#also include any ship you want

[alien-slushie]

Akuma Class Sugar Prompt

Did you know ladybugs will cuddle together during winter to keep warm?

What if this translated into Marinette being super cuddley with people. None of it is ever romantic or inappropriate, but Marinette is just often seen cuddling with her classmates. Like, when they're working on homework Marinette will lay against Alya's shoulder, or throw her legs over Nino's as they listen to music. She'll be looking through magazines with Juleka while both girls are sprawled over Luka's lap and Rose plays with their hair. After a long rehearsal of some project sometimes you can find her and Mylene snuggled up together, using Ivan's back as a pillow while he huffs fondly at them, or she'll lay over Nathaniel's and Marc's shoulders as they discuss character designs.

Obviously there are people she's not comfortable cuddling with, like Lila or Chloe, but everyone else is free game.

And when Marinette finally gets comfortable enough to cuddle against Adrien one sleep morning, the look on his face just screams: "I am the chosen one!" And he feels so smug about it because finally it's his turn!

[lucradiss]

“Oh the age gap was too big I aged one of them up/down so they’re the same age”

YOU HAVE SHOWN YOUR WEAKNESS! YOU ROLL ON YOUR SPINELESS BACK AND EXPOSE YOUR COWARD BELLY IN THE FACE OF ADVERSITY! I DONT HAVE A SHIP WITH AN AGE GAP OF LESS THAN A DECADE! GIVE THESE MIDDLE AGED MEN A TWINK AND SOME VIAGRA AND THEYRE READY TO GO!

[vynnyal]

Finally finishing totk

[sukibenders]

Intersectionality is something that, sadly, is often pushed to the side in Arcane discussions, specifically from a certain side of that fandom. They will go on and on about Viktor, as they usually do, talking about how he suffers from classicism and ableism within the show and fandom respectively (as they should as these are issues, but there is a catch when it comes to these fans as well), but when others in the fandom, especially Mel or even Sky fans, point out the racism and misogyny (misogynoir) that is often rampant in this fandom, particularly from said fans mentioned prior, all of a sudden its not possible or being overdramatized. Like they suddenly can't understand how some of their rhetoric includes or invites the same thing black fans have been calling out since the beginning, because how can you discuss the ableism and such that Viktor faces, but laugh or joke around with people who call Mel slurs or just denounce her to a trope? I thought you were for calling out forms of hate within fandom, or does your "activism" only stretch so far? And back to a previous statement, about the catch regarding those particularly fans----some of them regurgitate the same harmful rhetoric towards Viktor that they say they supposedly hate, just in mode subtle ways. How are you going to say you hate when Viktor is infantilized, but will be quick to forget he's a grown man who can defend himself (often when trying to pair him against Mel, framing her as the aggressor, and sometimes even Jayce too but to a lesser degree)? Not saying Jayce doesn't get equal amounts of hate, but his more so gets pushed aside along with his character to ultimately frame Viktor in higher regard, often making him ooc. It's like they pick and choose when the issues are prevalent, and when they aren't, and it's so frustrating.

[citrusinicake]

song :: Tarantula Girl by Violent Vira

minecraft screenshots :: Subz' POV | Vitalasy's POV

video overlays :: ink | blood

flowers :: tulips | dandelions

fanarts :: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 & 18 | 19 | 20 | 21 | 22 & 23 | 24 & 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40

[epickiya722]

As someone who likes MF ships as much as I like MM and FF ones and doesn't really go by canon sometimes, I think it is entirely funny to say Shoko and Nobara had any "romantic" chemistry with any of their male friends when they are two female characters in that same story in canon stated they would never ever consider such as relationship with those male characters.

There's different kinds of chemistry, folks. Romantic chemistry and no chemistry at all aren't the only kinds of chemistry.

[imminent-danger-came]

Lowkey. Do really hate sp*cynoodles

[the-judicial-assistants-notebook]

You know, I think what really bugs me about the "Dadworth" dynamic applied to Kay and Edgeworth's relationship is that it usually makes Kay out to be this hyperactive, slight problem child (in the 'stealing and pranking' sense rather than the 'moody and abrasive' sense), occasionally with deep-rooted daddy issues like Edgeworth has, when that's... the opposite of her character.

(This post got away from me, so TL;DR: Kay is a quick-witted and independent young woman who has worked very hard to be both emotionally and practically intelligent enough to be seen as a legitimate successor to her father's legacy. Making her out to be the traits mentioned above, so she functions as Edgeworth's daughter rather than his investigative partner and equal, undermines her character and semi-conflates her with Maya [the deep-rooted issues bit]. Also I don't like it wksgskaj)

The thing about Kay is that she's not actually in the series as much as it feels like she is, which makes it easy for her character to be altered to suit the needs of the story (which I think happens in The Forgotten Turnabout, but I won't talk about that here). She turns up in two cases as herself in AAI (as in, teenager Kay whom we're most familiar with) and shares her role with Gumshoe, Ema and Franziska when she does, lessening her appearances even further. Nevertheless, there are still concrete elements to her personality that we're made aware of right from the beginning, and the first major one which I feel gets overlooked in favour of her hyperactive characterisation is this:

Kay is very, very sharp.

In terms of mainline assistants, I'd consider her the sharpest of all (maybe after Trucy? But I don't remember enough of AJ to comment on that). Yes, she's shown to be reckless and impulsive, but, when it comes to actual investigating and reasoning, she is solid. With Nick and Maya, you sometimes get the impression that they're both fumbling along until Phoenix catches on (most of the time with Maya's usually a little accidental help, and he still has to explain things to her near every time [not Maya's fault. Following Phoenix's reasoning is like being on a rollercoaster in a minecart]), but Kay is very rarely like that with Edgeworth. Within minutes of meeting him, she can predict what he's going to say (or 'steal his lines', as the game puts it), and there are several moments after he uses Logic and is about to explain what he's connected where Kay interrupts with the correct conclusion herself:

Edgeworth: A second Blue Badger that shouldn't exist... Clearly, the true identity of the person underneath is...

Kay: Oh, I know! It's one of the kidnappers, right!?

There's even a point where she tells him off for overexplaining things to her:

Kay: Yeesh, I told you I got it! Do you feel the need to explain everything!?

And, near the end of their first case together, he acknowledges that's she's generally quite quick:

Kay: OK, what should I re-create first?

Edgeworth: ...You haven't figured it out yet?

Kay: Heh, maybe I have, and maybe I haven't.

Even if you don't take these points into consideration, the fact that she comes up with a new way to use Little Thief, and knows how to use it at all actually, shows you that she's a really intelligent girl! Continuing on a bit from the point I made earlier about her being brash, Kay may be reckless, but she isn't irresponsible. Whenever she rushes into situations, she doesn't expect other people to come save her; she's quite assured that she can and will get herself out of them on her own, and, if she needs help, she asks for it in advance. She treats Edgeworth less like her guardian and more like her investigative partner:

Kay: I didn't get permission to enter Allebahst... so we're going to go gather whatever info we can over on the Babahlese side, OK!?

Edgeworth: Alright, I'm counting on you two.

Kay: Right, and I'm counting on you and Ms. von Karma to sniff out clues in Allebahst!

...

Edgeworth: A number of pieces connect in a very complicated way in this case... It's almost enough to make one completely mentally exhausted.

Kay: Let's not over-complicate matters, OK, Mr. Edgeworth? We've been so focused, like a laser, on only what seems strange and out of place... it's no wonder nothing's clicked and we haven't unlocked anything yet. But, if we think things through calmly, the answer should come to us!

There's an independence to her proactiveness that kind of forces Edgeworth to meet her on equal grounds, and this too is an element that gets lost when the Dadworth dynamic comes in because it involves making Edgeworth responsible -- or feel responsible -- for her actions and general wellbeing when Kay has never expected nor wanted that. She does things on her own terms, and she walks the path she's chosen by herself:

Edgeworth: Preposterous! On what grounds do you suspect her of such a thing!?

Shih-na: The fact that she calls the Yatagarasu. That in itself is a more elegant proof.

Kay: Ms. Shih-na.

Shih-na: Yes?

Kay: I... have no intention of taking back any of what I've said.

Shih-na: ...?

Kay: I am the Great Thief Yatagarasu. And I refuse to allow some imposter to claim that name as their own! The path of justice that my father pointed me towards... I will walk it the best I can!

Her relationship with Edgeworth works as an inverse to that of Nick and Maya's in the way that, where Nick and Maya have deep respect for one another beneath layers upon layers of playful insults and messing about, Kay outwardly respects Edgeworth first (and expects that respect to be returned) and razes him second -- that, too, never to an extent she wouldn't with anyone else or that crosses a certain boundary. Her messing with Edgeworth is shown to be more an attempt to get him to lighten up or not take himself too seriously than an act of (platonic) intimacy as it is with Nick and Maya (which makes sense because Nick and Maya have spent years together, while she's known Edgeworth for all of two weeks) or genuine obliviousness/silliness (although it definitely sometimes is). This is pretty obvious simply from the fact that she always calls him 'Mr Edgeworth', though she's perfectly comfortable calling Gumshoe and Badd, people whom she is more familiar and comfortable with, 'Gummy' and 'Uncle Badd' respectively. Also Kay, in general, is quite polite? Edgeworth calls something she said rude at one point and she gets insulted, and, when you ask for her opinion, she doesn't go 'What?' or 'What is it?', she specifically says, 'Yes?' (this changes in AAI2, which I promise I'm not discussing here) Upon meeting Oldbag, she has this exchange with her, where Kay chooses a more formal mode of address than what is actually offered:

Oldbag: My name is Wendy Oldbag. But you can call me "Wendy", or "Granny", or whatever suits your fancy.

Kay: Nice to meet you, Ms. Oldbag! I'm Kay Faraday.

She's also had moments where she calls Edgeworth out for being 'tactless', and she's shown to feel very strongly about rudeness throughout the whole game. I'm not saying she isn't mischievous or playful, she very much is, but the point is that she's really quite respectful, and this extends to her relationship with him. Her characterisation in Turnabout Ablaze, where she's considerably more excitable/high-strung than in Kidnapped, seems largely due to them chasing down Calisto Yew. Edgeworth even comments on this:

Edgeworth: Kay, you need to look before you leap. You tend to lose your cool when it comes to anything related to that woman.

Generally, though, you can tell that she was obviously raised with an adherence to certain formalities. She's not looking for another parental figure (because she doesn't need one, which I'll go into after this), but, if she was, she'd make that clear.

Kay's a very straightforward person at heart; she doesn't hide any part of herself, even the part that should be hidden (i.e. the Yatagarasu). There are points where she suggests that Edgeworth reminds her of her father, but, in AAI, she specifically mentions that it's both Edgeworth and Gumshoe who remind her of her father and Detective Badd. It's not about her seeing Edgeworth as a father figure; it's about their and her own dedication to the truth. Even in AAI2, where her comments could be read as leaning more towards the former angle, she doesn't get cut up about him not picking up on that or really paying it much emphasis at all, because it doesn't matter. The fact that he reminds her of Byrne is just that: a fact.

Returning to the point about Kay not needing/wanting another parental figure, I think it's pretty self-explanatory, but to put it succinctly: Kay has the guidance she needs without him.

To put it less succinctly, Edgeworth's possibly the worst candidate to go for for emotional support and guidance in the first place, and by the time she meets him again, she's basically processed her father's passing and has a better handle on herself emotionally than Edgeworth does (not a brag; most characters have higher EQ than Edgeworth); what she wants isn't necessarily closure for Byrne's death in the emotional sense but in the I-want-answers-to-this-mystery-that-will-restore-my-family's-honour sense. You could make the argument that Kay becoming the second Yatagarasu and shaping her entire future around continuing her father's work prove that she isn't over his death, but I don't think that's true and more of a result of conflating her with Maya a bit.

With Maya, becoming the Master isn't something she chooses; it's given to her by Misty and Mia. With Kay, it's the opposite. Kay's decision to become the Yatagarasu and pursue the truth is wholly her own, and her approach to that goal reflects that. While Maya uses her cheery, upbeat attitude to conceal a lot of self-doubt and vulnerability (and Franziska does the same with her hostility), Kay does not. Her cheerfulness is precisely who she is; it's not a mask so much as it is a distraction. It keeps people from looking at her too closely and realising exactly how capable she is, and, while I don't think it's fully intentional (again, she believes in living her life in a straightforward and upfront manner), she does imply that it's sort of her (or the Yatagarasu's) MO:

Kay: Well! By the time everyone notices, it's already gone! That's the Yatagarasu way!

Interestingly enough, this unintentional tactic of using humour and cheeriness as a distraction from her abilities makes her a mirror to Calisto Yew, who also uses her seemingly always light-hearted nature as a disguise for what she's actually capable of (Calisto's joviality is her true self, too, or at least as 'true' as she can get). The difference between them is that Calisto delights in ironically mocking the world around her, whereas Kay finds joy in life itself, and she's stronger for it.

The only part where we see Kay attempt to mask her feelings is when she's a child, and even then she admits that she feels better after crying, which, I believe, led to her becoming more open with her emotions later in life (see how her older self has a teary sprite which makes pretty frequent appearances where her younger self does not). In any case, to me, this shows that she has people in her life already who are helping, and have helped, her confront and process her trauma. She's not looking to Edgeworth to help her make sense of her father's death and she definitely isn't looking for a replacement (again, literally dedicated to continuing her father's [and Badd's] legacy). Whenever Edgeworth even gets close to becoming parental with her, she dismisses it, unless she acknowledges that she is in the wrong:

Edgeworth: ...Kay, it's not good for you to stay up late, you know.

Kay: Yes, gramps!

...

Edgeworth: ...I appreciate your sense of justice, however... I would appreciate it if you wouldn't go running into the heart of any more raging fires.

Kay: Nngh... Yes, Mr. Edgeworth... I'll try...

Despite her buoyancy and bright attitude, Kay is quite firm that she be treated as an adult (she doesn't see her cheeriness as a mark of youth; it's joie de vivre, it's who she is, and that's that), and, throughout the game, she gets annoyed when people don't respect that (her arguments with Lang are largely over how he calls Little Thief a toy and her crow-girl). She holds her own and relies on herself while being unafraid of asking for help.

Anyway, this post has gone on for long enough and I think I've addressed the points I wanted to. I should mention that I realise that a lot of how many people portray/interpret their relationship is validated by AAI2 but that's honestly a discussion for a separate post HAHA I feel like, when it comes to AAI, the father/daughter interpretation can maybe be argued with regards to the way Edgeworth treats her? Honestly, though, I think he'd treat any young lady who suddenly becomes part of his team/responsibility in pretty much the same way. And, like, he drops the ball almost every time he's supposed to give "fatherly" advice because he's just not that great with it/children!! It's actually hilarious HSKSDHSK

Either way, yeah! I just think Kay is actually given a lot less credit than she's due when the Dadworth card gets played and I just! Want better for her!!

[emily-mooon]

Ok so it looks like ship charts have been going around and not too long ago, I made my own cause I noticed the other one didn’t have a lot of the characters and I wanted one that did. I finally finished adding my own lines tonight (I also added Comeau, Jason Kim, Sandra and Monique cause I forgot to add them when I originally made this) so here’s my easy to digest opinions on the different ships!

Don’t feel offended if your OTP isn’t a top pairing for me and it’s in something like ‘it’s ok’. I respect that you like it, its just not my thing. if it’s a ship you hate in one of the top spots, well be respectful please and thank you :]

Also if I forgot a ship, I’m sorry it didn’t cross my head while making this. Just tell me which one and I’ll respond with what line I would have put.

(Blanks and the different layers under the cut cause my god its a mess)

Also bonus logoless version if you want it :D

Ok bye! Have fun making your own with my blanks if you want to, just link to this post or credit me if you do please and thank you ;]

[oozeandgoo-art]

This is going to sound unexpectedly specific compared to my usual vague-as-fuck questions. Context being: I want money, I cannot commit to doing commissions at the moment and drawing is my only marketable skill.

If you were to buy a character "adopt" - premade design for your use, art by me and no rights retained except to like merchandising that original art - would it be a significant factor in either a positive or negative direction if the art were originally done digitally vs traditionally?

Likewise, if you were to buy a traditionally-drawn adopt, would the inclusion of the original paper-and-ink drawing be a significant benefit to you that you would consider paying more than just "base" price for?

Third, regardless of medium, would you want "scratch" papers where I did the brainstorming before the final concept was finished - this wouldn't be at any extra cost i just wonder.

Fourth, would you prefer a "flat" sale or an auction? (I like buying things at auction-style sales, and it means you might get a cheaper price than i'd normally list whatever it is for, but I am given to understand that my preferences vary from the norm pretty significantly lol) .

Fifth, would TF or at lesat mecha designs be more interesting than non-TF ones or would more general "can use this as any oc for anything" type characters be more appealing?

Ah - sixth and last, do regular ocs appeal more or less than kink/fetish-oriented ocs like "suspiciously wide-hipped lady who just so happens to have a mouth in her crotch" or stuff in that vein lol? I'm not sure I can stop myself from coming up with at least one erotic as fuck design because that's just how my brain works, but it's good to know if i should try and focus on that or leave it be and just focus on concepts that seem interesting enough to get a shape out of.

[dimiclaudeblaigan]

If there is at least one thing I can credit FE for doing better than Tales in localization, it's not trying to actively go out of their way for an entire game to avoid subtext or direct text between two men that is romantic or implied romantic. Funny when it's so present that the attempt doesn't even work; infuriating that it was attempted to begin with.

So as much as I often have issues with some of FE's localizations, at least they have a leg up on loc Tales for that.

[zukkaoru]

heyyy you guys should send me some ficlet prompts (preferably bsd but a really good prompt could persuade me to do another fandom) bc i need to get the words flowing again. you can make up your own prompts or here are links to a couple lists i found in my drafts:

things you said... dialogue prompts (angst) dialogue prompts (fluff, angst, and h/c) dialogue prompts (misc) lyric prompts from laurel hell touch prompts

[someone-always-cares]

chapter 5, page 41

first - previous - next

[image description: an sac webcomic page. “i was literally mid-sentance, what was that for- and they’re gone. great” jade says, turns around to face where split was, angrily. “...woah” says lewis, looking back. “Well that's the second time we've been booted out of a place by a friend with some weird eye thing going on, and hopefully that's not a sign.” jade says, turned back over to lewis. “was that, uh, fast travel?” lewis asks, holding the not bloody corner of the business card in his mouth to sign. “no, she can’t teleport, he just pauses time. lucky bastard. what was faer deal anyway? we don’t have time for this shit!” she continues. “actually i... i got the address” lewis responds, handing over the business card. “the creepy guy in the back gave it to me after i bit him”. he continues. “that’s great! no time to waste, let’s- i’m sorry, you bit him??” end id]

I so badly want to print this comic but there’s so many things i need to do first and the start of that list is “figure out what things i need to do”.

also looking into making washi tape, pins, and keychains which are much simpler to make but still kinda pricy.

[grimmjowjaegerjaquez]

oh yeah this is jun btw. five foot six king.

[the-smiling-doodler]

slams my head violently against the wall /neg

[yearoftheotpevent]

hello fan creators!

Year of the OTP is officially back for 2025 with a new set of prompts!

we've switched some of the prompt categories around in an effort to make the event more inclusive of all kinds of fanworks. we've also included song prompts this year! the playlist is on spotify here.

we want to give a huge thank you to everyone who participated in the last event - it grew so much larger than we ever expected and it's truly amazing how you all took our last set of prompts and made so many wonderful things. keep it up!

a couple housekeeping notes: we will not be reblogging every entry this year. mods will keep an eye on the blog if you have any questions, but the reblogs were too much last time. thank you for your understanding!

we will be closing the 2023 collection on December 31. thank you for your continued participation, but it's time to look forward!

the link for the new collection will be posted here January 1.

we're looking forward to seeing what you create this year!

alt text below the cut.

Year of the OTP 2025

The Rules: the Ao3 collection accepts any /-ship works inspired by a prompt from this sheet The Challenge: make 12 works for one ship in one year, using prompts from each month

*you do not need to do the challenge to post to the AO3 collection, as long as you follow the rules*

January first kiss ♦ “may I have this dance” ♦ sharing clothes ♦ BDSM AU ♦ stockholm syndrome ♦ Strong – One Direction

February Valentine’s Day ♦ “it made me think of you” ♦ bed sharing ♦ multiple penetration ♦ mind control/mind break ♦ Like Real People Do – Hozier

March fresh starts ♦ “what are you doing with that”♦ florist/tattoo artist ♦ phone sex ♦ major character death ♦ Take Care – Drake

April pranks ♦ “right in front of my salad” ♦ running away together ♦ dom bottom/sub top ♦ raised to be a killer ♦ Drops of Jupiter – Train

May hanahaki ♦ “we’re dating? since when?” ♦ body swap ♦ magical sex toys ♦ stalking ♦ Paper Rings – Taylor Swift

June pride ♦ “I can’t get you out of my mind” ♦ relationship reveal ♦ unconventional sex positions ♦ paying a debt with your body ♦ Good Looking – Dixon Dallas

July vacation together ♦ “I like my _ how I like my coffee” ♦ kidfic ♦ mutual masturbation ♦ dehumanization ♦ You May Be Right – Billy Joel

August Sports AU ♦ “you’re thinking too much”♦ cooking together ♦ object insertion/ penetration ♦ becoming a monster ♦ You Shook Me All Night Long – AC/DC

September high school/college sweethearts ♦ “come here” ♦ date night gone wrong ♦ semi-public sex ♦ abduction ♦ Thinking Bout You – Frank Ocean

October costumes ♦ “boo” ♦ online dating ♦ shibari ♦ mutual non-con ♦ Mr. Brightside – The Killers

November camping ♦ “are you sure” ♦ touch-starved ♦ cockwarming ♦ abusive relationship ♦ A Thousand Years – Christina Perri

December holiday traditions ♦ “where are you taking me” ♦ bathing together ♦ food play ♦ tortured for information ♦ Everything Is Alright – Laura Shigihara