time he wakes up, but that discomfort will be overshadowed by the way he feels in these shared, quiet moments: seen, accepted, wanted, embraced.
Anchored, he thinks – and for the first time in months, no thoughts of Loneliness shadow him as he falls to sleep.
End Notes:
Jon: *feels safe for the first time in a literally unmeasurable amount of time and promptly passes right back tf out* Martin: oh no he’s cute
Jon's gotten a SNACK and a NAP now. I hope you're all happy. :P  (Just kidding. Every time someone tells me to let Jon have a nap, I am also @ing myself - and Jonny Sims - with the exact same demand.)
(On that note, I find it funny that as I was writing this chapter and finally giving Jon the nap he deserves, he was ALSO finally getting the nap he deserves in canon.)
Citations for Jon’s Archive-speak are as follows: MAG 135; 130/067/066; 032/037.
Next chapter: Melanie gets some actual screentime again!!
29 notes · View notes
thedreadvampy · 4 years ago
Note
yeah, that's totally a fair stance to take! the meta i mentioned, if you haven't already seen it, is in this post: dathen (.) tumblr (.) com/post/617119320357666816 (the whole thing is a solid meta, the specific discussion of georgie cutting out jon is in the last couple of replies to the post)
Ok? I read it? I agree with it precisely as much as I agreed with your summary of its points (which is. not.)
like. Yes in walking in on Jon she was muddying the waters and that's not good behaviour. but I think this meta is a) phenomenally mean-spirited and interpreting all of her actions ('all her actions' being two brief conversations) in the worst possible light and b) leaving very little space for the fact that cutting somebody out is messy and difficult, especially when you're worried about them
I think it's a massive reach to say 'she was lying about coming to pick Melanie up' just because she's not being entirely honest about coming into his office by accident. There's a world of difference between 'she comes to Jon's workplace to shame him' and 'she comes to her girlfriend's workplace for a reason, overhears something that worries her, and sticks her head in to check in' and the interpretation both you and that post seem to have taken is the former which is. wild. like I have been in this situation, cutting someone out doesn't mean you stop worrying about them. was it like. best practise? no not really and I understand the disclaimer on the post is Nobody Is Perfect but like. it is a huge leap to go from 'Georgie is a human person dealing with a complex situation who sometimes missteps' to 'Georgie is a victim-blaming person going out of her way to harass Jon and break up his friendships' which is very...um, very much the vibe this post is giving me.
Also that reblog also says 'there is no Watsonian explanation for Georgie being there' which. yes there is it's just that nobody explicitly spells it out. Georgie comes into Jon's office specifically because she overhears him reading a statement and is worried, but tries to excuse it because she wants to maintain distance. That's not...complex to read imo.
Also I think literally everything said about the conversation with Martin is equally unfair. He asks why she's not talking to Jon, and she seems actively uncomfortable talking to him about it, so it's weird to me that this meta frames it like she's champing at the bit to tell him his friend is Bad Actually. She says she's not really talking to Jon in a context of 'oh you're Jon's friend,''yeah well kinda we're not really talking' which is.......relevant? this last reblog has really gone out of its way to frame Georgie as Actively Badmouthing Jon which...is not what I get from that exchange at all? what I see in that exchange is Georgie confirming (as much to herself as to Martin, but also to Martin, who works with both Jon and Melanie and could probably use the information that they're Not Friends Any More to cut off at the pass anything like like. idk. assuming Georgie is still supporting Jon, or like in a more normal situation maybe creating a situation where Georgie and Jon are in the same room and everything's awkward. like this is Useful Information to give to people in the same social circle as you). She doesn't want to talk about it further (that's really none of your business) and when pressed, stumbles somewhat to explain why she made the choice she did. And cutting someone off (especially if you're quite torn about it because you're still working about the person you cut off) is a difficult decision to explain honestly without it seeming like a personal attack. it's also very emotionally difficult. under which circumstances I think she walks the line pretty well until Martin actively says he doesn't think her girlfriend is worth saving. She does suggest Martin being close to Jon isn't safe but she doesn't say 'I think you'll get hurt if you stay near Jon' lightly, she says it as someone who has experience both of getting hurt herself and watching a lot of other people get hurt.
like, part of the significance of that scene is that both Georgie and Martin have withdrawn from Jon to save others (Georgie to save Melanie and herself and Martin to save the world and himself) but neither of them really know or understand that about the other at the start of the scene.
Like, I don't think this is a solid meta, especially not the reblogs, and it's not because I disagree with it - I see a lot of meta I disagree with but think it's solid. I don't think this meta is solid because I think almost all its presuppositions are off base.
11 notes · View notes
grasslandgirl · 4 years ago
Note
For the ask game F G H R T please!
tysm anna 🥺🥺💖💖
F: Share a snippet from one of your favorite dialogue scenes you’ve written and explain why you’re proud of it.
ahhhhhh this is SO hard, you’re getting top three sorry not sorry
in no particular order:
1) from I’ve waited and watered my heart ‘til it grew (the magnus archives, jon and martin):
“Georgie told me once- before the Unknowing, before… before we really understood the gravity of everything- that I needed people around me, to anchor me, as it were. To talk to- to all of you, but I think she also meant you, Martin, specifically. You were always there to anchor me, to listen to me, even when you were neck-deep in Lukas’s business. Even- even when I didn’t think I deserved it.”
Martin looked down at Jon, met his inscrutable and unwavering gaze. “You always deserved it, Jon,” he said, with all the conviction he had.
[i just ahhhh i think i really nailed jon’s voice through all of this fic but martin’s line here specifically. that’s it. that’s the crux of all of it i think.]
2) from my unfinished juno steel amnesia fic (the penumbra podcast, juno and rita):
“Amnesia?” Juno mumbled, looking at Rita for confirmation. “I lost… two years?”
“I mean, yeah, Mister Steel, if the last thing you remember was the Robertson case that was two years ago. And that means you don’t remember anything about Mister Ex-Mayor Takano-Flaherty or the THEIA’s or Mister Ransom or- OH!! This reminds me of that one stream we watched, Boss, with the guy who had his brain sucked out by aliens only they weren’t aliens they were actually a super secret government agency taking away people’s memories; but oh, no, I guess you can’t remember that either, because we watched that one after the case where that lady’s cat exploded after you lost your eye and you were still all sad about Mister Glass again- we should watch that stream, Boss! Especially now that you don’t remember anything either, even though-”
“Whoa, whoa, whoa, back up, Rita,” Juno said, waving his hand vaguely, “what was- any of that, if I’m being honest. Ransom and the mayor? We blew up somebody’s cat?”
“I mean technically, the cat blew itself up, Boss.”
[did i mention that i LOVE rita penumbrapodcast? cause i LOVE her and i love to write her she’s so fun and her dynamic with juno is So fun to write, she just talks and i get to run away on my keyboard and let her say whatever her salmon-crunchie flavored heart desires <3]
3) from my bad kids fantasy au unposted wip (dimension twenty, fabian and adaine and gorgug):
Fabian frowned at Gorgug, considering. “Gorgug, we need to duel more often. If I’m going to be Captain, I need to know all my competition- even if they’re my best friend.”
“Aww,” Gorgug smiled down at Fabian, “I’m your best friend?”
“What?” Fabian blinked in confusion, before noticing Gorgug’s widening smile. “You dick-” he punched Gorgug in the shoulder- “you nearly got me! Of course we’re best friends, Thistlespring-”
“What about me?” Adaine asked, watching her boys’ friendly scuffle.
“You’re my best friend, too,” Gorgug said eagerly, “I can have more than one best friend.”
“Well I have dozens of best friends,” Fabian said, never one to be out done. “But, uh, I suppose you two are the- the top of the list. Of my many friends.”
[i simply think.... they!! their dynamic is SO choice if i do say so myself, i just think that old childhood best friends is one of the Best dynamics out there and is sorely underutilized and i am taking it upon myself to solve that problem. you’re welcome, world]
G: Do you write your story from start to finish, or do you write the scenes out of order?
i HAVE to write my fics in chronological order, from start to finish bc there are always scenes that i really Want to write and if i write those first then i have No drive or focus to write the Rest of the fic or the context that goes with it, so i make myself write chronologically and use the scenes that im really excited to write as a goal and a driving force to get myself through the other, equally important scenes, that i’m less excited about, otherwise the fic sits half-finished and abandoned in my wip folder, never to see the light of day......
H: How would you describe your style?
truly i Could Not Tell You. ive been told i write how i talk which. yeah. but idk how true that is for my fic/fiction writing? i truly don’t know tell me about my writing style im begging you i don’t know what my style is i just write its just there
R: Are there any writers (fanfic or otherwise) you consider an influence?
there aren’t any specific writers that i draw regular, constant inspo from, really? i’m lucky to know and be friends with multiple incredibly talented authors (you, anna grace, chief among them of course) and sometimes when i read a really good fic or story ill get inspired by the author’s style or tone and work off of that; but those beats of inspiration aren’t super common and tend to just lead to short little spurts of writing, most of my longer ideas and wips are products of plot and character inspiration, drawing from my life or the original media itself and less from fic or other writing (shoutout to @nojoyinmudville and @cauldronoflove both for writing SO good that it made me write fanfiction for THEIR fanfiction sfjvnksjfbd)
T: Any fandom tropes you can’t stand?
uhhhhhh not off the top of my head? im a sucker for coffeeshop and bakery aus but they always sort of infuriate me bc you can always tell when theyre written by people who have Never Worked In Food Service nor have they KNOWN anyone who’s worked in food service bc they’re always “im the owner of a very popular, well-trafficked bakery and i’m the owner and also the ONLY EMPLOYEE. I BAKE ALL THE BREAD AND PASTRY MYSELF. AND I RUN THE REGISTER AND THE COUNTER. AND I CLEAN THE WHOLE KITCHEN. AND I DO ALL THE FINANCES AND ORDER FORMS AND LEGAL TAPE. I ALSO HAVE TIME FOR A FUFILLING SOCIAL AND ROMANTIC LIFE. SOMEHOW, I SLEEP SOMETIMES.” plese. im begging u people. use your critical thinking skills. or, if all else fails. GOOGLE HOW WORKING IN A COFFEESHOP WORKS. YOU DON’T WORK 6AM- 8PM SHIFTS SIX DAYS A WEEK WITH ONE COWORKER. YOU HAVE SHIFTS. MORE PEOPLE IN THE RUSH HOURS. YOU HAVE DAYS OFF. ahem. anyway. yeah.
this got. so long sorryyyyyy ksjbskjf but thank you a million anna grace ilyyy 💖💖🤧🤧
send me a fanfic ask!! (my ao3 acc is @/grasslandgirl and is linked in my bio!)
3 notes · View notes
thearchiveofaus · 4 years ago
Text
The Magnus Archives | Assassination Classroom AU (version A probably)
(long post, so the rest is under the cut)
The archival staff + several other characters are part of some prestigious school’s Class 3-F, for “problem kids” and the bottom 5% of students at the school
Class 3-F always endure horrific discrimination on top of poor learning conditions and it seems this year’s class is no exception
But on the first day of the school year something mysteriously destroys around 70% of the moon, leaving it in a permanent crescent shape
Around a week later, a strange creature appears in their class proclaiming to be responsible for the moon’s destruction, and also their new class teacher
The students are then assigned by the government to kill the creature in one year, during which he will be teaching them both normal school subjects and also train them to become assassins
The unkillable teacher is Elias
(no last name given and also probably no catchy nickname)
He’s not evil or manipulative or anything, he’s genuinely polite and cheery and strict but kind to the students and really passionate about teaching them all
But he’s also really blunt and goofy and extra at times
Appearance-wise I have no idea what he looks like yet (*゚ー゚)ゞ
but I imagine he’s probably monster!Jon adjacent at least - humanoid but also clearly monstrous, maybe mothy?? wings????, EYES
His expressions do not change (maybe he has no facial features other than eyes at all) but his eyes change color depending on his mood
Normal is emerald green, smug is kinda yellow and glowy, etc.
I imagine he can move and fly really fast but not as fast as Korosensei in canon - Elias goes about mach 16-18 tops, probably
But his reflexes are mad quick it’s really hard to catch him off-guard
Maybe because he’s got multiple eyes and can see multiple directions
He’s also brilliant and can predict people pretty well after observing them enough time
Elias teaches most of the subjects all by himself
Eventually he’s joined by two other teachers tho don’t worry
Adelard Dekker is a preacher turned government agent assigned to monitor Elias and the class, while also teaching physical education and combat (unarmed, with a knife, with two knives, with various guns, etc.) and also marksmanship
Annabelle Cane is a renowned assassin who was assigned to teach foreign languages and social manipulation
Well initially she was aiming to assassinate Elias herself and didn’t care about teaching, but after seeing his dedication to teaching them she decides to stick around
If a student is willing she can also teach them the art of deception, seduction, and/or intimidation as a way to reach a target
Class 3-F is in the school basement, in the area not occupied by the boiler and pipes and other basement stuff
It’s dimly lit and musty, there’s only a classroom and a small and usually understocked science lab, one tiny office (shared between Elias, Adelard, and Annabelle), and a grubby ass unisex bathroom down there
Elias quickly gets fed up with it and digs some big tunnels for them
It’s dark as fuck and kinda spooky but it’s easy to get used to
And Elias put so much shit in the tunnels
There’s literally a sport’s field and marathon track in one of the tunnels so the students can have PE where no one can see?? he tried to add a sunroof to another tunnel??? underground library??? Elias what the fuck
The tunnels do lead to exits above ground in various places, mostly back alleys and stuff, but the students get to class through the main school building mostly
And now for some of the students
Jon was initially aloof and cold to everybody and didn’t trust Elias at all
But then he tries suicide-bombing Elias and he almost succeeds, and he gets both praised for catching Elias off-guard and also scolded for putting himself in danger and after that he warms up to Elias a lot
He’s also really observant and makes notes on Elias’s weaknesses and eventually he warms up to his classmates too
Martin was actually sent down bc he was caught working part-time at a cafe to support himself and his mum (side jobs are against school rules actually)
He’s really sweet and supportive and friendly to everybody but at the start of the story he kinda lacks much of a backbone
Then it turns out he’s got a talent for lying and tricking people and he eventually grows stronger and even gathers the courage to confront his mum
(It doesn’t exactly go well and Martin stays with the Stoker family after that, but he’s far happier)
Speaking of which, Tim’s noticed his little bro Danny acting kinda strange and has let his grades drop to worry over Danny, which led Tim to Class 3-F
Everyone expected him to excel in social manipulation, even maybe taking up seduction, but he far prefers training in marksmanship and has even learned to set up bombs
There’s two Sasha Jameses in the class by coincidence; they’re not blood related (one’s got long brown hair, the other has short red hair; brunette!Sasha is also not white, and ginger!Sasha is taller) but they can work with each other remarkably well
Brunette!Sasha’s actually really smart, but struggled through burnout during the previous year and her grades plummeted, sending her to Class 3-F
Ginger!Sasha’s talent leans closer to disguise and deception as opposed to observation
Melanie and Gerry were both suspended for the first couple weeks, for attacking several students and trashing Mr. Leitner’s office respectively, but they quickly come back in once they’ve done their time
They’re both familiar with Jon; Melanie and him get along like bickering siblings, while Gerry was close to him in first year but they eventually drifted apart
Melanie excels in knife combat especially, and she utterly hates Elias at first and actively targets him
Until eventually Elias protects her from a particularly rash assassination attempt, which earned him her trust, though she’s still mean to him at times
Gerry, on the other hand, is good at both short-ranged and long-ranged combat, and also at making traps
Actually, let’s just say Gerry’s really well-rounded in general; he’s good at a lot of subjects, but doesn’t excel at any in particular
Michael and Helen are both transfer students designed specifically to work together to assassinate Elias; they were intended to be transferred in together, but in the end Michael was sent over first and Helen came later on
Michael is a literal killing machine - a box of guns with the face of a human boy on a screen, meant to provide firepower while Helen attacked from up close
At first he had no programmed personality and only knew attacking, until Elias reprogrammed him and gave him a personality and additional abilities
He installed his program onto everyone’s phones and loves messing with them all, but is really helpful when it’s needed
Helen is considered the superior assassin to Michael, and was meant to cover the short-ranged combat
It turns out that she was actually given this gene thing similar to Elias, giving her similar-ish abilities to her (she’s faster, but doesn’t have the eyes and instead has claws and stretchy limbs(?? maybe))
Eventually Elias convinces her to let the thing go and be a normal student learning with the others
Georgie is in a regular class (3-C), but she’s friends with both Jon and Melanie and regularly defends them both from harassment by other students
There’s also the top five students in each of the core school subjects, all of them in Class 3-A, consisting of Agnes, Jude, Nikola, Manuela, and Jane
(I really cannot think of anything to say about them though ;-;)
Elias’s backstory probably matches Korosensei’s really
World’s deadliest assassin/the God of Death (that’s his literal moniker) is betrayed by his student and captured, then experimented on by some mad scientist
The scientist manning the experiment is Jonah Magnus
Gertrude Robinson was one of his right-hands (who also taught for Class 3-F during the day), but she instead grew fond of Elias and talked to him
And when Elias destroyed the lab in his escape after the moon blew up (because of an experiment rat on the moon surface, it really wasn’t his fault - you might as well read assassination classroom it’s really good and explained in more detail) Gertrude was killed in the ensuing chaos
She made Elias promise to teach the students of Class 3-F for her with her dying breath, and Elias chose to make good of that promise
(I’m also thinking maybe the God of Death doesn’t have a birthname but the disciple’s name was Elias, and the God of Death decides to use that as his own name too)
(that’s all i can think of for now ( ´ ▽ ` )ノ)
4 notes · View notes
notquiteaghost · 6 years ago
Text
there isn't enough nonbinary jon sims content, here is... well i started writing this as headcanons but this is really a not!fic about nonbinary jon sims. it’s 3′300 words
it contains: nonbinary trans masc autistic jon, jongeorgie, lesbian georgie, trans guy martin & tim, trans woman sasha, team archives trans solidarity, and not-insignificant amount of internalised transphobia and references to misgendering & general cis people bullshit
(also ftr i am heavily basing jon's experiences here as a nonbinary autistic person on my own experiences as a nonbinary autistic person) (this is like 80% projection) (what else is fandom for!)
also on AO3 if you prefer your 3k of bullet points to have better spacing
tiny baby [jon] who knows she isn't very good at being a girl but doesn't have the words to articulate why
her grandmother thinks kids clothes should be durable and practical so even tho jon is not a kid who climbs trees or plays football, her wardrobe is exclusively straight jeans & 'boys' t-shirts & large jumpers
she keeps her hair roughly shoulder length because that's the length it's always been but strangers still 'mistake' her for a boy a lot. this makes her feel a way she again hasn't got the words for
when she starts secondary school she continues to dress 'masc', never starts wearing makeup, never gets any interest in dating, generally fills out the checklist for everyone else assuming she's a lesbian
she knows she's definitely not a straight girl, so she shrugs and decides sure, she's a lesbian. it's a moot point, mostly, seeing as even if she did have any interest in dating she's the only gay person her age she knows
but she does get involved in some community support stuff – she spends a lot of time in the library as a teenager, and one of the librarians is a lesbian who takes jon under her wing a bit
coffee mornings and book clubs and things like that. sixteen year old jon and a dozen queer women all in their late twenties at the youngest. they joke a lot how often they forget jon isn't also a thirty-something
(this is that autism feel of having no interest in your peers but getting on great with adults)
and then she goes to uni, and then she meets georgie
georgie is a Very Out lesbian. she goes to clubs, she's heavily involved in the lgbt society, she has a rainbow flag hanging in her bedroom window. yknow.
jon likes her a lot, and still isn't really sure if it's romantic or not, but assumes that's more due to being gay than anything else
(no one has told jon about asexuality yet)
so when, one night when they're meant to be studying in georgie's room but instead are mostly drinking shit cheap wine and complaining about their professors, georgie looks at jon with this soft look on her face and asks to kiss her, jon says yes
and then they date
they're both living in one of those massive student houses with a thousand bedrooms crammed everywhere and only a kitchen for a communal space. georgie has lived there since coming back to finish first year, and jon moved in halfway through second year after a somewhat disastrous flatmate situation
so after they graduate, moving in together seems like the natural progression of things even tho they’ve only been dating for two months
jon is still, when asked, identifying as a lesbian and using she/her, but is also still dressing what other people now call butch. she always feels kind of weird about that term, but again, just chalks it up to the mess of complicated feelings being a gnc lesbian does genuinely involve
and then, finally, jon meets some actual trans people
jon has, circumstantially, known trans people. thanks to georgie, jon goes to a lot of lgbt soc things, and is passingly familiar with most of the lgbt people on their campus
but there’s a big difference between nodding at someone when you see them in the library and having an actual, proper conversation about gender
so, jon goes to a lot of social events because georgie does. without georgie, jon would probably not leave the house except to go to work and to the library (jon is not doing postgrad. jon’s library habits do not particularly reflect this)
mostly at these events, jon sits in the corner and reads, and only talks to other quiet antisocial people, while georgie circles back periodically to report on her social butterfly escapades
and at one, one of the other quiet antisocial people is a trans guy
he’s called harry, and he asks about the book jon is reading, and after they’ve been talking a while he says, “sorry, you probably get this a lot, but what pronouns do you use?”
jon just blinks at him and says “what”
“well, i’m trans, so i’m always really cautious about assuming,” harry says, easily, and this does not answer the question jon was asking
jon.exe has crashed
she(?) eventually says, “uh. she? i’ve never– she”
and harry, who has spent the last forty minutes discussing dante with jon and is already sure they’re going to be friends, says “want the trans 101? you’re making a face like you need it”
three hours later georgie finally reappears with the intent to actually interrupt (she’s drifted past periodically, but jon was always deep in conversation with harry, so she left them alone) and get going, and jon gets harry’s email address and is then very quiet as they walk arm-in-arm back to their house
just as they turn onto their street, jon says, “i, ah. i think i might be trans?”
georgie, who has for the past couple months been having something of a crisis after realising she definitely loves jon but she isn’t in love and she can’t figure out why, says “oh thank god”
jon, very bemused, “that wasn’t the reaction i was expecting”
“i think we should break up,” georgie replies, and jon stops walking. they’re four feet from their front door, but it’s late, no one’s about, so georgie decides sure, they can have this conversation in the street
“you– because i’m trans?”
“i love you, i really do,” georgie steps closer, takes jon’s hands in hers, “but i’m not in love with you. and it was driving me crazy trying to figure out why, but if you’re not a girl–”
“i can’t tell if i should be offended by this or not,” jon says, somewhat dazed, “i’ve been trans for an hour, georgie, i don’t know if this is transphobic yet”
georgie laughs, and presses a kiss to jon’s cheek, and says “it’s nearly midnight, we both have work tomorrow, let’s table this for later. we can look up names and what word i should use when i complain to other people how you always leave your shoes in the middle of the floor when we aren’t both on the verge of passing out”
and that sounds reasonable, so jon nods, and kisses georgie on the mouth, and then they go inside
the next day jon stops by the library on the way home from work and checks out almost every baby names book they have. georgie comes home and he’s sat at the kitchen table making a spreadsheet
“you don’t have to make it this complicated, you know,” she says, hooking her chin over his shoulder to read what he’s already got. the spreadsheet has a lot of columns.
“it’s my name,” he retorts, and she hums agreeably, then points to ‘jonathan’, which has relatively few ticks in any pro columns (god, this nerd), and says, “isn’t that your grandfather’s name?”
it is. he doesn’t talk about his grandfather a lot – doesn’t talk about his family a lot full stop, but she knows, even though he died when jon was still a toddler, the stories his grandmother told had a significant impact
“my parents didn’t name me after anyone,” jon says, quietly
georgie nods. she doesn’t say they’re not here now to offer an opinion, because that’s far harsher than jon deserves to hear, and it’s not like she ever needs to remind him of it either. he’s definitely already beating himself up for taking so long to come to this realisation there’s no one left around to tell him how they’d have reacted
“i think it suits you,” she says instead, and jon nods, and then she moves away to make a pot of tea and some pasta (it’s technically jon’s night to cook, but she was anticipating coming home to find him already hyperfocused beyond the point of no return)
a week later, jon looks up from the spreadsheet to where georgie is curled up on the sofa reading and says “ugh, fine, you win, you were right”
(georgie hadn’t pressed her point any further, jon is just like that)
“jon?” she asks, and he makes an exasperated noise and nods, then closes his laptop dramatically and stands. most of his spine pops when he stretches
“this calls for celebration” georgie says, also standing, “franco’s or monsoon?”
“franco’s. i’m going to eat a pizza the size of a car”
so then jon is actually going by jon, and using he/him, and isn’t dating georgie anymore but is still living with her and spending most of his time with her and factoring her into all his major decisions
he talks to harry, and other (binary) trans people, and reads a lot of blogs, and after a few months gets a referral to charing cross gic
by the time he starts at the magnus institute, he’s had top surgery and has been on T for years, and passes as cis completely, and he doesn’t know how to articulate it but this is. bothering him.
he’s not exactly… he likes being stealth, he doesn’t need to flaunt his personal life. he can understand the impulse, but he doesn’t share it. his feelings about gender and romance are no one’s business but his own
but. everyone assuming he was a girl itched – being miss simms, georgie’s girlfriend, she, it felt like wearing a coarse knitted jumper. it was exhausting
and, for a while, everyone assuming he was a man was a relief. it didn’t make his skin crawl, it didn’t make him want to scream, it was nice. it felt good.
it didn’t feel right. but it didn’t feel bad, either, and jon has never been gendered in a way that felt right. he thought that was just part of being trans
except. he moves to london, and he starts at the magnus institute, and he wears shirts and slacks, and the long skirts and patterned dresses some of his colleagues wear keep catching his eye the way men in three-piece suits used to, and that terrifies him
he was lucky, in a way, having no family left to care when he transitioned – if anyone reacted negatively, he could just cut them out of his life, and his social circle was already queer enough that was hardly necessary
but that doesn’t mean he escaped internalising a whole swathe of shit about what being trans should mean and how he should act and what he should want and if he wants to wear skirts then is he even a man? was he making it up all along after all?
naturally, he deals with this by ignoring it. he’s a man, men don’t wear skirts, he doesn’t wear skirts, that’s that.
he manages to keep that up until he’s made head archivist, and he’s given three assistants who are all also trans
(he doesn’t know if elias did it on purpose. elias knows he’s trans, of course, because he’s never bothered to get the name on his diploma changed, but the way elias reacted lead jon to assume elias may also be trans. and if that’s true, then selecting only trans people for the archives staff feels like a kindness more than anything)
and, the thing about them all being trans, is even if jon and martin are both rather fond of being stealth, and sasha and tim aren’t used to being out at work, and none of them are exactly friends, they’re the only people who ever come in the archives, so the archives very quickly becomes the Safe Trans Zone
they all vent a lot about cis people. sasha will walk in and the first words out her mouth will be “the next person to ask me if i’d had the surgery is getting their own surgery when i cut their tongues out”, and tim will make a commiserating noise and offer her the pack of donuts martin brought in
so when, on one of the rare afternoons when jon leaves his office to lean against tim’s desk and brainstorm organisational system ideas, martin walks back from the break room upstairs with a scowl and says, bitterly, as he sits back down, “oh so when cis guys wear nail polish it’s inspiring and breaking down gender roles but when i wear nail polish, jenny from HR gets to side eye me and ask if that means i changed my mind, because surely i’m the one who’ll do that and not all the men who didn’t have to do hours of therapy to establish they are definitely, one hundred percent for sure a guy!”
tim and sasha both make the standard commiseration noises, and sasha says something about the supervisor at her last job trying to say it wasn’t appropriate for her to wear trousers, and jon stops listening and runs away moves back to his office
he hadn’t noticed martin is wearing nail polish, is the thing. or, he had noticed it, but he hadn’t thought about it, and now he’s thinking about it. he’s thinking about it a lot
martin had– martin is a guy. martin is definitely a guy, if something of a feminine-leaning gay guy, the kind of feminine-leaning no one ever questions in cis guys, and it hadn’t occurred to jon to question martin, either, even though he’s trans, and. and.
he’s still circling round a revelation he can’t quite make himself have an hour or so later, when martin sticks his head round the door
“you, uh. you alright?” martin asks, incredibly tentatively. it says a lot, jon thinks, about how nice martin is, that he’s asking even though there’s a 90% chance jon will tell him to fuck off “you kind of disappeared abruptly, earlier. i didn’t upset you, did i?”
jon stares at him for a long moment, then says, “can i see your nail polish?”
“oh!” martin’s cheeks flush, just slightly, as he steps inside the office and lets the door shut behind him “uh, yeah, of course. it’s a little chipped, now, but, yeah”
martin’s nail polish is a light, pastel blue. it’s neat, and even, though his nails aren’t that long, and jon thinks he remembers martin saying something about mostly painting his nails to try and get himself to stop biting them. jon’s never really gone for nail polish, but it’s. nice.
“it’s, uh. it’s a good colour, on you,” he says awkwardly. martin flushes even more
“oh, um, thanks? did– are you alright?”
if jon was a different kind of person, this is where he’d open up to martin, and this would be the beginning of them becoming actual friends
jon is jon, though, so he just shoves all his emotions back in the box they escaped from, nods, and says “i didn’t sleep that well, is all. not really up to socialising”
(an aside about s1 jonmartin dynamic: jon is very good at shittalking martin when martin isn’t around, but in the face of martin’s genuine care and concern, he defaults back to a far more friendlier tone than he’s aiming for. he knows, on a level, that he and martin could be good friends if he ever got his shit together, but that is something else he’s currently repressing. he doesn’t need friends! he isn’t desperate for social contact at all! what’s loneliness!)
martin says “ah, okay, i’ll just– i’ll leave you alone, then”, and then jon makes himself focus on work, and then when he gets home he opens the group chat he’s still, thankfully, in with the trans people who got him through his first gender crisis and sends ‘help i don’t know if i’m a guy after all’
three people immediately send back a link to nonbinary.org
and that’s the rest of jon’s evening
he reads through every article. he reads several articles multiple times. he opens several new tabs, and gets a notepad to make a list of books, and eventually remembers to reply in the group chat
a week later, he bites the bullet and writes an email to georgie
nothing long, just, they still tell each other about big life events
and then, another couple weeks after that, when martin brings him tea, he says, “ah, martin, could i– do you have a moment?”
“of course,” martin says, and lets the door swing closed again, “what do you need?”
“i, ah. this isn’t very professional, so, you don’t– you are perfectly welcome to say no, of course, but i. um. would you– come clothes shopping with me?”
(ideally, jon would have asked georgie, but as much as he loves her (still), they haven’t talked properly in years, and she is cis. the best cis person he knows, but still a cis person. and he’d just, rather have a trans person, for emotional support, and no one in the group chat lives particularly nearby anymore) (or, well, some of them are, but when he asked they all told him to get over himself and ask one of his ‘lovely’ coworkers)
(why does he ask martin and not sasha?) (well, dear reader, he is nursing the beginnings of a crush) (not that he knows it. but that’s absolutely what’s happening here. martin is sweet and lovely and jon definitely finds him annoying and overbearing. yes. nothing else. no other emotions.) (his chest feels all weird when martin smiles because he doesn’t like him. that always happens around people he dislikes.)
“oh!” martin says, surprised. “uh, yes, of course, is– is there an event or something…?”
jon takes a moment to stare at the wall above martin’s head before he makes himself say, “i. am non-binary, and i need– different clothes.”
“oh, god, have we been–”
“no, no, this is a, a very recent development. he is still fine,” jon says, quickly, then pauses, then adds, more haltingly, “i think. i might, if – they, as well, maybe? just, to see”
“of course. d’you want me to tell tim and sasha?”
martin, jon thinks, is maybe not all that bad “yes, please”
“cool,” martin smiles, “i’m free this weekend? for shopping?”
“this saturday would be good, yes”
and then jon and martin go shopping! it’s probably not that successful of a shopping trip, because it takes jon like four shops before they admit what exactly it is they’re looking for, but they go to several charity shops and have fun trying to one-up each other with the most ridiculous/inexplicable item of clothing, and at the end of the day jon has three skirts (a knee-length black a-line skirt, a full-length black skirt, and a full-length black skirt patterned with red flowers), two necklaces, and a skater dress they probably can’t get away with wearing to work, but they really liked the way the skirt moved when they spun
other things that happen include lunch at a cafe where the staff definitely think they’re on a date and only martin notices and also martin is dying, both of them only managing to walk past a secondhand bookshop twice before they cave and go inside, and then emerge half an hour later both holding three books (two poetry anthologies and a sci fi novel; a psychology book and two history books), and martin somehow talking jon into trying on skinny jeans and then, again, leaving this mortal coil
jon doesn’t buy the skinny jeans, which is for the best really
the first time jon wears one of the skirts to work, sasha does a victory lap around the archives because “hell yes skirts are so much more comfortable, and now you swish! tim you should get a skirt. skirts for archives uniform”
and jon is still a prickly antisocial bastard but now he’s an outly nonbinary prickly antisocial bastard, and sometimes they walk into the archives at 2PM smelling of tobacco and holding a bottle of vodka, and then the archives staff all do shots and dramatic readings of the most ridiculous fake statements, because sometimes that’s how you cope with cis people, and that’s! valid!
164 notes · View notes
rayneing-on-your-parade · 2 years ago
Text
HtFiLA Ch 5 Supplemental
This is a supplemental to this fic right here. Gerry had many questions for Martin, and that would end up even more just a block of dialogue than I normally write so have it in interview format here!
I highly suggest reading How to Fall in Love Again before reading this, but I suppose it's not necessary. Just know that this is a somewhere else AU where Jarchivist woke up in another universe's jon's body.
Gerry: So you don't eat?
Martin: No, I haven't had to for a while. I'm not exactly…human anymore. I don't eat or sleep; I'm fairly sure my heart just beats out of habit. I don't even know if I have to breathe or not.
Gerry: And you don't taste food?
Martin: No, and that makes sense too. How much of society is around food. Even work events, I'd decide to go based on whether the food and drinks there would be worth it. No reason to socialize when I don't enjoy the food involved.
Gerry: What do you mean your heart beats out of habit?
Jon: I can answer that one; my heart doesn't beat at all. I don't need to feel othered.
Gerry: Your…heart doesn't beat?
Jon: No. Hasn't since, umm…
Martin: Since your coma?
Jon: No.
Gerry: right, okay. Umm, Annabelle, that was her name, right? The really pretty spider-themed person who showed up earlier at my gallery. She said she kidnapped you, martin, so Jon didn't kill her? Accurate? Not? What the hell?
Martin: Exaggeration. She didn't kidnap me. I went with her willingly. She had information about how we could turn the world back, and I wasn't going to listen to Jon's plan anymore. The "so Jon didn't kill her" part, now that was not an exaggeration. He would have. But she had me trapped in a web, literally, and if he had killed her, I would have fallen through a rift we knew nothing about.
Gerry: She threatened to fill me with spiders.
Martin: [laughs] yeah, she did that to me too. Well, she said she'd planned on it at one point. At the time, it was terrifying, but honestly, I think with everything, she was just as scared as all of us.
Gerry: she also said she's not as antagonistic as she used to be?
Martin: I suppose that's a good thing. Hmm.
Gerry: Said she didn't want to make an enemy of the one alone.
Martin: Oh. Ha. It makes sense. No reason to be enemies right now. No, Jon, don't roll your eyes. Just because you don't like her. The one alone is another name for the Lonely. And since I'm its sole connection to this world now, being enemies wouldn't help anyone.
Gerry: So the questions I have now are a bit more…eh.
Martin: alright, I'm listening.
Gerry: When Jon…woke up, best way to describe it, he…uh, he said 'it' was supposed to kill him. What was that about?
Martin: Oh. Uh, me, I guess. I killed him. I had to. I didn't want to. But Georgie and Melanie were blowing up the institute, and I'd die then, and I didn't want that, and he didn't want that, so I, uh, had to kill him. TO break the Eye's connection to the Archives and send them through the rift I mentioned earlier. I think I'd hoped we'd just both die there. Together. One way or another.
Gerry: How? Not the technicalities, but how?
Martin: Not easily.
Jon: Gerry…can we not talk about that.
Gerry: Yeah, sorry, I just…it scared me. You woke up going on about how you should have been dead and that you shouldn't have been here.
Jon: Wouldn't you be happier if I wasn't?
Gerry: Jonathan, that is not the point right now.
Jon: Right. Sorry. Back to just watching you two talk.
Martin: Was that a joke?
Jon: Of course.
Gerry: Jon also said that I died in your world. Do you know more about that?
Martin: Not…really? You were dead before I got to the archives. I know you were involved in a lot of things with Gertrude, and I know that she…bound you to a book, a Leitner. But not really. Sorry, Jon didn't tell us much about his trip to America.
Gerry: That's fine. I mean, I have my suspicions. Parallel people, parallel situations. Anyways, Michael and I talked about when they met Jon, and they said that he recognized them. Would you.
Martin: S-sorry? Michael? As in Michael Michael.
Gerry: I suppose? I mean more Michael as in my stepparent, but sure, Michael Michael. Michael Shelley, if that narrows it down. How many Michaels do you know?
Martin: far too many. Far far too many. But Michael Shelley, yeah, I'd recognize them. Well, I wouldn't recognize Michael Shelley. But I knew of Michael Shelley. I knew what he had become much more. Again Michael died…unbecame?…long before I was at the institute. But Michael, the Michael I knew, was…a bastard. He stabbed Jon. Tried to eat me and Tim. Ended up becoming Helen, and then Jon killed her.
Gerry: Jon killed her?
Martin: yeah, I wasn't there for that. I was in my domain at the time, but he had his reasons, I suppose.
Jon: I did. She threatened to keep me trapped in her halls until everyone I cared about died.
Martin: hmm. Sounds familiar.
Jon: At the time, I didn't know that was the best-case scenario.
Martin: It isn't, and it wasn't.
Gerry: Everyone dying was the best-case scenario? Really.
Martin: Jon sure thought it was.
Jon: hmm. Not going to go there right now.
Martin: Good. But yeah I knew Michael. As much as anyone could.
Gerry: And my dad?
Martin: Umm. No. Not really. I knew of him. Eric Delano. The only one who ever escaped the institute. Well before…hmm.
Gerry: Before what?
Jon: You don't want to know Ger.
Gerry: Don't tell me what I do and don't want to know. Before what martin?
Martin: Before mary killed him.
Gerry: Oh. My mom's a crazy bitch everywhere, then, it seems. She tried to kill him here too. That's when he got away and eventually got me out of there.
Martin: Universal constants. Or how did you put it, parallel people, parallel situations?
Gerry: Exactly, yeah. Why…why this world? Was that a conscious decision?
Martin: Not on my part, at least. Annabelle would probably be the one to ask that. Her web. Her plan. Her ritual.
Jon: And I suggest not going to find her just to ask.
Gerry: Obviously, I'm not going to just go and ask her, "Hey, so why crash my world? You kinda suck for that."
Martin: I mean, I am sort of curious about whether it was a decision anyone made. Or is this just the only other universe?
Jon: I don't think it is.
Martin: you think, or you know?
Jon: I can't know. It's still a blind spot. But when we were going through the rift, it felt…infinite. Splintering. Fractaling. Endless options all breaking off from each other in more ways than even I can comprehend.
Gerry: Right. Well, I am exhausted. I'm going to bed. You two…do whatever you want. I'm going to bed
0 notes
cathygeha · 5 years ago
Photo
Tumblr media
REVIEW:
This Earl of Mine by Kate Bateman
Bow Street Bachelors #1
Reading the book description I was taken back to reading a book my father shared with me – a book in which a woman in need of a husband also went to a prison to find a condemned man to marry. The two books diverged from there though neither husband actually bit the dust by the end of the book they starred in. Both men were definitely more than the bride expected and both were fallen in love with by their wives before the end of the stories.
In this book we have wealthy Georgiana “Georgie” Caversteed being hounded by despicable cousin Josiah. He wants her money and isn’t planning to take no for an answer. Thus, the reason for the marriage of convenience. Georgie has plenty of money but no desire to wed the men in the ton that she has met already. There was a frisson of interest when Georgie met Benedict “Ben” Wylde but she realized that it was NOT real since...he was a dirty prisoner...until she experienced the same feeling when she ran into Benedict at a ball the next time.
This book had the two falling for one another slowly while they also spent time trying to solve a case Benedict and his friends were working on for Bow Street. There is a side story of Georgie’s sister Juliet and Simeon and the lead into the idea that either Seb or Alex, Benedict’s friends, will get their stories in books to come. The book did not stand out to me as something new or different but it was an enjoyable way to spend the day.
Did I enjoy this book? Yes
Would I read more in the series? Yes
Thank you to NetGalley and St. Martin’s Paperbacks for the ARC – This is my honest review.
3-4 Stars
Book-buy link: https://us.macmillan.com/books/9781250305961
Tumblr media
SUMMARY:
Introducing the Bow Street Bachelors—men who work undercover for London’s first official police force—and the women they serve to protect. . .and wed?
Shipping heiress Georgiana Caversteed is done with men who covet her purse more than her person. Even worse than the ton’s lecherous fortune hunters, however, is the cruel cousin determined to force Georgie into marriage. If only she could find a way to be . . . widowed? Georgie hatches a madcap scheme to wed a condemned criminal before he’s set to be executed. All she has to do is find an eligible bachelor in prison to marry her, and she’ll be free. What could possibly go wrong?
Benedict William Henry Wylde, scapegrace second son of the late Earl of Morcott and well-known rake, is in Newgate prison undercover, working for Bow Street. Georgie doesn’t realize who he is when she marries him—and she most certainly never expects to bump into her very-much-alive, and very handsome, husband of convenience at a society gathering weeks later. Soon Wylde finds himself courting his own wife, hoping to win her heart since he already has her hand. But how can this seductive rogue convince brazen, beautiful Georgie that he wants to be together…until actual death do they part?
EXCERPT:
Chapter 1.
London, March 1816.
There were worse places to find a husband than Newgate Prison.
Of course there were.
It was just that, at present, Georgie couldn’t think of any.
“Georgiana Caversteed, this is a terrible idea.” Georgie frowned at her burly companion, Pieter Smit,
as the nondescript carriage he’d summoned to convey them to London’s most notorious jail rocked to a halt on the cobbled street. The salt-weathered Dutchman always used her full name whenever he disapproved of some- thing she was doing. Which was often.
“Your father would turn in his watery grave if he knew what you were about.”
That was undoubtedly true. Until three days ago, en- listing a husband from amongst the ranks of London’s most dangerous criminals had not featured prominently on her list of life goals. But desperate times called for des- perate measures. Or, in this case, for a desperate felon about to be hanged. A felon she would marry before the night was through.
Georgie peered out into the rain-drizzled street, then up, up the near-windowless walls. They rose into the mist, five stories high, a vast expanse of brickwork, bleak and unpromising. A church bell tolled somewhere in the darkness, a forlorn clang like a death knell. Her stomach knotted with a grim sense of foreboding.
Was she really going to go through with this? It had seemed a good plan, in the safety of Grosvenor Square. The perfect way to thwart Cousin Josiah once and for all. She stepped from the carriage, ducked her head against the rain, and followed Pieter under a vast arched gate. Her heart hammered at the audacity of what she planned. They’d taken the same route as condemned prisoners on the way to Tyburn tree, only in reverse. West to east, from the rarefied social strata of Mayfair through gradu- ally rougher and bleaker neighborhoods, Holborn and St. Giles, to this miserable place where the dregs of humanity had been incarcerated. Georgie felt as if she were nearing her own execution.
She shook off the pervasive aura of doom and straight- ened her spine. This was her choice. However unpalat- able the next few minutes might be, the alternative was far worse. Better a temporary marriage to a murderous, unwashed criminal than a lifetime of misery with Josiah. They crossed the deserted outer courtyard, and Georgie cleared her throat, trying not to inhale the foul-smelling air that seeped from the very pores of the building. “You have it all arranged? They are expecting us?”
Pieter nodded. “Aye. I’ve greased the wheels with yer blunt, my girl. The proctor and the ordinary are both bent as copper shillings. Used to having their palms greased, those two, the greedy bastards.”
Her father’s right-hand man had never minced words
in front of her, and Georgie appreciated his bluntness. So few people in the ton ever said what they really meant. Pieter’s honesty was refreshing. He’d been her father’s man for twenty years before she’d even been born. A case of mumps had prevented him from accompanying Wil- liam Caversteed on his last, fateful voyage, and Georgie had often thought that if Pieter had been with her father, maybe he’d still be alive. Little things like squalls, ship- wrecks, and attacks from Barbary pirates would be mere inconveniences to a man like Pieter Smit.
In the five years since Papa’s death, Pieter’s steadfast loyalty had been dedicated to William’s daughters, and Georgie loved the gruff, hulking manservant like a second father. He would see her through this madcap scheme— even if he disapproved.
She tugged the hood of her cloak down to stave off the drizzle. This place was filled with murderers, highway- men, forgers, and thieves. Poor wretches slated to die, or those “lucky” few whose sentences had been commuted to transportation. Yet in her own way, she was equally desperate.
“You are sure that this man is to be hanged tomorrow?” Pieter nodded grimly as he rapped on a wooden door.
“I am. A low sort he is, by all accounts.”
She shouldn’t ask, didn’t want to know too much about the man whose name she was purchasing. A man whose death would spell her own freedom. She would be wed and widowed within twenty-four hours.
From This Earl of Mine by Kate Bateman. Copyright © 2019 by the author and reprinted by permission of St. Martin’s Publishing Group.
Tumblr media
Author Bio:
Kate Bateman, (also writing as K. C. Bateman), is the #1 bestselling author of historical romances, including her RITA® nominated Renaissance romp, The Devil To Pay, and the novels in the Secrets & Spies series To Steal a Heart, A Raven’s Heart, and A Counterfeit Heart. When not writing novels that feature feisty, intelligent heroines and sexy, snarky heroes you want to both strangle and kiss, Kate works as a fine art appraiser and on-screen antiques expert for several popular TV shows in the UK. She splits her time between Illinois and her native England. Follow her on Twitter to learn more.
This Earl of Mine Blog Tour Q&A
Q: What inspired you to write This Earl of Mine?
A: Most of my books are inspired by real historical events, but for the adventure subplot in This Earl of Mine I was looking up something completely different, fell down a research rabbit hole, and stumbled upon an outlandish plot to rescue Napoleon from exile on Saint Helena using a submarine! I’d had no idea submersibles were even in use in the Regency, but a little digging soon revealed a tale far stranger than fiction—with plenty of smugglers, spies, and underhand skullduggery thrown in. Of course, then my writer brain couldn’t help but wonder WHAT IF . . .?
What if someone loyal to Napoleon stole the plans for the submarine from the Admiralty? And what if London’s fledgling police force, The Bow Street Runners, were tasked with finding the vessel and foiling the scheme?
The main plot, of course, is the romantic one between shipping heiress Georgie Caversteed and Bow Street Runner Benedict Wylde. They try to piece together the clues, while trying to ignore the inconvenient attraction that sparks between them. (Spoiler alert: they succeed at the former, and fail miserably at the latter!)
Q: Is there one thing you would like readers to take away from this story?
A: You mean apart from a new appreciation of early19th century submarine development?! Why, yes! I firmly believe in happy-ever-afters for everyone, and while none of my characters may be perfect, they’re certainly perfect for each other. A successful romance should be a true partnership between equals, with love, respect, humor, and kindness. I hope that’s what readers see develop between Georgie and Benedict.
Q: Where do you go or what resources do you use to make sure your novels are historically correct? 
A: I have quite a bit of overall historical knowledge from my life as an antiques appraiser and auctioneer; I’ve handled plenty of Regency-era artifacts, like scent bottles, reticules, clothes, letters, furniture etc. And I’ve visited (and lived in) plenty of historic houses when I lived in England. So I have a pretty good idea what that world is like when I’m describing it. I do lots of random research online too, though. I suspect I’m on a secret CIA watchlist because of my weird internet browsing history, which currently includes such gems as: ‘does Prussic acid smell like almonds?’ ‘18th century jewel heists,’ and ‘chloroform, first use.’
Q: Did you learn anything surprising while researching for this novel?
A: Apart from the crazy submarine plot, I found out what the chapel of Newgate prison looked like in 1816, discovered more about the founding of London’s first true police force, the Bow Street Runners, and found a new book boyfriend in the wonderfully roguish Benedict Wylde!
Q: Describe the hero and heroine of This Earl of Mine in three words each.
A: Georgie is resourceful, determined, and curious. Benedict is amusing, loyal and scoundrelly!
Q: What was the hardest scene to write in This Earl of Mine? Your favorite?
A: My favorite scene was the sexy banter between Benedict and Georgie as they listen to the terrible poetry written by Juliet’s fiancé. Almost every sentence is a double entendre, and Benedict is shameless in trying to say something utterly inappropriate to make Georgie laugh, and I just giggle every time I think of it. I hope readers can feel the ridiculously flirtatious, slow-burn teasing in that scene. Yum!
The hardest was the sexy scene inside the tiny submarine. It’s a confined space, and I had to think about the technicalities of which body part was where, and whether they had enough space to do the scandalous things I wanted them to do. (Of course they did!)
Q: Why do you write historical romance? 
A: Because it can be total escapism. A reader can travel back in time to a different world and encounter situations that just don’t happen today. As a writer I like the challenge presented by the historical parameters; lots of great conflicts arise because of social, cultural, or economic factors. Plus, there are so many real historical adventures out there just waiting to be discovered. . .
Q: Is there another particular author that inspires you or that you enjoy reading? 
A: SO MANY AUTHORS! Laura Kinsale, Connie Brockway (As you Desire is a favorite), Loretta Chase, Judith McNaught, Anne Stuart, Joanna Bourne, Tessa Dare, Eloisa James, Suzan Elizabeth Philips, Julie Garwood, Galen Foley, Kerrigan Byrne, Julia Quinn, Beverly Jenkins, Alyssa Cole, Joanna Shupe, Johanna Lindsey, J.R Ward, Janet Evanovich, Georgette Heyer, Mary Renault, Jane Austen, E.M Forster, Leo Tolstoy, P.G. Wodehouse, Antoine de Saint Exupery, Jean M. Auel, Gabriel Garcia Marquez,  . . . Ok. I’ll stop now. But there are plenty more.
Q: What’s next for the Bow Street Bachelors?
A: Two more books! Those bad boys Alex Harland and Sebastien Wolff each get their own adventure and I can’t wait for everyone to read them! Alex meets his match in half-French jewel thief Emmy Danvers –AKA The Nightjar­– in To Catch an Earl, (Bow Street Bachelors #2). And Seb gets a sexy cat-and-mouse game of his own when he’s forced to protect the infuriating Anya Denisova – a feisty Russian Princess who’s faked her own death in The Princess and The Rogue, (Bow Street Bachelors #3).
Q: Is there anything else you’d like to add?
A: Only that if you haven’t already preordered This Earl Of Mine, the paperback is currently at a special preorder price of $6.79, so snap it up in time for the release day, October 29th! Happy reading everyone!
Book-buy link: https://us.macmillan.com/books/9781250305961
0 notes