#also is the ghost and molly mcgee over???

[cartoonwishes]

I'M NOT OKAY

[volleypearlfan]

the Disney TVA gigaleak is insane

Amity was going to be an exchange student to the human realm? Sasha was going to have glowing green eyes? Sprig was going to be voiced by Thurop Van Orman? there was a Beverly Hills Chihuahua show??

[briastar-artz]

*Slams this pic on the table*

This took me, almost, a month to make. My motivation kept on trying to leave but everytime I brought it back, just to finish this. And now, I did it, I've finished it! Yay! :D

(I tried another way to draw/colour for this art and I am NEVER gonna draw like this way ever again!)

Anyways, here is a drawing of all supernaturals Molly! We have Wraith Molly from canon. Dhampir Molly by me. And both Vampire Molly and Werewolf Molly belong to @tornrose24 !

I use to draw this in my sketch book before, but there's only Wraith Molly, Werewolf Molly and my Vamp Molly. After I saw @artistcaptainbendy art of both Werewolf and Vampire Scratch fighting, it inspired me to draw this. If both Scratch gonna have a fight, then the Mollys will totally gonna be sitting and bonding as they having a nice chat (probably about their Scratch or how any enhappifying schemes) together while they have a tea. It's a cute idea I couldn't pass up! I totally had the most fun drawing Werewolf Molly.

Anyways cya and @tornrose24 I hope you like it! And have an enhappifying day, noon or night!

B☆

[the5n00k]

Character analysis essay: (kind of, it's mostly me just rambling)

The Ghost and Molly McGee and the concept of unconditional love and acceptance

‼️Spoilers ahead for both seasons 1 and 2!‼️

The Ghost and Molly McGee is one of the most special animated tv shows I've ever seen for several reasons but none quite as special to me as this. A ton of shows, especially on Disney channel, boast of their friendships between the main characters and their hijinks they get into but none have quite impacted me like the friendship between the two titular characters Molly and Scratch. I mean when I first watched this series in July after the season 1 finale, I expected to have a brief period of obsession, a few drawings, and then I'd move on. As you can tell by my blog, that did not happen. (For better and for worse)

People dismiss this show because of the more grounded slice of life episodic approach it takes but honestly I feel like that's it's strongest aspect. It allows the characters to have more moments where they can just slow down and connect. There's no urgent threat (save for a few episodes) that needs to be addressed or the world will end. The characters get to talk, react, and grow because of its slower pace. I say slower loosely because this show will also throw jokes at you harder and faster than an automatic tennis ball server but it knows when to take a moment seriously when it needs to. (This is also why season 1 Amphibia is my favorite and y'all can fight me for it.)

Now onto my main point; Molly and Scratch's relationship.

They start out rough. REALLY rough. They're not good for each other in the slightest. Scratch is mean and constantly trying to sabotage Molly and Molly is controlling, dragging Scratch along on her daily tasks even if he expresses how much he does not want to come along. But no matter how terrible they treat each other, there's still a level of care.

Take First Day Frights or The Unnatural for example. Scratch is more than willing to watch Molly fail until he sees her getting picked on, something he's experienced almost every day of his afterlife, possibly his living one too. He has this connection to her early on, he has this empathy. He'd never expressly admit it and he still tries his hardest to make her give up MANY times throughout season 1 either for his own amusement, thinking the effort isn't worth both of their time, or simply because he has to keep Brighton miserable. But seeing her upset always sets something off in him. And while he doesn't verbally admit he cares about her until the season finale, he does eventually acknowledge her as his best friend (although in that instance it was more to spite Libby) and acknowledge himself as part of her family. The most notable episodes that highlight their more stable relationship are season 1, 18-20 (for those unaware, that would be Out of House and Home/Home is Where the Haunt is, Scaring is Caring/All Night Plight, and The Jig is Up/Molly Vs the Ghost World)

Moving onto season 1 Molly now, she was controlling and seemed to enjoy annoying Scratch in almost a sibling-like behavior, poking him, teasing him, playing with his "hair" but the further you get into the series, the less annoying these feel and the more endearing they become. She also begins to respect his boundaries more, summoning him less and kind of letting him do his own thing in the general area while she has her own plot going on. (Goat Your Own Way and gags ... The Internship) And even after the curse is broken, she seems willing to let him move on away from her if that's what he really wants. She's more interested in his happiness now than her own. Letting go of that control is HUGE for her considering how much emphasis she put on him being her first forever friend. She didn't even expose him to Libby until she got his permission. I brought it up once and I'm bringing it up again dammit.

These two broken, mistreated, flawed people who found each other by complete coincidence would do anything and go to the ends of the earth for each other. And they did.

Moving onto season 2 I was terrified they would regress in some way from this. It was such a high note and a perfect end to their arc all throughout season 1, but now there was this new status quo. They were used to each other now. They could feel like completely different characters at this point. But they weren't, in fact they're even better.

They fight, they argue, they disagree on A LOT of things, but at the end of the day they're even more supportive and loving of each other than ever before.

They're not tearing each other down anymore, they're actively building each other up. Making the other a better person. Cheering them on. This even extends to the B characters like Libby and Darryl, they feel like a close-knit family. Even when they argue, the first thing they see when they say each other again is "I'm sorry" which is HUGE for Scratch, acknowledging fault was (and still is to some degree) really hard for him. They love each other no matter what. They've still got their issues, Molly still feels like she needs to burn herself out to make others happy and Scratch is still calloused and mean towards new additions to his social circle but that just makes them feel more authentic. I don't want them to be perfect. Watching them improve yet still struggle with the same issues they had at the start of the series makes them feel so real. For being a show that's mostly episodic with loose continuity, the development its characters go through is so slow burn sometimes you don't even notice it just binging the series. But if you jump back and forth between an early season 1 episode to a late/season 2 episode, it is STAGGERING.

Molly doesn't love Scratch because he stopped being mean. Scratch doesn't love Molly because she stopped being an overbearing ball of energy. They've loved each other in spite of that. They see past these flaws to their source and relate to the feelings they stem from. At their core, Molly and Scratch are exactly the same; social outcasts seemingly doomed to never having lasting connections. They just responded differently to what they had to go through, their two extremes are even similar in some ways with over possessiveness and insecurity. When Scratch was defending himself to Libby, he couldn't even name any of his redeeming qualities. And Molly still thought Scratch wanted to leave her in spite of everything. They're so torn from their experiences and that drives them closer together. I'm tearing up writing this.

They're broken but they're healing. They're best friends forever. One without the other would not be the same person. Although they aren't codependent, they've gotten along fine on solo adventures without the other needing to step in and solve their problem. They're healthy in their toxic behaviors because they call each other out. I don't consider a relationship toxic if there's noticeable improvement and growth. They're mature in their immaturity, their friendship is so simple and sincere. They enjoy each other's company and don't care who knows it. They're weirdos and so is everyone else they're friends with. Save for maybe Geoff. I don't think a single soul hates Geoff. I'm getting off topic but their friendship is something I always wanted.

They know they're broken, they know they're flawed and selfish at times. But they're trying. And that effort is sometimes all that one can ask for. The dream team for all eternity.

[car9723-t]

How to make some of traditional car enthusiasts annoyed and enraged.

I love you so much and no offense for your good intentions, Molly, but it's one of those when you were gone so overboard.

P.S. I thought this SUV resembles Cadillac Escalade when I saw this.

[briastar-artz]

He is one big blue jelly alright XD

Jealously

[picturejasper20]

I’m pretty sure tons of other people might’ve said it, but based on what I’ve seen from A New Wish, Dev is giving me some Amity Blight vibes except even more messed up.

Funny how i was just minutes ago talking with some people about this on Discord.

But, yeah, you can see that by watching a few episodes FOP A New Wish takes quite a lot of inspiration in recent DTVA shows from the latest years.

Amity seems to be one of the first examples that comes to mind. She was quite cold at the start of the series and over time, through different series of events, she got to know Luz and learned that she could do better than just following what her parents told her to do.

However, i would say Dev leans more to be like characters like Scratch from The Ghost and Molly Mcgee and Max from Camp Camp, specially Max. Both Max and Dev have similar ways of speaking, coming off as dry and rather insensitive towards others. Dev has this ¨pessimistic worldview¨ and he would rather pretend he doesn't care about things.

Both Dev and Max also can be power hungry,they have very chaotic energy and don't care about breaking the rules at all. Just Max, Dev often has problems with treating other people well, we see this with how he treats Peri in some episodes.

And of course, both have parents who are very neglectful to them and they both show different signs of abandonment issues as result in different occasions.

Other comparisons i could make are Jason and King Xavier from Craig of the Creek, a show the main producers worked on before working on this show. Dev feels like a mix of both of these characters, so i wouldn't be surprised if they were inspired from there.

I could make more comparisons, but yeah. I think Dev is intended to be more a ¨deconstruction¨ of characters like Amity, Andrea, ect that shows that just because he made a friend it doesn't mean that all his issues were ¨fixed¨ and in fact he still can get worse even after becoming better in some ways.

It is a more ¨realistic¨ take on neglectful parenting/ abandonment issues than you see in other animated family shows. It shows how badly it can mess a kid up and it isn't something that goes away so easily.

I think another factor that plays a role here is that Infinity Train writers worked in this show, so they probably wanted to do something quite different with Dev's character and her relationship with Hazel. People who worked COTC as well, since that series tackles themes like complicated and toxic friendships.

[madwhimsical]

i am still slowly rewatching The Ghost and Molly Mcgee, and like, I know the basic shapes of the arcs, I remember Scratch growing to care for Molly across s1. but the thing about going through each episode with a fine-toothed comb is, i am seeing this shift start to happen in significant ways a lot sooner than I thought it did. Like, in-the-second-episode sooner.

On the one hand, I understand a show needing to establish its character dynamic status quo early on. Episode 1 did a great job of that initial setup, and also preparing the audience to expect a kind of slowburn of Scratch's emotional walls coming down (I'm looking at you, the oblique Scratch-as-Andrea apology at the end of First Day Frights). This kind of vibe continues in Howlin' Harriet, as Scratch invents "safe" reasons for hanging around Molly (e.g. using the camping trip to pad out his scare report). And the show could have run with only this formula for a while: Molly's doing a thing, find an excuse to be on the periphery, grouse about it, but ultimately acquiesce and become invested. In fact, this is pretty much the setup for ep 3's Getting the Band(Shell) Back Together.

But something interesting happens in ep 2's The (Un)Natural. Tammy rips on Molly's lack of pitching skill, and Scratch intervenes (i will refrain from talking here about how protective Scratch is of Molly's feelings already, although it is a catalyst). Crucially, and allow me to continue the softball metaphor here, Scratch approaches clowning on Tammy/the Skylarks in a way that positions Molly and himself as being on the same team.

He's still denying friendship motivating his actions, but Scratch is unequivocally excited about cheating at playing softball with Molly. He outright says, "I cannot wait until the next game when we do it all over again!" And I find this use of "we" significant, because I think this is the first instance he's used first person plural to designate Molly as being part of his personal sphere/plans. Any other time he's used "we" in reference to Molly, it's been more in service of convincing her to exit an activity/situation he'd rather not bother with (hell, he does this earlier in this same ep, to try to persuade Molly to leave the Lemmings well enough alone so he can take a nap). But the guy is having fun alongside Molly here, rather than despite her or at her expense. He's enjoying having a reason to pal around with her, to say nothing of having a kind of blanket approval to be a little bit of a stinker to the other teams via ghost powers. I talked earlier about "safe" reasons to enjoy Molly's company, and i think being aligned against a common adversary accomplishes that for Scratch in that he could plausibly claim he was simply enjoying haunting them. This allows him a freedom to be more openly enthusiastic about the ongoing events without having to show vulnerability regarding his growing fondness for Molly. And across the subsequent games, he looks like he's super enjoying himself, like

He's having a blast, he's being silly! He's doing little antics to get Molly's attention so she can share in his good time! Like, the degree to which Scratch reaches out to Molly this episode is kind of mindboggling for how early in the series we are. I did not expect this level of sincere engagement from Scratch until a while later. And when Tammy jabs at Molly yet again, he invites Molly to give input on how to get back at her. There's another usage of first person plural here, too: "Let's just take this jerk down". He's specifically positioning them together, against Tammy, on Molly's behalf.

I think it's also worth mentioning that by this point, Scratch is legitimately invested in the Lemmings' success, like. He does not want to see them lose this game. And when Libby brings home the win, it's a win they share alongside each other.

Tellingly, as the Lemmings are celebrating their championship victory, Molly and Scratch are situated in the stands, apart from the group. A part of their own team. Molly even echoes this sentiment back to Scratch, vis-a-vis her aim to inspire confidence in the Lemmings: "We did it."

This level of support from Scratch is not consistent yet (he pretty immediately reverts to professing disengagement from Molly and her family in the very next episode), but I was so surprised to see it here this plainly. I guess that's the power of sports!

[alfredstvthoughts]

The Ghost and Molly McGee - Festival of Lights/ Saving Christmas (Season 1 Episode 10; 27 November 2021)

This episode of Disney Channel's The Ghost and Molly McGee, about the young girl Molly McGee and her family moving into a house haunted by the ghost Scratch takes advantage of the usual 2 segment format in a rarely used manner, to celebrate not just Christmas but also Hanukkah.

Hanukkah is to the best of my knowledge rarely acknowledged in holiday specials, with perhaps the most familiar example to me being the Rugrats Hanukkah special which featured a good retelling of the Hanukkah story.

Festival of Lights therefore is a welcome example of a rare Hanukkah special. The McGees have been invited to spend Hanukkah at the book store owned by the mother of Molly's best human friend Libby Stein-Torres but a power cut occurs forcing the use of a backup generator which seems not to have enough fuel to last the night (the way this is resolved neatly reflects the actual Hanukkah story).

From there the story is neatly divided into a number of sections depicting what happens over the course of 8 hours including Scratch enjoying greasy Hanukkah food, various Hanukkah games (including dreidel) and Libby telling the story of Hanukkah.

Perhaps the best and most emotionally affecting of these is what happens in the 7th hour as Libby's mother explains the history of her family's menorah with her ancestors having to flee with it from an anti-Semitic riot before showing how the menorah has always been there through the generations as a symbol of hope in difficult times.

Overall, Festival of Lights is an extremely strong Hanukkah special that nicely blends fun and emotion while also explaining the importance of the holiday for the uninitiated.

Saving Christmas is a much more traditional Christmas episode featuring a town festival and a riff on A Christmas Carol. When the annual Snowflake Celebration ends up being cancelled due to all the Christmas decorations being destroyed, Brighton ends up losing it's Christmas spirit and Molly is determined to bring it back. She tries to get Andrea Davenport's father to help fund a restored Snowflake Celebration but he refuses and so with Scratch playing all the ghosts, he experiences his own version of A Christmas Carol though he is not so easily swayed into changing his ways...

It would have paled anyway compared to the excellence of Festival of Lights, but in my opinion Saving Christmas is a very weak take on A Christmas Carol and it's not particularly helped by the fact Andrea's father is extremely unlikeable and even his redemption is sabotaged by his unbearable ego.

There is a nice festive ending but ultimately Saving Christmas is much the weaker of the 2 holiday specials in this episode. Nevertheless, this unique pairing of holiday specials is worth a look to celebrate both Hanukkah and Christmas, with Festival of Lights a particularly outstanding achievement.

[tornrose24]

A ghostly theory that connects Gravity Falls and The Ghost and Molly Mcgee.

There’s a huge part of me that wants to believe that Gravity Falls and The Ghost and Molly Mcgee take place within the same universe, and I came upon some interesting ideas that support just how close that could be, as well as what could happen if Scratch (as a ghost) ever came to Gravity Falls.

So let’s get the obvious out of the way–the way ghosts are depicted in the shows are completely different. GF ghosts retain a somewhat human appearance, while TGAMM ghosts only have slight elements of their original human forms.

So there’s no way they could be in the same universe, correct?

Well, I want to add another factor into this–the Haunted Mansion.

The Haunted Mansion is not only confirmed to exist in TGAMM thanks to Ollie mentioning it in the season 2 premiere episode but in a Disney’s Random Rings short, Scratch is shown to be calling the residents in the mansion in an attempt to secure a place of residency.

But here’s the thing–HM ghosts don’t resemble the TGAMM ghosts. Much like the GF ghosts, they retain a human appearance (Constance) or at least keep a humanoid appearance (The Hat Box Ghost).

(Notice how Constance looks a tad closer to the ghostly couple from Gravity Falls in retaining a more human form, compared to Scratch. You only have a few clues to what he looked like as a human).

This begs the question as to why the hell is that possible.

So here is my theory.

Gravity Falls has already been established as a ‘weirdness magnet’ thanks to a history of paranormal events–a sort of gateway between dimensions even–and was a place that Bill Cipher (a very powerful, dangerous entity) was especially attracted to. Unsurprisingly, it would be a magnet for ghosts.

As for the Haunted Mansion, its main location (New Orleans, Louisiana) has had a long supernatural history to begin with. It’s likely that all the ghosts gathering at this one mansion (combined with its own history) turned it into a weirdness magnet, like Gravity Falls. However, the mansion is NOT as powerful as Gravity Falls given that the land around the town has been attracting a lot of strangeness ever since the time of the dinosaurs and a UFO crashed into the area.

Now recall when I said that the ghosts in that HM short and the GF ghosts retain a somewhat human appearance? Well here’s my theory–

The amount of paranormal energy in Gravity Falls and the Haunted Mansion is what allows their ghosts to keep a more human form, compared to the TGMM ghosts. Not even the Ghost World has whatever this energy is. It’s also likely that these places are safe havens from the Ghost World since having to work for The Chairman binds you to an eternal job that you cannot get out of due to the eternal consequence of getting sent to the Flow of Failed Phantoms if you screw up.

Furthering the connection, GF also has concepts of corrupted ghosts, unfinished business, and even wraiths. (By the way, this took a bit of rewatching and looking through the books to confirm some things).

The most obvious corrupted ghost with unfinished business? None other than the ghost lumberjack Archibald Courderoy (who may be Wendy’s ancestor). A ghost who (along with his men) was screwed over by the family they bought a house for and even placed a curse upon them that could only be lifted if one of their own allowed the common folk to enter the mansion during one of their parties. Does any of that sound slightly familiar? Especially the curse bit? Dipper categorized this kind of ghost as a Category 11: Demonic Vengeance Specter in Journal 3. Someone even more dangerous than a category 10 (where the Grim Reaper is placed).

The convenience store ghosts? Again, supernatural powers, the ability to curse people, etc. As for their unfinished business…. Did Dipper dancing in that costume count? I don’t know on this one. In one of the GF books, Dipper talks about the concept of unfinished business when discussing that incident and he does mention that this is when a ghost is obsessed with something that they were unable to accomplish in life. For a TGAMM fan, this makes the lumberjack ghost comparable to Howlin’ Harriet, (who was far into corruption and obsessed over getting new toes) or Blair and Sonya (who were obsessed over an unreturned video and practicing a routine).

Ok, now the big one–as my friend @jackie-gremlin-ghost  and I have discussed, the concept of wraiths (the ghost of a person who is still alive) also applies to GF because Dipper himself became a ghost-like being when Bill took over his still-living body and forced his soul out of it. Bill tells Dipper he’s ‘basically a ghost’ and Dipper himself confirms this in the collection of bedtime stories. And Bill was free to possess Dipper’s body–as well as Ford’s–much like Scratch possessed Molly’s body in the body swap episode of TGAMM.

(Bill posessing Dipper's body while Dipper is basically the GF version of a wraith. However, GF wraiths seem to retain their human coloration to a degree....)

(....Meanwhile, in TGAMM wraiths look no different than regular ghosts. There's no way to spot the difference.)

But wraiths in TGAMM are visible, so why isn’t Dipper? Because Bill didn’t WANT him to be visible and also Bill is far more powerful than a mere ghost. However, Dipper’s spirit is still able to take on a human appearance���more so than the actual ghosts of Gravity Falls. He’s still able to do things like possess objects, but it’s likely Bill would have depowered Dipper severely.

And of course, if Bill succeeded in his plans and killed Dipper’s body, its confirmed that Dipper’s soul would have been still wandering around in some form. Dipper could have also been prone to corruption (as hinted at for one timeline in The Book of Bill). But if Bill kept Dipper’s body alive, and the consequence of staying as a wraith for too long applied to Dipper? Oh Dipper would have been SCREWED big time. (And as shown in The Book of Bill, Ford could have ended up with those same fates too, given how toxic his relationship with Bill was getting).

So now back to Scratch.

My guess is that if he went to Gravity Falls (or the Haunted Mansion), then he’d be subjected to the weird energy that surrounds it. In turn, this could potentially change his appearance from resembling a floating blue ghost to taking on a more human–but still ghostly–appearance. And…. Well… let’s just say that he’d be in for one hell of a surprise if that happened.

[confused-rat]

Lily: Serialization is what killed The Owl House. Kids don’t care about serialized cartoons.

Okay…How come Adventure Time got ten seasons, four seasons, and a spin-off made for the kids who grew up watching it? How did Steven Universe get five seasons, a movie, and an epilogue series? How did Avatar: The Last Airbender get three full seasons, with Nickelodeon trying to cash off of its success with a movie, a sequel series, a live action reboot, a sequel series TO the sequel series, and three more movies already in development? If serialized kids shows fail, then why didn’t those three?

And, on the inverse, why do some episodic shows tend to fail too? Why did Wander Over Yonder and The Ghost and Molly McGee only get two seasons? You could argue that it’s because the second season was when they started dipping their toes into serialization, but they were facing problems before that. Wander got moved to Disney XD during its first season, something that’s often a death sentence for a lot of Disney’s programming. And Molly McGee got her series pushed to streaming first with Disney wanting it to be huge on Cable too. Both were solely episodic, with light continuity that made it possible to enjoy any episode without the need to see the rest. And they STILL got screwed over in the end.

Lily: …Shut up, Pedophile.

YOU shut up, pedophile! Stop acting like you know more about the industry when you clearly don’t! Better yet, stop acting like you know what kids actually like WHEN YOU ARE NOT A CHILD! You WERE one years ago, and you based your opinions on what YOU liked as a kid! Kids are going to like whatever the fuck they’re going to like! Even if YOU didn’t!

(Also don’t forget how other serialized shows like Young Justice or Green Lantern got dropped not because of low views, but because of the lack of toy sales.)

[magical-grrrl-mavis]

Spoopy Shows

For people that don't really like horror but wanna get into the Halloween spirit.

Most of these descriptions are very short and do not do the shows justice. Also all but one of these are animated, sorry.

Dead End: Paranormal Park

Two kids work at a haunted theme park full of mystery.

Extra points for queer rep!

The Ghost and Molly McGee

Friendliest girl in the world befriends a grumpy tsun ghost. Shenanigans ensue.

The Owl House

Weird nerdy girl is isekaid into a world full of demons and witches and learns magic from a wanted criminal.

It has more queer rep!

Over the Garden Wall

Two boys find themselves lost in a mysterious forest full of bizarre encounters and adventures.

Zombieland Saga

Zombie Idol anime. Like it's an idol anime but they're zombies. It's hilarious, and surprisingly emotional.

ALSO IT HAS AN ADORABLE TRANS GIRL!

Little Witch Academia

Excitable girl with no magical experience whatsoever attends school for witches. Hijinks and magical coming of age journeys ensue.

Kinda gay.

Scooby Doo Mystery Incorporated

The teenage Scooby Gang solve mysteries, and slowly uncover the dark secret history of their hometown.

Wandering Witch: The Journey of Elaina

A vain but endearing young witch sets off on a journey across the land, meeting all kinds of people and encountering increasingly bizarre problems.

Sabrina the Teenage Witch

Life of a young half-mortal half-witch living with her wacky aunts and snarky bisexual cat.

[crazycartoonnerd123]

I made a post like this on TikTok already, but I’m also gonna make one here too because I feel like ranting.

The Owl House: Such a great show with a BIPOC main character who is also bisexual and a fantastic plot line. It provides people with needed representation that makes them feel seen and discusses serious topics that people face in real life. It has a loyal and committed fan base and phenomenal ratings. All factors considered, it should be safe from cancellation.

*Gets cancelled and S3 gets shortened and 2 out of 3 of the episodes were leaked because it “didn’t fit the Disney brand”

The Ghost and Molly McGee: Another fantastic show with a Thai main character that was able to nearly perfectly balance a fun and entertaining episodic structure but still tackle serious and realistic themes and issues people face in real life. It also has great characters and representation, and, in theory, should “fit the Disney brand.”

*Due to lack of promotion and marketing, one of the episode releases on Disney+ kinda flops, and as a result, the show gets cancelled even though the next release had better numbers, thus causing the show to end prematurely. The third season would have dealt with topics such as death and loss and the first 10 scripts were already written*

Moon Girl and Devil Dinosaur: A fantastic show that has (in my personal opinion) THE BEST representation a Disney show has ever had that manages to tackle serious topics and issues people have to face every day. It is able to mix the elements of a serialized and episodic show almost seamlessly and has already won a ton of awards and had over a dozen nominations cumulative.

*Literally never gets promoted, they release half of the season at one time without said promotion, and now the fate of the show rests on the performance of the 14 episode drop on February 2nd and 3rd AND they’re releasing 2 episodes a week on Disney channel and if it doesn’t do well it will get cancelled*

And this isn’t even close to the entire list of shows that have screwed over. (Referring to the leaks of Amphibia and other shows).

In conclusion,

STOP SCREWING OVER YOUR SHOWS DISNEY!!!

[lirarey]

On Saturday, I went to a symphony concert of music from the films of the eighties and nineties. There was the "Addams Family" theme, but not "Beetlejuice". Yes, I have interesting associations, but think about this. Even before the twenties, we couldn’t have imagined that one day we would see Lydia as an adult in the official media. And could we have imagined that the adult Lydia would be played not by just anyone (there could have been the joke about Christina Ricci as Wednesday), but by Winona Ryder herself? I still can't imagine how exciting it must be to return to an old role after so many years. You may ask where I am going with this? Let's start with the fact that Lydia, the child (animated series), Lydia, the teenager (the first film and musical), and Lydia, the adult (the second film), are slightly different people. The relationship (in general, the specifics aren't important here) with Beetlejuice will also be different.

In the cartoon series, they're best friends (you probably saw something similar in "The Ghost and Molly McGee" from Disney). Although I have seen the opinion that the writers seem to periodically forget that they aren't a couple, and it sounds funny, but not quite canonical. In the first film, they're more like partners in fulfilling each other's wishes. Yeah, I don't think Beetlejuice had any romantic interest in Lydia in the first one. I haven't seen the musical in its entirety, but as far as I understand, their relationship there is somewhat similar to that in a cartoon series.

And the second film. Now that Lydia is a grown-up, we can really suggest a further development of their relationship. But for now, I'll focus on the romantic part. Yes, the feelings that Beetlejuice has developed over the years. I think the writers did a pretty smart job of showing us exactly it on his part. Beetlejuice is a romantic. He has this soft and sentimental side that only shows to Lydia. Perhaps we will see more of this kind of behavior from him in the third film. And even more, I want to see how Lydia gradually realizes her feelings for him. All these looks, jokes, touches...

We're waiting for the third film, Tim Burton.

[the5n00k]

Now that the fic is completely finished, I can share some Long Time Friends doodles I made while writing! Drawing little scenarios and visual aids for specific designs really helps me, I do this with most of my long fics

[lo-toh-takes]

Lily Orchard saying that The Owl House went through seasonal rot when it "became serialized" is very funny to me...because it implies that the owl house was never serilazed to begin with. Lily doesn't actually know what a episodic vs serialized show is so I'll just break it down right now.

An episodic show is a show where any episode can be viewed in any order and you woulden't be confused since none of them connect to any overarching plot or character development. There are some episodic shows with serialized elements like The Ghost and Molly Mcgee and Big City Greens but those shows don't fall into either episodic or serilazed categories, rather they are a mix of both (A serialized episodic show).

A serialized show is a show where most episodes can't be viewed in any order and there is usually some over arching element connecting them, whether it would be a plot or character development. Serialized shows also have fairly strong continuity between episodes.

Any show that has these elements can be considered serialized to an extent even if it is mostly episodic, serialized shows just have these elements present consistantly within the work. Now, let's look at the owl house's first season and the first half of the second, to see if they really are episodic...

...they are not. Season 1 and especially Season 2A fit the critea for what makes a strongly serialized show. In Season 1, the only episodes that are remotely skippable are Once Upoun a Swap and Really Small Problems, that's it. Not a single episode of the first season can be viewed in any order without breaking continuity in some way, they all either further the plot, develop characters, or introduce a new reccuring element in the series.

Season 1 is, by deffinition, not episodic. Season 2A is even less episodic than the first season because in this season NO episode is even remotely skippable, and once again no episode can be viewed in any order. Season 1 and Season 2A are, in fact, serialized.

But Lily seems to think that the show only became serialized in Season 2B because that's where the show started getting darker with it's story telling, which shows a greater problem with how Lily views episodic vs serialized story telling; she conflates episodic with "fun light hearted wacky adventures" and serialized with "darker edgier story lines that last multiple episodes".

She's attributing a type of story telling with a set tone, so she thinks that all episodic shows are wacky comedies while all serialized shows are dark and gridy dramas.

She doesn't know shit about story-telling, is what I'm saying.