#also i really love to do some extra design elements

[11agnst]

🙏💕 Fem Propeller Knight supremacy 🙏💕💕 and also dudes

[ohnoitstbskyen]

I know it would probably bring a lot of hate comments but I am begging you to roast the hazbin character designs because I'd love to have someone properly articulate why they don't work so I could send it to people who won't believe me when I tell them. 🫠 Understandable if you don't want to get into it though.

I don't think there's that much there to roast, honestly?

Those designs are clearly an extremely specific stylistic choice, and because that style is consistent throughout the show, it ultimately feels coherent with itself.

There are trade-offs being made. Because Hazbin's design style is SO stylized and so heavy on decoration and detailing, because it puts a lot of emphasis on costuming, it isn't as good at communicating specific character storytelling as a more grounded style could be (it's kind of the same tradeoff that stuff like Genshin Impact makes).

Like, why does Sir Pentious' hat have an eye and a mouth on it that makes its own expressions? Apparently not for very much reason at all, except that Pentious has a bit of an eyes-motif going on in his design and it was one more place to put an extra eye. And that's a valid criticism of his design, but also the entire show is designed like that, so frankly it would be weirder and more out of place if his design alone didn't have that kind of overelaborate decoration going on.

It does create a situation where I have a hard time "reading" the character designs sometimes. For example, Vox, Alastor and Pentious all wear a similar style of suit with upwards-turned shoulders, butterflies and pinstripes. Now, am I meant to read that as Vox imitating Alastor due to his crippling need to replace and outdo him, and Pentious imitating the style of powerful Overlords because he thinks that possessing their level of power will finally give him relief from his paranoia and self-loathing?

Or is it just a design fixation of the creator who keeps putting their characters in suits because that's just what they like? I can't really be sure, because sometimes design elements are used to intentionally tell stories about how characters relate to themselves, their world and one another, but plenty of other times designs look the way they do Because Of Vibes.

But again, that lack of clarity is clearly an intentional trade-off - and the benefit of that trade-off is a design style that is extremely varied, wild, expressive and memorable. Hazbin Hotel seems like a very easy show to draw fanart of, and a very fun show to draw fanart of. Those designs (especially the hyper-expressive faces) are begging to be the subjects of traumatic headcanons, unbearably cotton-candy soft fluff fantasies and weird, taboo, homoerotic power dynamics. Slaps roof of character design, this bad boy can express so much vicarious emotional intensity.

It's very exuberant, very excited about itself and very self-indulgent, it's a style that prioritizes visual impact and visual interest over readability (something which the animators of the show navigate with real skill, props to them) and individual aesthetics over worldbuilding.

And I don't blame anyone for being turned off by that (I certainly was the first time I started seeing those designs going around), but I would struggle to call the show's designs "bad" when they are clearly achieving exactly what they want to achieve.

I have some criticisms, especially re: how the show treats skinny bodies as an unquestioned, desirable default, and employs fatness as a means of alienating and abjecting the audience. That sucks very badly, and is a serious disappointment, and one of the few places where the show feels like it is being cowardly in its design philosophy. But I don't have it in me to do some kind of Hazbin Hotel Sucks And Here's Why takedown, its problems are not unique or extreme enough to warrant it, at least not as I currently understand them.

[blueskittlesart]

did u not like totk?

i LOVED totk. i think it was well-written and did its job as a sequel to botw very well. HOWEVER. i do think it suffered slightly from the commercial success of botw. as i mentioned in my last post, nintendo does this. thing. when one of their games gets popular where every game after it has to be Exactly The Same so they can make all the money in the world via comparison marketing. (and this is a problem with the wider game industry in general but also a very observable pattern in loz specifically.) I know it's been a pretty long time since botw came out, but before (and immediately following) its release there was some pushback from longtime fans who worried that the open-world and lack of traditional dungeons meant that the game had strayed too far from the classic formula that makes a game a "zelda game." this is to say, botw was EXPERIMENTAL. and the devs had no idea if what they were doing was going to be successful or not. the open-world of botw wasn't a gimmick, and it wasn't the devs jumping on the open-world bandwagon. it was what CREATED that bandwagon. the open-world was a deliberate choice made specifically for botw because it reinforced the story that botw was designed to tell. the game is about exploring a desolate world, about making connections, and rebuilding both the broken kingdom and the player character's shattered sense of self by traveling and learning and building relationships. a large open-world map with only minor quest guidelines and lots of collectibles and side quests lends itself perfectly to this specific story, which is specifically about exploration and rebirth.

the problem is, botw was. almost TOO good. it was so good that every other game company on the planet started scrambling to build giant open-world maps into their next release, regardless of how much sense that actually made narratively. and because of that, when it came time to release a sequel to botw, the devs had a lot to think about. they had HUGE shoes to fill in terms of fan reception, but they were ALSO being asked to follow up one of the best-performing games of all time, commercially. totk needed to SELL as well as botw. And, likely because nintendo was worried about that potential commercial value, totk needed to keep people comfortable. I don't know for certain, but I definitely get the feeling playing totk that the devs were specifically told not to stray too far from what made botw marketable and successful--that being the open world and the versatility of gameplay. so in order to follow that up, they made... 2 more huge open maps, and new gimmick gameplay which was explicitly super-versatile.

do i think that the extra maps and ultrahand were BAD choices? no. however, i don't think they necessarily ADDED anything to the game as a narrative whole. one of my favorite things about botw was how everything seemed to be designed AROUND the narrative, with gameplay elements slotting neatly into the story thematically. totk just. didn't really have that, imo. there wasn't a huge narrative benefit to the gigantic, completely unpopulated depths and sky maps. ultrahand was cool, but within the context of the story it meant basically nothing. in some ways, i almost think totk could have benefitted from a much more linear approach to its storytelling, a la skyward sword, because there are a lot of story beats that have to be found in chronological order in order to have the right emotional impact, but because of the nonlinear open-world it kind of became a struggle to hit all the important story points in the right order. an easy example of this is the dragon's tears in comparison to the memories--the dragon tears have a very specific set order in which they happen, and finding them out of order can make the story you're seeing in them feel confusing and disjointed. the order in which they should be found is technically displayed on the temple wall, but most players aren't going to pick up on that or follow it--more likely, they're just going to explore the geoglyphs as they come across them organically, and therefore will likely witness the story in a completely disjointed way. compare this to the botw memories, which ALSO technically have a set order--the order in which they're displayed on the sheikah slate. however, because they're largely just small moments in time, and not one continuous story, finding them out of order has a lot less of an impact on how you as the player experience the narrative, and it's not hugely detrimental to your experience of the story if you find them naturally as you explore rather than explicitly seeking them out in order. If TOTK had been allowed to deviate from the botw formula a bit, i think we may have ended up with a more cohesive game in terms of narrative beats like that. as it is, i just think the game is torn slightly between wanting to be its own new game with new gameplay and needing to be botw, if that makes sense.

[thepettymachine]

Wandering Souls Challenge for TS3

Heeey so I made another challenge. Might be the last one I ever make who knows. But I got inspired by the Postcard Legacy for TS4 and made something similar but not similar to it. It took a minute to make but I hope you enjoy

Wandering Souls Challenge is a 10 generation legacy challenge where you go through multiple jobs and careers with story elements involved. This is a challenge if you don't wanna do just one career all of your sims life and don't mind moving around + mild drama but not soul shattering.

Tag: "wandering souls challenge" or "@" me

Rules:

I didn't really make any but don't feel obligated to do everything as an objective. Somethings you probably aren't going to get to everything and that's okay. If you do everything congratulations, if you don't move on.

I have no designated way to play this (ex: what town do you recommend in playing with this), I'm giving the player what they want to do within the confines of this challenge. It's your sandbox not mine.

You do have some optional goals for extra fun if you choose to do so.

Have fun

Carry On Wayward Son

When you were young, you didn’t take anything as serious as your music. Your obsession with the chords became as necessary as breathing and you’ll do anything but sell your soul to the industry. But as you grew older and had a family, you wish for more structure with your music in hopes for it to reach the people that desperately need to hear it. So you find an indie record company and work with them because your artistic freedom is still the forefront of why you’re doing all of this. Plus feeding your family and paying the bills. 

Objectives:

Start by making money through collecting tips while working part time jobs

Half way through your YA years, you try a Singing career or being part of a band but it doesn’t work out

As an adult, you enter into the Music career for more structure and to reach a larger fanbase

Pick a branch between classical or rock

Your lover/(s) must be all creative types like you (artist, sculptor, architect, musician, street artist, etc)

You encourage your children to also pursue the arts

Master all 4 instruments (guitar, bass, piano, and drums)

Get at least 3 tattoos somewhere on your body

2. Jeffrey Jeffrey Simzos

If the Grinch and Scrooge had a love child, it would be you. You couldn’t really get behind your parent’s idealistic dreams about music and art, it felt unstable and unrealistic to you. You want wealth and power at your fingertips and anyone at your beck and call. Whether its through a wealthy spouse, your boss, the corporate ladder, or getting into politics, you will reach the top. For there is no redemption arc and no grace to be given for Greed has already devoured the remnants of your dead beating heart.

Objectives:

Have bake sales as a child and dislike any attempts at the arts

Join the Business career

Be enemies with all of your coworkers

Go from a small house/apartment to a big mansion/house

Be the owner of multiple businesses around town + an additional home

Marry a rich sim you definitely married for money

Have at least one child with the butler or maid you hired

You become more power hungry so you join Politics after reaching level 8 of Business career

Steal campaign funds 

Your kids must be the top of their class, no exceptions (straight A’s, no skipping school, be apart of a club) or they are sent to boarding school

You are not close with any of your children

Optional: woohoo your boss

3. Yes Chef

Because excellence was required of you as a child, you tend to have a strong work ethic and unrealistic expectations for yourself and others while despising what you had to endure in your upbringing. The one good thing out of it was discovering your love of cooking. Cooking was a way for you to escape your worries and as an adult you desire to be a chef, going against everything your parents raised you with. You started from the bottom and found your way all the way at the top as head chef. But something is missing and so you explore other cultures and find new excitement in  nectar making. You figure when you retire, you wanna spend the rest of your days being a nectar maker on a giant farm in the countryside.

Objectives:

Start at the diner for the first half of your career, then move over to the bistro for the second half

Bartend for bars at night for extra income

Read every recipe and learn all the fancy drinks

Master Cooking & Mixology

Marry your childhood friend or high school friend you haven’t seen in years

Cook your spouse and children their favorites meals at least once

At the top of your career, you get bored and visit travel other cultures for their cuisine (go to France, Egypt, and China to learn their food recipes)

Get inspired by nectar making 

When becoming an Elder, move to the countryside, retire as a chef, and become a self employed nectar farmer. 

4. Country Roads, Take Me Home

You’ve always found interest in nature as a kid and instead of wanting to be in the comfy suburbs or stargazing the city’s skylines.You even had a knack for bringing stray animals into your home but they always seemed to run away when you left for school (according to your parents). That’s why instead of working a typical 9-5, you fulfill your childhood dream of being on a farm and working with your bare hands. Building a life you always dreamed of yet will work hard to maintain. There’s no sleeping in for this dreamer.

Objectives:

As a child you were part of the scouts

Live on a farm or ranch

Work as a self employed gardener

Master the Fishing, Gardening, and/or Riding skill

Adopt 2 strays (horse, dog or cat)

Marry your helper on the farm or Marry a townie that loves the outdoors/animal lover trait

Wake up in the early hours of the day

Have a big family cause free child labor

Raise a horse from baby to elder 

Optional: Own a cow plant 

Optional: Win the highest horse competition (racing or jumping)

5. He was #1

You’ve always had an interest in the outdoors but sports was your passion and you’re very good at it. So good, you were being scouted by agents who hoped to take you to the pros and have your name chanted by the thousands. Your dream did come true but another did not. You’re a closeted hopeless romantic who always wished to find their soulmate and have a family, but being a professional athlete with a recognizable face has made it difficult for you to find true authentic love. What will it take for you to find love and will you have to choose between your two greatest loves or can they both coexist together for your sake.

Objectives:

Enjoy your outdoor activities (playing ball, going to the pool, camping, etc) once a week

Find love through online dating 

Go on 3 dates with a person before committing 

Host a big wedding party and bachelor/bachelorette party and if possible, ask your partners parents for their blessing

Master the Athletic skill

Become a stay at home parent when you reach level 6  of the sports career

After a sports injury that takes you out of the field. You find yourself recovering and unemployed and decide to take care of your children while deciding your next move. 

You realize you want to be a sports agent so you go back to college as an adult and get your physical education degree 

Reach level 10 of Jock social group. 

Join the Sports Agent career

Gain the Eternally Faithful Moodlet

6. You Blinded Me with Science:

Curiosity killed the cat or in your case it just made you curiouser. You couldn’t keep your hands still and always have to be tinkering with something. So much so that you lost your beloved job at the science lab because you kept goofing around with some scrap from the town’s junkyard during company hours. No worries, you just decided to go all in with being a self made inventor and creating gizmos and gadgets the world has never seen before. Except one day, you find a mysterious device you’ve never seen before and upon activating it, you end up in the future. There are alot more prettier machines than the ones you’ve been messing around with and you sorta take one home with you. Oh well what’s the worst that can happen. 

Objectives:

Start out in the Science career but get fired after reaching lvl 3 in inventing and join the Inventor self employed career 

You spend your weekends messing around in the town's junkyard and blowing stuff up for your experiments. The neighbors even catch you dumpster diving around town 

Marry someone just as eccentric and quirky as you (ex: eccentric, neurotic, insane, socially awkward, slob, etc)

Master the handiness and inventing skills

Create all inventions, including a simbot

Make some of your children through the Time Machine (past: child - YA/ future: elder, you can age down if you wish) 

All your children’s traits have to be randomized

Optional: Go into the future and obtain all the gadgets to bring them back home to the present 

Optional: You even bring back home a plumbot and learn how to take care of one

Optional: Leave the Inventor career and present and work in the Astronomy career in the future.

7. Who You Gonna Call?

This generation can be played in two different ways. The choice is up to you. (Also double heirs can be accepted for this gen)

Super Skeptic Route:

The question you’ve always asked yourself was “Are Ghosts Real?” You believed in the supernatural, the horror stories, and the abduction of Bella Goth and was hoping to find evidence in the graveyards. But alas you could never find your ghosts and your dreams were crushed. Now as an adult, you’ve become a skeptic and believe it all to be a charade and try to speak sense into the “sheep” around you to see the light. Until one day you do encounter a ghost and for the last time, you investigate into the question, “Are Ghosts Real?”.

Objectives:

Work in a graveyard in your teen years

Have the Supernatural Skeptic trait. 

You dabble in Alchemy but it never takes effect on you. 

Join the Con Artist branch of the Fortune Teller career

Encounter 3 ghosts to convince you that ghosts are real

Leave the Fortune Teller career to become a Ghost Hunter

You convince Ghosts to move on/ Set them free rather than have them experiment on by the science lab (avoid opportunities that say otherwise) 

Do all investigations (spirit invasion, paranormal investigation, poltergeist haunting, ghostly presence, angry ghost invasion)

Ultra Fan Route:

As a child, you always found yourself interested in what couldn’t be reasoned or argued against, the supernatural. You obsessed over horror stories, wandered into graveyards, deep subreddits of conspiracies behind Bella Goth’s abduction and studied too many ways to become one. You started to give up hope of ever becoming one. Until one day you befriend a fellow occult member of society and it changed your life forever.

Objectives:

Work in a graveyard in your teen years

Have the Supernatural Fan trait

Master the Alchemy skill

Start a side hustle of being an author writing primarily in the horror genre

Publish 15 horror books

Join the Mystic branch of the Fortune Teller career

Befriend a supernatural of your choice to be turned into

Get 1st place at Trivia night at the Vault of Antiquity

8. Dr Jekyll and Mr. Hyde

Being a doctor was something you always thought you wanted to be. It came with status, notoriety, respect, money, student loans, and it was something more stable than what your parents were able to give you. You worked hard and got into the Medical career where you met your spouse and lived in a beautiful home with your two kids and pet. It’s like everything worked out in the end. But your desire to see the world burn just keeps rearing its ugly head and you can no longer contain the person you thought you repressed for so long. It desires the status and respect you’ve obtained but also infamy, underlings, and power.

Objectives:

Have the Evil trait

As a teen, be a straight A student, work a part time job, and be best friends with your parents, enemies with your siblings (if applicable)

Choose to go to college on full scholarship or enter the Medical career immediately. 

Marry a fellow coworker whose as ambitious or hardworking as you

Live in a nice home with a white picket fence, 2 kids and a pet of your choice

Befriend some townies who work in the Criminal career

Donate to criminal organizations at least once a week

Leave your job in the Medical career in your adult years

Join the Criminal career

Choose the Evil branch of the Criminal career and reach the top

Optional: Divorce your spouse, find a new home, bring the kids (or don’t) and marry your criminal coworker.

9. Baywatch

You used to work in law enforcement until the red tape got to you and so you went to become a private investigator. Solving crimes and digging through trash got exhausting and difficult as you try to serve others yet the system kept letting you down. After having a midlife crisis, You’ve come to realize that helping people can be simple, enjoyable, and have a great ocean view. Being a lifeguard wasn’t in the career plan but saving lives from the depths of the oceans and looking good in red too. Not a bad career change.  

Objectives:

Join the law enforcement career

Become friends with/date your cop partner 

When reaching level 5 of the career, you leave your job to go into the Investigative career to get away from the red tape 

Continue being an investigator until your Adult years

Have a midlife crisis and complete all the wishes or go get therapy at the hospital

At the end of your crisis, you join the Lifeguard career

Find an island or befriend a mermaid  

Master the scuba diving skill and logic skills

10. Master of None

Oh the journey you have been on. From caring about the music to fighting robbers in people’s homes, you’ve been through it all. As you worked hard for what you wanted, You have reached this crossroad and wonder what it all means and what it meant before. Maybe discovering yourself is what the journey is all about or maybe it's the experiences that shape you that gives you your form. Regardless, you’ve been feeling torn about what to do now and with no destination, maybe you start to express who you truly are. Who knows. There is no rush in the process or a destination in sight, only the curiosity that keeps your soul wandering on the journey.  

Objectives:

Join at least 5 different careers you haven’t played in this challenge (Education, Magician, Firefighter, Stylist, etc)

Have 3 best friends you maintain until Elder

Start dabbling in painting or sculpting in your free time outside of work. 

Meet the love of your life 

Be apart of your community - take opportunities that involve helping your neighbors/fellow townies

Pamper yourself -  go to a place in town for some you time once a week

Learn a new skill once a week (you don’t have to master it) 

If applicable, befriend your grandchildren 

Optional: turn your hobby into your job 

Thank you for playing. Feedback is welcomed

[valerianonyx]

Tour Bus Behavior

Dewdrop:

-in time out next to Papa because he couldn't behave

-liked to steal all of Aether's snacks even if he didn't actually like them

-likes to take one of Rain's earbuds and lay his head on his shoulder on the way back

Rain:

-usually reads or listens to game soundtracks or podcasts

-does not like to be touched (some exceptions) when he has his earbuds in or actively reading, but will let some people hold his hand

-helped Dew steal snacks and would give them to Swiss and Phantom as well

Swiss:

-used to sit next to Sunny and play sentence games, A-Z signs, I spy, etc.

-insists on picking the music, is the reason why there isn't any playing on the bus rides anymore (he played cbat once, only got 15 seconds in)

-likes playing with the hands of whoever is sitting next to him on the way back, usually silently 

Phantom:

-always clung to whoever is near him or clings them to him

-loves joining and observing others in their elements: likes reading over Rain's shoulder if he is sitting with him, playing games with Swiss if he's next to him, watching thrillers and dramas with Cirrus, watching Mountain drum rhythms onto his own thigh, etc.

-whole bag of fidgets, Mountain, Cirrus, and Dew have their designated ones from it because they use his so often 

Aether:

-used to bring all the snacks and extra waters (Cumulus would help prepare the things that weren't packaged/processed)

-ghoul pillow, anyone and everyone who wants to rest on him can

-jams to his music with his headphones on, one side on, one off, the entire time unless someone needs to talk

Cumulus:

-loves to bring small foods and baked goods as treats there and back, tried getting Sunshine and Cirrus to help but they almost burned the kitchen down, but Aurora did pretty well

-gets really into the movies Cirrus picks, very overdramatic in her reactions (but valid in doing so)

-lets Aurora lay on her and watches videos on her phone with her on the way back

Cirrus:

-brings popcorn for the movie viewers

-does not let anyone else pick out the movie (Dew ruined it, she trusted his intuition ONCE and it was a waste of an hour and a half of her life, she won't let it happen again)

-will push off anyone who tries to cuddle her, and will steal their favorite items from them if they piss her off (but she will brush hair or file nails for the ghoulettes, Phantom, Rain, or Mountain)

Aurora: 

-usually having 3 am talks (in the afternoon/evening) with Swiss, will also play games (Cirrus enjoys joining in as well)

-also enjoys reading, but mostly graphic novels and manga, will hold the book in between her and these people if she's next to them: Swiss, Phantom, Cumulus, and Mountain (only Phantom and Mountain actually read along with her though)

-will put stickers on her bandmates and their things until they notice

Sunshine:

-would read food, fashion, and true crime blogs with Cumulus over her shoulder

-liked throwing small items (as in a piece of pencil lead, small pebbles, and other unnoticeable things) at Dew, giggled enough to give away that she was the culprit instantly (Swiss would also do this with her, and occasionally Cirrus or Mountain)

-if she was next to Rain she would try to tune into the podcast he was listening to without making it obvious (he would turn up the volume so she could hear better)

Mountain:

-doesn't really care who sits next to him, nobody bothers him besides when Dew, Sunny, and Swiss mess with each other 

-likes window seat, eyes never leave the view of the outside unless someone wants to show him something, then they have his full attention

-if someone is laying on him he will usually trace patterns or tap rhythms onto them, or just hum soft songs 

[angermango]

"I'm not cooking or anything, this is just a silly idea- (looks down at canvas) ffffuuuu--"

...

so, first I only wanted to draw Professor Layton with a Reiterpallasch from Bloodborne because haha funny hat man with gun-sword, but then i ended up drafting concept art for "Laytonborne", apparently.

"Puzzles all over the shop... You'll be stuck on one of them, sooner or later."

extra artist commentary:

Layton

yes, this really did just start with me wanting to give Layton a Reiterpallasch because he's a canonical fencer and Bloodborne trick weapons absolutely slap. The Reiterpallasch is literally a rapier with a pistol attached that can mechanically switch to prime either the blade first or the gun first so you can stab and shoot someone at the same time.

Giving Hershel the Bloodborne makeover was kind of funny because he wears such a simple look in canon it was hard striking the right balance between his recognisable look and BB aestheic since Bloodborne loves embellishment especially via lots of belts/buckles and those weird shoulder-cape things. I tried to keep it simple enough though because as much as i think he could pull off a hunter ensemble i don't want to have to keep track of all the funky bits. the Top Hat Stays, of course.

Aurora

Aurora is eerily good a fit in a Soulsborne-esque setting considering she fits the criteria for a "Soulsborne maiden" classic archetype sort of character: After all she's a mysterious pale-haired young woman with mystical origins/powers and a foreign-sounding accent and may or may not have some connection to the wider lore and powers that be of the setting. hell even her whole thing being a golem works in a way as even Bloodborne has artificial humans existing as a concept.

i got a little lazy with changing up her dress for both time and lack of inspiration. I thought maybe i'd really do her up but then I chickened out that her costume wouldn't be recognisable any more so just slapped a belt and some patterns on the shawl bit and called it a night :P (if i'd been braver/more motivated she'd probably look good in an approximation of the White Church set, something like that)

and yeah so as the sketches off to the side are like, no real clue how/why it might be triggered but imagine her having the potential to be an optional boss or something (and she'd whoop your ass)

Flora

idk tho Flora also seems like she could be a good contender for the "Soulsborne maiden" position too in a way, or even if not her whole character and story fits into the world quite well. especially with Bloodborne having the Plain Doll who is a sentient doll made in the image of someone her creator loved/was obsessed with and Flora living in a village of human-like robots which started after her father tried to build a replacement for her dead mother.

Her dress is a combination of all her canon costumes across the games. The fur-trim shoulder cape is from one official art of her, the short shawl and white sleeves and bit around her waist is based on her first dress, and the rest of the dress design is based on her second and third game appearance.

The 'Doll Flora' concept there at the end is just some idea of a false/clone Flora running around as well. She's got some little differences including elements of other parts of Flora's designs over the years that aren't on OG Flora, such as the sash and shoes.

Anton

Anton fits in scarily well to the Bloodborne-y setting, perhaps not too surprisingly given the whole 'vampire' thingy. I sort of envision Folsense and Herzen Castle being a bit like the Castle Cainhurst area of Bloodborne which leans more into the classic gothic horror of a remote and looming haunted castle occupied by a sinister enigmatic character.

And yes, that is a reference to the infamous "LAYTOOON" scream from his canon 'boss fight' in the second game - imagine the whole steaming up and screaming thing being like his boss phase transition animation.

The whole 'withers to an old man/husk' concept seems so very Soulsborne-y it really just fits yknow. like if you defeat him he shrivels up/ages to dust or whatever. RIP gassed-up grandpa.

I partly rizzed up his suit using inspiration of the Cainhurst Knight set because like. come on. it's too good to pass up the chance to pretty up with and looks a lot like his canon suit in parts.

Did I trace the foyer background art for Herzen Castle for the mockup just for laffs, only to realise partway that 1) Layton and Anton actually fought in the ballroom, and 2) the ballroom would actually make a much better boss arena setting because it's wide open and the arch from the front room leading into the ballroom could totally be the 'boss fog door' part better than the front room?

...so yeah I then drew the ballroom background without tracing this time like a true madman and had a hell of a time with perspective but the plus side is we also get the sword collection from the game there as a cameo because in Laytonborne the good professor brought his own already.

The Masked Gentleman / Randall

Had a bit of a time deciding how to Bloodborne-ify this guy because his suit in canon is actually really. really boring. it's just a white suit like cmon. so to give it that Bloodborne makeover I fell back on the classic shoulder-cape thing that almost all Bloodborne characters have, added some patterns and accessories based on the Mask of Chaos' patterns and the Decorative Old Hunter's set from the Old Hunters DLC (in the leg brace, forearm guard and the hints of gold chains around the upper arms).

He also gets a Threaded Cane, another trick weapon of Bloodborne fame which is as it suggests: A cane weapon that works a bit like a baton/sword combo but in its alternate form it's a whip covered in serrated metal blades which form the cane itself when locked together.

It seems very appropriate for Randall to be like a boss who starts out as the Masked Gentleman and then at half-or-less health you break his mask, reveal Randall and then wings burst out of his back as he enters his second phase rage mode. This concept part felt more DSouls-y than Bloodborne-y to me i think since Bloodborne is less fantastical and leans more into the body horror/monstrous kind of boss transitions? But at the same time it was too good an opportunity to pass on at least sketching out, plus get you some sick fallen angel imagery out of it.

Also the hanging arm pose miiight be a bit inspired by Artorias of the Abyss. just a bit.

Descole

i recall seeing a post somewhere once with this very low-res rare art of Descole sitting in a throne from somewhere i have no idea what it was for. and I remember it kinda reminded me of Lady Maria's promotional art for the Old Hunters DLC so that's why the last picture of Descole exists.

mf already dresses so extra i legit could think of nothing to add to make him more Bloodborne-y unlike the others. I also used his canon sword's design from the games with a custom sheath because again couldn't really think of anything more to do to make him fit more when he's already got a cool signature weapon to show off.

[blackphanto]

Trying to overanalyze Lucifer's design

The Hazbin Hotel season 1 finale was fucking insane. I loved everything and especially Lucifer, whom I am dedicating this post to.

Let's begin with his "normal" form

Lucifer wears a ringleader costume bc Hell is one giant circus and he's the ringleader, but did you know that there's actually more to it?

A ringmaster, -mistress or -leader is like the opening act of a circus. They show you around, introduce the other acts and keep you hooked. They are essentially the glue that keeps the circus together. Another definition of a ringmaster, -mistress or -leader talks about an actual leader who leads a group of people, mostly through the act of doing illicit or unlawful activities. A role that would suit Lilith better than Lucifer. Sins could be seen as unlawful activities in Heaven's eyes and Lucifer is the cause of how evil found its way to earth, one could say that he was the one to lead the sinners in their sinful behavior in life. Yet, in death - if we go by Charlie's storybook - Lilith was the one leading the sinners to rise up against Heaven, another illicit activity that has led to their eventual doom.

Luci also wears a top hat with his crown on top of it. The hat gives him some extra height so I doubt that he wears it for any other reason. His crown is mostly covered with a snake and a red apple on the side. The snake can have 2 meanings: 1) how the word 'seraphim' in Hebrew can be translated to 'fiery serpent', due to his six wings, Lucifer is likely a seraph. 2) he was the serpent that tempted Eve, although never confirmed in any religious text, this idea of him being that snake is really popular in every reiteration of that story. This would also be why there's an apple motive following the Morningstars. Now let's move on to...

Angelic/demonic form

I don't think what we are seeing here is his full angelic/demonic form, but considering that the other Princes' forms aren't as scary either it is likely the case. The first thing that caught my attention were the horns and overall resemblance this form has to Charlie's, but let's focus on the differences.

In the first image, the snake and apple have turned into some sort of halo, a nod that his actual halo has disappeared when he fell and unlike Vaggie his wings probably didn't get ripped off, but I do believe they were different to how they were when he was behind the Pearly Gates. He has a tail and horns, classic demon imagery, there are 6 eyes at the end of his coat and there's one more on his bowtie, which makes a total of 8 eyes on Lucifer's design. The eyes are a common returning motive in Heaven and with angels.Luci also has a flame in-between his horns. This honestly reminded me of Baphomet, but they would likely be a Candle head from the Sloth ring. In the Bible, fire is often depicted as the presence of God, but I'm a firm believer that Hazbin has a deistic God view (see my other post), so I doubt that's the case here. The fire was likely chosen because Hell is associated with fire and he's the king of Hell so they thought it would make sense.

Like father, like daughter

As stated before, Lucifer and Charlie share a lot of similar elements. She's essentially him without wings and with longer hair. They both have a red sclera with a yellow iris. Their tail is pitch black with a heart cut out at the end and despite having white skin, Lucifer's arms are greyish. I always thought they were gloves, but no, man's face doesn't match his hands. I really like this shot of them right here, they look so badass!

Charlie also seems to be getting a new ability which has to do with her arm getting bigger and blocking Adam. This might be a callback to whatever was going on with her arm in her first design.

That was it thanks for reading <3

[miraculouslbcnreactions]

What I find weird about Marinette's crush is that Origins has her not caring about Adrien being a celebrity or the son of a fashion designer she admires which sets it as being a normal crush on a person you know (who happens to be a celebrity) but then the rest of the show mostly treats it as a celebrity crush

There's a reason that I've often said that Origins the best writing that the show ever gave us. While it's not perfect, for me, it was the moment where the show suddenly got good and had true potential. My possibly far too generous read of that squandered potential is that the writers wanted to write a strong romance, but they used the wrong trope to guide that romance in the wider story, so we get a story that's the worst of both worlds. It fails to fit the mold that it's guiding trope is supposed to fit and it fails to be a strong romance because the chosen trope doesn't allow for a strong romance, so let's talk about why that is!

It's really common for formula shows with a teenage lead to have a character for that lead to crush on. Kim Possible had Kim crushing on Josh Mankey for the first few seasons. Phineas and Ferb gave Isabella a crush on Phineas and Candace a crush on Jeremy Johnson. Danny Phantom had Danny crushing on Paulina. I could keep going with examples because this is such standard trope! In fact, if you look at how these shows play these crushes, then you'll actually find a tame version of Marinette's writing where the crushes are often used for comedy.

The problem is that this trope is pretty much never used to develop a serious romance between two leads. It's either used to create tension between the true romantic leads or to give a character a little extra depth because people get crushes and it's a nice, relatable element for kids and teenagers.

The reason why you don't use this trope with romantic leads is because romantic leads are supposed to have an actual romance. We're supposed to watch them fall in love and be invested in their relationship! That simply doesn't fit the way this trope works because this trope is all about the experience of having a crush, not about the experience of truly falling in love.

To go back to the Kim Possible example, Josh Mankey is what TV tropes calls a "satellite love interest." He is truly just there to be shipped with Kim because she's a teenage girl and teenage girls have crushes so we need our cool teen girl heroine to have a cool crush. However, somewhere along the line, the writers decided that Kim and her partner Ron were going to be the end game couple. Once that choice was made, Mankey was out! But Kim didn't start treating Ron the same way that she'd treated Josh because Ron wasn't just a cute boy for our cool teenage lead to crush on. Her was her costar. A romance between them mattered as it's success would redefine the entire show! It's failure would straight up end the show! That meant that this couldn't be your standard teen romance. It needed to feel so much more real and powerful and lasting.

This is where Miraculous' problems come in. When we look at Origins, we can see that the writers really do want our romantic leads to feel like romantic leads. They want this romance to feel real and powerful. We can also look at season five to back this up. Once the square is together, they have some truly adorable moments. For example, the hand raise scene in Kwami's Choice was about the only good thing that episode gave us. We can even look at the final episode of season five to back this read. While it's generally a massive failure, it is all about Marinette's relationship to Adrien. He isn't just a cute boy that she's crushing on. He is massively impacting her life.

But when we look at the leadup to this romance happening? The things that took place between Origins and Kwami's Choice? There's nothing of substances. I can't even tell you why Adrien's crush flipped to Marinette or if Marinette's crush on Chat Noir was supposed to feel like anything more than a rebound. There's not even much substance once they get together because substance would require them to have deep conversations about their lives and they can't do that while the secret identities remain a thing.

This is part of the wider problem that every side of the square feels like casual friends at best because the their story wasn't written like a romance. It was written like two sets of impossible crushes where the focus was on the struggle of having an unrequited crush and not the thrill of a romance. Adrien isn't Marinette's Ron, he's her Josh Mankey. Same goes for Ladybug and Chat Noir. While Ladynoir was closer than Adrienette, we never got moments that showed them as close friends with a bond like no other. Alya and Marinette are closer than any side of the square and that's a pretty massive writing failure for a rom-com unless Alya is secretly Marinette's end game romantic partner.

To continue our Kim Possible case study, Kim and Ron really don't feel like a couple for most of the show. For the first three seasons, the focus was on their friendship to the point where I didn't even think about shipping them when I first watched the show. But when the relationship suddenly happened in the final season? It still felt natural and right! Of course these two would get together! How did I not see that?

If Miraculous wanted to make the square feel like a true romance, then they needed to take a lesson from shows like Kim Possible. They need focus on making Ladynoir and Adrienette extremely strong friendships with a background element of pining and romantic tension. You could keep Marinette's failed confessions, but they should almost always fail into cute friendship moments like Adrienette gaming in Gamer. Same goes for Ladynoir with moments like that one episode where Chat Noir could have learned Ladybug's identity, but chose to respect her boundaries instead. These kind of moments keep us excited for the square because they make it feel like they're obviously meant to be. But when it's just Chat Noir hitting on Ladybug and failing to get a positive reaction or Marinette failing to even talk to Adrien? That's not love. That's a hopeless crush.

This doesn't mean getting rid of Alya. Kim Possible had a female best friend, too! Her name was Monique and I loved her, but Monique and Kim's relationship never felt more important than Kim's relationship with Ron. There was even an episode where Monique tried to replace Ron since he was unavailable and she failed hard because, without Ron, Kim can't be a hero. If you want another show to look at to see how the square should have been written, then I'd check out Danny Phantom. That show has an endgame couple - Danny and Sam - and their relationship always had a romantic tension to it, but it was primarily a friendship for most of the show. I'm not saying that these two shows were perfect, but they did a great job with the romance element and show how Miraculous could have made the square work.

There are actually a lot of ways that show's like Kim Possible could have inspired and guided Miraculous. It's why I like using it as an example where I can. It's really sad to see a 2016 show failing so hard when there's a wildly successful 2002 show out there that had already shown how to succeed when using similar concepts. Marinette and Kim are even similar characters as are Adrien and Ron and even Plagg and Rufus. The template was out there, guys! Kim Possible even shows us how to take a comedy side kick and develop him into something more as the series goes on. Episode one Ron and end of show Ron aren't the same character. End of show Ron feels way more important!

This is also why it's so useful to study tropes. They're the building blocks of stories so it's very useful to understand why certain builds are popular so that you know when and where to use them. Don't like a trope? That's totally fine, but you generally want to start by asking "why is this popular" instead of just dismissing the trope all together assuming you're working in a genre where that trope dominates. Like I'm personally not a big fan of the satellite love interest, but I appreciate why they're a thing and understand when you should use them.

[gamerbearmira]

My Take On Wish

I liked it. Now, it’s not the best. But it’s still pretty good in hindsight. They had a good idea, but they executed it poorly.

I think a big reason is the movie had such high expectations. It was the movie for the 100th anniversary, which is huge. But they had no time and no money. The movie feels rushed, there's so much that happens too fast in such a short amount of time. That brings me to my next point.

Time. This movie should have been longer. Of the most recent movies, like Turning Red, Encanto, Luca and Elemental, they run for about 1 hr and 35-49 minutes. But they don't feel rushed. Everything us spaced out and works, at least for the most part. Every movie has it flaws in run time. Wish runs for the same amount of time as Encanto; but it feels so much more rush. The movie should have been longer, and I feel like people wouldn't have been too made at an extra 20 to 30 minutes. It would've given a lot more to world and established things, and answer questions that were left unanswered.

Characters. They weren't bad! They had some good characters, and the designs were...good. I like them, and I can see what they were doing. Like Magnifico and Amaya, I really like their designs! Same with the teens (save for a few things, mostly color, but I digress). Valentino is cute, but I don't like how they gave him a deep voice. Asha and Star? They're ok, at best. Looking at the concept art in the book, there was SO much potential that they didn't use.

Asha looks a lot like Isabela. It's a running joke. But the closer I look, she looks too much like her. Literally, if you look in the book, you can see that she actually had a floral dress that seemed a little too similar to Isabela's. The thing is, she had a lot of other really good designs, which I used in the redesign below, among other things. Star, he's cute but...it's sad. He was so obviously going to be a love interest. AND YES DISNEY. IT'S OK TO HAVE A HEROINE FALL IN LOVE. I took one of his designs that nearly stuck and tweaked it a little. He still has a star form, for other purposes.

The songs. They were ok, but I'm sort of understanding the joke if "They were written by ChatGPT". They sound so empty? But when you listen to the demos they sound better. That brings me to "At All Costs". I heard it in the movie. It's sung by Magnifico and Asha, when it was so obviously meant to be sung by Asha and her love interest, which would have been Starboy. And the demo is actually really good.

For my redesigns? I changed quite a but on Asha. Her friends are supposed to be like the seven dwarves. So why in the world didn't they utilize Snow White for Asha? I'm not saying she had to be a carbon copy, but jeez, it would've been nice. In my design, I gave her a mix of other dresses she had in the book, changing it a bit to look like snow white's but still being original. I changed the colors, toning them to be more similar to Wish's colors.

Valentino stayed entirely the same. I saw that he was originally he was going to be much larger, pretty much grown. So, I took that and gave him a sister. They aren't really "siblings, Valentina was born way before Valentino, but he's always following behind her, so Asha deemed them "honorary siblings". And I mostly wanted Asha to have more animals around her, like Snow White.

Star is still Star, but he also has a human form. In my opinion, it wouldn't be very present until later in the story. The more tine he spends around Asha, the more he feels more comfortable using it to help Asha. And also, he wants to be like Asha. He loves humans, and watches them from the sky all the time. He may or may not be the North Star. I'm still debating.

Maybe I'll do more with other characters.

Story. I want to try a rewrite. Not now, cause I still have a bunch of Encanto that I'd want to finish, but definitely in the future. I may do more Wish posts on my designs and what I'd worldbuild with some ideas were:

Asha is already Magnifico's apprentice.

Magnifico used the book before he founded Rosa, and built Rosa to take people's wishes for his power under the guise of what he does in the movie currently. He keeps some wishes alive to grant them. No one knows, not even Amaya. Asha finds out. This means he's evil from the start and stays evil. No redemption. No return.

Wishes affect a person not just emotionally, but slightly mentally and sometimes physically. When ita given away, the person feel not just an emptiness, but also heaviness in their body physically.

Amaya is a bit more morally gray, being in Magnifico's side, and even helping him, but slowly shifting to Asha after seeing what he's doing.

Star plays a bigger role much earlier on. The Teens do as well. I feel like they had no character in the movie. Not even Dahila, who I do I love.

It's closer to Asha's birthday. So when she finds out about Magnifico, she's scared of losing her wish, and being unable to restore everyone else's that was already lost, like her Saba's.

Asha may or may not have a staff like Magnifico's. But like?? A training staff??

Magnifico may or may nit being trying to corrupt Asha with the book. She is subject to hus magic still, and sometimes it seeps into her mind, but Star is there to counter it.

Star is much stronger in terms of magic, enough to be on par, or almost on par with Magnifico.

TL;DR: I like Wish. But it has flaws. I wanna try my hand at a rewrite one if these days.

[meimi-haneoka]

Clear Card Trivia 3 ~ Sakura's journey of growth and self-understanding throughout Cardcaptor Sakura Clear Card

Hello and welcome back to my "Clear Card Trivia" series, a collection of informative posts where I delve into certain aspects of the story of Cardcaptor Sakura Clear Card! ✨

The topic I will talk about today has been on my "to-do list" for long time. It's something I felt the need to talk about, and I won't hide the reason why: the desire to fully eviscerate this topic grew particularly after reading around certain criticism of Clear Card Arc. But also after listening to CLAMP's Twitter Spaces, particularly the ones towards the end of the story.

It's something that, setting aside my obvious love for the new characters, will always make me think that Clear Card Arc has been a very welcome addition to the series.

This post will delve into Sakura's growth throughout Clear Card Arc.

Sakura grew up considerably during the story, and had a character development that sadly not many people truly realized.

I'm not talking about an evolution of the character design which, despite changing and evolving throughout the story (as it's expected for a long-running serialization), kept depicting Sakura consistently with quite young looks...no, I'm talking about her mental growth, in relation to her self-knowledge and her relationship with her magic powers.

A journey that might almost feel "frustrating", because it is full of "up and downs", and Sakura sometimes seems to be taking one step forward and two back. Aside from the obvious practical reasons (the plot had to develop several other storylines simultaneously), it very much reflects the realistic growth of a pre-teen, which is never a straight line but is made of improvements and relapses.

Along the journey, I couldn't really avoid mentioning some bits of the development of Sakura's relationship with Syaoran, which will get its own deep and detailed post another day.

There's also an extra about the significance of the Clear Cards in the story, at the end.

I have to be honest, the post is very long, but I tried to insert visual elements to make it easier on the eye. If you're curious to know how the hell I found so much to talk about for this specific topic, follow me under the cut and dive into Sakura's journey throughout Clear Card (it's also a good way to review the story)! ✨

A Disconnected Beginning

Clear Card Arc starts in a very "festive" and happy way: everything is peaceful, a new exciting chapter of Sakura's educational life is starting with the beginning of middle school, Syaoran is back to Tomoeda, this time to stay forever with his beloved girl...everything seems so perfect. And precisely in chapter 1, before everything takes an unexpected turn, we have this scene here, which I consider the "true" beginning of everything:

Sakura says "I haven't been using this lately...well, that's for the better".

At the beginning of Clear Card Arc, Sakura seems to be feeling disconnected from her natural gift.

Despite she had to go on a quest to collect all the Clow Cards, which later she gave a new life to by changing them into Sakura Cards, we have to remember that Sakura was born with magic powers. They weren't bestowed on her by Kero-chan, nor by the contract with the Clow Book: she always had magic in her blood, and it apparently "woke up" on that fateful day she found the Clow Book in the library of her father.

At the beginning of this arc, Sakura seems to think that the purpose, the meaning of this natural gift which is literally part of herself, has been fulfilled by transforming all the Cards, and splitting Eriol's power as he had requested. Her words here seem to be suggesting a general idea of "if I have to use this key (therefore, my magic powers), it means something troublesome is happening, so it's better if I'm not using it because it means everything is okay".

And although we can't really deny that what happened afterwards is far from being able to be considered "peaceful", this scene here always left a bad taste in my mouth because there's almost a negative vibe attached to the idea of her magic, transpiring from Sakura's words. It's almost as if she's politely rejecting it.

Precisely after she places her Star Key in her jewelry box, probably hoping to never have to use it again, she has her first premonitory dream of the events that will shake her life afterwards. Almost as if her powers were trying to tell her "no my dear, this is you and you'd better come to terms with it as soon as possible".

Then, as we all know, the Cards turn blank. Sakura produces a new key while having another dream and a quest to fight and "secure" some strange phenomena happening around her begins, leaving her in a state of increasing confusion.

This is the beginning of the part of the story that I quite literally call "Sakura loses sight of herself".

At this very early stage of the story, she still doesn't know that she started losing control over her increasing magical power, and it is definitely not a coincidence that all of this began when she thought of shutting her main magic tool away in a box, hoping to ignore it forever. For plot reasons, this also happens simultaneously to Syaoran taking the spirits of the Sakura Cards away from her (because in the beginning, you had to be tricked into thinking he was up to something shady and was the real mastermind behind all the incidents).

Syaoran expected for Sakura to lose control over her powers, as his mother predicted a general period of trouble for her that could lead her to unhappiness, albeit without any clear indication of what could happen: Syaoran came to Japan knowing something was bound to happen to his girl and her powers, and that something was going to lead her to grief, but he had no idea about all the rest. So his uncertain and reckless approach, which ended up in some cases worsening the situation, is also somewhat understandable. He was acting like a worried, overprotective boyfriend at his wit's end.

The strange events, which Sakura materializes into a new set of Cards, surely leave her distraught and confused, not to mention the situation with the Sakura Cards and Eriol's missing replies, but I feel that what really destabilizes her core are the constant dreams she gets, sometimes even in the middle of her waking hours, making her faint on the spot wherever she is.

Premonitory dreams are a part of her natural gift that she began to express ever since the OG manga, but she never seemed to really understand them or take them seriously.

This time around, she keeps seeing this cloaked figure and this terrifying dragon, no one speaks a word despite her relentless questions and the cloaked figure seems to be wanting to take her newly made key away (Lilie!!! what were you trying to do!! *facepalm* she probably tried to pull her closer so she could talk to her), so it's just normal that all of that leaves her increasingly stressed and anxious, even though initially you never see her openly and verbally stating that, due to her overall positive nature ("I'll manage it, somehow" is part of her "everything will be alright" invincible spell, and this is indeed what she keeps telling herself in the beginning of the arc, even though in some occasions it turned out to be a double-edged sword, as sometimes it looked more like sweeping her fears under the carpet, to me).

"Something Is Not Right"

Dream after dream, Card after Card, Sakura begins to have these general feelings of discomfort and of "something is not right, here", as she openly states to Syaoran in this scene of volume 4, chapter 14. There's something about this situation that is pricking her sixth sense, and makes her uneasy, but she can't quite put her finger on it yet. All she can do is to keep "fighting" these phenomena happening around her, hoping to find out more along the way. She reiterates the same feeling of uneasiness at the end of chapter 15, after what I consider one of the most concerning side-effects of her poor control over her powers: Sakura seems almost "in trance" while she leads her guardians to the exit of the maze, and acts in a very uncharacteristic, cold way by shoving her bag in front of Yue to make him hold it for her. It's almost as if her magical sixth sense worked too strongly and warped her personality in that moment: an effect that has been mentioned several times in relation to powerful magicians like Clow, Eriol and later Kaito too, so it's not farfetched at all to attribute this one-off occurrence to her loss of control over her strong powers, which ended up affecting her personality too. Luckily, it didn't happen again in the rest of the story and the capture of this Card was completely changed in the anime (a wise decision imho, since the JP fandom is particularly fussy about the integrity of Sakura's character, and she needed to stay "Sakura" in order to do what she did at the end).

At the culmination of a "mini arc" (the visit to great-grandpa Masaki) characterized by uncontrolled visions of Nadeshiko, another frightening dream (one that ended up dragging even Akiho in, due to the synchronization) and Sakura for the first time ever confronting Syaoran about the things he's been hiding from her, we reach the following scene of volume 5, chapter 23.

"I Wish I Had A Mirror"

I always considered this scene extremely important, because for the first time Sakura spells out clearly the inner turmoil that's been gnawing at her soul ever since this ordeal with the new Cards started.

"The truth is...I'm the worst at understanding myself. And that is probably causing lots of concern to everyone." "I wish I had a mirror. A mirror that could reflect the real me. Then, I would probably understand how to not make everyone worry"

Here, Sakura clearly spells out the frustration of knowing, feeling in her bones that there's something wrong with her, something that she's not understanding about herself, and that something is causing problems, but most importantly, is causing her loved ones to worry about her. Let's not forget that not only Syaoran, but also Yukito, Touya, Fujitaka, Tomoyo, Eriol & his family have all been watching her situation in apprehension, each of them making decisions and moving discretely in a direction they felt was right (and admittedly, not all instances were so).

Sakura can somehow feel all of that, she can feel that it's related to something she still hasn't realized about herself. This tends to be forgotten because it happens in a relatively early part of the plot, but notice how this is the same problem Kaito suffers from. A quite stunted ability to understand oneself. Sakura and Kaito definitely have lots in common, when it comes to this specific part of themselves. Keep this in mind, because it'll be relevant later.

And then, the situation worsens.

Sakura's dreams start to terrify her, because they begin to show Syaoran's face under the cloak of the mysterious figure who's scaring her in her dreams. An apparent truth she cannot accept, she won't accept, even though she's still unsure about what exactly these dreams she's having are. Despite her boyfriend has been acting shady for long time, she decides to trust him and wait for him to talk to her about all the stuff he's holding inside, instead of putting him through the wringer. This also means, though, that Sakura will keep all her fears to herself, eventually bottling up.

Furthermore, Kaito starts to rewind time to fix a situation without a way out (in chapter 28, Akiho was on the verge of going berserk completely and unleash the artifact), creating an additional sense of confusion when Sakura can feel that her finger is numb due to strain, but she can't understand why (she had fought Kaito's time magic unconsciously). Whenever Kaito will rewind time, even later on, Sakura's magical sixth sense will try to wake her consciousness up more and more, giving her these vibes of "deja vu" or making her act in an apparently inexplicable way.

In the first part of Clear Card, Sakura sometimes literally looks like a soul wandering about in confusion, dragged by the events.

I wish to point out that this is not a flaw in the characterization, it is a precise design by CLAMP. Sakura IS, in this part of the story, confused and lost, overwhelmed by the events. She has no idea how to approach this matter other than "treating the symptoms" as they come. This happens because she's still, surprisingly, quite reluctant to embrace a fundamental part of herself: her innate magic power, which expresses itself mainly through her intuition. But we'll gradually get there.

Around chapter 30, before the big realization, Sakura's situation reached a point where:

- her Sakura Cards unexpectedly became blank; - almost everyday (sometimes multiple times a day) there's a new incident that she secures into new transparent Cards; - she constantly sees ominous dreams (in scattered order) with a cloaked figure acting in a questionable way and a scary dragon, and at some point she starts seeing her boyfriend under that cloak; - her boyfriend acts shady, Eriol doesn't reply to her messages; - there's a general feeling of "something is not right" with her magic and some stuff starts to not make sense to her (because Kaito rewinds time)

It is at this point that Sakura finally moves one (giant) step forward and connects all the "puzzle pieces" she collected (particularly, how much more "obvious" the creation of a Card became) and understands that she's been the one causing subconsciously each and every single incident that lead to the creation of a new transparent Card.

"I'm Angry At Myself"

And with Syaoran finally coming clean with her (because at that point he had no reason to keep things hidden anymore, as the thing he was trying to delay ultimately happened - and believe me, I'm sure he partly felt relieved to not need to lie anymore, as that took quite a toll on him too), Sakura can at last give an explanation to at least a part of the things that are happening. And she finally realizes that the doubt that was tormenting her was true: she DID, in fact, not understand something very important about herself, she didn't realize that it was her own power going out of control and that all the incidents that happened bore "her magic signature", so to speak. She failed to "tune in" with her magic.

For the first time ever, Sakura expresses anger at herself.

She will direct that anger (to a lesser extent) to Syaoran too, but I'll tackle that in a separate post.

This is a moment of deep reflection and regrets for Sakura: the poor understanding of herself, the poor "communication" between her heart and her magic powers brought to a situation where her most beloved person was putting himself in danger in order to protect her, while trying to not make things escalate. This is a very sensitive, beautiful and important moment, steeped in conflicting and complex feelings (and remember, Sakura is just a pre-teen. It is normal for a pre-teen like her to not understand herself, but there's just one tiny detail: she's not a common pre-teen, due to her natural gift, and she needs to take that into account). Eventually Sakura calms down, and after creating Rewind, her resolute face while hugging tightly Syaoran suggests that from now on she'll face this matter from another, more courageous and determined perspective.

Or at least, these were her good intentions. Because unfortunately, insecurities are hard to eradicate and in the central part of the story it's shocking to realize how far longer Sakura will insist in shutting away her emotions and refusing to listen to her heart (and intuition) fully.

"It's Just My Imagination"

Part of Sakura's anxiety might have been sedated with the revelation that the Clear Cards are produced by the girl herself, but unfortunately the true core of her problems was not solved at all and will only surface more clearly in the next 20 chapters.

Sakura actively starts having "premonitory bad feelings" when she sees Akiho in volume 7 chapter 34, a bad feeling that she does check with Syaoran, but quickly dismisses as "well, it's just my imagination". This will basically be one of the major problems preventing her from reaching the complete control of her magic. Sakura, knowing her magic potential, should've given way more credit to her sixth sense, but her anxiety, her insecurity and her crippled connection to her innate gift still pushes her to dismiss these "signs" as nothing really important or true. Timely as hell, a few hours later something bad will indeed happen to Akiho, where she completely loses consciousness for the first time and the clan/Association actively starts to absorb Sakura's power through the artifact implanted in Akiho. All of this was caused by the high concentration of magic that "triggered" Akiho's artifact (and here I have to sarcastically "applaud" Kaito, just like Syaoran he's another one who does stuff before thinking through, ultimately worsening the problem).

Once trapped in Akiho's artifact, thanks to her power Sakura can see the most horrifying glimpse of Akiho's past, when she was turned into a magic artifact, by living it on her own skin. And even though Kaito is forced to rewind time once again to save the situation, erasing these memories from Sakura's head, her heart (which is tightly connected to her magical sixth sense - I'd daresay her heart is straight up the source of her magic) DOES REMEMBER, pushing Sakura to act in an apparently irrational way, crying and hugging Akiho tight in empathy. Sakura is particularly shaken by this feeling, still in pain even hours later, but once again she doesn't understand where it comes from. However, she does express with Syaoran an intention to talk to him about it once she's able to put it into words, and in the meantime do her best with all the rest. At least, there's an intention to understand better this part of herself, but it's still soon to see actual results.

Aaand CLAMP really seem to be wanting to test Sakura in this arc, because at this point of the plot, they add the electrocution spell. 😅 No one seems to understand who caused it (it's not Sakura, nor Kaito, but now we know it was none other than Yelan!!) and Sakura's anxiety increases once again. The fact only Syaoran gets affected by it inevitably reignites the doubts in her mind, unwittingly reminded of that terrifying dream of Cloaked Syaoran she keeps seeing...but she stubbornly keeps telling herself "no, it's not like that, it's just a dream". It's undeniable that this situation where she cannot understand her foretelling dreams yet, and the way they show her scattered hints because her power is out of control, has surely contributed to Sakura's insecurity when it comes to trust her own intuition.

Her power is so out of control at this point, that even when Kaito shrinks her and throws her in a hole carved into a tree (landing in a "world" created with magic where he hopes she'll create the right Card) her dreams take over again (it's apparent by the "shaaan" sound and how everything turns suddenly pitch black, a common background of her dreams), showing her Akiho in the dress she was wearing when she was turned into an artifact and, inevitably, Sakura's biggest fear, "Cloaked Syaoran". Pay attention because these visions she's getting here thanks to her power match what will happen later on: what the talking flowers tell her here will turn out to be the beginning of the lyrics of the main theme of the "Alice in Clockland" play. This vision of Cloaked Syaoran seemingly "about to do something" to Akiho horrifies Sakura to the point of screaming in terror and creating one of the most unsettling Cards, "Break". It is after this very scary moment that Sakura starts to wonder very specifically for what purpose she is creating all these Cards. The purpose is actually more than one, but she definitely posed herself THE RIGHT question, as this brings her one step closer to the core of the problem and eventually embracing her own magic abilities.

Then, between chapters 43 and 45 we finally start to see some changes in Sakura: surprisingly, she begins to listen more to her sixth sense, first catching Yukito red-handed while activating a newly acquired magic, and then wondering about a strange painful feeling in her chest when her father tells her that lately she and Akiho became even more similar. We were all lead to believe that this was the foreshadowing of Akiho taking her place (cause everything in the plot at this point deceivingly hints at Kaito wanting to switch them), but she actually was getting foreshadowings of the "rewritten world", where Sakura would genuinely feel wrecked to know that someone important to Akiho was missing, precisely when Akiho would've become part of her family as her twin. In fact, in chapter 45, before falling completely asleep, she hears again the ominous "you won't be able to come back" (the Association's threat to Kaito), wondering WHO wouldn't be able to come back - somehow, Sakura knows that it's not directed at her.

"Just Tell me Honestly How You Feel"

And then, we reach another moment that I consider pivotal for Sakura's growth during this Clear Card Arc. The moment when she's on the verge of breaking down and finally lets all her feelings out.

Her anxiety over the dream with the Cloaked Figure reached the highest peak, so much that she finally manifests a Card, Mirage, that challenges her precisely with that appearance. While Sakura battles that Card (which at the moment she still believes it's an actual person), she seems resoluted to get to the bottom of this story, and to pull down that hood to know the truth. You can really feel that she's so done with all this psychological torture. The fact the real Syaoran appears right at that moment and she finds out the person she saw was just a Card is partly a relief for her, but also throws Sakura again in despair because who the hell is that person in the dream, then??

Syaoran, as the good and attentive boyfriend he is, can just feel that Sakura is stressing over something, so he brings her to his home to help her calming down. And to her umpteenth attempt at sweeping her negative emotions under the carpet, beating around the bush commenting over the tea with a fake smile, he cuts immediately her bullshit and just tells her : "You don't need to force yourself. Just tell me how you feel right now". When she hears that she's allowed to speak out her emotions with honesty, Sakura wears on her face one of the most heartbreaking expressions of the entire manga. She's literally about to break down in tears of exhaustion, as you can see it above. ☝️ Listening to her, gradually, Syaoran encourages Sakura to get out all that's been torturing her lately, particularly about the dream with the Cloaked Figure. It is a very difficult moment for her, because she has to relive the dream, and expose in front of him all the fears and doubts that were trying to tamper with her trust in him. Courageously, she goes through with it, even though her denial ("it's just a dream!") is so strong that she ends up creating another Card: "Dreaming". Sakura at first seems relieved to see the Card, in the hope that everything she saw was indeed a mere messed up dream and nothing else (see? she's again self-sabotaging her relationship with her magic) but Syaoran with his frankness is quick to bring her feet on the ground: the kanji on the Card show "yumemi", and the word can also indicate a "foretelling dream".

Although Sakura seems disheartened at first, her next dream with the Cloaked Figure is much more relaxed, so much that even the dragon doesn't particularly scare her anymore: our girl's intuition makes her correctly feel a sense of loneliness in this dream, which she attributes to the hooded figure, not realizing that it was more likely coming from the dragon itself (aka, Kaito). After all, in chapter 72, Lilie will confirm that her presence ended up distracting her from the one "character" she should've paid all of her attention to. Her intuition, despite being misattributed, ended up having a positive effect through the synchronization with Akiho: the girl will wake up with the same feeling of discomfort of her friend, and as if guided by hitsuzen, she will head to the garden where she'll find a sickly Kaito staring at the moon - most likely feeling the loneliness Sakura perceived in her dream. I like to think that in this scene of chapter 48, Sakura subconsciously helped Akiho comforting Kaito, by waking her up with the unresting feeling, precisely when Kaito needed it the most. Still not completely embraced her magical sixth sense yet, but a significant improvement.

The road between chapter 48 and chapter 52 is paved with lots of struggles, as the Mirror Sakura Card gets stolen by Kaito, Sakura runs the risk of being absorbed into Akiho's artifact again, she meets Momo for the first time and she's even given a hint about Kaito's plan (or what Momo thought was his plan, as he had benignly lied to her about that), but almost all of that gets rewound and erased when Kaito intervenes. Moreover, despite not remembering anything consciously, Sakura is left with a sense of unhappiness when she looks at her home, a remnant of her brief journey in the world of Momo's book which straight up threw her into despair, showing her what her life would be if everyone forgot about her. She also finds once again a Card produced out of nowhere, "Time": I'm convinced she produced this Card because her conscience was awake while Momo and Kaito talked in stopped time, and their conversation triggered her sixth sense to produce Time as a result. Needless to say, all of this worsens her state of mind once again, which leads to the other pivotal, and finally resolutive, scene of chapter 52.

Never Avert Your Eyes From Your Heart

We finally get to what I consider THE scene, the one that will definitively shake Sakura from her deadlock, from the anxiety that stunted her connection with her innate gift and her deepest emotions. And the one who helps her overcoming all her fears is, of course, the love of her life - with a honorable mention for none other than his mother Yelan!!

Chapter 52 got a very, very special place in my heart, because it's basically one giant parallel between SyaoSaku and YunaAki. The two pairings experience similar situations, but the response from one side of each pairing is quite different. Let's remind you for a moment of the part earlier in this post when I told you that Kaito and Sakura, for most of Clear Card, surprisingly have one thing in common: they don't seem to understand themselves well enough, and both have a tendency to look away from feelings that cause unrest to their hearts - anxiety for Sakura, love for Kaito.

Syaoran, always attentive and observant towards his girlfriend, notices immediately that Sakura is suffering, as soon as he sees her at school. Despite being unable to touch her to comfort her, he offers all of himself to support and listen to her concerns. Sakura is visibly and pleasantly surprised of how the boy could read behind her mask, that usual contrived smile with which she tries to dissimulate her emotions and not make him worry. A bad habit she's consolidated lately, but that Syaoran is gently determined to dismantle. After opening up with him (and this is where Sakura differs from Kaito - by having an established relationship made of love and trust with Syaoran, Sakura lowers her walls with him), she falls once again into the usual trap of "but maybe it's just my imagination" and I love to see how Syaoran is her anchor to the ground, making her see the concreteness of this situation: he straight up tells her "you produced a Card out of it, it cannot be 'just your imagination'. " And then, like a precious family gift, he passes on to her the priceless words of wisdom of his mother Yelan, an advice that not only Sakura, but also the other "lost soul" of the other paralleling pairing should listen to:

"People with magical power should never ignore the turmoil and stirring in their hearts, the so-called 'intuition'. And it’s not limited to people with magical powers. People should never avert their eyes from the changes in their heart."

This is a turning point for Sakura. These words seem to positively "break" something inside of her, showing her the correct path to follow. CLAMP beautifully portray this process of "embracing and assimilating" the words she's just heard, by making her place her hand over her heart. I love when they do that (they used the same visual when Akiho heard Kaito's true name, and 'wrote it' on the most important page of the book of her life). Sakura is truly grateful for the words Syaoran relayed to her, precisely what she needed to get out of her impasse with her feelings and magic. She knows she can always count on the support of her soulmate even in the darkest moments, and she's thankful for having him in her life.

From this moment onwards, Sakura will experience several instances where her magical premonitory senses give her signals through the "stirring" of her heart. Contrarily to before, she starts to actively take them seriously, listening, without dismissing them as the delirium of an anxious little girl. This allows her to activate the Siege Card in the fraction of a second, successfully shielding herself from Kaito's time magic, making her the first person ever who achieved that. This also leads her to effectively remember that she saw Kaito using magic, even when time was rewound by him, and contact immediately Syaoran to talk about it, planning how to move from that moment onwards. A little relapse on her bad habit is immediately dispelled by Syaoran, and our girl even goes as far as saying "there's something inside Akiho", even though she's not sure exactly why she's feeling that way. But it's an intuition she's having and she decides to not dismiss it anymore, with everyone trusting and supporting her in that direction. By listening more and better to what her heart tells her, Sakura also decides to not confront Akiho about Kaito and his magic, because she's well aware of the feelings Akiho got for Kaito and she doesn't want to potentially disrupt their relationship. So, she decides to wait for her friend to talk about it first.

Thanks to this better understanding of her own intuition, she also says in chapter 57 that she wants to meet the guardian of the book "Alice in Clockland" once more, despite not remembering if and when she's met her before. This also ultimately leads her to accept the role of Alice in the upcoming play scripted by her friend Naoko, because her sixth sense tells her that it's inevitable for her to do so. It's important to emphasize how the other characters support and encourage her to listen to her innate gift, at this point, without trampling over her self-determination like they did before.

It is a moment of big growth and character development for everyone.

The Ultimate Growth: Finding a Meaning and a Purpose

What happens afterwards is history: the fateful "Alice in Clockland" play unfolds, and Kaito completes his plan to push Sakura to create the Card he needs, exchanging his magic artifact (the watch) with Akiho's one (the book), in addition to activating the forbidden magic to rewrite the memories of everyone, to fit Akiho as part of Sakura's family.

Sakura's intuition will be crucial to wake her true self up while in Clockland, succeeding in beating Kaito's magic multiple times, till Syaoran comes in and gives the "final blow", cutting off the spell definitively.

And even when everything seems lost because Kaito successfully activated the fobidden magic, changing their memories and erasing himself from their existence, Sakura's magic and sixth sense keep making her say things she either already said or heard before in the "unrewritten world". Not only that, but even after meeting Lilie in a dream and forgetting her face (due to the strong influence of the forbidden spell), bit and pieces of that conversation keep coming back to her, and she listens dutifully to every single one of these "feelings". Kaito might have overridden part of their memories (only the ones concerning him, Akiho and the events connected to the creation of the Cards), but the experience, feelings and personal growth of each character were left untouched, that's why the chemistry between Sakura and Syaoran is the same as before the play started, but also Sakura's personal relationship with her magic is far better than before (an information that might have seemed random and unimportant is that now Sakura summons Mirror even just to chat, an indication of her completely changed perspective on her magic).

Now that Sakura finally embraced her magical power, all that's left for her is to find a true purpose for it.

A question echoes in my mind, "What am I creating these Cards for?". Sakura poses herself this question halfway through the story, and she finds the answer to it precisely at the end of the journey.

Her powerful magic intuition, combined with her immense empathy, leads her to realize that somebody is missing from their reality, and that person is the one Akiho loves. At this point Sakura is unstoppable: she wants to listen to the voice in her heart that's screaming "Go and help them!! Give the true happiness back to Akiho!", and everyone can only follow her lead as she assertively puts into practice what her heart is telling her to do.

Sakura in this final part of the story shines brighter than ever. She's more assertive and self-confident than ever. All of this is because there's something she strongly wants to do with her innate gift, as Eriol unequivocally says in chapter 75: her power grows exponentially again, but this time it's not out of her control - it is Sakura herself who's voluntarily boosting it, thanks to her strong wish. And that allows her to control it and use it exactly as she wants.

In chapter 79 her growth reaches the highest peak, by handling the resolution of Akiho and Kaito's personal problems in an admirable way (she steps aside for a moment to give Akiho all the agency she needed), but also finding herself in front of an uncomfortable dilemma, which leads her to an unavoidable reality: Sakura quickly understands that she cannot be on everyone's side and there are lines to be drawn at some point. She can't be a pure and oblivious girl forever. She needs to grow up. There are choices to be made, especially when dealing with real evil people.

And Sakura choses to go on with the people she loves, even if that means she has to "stain" her "moral record" a little bit.

Empowered by this strong wish to fix the situation, she literally gives life to a miracle, protecting her dear friend and her beloved from the grasp of their abusers, simultanously giving everyone their true memories back. The effort exerts her greatly, but what she achieved is by far the most important thing she's ever done with her magic power till now: she helped two dear people lost in a life-and-death situation. Her magical growth went along with her personal, mental one.

This is also the reason why the accusations of "the other magicians should've trained her" end up being in vain: Sakura's problem with her powers was mainly on a personal level, not on a technical one. This was a journey she had to mainly walk by herself, finding the right balance and confidence in her abilities, deep down in her heart.

No one could've done that for her.

Merely training the practical aspect of it would've just worsened the situation, because Sakura wouldn't have been truly "in it" with her heart and mind. She needed to go through this process of growth, before reaching this stage of self-awareness in relation to her magic powers. I truly feel this is the reason why CLAMP made certain choices inside this story. Again, as I always say, a good part of Cardcaptor Sakura does revolve around magic, but the main focus and linchpin of this story is and always will be the main character's heart, her growth and the interpersonal relationships with her loved ones.

This makes Clear Card Arc, in my opinion, a worthy sequel and a full-fledged part of the Cardcaptor Sakura series. I think those who decide to skip it or read it with a superficial approach miss a journey of tremendous growth for our beloved protagonist.

So much for those who kept saying "This is not Sakura's story".

How can all that ☝️ NOT be Sakura's story?

I'll let you judge. 😊

Extra: The Significance of the Clear Cards

I want to digress for a moment about a thorny topic: the significance of the Clear Cards in this story.

Sakura isn't always completely passive towards the events happening around her, but wonders several times during the story why all those Cards are manifesting like that. While the first and easiest answer is of course "because her powers are going out of control" (and this is something Momo herself questions Sakura about in chapter 50), it becomes apparent at some point that the more the story goes on, the more the Cards that are created by her are particularly relevant and connected to the events that will happen in the final part of the story.

I know this is a sore spot for many who complain about not understanding the purpose of the Clear cards. It's because people tend to compare this set of Cards with the ones Sakura captured previously. That's not the right way to look at them, because their origin and purpose are different and change throughout the story. Forget about the Sakura Cards, even though so many of these "Clear Cards" (which are never called so, not even once, in the story itself, but just "new cards" or "transparent cards") might look so similar in purpose to the previous ones.

First of all, the Clear Cards are an outlet for Sakura to vent in a healthy way her power in excess. Power that if kept inside, untapped and confined in her body, might have unpredictable harmful effects on her (<- probably the grief Yelan foresaw). God bless the Clear Cards for existing and allowing Sakura to vent out these bouts of uncontrolled power in a relatively safe way.

The Cards that Sakura produces in the beginning are sometimes reminiscing of the Sakura Cards, because her power manifests itself basing on Sakura's experiences, feelings, thoughts and wishes. The Sakura Cards are an important part of her life (before Syaoran took them, she literally acted like their "mom", keeping them alive with her power) so it's only normal that the first base for some of these new Cards would be a magic tool that she already knows. In this sense, it becomes easier to understand why many of the "captures" seem so easy, way too easy compared to what a reader would expect from a sequel: the goal of the capture here isn't to make her power and experience in capturing cards grow. She already had 2 arcs to do all of that. The capture of the Cards in this third arc becomes something new and unexpected: a "damage control" of a regrettable situation with Sakura's powers, while she learns to dominate them and enter into harmony with her supernatural abilities. The growth Sakura needs here is mainly a mental one. Performing her magical power aimlessly without having a true connection with it and a true understanding will only exacerbate the problem. This is the reason why, despite having a "capture" element, Clear Card derails from the previous arcs in the purpose of the capture. It's a pity that an element that should've brought freshness to the plot was in many cases received as an actual flaw.

In the beginning, as Sakura's power is completely out of her control, some Cards might look completely random too - they don't look based on Cards, thoughts or wishes (like Appear, Reflect, Action, etc.). But pay attention, because the more the story goes on, the more the Cards begin to become particularly specific to something that shook Sakura's heart in that moment, or referencing events/feelings that will become pivotal to the events Sakura will experience later. Especially regarding Kaito's plan. Many of the later Cards Sakura produces are a direct reflection of the feelings and wishes that Kaito infused in the activation of the forbidden magic, with the creation of "the story for Akiho", the one he wanted to absolutely have a happy ending for. Cards like Repair, Promise, Choice, Kindness, True and False, Synchronization, Rewind....many of them didn't even get to express their magical abilities in a "conventional way" (everyone expected to see Sakura literally activating them like she does with all the others), but it's just because at that point the Cards Sakura is producing are born following her premonitory intuition: thanks to the hints/speeches that those Cards give her in Clockland, Sakura little by little regains consciousness of her true self (it's a pity that many English readers will never realize all the times Sakura was about to "wake up" in Clockland, because the translation didn't respect the change in fonts of the JP text). Sakura wasn't supposed to "use" them in a conventional way (how do you "use" Kindness? You force people to be "kind"? 🤨 and what about Choice??), she was supposed to listen to them and let them guide her towards the truth. This is also the reason why all of these Cards bear the face of her loved ones. Think of them as tarots. Which is, incidentally, another use of the original Clow/Sakura Cards. I am basically sure of this interpretation because the kanji of some of those Cards I mentioned above are brought up during the climax: particularly when Akiho talks to Kaito in chapter 78, she uses two specific verbs, referring to Kindness (慈愛 - a kind of gentle and tender love) when she describes the love and support her family gives her in this rewritten world, and to Choice (選択) when she questions Kaito about his choice to disappear completely from her life. So to summarize, the last Cards Sakura produced "accidentally" weren't accidental at all, but were actually specifically produced by her power in reference to Kaito's plan, to help her finding the way out to a dire situation. This represents a very important indicator in the plot: at that stage of the story, Sakura started to listen more and more to her intuition and her sixth sense, finally quitting her bad habit of downplaying it ("maybe it's just me") but actually giving it credit and taking it seriously, trusting her instinct to lead her in the right direction. And this was, of course, all thanks to the speech Syaoran gave her back in chapter 52. It is also the case of the Rewind Card, which Sakura will ultimately understand the purpose of on her own, at the very end of the series. That's the moment where everything will become clear and make sense to her: "This Card, too...I created it precisely for this moment". The Clear Cards ultimately became the embodiment of her foretelling powers. Which then led to the birth of the first two consciously created Cards, Blank & Remind, which will become so important in the climax.

If we ever get a new arc in the next years, we'll certainly deal with a more mature Sakura, who's more in sync with her magical powers 🩷.

[ramshackledtrickster]

Omigosh! I've been searching for MONTHS your Jinafire Long redesign. I really adored it and I wanted to see it again for some inspiration for a restyle but I could never find it yet again.

A restyle for the new Jinafire design actually! What do you think of her?

Hi hi hi!! I’m so glad you liked the redesign!! It’s kinda outdated and I know I could do a better job now but here it is ! I also thought it was funny that the show ended up using the same pun I did with Fanghai/Shanghai lmaoo

That’s so funny I was literally just watching the music video for her character as this ask came in oml. I actually quite like her retool in g3!!!

I love that they kept the gold aspect of her in her limbs and tail rather than making her skin completely yellow for one, and that goes hand in hand with the emphasis on luxury. Especially since she’s from Shanghai (or Fanghai) which is considered a pretty bougie city lmao. Also she’s a water elemental now!!! Yippee!!

Love the jade on her, love the cloud print, the reds, the wave and water motifs on her skirt and the knotwork on her other ear (中国结/Chinese knot— it’s a really frequently used piece of folk art that has ties to Buddhist and Taoist traditions representing good luck)

The shape of her top also calls back to 肚兜 (dǔdōu), which is a more traditional style of top that I guess you can call a bodice.

I will say though I prefer her hairstyle in the show version with the braids rather than the dyed streaks (and it calls back to older more traditional Chinese hairstyles). Her design feels very modern already, so having more traditional touches are interesting to me because it not only strengthens her cultural identity but also implies her age and longevity since lóng are practically immortal.

I also think her more greenish skin tone could be a reference to the 青龙 （qīnglóng) Azure dragon constellation (there’s no perfect translation for 青 into the English language so some people will say it’s blue but it’s highly context dependent— here, it’s greenish)

Overall I’m really happy with the extra thought and consideration put into the redesign, and that the character is overall less stereotypical while displaying so much Chinese culture in her design!!

These are just my thoughts tho lemme know what you think :))

Also if you enjoy this post please remember to check out these family fundraisers along with these aid efforts.

Remember your daily click

[pieces-by-py]

Magical guardian Py!! This is my magical girl sona design ✨

This is the page I drew when finalizing the concept and to serve as reference, but I plan to draw this design a lot more to represent myself! The little fox there is a little magical mascot/familiar based on an imaginary friend I made when I was little kid. I got some more notes about my process below!

A few years back I made a magical girl outfit design for myself because I love magical girl stories and designs, and you can do whatever you want forever! I HIGHLY recommend that anybody who feels comfortable depicting themselves to make a sona based around something you absolutely love. It's a lot of fun!!! I think at this point this design has gone through about 4 main iterations? I expect more tweaks in the future because I always like to have a design that reflects me and currently this is what I'm really vibing with! Tweaking this took SUCH a long time to get to something I really love right now, so this really feels like a triumph. When I set out to design this, I had created a bit of a wishlist of aesthetics and other elements I wanted, and then it was a matter of balancing everything visually and making some choices to remove and heavily tweak aspects of it so it wouldn't be too cluttered or lose visual harmony. I also played around with the lengths of different parts of the outfit for visual interest.

In this design are a few nods to some magical girl designs I still really love, but in recent time I feel like there's been a bit more inspiration from european renaissance fashion seeping in because I've been dabbling into period accurate costuming! Now, it's not at ALL accurate in this design but that's not really the point; I just wanted to give the sleeves and breeches that extra poof 👌 The rest of it just just really self indulgent, like the big butterfly wing cape was an ABSOLUTE must for me. My favourite colour is featured prominently. I wanted the inner wings and bow to look like the night sky or kind of galactic so that all those sparkles would really show up and evoke stars, but the orange pinks on other elements of the outfit compliment the blue-greens and give the look and overall sunset/sunrise at twilight vibe.

Drawn with: Procreate

[icyg4l]

Pick-A-Meme: How Can I Choose The Right Career Path for Me?

Choose the image that resonates the most with you. In this reading, I will give you details that you can use to get closer to accomplishing to your career goals. I will also give those clarity to those who are confused on where to go from here with the help of the True Heart tarot deck.

Left-to-Right (1-3): Raven Baxter, Brenda Meeks, Kim Parker.

Cards Used: 10 of Cups. The World (RX). Judgment. Knight of Cups. Wheel of Fortune. The Hierophant. 4 of Pents.

Pile 1A: I feel like this is for those who are thinking of going into the traditional career paths like being a nurse, a teacher, a lawyer or doctor. You are very determined when it comes to breaking into this career path. I feel like this is a dream that you’ve had for a long time, since you were a child. But you’ve grown up and you see just how practical this career path is or how much time it would take from all other aspects. Don’t let the money or the amount of time it takes to pursue this career stop you! There will be opportunities that come up for you as you pursue this path that will financially support you. I also see that you’ll receive some recognition early on in your career, for your contributions to this field.

Cards Used: The Moon. 3 of Pents (RX). Strength. Queen of Cups. Ace of Cups. The Hanged Man. Ace of Wands (RX). Queen of Pents. Ace of Swords.

Pile 1B: For those of you that are confused about what career path you should pursue, I say that you should consider some “niche” career paths; something that sticks out to YOU. This will ensure that you’re using your energy towards things that you love. I get the feeling that you’re tired of what you’re being presented with. These are the people that are tired of receiving rejection emails from employers or being ghosted by interviewers. I feel like you’re kind of nosy… perhaps you should consider a career as a private investigator. You have a sharp mind and you call bullshit when you see it. I also think that you should consider something to do with childcare, maybe take up the jobs that nobody wants to take up? If you’re into pets, you should take up the pet care. I feel like this is also the pile that should consider going to trade school to become an electrician or plumber. You would actually benefit from it & would meet some excellent people along the way. Everyone isn’t be a tech geek, a rapper or an aspiring designer and that’s absolutely fine! You got this!

extras: annalise keating. bedtime stories. human design. timestamp. first wives club. worker bees. social justice reform. politics. class action lawsuit. science geek.

Cards Used: The Emperor. 6 of Cups (RX). 2 of Pents. Ace of Wands. The Hierophant. 7 of Pents (RX).

Pile 2A: The people who chose this pile are currently fed up with their career path. I think that you have dedicated so much time to this career path that it has you burnt out. You may be considering switching career paths or adding a new element to your career path. You should! I thought of the storyline from ‘This is Us’ where Beth takes the risk to open up a dance studio after being fired from her job. Her original passion was ballet but her mother forced her into a practical career. She became an urban planner. She had the job for twelve years and loved it but she unfortunately got laid off. I feel like this collective has some resentment towards their career because it’s not what you want to do. What do you really want to do? Examine what really makes you light up. If you decide that you want to have a side gig doing what it is you really want to do, then have at it! But if you decide to start fresh in a “new” (but not really new to you) career path, then also have at it! The ball is in your corner.

Cards Used: 10 of Cups. 3 of Cups. 9 of Cups. Justice. 6 of Swords. The Hermit. The Fool. Prince of Cups.

Pile 2B: If you’ve been considering going into a business with a friend, you should absolutely do it! I saw the banner of a restaurant opening. I feel like this pile is really into the traditionally ‘girly’ things like doing your nails or hair. If this resonates then you should definitely take up cosmetology school. If that’s not what you’re into, consider going to school to become a masseuse or get into holistic medicine! You have a calming aura and people probably open up to you easily. But I get the feeling that you guys don’t always like to talk to people. You enjoy your solitude/quiet time & that’s okay. For those of you that are into poetry, you should consider posting your poems for monetary gain for extra money! In due time, you’ll figure it out. Be patient with yourself, you’ll know what sticks!

extras: aching feet. balloons. graveyard. black jeans. venus in the 11th house. aquarius venus. gemini venus. losing hair ties. the color purple. spoken word. friendship breakup.

Cards Used: King of Swords. 2 of Pents. The Hierophant (RX). Queen of Pents. The High Priestess. The Emperor. 5 of Cups.

Pile 3A: You guys are the people who long to be the boss. You guys strive for greatness & hold yourself to a certain standard. But I think that you’re doing a lot. You’re trying to do everything by yourself and you need some help. This could be a pile full of freelancers, psychics, therapists or entrepreneurs. Perhaps you’ve opened up a new business and everything just feels like it’s falling on top of you. You need an assistant to keep this business running! Hire someone that will keep you on top of your stuff. I think that you should try a new method of organization as well. Maybe you’re a model? If so, take some new headshots. Get some help with your portfolio. Update your resume. Create some new material because you’ve come so far. You really just need to be more proactive when it comes to your career; get on top of things quicker.

Cards Used: The Lovers. 3 of Swords. 5 of Swords. Queen of Swords. 3 of Cups. 9 of Cups (RX). 7 of Cups.

Pile 3B: This is the pile for those that are “inexperienced” but know that they’re going to be in their career field. I don’t think that you are clueless as to what you want to do. You know exactly what you want to do, you just don’t think you fit the criteria. When in reality, you’re rejecting yourself before someone else rejects you. Stop counting yourself out man. I think you want to pursue a career as a model, a baker, an influencer perhaps? I think you have some childhood wounds surrounding your social circle. You were viewed as an outcast and this is why you feel stuck. You know you’re going to be somebody but you need to start acting like it. I think that the route you want to take requires you to be in the spotlight. There is an audience for you but you refuse to put yourself out there. I think the best way for you to get over this is to challenge yourself. Create small tasks that will help you get out of your comfort zone. Therapists would call this rejection therapy. Try it!

extra: ANTM theme song. ADHD meds. kendrick lamar. “simultaneously”. influence. impostor syndrome. what was i made for? gymnast. athlete. being the only non-white person in the room. fitness model. green grass walls.

[raven-at-the-writing-desk]

Hi, Miss Raven! What're your thoughts on the new characters' designs and the new cards we're getting?

[You can see the designs for the Halloween 2023 cards and other related TWST news here!]

I'll post my general thoughts below! I unfortunately don't know enough about Pinocchio myself to point out all the little easter eggs in their outfits, so I'll leave that to those who are more knowledgeable than me.

***Spoilers below the cut!!***

Regarding the NRC boys' looks overall, I think it's a very fun theme and very fitting for the location of the event. I like that they all still wear masks, just in a different context than in Glorious Masquerade. One thing I did notice is that the masks seem... same-y? Like they all resemble thick tree roots or something like that. So maybe they aren't masks at all, but they're associated with whatever the conflict in the story is. (I previously suggested mind control or the loss of consciousness, so maybe the "roots" play into that???) You can see the marionette theme Yana was going for, as well as some design elements from Black Butler's circus arc, very clearly. The poses for each of the boys, even the R cards, are extremely dynamic and imply a strong sense of movement. The ribbons are such a simple detail that contributes a lot to this sense of whimsy and flow.

Some comments I have on specific designs and poses:

Suspenders are so... Trey 💀 THERE'S REALLY NOTHING ELSE FOR ME TO ADD HERE, THEY JUST SUIT HIM

I like it when Trey makes these kind of slightly sus but plausibly deniable faces... He should make more of them...

I can't see the front of Jack's outfit that well, so I don't know if I can fully comment on it??? But I can see his. Like. Physique... coming through... That chest to waist ratio/j

Seeing Jack's tail like that kinda weirds me out. I think that's the first time we've gotten a "full" view of how the tails look coming out of the pants??? So maybe I'll get more used to it with time...

J WORD MY BELOVED dghgqwktvwukdviu1vdutw1513FR7vuofOTVUofvfaafvfyivs.,bk;mobsdb;ibuafetvuqoffSEythTOTqebivfguovqnafCUtuiUIEtt please ignore my bias 🤡 The way his top hat is angled and how there's a dark blue ribbon around him... It vaguely looks like he's trying to pass as Crowley, LOL

I like how his undershirt is frilled and how he has that sash at his waist it reminds me of the genderbent design for my TWST OC! The fact that both he and Floyd have the eel emblem that resembles a heart is also really cute~

Lilis is my favorite design of the R cards!! There's a very good distribution of ruffles throughout the look, and his knotted skirts fit well with his personal flair.

I'm not a huge fan of the style of hat Cater's wearing (sorry to all the Cay-kun stans out there), but I can appreciate his look. His dress appears more militant than Trey's, and his posing is certainly more aggressive--it's nice to see him in this new light.

FHIBBAILAIBASIADIHBLBUDB EVERY TIME I SEE L*ONA NOW I'M GOING TO THINK OF THE ONE REBLOG I SAW THAT SAID "of course leona has his tits out again" BECAUSE THEY'RE RIGHT, HE'S LITERALLY THE GIRLIE THAT DRESSES SLUTTY ON HALLOWEEN AND SOMEHOW NEVER GETS COLD 😭 You go, king... Live your best life!!

Love L*ona-san’s new hairstyle here!! 👀

The way Floyd is posed reminds me of those people that walk around on stilts. I think I much prefer the coloration on Floyd's outfit than on Jade's, but I prefer Floyd's jacket to Jade's. I think Floyd's the best of the SR designs!

Shockingly, Vil's look doesn't stand out to me that much??? I enjoy his sash, but I don't immediately pick up on anything in his illustration that catches my eye.

His pose resembles that of a ballerina, which just makes me think about the time he assigned Epel and Deuce extra (ballet) dance lessons in book 5 ajdbhasivldsadued

Of the SSRs, Ace is definitely my favorite one. He just looks so dramatic soaking up that spotlight and trying to look cool while doing it... Bro's 100% thinking, "heheheheh, I'm SO awesome :))" in his head.

Ace's design also reminds me a lot of Jack Hearts (from Disney Villain Recruiters). Not sure if it was intentional or not, but I'm definitely super into it!

HHNNNNNGNGHGHHGHGNGNGHHGHGHGHGHHHHH I WANNA BITE HIS HEAD OFF AND BULLY HIM SO BAD, I WANNA WIPE THAT SMIRK OF FHIS DUMB FACEe Am I seriously about to revert back to my Brat Loving era for Trappola... Maybe so...

I was pretty much expecting a SSR Ace (because he's a trickster with a brother that works in an amusement park) and Ortho (literally a robot that became a real boy), but Kalim took me by surprise. In hindsight, I guess it makes sense though...? Kalim has a similar immature vibe as the other two (plus I do remember there being this one scene in Aladdin where the Sultan was dressed like a jester that was being maneuvered on puppet strings).

It's great that Kalim gets to be a little out of his usual element and make darker, more mysterious expressions like what we see in his new illustration. I'm not sure if I entirely agree with how he's dressed (the yellow jacket is WAY too bright), but I love his his coattails (???) trail behind him in waves.

OR-KUN MY SON 😭😭😭 As is the case with all of his gears, I adore how the devs creatively adapted clothing into metal parts for Ortho! The half-caplet is easily the best part of the whole look for me (the pattern on it reminds me of stars falling down)--and because Ortho has a smaller stature, the type of hat he's wearing isn't as offputting; it actually looks very cute on him.

ANYWAY, VERY HAPPY THAT ORTHO GETS TO HAVE A HALLOWEEN SSR TO MATCH HIS BROTHER'S HALLOWEEN SSR FROM LAST YEAR... They match!!!

... Is that the fucking cricket on Ortho’s cape... and the goldfish on Kalim’s scarf… AND THE CAT ON ACE’S WAIST… What does this meeeean 🤡

And now for my thoughts on the two new boys!! Honestly?? I don't actually have much to comment on in this regard because I try to reserve my judgment of characters until I've actually seen them in action. I haven't seen Pinocchio either, so I don't have a strong basis for what their personalities would be like based on their original Disney counterpart. I only vaguely understand that Honest John and Gideon trick children into visiting Pleasure Island... That's it, that's the full extent of my knowledge on that pair. I don't have any other expectations going in other than "yeah, these two are going to swindle me".

Gidel looks like a mix of Cheka and Ruggie to me (because of the hair and the eye shape). He seems like he’ll be the other guy’s goon, similar to how Jade and Floyd/Ruggie follow Azul/Leona. Nothing else for me to add, Gidel seems alright… Just a silly lil’ guy!

I have more… mixed thoughts on Ferro. One one hand, he looks like the exact kind of shady bitch I’d love. (You know, the ones that smile and lie and manipulate and drive a knife into your back and—LOOK, HE’S VERY J WORD CORE) On the other hand, I’m beating back the “you like cat/dog boys” allegations from my friends, so 💀 I can’t give in so easily/j

Looks-wise, Ferro’s iteration of the rat tail hair is not as ugly to me as Malleus’s is. (I think it’s because it looks more windswept!) I also really like how he dresses—very dapper 😌 and he can pull off green eyeshadow well!

I’m wondering how they’ll make Ferro different than the other con artists we’ve seen so far *eyes Octavinelle* but I’m keeping my hopes up since the devs did a good job remixing the “I have a dead brother and I feel immense guilt about it” backstory for Rollo (when Idia had a similar one). Looking forward to that~

I’m sure my thoughts will chance once I actually get to see them in the event! ^^ I’ll keep you posted. For now, I’ll keep cautious. (Actually, this fan art basically summarizes my current feelings on the two! I’m Rollo/j)

[kazinsblog]

Thank You for Participating

With that! Yuma month has officially come to an end! *⸜(* ॑꒳ ॑* )⸝*

Thank you for all your hard work \(❁´∀`❁)ﾉ𖤐´-

I had to wait an extra day to post this due to timezone reasons XD and this post is also the reason why I didn’t say much in my Day 31 post as well, I tried to keep it a surprise.

Thank you to everyone who participated and for the kind words as well ;w;. I'm truly grateful, I didn’t think a lot of people would want to participate since monthly challenges are quite daunting. I love seeing all of your works and various interpretations of the prompts as well. It made me look forward to seeing them the next day!

I hope Yuma month was fun and everyone also had the chance to try something new! 

If you still want to draw or write prompts or give it a try some other time, you can tag me and I’ll still reblog it! I’d love to see more entries! :3 

This is also the first time I’ve held this kind of prompt challenge event as well. If there’s anything you’d think that could improved or be changed please let me know~! You can leave a comment, ask, or DM me here on this blog or on my main blog. I’m always open to suggestions :D If I were to make another Yuma event next year I’d probably change it to a Yuma Week. A monthly challenge may have been a bit too much XD (I apologize if I stressed anyone out ;w;)

Long post on the Thank you art itself and other stuff I wanna talk about

I designed this Yuma Month Thank You art based on all the prompts and elements everyone showed in their pieces. Sadly I couldn’t include all of the prompts due to the image being overly cluttered but I did squeeze in most of them.

The NDA and Makoto plushies stand out a bit because I noticed they were featured a lot in some prompts throughout Yuma Month so they get their own little spotlight as well :3c

And I thought Yuma doing a little bow is a nice way to end Yuma Month~ the design was also based on my Makoto Month prompt too XD I thought it would be a nice contrast to my last entry for Makoto month and the thought of Yuma bowing and thanking everyone is a nice way to end the event in my opinion :3c

Once again I’m super grateful to everyone who participated ;w; it really makes my day when I see you post a Yuma Month prompt. I also apologize (again) if I caused any stress or pressure to you during Yuma Month orz…

[hazshit-hotel-hater]

Could you talk about the designs Viv makes? I don't see many posts talking about this and I wanted some design tips, I intend to post my own cartoon designs (I just don't know when) and I wanted some tips <⁠(⁠￣⁠︶⁠￣⁠)⁠>

Hey hey!! Id love to talk about designs!

I actually answered this entire question and then uh…. Tumblr deleted my draft so let me try to redo all this lmao

Vivzie has a problem with bodytypes I’ve noticed. Almost all of her cast is insanely skinny and the only two “plus-size” characters I can think of are Millie and Mimzy. Meanwhile, Angel Dust, Vox, Stolas, & Alastor are a few very skinny characters I can think of off the top of my head.

For the best example, I’m going to be using Vox for now. Here is my Vox design next to his canon appearance

They don’t look too different right? This is still easily identifiable as Vox because his main characteristics are there; stupid little hat, tv head, thats about it.

My design also keeps elements of his suit with the stripes and shoulder pads, though in my design his body is a bit wider and his shoulders + waist make him look more commanding and intimidating while still maintaining a sense of professionalism. As for his canon design, he definitely looks sketchy, but he doesn’t really give me that commanding sense of popularity or authority that I feel an overlord should have, especially one with such a wide range of influence as Vox. His canon design looks top heavy and a little pathetic in that “he was born in a wet cardboard box all alone” way. Don’t get me wrong, a small waist can do wonders for a design, but when your designs start to look like… this

I think you might have a problem.

Now, I know I am nowhere near the best character designer in the world, but I have designed my fair share and I think I have enough experience to flatter myself a little.

This is a very simple design choice to make. Body types are probably some of the most intricate and interesting parts of a person in my opinion, and with a lineup like this where everyone looks more or lest the same from the torso down, it’s kind of a dead and sad looking cast, and not in the intended way.

I’m aware my designs are very detailed and wouldn’t be easy to animate with my style, but it’s very easy to draw extra body types with a style fit for TV.

Gravity Falls is a great example of stylised bodies and also using them to build personality. By looking at these characters you can generally tell what their base personality is probably like right? You can do the same thing to an extent with the Hazbin Cast, but all of their designs get muddled into the other. Can you even tell where half of these people are positioned in this screenshot

It’s so pink and red im going to start seeing green when I look away. There are so many colours, use them!!!! You can still slap a red overlay over it and make it “look like hell” or whatever, but you’re still gonna have more variety.

Here’s my body/fur references for Angel and Husk. They are almost entirely opposite to eachother but you can probably get an idea for how they are based on colour and shape. I recommend studying other TV shows and things like anime or movies to see how body types and colours impact character design, but general things I always think of are, like I’ve said, body type, personality, colour, and silhouette. Silhouette is a bit harder to pin since a character can have a very recognizable silhouette and still not be a good design, but honestly to me as long as you can tell which character is which from silhouette you’re good to go on that front.

- Generally just don’t reuse the same colour palette over and over (heres some of my hazbin colours)

- Give diversity in shapes when you can and when it benefits the design

- Try to show their personality through their clothes and pose

- Don’t be afraid to add little physical or personality details that other people might not notice, a good design should keep you interested in tiny details like that or surprise you later on

- Pay attention to what would and wouldn’t make sense (ex. A character that doesn’t like modern fashion wearing modern fashion)

Im not the best at explaining all of this but I hope you could grasp even just a tiny bit of an idea from this! At the end of the day as long as you’re having fun and not actively harming people with the designs then you should be good to go