#also i'm SO here for the religious themes

[starlightomatic]

this thing (the christmussy) appears and you slide down it

mazel tov you're now in an alternate universe.

you go on facebook and you see a post in the group for an app you have. every month there's a new theme announcement, and you see march has just been announced. it's cherry blossom themed; a cherry blossom dress for your avatar, a backdrop of cherry blossom trees for your virtual room. you think it's beautiful and really well-done.

you glance down and see the comments. there are many people upset that the theme isn't purim, with others reassuring them they can still get purim items in the shop and explaining that the app already did purim for the march event two years ago and doesn't want to repeat. but people are still upset, because they'd been saving up their in-game currency to buy purim items. this doesn't totally make sense because the event items don't cost any currency. but it's clear everyone expected a purim event, and that they feel a cherry blossom event would have been more appropriate for april because flowering trees are more of a pesach thing. a couple commenters mention that they don't celebrate purim and so they really appreciate that the team chose an inclusive theme, and that they think the cherry blossom theme is beautiful.

one thread goes something like this:

chana: ah, i was hoping for something more silly and purim-y

maryam: sorry, but not everyone celebrates purim. besides there are actually five different holidays celebrated in march, including purim. even then, not everyone celebrates those holidays. it's not all about one group of people. everyone needs to feel included.

chana: i'm fully aware, thanks. the silly purim is not the same as the religious purim, anyway. hamentashen are not in the torah. i know muslims who celebrate the commercial purim. i'm a jew who has done lots of interfaith work, by the way.

you notice it seems like several of maryam's responses aren't showing up: facebook glitch or were they deleted? or maybe chana is just so worked up she's commenting many times?

chana: in short i was asking for a springtime theme not a full-on megillah reading. you could have sought to understand before jumping to that conclusion. peace.

chana continues in this vein, even accusing maryam of "attacking her," and also makes a weird dig about maryam's islam.

eliana: try not to let this person upset you. you should be allowed to make such a statement without being lectured on religion -- this is not the place for that, or at least it shouldn't be. people are here to encourage and support each other. i also wish it was a silly purim theme. hope you have a great day :)

hadas: i agree. i would love to get a grogger.

rachel: admin! this is stressful.

tamar, the admin, jumps in. she doesn't mention chana's weird comments about maryam's islam, but merely asks for the conversation to stop. it doesn't.

ari: there is a grogger from one of the previous march events! it'll be in the shop all month. my family celebrated purim and mardi gras, so i have an outfit with a grogger and mardi gras beads!

chana: rachel, i'm so sorry.

chana: tamar, thank you and my apologies for my part in this.

zelda: chana, you can still buy jewish purim/wiccan ostara/mardi gras/etc type items in the store :) even a pineapple costume! lmao! your outfit can be as silly as you'd like it to be :)

katie: hi chana! i hear you saying it's disappointing there isn't a silly purim theme, and it's frustrating that anyone would push back on that because it's not religious so there's no way anyone would feel left out. i do just want to gently mention, for a lot of folks who are from other faiths and cultures, silly purim also isn't something that we celebrate. if the app had gone that route, we would of course understand because that is what the majority wants and we respect it, but it's true we would still feel left out. the app isn't obligated to change anything for us, of course, but the fact that they did is very sweet (well -- i'm not sure if inclusion was the intent, but it was the result!)

chana: just checking you've seen this. *includes screenshot of tamar's admin comment*

chana: can i also clarify one final time that i mentioned nothing of religion, nothing about faith, nothing about megillah, esther, or anything. i was simply hoping for a silly theme with funny hats and a cotton candy machine. the first person to mention anything to do with religion was NOT me. my initial comment has been taken wildly out of context and i am deeply upset that this conversation is continuing despite admin asking for it to stop. i'm done.

chana: tamar, i really don't want to leave this group, but this is past unacceptable at this point.

you don't see what happens next because you decide it's time to log off. you close your computer and go outside and touch some grass. you're free.

It's Black Friday and you know what that means: It's Christmas discourse season!

There's a disconnect that comes up every year in these conversations, and I've never seen it illustrated as clearly as in the conversation below.

Context: This is a community group for an app that involves themes and items, and this year's December theme is winter-y but decidedly not Christmassy.

Some people were upset about that, which isn't unexpected, and then this conversation ensued:

What is.... what is going on here? Why is red so upset? Why are they struggling to understand that "cozy" Christmas is still not universal? Does it feel threatening to them?

I mean, maybe green had a bunch of comments and then deleted them or facebook was glitching, but I can't find anything wrong with their initial comment. Is red just annoyed because it's unkind to challenge someone who's just saying they're sad? I don't think that's the only thing though because red doesn't seem to understand either green's or blue's comments and it's a misunderstanding I see every single year.

Also, I don't understand what the issue was with blue, or why that also upset red that much. Is it just because blue ignored the mod's request to close the thread?

Like.... either there's something I'm not getting or there's something red's not getting. I suspect it's red, tbh, because they started talking about how they never mentioned anything about Jesus, the nativity, or religion -- but blue actually addressed that in their comment.

Outside the context of someone getting pushback on just saying they'd wished something different had happened, which I recognize feels shitty, are there ways people like blue and green can phrase things so that it clicks for people like red, or is it a lost cause?

And what am I missing about red's perspective?

[the-fabled-void]

Here's some Chara Dreemurr headcanons:

They have Gifted Kid Burnout. You can see this

on their completionist mindset: the highest

numbers, the fullest glass of water...the highest

grades?

They struggle showing negative emotions so they smile when they have them, like when they accidentally poisoned Asgore, or as a narrator, when they said this:

They also show the ability to change their behavior by learning:

Also, since every character I fixate on so far has shown traits of autism, they might have had it too. Or something similar. (Moral OCD would be interesting, but with a sort of opposite twist. Immortal OCD I'M AWARE THAT'S NOT A REAL THING. Probably not, just a thought. Would make an interesting AU; In all their actions, they choose the most 'evil' possibility)

On the surface, they were blamed for a lot of bad shit. I imagine they are or were clumsy, and got in trouble for things out of their control. So, they began to try seeing themselves as inheritly evil, to demonize themselves and to cope. I can see them thinking "Well of course I did this bad thing, I'm a demon after all" to excuse their actions, or to avoid guilt.

They probably have some kind of religious trauma, probably from christianity. (idk enough Christianity lore to go into a lot of specifics) Under the cut, I proceed to go into the limited specifics I do know, feel free to correct me.

With Christianity having themes of sin and redemption, and the way the narration, and other game parts emphasize such themes:

Then, they read a prophecy about an angel saving everyone, and... They couldn't help but hope, maybe, for once, they could be an angel too? Maybe they could redeem themselves? And so they try. They even do so by trying to atone for their sin of poisoning Asgore, by taking the same poison.

We can expand this, too. Maybe they want to atone for not just their own sins, but humanity's.

(And yet, interestingly enough, they don't see a soulless pacifist as redemption. Maybe bc they think you're like them - irredeemable)

[ailusphere]

Now THAT'S a doomed gay relationship [SLAMS FIST ON THE TABLE] ANOTHER ONE

[averlym]

litany of the martyrs (click for better resolution!)

[finalgirlgretchen]

if one more person tries to claim that the oh hellos are no longer christian i am going to lose my shit

[forgetful-river]

Sucks to suck, losers.

[momentomori24]

I like to headcanon Shin as a hardcore atheist (complete opposite of Hiyori who's a very religious person). He can't see himself believing in a higher power, not when his plights and tragedies and suffering were always met with indifference by whatever higher power may exist. But not by Sou Hiyori-- his guardian angel all throughout high school. His protector and his tormentor. His saviour and his captor. Someone he devoutly followed for years after having found him. Someone he looks up to; someone superior (always "Hiyori" while he's still "Shin", never his equal). Someone whose teachings he takes to heart and lives by. Someone he seeks out instinctively in his hour of desperation and need. Someone whose hand-me-down he wears dutifully around his neck to keep him close at all times. Someone who will praise him for his obedience and dependency and punish him for his defiance and independence. Someone he loves and respects and fears all at once. The moon can't shine without the sun, and Hiyori all but shone upon him when he couldn't find the light within himself. Shin doesn't believe in God, but loving Hiyori is the closest he's ever gotten to religion. I think it's poetic, in a way.

[lizardsfromspace]

I do have to impress on anyone who wasn't around for it how batshit the reality boom of the 2000s could be. Especially on Fox.

Here are some 100% real 2000s reality shows:

Who's Your Daddy? A woman has to guess which of eight men is her biological father. One of them really is, and if she guesses right she wins $100,000. If one of the seven fake dads convinces her to guess them, he wins $100,000.

Black. White. A white family learns about racism by living a month in blackface, while a black family spends a month in whiteface. The black family was a real family, but the white family was just some actors hired to put on blackface to prove racism exists

Without Prejudice? Five strangers decide which of five strangers gets a cash prize based off clips and their answers to political questions. Cancelled when one of the choosers openly said he'd eliminate all black contestants

Welcome to the Neighborhood. Three conservative white families in a Austin subdivision decide which diverse family gets to move in. Unaired due to being literal housing discrimination

Seriously, Dude, I'm Gay. Two straight men try to pass themselves off as gay and whoever seems more gay gets $50,000. Unaired due to. Due to. Due to

Playing It Straight. A woman tries to find love among fourteen men, half of whom are straight and half of whom are gay, and she must eliminate two men she believes are gay each week. If she ended up picking a straight man in the end, they'd split a million dollars; if she picked a gay man, he'd win a million dollars

Boy Meets Boy. This was Playing It Straight but starring a gay man and he had to eliminate straight people

Who Wants to Marry a Multimillionaire? He wasn't a multimillionaire. He didn't even have a million dollars in liquid assets. He had a battery conviction Fox claims they didn't see. Because it was the 2000s, somehow this ended up with the woman he won being widely vilified and turned into a national punchline. How dare she complain about a massive corporation tricking her into marrying a lying abuser, good thing Matt Lauer's there to take her down a peg

The Swan. A "ugly" woman is given plastic surgery and wins a prize if she's the hottest at the end of the season. If she's not hot enough by the show's standards she's eliminated and called ugly on national TV

The Biggest Loser. Overweight people engage in competitive crash weight loss that often led to awful health complications. Studies showed basically everyone on the show regained any weight they lost once it was over and they didn't have abusive trainers demanding they take huge health risks to win a competitive weight loss competition. Like the others, this one was cancel-oh, it was a massive hit that ran for 18 seasons? Yikes!

Wife Swap and Trading Spouses. These were the same show and had a wife from one family go to another family that was different politically, racially, culturally, religiously etc. Most famous for the God Warrior

At the time people focused on the likes of Fear Factor but looking back it's wild how many of the worst shows toyed with politics. So many of these shows have a premise that's like "what if we exposed these conservatives to these people they hate?" or hyping themselves up as Important Experiments. Then they'd freak out when they got the kind of viral bigoted freakout they were trying to construct the whole time.

There were also a bunch of horrible reality shows, thankfully this time mostly unpopular, in the 2010s that based themselves around economic themes as a response to the market crash, but that's a story for another time

[rxmye]

" 𝐒𝐔𝐆𝐀𝐑𝐂𝐎𝐀𝐓𝐄𝐃 𝐎𝐁𝐒𝐄𝐒𝐒𝐈𝐎𝐍 "

𝐘𝐀𝐍𝐃𝐄𝐑𝐄!𝐀𝐑𝐂𝐇 𝐀𝐍𝐆𝐄𝐋 𝐗 𝐑𝐄𝐀𝐃𝐄𝐑 — pristine and perfect, filled with grace and elegance, yet tainted with greed . . greed for you . .

gender neutral reader / yandere oc x reader / slight religious themes?, I suppose it's a fictional religion, I'm still world-building / pathetic and submissive yandere / suggestive content? / he paints the reader as a source of comfort / stalking, which is conveniently described as 'adorable' and 'innocent' behavior /

masterlist | requesting rules | character info . . . a/n: ok so the person mentioned is supposed to be the God of this world, their introduction will also be out soon enough . . currently dropping hints here because world-building fun!!

Takamoto was an Arch-angel, one of the highest ranked angels in heaven—he was pure and truly the definition of elegance, he was never greedy, and he was almost always seen smiling or happy. For he, was truly contempt with his life, and position.

Takamoto was always someone who had truly been satisfied with all that he was given, he never craved more—he always thought and frankly believed, that he had received all that he deserved and that he should be contempt with what he has. He never really had any passion or desire for anything more—he was grateful with everything—he believed all his hardships had reasoning behind it, and that it will all eventually be solved. In fact a part of him believed he deserved any hardship he came by.

Many would believe he was naive for that sort of mindset, and many angels did truly believe him to be just that, yet against all odds he rose up the ranks fairly quickly for this sort of mindset, and of course his loyalty to his beliefs. Takamoto was sweet, he'd help everyone out, and would introduce new souls, and angels throughout the lands of heaven on his free time, he'd help guide souls and his fellow angels everywhere he could . . yet things slowly changed when he first met you . .

Takamoto was visiting, what could only be described as the countryside of heaven, with vast green fields, cozy homes, acres of farmland, etc . . He was checking in for this years harvest, as per high courts orders . . when he saw you, you were so graceful, your wings sparkled in the light, you were radiant, you're eyes glimmered as both of your eyes met for a brief moment . . he felt his heart skip a beat. . his face was heating up slightly, his face dusted with shades of bright pink.

His mouth hung slightly open, as his gaze lingered on you figure, taking in the sight—your wings were lovely, much smaller than his . . were you a new soul? Perhaps you were a lower ranked angel and hence why you both never quite met . . He wanted to know more about you—he need to know more about you—where were you going? . . . and before he knew it, he found himself following you, trailing behind you silently.

He found himself frequenting areas he last saw you, it was all so innocent at first, many of his fellow coworkers described him as a young schoolboy in love, teasing him for his oh so adorable behavior . .

Takamoto didn't notice how much you were invading his life, he hadn't even been able to hold a proper sentence with you yet . . . but even then his thoughts consumed of you, whenever he did paperwork, he'd doodle your face, his room was filled with various portraits of you . .

He found himself overtime growing desperate, impure thoughts flooding his mind, greed sinking its claws into his sensitive and naive hurt—he was the utter picture of perfection, just look at him, he was everything an angel . . a human, anyone should be!?!? Why aren't you looking his way!— . . he took deep breaths, his own fingers digging into his skin, as he tried calming himself.

Gold drips from his arm, the bruise left from his fingers still fresh—golden blood stained his pretty pale fingers—pupils dilating as he took deep breaths, a ruined portrait of your face on the aisle, paint splatters surrounded him, tainting his legs, as a mirror lay broken on the floor.

"Fuck", he cussed softly, tears threatening to spill, his usually well-kept hair was a mess . . "why can't I draw them . . ?", he asked, his voice hoarse, as he tried his best to contain the anger he felt at that moment, "why can't I fucking draw them??", his nails dig into the floor, as the door creaked open.

You need to love him, you need to see him. He had never craved someone's validation, he deserved this, he deserved you! He could offer you everything, he was perfect! Everyone he knows, envied that about him . . surely you'd notice, you have too . .

He turned to face the person at the door, tears now dripping down his cheek, he mumbled something under his breath, before he started begging, "Please, please, help me . . my lord"

want more, buy my limited time only advent calendar?

@ rxmye , do not repost, plagiarize, translate, or adapt my work/theme without prior permission and or confirmation.

[vintagegeekculture]

I remember a friend of mine had some LPs that were Star Wars themed disco albums, and it brought back a very weird memory from back in the 70s (yes, I'm old!) of listening to a Star Wars disco mashup on the radio. What was all that about? I also remember something like that for Close Encounters, too.

You remember correctly, and this went on for a long while. In 1983, disk jockeys around the country played a record that involved an Ewok rapping the plot of Return of the Jedi in Ewokese. This made it to #60 in the Billboard Top 100.

This is hard to explain to people who weren’t there….but in the wake of Star Wars in the late 70s and early 80s, scifi was so beloved and mainstream that the orchestral music for nerdy scifi and fantasy movies about outer space were remixed and sampled into Giorgio Moroder-esque Italo-Disco dance numbers. And the most astonishing thing is, instead of being consigned to convention acts the way “horse famous” Brony dubstep acts are, this received national airplay on the radio, reached the pop music charts, and were played in discotheques. And incredibly, this continued for years and expanded from Star Wars into Star Trek, Wizard of Oz, Black Hole, Close Encounters….

All of this was the work of one specific person: Meco (or Dominico Monardo). The term “ahead of their time” is thrown around a lot, but Meco really was: a combination producer-songwriter and Italo-Disco pioneer in the style of Giorgio Moroder, he did several things that are now absolutely standard: he used remixes and sampling before hiphop made that standard for musicians, he wrote “fandom music” on a Moog synthesizer decades before Bronies turned their conventions into cringey dubstep concerts with songs like “Everypony Dance Now.”

It's stunning to me that Meco has not been rediscovered, considering every single trend in the culture essentially went his way.

The most startling thing about Meco’s Star Wars disco album, the one that got the ball rolling on this trend, is this: I always assumed it was some kind of cash in created by a record label mandate, a label executive’s completely cynical choice to hop on a hot new trend. That isn’t a crazy thing to think at all, since Star Wars is and always has been the most merchandized and sold out scifi property ever. But it wasn’t! You see, it was all the product of a single man’s specific vision: Meco had to convince his record label to make the record because they were skeptical.

When Meco went to see Star Wars in 1977 on Opening Day (what an experience that must have been) with his friend and fellow Italian chest hair/gold medallion enthusiast Tony Bongiovi, he was already an experienced producer-songwriter who had worked with Gloria Gaynor, Diana Ross, and formed DCA, the Disco Corporation of America. If you've ever listened to Diana Ross's "I'm Coming Out," Meco actually played the trombone solo in that song. Seeing the Star Wars movie for the first time, though Meco thought the movie was nothing short of a religious experience. Originally, he wanted to do Star Wars music as a b-side on a Gloria Gaynor album, but expanded the idea into an entire album.

In Meco’s own words:

"When I think about what I did, nobody came to me, nobody said 'Meco, why don't you do this.' Nobody says 'Here's some money go make a record of this movie.' It was just my own... It was magical, it was just out of this world when all that happened."

Not only did this album hit platinum, not only did it actually outsell the Star Wars soundtrack, his remix of the Star Wars theme also went to #1 in the charts. It’s actually the best selling instrumental single of all time. A record, that, incidentally, it holds to this day.

Dick Clark, host of American Bandstand, had this to say about Meco:

"In 1977, Meco Monardo accomplished something no one else has ever done to the best of my knowledge. He was the first one in history to out-sell the soundtrack of a motion picture with his own distinctive version of a film's music. The music was totally danceable, and broke new ground. It's no wonder the STAR WARS THEME went to # 1. I loved his treatment of music from THE WIZARD OF OZ. Again, Meco created something innovative. The fun and the excitement gave a whole new feel to that totally familiar and well-loved music."

Like a lot of studio producers, Meco had an insane work ethic and hit when the iron was hot: he did an album about Close Encounters that exact same year, but also did a Star Wars Christmas Album, one of the strangest pieces of Star Wars kitsch around.

One of the most interesting things about the Star Wars Christmas album is that one of the songs, “R2D2’s Wish You a Merry Christmas” is the first professional vocals by John Bon Jovi, who was Meco’s friend Tony Bongiovi’s seventeen year old younger cousin (he was initially known as John Bongiovi). It's incredible to hear a squeaky voiced teen Bon Jovi on a kitsch album about a robot Christmas.

1978-1979 was really his best year. Meco made an Italo-Disco remix album entirely devoted to Superman, and at this point, Meco had the pull to get access to John Williams's sheet music for the score before the music even came out. In my personal opinion it's the best of them because he has to recreate it entirely with his own instruments, leading to a very unique sound.

He also did an album based on the Wizard of Oz:

And a combination album of Star Trek/Black Hole. It's probably the earliest remixing date of Goldsmith pieces of music: the Motion Picture Theme (which is now associated with the Next Generation - hearing it done in Italodisco is uncanny) and the Klingon Theme:

Incidentally, I think the design here of the Meco Enterprise, which had to be modified for legal reasons, would make a wonderful canon starship if anyone wants to be inspired by it. It reminds me of the same concept that would be used in the very next film for the Reliant-class of ships.

Meco eventually retired from music in 1985, but unfortunately he is no longer with us, as he passed into the next dimension in 2023. I think he showed us that creativity is often about transformation, and was inspired to make his art by a legitimate awe of space, the cosmos, and human imagination that the scifi movies of the 1970s and 80s provoke.

[moonchild033]

Indicators of having sex before marriage 🌚❤

Disclaimer: *MINORS DNI*❌

Note: There is no universal right or wrong in anything. Whether you are a person who is sexually active before wedding or after wedding does not make a change, I'm putting in this note as there is a huge taboo in having sex before wedding in India and in some other cultures too I guess, You do what's best for you, Just remember to stay happy and healthy always. *Hugs*❤

This post is to unravel which placements or synastry aspects can make you have sex or any physical intimacy in an unconventional setting, more like where your culture does not support it but it can happen secretly, making a native more inclined to break the so-called taboo in their surroundings. 🤫😈

OKAYYY, That's a huge blah blah, Let's dive into the topic-

Rahu/Ketu in the 8H of D9 chart- This is a very common but least explored placement. This can even make the native conceive before wedding and conduct the wedding right after or have wanted abortions before wedding. The point to note is that Rahu/Ketu should be alone in 8H of D9 and Ketu here is more prominent for contributing to this interpretation.🤰🧚

Moon-Mars conjunction synastry- This is the most common, famously known as the baby maker placement in the astro community and YES, this may cause intense physical attraction between the couple. If this synastry is in 4H or 12H, most probably it can be a taboo in either of the couple.💣💯

Mars signs in opposition/Mars in 8H synastry- Mars in sister signs can create a magnetic attraction dynamics where you don't even know why you got attracted in the first place, something you lack is in them and it turns you on. Mars in 8H synastry is again pretty commonly talked placement and this can be more unconventional when it is in the sign of Cancer or Taurus. 🤫😏

8H stellium/Scorpio stellium- No sextrology observation posts end without this mention, so here you go. The unconventional theme here strikes in when the stellium includes Rahu ,no Jupiter/Saturn in the mix and when the stellium planets are a mix of stars ruled by either Rahu/Venus. Ex. Two planets is in Rahu ruled stars and Others are in Venus ruled stars in a 8H stellium. 💥🖤

Lots of 7H synastry aspects (Esp. Conjunctions and Oppositions)-Having this is again an immediate attraction factor. Only this cannot be an indicator of having sex but sure is an indicator of having physical intimacy and physical touch as primary love language. They may also be the PDA couple *winks * 😍💋

Water dominants- This may come off as a surprising placement but as water is associated with being soft, tender, timid or quiet, this is often overlooked. Water dominant natives are more prone to indulge in sex when they are emotionally connected with the person and they love to have sex frequently too. Don't underestimate water placements, they give it all when you got their heart even if it is unconventional in their upbringing. 😈🖤

Aquarius/Sagittarius Mars- This placement especially in 4H, 6H or 8H can make the native love the concept of sex if it is a taboo for them. They are very curious and have an explorative side. Aquarius is an unconventional placement but it is ruled by Saturn-Planet of restrictions and Sagittarius can be very religious and following their beliefs as it is ruled by Jupiter, so these placements can go either way. Either they are sexually very active or follow their morals/beliefs to death, there is no in-between. They can be interested in outdoor sex.🤓👄

Again another Note: Having these placements alone does not mean these interpretations can 100% match with you, Analyze your whole chart, do not conclude anything from a single placement. Hope you had a good read! 😼🖤

Please feel free to comment down your thoughts/questions! 🤗

Let's Learn and Grow Together! 💅💋

With Love-Yashi❤⚡

Here's my Masterlist! 💖

[hotchfiles]

↪ QUIS UT DEUS? ─ chapter one.

AN IN NOMINE PATRIS, ET FILII, ET SPIRITUS SANCTI INSTALLMENT

pairing: hotch x fem!consultant!reader. summary: murders committed using catholic symbology gets emily to convince hotch it's time to ask for an expert. luckily for you, you're the expert. content warnings: canon typical violence. religious themes. spoilers to season 4. mature themes. word count: 1.5K

    In nomine Patris, et Filii, et Spiritus Sancti…

    “Amen.” If you weren’t paying attention and side eyeing him at that exact moment, you might’ve lost the way his lips moved following the ritual, no word actually leaving his mouth. 

    The black haired man didn’t look too comfortable, but didn’t look out of place either, he knew the cues, he spoke the words on automatic it seemed. It amused you to observe people’s behavior on holy grounds, that was part of the reason you asked to meet in silver spring.

    “Catholic, Mr. Hotchner?” Your question is met with a low scoff, the type only those with a bad bad history with the church gave you. “That much, huh?”

    “My parents were.” The answer is simple and you think it might stop at that, but he shakes his head and scoffs again. “I was an altar boy for years before I left for boarding school.” You nod. 

    “Ah. I've met some of you in my research.” Some of you. Church babies, altar boys. Spoon fed the bible from birth while watching everyone around sin. Sin becoming a term to reflect on what they hated. 

    “And you? Catholic?” 

    “Oh no. Never been.” You don’t explain much, aware Emily probably told him of your time in Rome, where the two of you met. “Your UnSub is though. Either devoted to Saint Michael or knows enough about his roles to look like one.” You note, being reminded of the pictures Emily sent you, big stab wounds, a small scale tipped to one side, the words Hebrews 9:22 written in blood. 

    Hotchner doesn’t reply, making a mental reminder of the new information, he looks around the place as you both leave the church and it hits him, Silver Spring’s St. Michael the Archangel parish, the church you chose as a meeting place. 

    He wouldn’t usually accept consultation for cases, especially from outsiders. And to be fair, the BAU doesn’t usually need any, Reid alone has more knowledge than anyone Hotch has ever met, and despite the humbleness he tends to show, Hotch himself can take care of the general book knowledge if Reid doesn’t step up to it. But he trusted Emily, and Emily spoke more highly of you than of anyone. Honestly, he was also trying to make amends after not having her back during the Matthew case they had not long before. 

    “She's in town giving lectures, it’s an asset we have easy access to, so why not use it?” Were her final and most convincing words before Hotch nodded in agreement, watching Emily make the call that led to the meeting. 

    He thinks now, as he’s driving both of you to Quantico, that maybe Emily should’ve been the one here, his attempts to strike conversation falling flat as you don’t even remember the last time you had to make small talk with someone, it felt awkward all of a sudden, as if you were on a date. 

    “I'm so sorry, I'm not too good with… People.” You blurt out after a long minute of silence, your neck suddenly warm from embarrassment. 

    Hotch side eyes you, brows lifted in confusion. You seemed much less confident in the car now than what you showed him of you minutes before back at the church. He figures you felt confident talking about your area of expertise and that he could relate to easily. “Did you notice anything else by the pictures Emily sent you?” 

    The switch of topic makes you sigh loudly in relief and you mentally thank him for brushing your silliness off. “He’s using different pieces of catholic dogma and putting it together, but most of the symbology eludes to Michael, the stabbing looks like a sword, the tipped scale indicates judgment, the verse he chose doesn’t cite Michael but talks about sins being forgiven by the shedding of blood… He’s the judge and executioner of his victims.” You try not to sound excited as you ramble on, it’s a terrible thing to witness, the pictures were grotesque and would’ve made you sick on a normal day, but the cherry picking of symbols the murderer seemed to make fascinated you. 

    “So you believe it’s a man?” 

    “Oh! I–I don’t know? I just assumed… Is that misogynistic?” You mumble the last part more to yourself, but it’s loud enough to make him chuckle and you look at him quickly to make sure it’s not mean spirited. 

    It’s definitely not. But it is amusing from a profiler perspective, he’s so used to defining serials’ genders by their crimes he hasn’t thought about misogyny being a factor to those assumptions in a long time. 

    “Brutality suggests male. But posing looks remorseful, theatrical…” His grip on the wheel tightens, two victims by now, feet crossed, arms wide open. 

    “If there were more allusions to the crucifixion, yeah, but I–” You take your phone out to look at the pictures once more, an attempt to seem less abstract in what you’re about to say. “No crown, no nails, this isn’t about Christ, it’s about punishment–I mean, I think.” You’re not usually self conscious about your knowledge but inferring characteristics and desires to someone by looking at a crime scene was not your specialty. 

    “To further point they were judged and executed…” Hotch nods, understanding where your line of thought is going and completing it immediately, not leaving you much time to doubt yourself. 

    “A very shameful execution.” 

    You both spend the short ride from Silver Springs to Quantico going over the symbology present, you tried to help here and there with the associations of what you saw to who could’ve done it, even though that was not what you were called in for. Strangely enough—for him at least, Hotch didn’t seem to mind your guesses, they were educated ones.

    And it was interesting to hear someone speak with such passion about religious aspects without any of the fundamentalism. It was definitely something he wasn’t used to.

    “Mi amore!” Are the first words you hear as you enter the famous bullpen from Emily’s texts, her arms surrounding you in a tight warm hug you haven’t felt in years—it hits you then how long has it been. You weren’t able to come and mourn Matthew with her, his parents weren’t fond of you either (Lord almighty, you didn’t even go to church with them!) and you were busy with your lectures.

    “Hey troublemaker, how’s it going?” Your question is muffled in the hug, your hands clasping together behind her back.

    The reunion doesn’t last long, curious eyes set on you two and a rather impatient Hotch leading the way to what you learned was the conference room.

    The briefing room. The round table. Emily told you about it when she first got into the BAU.

    You end up sitting between Emily and who you would bet was Spencer—there’s this sweet kid working with us, he’s super smart, annoyingly smart, but so sweet, he reminds of Matty when we were teens—the lanky boy was the only one with what seemed like naivety enough in his eyes to be the one Emily mentioned back then. 

    Aaron sat in front of you almost, serious, stern, very different from the few chuckles you got from him in the car. This was unit chief Hotchner, the subtle difference was fascinating.

    “Alright, as we know, DC is in trouble, second murder in three weeks.” blonde and gorgeous, you believed that was JJ, there had been no time for introductions, all you could do was try to remember the e-mails and few phone calls you shared with Emily the past years. “Richard Beckett, married, no kids, 27. He works for his father's car dealership.” 

    Pictures show up on the screen, showing the man when he was alive. It’s a punch to your gut, just minutes before you were fascinated by the way this real person was murdered. You’re glad you had a light breakfast by the way your stomach turns.

    “Monica Dawson, divorced, no kids, 53. She’s a counselor at a local school.” The woman continues speaking, with more pictures on the screen. And then pictures of their deaths, side by side. The fascination is completely extinguished then. “Both were stabbed countless times with a large blade. Left in abandoned warehouses posed in a cross position, a tipped scale on their side. Both naked. Both were heavily drugged.”

    “They didn’t have kids, is that a coincidence?” You hear Emily speak up and suddenly you can see all their brains working.

    “Could that be the linking between them? The victimology is all over the place.” Derek. Oh. You’ve heard of Derek. You’ve seen pictures of Derek. He needs no introduction. 

    “Reid, Morgan, go talk to the first victim’s widow. Rossi, JJ, Ms. Dawson’s ex-husband can give us insight on her life. Emily and us—” He gives you a look and you understand he means you, nodding in reply. “Will head to the DC police precinct.” The way Hotch gives orders is effortless, not only his job but his vocation. 

    Everyone listens and agrees quickly, moving and leaving the table, even Emily is fast on her feet, even though she won’t leave without you and him. You stay still, stiff, eyes glued to the screen.

    “Are you alright?” His voice is soft, laced with worry, genuine worry. You didn’t even notice he had stayed behind, but you nod again at Hotch, a question burning at the tip of your tongue.

    “Do you still believe in God, Mr. Hotchner?”

[avelera]

(Meta) Fortiche's Use of Religious Imagery in Viktor's Arc Was Intended to Convey Sinister Undertones

So I'm gonna put my Art History TA hat on for a second and say I've seen a lot of the connections made between Viktor (Arcane) with the religious imagery referenced in his arc, which is inescapably present and intentional, and I feel like its worthy time for a reminder that Fortiche, the animation studio for Arcane, is based in France

So on the one hand, it would be impossible to develop as an artist in France and not have a ton of exposure to religious art and iconography, which is very obvious in just how much Renaissance art and Catholic iconography is referenced with Viktor. (Never mind how well it works as a visual language for the mysticism they imbued into the rise of the Machine Herald in general.)

There's a great thread about all the art referenced here:

But on the other, if I can just put my history nerd hat on as well for a second I'd also like to point out that there's also subtle (and not so subtle) sinister undertones to the religious iconography for Viktor, even before he does anything overtly evil. Like, even when he heals Huck back in 2.02, I think we're meant to feel at least a subtle sense of wrongness to the "triumph" of that scene and the swelling religious chorus.

I was reminded while watching those scenes that an element of the French Revolution (also referenced in the opening credits of Arcane with Jinx waving the flag, so I think it's fair game to consider in discussions of the meta themes of the show) that is sometimes overlooked in the US when we learn about the French Revolution is how much the rage at the aristocracy was also aimed at the Catholic priesthood, since those two institutions were deeply intertwined as oppressive forces against the French people.

Basically, I think if you consider a French studio referencing Catholic religious imagery in their show (used to depict Viktor's rise to mystic power which will in turn lead to his eventual disillusionment with humanity and him dooming the world if he isn't stopped) you're missing out on some delicious shades of nuance and subtle foreshadowing if you don't know that a French studio's use of Catholic imagery could, in itself, be intended to add a subtle sense of impending evil because Catholicism in that country has also historically represented a system that is oppressive towards individual freedoms.

Now of course France's relationship with Catholicism is complex and it isn't just a simple case of Catholic Imagery = Evil Stuff is Happening Here, but I would point out that if you watched an American show and a character was crowned king in the first act to a manically cheering crowd, it would absolutely be fair to wonder if the crowning of the king had sinister undertones, because of the US's history and how the country was established in part as an escape for monarchy. On a cultural level, we see kings as bad things in the US, and likewise in France, Catholicism as an institution and Catholic imagery have some very complex and often evil associations.

TL;DR If you don't consider that a French studio might have used Catholic imagery specifically as visual hint and foreshadowing that Viktor's arc was going to be about him turning evil, then you're missing out on some very fun and tasty meta associations in the Arcane show.

[vxsellie]

⋆ ˚｡⋆౨ৎ˚. GHOSTS OF SACRILEGE !

synopsis. fbi agent!ellie williams x nun!reader ; it's truly no shock that the entirety of west virginia is emerged by trepidation, considering hundreds of residents have gone missing within the past three months. as a form of consolation for those fearful, an esteemed fbi agent is sent to investigate. what she finds, however, is more than she could ever have expected.

notes. this piece is part of the mythologica challenge! i tried my absolute hardest to do the theme justice bc of how good it is. also pls note that every town mentioned is real & i did a decent amount of research on each one, but that doesn't at all mean that it's entirely accurate. i've been to some of the places, but not all also ! this is my first time ever writing detailed smut so i literally know none of the correct words to use or how to describe what's happening & it might turn out being literal dog shit,, if that's the case i apologize!

warnings. religious horror, an attempt at writing smut, angst, plot twists, horrible world building, major character death x2, possessive / obsessive romance, descriptive gore, blood, satanic rituals, human sacrifice, blood, oral (r! receiving), brief mentions of abuse & assault, murder as a metaphor, past animal death, long exposition i'm sorry, and - last but most important - the sweet release of desecrating salvation.

wc. 9.5k+

𝓝aught but unease filled the tiny town of bluefeild as yet another missing person is found to be reported in the newspaper. the sun begins to peer over the horizon, long shadows cast against the sidewalk that newsboys toss the papers from. they ride their bikes down the concrete with a fervor that should be rare. but it’s been rather common in bluefeild as of late. every since december. ever since the incidents first began.

nobody in town can be seen outside without a frantic expression and a fast pace. fear fuels their every step as they scurry outside to retrieve the news before burrowing back into the safety of their homes, hungry eyes skimming the article in search of who’s gone missing this time.

ellie hadn't expected much when traveling here. a small town of worrisome locals, a serial kidnapper hiding in plain sight. y'know, the usual for cases like these.

but something about this case stands out to her. there's a certain weight in her chest as each day passes without answers. in the beginning, she'd asked around town, hoping to find some common denominator among everyone's weariness. but there's nothing. the residents are closed off, thick boots and even thicker country drawls quick to kick the agent off their rotting porch at first glance. she's been here for a while now, not a single clue made evident. no loose ends, no muddy footprints, no witnesses. it's like these people just disappear into thin air.

ellie sits in her idled car, eyes scanning today's newspaper for slips of information. she can't help the way her interest piques, slowly going mad with lack of elucidation. she runs a hand through her hair, shoulders weighed with fatigue and dwindling hope.

see, over two-hundred people have gone missing in the past three months ⎯ which is a big deal in and of itself, but even more so considering bluefeild's population is well under five thousand.

her windows fog as rain patters gently against the steel of her vehicle, the whether cold and dreary in comparison to her car's heated temperature. she supposes it fits the mood, though, doesn't it?

after twenty minutes of analyzing each and every word given, ellie groans and stuffs the newspaper into her glove box, slamming it shut. evidently, the paper provided nothing of use to her. it has a picture of the man missing, his name inscribed under the image, and a few words of grief are quoted to have been said by the families. but that's it.

as of this morning, jason casey has been added to the long list of missing persons. and not a soul could say why nor how.

ellie pulls her phone from her coat pocket, clicking on her bosses contact before wedging it between her ear and shoulder. she listens to it ring as she puts her car into gear, pulling out of the parking space she'd been occupying. it's not like anyone here would dare to use their cars anyhow. most shops and businesses have been temporarily closed, owners fearing the possibility of suffering the same fate as those prior.

"ellie?" joel's voice comes through the tiny speakers, papers rustling in the background of the call as he speaks. "what're you callin' me for? i thought you were on the bluefeild case."

"there's nothin' to go off of." she tells him. one hand is rested on the wheel whilst the other holds her phone.

"you're our best investigator, williams, i'm sure you'll find somethin'." he says offhandedly, continuing to shuffle through whatever papers are of more interest to him than his alleged best employee.

she rolls her eyes at his dismissive tone. "hundreds are missing, joel. without a trace or a sign left behind. they're likely dead, if i were to guess. i don't— what the hell good does that do?"

"find the bodies." he says easily. "their corpses might point to their killer."

"no shit." ellie scoffs. "the issue isn't what to do next, it's how the fuck i'm supposed to do it. this has been goin' on for months and no bodies have turned up. where am i even supposed to look? like i said, there ain't a damn thing left behind."

she coasts down the streets of bluefeild, using this time to feel the layout of it and examine what she's working with. she's been here for a while now, but the town remains a mystery to her. and, from what she's seen, it's a bit of a mystery to everyone else as well.

she notices that many of the homes are old and shabby, paint flaking and wood rotting. in the yards, however, almost every resident has some form of a religious symbol. a cross, a statue of mary, a flag for something biblical. anything to show their faith.

to each their own, i guess. she thinks to herself with a shrug before turning her attention elsewhere.

the streets are empty, as expected. a few street lights are on, the yellow illumination flicking with worn age. even on the two-lane roads, there's not a car in sight. she narrows her eyes at this, a shiver tracing up her spine at the disturbing vastness.

"well," joel says, "search the papers some more."

"i've done that a thousand fuckin' times." ellie groans, eyes still scanning her surroundings with intent of committing it all to memory. just in case. "there's nothin' there. it's just all information on the missing people, half-assed sympathy for the victim's family, and a picture of 'em."

joel sighs, the sound of tapping resonating through the phone. ellie recognizes the sound, having worked for joel long enough to know that he always taps a pencil against his desk when he's thinking. it's a good sign, she thinks. it means he's at least giving her predicament some thought.

she's been in bluefeild for eight days now, spending her time interrogating random residents for informations; spending her nights rereading the stupid fucking newspapers. naught good has been of ramification.

the repetition of it all is driving her insane, especially considering none of her efforts have yet to pay off in any sort of way. she'd hoped that when the next person showed up missing, something would present itself. a clue would rear its ugly head at her and she'd grab it by the throat with fervor. but no. jason casey went missing and all heads remain hidden. so, after an hour of battling with her pride, she decided to make the call to joel and admit her being stuck.

"okay." he says, shuffling a bit as he finally gives ellie his full attention. "okay, pull over for a second, i'm gonna need you to do somethin' for me."

she instantly obliges, pulling off to the nearest backroad. gravel crunches under her tires as she drives along the thin path wedged between two decrepit buildings. the alley is small and a bit sketchy, but that's exactly what she needs. ellie puts her car in park, windows translucent in their heavily fogged blanket.

"how many newspapers do you have on you?" joel asks when he hears her car go into idle.

"um," she reaches over and opens her glove box, watching as yellowed papers fall from the newly opened door. they flutter to the floor and atop the passenger's seat. she hums, amused at the sight of her obsession making a tangible image in her head. "a lot."

"okay, good. perfect." joel mutters, the clacking of a keyboard sounding through the tiny speaker. "the first person who went missing was carl andrews. he was thirty-seven. his wife claims he was supposed to have been walking home from work but never showed up for dinner."

ellie scrambles through her messy stack of newspapers, searching for carl's report. she finally finds it, the paper dated to have been written near the beginning of december. she straightens out the wrinkles, examining his picture.

"looks like your average middle age man." ellie mutters, taking in his scruffy beard and wrinkled skin. "he was a carpenter. had two kids, both boys."

"yes, i have the paper pulled up on my computer." joel says. "but it doesn't show his address or nothin'. this shitty website only has half of the damn document."

ellie skims through the words, searching for the street or neighborhood he'd lived in. when she turns up empty-handed she groans, now well familiar with the feeling of disappointment regarding this case. "nope. no home address." she says with an evidently annoyed tone.

"what about his workplace?" joel asks. "if he'd been walkin' home, his work must be close enough for him to do so."

"oh shit," she mutters. she'd studied his article for hours — studied all of them — and she hadn't even thought to look there. her hands clutch the paper as she searches with a hungered gaze. her eyes widen at the address listed on the paper. "yes it's on fifth street."

more typing is heard through the phone, "says here that,, there's a neighborhood right by there. a few blocks down from the carpenters' building. must've been where he lived."

"perfect." ellie grins, adrenaline rushing through her.

oh, she feels on top of the world right now.

"okay, now i want you to look for addresses in all the other papers." joel says, flipping a switch in his tone — off to being ellie's friend and on to being her boss. a familiar change, but an unpleasant one nonetheless. "check 'n see if there's a link between where they'd been last spotted."

"okay."

ellie sets carl's paper aside and grabs another random one. she reads the heading briefly, recognizing it to be the article on bryan turner who'd gone missing in the middle of january. he'd allegedly been walking his dog and never returned to his apartment, according to his elderly female neighbor.

the address is actually listed this time. not his exact apartment number, but the building. ellie can't help the smile that tugs at her mouth again as she grabs a random notepad and scribbles both addresses onto the paper, reminding herself to compare their proximity when she gets back to her hotel later tonight.

"you're a goddan genius, joel." ellie mutters as she sets bryan's paper atop carl's and grabs another. sam cortez. late december.

"thanks, kid." joel chuckles into the phone. ellie has it set aside, call set to speaker as she flips through papers and continues to write down addresses into her notes. her movements are frantic and hurried, adrenaline refusing to wind down from its newly heightened state. joel speaks again, regaining her attention. "uh, sorry t' tell you this but i've gotta go. it's almost midnight and i've been at the building since ten o'clock this mornin'."

"yeah yeah, whatever." ellie replies off-handedly. "thanks for your help, old man. i think i can take it from here now, though. go get your beauty rest."

"promise to call me in the mornin'?" he asks. "i wanna hear what y' find."

"yes, i promise." she laughs. "i'll call you as soon as i wake up."

"okay good. don't overwork yourself either, you need to⎯"

"goodbye, joel!" she says, grabbing her phone and hanging up on him before she has to listen to him reprimand her for lack of rest. he's one to talk, too, seeing as he'd just admitted to having been at the building all damn day.

she sighs, deciding to put a pin in her address search and get back to her hotel to finish working in the comfort of a bed.

she sets her papers into two neat piles in the passenger's seat ⎯ one for those she'd already gone through and one for those she hasn't yet gotten to. then, she puts her key into the ignition and pulls out of the little road.

as she drives down the street, she examines her surroundings once again. still as impoverished as before.

she passes a small farm house, eyes drawn to the old lady sitting on the porch. she's rocking back and forth rather ominously, making direct eye contact with ellie through the windshield. slowly, the woman nods her head toward where a large cross is staked into the soil of her front yard. ellie looks away, a sudden uneasiness washing over her as she presses harder on the gas.

she reaches her hotel a few minutes later, stuffing her papers under each arm before entering the building and heading toward the elevator. by the time she reaches her room, she practically rips her heavy leather jacket off, the yellow 'fbi' label bright and bold against the black material as she tosses it onto her bed. she sits cross-legged in the center of her room, laying out all the newspapers in front of her.

she continues to sort through them all, eyebrows furrowing as she comes to realize that all the victims are men.

she hurriedly flips through the documents, certain she must he wrong. but she's not. they're all male. ellie writes this down on her notepad, handwriting rushed and nigh unintelligible. despite the sloppiness, she circles it, sure it'll prove to be of importance later on.

by the time ellie finishes going through what feels like hundreds of papers, she decides that's enough for her to be able to find a pattern if there is one. the digital clock atop the nightstand reads 2am, flashing bright red numbers at her. she ignores it, too high off the thrill of finally finding something in this priorly monotonous case.

she pulls her laptop from her bag and flips it open atop her crossed legs, quick to pull up a map and type in the coordinates of each address. they appear random at first, completely fucking unrelated to one another. a pang of dread hits ellie in the chest, worried this will have all been for naught.

but then she zooms out.

each dot for each address glows blue. when zoomed out, it forms something. ellie squints, tilting her head at the incoherent image she struggles to make out. seeing as many of the papers weren't analyzed, the picture is only half-complete.

but then it clicks. a pentacle. and at the very center of the shape, a church.

ellie's mind goes back to the old woman on the porch. the way she'd nodded to her cross. the way almost every family in bluefeild is outwardly religious. she can't believe she hadn't seen it sooner.

this isn't just some case where she can stare at newspapers and hope something pops up. it's an intricately weaved web of murders.

her chest heaves as her eyes dart across the screen, unable to believe it. she finds herself tapping her men against the floor, drumming it just as joel does. she curses herself, tossing the pen across the room as her mind reels. it lands in front of the door, ballpoint pointed toward the exit. ellie takes this as a sign from the universe. despite not having ever been a religious person, she can't help the pang of hope in her chest.

deciding to indulge the pen's sign, ellie writes the church's address into her notepad, shuts her laptop, pulls her jacket back on, then heads for the door. she steps over the pen on her way out.

𝓢he stares up at the church, checking to make sure she's absolutely certain she's in the right place. when she's proven to be correct, she stuffs her notepad into her pocket and walks toward the building.

ellie doubts anybody is inside due to the time, but she wants to search the place regardless.

the church is old, creaky wooden exterior painted in uneven shades of white. the roof is brown and dilapidated with wear. atop it, a large cross is seen standing tall, its tip pointed up at the starry sky. ellie wades through the overgrown grass, her breath coming out in white clouds. it's fucking freezing out here.

when she reaches the building, ellie cups her hands around her eyes before peeking through the windows. the glass is dusty and cracked in some places. she can't seem to see through it, transparency made opaque from lack of maintenance.

she leans back and wipes a hand across the dust, forming a wide arc to peer through. inside, the church looks brand new. wooden pews line the space, a long aisle between each formed column. the floor is white tile, cleaned to be spotless. she tilts her head, struggling to look toward the pulpit. it appears to be⎯

"what're you doing?"

ellie jumps, her head slamming against the top of the window frame. she ignores the ache and whips around to face the owner of the voice. a nun.

you stand behind her with a raised brow, your entire body covered by black and white robes. ellie blinks, something about you making her stomach lurch. she's instantly put on edge, shameless in the way she examines your features.

your brow is knit in distaste for the trespassing girl. your eyes are sharp and steady as you pin your gaze onto hers. your hands are clasped behind your back, formal and almost robotic. or at least, that's how ellie sees you.

ellie reaches under her jacket and pulls out her badge. "fbi."

"there's no fbi in bluefeild." you point out, voice steady and melodic. ellie's lips part at the sound but she shows no other form of sway. you eye her badge, ellie williams. noted to be a top agent in her line of work. your eyes narrow. "where exactly are you from?"

"richmond." she responds, eyes never leaving yours as she places her badge back into the interior pocket in her leather jacket.

you tilt your head, inquiring. "virginia?"

"yes." she confirms.

you hum, noting the four hour drive she's sure to have taken in order to get here. you looks out across the grass, seeing her car still running as it's parked on the side of the road, yellow headlights acting as a beacon against the dark night.

"it's late, miss williams." you tell her, turning back to her to find that ellie's eyes have yet to leave your face.

she analyzes each expression you make, contorting every detail to memory ⎯ from the way your eyes flick across her features to the way your shoulders shift slightly after having been standing in one position for so long. she memorizes you, allowing your very being to sink into her mind. for the case, of course. you're a suspect, after all. she needs to learn you and feel you out in order to get a proper read on whether you're innocent in all this. that's why she stares at you. that's why her pupils are blown and her lips are parted again. totally.

"do you want to come inside?" you offer, raising a brow at her strange, yet obvious sense of interest in you. "it's freezing out here and i happen to have just brewed some tea."

her eyes dart to the shabby church behind her. judging by the exterior of the building, imagining the place having ac and working electricity is shocking. but judging by what she'd seen of the inside, she's tempted to take you up on your offer. for the case.

"only if y' agree to answer some questions of mine." she says, deciding to set the terms and conditions early on.

your eyes narrow, "what type of questions?"

"the type i need in order to solve the case i'm workin' on." she replies, reminding herself of the large amount of missing men and boys who've disappeared in these past three months.

"mm," you hum.

you look her up and down, taking in the sight of her. it's rare to see any form of law enforcement out here. you'd lived in bluefeild all your life and never seen a cop or fbi agent outside of the television. her leather coat hangs heavy from her set shoulders. her chin is held high despite the way goosebumps trail across her skin due to the chill of the air. she's wearing baggy black pants and heavy combat boots. interesting.

"sure." you shrug. "i've nothing to hide."

"we'll see 'bout that."

her eyes rake over to where he car remains running. she leaves it, using it as a sign to you that she plans to make this quick. you understand the gesture and heed it with care, nodding as you shift around her and walk toward the entrance of the church. the large wooden doors are already unlocked as you push them open.

ellie draws her eyes across the foyer, noting the long hallway. to the left is a doorway leading to the sanctuary and chancel that she'd seen through the windows. to the right is a large door with a shiny golden handle, locked. the hall is lined with more doors, some locked whilst others are free to peer into.

you move about the space as though you'd lived here all your life. ellie supposes that might be true, actually.

you sweep down the hall before turning one of the corners down a branched passageway. ellie follows behind you, the hall illuminated by only a dim yellow light. on either side of the hall, more and more doors branch out to the side. ellie pays no mind to the building's layout anymore. instead, she finds herself more interesting in watching your habit billow behind you, your shoes clicking with each step against the tile.

eventually, you're both now in a kitchen area. ellie hasn't a clue when you'd gotten here, far too distracted by you to care much for the journey you'd taken her on.

the floor is tiled to mirror the sanctuary, counters made of marble. you flick a switch and the lights flutter on, a low hum sounding from the ceiling as the kitchen is illuminated by a yellow glow. on the counter, two cups of tea sit premade. you grab them, one in each hand.

with an amused expression, you pass one to ellie. she takes it, eyes the glass in her hand for a long moment. in the end, she decides against trusting it.

"uh," she clears her throat as she places the mug on the counter behind her, turning to you with an uneasy weariness. "you knew you'd have a guest?"

"hm?" you hum, tilting your head at her with an innocent curiosity.

"y' made two glasses." ellie points out. you continue to look at her, feigning confusion that urges her to continue her explanation. "it's just— well, i haven't seen anyone else here besides you."

"i hadn't priorly known of your arrival, if that's what you're suggesting." you inform her before taking a long sip from your mug, peering at her over the rim with an alluring twinkle to your eye. you lower it, keeping the glass poised between your hands as you lick your lips and continue. "i simply knew i wouldn't be drinking alone."

"what's that supposed to mean?" ellie inquires, those fbi instincts of hers lacing through her tone. her eyes glint with piqued interest, watching you with a steady sharpness. it weighs on your chest, heavy but enthralling.

"what i mean is," you place your mug on the counter with a light clink. "in this church, you're never alone. not really."

she raises a brow, back straightening. "someone else is here?"

"something." you correct, a smirk tugging at your lips. "a deity, spirit, ghost, demon. take your pick, miss williams. it hasn't a title just yet."

ellie has surely formed her doubts about whether or not you're mentally insane. she can't help but indulges you nonetheless. if she intends on puzzling out the mystery of the missing people, she can't outwardly state that you're crazy. so instead, she says, "are these,, things good? or are they evil?"

"mm," you shift, taking another long sip of tea. you ponder on her question while drinking, your mind deciding on exactly how much you wish to tell this governmental investigator. once your mind is made up, you place you mug back down and flash her an amused smile. "its morality varies. as i said, it doesn't much like the feel of being confined by the barbed wire of titles. plus, there's more than one. and none are a repeat of the other, each separated by individuality."

ellie bites back a scoff, trying her hardest not to just grab you by the shoulders and shake you senseless. she wants direct answers, not riddles. she hasn't the time to figure out what you're trying to get at.

"how many?" she asks. "like. are there lots of them or are they few and far between?"

your brow knits as you take a step closer. at your growing proximity, her breath hitches. you are more than just a nun, you're the embodiment of her obsession. all the care and time she'd poured into this case; you personify it.

you're a religious figure in and of yourself. something worthy of worship and praise. if you were to seen by the world as ellie sees you, historians would be studying you for eons to come. paintings and playwrights would be made in your honor, temples and statues forged in hopes that you'd bat the sculptor even a moment of your attention.

but, alas, that's not how the world works. instead, you're made to be a random nun who lives holed away in a ragged church in the middle of nowhere. perhaps the universe had been wise to hide you from the world, for fear of what your divinity would cause. a repeat of troy, no doubt. wars fought for your hand. lives lost for the pulpy beating heart caged behind your ribs.

"as many as i'd like." you tell her, face now mere inches away from her own.

your body is covered entirely by your habit, black fabrics hanging from your shoulders and arms as to keep your entire being shielded from sight. your hair is cast back and under your veil.

despite the coverage, ellie's enamor is unmoved. it's not your body or your hair that she's drawn to. it's the slope of your nose, the plush of your lips, the curve of your cheek, the arc of your brow, the color of your eyes. it's everything that makes you stand out like a brightly shining star in comparison to the dull darkness that is this church.

and stars like you ought to be admired.

"as many as—" she squeezes her eyes shut, knowing her only chance at regaining control of her head is to not face you. her mind is muddled by thoughts of you. she can't think straight. when she reopens her eyes, she could've sworn you've moved closer. "what're you sayin'? i don't—"

"don't understand?" you finish for her, tone pitched in regalement. your head tilts to the side, your noses brushing. "few people do."

"just tell me what y' mean." she utters, voice a whispered breath across your face in the form of a plea. "tell me without the riddles. tell me without trying to evade the truth. tell me with honesty. if you're straight forward with me, i'm sure i'll understand."

you sigh through your nose, leaning away from her. she follows you like a fish on a hook. you take a step back and she takes one forward. noticing, you hold a hand up to halt her movements and she instantly ceases, blinking at you with parted lips.

your head is downcast, palm against her chest. "you'd hate me."

"hate you?" she questions.

despite only just having met you, ellie is quite certain she'd never come to hate you. your very being is as much a wonder to her as life itself. you're a celestial beauty she cannot bear to tear her eyes from. hate is foreign when you're the context in which it's spoken.

"yes." you confirm, expression contorting into one of feigned guilt. and, had ellie not been in such blind awe of you, she'd have likely seen through your facade of deception. "i've made mistakes; plenty. i could never expect you to hear me speak of them and look past their malice."

"but i would." she whispers, taking a step nearer. she places a hand on your wrist, lowering your palm that had priorly been raised between the two of you. she looks down at where she touches you, albeit through the cloth of your gown. "i'd look past it. i'd see you as i do now regardless of what you'd done."

you shake your head, "you cannot mean that."

"i do." she brings your hand to her mouth, pressing her lips against the hills of your knuckles. she looks up at you through her lashes, her mouth remaining close to your skin as she whispers, "i do mean it."

you feel guilt settle deep within your chest, burrowing between your ribs and in the very tissue of your heart. an immoral darkness encompasses the organ ellie so desperately desires to obtain.

you'd lured people into your entrapment many times before. but something about ellie makes you feel bad for doing what you know you need to.

but it's too late now.

she's your last victim. the final sacrifice needed in order to finish what you'd started back in december. after taking her life, all will be well. all will be well. all will be well. well, well, well, well. you repeat this over and over in your mind as ellie kneels before you. she looks up at you as though you're an alter made for this. for worship.

your breath catches in your throat as you watch her sink to the tiled flooring, hands brought up to rest at your hips. her fingers fist the fabric of your habit as she speaks once more, "allow me to prove how much i mean it?"

your head is swimming, unsure on what to do. logically, you know you should stop this before it gets too far. you've already lured her in close enough to do what's needed. but, for some reason, there's a thick knot forming in your chest. as it grows, you come to realize it's not a knot at all. it's a fist. it's ellie's fist.

her eyes bore into your own, her hands remain gripping your hips. somehow, though, you feel as though they're managing to trace their way through you. they line your bones and caress your tendons before inevitably finding their way to your heart. she holds it in the palm of her figurative hands as her physical ones begin to hike up your habit, slowly pulling the cloak up from the floor.

still, despite the discernible desire in her eyes, she does nothing but wait for your response of consent.

it's inexorable, the way you give in. the slight nod of your head had been predestined from the moment you spotted her at that window; and it will continue to prove relevant until your respective faits are sealed.

to ellie, it felt as though you'd taken hours to reply despite it only having been a minute or less. but the moment you nod, she's moving eagerly. she's grabbing your hips and hoisting you up onto the counter whilst simultaneously struggling to pull up the skirts of your clothes. she's trying to do so many things at once that it's dizzying. for both parties.

you aid her, shifting atop the marble as you pull the habit up to reveal what lies beneath it.

ellie feels the world fall from beneath her knelt locale as she stares. a pair of black lace panties adorn you, the upper half of your body remaining covered by the bunched cloth of your habit. the time she takes to memorize you feels agonizing as you sit there, itching to feel her body on yours.

once she's confident that the image has been successfully engraved into her mind, she leans forward. your legs are already parted when her mouth makes contact with your clothed vulva. the wetness that soaks the material soon made into a mixture of your arousal and ellie's opened mouth.

her tongue traces light circles into your clit, a soft sigh escaping your lips as your grip on your habit begins to loosen. you toss your head back in pleasure, the sound of ellie's slurping and licking mixing with the mechanical hum of the lights.

"ohmygod," she says against you, the vibrations of her voice making your breath pick up its pace. "you're so fucking perfect."

one of your hands comes down to tangle in the auburn of her hair, tufts weaving between your shaky fingers. you tug on it, pulling a grunt form the back of ellie's throat as her scalp stings. despite her noise of pain, this only manages to make ellie more vehement in her actions.

she grabs the hem of your panties with her teeth, yanking them to the side. her eyes are shut as she licks a long strip through your wet muscle. you can’t help the way you stare down at her, watching as she puts her absolute all into making you feel good. and, as it turns out, she’s quite skilled at doing so.

ellie's mind is fogged over, mimicking the way her car's windows had been earlier. she supposes there’s no true difference there, however. the interior of her car had been warm in comparison to the cool outside air. swap the temperatures and there’s naught that varies. the warmth that you provide makes ellie feel cold in contrast, which ends in a fogged mind.

the taste of you is enough to make her lose whatever sanity remains intact. all that adrenaline that had flowed through her earlier is being poured into you.

after all, stars should be worshipped right? they should be admired from below, gawked up at. they should be mapped and studied by only the wisest of mankind. they should be doted on with a possessive sense of adoration, one only fit for something so celestial and untouchable as a star.

and that's what you are. to ellie, at least. you're a brightly shining nebula — a feathery cloud of vibrancy, visible only in the darkest of nights. only in the coldest of weathers. only in most decrepit of churches. only here, only now.

only when fate is carved in this exact way. had one thing been altered, none of this would have taken place. it was providence that brought you together. you weren't written in the stars or tethered your entire lives. in fact, the chance of your paths crossing was rather low. but, honestly, that only makes your acquaintance more deeply rooted in kismet. makes it more special.

"fuck," you pant, chest heaving as you squeeze your eyes shut. your head thuds against the cabinet as you tighten your grip on ellie's hair. she groans, fingers pressing deeply into the skin of your hips, hard enough to leave a bruise. your thighs tighten around her head, a coil of heat sitting heavily in the pit of your stomach. "ellie, i'm—"

she tilts her head up slightly, nose pressing into the bead of your clit. she watches through lidded eyes as you come undone onto her face.

she savors it, committing every little detail to memory. a habit this has become, watching you. your brows knit, your legs shake slightly, you breath hitches. and ellie retains all to it.

she made you see stars. made you look into a mirror and see yourself.

that feeling of blissful release is what she feels every time she's fortunate enough to gaze upon you. and now you've experienced it. and she cannot feel more accomplished than she does right now.

"this," you pant, tugging on her hair to bring her face up to your own. she does as you direct her, standing from the floor to press your foreheads together. "was a terrible idea."

"yeah?" she breathes out. "and why's that?"

you run your hands up and down her back, fingertips tracing the stitching of her leather jacket. you can feel the outlined letters of her 'fbi' label. that familiar twinge of guilt encircles you.

she's a good person — a woman who's to spend the rest of her life helping random people she doesn't know. and yet, here she is. made unfortunate enough to have succeeded in her endeavor.

she stares at you like you're a god, something heavenly. something seraphic. something worthy of her.

"i'm not a good person." you whisper, leaning away from her proximity. predictably, she follows, leaning closer with a desperation only fit for one in love.

the guilt of what you must do is eating you alive. it claws at your chest, snapping your ribs like twigs as it wedges between them to burrow deep within you. it's agonizing yet completely unavoidable.

and in a sickeningly poetic outturn, a random butcher knife is sat neatly atop the marble counter only a foot away from where you sit. just as ellie meets your eyes, the blade happens to catch the light and reflect yellow luminescence. a grotesque reminder of what you're unable to run from.

"nobody is innately good. and, as a nun, y' should know that better than anyone." ellie huffs out a laugh, eyes not daring to stray from you. "in other words, i don't care."

"but you should." you insist, voice teetering on the edge of plea.

"and yet, i don't." ellie counters, just as passionate in her solemnity. you suck in a breath, eyes glossing over. she looks at you with a fondness that feels foreign. she cups your cheeks between her palms, repeating, "i don't."

"i've done horrible things." you say.

"you're a nun." she points out with a light chuckle rumbling her chest. "how horrible could these things have been?"

part of you wants to open up to her, tell her everything that's been weighing on you for these past three months. but each time you get close to a confession, something inanimately symbolic taunts you. whether that be the butcher knife, the hum of electricity, the gun holster at her hip, the residual lust in your chest, or the bright yellow lettering on her jacket.

that gun is meant for you just as that butcher knife is meant for ellie. she'd been wise to bring a weapon, a clear sign that she'd intended on finding someone culpable enough to suspect. and you'd been wise to set the blade atop the counter on the off chance that you'd meet your final victim tonight.

you feel sick to your stomach.

"oh shit," ellie curses as she takes notice to the way you're visibly crumbling in front of her. "i— uh, i didn't mean to be, like, insensitive or anythin'. i'll still listen to you. and i promise to not hate you. promise to never hate you."

"ellie, stop." you sigh. "you can't promise something like that. you don't even know what i—"

"then tell me." she insists, your face still in her cupped hands. you look at her through blurred vision, naught but sincerity behind her pale green irises. "if y' tell me what it is that y' did, we can both carry the burden."

you're instantly shaking your head.

"you don't have to do this alone." ellie says. "plus, isn't a weight split a lighter load than one full?"

as you stare into her eyes, you can't stop yourself from what comes next. you're unable to keep your mouth shut when she's looking at you like that. you decide to tell her, opening your ribs and bearing your heart as though she hadn't already taken it from you. you truly feel more bare in this moment than you did when she'd literally been eating you out.

ellie put her entire trust into you when letting down her guard and abandoning the case she'd obsessed over for weeks. she dropped it like it were nothing, focusing entirely on you in its stead. the least you could do is be honest, right? plus, she's not leaving here anyway. you'd locked the door the moment you two entered the kitchen when she'd been too distracted by your beauty to notice. the trap is already set and she's sitting inside of it without a care. all you need to do now is pull the strings.

but first comes honesty.

for ellie, you'd peel off your clothes. you'd peel off your skin. you'd peel off your flesh. then, when you're naught but bones, you'd give yourself to her. you'd give your entire being to her. not because you think you're worthy of her possession, but because this is all you have. the only thing you're able to offer her as a symbol of your devotion, it's yourself.

though, while you're unable to strip yourself clean off your bones, you feel as though rendering yourself vulnerable and fragile is the next best thing you can offer. for her, you are willing to do the priorly unthinkable.

"you're here in search of the missing men, are you not?" you ask, beginning with baby steps. "in search of who's behind their absences?"

ellie straightens, "i am."

"well." you gesture down at yourself. at your crooked veil that shows stray hairs peeking from underneath; at your hiked up habit, just barely falling to cover your underwear; at your knees that rest on either side of ellie's waist; at your vulnerable state that you're offering up to her. at your bones. "you've found me."

ellie's heart stutters in her chest. not because of what you'd revealed to her, but because you trusted her enough to do so. she no longer cares an ounce for the missing people of bluefeild. all she wants is you. she may be a fool to be this way, but she's in far too deep to mind.

she gives you a weak smile, "i don't care."

"what?" you croak. you stare at her incredulously. there's no way she doesn't care. there's no fucking way. "yes you do."

"i don't."

you blink, looking her up and down. there must be something you're missing — her reaching for her gun, her taking a step backward, her eyes darting toward the knife. but she does none of that. she simply remains stood between your legs, keeps her hands on you, and stares directly into your eyes as you confess your gravest of sins.

"but—" you shake your head, stammering. "but i killed all those people. they're dead. all of them. over two hundred men are buried behind the church."

"i don't care." she repeats, noticing the way your voice raises with trepidation. she traces her hands down your arms, stopping only when they reach your own. she tangles your fingers together, feeling the way your body relaxes slightly to the feel of her touch.

"i killed them because i was paid to." you tell her, your mind reeling as you're unable to grasp her lack of care. you talk in a frantic quickness, rushing to get the truth out for fear that ellie will change her mind in the time it takes for you to speak. "their wives, neighbors, daughters. they— they'd come to me in the confession booths and tell me of the men's abuse o-or assault or misdeeds. and i'd kill them for them. i don't—"

ellie's face remains soft. "you did a good thing, then."

"you can't be serious." you huff, eyes watering with the sheer confusion building within you. "i don't understand how you can still look at me like that. i took their lives. these people, i— they had dreams, they had aspirations and goals and families and—"

"listen," ellie whispers, her hands squeezing yours. "they were horrible people that hurt women. they were abusers and rapists and i don't care what y' did to them or how. all i care about is whether or not y' feel better."

"what?" you ask, voice nigh a breath. "what do you mean feel better?"

"to have gotten that off your chest." she digresses.

you take a deep breath, grounding yourself. the adrenaline of the confession slowly dwindles and you're no longer spiraling. you stare at ellie, centering on her face as the world comes back into focus.

you count your senses one by one. the smell of tea, the sound of humming lights, the feel of a hard counter beneath you, the taste of a bitter truth, the sight of ellie's fond expression. your breathing levels out, slowly but surely. and ellie stares at you the entire time. memorizing you.

"yeah." you whisper. "yeah, i do."

"then that's all that matters."

a supernova; to watch a star combust and explode, a colossally significant occurrence that only the most fortunate are able to witness. ellie considers herself to be substantially fortunate. not only because of what she'd just seen, but because of who it was that did it.

to her, this is even better than a natural supernova. rather than watching a random gassy ball of light die, its you. someone she adores and treasures. and you didn't die. instead, you opens yourself willingly to her. you broke down your walls and bore yourself to her. for ellie, that is far more important than some star's death.

"but—" you say, bringing her attention back to your face. your brows are knitted, clearly struggling to get the words out. she watches you with an easy patience, pupils blown as she submits this to her memory alongside all other files in her brain saved under your name. "but there's more."

"let's hear it." she replies, raising a brow.

you suck in a deep breath, lowering your head as to not face ellie before speaking. "i didn't just start killing whatever men that these women were asking of me. it started smaller. i killed animals, put them in a circle of salt, drew and pentagram, the whole ordeal."

"you sacrificed them?" she asks, tone remaining laced with gentility.

"yes." you nod. "i felt my baptism wasn't enough. god never answered me anyway, he never aided me when i needed it most. he watched my suffering and did nothing. so, i resorted to a new deity of worship." you lift your gaze to meet ellie's. "satanism."

"i'm sorry, i don't—" she blinks a few times, confused. "i don't understand."

"as a child, i relied on god to do everything. my life was nothing without him in it to keep me going. but as i grew, i realized it was unrequited. he cared nothing for me, watching with regale as i sobbed and begged for his help." you explain. "so, as a teenager, i switched over to satanism — worship of someone who actually cared enough to save me."

ellie says nothing, staying silent as you confide in her. she continues to hold your hands, softly cradling them on either side of where you sit.

"but then he wished for payment." you continue. "sacrificial lives as a form of repent for all those years i'd spent as a baptist. i obliged, of course. i killed bunnies and deer, doing research to understand how exactly to offer the stolen lives to him. but as of late, he's wanted more."

"humans." ellie guesses.

"yeah." you confirm. "but i couldn't bring myself to kill random innocent people. so i became a nun and listened in on the confession booths. then, i'd ask the confessors if they wished for me to intervene. they'd concur, paying me to take the lives of their abusers." you recall the fear in the women's voices, the shakiness to their hands as they slipped money through the cracks of the door. "they never saw my face, only heard my voice. and, seeing as i live in the church, none of the recognized me. i soon became a symbol of hope for women and one of fear for men."

ellie's mind strays back to all the religious symbols staked in the yards. "that explains their heavy faith. they think you're some type of prophet."

"yeah, but there's more." you say. "i've researched many, many books to make sure i get this ritual right. and, as it turns out, my 250th victim has to be a martyr. someone who doesn't believe in anything. doing this seals the ritual, ending it."

"good luck finding someone here who meets that criteria." she chuckles.

"exactly." you say carefully. "everyone in bluefield is heavily religious. unless that someone has come from out of town."

"me."

"i wish it wasn't." you rush to explain. "i wish there was some other way i could do this. but it has to be today. i need to do it before another woman comes in asking for my help or the numbers will get thrown off. and if i decline her, i'll lose the faith of all the women in bluefeild."

"okay," ellie shrugs. "do it."

"...what?"

"i don't care." ellie says, the sentence becoming something of a catchphrase for her.

the world stops. again. it screeches to a halt and you almost slam forward at the speed of which it crashed down. you stare at ellie with wide eyes, made shocked by her for a second time. someone so hauntingly perfect cannot truly offer herself up to you like this. she can't seriously be holding out her hand, asking for death to take it.

but what you don't know is that ellie would deem it a gift to die by your hand. it'd be better than dying as a withered elder attached to a beeping machine, or as an agent amid a case who only got to see you in her dreams.

but, this way, she'd be with you always. her love for you would be immortalized; she would be tied down to the very threads that make up the the fabrications of your soul. oh a gift that would be.

"do it." she repeats.

"what?, i don't—" she silences you by leaning forward, pressing her lips against yours.

ellie had kissed you out of impulse, knowing no other way to silence that thundering uncertainty that rumbles your brain. but the moment she does it, she's positive she'll never be able to pull away.

your lips are a cathedral of which she cannot help but melt into, your body a temple she's knelt before and wouldn't hesitate to do again. she kisses you with devout piety, her body molding into yours with each touch that lingers on your skin. somehow, this measly kiss is far more intimate than all else before it.

a silent tear slips from your closed eye as you subtly reach your hand over to where you know the butcher knife lies in wait. ellie surely feels your movement, there's no way she doesn't. but she makes no move to stop kissing you, her lips moving with a vehement neediness.

you loathe the way your fingers find the hilt of the knife. even more so, you despise the way you wrap your hand around it and bring it toward ellie.

she knows. she knows what you're about to do.

and she allows it.

love isn't easy for ellie, never had been. but with you, everything falls into place as though it'd been predestined to do so her entire life. as she feels your body shift toward the knife, nothing runs through her mind aside from your name. on repeat, the singular word replays over and over. she wraps your name around her skull, weaving the letters between her thoughts and molding the syllables against her brain. she was born to love you. and so long as she was able to do so, she'd be okay.

just as the tip of the blade brushes her jacket, you pull away from the kiss and stare at her. the knife remains at her back, resting against leather but not daring to press any harder. ellie's pupils are blown, her lips wet from your own saliva.

"i can't." you utter. "i can't do this to you."

she sighs, "i already told you it's fine, angel. just— as long as i have you near me, i'm content with my decision."

"no." you shake your head. "no i know. it's—" knowing ellie wouldn't understand your explanation, you decide to show her what you mean. with your free hand, you place your palm against her gun holster. "whatever you go through, i want to be there with you."

her eyes widen at your words. she jolts away from you, appearing as though she'd been burned. she sets her jaw, turning her hip away from your reach. "no."

"ellie, please." you implore, tone beseeching. "i can't live on knowing i'd done this to you."

"it's unavoidable." she reminds you. "y' made a deal with the fuckin' devil, or, well— i'm honestly not too sure on the details, but— y' can't not follow through. i understand, okay? finish the damn ritual and live your life."

"i don't want to." you plead with her. "not without you."

she shakes her head, eyes glossing over. despite the evident distaste, her refusal is weak. she stands only a foot away from you, seeming as though she's physically incapable of moving any farther.

"ellie," you say, whispering her name like a prayer. she can't help but look up at you through watery eyes. "ellie, please."

"i don't want you to die." she says, voice nigh a whimper.

"we'll be together, ellie," you tell her, hopping down from the counter to approach her. the blade remains in your hand, long forgotten to the both of you as the sight of the other is far more appealing. "if we do this, we can be together for all of eternity. they'll find our fossils in a million years, bones entwined. they won't even know who's who."

she chokes out a laugh that sounds more like a sob. "god, how stupid would that be?"

you laugh with her, "so stupid."

you're both crying now, tears streaming down your faces as you stare at one another. slowly, ellie pulls the gun from her holster. she's unsure on how this will go down, but she's willing to try. for you.

to be loved is a horrific thing, you've found. it's to be swallowed whole by something so disgustingly beautiful that you're incapable of turning away.

ellie takes a step closer, the distance between the two of you closing. her left hand holds the gun, her right hand coming up to wrap an arm behind your neck. she pulls your toward her, pressing another kiss to your mouth.

your tears mingle, forming a salty sea on your touching cheeks. you sob against her, chest heaving as you pull her closer with one hand, the other holding the knife. she tastes of sacrilege, salvation, and sacrifice. the ghosts that will haunt this decrepit church until the end of time. together.

whatever string that pulled the two of you toward each other will be knotted, tying two lost souls in search of the other.

"ellie," you whisper between wet kisses, lifting the knife to rest at the nape of her neck, "it's time."

she lets out a sob, a convulsive gasp tearing from her throat. "okay,"

you count down, the two of you agreeing to do it at the same time. you'll drive the blade into her neck whilst she pulls the trigger. your bodies will fall in unison, clinging to one another.

when you reach one, you sink the blade into her with a sickening squelsh. she chokes, dropping the pistol to the floor. it lands with a loud clank moments before her body falls with a thud. your eyes widen, heart ceasing. blood pools onto the white tiles and only one thought runs through your mind: she didn't pull the trigger.

she didn't pull the trigger.

she

didn't

pull

the

trigger.

she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't—

you fall to your knees beside her, hands coming to cradle her bloodied face. you pull her head into your lap, rocking back and forth as crimson soaks into the black fabric of your habit. you clutch her tightly against you, pressing hard on her slit neck, willing the blood to go back inside.

death doesn't take her hand. instead, he grabs her by the shoulders and shakes her for the untimely demise she'd agreed to. the heart she'd taken from you rattles. the death rattle. you choke out a sob at the sound, everything aching.

you lean forward, pressing a kiss to her cold, dead lips. she doesn't kiss you back. you pull away, panting hard as your chest heaves and your eyes burn.

then, in the corner of your eye, you see the metal of ellie's pistol. you crawl across the kitchen toward the weapon, realizing she hadn't even cocked it. god, how had you been so stupid? you do it for her, loading the bullets into the chamber.

with the gun now in your possession, you crawl back over to ellie.

you position yourself atop her, entwining your legs and placing your head on her chest. it doesn't rise nor fall, no beating heard from beneath her ribs. you sob, placing the gun's barrel to the soft part of your chin.

then, without another thought, you pull the trigger. you pull it because ellie was unable. because ellie couldn't bear to do it for you. a part of you resents her for this, but another part can't feel anything for her aside from utmost love.

and there lie two bodies. lifeless.

ellie found what she'd been searching for all her life: something worthy of her devotion. something she can pour her all into. that had been why she became an fbi agent in the first place — in search something to worship whole heartedly. simultaneously, you'd found what you'd been searching for as well: peace.

in the end, however, it had all been for naught.

the ritual didn't work.

it needed someone faithless, someone who didn't care for religion, for god. but that wasn't ellie. not anymore, at least. because, after having met you, she'd finally found something worth her revere.

you were her religion.

⊹ ࣪ ˖𐙚 perm. taglist. @luvsturniolo @ilovewomenfr @zzombiegirl @elliessweetheart @kasqnxx @xlovla

⊹ ࣪ ˖𐙚 additional note. i want this to be said here because i know this piece is super fucking heavy. ellie and the reader's relationship is so fucking toxic. anyone who reads this, i hope you realize how absolutely horrific their love story truly is. there's a shit ton of symbolism weaved within this story that i didn't outwardly state (though most of it i blatantly explained). if u have any questions regarding this piece, i'd love to talk about it bc i put a lot of time into making it.

but, again, their relationship is TOXICCCCCCCCCC!!!!!! it's not meant to be idolized or romanticized in any way. if you didn't notice, i barely used the word 'love' and never made either of them say 'i love you'. that was for a reason!!!! because what they share isn't love. it's unhealthy obsession & i need that to be outwardly said before i post this

[congratzams]

𝖎𝖓𝖈𝖚𝖇𝖚𝖘

𝐂𝐇𝐀𝐑𝐀𝐂𝐓𝐄𝐑𝐒: dexter morgan

𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒: dexter had to save his own skin and you had a little bit too much of faith in him; fake priest!dex

𝐖𝐀𝐑𝐍𝐈𝐍𝐆𝐒: church related themes, mentions of somnophilia

𝐀/𝐍: bear with me, I've only watched one season of Dexter but I've fallen hard for the character and there's so little content of him 😭 also, I'm far from religious so the details might be a bit off for those who attend the church

Dexter only became a priest because he had to; his vigilante activities were discovered and he had to save his own skin. At that moment, a small town far away from Miami seemed like a good choice. 

Oh, and how people were too trusting of him once he stepped into the unknown territory. A couple smiles here and there, some occasional name-drops and all was good. Soon enough, he became a wolf in sheep's clothing. Who would dare to suspect a priest?

Sure, he had to do his own research before taking the role, but it was not as difficult as other things he had to learn. Camouflage was one of the many skills he had mastered in order to survive.

But you, oh, sweet and ingenue you. You had to show up and put his plans to the test. You always stayed behind after masses, even during late hours, seeking advice from his priest persona.

And it almost seemed like you wanted Dex to look at your manicured fingers toying with the hem of your pastel pink skirt. Maybe you weren't so naïve as he initially thought.

But the suspicion could've been only a part of Dexter's own twisted thoughts, stirring something up in the deepest parts of his mind. That way, your next encounters could've been summarized as his eyes marked by a new and dark glisten, especially whenever he looked at you during the mass or when you got too close to him while sharing your worries. Dexter certainly did not put the ‘Holy’ in ‘Holy Father'.

Soon, your confessions began to approach this certain ‘warm’ feeling in your womb and impure thoughts and impulses — which you believed to be the devil's work. Dexter couldn't dare to risk his disguise and have you all for himself, even when there was a suffocated plea written all over your eyes and your will seemed to weaken the more you asked for his help.

So he requested you knelt in front of him and confessed to him all of your sins. To see your chest heaving with every word you said, oh, he felt like the Lord himself.

He could also see with such clarity the ones involved in your fantasies: a certain red-headed that forces the lady to succumb to lust. And to that, his eyes stared deep into yours, locked in place, as if you were his new prey.

“Father, I think I may be under the influence of an incubus…”

Dexter, as the priest, seemed to give it a thought. “Do you feel like this creature has sexual intercourse while you sleep?”

You shook your head before his voice reached your ears, now deep and full of maliciousness. Maybe his dark passenger should pay you a visit.

“Would you like it to?”