#also i wrote this at like

[charlessmiths-wife]

having donna brain rot so like…. have some headcannons if you want x these are mostly hcs of what I think a relationship would be like with her but there’s also some general ones in there!

DONNA HCS

CW!! brief mentions of PTSD/discussions of poor mental health

-> i think my personal take on Donna is that she’s very quiet/introverted at first, but the more comfortable she becomes around you the more she opens up. i see her as the silent but thoughtful type. she’s got a lot of care for those who mean a lot to her (so you!) but around those who she doesn’t like or isn’t as comfortable around this angel is absolutely silent. plenty of thoughts about how annoying they are, but they’re very rarely vocalised.

-> on that note, Donna hates meetings of the lords.

-> it’s not that Donna has awful relationships with the other lords of the village, I actually do believe they are relatively close in spite of the fact she prefers her isolation

-> it’s more so… meetings often showcase a lot of strong personalities… which lead to arguments (particularly Heisenberg and Alcina based arguments - this is affectionate bc I love them both x) that just stress Donna out.

-> i think (given how long Donna lived on her on with just Angie and the dolls for company) Donna didn’t really have anyone to open up to regarding past traumas or any issues that troubled her.

-> so when she first met you, and saw how much you cared about her… and how much you listened… she couldn’t believe it

-> literally.

-> I have a hc that shortly after coming clean to you about her feelings for you and beginning to grow closer to you, Donna… had something of an argument with you

-> she legitimately believed you were too good to be true. and you were some sort of cruel manipulation tactic sent by like Miranda or something to butter her up for some kind of scheme.

-> once you reassured her your feelings for her were genuine and you truly cared for her simply because you loved her… she broke down sobbing.

-> it broke your heart to see her believe so genuinely she didn’t deserve you. but that day did prove to be crucial in not only you guys’ relationship, but also Donna’s life.

-> not only did you manage to encourage Donna to seek help for her mental health struggles- but you also encouraged her to open up more to you.

-> and she does! she does both! and babygirl comes on leaps and bounds!

-> Donna’s past experiences will always be with her, but you managed to show her she’s deserving and worthy of a brighter future.

-> I like to imagine you guys love baking together, particularly Donna. She finds it relaxing.

-> and she’s AMAZING at it. and cooking.

-> omfg Donna is incredible at cooking.

-> she loves to make Italian dishes for you. and she gets Angie to help.

-> Just imagine walking into the kitchen to find Donna absolutely MASTERING the art of hand making your favourite meal… meanwhile Angies running around the kitchen wearing a small chefs hat and apron (that Donna made) waving a wooden spoon around as if it’s a weapon.

-> You and Donna do have to wrestle the spoon off of her later that night.

-> I also think Donna really likes music!

-> she owns an old record player, sometimes she’ll play a record for the pair of you and ask you to dance. you always say yes, how could you say no to someone so cute?

-> she’s actually a very talented person. you’re always reminding her of this, because sometimes she forgets.

-> the woman literally has an ear for good music, can bake, cook, CRAFT, sew, garden, write….

-> I also (for some reason) think she has some secret talent at chess. Like, she’s untouchable when it comes to that game. You don’t know how, but she wins every time, it’s entertaining to watch but it does mean board game nights aren’t really overly competitive x

-> her love language is absolutely words of affirmation.

-> please tell her how much you care about her, and how good you think she is. she will melt.

-> i actually think her default form of giving love language is a mixture of physical touch and gift giving.

-> she mightn’t always know how to tell you how much she loves you verbally, but she’ll write it in a poem and gift it to you or she’ll make you a gift or maybe even softly stroke your back in the mornings and it’ll all be clear

-> you never have to doubt how much she cares about you.

-> loves cutesy nicknames. call her ‘my love’ or ‘darling’ and watch her MELT.

-> (has a soft spot for the nickname ‘princess’.)

-> you and her are just so sickeningly sweet when you’re together.

-> you can spend entire days with each other in peaceful silence. just lying in each others arms and occasionally whispering how much you love each other, softly pressing kisses to each others lips cheeks and forehead. really anywhere you can.

-> Angie will roll her eyes and pretend to be ‘sick’ but she’s secretly over the moon. she’s never seen Donna so happy and confident in herself than when she found you.

-> it makes her happy to see. it’s what Donna deserves <3

AAAAGGGGG I AM SO SOFT FOR THIS WOMAN 😭😭😭

[noelledeltarune]

EVERY SINGLE DAY there are MILLIONS of characters in their late 20s who get falsely accused of being father figures to teenagers when in reality the description of "weird older cousin" or "step-sibling that moved out before you were born" is 1000000x more apt

[nataliescatorccio]

"Originally it was not called 'Good Luck, Babe!', it was called 'Good Luck, Jane!", but my co-writer and I kept getting in arguments about it, so it became 'Good Luck, Babe!'." CHAPPELL ROAN on 'Good Luck, Babe!'

[maeamian]

If you saw me agreeing with being annoyed about wasted helium in a fictional context and were like "I bet she has some more helium based anger in her life" good news LAPD fucked up a raid on a medical facility they thought was a pot farm and flat out ruined thousands of gallons of the stuff.

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[gentil-minou]

Everytime I see posts like this I get filled with such profound sadness

Cause you know who has the same brainrot as you? The same unhinged feelings as you after you've read the fic? The person who always wants to scream about the fic with you?

THE PERSON WHO WROTE IT

I never used to leave comments but since I got into the habit of commenting on everything i enjoy it's been incredible. Especially when the author gets back to me about it and we get to have a discussion of what other ideas they had. One writer replied to my comment with a 5 paragraph essay detailing the Floorplan of the building the characters lived in and it was incredible

Anyways this is all to say that if you find a fic that just makes you want to scream from the rooftops, leave a comment saying that to the author and maybe they will join you and you can scream incoherently together

[rockeaters]

love it when people draw aus differently so some ideas for art styles and designs

ink belongs to comyet fresh belongs to loverofpiggies dream + nightmare belong to joku-blog

[aerequets]

(part 1)

(short comic) (you can otherwise search 'spy x pta' on my profile)

MY GOODNESS. it's been a hot minute since i posted the first part and i guess i just couldn't SHUT UP because this is FOURTEEN PAGES LONG. FOURTEEN. you can even see some pages where the linework is slightly different because i drew it like 6-ish weeks ago, that's how long this has been cooking. drawing in general has been hard lately because of time constraints, BUT i am so happy i finished this. this is like my fav project even tho it isnt as popular, but who cares!!!!! POPULAR IN MY HEART

[andstuffsketches]

vanity

[dcxdpdabbles]

Danny: Hi, am I speaking to Petter Todd?

Jason: Yes. What is this regarding?

Danny: I saw your posting online for the house for rent, and I was wondering if it was still available?

Jason: Yes, it is. Can you tell me a little about yourself?

Danny: Sure. I'm a second year college student. I make about - I'm sorry, was that a gunshot?

Jason: No ,*bang bang* I live near a fireworks testing center.

Danny: .....okay anyway, I-

Goon: Boss we're surrounded!

Jason: I'm going to have to call you back Danny. Is this a good number?

Danny: Um yeah.

Enemy goon shouting: I'll kill you Red Hood!

Jason: *hangs up*

Danny staring at his phone in horror: I never told him my name.

Jazz: I told you the listing was too good to be true. Now we have Red Hood on our asses.

Danny crying: I'm sorry I have shit credit, Jazz. Not all of us knew to get a low limit secured credit card at 16!

[lazylittledragon]

pt 1 of some much requested cyra lore

[sforzesco]

paris of troy! during those years he was a shepherd.

I was reading cartledge's book on thebes and every now and then the spartan focuses wrt to the pantheon of gods comes up. sparta has nothing to do with this except for where it does, but apollo karneios was discussed and that got my attention, which circled back to paris, and then I started thinking about the paris + apollo link

I also started thinking about narrative rejections bc paris has a funky absence in the iliad that's giving a kind of...a vibe. your parents shouldn't have had you, the story doesn't want you around, but oh boy are you there anyway, manifested into existence. no matter what, doom must manifest in flesh form. it's a narrative necessity, the actual incident (the judgement) is secondary.

The Judgement of Paris in Later Byzantine Literature, E. M. Jeffreys

weird! love it! almost (but not quite) reminds me of troilos' murder at achilles' hands lurking in the guts of the iliad. it's there, even when it's not. more importantly tho: sheep. I miss working on a farm with sheep and goats and cows and--

[ms-spkhd]

Part one

Admittedly, Eddie feels really fucking stupid about it in retrospect. Jeff tells him, in that soft and placating way he tells him anything, that he should stop worrying about his hindsight bias. Yeah, right. Hindsight bias doesn't apply for Steve Harrington dangling himself in front of Eddie's face like the metaphorical carrot on a stick.

It feels like a kick in the head, if anything. One that rattles his brain against his skull like the ricochet of a bullet. Or a maraca with a single, tiny bead in it, if he wants to be more technical about it.

But that's beside the point. What's important is that Steve Harrington is, like, into Eddie--which definitely throws all of his preconceived notions about boy wonder with serial monogamy problems of the heterosexual variety out of the fucking window and past the goalpost--and Eddie's been farting around for the past few months twiddling his fucking thumbs about it.

Well, it's not definitive.

The more that Eddie ruminates on it--and he spends several nights ruminating on it--Jeff's theory that Steve might be tipping the Kinsey scale sounds like...well. A theory.

It's the doubt that comes rearing its head that stops Eddie in his tracks from actually doing anything.

("Wow," Jeff grumbles as they hotbox in the back of Jeff's hand-me-down olive green Pinto a week after their stunning revelation, "trust Virgin Supreme to self-sabotage when someone is begging for you to climb on his lap and--"

"I told you that in confidence," Eddie spits as he digs through the glove compartment for a cassette to replace the oft-abused Kill 'Em All tape that's been blaring on repeat for the past two hours. "You're really mean when you're high, you know that, right?"

Jeff shrugs and takes a hit of the blunt they've been sharing. "I'm releasing my inhibitions. You can't silence me.")

Eddie trusts Steve. Of course he'd lay down his life for the man that dragged him out of hell without a single look behind like a preppy fucking Orpheus. But there's always the lingering thought that, despite everything they've gone through together, Eddie loving Steve would be the tipping point that ruins everything.

He finds himself balancing the line of keeping it in, too scared of the risk his heart will pose on their friendship, and fully committing to the pipe dream of Steve Harrington possibly wanting him back.

And, in Jeff's wise words, Biblically.

"Hey, Bird," Eddie asks Robin one night at the drive-in theater when Steve's out buying their snacks--medium popcorn loaded with cheddar powder and butter for Eddie, since he just popped a Lactaid ten minutes beforehand, and Milk Duds for Robin--"What would you do, hypothetically, if you think someone is really into you--"

"Here we go," Robin sighs, leaning back in the passenger seat. Eddie can't help but feel miffed at her dismissive attitude, but he knows for a fact that she's all ears.

"--And you, hypothetically, really like them back, but you don't know for sure if they actually, hypothetically, want you, or if it's just wishful thinking on your part?"

"Any you mean this totally hypothetically?" Robin says as she turns to face the rear seats where he's sitting and chewing at his cuticles.

"Yeah. This is a theoretical situation that I want your input in. Think of it like a...thought experiment."

Robin nods with narrowed eyes, like she sees through the bullshit with an all-seeing eye. "Right. Thought experiment. Is this hypothetical person a queer or not?"

"It never crossed your mind," Eddie confirms. "She looks like the posterchild of suburban heterosexuality, but she's gotten very invested in your very gay sex life out of the blue recently."

"So which one of you is the man invested or tell me about what eating out is like invested?"

"Tell me what eating out is like invested."

Robin hums in thought, tapping her index finger against her chin like the situation is really vexing her. "That sounds pretty gay, Eddie."

She is right, that does sound pretty gay. But it doesn't help him in his predicament at all, since Steve seemed to back off about the 'so do you play rock paper scissors to find out who gets it?' questions after Eddie frustratedly admitted that 'DnD club president and metalhead virgin at almost twenty' wasn't exactly a hot item in Indianapolis, much less Hawkins.

"Okay, new layer," Eddie says, leaning forward and resting his elbows on his knees. "What if, say, instead of asking you out--which you think is her next move--she starts trying to set you up with a bunch of girls you don't know."

There's muffled chatter from outside the Beemer's windows. Cars rev in the distance as they pull into the lot. Eddie watches Robin in contemplative silence as she thinks through her answer.

"That is difficult," she concedes, and Eddie is feeling more desperate than ever. "Can't imagine that ever happening to me."

Eddie mumbles, "Thank God it's a hypothetical."

"But if you think about it, it's either some misguided attempt to put me out there, or it's a Hail Mary to get me to realize I like her."

"Okay, well. Both options seem pretty hard to differentiate when you don't know what the fucking context behind the action is."

"For what it's worth," Robin says, her expression softening ever-so-slightly, "I think it's the Hail Mary. It's not my place to tell, but you should really give up the idea that it's wishful thinking and give it a shot."

Eddie's a millisecond away from asking, is it that obvious? before there's a sharp knock against his window. He yelps, head whipping around to find Steve with that sly grin slapped on his stupid, handsome face.

Eddie rolls down the window and tries to school his expression. He doesn't need to, really, because Steve shoves the popcorn into his hands and declares, "A medium sized popcorn with cheddar powder and lots of fucking butter for you, my friend. Bone of a teeth."

"Just fucking say it regularly," Robin groans as he yanks open the drivers seat door and tosses her a box of Milk Duds. "I know you can, you jackass!"

Steve laughs, full and hearty, as he turns to look at Eddie in the rear seats. He's like bottled-up sunshine contained into the shape of an American heartthrob. He's like Venus as a boy.

Eddie feels like he's staring down the barrel of a gun.

Another week of ruminating goes by, this time with Robin's words echoing in his head like a reverb pedal, and Eddie keeps that yellow pick near his heart the entire time. It's a real push and pull type situation, he realizes. His heart goes one way, his brain goes the other, which is fucking typical.

He doesn't talk to Jeff about it, because he knows he'll get the same answer, and he doesn't dare talk to Robin about it again. He feels she knows too much, and he has know idea how much she's accidentally telepathically transferred to Steve.

Eddie is about halfway through debating shaving his hair off as a way of regaining control when he finds Steve standing on his doorstep like a fucking Mormon.

"Eddie, man," Steve says with zero preamble, "my cousin's boyfriend has a roommate that I think you'd like."

"Nice weather we're having," Eddie responds blankly. Frankly, with the way things are going, he's getting sick of it.

But he can't help the way that Steve still looks beautiful as his eyebrows bunch together and pretty pink lips pinch into a thin line.

"Come on, man. I think this'll be a good start for you. I think he's into the same bands as you. I think Kathy said he was a Skid Row roadie, or something like that."

"I'm not that big of a Hair Metal guy," Eddie admits, and Steve deflates a bit.

"Well, if it helps, he kind of looks like me.' Jesus Christ. "Devastatingly handsome and all."

Eddie's damn near about to snap like a worn-out Stretch Armstrong being mauled by two pitbulls. He feels like he's about to blow a fucking gasket in front of the guy he's been holding very ill-advised affection towards since his sophomore year of high school. The very same guy who's been trying to set Eddie up with literally everyone with a functioning penis with exception of himself, the only guy Eddie has wanted. Ever.

There's no way Steve is that dense, right?

Eddie knows that the guy's smart, despite everyone telling him otherwise. Steve can definitely do mental math better than Eddie can dream of doing--since Frankie Gershwin passed down the sacred Hellfire DM calculator once Eddie took over Hellfire after he graduated--and he actually graduated on time, unlike yours truly.

But Eddie doesn't fucking get it.

"Steve," Eddie blurts, rather unceremoniously, "what are you doing?"

Steve blinks. His smile wanes dangerously low. "...I'm setting you up with a handsome dude."

"I don't understand why you're doing this though. Are you fucking with me, or something?"

"No, dude, I just..." Steve's expression shifts. His shoulders sag and he rakes a hand through his hair. He looks devastatingly earnest. "I just want to see you happy."

"If you want me to be happy," Eddie snaps, "then just ask me out yourself, since I've fucking been in love with you since April."

Steve freezes, hazelnut eyes like full moons on dinnerplates.

Eddie's hand flexes on the doorknob as he resists the white-hot urge to slam the door shut on Steve's shocked face. Maybe he should take a vacation down south to Mexico. Perhaps change his name and never come back. Hopefully there'll be sweet and earnest boys with olive skin and luscious hair waiting for him on the beaches of Cancun. Holy shit this is a fucking disaster.

"Oh," Steve says.

"Yeah, oh."

"You love me?" Steve asks, eyes sparkling like the rural sky. He draws closer to Eddie, raising a hand that begs to touch him.

"When have I not?" Eddie admits as leans into Steve's touch against his shoulder and laces their fingers together.

I guess I was, uh. I wasn't expecting it." Steve smiles softly and gazes at their intertwined hands.

"Do you?"

"Do I what?"

"Love me too?"

"Oh God." It's like Eddie's staring straight into the sun, with the ways Steve's smile grows more intense with each second. He wants to have it burned into his retinas. "Of course I do. It feels so stupid how much I'm obsessed with you."

"You know, you have a weird way of putting it, what with all the setting me up with guys I don't know," Eddie chirps. Steve chuffs and shakes his head like a guilty dog.

"I guess I wasn't expecting you to want me back. I wasn't sure you'd go for guys like me."

For jocks hangs heavy and silent in the air between them, as if Steve hasn't quite jumped over that hurtle of guilt over the person he was in high school. Sure, he was king of the letter crowd, but he's nothing like the douchebag from '83. Steve would never shove him into a locker or be a general chest-beating moron around Eddie, because he's not a moron. He's sweet and dorky and a little misguided, sometimes, but he has the heart of the size of a mack truck and a kindness to show it.

The thought of Steve talking Eddie's ear off about Sportsketball and the works sends an excited little shiver down his spine.

"I would," Eddie says, completely and utterly honestly. "God, I would for you."

He brings Steve's hand to his lips and smacks a wet kiss over the soft skin. "And the necklace..."

"That was my Hail Mary," Steve admits with a bashful shrug of his shoulders.

"I haven't taken it off since you've given it to me."

Steve releases his grip from Eddie's spindly hand and brushes his fingertips against Eddie's collarbone, tugging at the chain of the necklace until it untucks itself from underneath Eddie's shirt. Eddie watches the way that Steve lights up like a fucking electrical surge at the hint of sunshine yellow against his pale skin. It makes Eddie flush a bright red.

And when Steve's palm flattens against Eddie's chest and pushes him inside Eddie's new government loaned trailer, he lets himself be pushed against the wall and kissed.

And kissed, and kissed, and kissed.

Sufficed to say, when Eddie wakes up the next morning with Steve drooling against the back of his neck and his warm hand splayed against the skin of his naked chest, Eddie vows to always take Jeff's word for it.

____________

holy shit i was not expecting for part one to get that much fanfare. to be honest, i was totally intending for it to be a one and done to explore eddie and jeff's friendship, and believe me, my heart is so warmed by the reception it got. i recently have gotten myself out of a months long slump and have been swamped with college work, so i apologize for my writing being so few and far between. thank you all and i hope this is the resolution you were waiting so patiently for! :)

@grtwdsmwhr @eyehartart @bananahoneycomb @notasmoothman @colidamae

[generalsdiary]

Sunday mannerisms I noticed during the 2.7 livestream

when he finds something funny or amusing but doesn't laugh out loud - his right wing twitches

when he is happy or joyous - his left wing twitches

when he is flustered, shy or laughing out loud - both wings twitch

[itsthatlake]

“Icarus.”

it's all about freedom really

Credit goes to An Sifakah for the poem. Enjoy!

Support me on Ko-fi maybe?

[eveningdawn222]

people who act like batman isn't "judge jury and executioner" because he doesn't kill people are like. genuinely so funny to me because. they're very obviously thinking of "executioner" as like. the stereotypical guy with axe who chops people heads off, and not, yknow, the literal definition of the idiom itself, which is about someone who has the ability to judge and then subsequently punish someone unilaterally. which is quite literally what batman does.

he has the ability to decide what is a "crime" to him, he is the one who decides whether people are guilty of those crimes, and he is the one who executes their punishment. the severity of the punishment doesn't matter - he is unaccountable to anyone else, and indeed is allowed to commit as many crimes as needed to reach his arbitrary ideal of "justice."

the ideal of batman is this: a man who is so fundamentally changed by an act of senseless violence that he takes it upon himself to fight back against the rot and corruption in the world. he does this not through political activism, not through ridding himself of his wealth in favor of a greater good, not through community outreach, but through an individualistic fantasy of being a hero.

and you'll say: charlie, but he does do that !!! he donates his money all the time, he funds social programs, hospitals, orphanages, gets people jobs -

and i will say this: so why don't things get better?

because here's the base of it. gotham, at its core, can't get better. no matter what bruce wayne does, there will always be more crime, more villains, more death, more people for batman to beat up in back alleys. because that's what sells.

reoffending rates don't matter in gotham, prison reform doesn't matter in gotham, what actually causes crime doesn't matter in gotham because that doesn't sell books.

and so here it is; dc has unintentionally created a world where batman can't win, but can't be wrong, and where thousands of nameless, faceless, only-created-to-die civilians must be pushed into the meat grinder that is gotham, to fuel bruce wayne's angst and vindicate his constant, tireless, noble fight against the forces of evil.

and then: a new robin, who is poor and who's parents are dead or gone because of this cycle; who is happy go-lucky and hated by editors and fans for being robin, for not being dick grayson, for being poor.

and this robin is written, unintentionally or not, to be angry at the ways in which batman's (the narrative's) idea of justice is detached from its victims. bruce seems perfectly fine to allow countless unnamed women to be at risk from garzonas in his home country, yet robin is the one who is portrayed as irrational and violent.

this robin is not detached from gotham in the way bruce wayne is: this robin is a product of gotham.

(and here's the thing. you can't punch aids. you can't fight a disease with colorful fights and nifty gadgets. and how would robin dying from aids add to batman's story; it would call into question the systemic changes that haven't been made in gotham. how does a child get aids, in batman's city?)

so robin dies, and then bruce (the narrative) spends the next couple of decades blaming it on him. it is jason's fault; he was reckless, he just ran in, he thought it was all a game. if only bruce had seen what was coming, if only he could have known that jason wasn't rich enough or smart enough or liked enough to be robin.

batman gets a little more violent, a little more self destructive. he hurts people more and almost (!!) kills a couple guys. this is bad because it's self destructive and "not who he is." it is not bad because batman should not be able to just beat people up when he's angry.

and then he gets a shiny new robin - who is all the things jason "wasn't": rich and smart and rational and he doesn't put who batman is into question. batman and robin are partners, and jason is a grave and a cautionary tale, and (crucially here) never right.

the joker kills thousands and it doesn't matter because they were written to be killed.

batman beats up thousands and it doesn't matter because they were written to be criminals.

and then jason comes back, and nothing has changed. there is a batman and a (shiny! rich!) robin and the joker kills thousands. (because it sells)

and jason is angry - he has been left unavenged - his death has meant nothing, just as willis' had, just as catherine's had, just as gloria's had, just as -

thousands. ten of thousands. hundreds of thousands. written to be killed.

but one of them gets to come back.

and he is angry - not only at the joker, but at bruce (the narrative) - because why is the joker still alive (when thousands-)

here is the thing - jason todd is right. not because the death penalty is good, not because criminals deserve to die, not because of everything he says -

but because of what he calls into question. why is the joker alive?

because he sells books.

and dc has written a masterful character, through no fault of their own, because jason knows what is wrong, and he knows who is at fault - batman. (the narrative)

so the argument that bruce can't kill because he's not judge jury and executioner; the argument that jason is a cop or that jason is insane or that jason is in the wrong here; they hold no weight.

batman can't kill the joker because the joker sells comic books.

and jason can't kill the joker because the joker sells comic books.

so he will beg and plead and grovel - he will betray everything that is himself, he will forsake his family and his city and kill himself - just so that bruce (the narrative) will let the joker die.

he was condemned to death by an audience, and after he came back he has spent his whole life looking us in the eyes and screaming, asking, pleading; why is the joker still alive?

why are thousands, tens of thousands, hundreds of thousands (the number doesn't matter, see, because they're just a number. not people. not real.) why are we expendable for his story? why did i have to die just for nothing to change?

and the answer is money. and the answer is the batman can never be wrong. and the answer is shitty writing. and the answer is -

nothing jason can ever change.

which is the worst of it all. he is a victim with no power, and no one else in the world can see it. he is raging and crying and screaming at his father and his writers and you - and it doesn't matter. jason doesn't matter. and he knows it.