#also i have like three title ideas in circulation for this already so it might get a tag soon
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here to respond to @inairbinad's tag novel:
#read i am [vibrating] #you're about to get a novel in the tags #first of all this gives me van/taissa vibes from yellowjackets (but in a much more wholesome way) which makes me feral
*insert elmo_fire.jpg here* YEEEEEESSSS. someday I'm gonna write a ST/YJ crossover fic because...i need it. I need it so bad. the collective trauma and angst and gayness.
#the idea of them coming back to each other after all those years!! #of vickie pining for robin!!!! #OUGH my heart#not to tempt your wip pile any more but....i would read so many words of this
okay, so like...I maybe still needed fic ideas for some of the squares on my Robin Bingo card?? So possibly a fic for this could be a fill for Nonbinary Vickie, too?? *blorbos rotate at terminal velocity* also I may already have ideas for how to structure this. Like. I've been mentally outlining this all day, maybe. I'm maybe also vibrating a little.
#ALSO the BRAINCELL SHARING is fucking off the charts here because these are some of my favorite robin tropes that i've also played with!!!!
🤝🤝🤝
#first i love love love separated by trauma rockie angst #especially when vickie doesn't necessarily know about the upside down and robin can't explain why she's /like that/ #(wrote it into falling awake even though technically that's a ronance fic)
auggh, it's sooooo good. Like in canon-compliant fics Rockie can totally work if Vickie gets dragged into the nonsense. But like. While I think it's entirely reasonable for Vickie to also have trauma just by virtue of being a Hawkins resident for the past three years, she also definitely would not Get It, and they're both so young! It would make sense that they don't know how to help each other cope!!
#unhealthy-coping-mechanism-slut-era stobin IS ONE OF MY FAVES TOO and you're so right i don't see it enough #(wrote it into petals because it's so them)#(apartment sharing and all)
📝adding petals to my tbr for this week. god slut duo of all time stobin having emotionally ill-advised sexcapades and just...breaking hearts right and left is so real to me. Every time I see it I feel alive
🔀 with Rockie!
oh...Evan Rachel Wood & co.'s cover of The Beatles' "Because" from Across the Universe. Which is just so perfectly, hauntingly yearning for Rockie that I'm gonna cry.
So I'm thinking like...second chance romance vibes? Right after Vecna Robin and Vickie try to give it a go, and it's good, for a while. They genuinely really love each other, and when things are good, they're great. But when they're bad...when Robin has a week where she can't make it through the night without sneaking out to curl up in bed with Steve. When they're in an elevator and all of a sudden Robin's having a panic attack, curled up in the corner, and can't explain why. When Robin's been on edge all day, and when Vickie says just the wrong thing and lashes out... It's not that Vickie needs to know all of the dark corners of Robin's mind. It's not that Vickie doesn't want to be there for her. But they're eighteen! It's Robin's first relationship, and only Vickie's second and neither of them know how to navigate the landscape of trauma together. So they talk about and they decide...right person, wrong time. There's lots of crying, but they go their separate ways, and for the rest of their life they carry that first love in their heart.
Vickie goes to college. She falls in love with a nice boy. And it's fine. It's good. But it's nothing like the way Robin lit her heart on fire and made all the colors of the world more vibrant. They get married. Have kids. And if at night Vickie sometimes finds herself staring out the window over her kitchen sink, staring at the moon and thinking about the girl she wasn't quite ready to love the way she needed? Well no one needs to know about that do they?
Robin and Steve get an apartment together in the city. Robin goes to school, and works part time with Steve at some retail establishment or another. It becomes clear pretty quickly that the responsibilities of school are just too much for her right now. She drops out after a year. Steve and Robin together have a kind of sluttily-self-destructive era where they go out clubbing most nights and each take home a different conquest each night (yes, both to their shared apartment, no, most of their respective partners are not Huge Fans of this). Eventually Nancy or someone stages an intervention and the two of them find some better coping mechanisms (they still sleep around a lot, but less in a "I'm trying to bury my feelings in sex" kind of way). Steve and Robin get married, and neither of them is really looking for anyone else outside the occasional casual fling, because all they really need is each other.
Until one day, decades later...Robin sees Vickie again. Maybe it's at a coffee shop, a glimpse of fiery red hair in the corner of her eye. Maybe it's on a park bench. Maybe it's even a Hawkins High reunion that Nancy somehow dragged her too. But Robin sees her, and it's like gravity has been restored to earth. It's not until that moment that it dawns on her that this is the thing she's both been running from and towards her whole life. Robin goes up to her, heart in her throat, taps her on the shoulder.
"I'm sorry I couldn't be better for you." The fear is gripping her chest tight.
Vickie spins around, freckled face flushed a bright red. There's a tan line on her ring finger, where it's been sitting empty for only a few days. She has to blink against the sun standing right in front of her, bearing into her eyes. "I'm sorry I didn't know how to love you," she says. "I never stopped, though."
send me a 🔀 and a pairing and I’ll shuffle my music and make an au based on the song that comes up
#vickie is gonna wind up my favorite character by the time s5 drops#rockie#read writes#also i have like three title ideas in circulation for this already so it might get a tag soon
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Kaidan Alenko and the importance of visual storytelling
(Since this post was unable to appear in searches on my old blog, simpingforaymeric, I have chosen to repost it here on my new one)
1. Introduction
One of the most prominent criticisms leveled against the character of Mass Effect’s Kaidan Alenko is that he is, in a word, boring. It’s a comment that seemed confusing after first playing the game and falling almost immediately in love with the character, but gaining some distance after ten years and playing the games more critically than before, starts to make more and more sense.
Don’t get me wrong - Kaidan Alenko is perhaps my most favorite character across all Bioware games. He is by far the one I relate to the most. The following… experiment? Thesis? Elaborate soap box? Is therefore not meant to convince anyone that, Actually, He Is Boring, or even criticize the character of Kaidan Alenko in that sense, but aims to explain why “boring” is the gut reaction of so many (often slightly more casual) players. I want to propose a theory of what issues there are, why they appear across all three games and finally propose a range of edits and changes that might alleviate them. And when I say changes, I in no way mean to change anything about the character of Kaidan Alenko - but to change how that character is communicated to the audience.
I will preface this by saying that this post is roughly ten years in the making and does not reflect just my own personal observations, but relevant input from other fans across social media, from the BSN, to twitter, to tumblr. Many of these people have moved on, many of them have changed blog names so often it is simply impossible for me to look them up. So while I can no longer source any person in particular for any specific observation, I still want to make clear that this is the result of many thoughtful and insightful posts from many thoughtful and insightful people over a span of years. I have no intention of taking the credit for myself, I am just trying to bring it all together in one project. Once we get to the “How to fix it” part, I will only discuss the ideas that I’ve come up with myself over the past few weeks of replaying the trilogy.
If a post like this already exists and is already in circulation, please let me know. I have not been active in the fandom for some years and would be very interested if anyone has done a write up similar to mine before.
Also, this will likely include spoilers for most titles in the Dragon Age and Mass Effect game franchises (not books, or comics, though), so if you haven’t quite finished Inquisition, ME3, or any other game, you may want to hold off on reading this.
You may also want to hold off on reading this because it’s honest to God 19 pages long. I like this character a normal amount.
2. The core issues
If there is a thesis statement to this, it is that Kaidan Alenko sounds like an incredibly interesting, multifaceted, uniquely skilled and powerful character who you never see fully represented on screen. My own particular love of Kaidan comes, if I am honest, less from the cutscenes the game actually puts him in and can instead quite often be traced back to deep analysis of dialogue, codex entries and tracing and connecting implications of the two.
To give a concrete example, I know for a fact that Kaidan Alenko is a very powerful biotic. Most companions in the first game can remark upon this fact and all of them seem impressed. His powers don’t just contribute to an ambiguous Coolness Factor, though. They also impact his personality significantly. They weigh heavy on his conscience, something we learn when he states in early ME1 party banter that he has been deliberately holding himself back for fear of hurting someone. He learned the hard way that his powers are a massive responsibility when he accidentally killed Commander Vyrnnus, something he confesses to you in one of his more powerful conversations in the first game. It’s also a physical burden as we hear from Dr. Chakwas that he suffers from chronic migraines. On top of that, his unique power and his suffering both come from the L2 implant he wears, an outdated model that is considered dangerous. Kaidan has debilitating migraines, but he is one of the luckier ones; other children suffered anything ranging from severe mental disabilities to fatal brain tumors. During the timeline of ME1 there is a serious legal battle raging in the background, of the surviving L2 biotics trying to get reparations for what was done to them. And finally, he is one of the first human biotics to even exist, wearing only the second generation of implants that allow him access to manipulating dark energy. Human biotics are essentially space mages and are socially ostracized and feared by much of humanity.
It’s safe to say that the entire character of Kaidan Alenko hinges on his biotics. His abilities are a fundamental part of him. They have shaped his personality, his ethical code and his sense of personal identity. Kaidan Alenko as a character simply does not make sense without his biotic abilities.
The problem is that you can count the amount of times Kaidan Alenko, one of the most powerful human biotics in the alliance military, actually uses his biotic abilities, on one hand. In fact, you can count them on one finger, because there is exactly one scene - a very simple, not particularly impressive use of Throw on two random goons in the Citadel DLC. Not only is this cutscene not particularly reflective of Kaidan’s extensive ability, it only happens for people who have already locked in his romance and therefore made the game prioritize him. The specific scene could theoretically happen with most other characters. That means anyone who isn’t already completely and entirely sold on the character of Kaidan Alenko, to the extent that they ship their personal OC with him, will likely never see this. I’ll get into why he doesn’t have those scenes a little later.
You can extrapolate this basic issue for most of the other fundamental cornerstones of his character:
Kaidan’s morality is strongly rooted in the concept of Paragon, that is to say, he is not an “ends justify the means” kind of guy. He will often try and resolve things peacefully, like when he talks down his fellow L2 biotics from committing homicide during UNC: Hostage in ME1. But because of how the game’s companion system works, Kaidan is never afforded the ability to do more than politely disagree with a renegade Shepard who happily commits war crimes. Voluntarily leaving the squad, as companions in a Dragon Age game might, is simply not on the table. In fact, his personality is so malleable in the first game that it takes one conversation to turn him into more of a renegade and, by proxy, a xenophobe. This option likely exists to ensure that players of a renegade Shepard have a choice in surrounding themselves with companions that do not fundamentally disagree with their ethics and choices, but it significantly weakens a character we are told values integrity.
Kaidan is an officer. He held the rank of Staff Lieutenant with over a dozen special commendations in ME1, putting him barely one rung below Shepard. The reason Shepard’s initiating dialogue is “Just trying to get a sense of where the crew’s at. Thoughts?” is that Kaidan handles staffing issues and is for all intents and purposes in charge of the marine detail of the Normandy. This simply does not come up. The only thing that is even peripherally mentioned is that Kaidan was the one who recommended getting Ashley Williams on board after Eden Prime. By ME2, he is Staff Commander and outranks Shepard. By ME3, he’s a Major, which is equivalent to the rank of Captain that Anderson held in the first game. As a Major, Kaidan was specifically put in charge of a spec ops team of human biotics. We will never meet them, never see Kaidan commanding them or even talking to them. Never be able to reflect in any way how this changed or affected Kaidan, who was himself abused in an alliance military project under a bad teacher. The game sometimes even forgets that he holds a significant rank at all and will generally consider Shepard to be his superior officer. And I haven’t even gotten into the Spectre stuff.
Kaidan is a chronic pain patient. You will never see him actively suffer the effects, unless we count an idle animation in the first game. Kaidan values self-control. He will never be put into a position where that self-control is tested and he either overcomes or lets loose. Or, at the very least, highly emotional scenes that could tempt his self-control, simply don’t.
3. The importance of visual impact
Kaidan Alenko is a very interesting character. On paper. Anyone who doesn’t spend the extra effort reading codex entries, reading character meta on tumblr and investing a considerable amount of time into wrapping their head around the particulars of his character will likely miss a great deal of his personality, because it’s just not on the screen. It used to be my instinct to argue that, well, reading codex entries is important and putting in a little effort to understand a character is fine and dandy. Anyone who isn’t doing that is simply cheating themselves out of appreciating some wonderful fictional guys. And in some cases, I think it is generally fair that not every aspect of a character need be spoon fed to the player. Fans engaging with the text, rather than passively observing it, is a natural part of media consumption.
However, I have to admit that at the end of the day, video games are a visual medium. Furthermore, the old adage of “show, don’t tell”, still applies. And when a character is fundamentally underrepresented, when even the most basic, core concepts of a character are simply missing from the screen, then I can no longer fault anyone for not immediately connecting to a character who is for all intents and purposes absent.
If you are having trouble wrapping your head around the importance of visual input in video games, let’s contrast Kaidan’s lack with other characters’ plenty.
If you don’t think showing Kaidan’s biotics would contribute much, then think about how Samara’s biotics are serene, precise, beautiful. Picture her sitting on the Normandy carefully meditating, shaping a perfect, beautiful little galaxy between her hands. Now contrast it with Jack, violently and impulsively ripping through three heavy mechs to escape her prison. Biotics aren’t just technically something these characters are capable of - their personalities are reflected in what situations they use them in, how they use them and what they look like.
If you don’t think it matters if a character is afforded an opportunity to show a strong sense of morality, then think about how most companions in Dragon Age do not follow blindly, how big choices like templars vs. mages can cost you the loyalty of one or more companions, if you didn’t invest enough time into forming strong relationships with them. Think about how even in a romance, even at 100% approval, Alistair will leave the party if you choose to spare Loghain. How he will never even consider making that choice if he is put up for that final duel at the Landsmeet. Sure, you can toughen him up a little, you can give him a different outlook and in so doing have some impact on his potential epilogues, but the player is never afforded the opportunity to fundamentally change him. If Alistair leaves, it’s not just a codex entry or a mention on the side. He will confront you and he will walk out on you.
If you don’t think seeing Kaidan in command of his troops is important, then think about how Cullen’s leadership in Inquisition is reflected on screen. How, at the temple of sacred ashes, in one of the very first cutscenes you may meet him in, he is shown carrying his own wounded soldier off the battlefield. How he is present in some way for almost every major battle in the game. In practice Cullen is stuck behind a desk for most of the game so the player can talk to him, but you don’t feel like he is a passive observer. You know that when battle rages, Cullen leads from the front because you have seen that happening consistently throughout the story.
I could even be more concrete and talk about how much Jack manages to develop as a character when you see her interacting with her own gaggle of biotic students in her very own mission. How much care is being depicted in how fiercely she protects those she has come to view as “her own”.
If you don’t think it might be relevant to see Kaidan suffer the migraines we’re told about, think about the gut reaction you have when you see a character like Cullen double over in pain at his desk, how he breaks down, visibly shaking in front of you when he is overwhelmed with the debilitating effects of his condition.
And if you don’t think seeing self-control depicted on screen would be all that impactful, think about how you reacted when you first watched Anders visibly fight to control his power. How his own anger, his own suffering cause him to struggle with his abilities, blue light literally pouring through the cracks in his veneer. You cannot adapt any of the above mentioned scenes 1:1 to Kaidan. He has neither the perfect asari control of the centuries old Samara, nor do I think he has quite the raw power of a royally pissed off Jack. Kaidan is not afforded the opportunity to walk out on Shepard due to how companions work in the trilogy. Kaidan is not in charge of a whole army like Cullen, nor is he likely ridden with trauma quite as intensely as him, since his pain manifests differently and there are modern treatments available to him. He’s not literally possessed by a spirit, like Anders. But all these characters showcase the potential of how a character can impact an audience. They show what can be visually communicated, when care and resources are spent on portraying a character on screen, rather than purely through dialogue and world building.
4. How did we get here
I promised earlier I’d circle back around to the why of it. For all three games, the causes are slightly different and often the result of what I generally call gameplay or story “technicalities”. That is to say, certain aspects of the game or story are simply constructed in such a way that they do not afford Kaidan (and often by proxy, Ashley) the opportunity to do much of significance, if they get to act at all.
I’ve already mentioned how Kaidan’s morality is entirely malleable in the first game based on a mechanic that has less to do with strong characterization and more to do with affording the player the ability to essentially customize their squad. The same applies to Ashley - though I reckon we see her conversation as a little less glaring since turning Ash into more of a paragon generally aligns her morally more closely with most players, while very few people are likely to enjoy turning Kaidan into a raging xenophobe.
The first game offers up little opportunity for Kaidan to display either his biotics or his position as Staff Lieutenant of the Normandy. The latter is easier to explain - the marine detail of the Normandy are just NPCs. They aren’t relevant to the story in any meaningful way, so leading them isn’t a particularly relevant job for Kaidan to be doing. In theory it’s incredibly important to keep an entire detail of soldiers in line, especially when the CO decides to mutiny three quarters through the story, but the plot is driven by Shepard and the squadmates, not the marines of the Normandy. Therefore, there is no real opportunity to showcase Kaidan’s abilities as a leader of soldiers.
The first is a bit more difficult to explain and seems to me like plain oversight. Kaidan doesn’t actually have any character introduction scene. The scene where we first meet him on the Normandy is not his introduction, it’s Joker’s. Joker is being characterized as our snarky, cynical pilot - Kaidan is just the person he is being contrasted against. Every other character on the Normandy has a strong introductory scene. Ashley is seen fleeing the geth, before we see her determinedly reload her rifle and turn back to enact some good old fashioned vengeance. Garrus is first seen arguing with his boss, marking him as a not-by-the-book kind of cop, then established as a crack shot by resolving a hostage crisis with a single precise shot of his pistol. Tali is seen negotiating with shady dealers, shown to be self-sufficient and clever enough to know something is up, characterizing her as intelligent and resourceful. Wrex is hilariously unintimidated by the space cops on the Citadel and thus presented as a certified badass. Finally, Liara is our traditional damsel in distress. And Kaidan… well. Nothing. There isn’t a Kaidan-specific scene in the first game.
At a guess, Kaidan might have played a bigger role in the cut segments on Eden Prime. For those not in the know, dialogue from the game files indicates that the Eden Prime level used to be longer (look for DanaDuchy’s “party banter” video on youtube and start from around 28 minutes. I had it linked originally, but it seems it prevented this post from showing up). Maybe there was a cutscene somewhere here that introduced new players to the concept of biotics in general and Kaidan’s abilities in particular that eventually ended up on the cutting room floor when the Eden Prime level was shortened. Maybe it’s just a general oversight and it truly never hit anyone that a) new players to the universe might want a crash course in what the heck is up with that space magic thing or b) players might need a strong, effective cutscene establishing Kaidan as a character.
(Incidentally, that cut dialogue from Eden Prime also states that Kaidan was originally intended to be vegetarian, which is, if nothing else, damn funny in hindsight.)
In ME2 the issue can be summed up summarily as “missing out on content”. Kaidan isn’t really afforded any space to act in the story. The one brief moment of involvement he has in the plot - Horizon - is once again reduced to mere dialogue. The one scripted cutscene he has, he shares with Ashley, in which both are fruitlessly shooting at a swarm of insects, trying to protect colonists, but are immediately and forcefully removed from the plot via convenient sedatives. They only return for yet another dialogue-heavy segment, which a lot of people dislike for understandable reasons, but is to me one of the few moments in which the characters display a firm moral stance. I might hate the scene because I hate Shepard and Kaidan fighting and the dialogue itself leaves a bit to be desired, but I like it in the sense that it provides decent characterization by making both Virmire Survivors stand their ground, even against someone they respect or possibly love.
To make things worse, thanks to the loyalty mission concept, ME2 was actually the game that best handled its character driven storytelling. Every squadmate is afforded the care and resources of a completely unique mission that tells us something important about them and provides ample characterization through their motivations for the mission as well as its outcome. Liara manages to circumvent the problem of not being there for those loyalty missions by getting her own story-driven DLC, which pushes forward her character development and resolves the lingering tension between her and Shepard, whether in a platonic or romantic sense. Kaidan and Ashley are not afforded the same opportunity.
Some people have pointed out that it is a positive thing, that Kaidan and Ashley do not need a loyalty mission, that their loyalty is gained organically and through actions throughout the trilogy rather than in one specifically scripted mission. I agree with that interpretation, but it does gloss over the fact that loyalty missions are not just a sign that a character is struggling and needs or wants something from Shepard, but an opportunity to spend time with a character on a mission tailored completely to them. Resources and time are dedicated to their portrayal and in so doing communicate what the character is all about to the audience. And Kaidan and Ashley lacking that kind of content is not a net positive.
In ME3, the preceding issues are not addressed and compounded by new decisions. The lack of a strong, initial cutscene remains unsolved. Kaidan’s introduction in 3 is short and dialogue-heavy, before he is once again forcefully removed from the plot, so Shepard and Anderson can shoot their way through the combat tutorial. When he reappears to effectively save Shepard with the Normandy, he doesn’t do much more than fire a standard assault rifle at a bunch of husks. He briefly returns for the segment on Mars, where the dialogue begins to meaningfully address the tension that was resolved for Liara in the preceding game, but he is then forcefully removed from the plot a third time, getting punched straight into hospital. Even the Citadel standoff, one of the few scenes the VS gets with some general plot-relevance, is undercut by the fact that it has to accommodate both Kaidan and Ashley - two characters who are very different. This is where the problem with the biotics really kicks off.
You see, the reason Kaidan is never using his biotics prominently during cutscenes is because he shares a majority of his cutscenes with Ashley, who isn’t a biotic. Outside of the few romance and friendship scenes, such as the Citadel dates, cutscenes for the Virmire Survivor have to accommodate two characters who are fundamentally different. Ashley is more renegade, Kaidan is more paragon, Kaidan has biotic abilities, Ashley does not. Their personalities and skills are almost at opposite ends of a spectrum, but because any one player of the series will only ever be able to keep one of them alive, fewer resources seem to have been spent on each character individually and their biggest, most important scenes have to operate on an ambiguous middle ground. Ashley is impulsive, a renegade and only has her gun at her disposal, so if Shepard hesitates to shoot Udina during the Citadel standoff, Ashley will shoot him for them, same as she did with Wrex in the first game. For her, this is a fine scene. But Kaidan in contrast is supposed to be calm and controlled, has a strong paragon personality and a range of abilities at his disposal. If the cutscene reflected him truthfully, this scene could diverge significantly for Kaidan. He might choose not to kill Udina and instead wrap him in a stasis field, both to spare his life and so he can be interrogated. These are options Ashley does not have, so the cutscene can’t go there.
In general ME3 gave me the distinct feeling that a majority of cutscenes are written with Ashley in mind first and then dialogue is adapted for Kaidan. Liara’s comment about the Virmire Survivor becoming “very capable” makes some sense for Ashley, who started out as gunnery chief and was new to serving aboard a ship, alongside aliens and operating in deep space. Ashley was a bit of a rookie in some sense. Kaidan starts the series as an officer, already in charge of a significant number of soldiers. He already had over a dozen special commendations. I’m certainly not offended on behalf of the character, but this commentary doesn’t make sense unless you ignore everything the world building and codex establishes about Kaidan and just see him as any other soldier, some kind of raw recruit who was looking up to Shepard. Instead, it is Shepard who is afforded several opportunities to ask Kaidan, three years their senior, for advice on both tactics and politics in the first game - and Kaidan who looks out for Shepard in turn. Liara’s commentary is simply not reflective of Kaidan’s role in the story up to this point, or his relationship with Shepard.
His role as Major is undercut on several occasions. After the Citadel standoff, the game briefly forgets that Kaidan outranks Shepard by now, as Joker complains that Kaidan “almost shot a superior officer”. His leadership of the spec ops squad is mentioned and party banter even indicates he finds at least one squad during the game, but we will never meet them. This time I really don’t understand it. I can easily see that you can’t rewrite the entire structure of ME1 to give the marine detail of the Normandy a more active role to play in the story just to better reflect Kaidan’s rank - but I honestly don’t know why there isn’t even a small cutscene involving Kaidan in the Normady’s communications center just talking to his spec ops squad. It’s a huge wasted opportunity to not put names and faces to his students (like we do for Jack). If we don’t have the time or money for a full loyalty mission (which at this point may be sorely needed) that’s one thing. But to choose to ignore the one, cool new thing that is unique to Kaidan, to not spend five minutes on exploring that aspect of his character? It feels like such an obvious problem in hindsight.
His chronic pain barely comes up, which again just feels a bit odd. If you ask me, ME3 is the perfect opportunity to showcase some vulnerability, to display your companions cracking under the pressure of the end of the world. The game does that quite admirably with Shepard, in fact. It doesn’t have to be a scene where he breaks down the way Cullen does, but it wouldn’t take that much to show some of the facade starting to crack.
You can easily add the issue of self-control to that. It might have been interesting for Kaidan to be put into a situation where that self-control could be on display, where a difficult decision might make or break him. It could intensify his romance, to really portray the emotional difficulty of finally reuniting with the person he watched die after two long years.
If you ever catch me complaining about the date at Apollo’s or even the scene in the Citadel DLC, this is why. I don’t hate the idea of Kaidan cracking jokes about his Canadian-ness or his fondness for steak and beer. It’s that these are the things the game chooses to spend time on, to spend money on, when the more fundamental parts of his character are left either entirely on the cutting room floor or restricted to off-handed mentions. There isn’t anything fundamentally wrong with having a cutesy home cooked dinner scene. I could and would even argue for the fact that this kind of normalcy is a great contrast for a character who didn’t have much normalcy in his life. What bugs me about it is the knowledge that money and time were devoted to a custom beer clink animation when the character of Kaidan Alenko, after several years of game development and an entire trilogy, does not have a single cutscene where he prominently displays the extent of his biotic abilities. What bugs me is that the lighthearted and fun stuff ends up taking precedence over the deeper, more meaningful cornerstones of his character, rather than flesh out the strong foundation that could already be there.
Even the fans who really enjoy Kaidan in ME3 seem to be at least tacitly aware that Canadian in-jokes and memes about Kaidan’s fondness for steak and beer feel like a little much. They don’t technically take up that much time - it’s only two cutscenes - but because the character lacks so much on every other front, they become overwhelming. They don’t become a cute contrast of normalcy to a character who has lived a life that was anything but - they become the fundamental cornerstones of his character. They become the thing that people take away from the story. They displace and overshadow everything else that was not prominently featured on screen. And even those of us who have dissected his character to hell and back, who know that a strong foundation is there if you dig deep enough into every codex entry, every smidgeon of dialogue - even we are not immune to the impact of visual storytelling. And even we can end up feeling like there’s a bit too much memeing about Canada, too many discussions of steak and flavors of alcohol.
In the end - what about Kaidan was visually presented on the screen?
That he’ll spend a disconcerting amount of time aimlessly shooting at insects. That he’ll shoot Udina if you won’t. That he really likes steak and alcohol. Anything else, we just don’t see.
If you take all of this together, is it any wonder the main takeaway from a more casual observer is that Kaidan is some relatively uninteresting, painfully average kind of guy?
5. So what?
It’s one thing to identify the issues and even how we got to those issues, but another thing entirely to provide actual, constructive feedback on how to do things better. So I want to spend the next and longest part of this cry for help thought excercise by finding ways to address the issues identified earlier. I’ve already alluded to a few ideas but I want to bring some structure into it.
As such, I want to outline a script, an editor’s note of the existing franchise. I want to brainstorm some basic ideas for cutscenes and interactions that untangle Kaidan from Ashley, that give Kaidan a bit of a space to breathe and develop as a character and in so doing, create better contrast for Ashley, making the choice between the two seem a bit more meaningful.
What I want to avoid is airing my own personal grievances with the way Kaidan was portrayed in ME3. I do not intend to win any arguments over who the “real” Kaidan is. Kaidan is a fictional character who was originally conceived by one writer and then adapted for the third game by another. Small inconsistencies, differences in creative decisions and focus are often unavoidable, so I am uninterested in fostering some kind of bizarre fan civil war. Some people prefer Kaidan in ME3. Some people prefer Kaidan in ME1. I cannot objectively prove which version of the character is better - some fans might never even have felt a tangible difference - so I won’t. And I won’t try and change anything about ME3’s Kaidan that I believe to be my entirely subjective preferences, or result from the kind of differences in style of writing that are inevitable under a new character writer.
Instead, I aim to limit myself to critiquing only those scenes which I believe don’t so much portray Kaidan as “ooc”, because that can mean something different to every single person, but instead simply fail to portray him at all. The scenes that do not provide strong characterization either way, the scenes where I feel like time and money could have been allocated more wisely. I will try and explain my reasoning for why these scenes are often not bad, but achieve less than they could.
I also limit myself in what can feasibly be displayed on screen, if we consider that games are made under time and budget constraints. I will not do anything that would require large rewrites of any of the games. I will try to achieve as much as possible with as little as possible and won’t replace quiet, dialogue-heavy scenes with busy, animation-heavy scenes. I will try to think as a game dev and writer might, with the caveat that a) I am not actually in game dev and might over- or underestimate certain issues and b) I’ve had the past 10 years to think about this in hindsight with the input of an active fanbase, which is a very different environment to be in, than a game dev who’s been given a certain number of months to come up with or adapt someone else’s fictional guy.
This is why I am also uninterested in discussing questions of writing competency, or talk about things in terms of “bad writing”, because I do not feel comfortable rendering that kind of judgment on people working in a field I have no tangible experience in and who worked under conditions so very different from the ones under which I am able to comfortably analyze and critique their choices with a decade of hindsight.
Ultimately, my proposed edits are just my own personal thoughts, though. The idea behind this is to analyze how you visually represent certain characteristics. If you don’t end up liking any of my proposed solutions, if they don’t really match up your interpretation of Kaidan, I hope they at least provide a decent framework for you to come up with your own.
With all this in mind, let’s see what we could do to address the existing problems.
6. How to fix it:
I will be writing this segment mostly with a paragon Shepard in mind. Renegade dialogue options are often confrontational or shut down a conversation, rather than extend it, so for now I am uninterested to also include an “and you can tell him to shut up too!” option at every turn. In a realistic scenario I would of course need to script a full dialogue wheel including diverging paths, but this is already embarrassingly long for a thought exercise. When actions, rather than dialogue, are supposed to reflect a specific morality, I’ll accommodate both paragon and renegade options, but for conversations I will outline a simple click-top-right-on-the-dialogue-wheel path.
ME1:
All we really need in the first game is a Kaidan-specific cutscene during Eden Prime, affording him the minimum amount of time and resources that are afforded to every other squadmate in the game. I propose the following: As the team encounters the husks for the first time, during the cutscene where they slowly descend from the dragon’s teeth, Shepard, Ash and Kaidan almost get swarmed. Kaidan manages to pull a barrier around them all, pushing the husks out and smashing some of them against the prefab homes. Combat starts after that. Dialogue back on the Normandy will reference this and Shepard can comment on Kaidan’s extensive abilities.
I would also plainly cut both the conversations for Ashley and Kaidan that allow a player to modify their morality. This change is not really reflected in later characterization of either VS, so it has become redundant in retrospect. Removing it makes both characters seem less malleable and more firm. Any character development or change they might go through would be on their own terms.
ME2:
I suggest altering the Horizon segment and extending it by a little bit. A lot of this comes down to extending dialogue and adding concrete consequences.
In the initial cutscene, neither Kaidan nor Ash stand around firing pointlessly at a bug swarm. Both of them attempt to cover the colonists, but upon realizing their shooting doesn’t accomplish much, they follow the colonists, shooting at the swarm once or twice (Kaidan maybe even remembering to use those biotics that he has), but ultimately run with them to the nearest prefab house and hunkering down. Shepard, partway through the colony, breaks into that exact house and finds themselves face to face and gun to gun with the Virmire Survivor. They are disbelieving, but there is not much time to ask questions, similar to how we first encounter Tali. To gain their trust, Shepard can share the swarm-countermeasure with the VS, at which point the path diverges depending on which VS is alive and if they have been given the countermeasure:
If Kaidan is alive:
If given Mordin’s countermeasure, Kaidan decides to head back out and try to find as many survivors as he can. He has figured out by now that his biotics can slow the swarm down and barriers hold them off effectively (as we see in the suicide mission later on), so he focuses on protecting people. A paragon Shepard will agree with him, a renegade Shepard may try to get him to focus on killing Collectors instead, but ultimately Kaidan is immune to their influence right now and will move forward with his plan.
Later, when hitting the Collector ship, more of the pods will be empty, but the ship is almost fully staffed. Companion banter indicates that Kaidan protecting the colonists has saved more lives than initially thought. More paragon inclined characters will note their approval, more renegade inclined characters will bemoan that it’s a hollow victory if they don’t finish the rest of the Collectors off. Shepard’s agreement or disagreement depends on their own alignment.
If Ashley is alive:
If given Mordin’s countermeasure, Ashley decides to head back out and shoot as many Collectors as she can. She has enough explosives to blow a decent amount of them to hell and wants to slow them down, so they can’t hit the next colony like they hit Horizon. She lacks the biotic abilities that would let her meaningfully protect the colonists. A renegade Shepard will agree with her, a paragon Shepard may try to get her to focus on protecting colonists instead, but ultimately Ashley is immune to their influence right now and will move forward with her plan.
Later, when hitting the Collector ship, more of the pods will be filled, but the ship is running only a skeleton crew. Companion banter indicates that Ashley going after them has taken out more Collectors than initially thought. More renegade inclined characters will note their approval, more paragon inclined characters will lament that a lot of colonists are dead now to give them this advantage. Shepard’s agreement or disagreement depends on their own alignment.
After the final battle on Horizon, if Shepard gave the VS the countermeasure, they are slightly more amicable in the ensuing dialogue, but ultimately do not join Shepard, still citing distrust of Cerberus and still not fully convinced Shepard isn’t just a clone or a particularly clever VI. They will say that they will share the countermeasure with the Alliance and bolster other human colonies against the seeker swarms. In the debrief, the Illusive Man will be pretty ticked off for sharing such useful tools with the Alliance, but ultimately agrees since this saves human lives. This will also count favorably towards the Citadel stand-off in ME3.
If Shepard did not give the VS the countermeasure, they were unable to participate in the fight, forced to remain locked down with the colonists. They are even more distrustful in the ensuing dialogue and do not join Shepard, still citing distrust of Cerberus and still not fully convinced Shepard isn’t just a clone or a particularly clever VI. Without the countermeasure, human colonies will remain vulnerable to Collector attacks, but a renegade Shepard’s reasoning is that they will put a stop to the attacks themselves. The Illusive Man will compliment Shepard on being discreet and sticking to the mission plan, revealing perhaps in some sense that his care for humanity only goes so far. This will count negatively towards the Citadel stand-off in ME3.
ME3:
Vancouver
To provide one more, at least marginally stronger initial cutscene for the VS, I would involve them a bit more in the flight from Earth. I would have most of it play out as is but modify the touchdown of the Normandy, giving Kaidan and Ashley something more interesting to do than providing broad, unfocused cover fire.
If Kaidan is alive, he could use his biotics to protect Shepard, raising a barrier and pushing away husks similar to how Jack/Samara can push out the seeker swarms in ME2’s suicide run. This is not just to use the same idea twice - if my proposed scene from ME1 is added, this could be an effective callback.
If Ashley is alive, she could use her marksman ability (her tactical scores are, according to dialogue in ME1, exemplary!) and protect Shepard from husks with a few well-aimed headshots, similar to how Legion protects Shepard during the derelict Reaper mission in ME2.
The important thing is to visually portray both characters as distinct, with unique abilities all to themselves.
Mars
I am fine with a majority of the dialogue on Mars (barring earlier criticism of the “very capable” conversation as it applies to Kaidan).
The main change I propose on Mars is that during the final cutscene where the VS is attacked and almost killed by Dr. Eva Core, rather than shoving Liara out of the way, the VS should be shown visibly protecting and saving Shepard. Dialogue later in the game seems to indicate that this is the scene’s intent. Shepard is later portrayed as concerned, possibly guilty over the VS’ injuries and in some dialogue outright states that the VS “got hurt protecting me”, but this is just not what is reflected on screen. Sure, it sounds like pedantry to even bring this up, but players identify strongly with their avatar and a scene in which a character visibly gives their life for the player’s avatar has a very different impact than a scene in which a squadmate visibly protects another.
So, in my opinion, it should be Vega helping Liara away from the fire, while Shepard and the VS approach the shuttle. When Dr. Eva Core turns out to be alive and tries to attack Shepard, the VS pushes Shepard out of the way, after which the VS gets grabbed, affording Shepard enough time to get up and into position to fire at Dr. Eva Core. The rest plays out as is.
This has the added advantage of turning the scene into a more obvious parallel for the events on Eden Prime that kick off the first game. Where once Shepard pushed Kaidan or Ashley out of the way and they had to carry their commander’s unconscious body back to the Normandy, the VS finally gets the opportunity to save Shepard at the risk of their own life in turn.
(Optional: None of the scenes on Mars can be adapted to truly reflect Kaidan’s biotic abilities without fundamentally altering how they play out. For example, the encounter with the turret would have to be amended considerably if Kaidan could meaningfully impact this scene with a biotic barrier, since it’s a tutorial on how to move from cover to cover. Therefore, I am omitting this. If we want to really be sure that no one shouts “plot hole!” just because, dialogue later in the game can posit how Kaidan was tapped out biotically after the fighting in Vancouver and on Mars and therefore was unable to construct a strong barrier when facing the turret or Dr. Eva Core. But that is rationalization of scenes via dialogue and those things missing are not the games’ most glaring issues. Not when contrasted against the missing visual impact of certain cutscenes. This scene is made impactful by Kaidan being severely injured, being pedantic about how he got put into that position isn’t helpful in this case, provided he has ample opportunity elsewhere to show off his abilities.)
Priority: Citadel
I suggest adjusting the Citadel standoff as noted in one of the earlier sections, with one additional change. The Citadel standoff primarily works for Ashley and in my opinion requires no great adjustment. But I would enable Kaidan to make a different choice. Since the standoff is a big emotional scene I would have it test Kaidan’s self-control and show Kaidan’s biotics flaring slightly when confronted by Shepard, then once again more dangerously when Udina pulls out a gun. In a twist, Kaidan, instead of attacking, uses his biotics to trap Udina in a stasis field, allowing Udina to be taken in alive. Maybe that achieves nothing in gameplay terms, maybe Udina is just not high enough up the chain of Cerberus to carry valuable intel, but it would still show that if pushed, Kaidan will remain calm and controlled, take charge of a difficult situation and try to preserve what life he can as a Paragon would.
A renegade Shepard can still choose to shoot Udina anyways. This gives the resulting recruitment dialogue more possibilities too. Kaidan can be grateful that Shepard extended the same trust to him that he has extended to them, enabling them to resolve the standoff peacefully. He might butt heads with a renegade Shepard who shot Udina, as his current dialogue reflects.
By contrast, Ash might butt heads with a paragon Shepard who was hesitant, but might approve of the quick reaction time and decisive action of a renegade Shepard, who shot Udina themselves.
The standoff can largely function as it currently does because it’s not a bad scene in theory - it’s one of the most meaningful the VS ever gets - it simply needs to provide stronger and more distinct characterization for either VS. Two fundamentally different characters should not be making identical choices.
The Normandy
To better display the impact of the war on Kaidan and his chronic pain, I would add visible pain to the very first conversation on the ship, the one about his parents. The scene is already suitably heavy and Kaidan is already voiced to be deep in thought and in emotional turmoil, so it wouldn’t take much. Slap in the idle animation from ME1 of him rubbing his head, add a line of Shepard asking him if he’s doing ok and bam! - players can see the stress of the war getting to him.
There are a number of ways to diversify how this plays out. Maybe a romanced Kaidan puts in more effort to hide his pain, maybe Shepard is shown to quickly cut through his bullshit. Perhaps an opportunity could be offered for a Shepard to reach out and attempt to comfort him in the form of a paragon interrupt, falling into familiar motions from before the Normandy went down. It can be a little tense, a little awkward, a little emotionally fraught.
Most of those ideas hit better than the very general “there’s strength in camaraderie, in empathy” line. This is the first interaction for Kaidan back on the Normandy. It should be a little more personal than that.
(Re-) Initiating Romance
In a more controversial decision, I would toss out the dinner date at Apollo’s entirely and replace it. I’ve said that I would not remove scenes based on personal preference and this is one of those cases where I just don’t think the scene provides adequate characterization.
The basic idea of the Citadel date is a sanity check - a break for Shepard and Kaidan. The restaurant, the food and the drinks are vectors to communicate that idea, but the vector is not the important part, the message is.
Moreover, while a date is cute, this is the scene that potentially reunites Shepard and Kaidan. Whether we’re talking about a female Shepard who romanced Kaidan in ME1, a male Shepard who was never afforded that possibility but for whom the lingering romantic tension can finally blossom into a real relationship in ME3, or a new player who is trying to make sense of two characters who, romantically or platonically, clearly have a history - this scene is pretty significant. Does a romantic dinner date provide useful contrast or does it undercut the potential emotional intensity of what actually happens? Your mileage may vary, but for me, it is the latter.
And that is why I propose a change. Kaidan’s love for steak and beer will a) return in the Citadel DLC anyhow, where food and drink are not just a vector of a message but part of a message. Namely they set the backdrop for a moment of domesticity and normalcy, providing a valuable contrast to the rest of the games and their more emotionally heavy, serious scenes. And b) it returns at least one more time as a throwaway line, which is better suited for that. Food preferences are almost always communicated in small mentions at the periphery of a character. Fandom made a big deal about Alistair’s love for cheese, but that’s one, maybe two off-handed lines in the first game.
(Maybe Kaidan’s original writer was somewhat aware of that idea when he wrote that “I’m glad I’m a vegetarian.” line to play on the sidelines, rather than devote an entire cutscene to it. Maybe it’s entirely incidental. But either way, I think it was the right idea.)
My proposition would be to take that break at a location that is significant to Kaidan and Shepard from the first game. My mind almost immediately went to the scenic view from the wards where Shepard, Kaidan and Ashley first have their moment to just talk. It is the first instance of flirting between Kaidan and a female Shepard, symbolically turning it into the place where their relationship kicked off and making it an emotionally significant location from which to pick that same relationship back up. The locale presents some difficulty from an animation standpoint - the wards weren’t put into the game for ME3 - but the game already reuses assets from the first game when talking to the Council and I see no reason why we can’t do the same here. The location can be polished up with new assets and the view over the ward arms exists in the game, in ME3 you just see it from the docking bay.
With refugees pouring into the docks and shortly after the coup on the Citadel, this part of the wards could be comparatively quiet, empty streets reflecting a Citadel during war time, with people either spending time with their loved ones or letting loose in clubs. Dialogue could clarify this to set a scene of quiet reminiscing and establish that, just as the Citadel’s residents, Kaidan and Shepard take a moment to spend time with the people that are important to them, platonically or romantically - each other.
The conversation would be nostalgic, looking back to their first day on the Citadel, reminiscing about Ashley and bonding in their shared grief. Regardless of specific lines, I think a nostalgic, contemplative mood a) reflects Kaidan as a character better, b) has a heavier, emotional impact on the player (esp. with that incredibly sad music that suddenly overshadows the cozy mood of Apollo’s) and therefore better fits into the narrative arc of ME3, c) better communicates the characters’ shared history, both to returning and new players.
The confession can play out rather similar to the original date, but I would support the emotional tone a bit more with animations. Rather than the calm hand kiss we see, I want to showcase Kaidan’s self-control one last time - this time, by breaking, rather than maintaining it. Regardless of whether this is a returning or a new romance, I think I can justify an impulsive, sudden kiss between the two, initiated by either Shepard with an interrupt, or, if missed, by Kaidan, finally and symbolically giving in (possibly once again) to his feelings for Shepard. If Shepard initiates the kiss, it mirrors the kiss in ME1 on the flight to Ilos. If Kaidan initiates it, it becomes a parallel that maybe indicates some measure of character development on his part has taken place - here, at the end of the world, he’s finally, truly letting go. (Can you tell I like parallels?) A harmless flare of his biotic corona underlines this idea and could give rise to a bit of jokey flirting.
Animation-wise, think Solas’ first kiss in the Fade or Cullen’s first kiss on the battlements. If that’s not in the budget, maybe they can reuse it from the first game? This is where it probably shows that I am not in game dev and therefore cannot properly estimate how easily animations are converted from one game to another, so it’s entirely possible that this kiss is a bigger challenge than I think it is. But a hand kiss is a unique animation too, costs money and time to make too, so I like to think a regular kiss would not be completely out of the question or out of the budget.
One criticism that can be leveled at this idea is that this isn’t as much of a break - not as much of a sanity check as the original date at Apollo’s, but for me, creating strong characterization is more important than sticking to any one writer’s original plan for a scene, even if their original idea was good on paper. If you feel very strongly about the date at Apollo’s, if you have an emotional connection to it, I understand if this seems like an unnecessary and unwelcome change. I hope it’s at least understandable why I think changes like this are valuable, even if any one person does not agree.
Biotics Division
The only thing we’re missing now is something that adequately portrays Kaidan as an officer, teacher, leader of people. I’ve already said I won’t script additional, animation-heavy content like, say, an entire mission (loyalty or otherwise) and want to come out under or within the current scope. So I am replacing another scene that isn’t fundamentally wrong or “bad writing”, but underutilizing the character.
I’m specifically talking about the Cerberus debrief after Jacob’s mission. While I think it’s a decent portrayal of Kaidan’s character - he is shown to be introspective, thoughtful and empathetic - I don’t think it adds enough to really justify its existence. Kaidan reflects on Cerberus and comes to the realization that some people in Cerberus might have been “good” people. Which doesn’t seem like the kind of epiphany he needed to have.
This kind of dialogue implies we’re supposed to believe Kaidan had an extremely simplistic “evil bad people” view of Cerberus as an organization, which undercuts his intelligence. He was already pretty insightful about politics, especially when it came to the distinction of “pro human” and “human supremacy”. Dialogue about Udina, about humanity and its place in the galaxy and his responses to the presidential candidate from Terra Firma already establish Kaidan as savvy enough that he probably shouldn’t be so completely blindsided by the idea that some people working for Cerberus might have been doing so for the right reasons. Several of those people are already on the Normandy, including Kenneth and Gabby, Joker, Dr. Chakwas - and the person he is literally talking to right now. For Kaidan to have this epiphany only now and in such simplistic terms, visibly stumped by a morally complex situation, seems almost condescending.
In short - ideas are being communicated that a) don’t need to be communicated from a player’s perspective, who is already submersed in the moral complexity of working with Cerberus in ME2, b) wouldn’t be particularly useful in providing context for the new players and c) doesn’t communicate an idea that Kaidan would really be struggling with at this point. And if it doesn’t do any of that, then it seems arbitrary to have it and I feel no great sense of loss by replacing it with a scene that is absolutely sorely needed - an introduction to Kaidan’s spec ops squad.
With the upgraded communications room and the fancy new blue holographic imaging, the choice feels rather obvious. Shepard gets a message to join Kaidan for a call when they can. Biotics division has made contact with Anderson as they are currently fighting on Earth, who put them through to Kaidan and Shepard.
Shepard walks in mid-conversation as Kaidan is talking to the holographic images of his XOs; maybe Anderson makes an appearance too, bringing them all together. The particulars of the dialogue are once again not that important. I would simply include something that reflects Kaidan’s intelligence and tactical know-how, giving his people advice on things - maybe how to secure rations, maybe how to approach a specific mission. The important thing is - you are seeing Kaidan leading. Some informal banter between him and his squad can cement an emotional connection Kaidan has with his people.
There’s probably space here for both light-hearted banter/flirting, or other more emotionally heavy conversations about hope, tough calls and the end of the world. Kaidan could reflect on his position and how he feels about it after everything Vyrnnus once put him through. I don’t want to settle in favor of any specific idea because like I said, I don’t want to script out the exact dialogue wheel, but rather set the stage for a general scene that can go a variety of ways, be used in any manner to communicate something fundamental about the character. The important thing is seeing Kaidan having a relationship with his squad and Shepard, not me dictating what that relationship looks like exactly.
Aaaaand that’s it! There’s nothing else I think is in desperate need of extensive editing. The Citadel DLC scene can remain happily as it is - because now it has become a bit more stand-out, a bit of a better contrast to the rest of the games’ content. Anything else I might note would be based on my own personal preference, rather than meaningfully contribute to visual characterization.
7. The core issues: resolved?
After all that, let’s do a recap and see what original issues we have addressed and how we’ve addressed them.
Characterization through biotic abilities:
Added the display of biotics in all three games, mostly focusing on defensive abilities (barrier, one of his core abilities), showing us a more protective, caring Kaidan. When he uses offensive abilities, it is ultimately in service of protection, which is fitting for a sentinel - the resident tank class. The use of his biotics displays a character who is calm and in control of himself and the battlefield.
Cementing Kaidan’s morality:
No opportunity to change Kaidan fundamentally. He is his own person.
Paragon morality is depicted in both the main interactions in which Kaidan is presented with a choice - Horizon and the Citadel standoff. When Kaidan is permitted to act, he acts like a Paragon.
Displaying Kaidan’s leadership:
In ME2, Kaidan is shown doing his utmost to protect the residents of Horizon. That may not be leadership in a military sense, but it does show that he can take responsibility for other people’s lives and take charge of a situation.
In ME3, Kaidan is shown interacting with his students. While we still can’t see him in action without more extensive changes, we can get a glimpse of what he might be like as a leader based on how his troops interact with him.
Empathizing via pain:
Kaidan is now shown at least once to visibly strain under his migraines. It also affords Shepard the opportunity to emotionally connect with him in this moment of pain.
Maintaining self-control:
Kaidan now showcases strong self-control even in a very tense, high stakes situation during the Citadel standoff, using his abilities to pacify and control the situation, to avoid harm. It becomes an inversion of his original fight with Vyrnnus. Kaidan’s an adult now and he chooses to use his abilities to prevent harm, not cause it.
On the flipside, because he manages to resist the loss of control here, it makes it feel more significant when he finally loses it in the romance scene. It underlines how strongly he feels about Shepard and how liberating their relationship is for him.
8. I think we might finally be done here
In the end, your mileage may vary on how much you like my proposed changes. I am not the original writer of Kaidan Alenko, I can only give my interpretation of the character and at best speculate about narrative intent. Other fans might interpret characters differently, might prioritize different things. The things that I see, value and love in Kaidan Alenko might not be the things you see, value and love in Kaidan Alenko. The scenes I suggest removing might be so important to you that you can’t get behind the idea of changing anything about them. And that’s ok.
My goal with this… whatever the fuck this is, is not to prove what Kaidan’s characterization is or should be, but to illustrate how characters in video games are characterized and use that technique to construct a characterization for Kaidan. You can use the same thought exercise to come up with scenes that better reflect your Kaidan Alenko. Maybe you really just enjoy the character as he is and don’t think anything needs fixing, in which case, boy I hope you didn’t put yourself through reading this entire thing.
In the end, I made this mostly for myself, because I enjoyed it as a creative exercise and because in a way it allowed me to exorcize (get it? Exorcize, exercise? ) a lot of the things that have been itching in my brain for the past decade.
I may in the future fully script the proposed dialogue scenes, as another creative exercise and will happily post them here as well. If anyone else manages to get a kick out of it, that’s fine and dandy.
And with that, I rest my case.
TL;DR
Kaidan Alenko is one of the most interesting characters in the Mass Effect universe on paper. Because he lacks a number of character-specific cutscenes, misses large parts of the plot and ultimately shares a large part of his scripted animations with another character, players cannot pick up much of that character while playing the game. Seemingly small parts of his personality, like food preferences, do get screen time and become almost overwhelming, rather than provide additional detail to a well-defined character. The result is a character that requires a not-inconsiderable amount of time and effort spent dissecting dialogue and connecting codex entries to find the real personality underneath.
#Kaidan Alenko#Mass Effect#Mass Effect 2#Mass Effect 3#shenko#character meta#meta#let's see if it lets me post it this time
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the fwb rules
• rated m for mature
• pairing: fwb!hyunjin x fem!reader
• wc: 4.559
• tw: explicit language, light characterization of an insecure reader, unprotected piv sex (stay safe, lovelies!), fingering & oral (f), nipple play, cream pie— i think that’s all, please do tell me if you find more c:
• note: last time i said long fic isn’t my forte and this time i’ll still say the same hahahahaha. but still, i hope i don’t disappoint 🥺 please kindly note that english isn’t my first language. therefore, i apologize for any mistakes. feedbacks are always appreciated because i’d love to grow! thank you for waiting and enjoy 💞 pretty banner made by my bestie!! ilysm 😽😽😽
• tag list: @charlieshelves @es-kay-zee @formidxble @oh-my-sparkle @bobateastay @http-hyxnjxn @lyralurexrattle @hyunsluvv @healinghyunjin @sailorhyunjinz
—
what happened to the rules?
it didn’t start off like this. you can’t remember when exactly you started wondering about the five word question. all you know is that you were one bite away from gobbling a spoonful of jisung’s ice cream when it struck you: since when did you and hyunjin stop going by the rules? he’s been occasionally texting you out of the blue lately just to know what you’re up to, and today he even asked you to stay the night at his, and as much as you want to believe they’re all normal, again, it didn’t start off like this. from the beginning, you and hyunjin have come up with three rules so your relationship can work: one, be very casual. two, no strings attached. three, no fucks given outside of the, well, literal fucking. but look at you now, lying naked and out of breath under his blanket while facing his ceiling, driving yourself insane over the haunted question. you have to get it off your chest somehow, but how?
“hey, why so serious?” asks the culprit behind your overthinking, causing you to jump slightly over his sudden appearance and your hands instinctively pull up the blanket to cover your naked chest, which as a result, makes him chuckle. cute. “here. it’s my cousin’s,” adds the topless man as he sits on the edge of the bed and hands you a white shirt that even under the dim light, you can already tell won’t fit you.
“your cousin? the model? hyunjin, she’s tiny,” you utter, hands still gripping onto the blanket. “i’m—“
“you,” he cuts you off, placing a hand on top of yours while carefully glancing at you to make sure you there aren’t any signs of discomfort. “are fine, y/n. now hurry up. i’m sleepy,” he adds before letting go, leaving behind a lingering warmth on your knuckles.
nodding, you turn your back on him to change, and the room falls silent, causing you to hear how fast your heart is thumping even more than it should have. is it because you had too much coffee this morning? or it can probably be because the shirt is too tight that it’s cutting off your air circulation, right? right, of course. you tell yourself because as much as you dislike both reasons, they are still far better than having hyunjin as the cause.
once you’re done, hyunjin already has his back lying against the bedhead, his head tilting slightly to the side, avoiding the light coming from the night lamp on the bedside table, while his eyes bore deeply into yours. unbothered that he’s been caught staring, he averts his gaze downwards till they reach your chest and spot how your nipples are sticking out through the thin fabric.
“see? it fits you just fine,” he says, turning his vision back to your face as he opens his arms and motions them at you, only to have you remain in the same position with your increasing heartbeat.
“aren’t you gonna, uh, wear something?”
instead of a proper answer, all you get is his laugh—hyunjin’s contagious laugh that usually always succeeds in making you laugh too. but today hits differently. has his laugh always sounded this lighthearted before? no matter what the answer is, one thing for sure is that despite how sweet hwang hyunjin and his laugh are, they have never made your cheeks burn like this before, and this is forbidden. it’s against the rules.
“an hour ago we were naked while sucking each other’s face, y/n,” he finally answers after a while. “besides, i always sleep like this. now, come on,” he adds, repeating the same gesture, except this time his hands are open wider, eager to have you near him again because the space around him is starting to make him feel lonely.
complying with him, you fall into his embrace and hyunjin immediately lets his hands travel to the exact places of where they want to be—one around your head and the other around your waist. despite the room turning less cold with his warmth directly passing onto you, your heart and cheeks conditions remain the same especially since you can hear how hyunjin’s heartbeats are beating just as fast as yours when he lets you lay your head on his chest.
“hyunjin,” you call out, hands fiddling with the collar of your shirt.
“y/n,” he replies, replacing the collar with his fingers instead, intertwining them with yours.
what happened to the rules?
“do... do fwb do these?” you ask, the bravery in you finally decide to show up, even just for a little.
“do this?” he asks back while squeezing your hand with all his might, as if he’s nervous.
no. not ‘this’, but ‘these’. not only the hand grabbing, but also the fact that he asked you to stay the night, that he’s cuddling you to sleep, and that you’ve been getting unusual symptoms over them until this very moment.
“yes, this,” you nod and hyunjin becomes muted, but his heartbeats are growing louder, and his grip on you has become tighter.
after what feels like forever, he whispers, voice slightly cracking, and hands getting a little colder, “yes. yes, they do.”
then the two of you become muted, but both heartbeats keep growing louder, and everything stays that way until sleep eventually takes over.
—
as a homebody, you’ve always against the idea of sleepovers. you believe home is the sweetest place and your own bed is the comfiest even when your mattress is older than a decade and your favorite plushie has had too many holes here and there. but waking up in hyunjin’s bed has broken your stigma—never in your whole life that you’d have thought someone else’s bed can provide you twice the comfort.
“looks like someone had a good sleep,” chirps jisung as he sits beside you, causing you to wipe off the smile on your face before going back to your laptop.
“wow suddenly my best friend’s a psychic?”
“hey, that’d actually make a great drama title!” he exclaims and you roll your eyes. “please do spill the tea though. what happened?” he adds.
“what happened?” you ask back, eyes still on the screen, but the corner of your lips are on the verge of breaking into the smile, knowing full well he’ll complain—which he does by lamely calling you a meanie.
laughing, you tell him nothing happened, but the way he rolls his eyes is a sign he’s not taking any of your bullshit. you are telling the truth though. besides spending the night with each other, nothing really happened, right? it was just another casual fucking session. yes, it was amazing, but that’s no news for jisung. the guy’s practically your wingman—setting you up with hyunjin was his idea because he believes you should, “live your life. have that dreamy college sex orelse you’ll regret it like my old man changbin!”
right on cue, a notification popped out on your big screen, and the sender’s name makes your heart pop too.
“aha, see!” jisung points at it. “y/n, where are you?” he reads out loud, earning yourselves all the eyes from every other student in class.
“oh my god, jisung. shut up!” right when you’re about to log out from the chat app, hyunjin sends another one.
“can i call you?” jisung reads once more and you’re only one second away from smacking his head, but your vibrating phone holds you back.
shooting jisung a glare, you make sure to close your laptop before leaving the class, answering hyunjin’s call even when you’re still half way through the door. right when you’re about to greet him hello, hyunjin beats you to it—his voice a bit raspy, but the softness in his tone still lies within, and it creates endless questions in your mind.
has he just woken up? so is this how he sounds in the morning? why is he calling?
and the list goes on because this isn’t like hyunjin at all. sure, he’s not validating the rules, but he’s breaking his character despite already alarming you to anticipate morning booty calls from him at times. he’s never actually done that though.
“hi,” you reply, startling yourself with how small your voice came out.
“you left,” says hyunjin and you can hear him sighing from the other line, which somehow causes a slight pang in your heart, wondering if perhaps he is disappointed. “can you come back? wait, actually, let me go to you instead.” he says and you can hear the rustling sounds coming from his side.
“hyunjin, i have class. that’s why i left. i—” should you apologize? but why should you? casual, no strings attached, and no fucks given, remember? “i’m sorry.”
“oh.” hyunjin stops on his track before plopping back down onto the bed, smiling. “i’ll pick you up after class then. when will you finish?”
unconsciously, a smile creeps up your face too, but the realization hits you right after, then followed by the five word question, and you know—you know this is your guts telling you that now’s the time to ask him about it, but your heart hates confrontation. plus, wouldn’t it be rude to reply to someone else’s question with a question? “hyunjin, are you, uh, horny?”
just like yesterday, hyunjin laughs, and with the raspiness in his voice still present, he doesn’t fail to make you laugh along, but at the same time waking the butterflies in your stomach and makes you rethink your decision. mayhaps, you should’ve left him a note or told him that you’ll leave early in the morning; or even, you should’ve ditched classes today and stayed so when he wakes up, you can get him a glass of water, not leaving the boy uncared for like this. but who are you to do so?
“isn’t it normal for a guy to have a morning wood?” he jokes before quickly adding that he’s not horny. “i just want to see you so let me go get you.”
pressing your lips together, you contemplate on whether you should let him. if you do, won’t you be turning whatever the two of you have right now into something far more complicated? but it’s only until hyunjin adds a desperate “please?” that all of your dilemma disappears, as if you’re being cast into his spell—“okay.”
—
while heading to the gate, you have the biggest urge to book a massage appointment. dodging jisung’s questions and running away from him after the first period was draining, but having to spend the day running back and forth between two buildings because thinking that volunteering as the lecturers’ teaching assistant was draining on a whole new level. other than feeling like your legs are gonna come off, your mind also feels like it’s gonna blow off—you can’t stop recalling all the things you need to start working on as soon as possible, but stepping into hyunjin’s car turns everything to 180 degrees.
you’d like to think that it’s because of the faint lavender aroma coming from his car freshener along with the heavenly cool air conditioner, but no. you know full well it’s because of the way hyunjin’s smile lit up, his eyes disappear into two small crescent moons, and his blonde hair which is becoming one with the warm orange sky that brings peace to your heart.
“hi,” he breathes out the moment you close the door, and you do the same except for looking at him, which causes hyunjin to furrow his eyebrows while speeding away.
the way home is silent, just the way you like it, but you know full well that it’s not hyunjin’s cup of tea. he doesn’t need to say it, his action is showing it all as he’s been fidgeting non stop, wiping his sweaty palm along his jeans while occasionally licking his plump lips. hyunjin’s a very vocal person. he’s talkative and loud—including in bed. you press your warm cheeks over the realization of your own thoughts, embarrassed. you can’t possibly suspect hyunjin for being horny in the morning when you yourself are being like this in the afternoon. it’s uncalled for.
noticing you from the corner of his eye, hyunjin calls out, asking you if there’s anything wrong, totally catching you off guard. what should you say? lying is not your forte, but being honest clearly isn’t the best option right now, at least, not before you shower and appear presentable in front of him—but wait, since when did that matter so much? a few months ago, you even fucked after you ran a marathon.
“y/n?” calls hyunjin for the second time.
“look, hyunjin, really, it’s okay if you’re horny. you can pull over and i can, uh, relieve you and i can just take the bus home after,” you spit out shamelessly while looking at him straight in the eyes, eager to get far away from hyunjin as fast as possible before you go out of your mind.
just like the night before, hyunjin laughs. and just like the night before, his laugh hits differently and it does nothing other than burning your already burnt cheeks for the worse.
“i swear to god, y/n, i’m not horny. i genuinely want to take you home. nothing more,” explains hyunjin, head straight at the road but eyes repeatedly stealing glances at you. “and nothing less,” he adds, voice barely audible but you caught it.
“o— oh.” is all you manage to respond before the ride quickly turns quiet and hyunjin’s hands begin fidgeting again, all the while you’re trying to decode what he has just said—what does he mean by genuinely wanting to take you home? do fwb do this too? what happened to no fucks given?—and it goes on until hyunjin hits the break in front of your old apartment building.
“we’re here,” says hyunjin, breaking the silence by unlocking the car door.
“we’re here,” you repeat after him, already opening the door and setting a foot out. “uh, thank you.”
“don’t mention it.” hyunjin shoots you his signature smile the moment you lower yourself to meet his eye level from outside the car; this time, you have no choice but to fall under his spell.
“hey, uh, you wanna come in?” you ask, biting your lower lip as a way to punish yourself for being so indecisive. one second you want to run away from him and the next second you want to be near him. come on, get a grip.
as if the punishment isn’t enough, hyunjin declines your offer, all while chuckling with his head thrown back. “for the third time, y/n. i’m not horny. go in and rest up.”
“if you say so.” you shrug, giving him a small smile before turning around, making sure not to look back, only to fail when you hear the engine driving away.
—
you can’t quite tell—no, you can’t tell. you don’t get it. there’s an unexplainable empty space in your heart that is caused by hyunjin’s rejection. is it because you’re just not used to see him without having to fuck him? or is it because you’re hurt over the fact that he’s not in the mood to touch you? is it because of last night? is he finally sick of your flaws? things would probably be different if you had retouched your makeup or at least combed your hair before seeing him, would they? either way, you’re fully aware you shouldn’t be torn over your friend with benefits, yet your aching heart says otherwise.
and so when the doorbell rings only a few seconds after you get in and the figure you see through the peephole is no other than the man in question, you spare no time to swing the door open. hyunjin, in return, spares no time to lock his lips with yours right after he utters a brief apology. just like the way hyunjin sneaks his playful hands down your ass, you sneak your tongue in his mouth, and your action makes him smile into the kiss as he leads you back into the room and kicks the door shut with his long legs.
the way to your bedroom is actually pretty short, but with your tongues moving in sync, bodies pressing—glued, even, and eyes continuously closing in pleasure, the short way to your bedroom consists of endless stumbling, tripping, and bumping the door. once inside, you break the kiss and are about to undress yourself when hyunjin beats you to it, settling you down on the bed as he begins taking off your attire one by one ever so effortlessly. and in just a matter of seconds, his lips are back on yours again, floral scented hair falling and brushing against your cheeks, leaving you no time to wonder over the fact that it’s the first time hyunjin has ever undressed you.
as the kiss continues, you can feel yourself gushing more and more that you start grinding on him mindlessly, needing to feel more than just his bulge poking you. your hands leave his blonde strands to tug on his hoodie, only to have him stop you—one hand around your grip and the other rests on your hip.
“what do you think you’re doing?”
“need you. need to feel you,” you mumble, desperation so visible through your cracked voice.
“what happened to the girl who was all flustered to sleep with me last night just because i was shirtless?”
autumn nights aren’t supposed to be hot, but hyunjin has proven he has the power to make the impossible happen just with his words and mocking smirk. but the rising heat on your cheeks is nothing compared to the emptiness you feel below, clenching around nothing surely isn’t the best feeling.
“please, jinnie,” you whine, tugging on his hoodie once more, hips moving against his hold.
“fuck.” is all he manages to say before getting off the bed to disrobe himself—hoodie and track pants thrown across the room, now showcasing his toned body and thighs altogether as he hovers over you.
“please take this off too. it looks suffocating,” you say, index finger running faintly through the bulge forming from his tight boxer, making it stand up even more and hyunjin has no choice but to obey you. “put your hair up too please,” you add just when he’s about to dive right back in, and again, your wish is his command.
biting to pull off his hair tie from his wrist, hyunjin smoothly ties his hair back and you’re only given a few seconds to admire his feature before his plump lips coming in contact with your hardened nipple while he toys with the other using his fingers—rubbing and pinching, making your breath hitch over the sensation, fingers digging into his bare shoulders because you don’t want to mess up his hair, and hyunjin’s low grunts pretty much indicate he’s loving it.
“more, please. give me m—”
hyunjin retreats his hand and tongue away from your breast, moving them to your naked pussy, drawing circles on your outer labia with his middle finger. he teases you just enough and quickly slides in his digit and at the same time sucks on your clit right before you’re about to complain, making you tingle from head to toe.
“you hear that?” he asks, voice muffled, the effect of being too tongue tied from licking every part of your heat, but finger working its magic perfectly, creating loud wet noises from your fluid. “drenched. my pretty y/n is drenched,” says hyunjin, and as much as you want to comment on him for the pet name, you’re too caught up on how his lips vibrate against you the moment he starts palming himself with his unoccupied hand. if he keeps it up, you know you would come undone there and then, and you don’t want that—not yet. so you ask him to stop and he instantly does as told.
“what’s wrong? did i hurt you?” there’s fear written across his expression and heard from his tone, but you’d like to believe your eyes and lips are just playing tricks on you.
“n— no. i just,” you pause to avoid his gazes, but something within you pulls your attention back on him. “i wanna cum with you inside me,” you confess, voice barely audible due to embarrassment; all this time, it’s always been hyunjin to say such things, but perhaps, all the strange tension lately has finally gotten the best of you. you hear him mutter a low “fuck” while his pupils shakes for a brief moment before they somehow appear a shade darker. licking his lower lip, hyunjin pulls you by your legs and rests them on his shoulders, and proceeds to align his tip with your entrance, once again teasing your throbbing core.
the moment you whine is the moment hyunjin pushes himself inside ever so gently, but the stretching still has you throwing your head back, while hyunjin letting our airy moans upon your walls clenching around him. none of you can tell how it’s possible for your vagina to remain so tight after all the countless fucking session for the past half year, but hyunjin doesn’t find that troubling. in fact, he lives for that and it shows from the way his eyes roll to the back of his head as he begins thrusting in and out of you—slowly but steady, veiny hands secured on your hips, vision goes back and forth from your half-lidded eyes to your parted lips.
hyunjin leans down to kiss you for a couple of seconds, and when he lets go, he quickens his pace—leaning down once more so his length can go deeper in you, hitting your g-spot. at that very moment, you mentally praise yourself for placing the bedroom mirror right across the bed. it presents you with the magnificent view of hyunjin’s rounded, firm ass bouncing rhythmically whenever he snaps his hips, and placing your hands around them, squeezing them, nearly makes you drool over the sight. with hyunjin constant thrusts, the familiar knot in your abdomen starts to bubble up.
“oh my god,” the two of you whimper in unison as hyunjin begins to lose his tempo, moves also grow sloppy, but never once misses your spot.
“y/n, i— ah— i’m so close. fuck,” he breathes out, sweat forming on his forehead, wetting his baby hair down to his neck and chest, and you can only drool helplessly at the sight.
“me too. please cum inside me, cum with me, hyunjin, please, please,” you beg, voice a pitch higher, almost sounds like you strain your throat, and it stays the same. when you feel hyunjin twitch inside you, your hands automatically reach for the bed sheet again, but it only lasts for a second before they’re being taken by hyunjin’s own hands—he has never done this. while intertwining your fingers, his cock twitches again and his eyes roll to the back of his head, jaw falls open as he calls out your name—you naturally do the same, fingers pressing flat against his white knuckles
“hyu—”
“cum, baby,” he cuts you off, averting his hazy eyes on you, and that’s all it takes for you to break—your orgasm washes over you like waves and you cum undone around hyunjin, shaking and mewling altogether while feel the wet coldness around your inner thigh. hyunjin follows right after, shooting his hot cement inside of you; the man can no longer keep his eyes open as he buries his face on the crook of your neck, his choked moans bring music right to your ear all a while his hot breaths bring goosebumps to your unrecovered body.
after riding out your highs, none of you move. hyunjin stays on top of you, his chest rises and falls according to your hard breathing. somehow, it’s calming you down, but it shouldn’t.
“hyunjin, you’re heavy.”
“oh, sorry,” he chuckles and even without looking, you can tell his eyes are smiling too. with his remaining strength, hyunjin pushes himself up and rests on your thighs to pull his dick out of you, momentarily admiring the mixture of his juice and yours dripping down your cunt before fixing his eyes on you to study your face—also something he has never done before.
“i’m sorry,” he mutters a few moments later, eyes now on you.
tilting your head, you sit up, resting your upper body with your hands on the bed. “all of a sudden? i came? you always make me feel good.”
“that’s what i’m sorry about. i— i didn’t mean to— i mean, i—”
you reach out to him, gently patting his thigh. “hyunjin, calm down. this isn’t like you,” you whisper the last sentence, knowing that perhaps, now’s the time to talk things out, to stop whatever is going on, and go back to how things are used to be, maybe? your heart’s just been restless for too long and apparently, hyunjin seems to be in a similar situation too.
“i’m sorry. i didn’t mean to keep using you like this. i genuinely meant what i said. i only wanted to take you home, but we ended up here and—”
“isn’t that what fwb do?” you pull your hand off his thigh, and a frown painted across his face as if he’s questioning your question. “that’s what we agreed on. we have our fwb rules, remember?”
“one, be very casual. two, no strings attached. three, no fucks given outside of the, well, literal fucking,” says hyunjin, proving he has memorized every words to the back of his mind.
nodding, you carefully bring back your hand to his thigh, repeating the same movement you did before. “exactly. so you don’t have to be sorry. don’t worry, i’m not feeling used at all.” you end it with a smile.
hyunjin mirrors you, he smiles too; his eyes fall to where your hand is. “but what if i’m breaking them? the rules,” asks the boy whose cold hand is now on top of your warm one. “what if i like you?” his eyes find their way back to you, and that’s when you know. the difference between your temperatures; the difference between your smile and his—the sadness that lies within.
that’s when you understand. everything finally makes sense; every one of hyunjin’s unusual acts. the constant texts and calls, the undressing, the pet names, the facial expression, the hand holding.
what happened to the rules? feelings. that’s what happened. to hyunjin, it’s his feelings over the rules.
but you, what about you? the butterflies, the irregular increasing heartbeats, the flushing cheeks, the overthinking, the disappointment at some point.
“y/n,” hyunjin calls out and you don’t get to get back to him because he’s already an inch away from you, momentarily eyeing your lips before he closes the distance. once again, his blonde hair falls down, brushing against his cheek before meeting yours and it tickles you, but not in the same way as how his kiss tickles your heart; giddy.
what happened to the rules? unwanted feelings. that’s what happened. to you, it’s the unwanted feelings against the rules. and for now, the unwanted feelings are too strong for you to push him away, so you pull him close instead. for now.
—
gen’s masterlist
repeating this!! special note: HUGE THANK YOU for my awesome bestie for the banner 🥺💞💞 ily, bish!! thank you for being my beta reader too 😽😽😽
#gen writes#hyunjin smut#stray kids smut#skz smut#hyunjin hard thoughts#hyunjin hard hours#stray kids hard hours#stray kids hard thoughts#hyunjin fic#hyunjin scenarios#hyunjin imagine#stray kids fic#stray kids scenarios#stray kids imagine#hyunjin imagines#kpop smut#kpop fic
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hawks_littledove.mp3
— You’re an avid listener to NSFW ASMR artist Hawks. It’s just your luck that he’s offered to have phone sex with you.
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pairing: takami keigo (hawks) x fem!reader
warnings: smut, 18+, slight abuse of power/influence, phone sex, masturbation, degradation, praise, nsfw asmr artist!hawks
word count: 5,018
a/n: my keyboard is broken and i could actually cry. but hey, hawks do be sexy even tho I would never trust him with my life. also LOL this might be a call out to a lot of us, do not be offended or I will cry.
kinktober day 14 main kink: phone sex | kinktober masterlist
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Fantasizing about being in relationships with fictional characters was entirely healthy and normal.
That was something you believed to the core. It was fictional; thus, no one but you were to be hurt at the end of the day. The character, being fake, could never have an opinion because you must be real in order to have an opinion. So when you were between boyfriends, you discovered a new anime, and before you could stop yourself, you fell hard for a character.
It started as a mild obsession.
You had looked up fanart via google images, your heart warming when you saw the plethora of different fanart. The anime itself had been in circulation for a few years now, the manga for much longer, so the content was endless. Then google images wasn’t enough, and you began crossing into Twitter and Tumblr.
The fanart became better, more engrossing, and definitely much more NSFW. And then, one night during your endless rabbit hole down Tumblr after your daily search on Twitter, you stilled when seeing a new type of content.
⇒ grey fullbuster x reader
The obsession grew worse.
So much so that you had followed nearly five hundred self insert writers and artists on Tumblr, and maybe seven hundred artists, meta writers, and thread makers on twitter. But three months into consuming all the content you could find, you came across a new name that made you tilt your head.
Hawks Fierce Wings
It was a name that was being repeated and heavily talked about on both sites. It was an ASMR artist, apparently, and you frowned at the thought. You didn’t have anything against ASMR videos, but you weren’t exactly sure how to handle an anime ASMR artist. Were they cosplaying while making all those weird ASMR sounds? You really didn’t have any idea, but due to the immense boredom of your lazy day in, you decided to hell with it and tried out his most popular video.
It was simply entitled: Hawks is Jealous.
Did you have any idea as to who Hawks was? God, no, you didn’t. But if it was just some random cosplay he was going to do, you didn’t think it was going to matter. So as the only slightly educated ASMR listener, you never truly became invested when it was a thing; you slipped on your earbuds and pressed play.
The introduction screen faded into an illustrated picture of a slightly handsome man, and some calming yet tense music played in the background. You shifted, eyebrows drew as you waited for the ASMR session to begin, and when it did, you were not ready.
“I saw you walking around with that asshole today,” a voice practically growled in your ear, and you froze.
Oh, no.
Oh, no.
Oh, no!
For almost an entire hour, you sat glued to your sofa, your fingers digging into your lap as the jealous, spiteful words of this man named Hawks poured bitterly in your ear. His words were a near aggravated assault on you and definitely something you were beyond uncomfortable hearing from a stranger, but there was something about his voice that kept you there. Maybe it was the tenor of his tone or the way there was this sly, cunning scent to his words that he seemed to hide deep within his throat, but there was something that kept you there.
The second the passionate, heated kissing noises and heavy moans began to spill from his lips, you screeched, slamming your laptop closed as your cheeks pounded heavily.
Oh my god?!
It took a bit, but eventually, you were able to finish the audio and quickly figured out why he was an NSFW artist. You had never, ever heard a man eat a pussy fake or real as eagerly or vigorously as he did. Your hands were gripping the pants of your leggings, and your chest heaved.
Oh, motherfucking shit.
Finding out there were almost seventy other videos for you to still experience sent you scrambling for more, and eventually, you had to confess you were obsessed. Despite the anime fandoms you had discovered him for, Hawks seemed to be more famous for the content he created as himself. His real name was unknown by the looks of it, and he was only addressed as Hawks by his audience, something you caught on to quickly. So only after creating a new profile for his Youtube account, you made quick work of liking and commenting on every single of his already published seventy-eight nearly one hour and thirty-minute videos.
Each one was different.
Each one filled with various roadmaps on how Hawks' scenarios would play out for you — the listener. When he used his own persona, he called the listener his little dove or his chicken nugget, sometimes his KFC thigh, or his shish kabob.
You were glad at the very least he didn’t call you by any of those nicknames when pretending to fuck you at a speed only a “porn-is-my-only-education-on-porn” virgin teenage boy. You knew it wasn’t ideal, usually, but for some reason, it just worked. You commented on everything, read his summaries and thoughts on each video. Eventually, when you found yourself on his final, most recent video, you were ready to go a step further.
The Patreon app on your phone seemed jarringly out of place as you opened the app and subscribed yourself to Hawks' highest tiered option for the price of twenty USD.
And when you got your access to his page, you were immersed in more heavier, better content.
It was a goldmine in a sea of fools gold, and you absolutely went insane.
You weren’t sure if you were insane, needy, or just straight-up idiotic for scrolling to the very first Patreon post and indulging in the content Hawks created.
There was a stark difference between the warnings alone between the Youtube videos and the Patreon posts. While the porn was readily accessible on Youtube, the kinkiest thing that ever happened in a video was a slight implication that Hawks had left the listener on a vibrator and fuckmachine as he went to go talk to the visiting neighbors.
It was a slight, tiny zone out and miss a detail, but one you had clung onto like an obsessed psycho and even commented on in your comment on the post. Of course, Hawks hadn’t responded, not that you had ever expected him to because all things considered, a video that was eight months old and hadn’t done that well, to begin with, didn’t seem like anything he would remember: notifications and all.
But Patreon? Oh good, sweet, ravishing Patreon.
The very first video was of the following:
Stepbrother!Hawks fucks Stepsister!Listener in the stairwell during Christmas Dinner.
After praying and swearing to all the deities of the world that you were merely a person with a voice kink for this man and not, in fact, a perverted pseudo-incest worshiper, you clicked on it and began. It was downright sinful.
There were active voices whispered in the background as Hawks laughed about how fucking slutty you were for letting your brother fuck you like this. In the hallway, like a dog, where anyone in your joint family could walk out into. He laughed that you probably wanted it, how your wet ass pussy was greedily sucking him in, so how could you even begin to deny your lust for your brother.
You had to take a break five times during that audio.
Eventually, you do end up catching up.
Each video he had ever posted to your disposal, and most likely due to the different tier levels, you always commented on the videos. Even if it made you feel awkward for lusting over things months old, even if there were no other comments on the videos, which was much more common than you thought, you always commented and liked. It wasn’t anything ever crazy, you had seen the rarest comments bring a whole essay of analysis on why they loved it or the hating words, but you kept it simple.
Just something to keep Hawks spirits high without draining you even further of energy.
A simple: holy shit, that was hot as fucking hell!!!! you never disappoint me!!!
You never expected anything out of it; as a matter of fact, you had merely thought that you were doing the least by merely appreciating his creations when, one night, a few hours after you had gotten home. Your phone chimed with an alert.
Your mouth formed an ‘o’ in surprise; you hadn’t realized there was going to be a new release after he had just updated four days ago. Still, you popped in your earbuds and began the audio with a simple title.
i fuk ur stupid lil pus until u cri
He wasn’t precisely putting much effort into his titles these days, but his tags were definitely accurate and entirely explicit in what was to come. And in this newest video, the prominent tag was degradation.
You weren’t entirely into degradation, but still, you did what you had to do because you weren’t turned off by it. With the beginning sounds of the music playing in the background, you warped into the situation Hawks carefully carved.
But, oh?
Your face simmered with heat as Hawks dirty words dripped from the earbuds, the wet, squelching noise of your cunt and throat being fucked like some inanimate object made you soak through your panties as his disparaging words burned against your spine like a hot brand. After the thirty-minute audio was finished. Your body trembling with the aftershocks of an orgasm that had come despite the lack of actual stimulation of your clit, and you panted on your bed.
Opening your phone once again, you quickly liked the new audio and typed out your comment.
listen, i know i always comment about how fucking hot this shit is, but i have /never/ fucking soaked through my panties… you just did that and i expect a full refund for these panties 💦
You pressed send and, without so much of a second thought, continued your night. You had dinner, talked with friends, and ended the night curled back on the couch with a wine glass in your hand and a simple sit-com playing on the TV. The familiar sound of the Patreon alert rang in your ear, and you frowned, confused.
Grabbing your phone, you opened up the device and nearly shrieked at the sight of the information the notification that said:
Hawks F.W.: lets see those panties before i refund anything
A chill ran down your spine as you quickly put together the indications of this message, and you smirked, despite your quivering hands.
Me: I have a seven inch dick requirement before seeing any of the goods — yes, that includes my panties
And from that very moment, you began a strange arrangement between you and the NSFW ASMR artist Hawks.
.
..
.
Working was the worst part of your life, you would say.
At work, you would sit in your small 4x4 cubicle, your shelves stacked with plenty of papers and items you needed, not to mention the computer that took up the majority of your desk. You weren’t quite sure what your job here was, you sort of sat at your desk and did meaningless assignments when assigned, but you did nothing for the most part.
Before becoming an active Hawks stan, you would spend your time doing nothing playing video games. You had somehow managed to install a VPN onto your hard drive so that your employers wouldn’t be able to see what was on your screen outside of the home screen. They couldn’t trace what you did all day, but they could care less, given you got all your work completed on time and done in an over exceptional way.
But lately, since you had dropped into this… engrossed whore like relationship with Hawks, things changed.
To be honest, it still shocks you to no end when he tells you that he had always been aware of you. Well, with your consistent, ever appearing comments on his posts and overall enthusiasm for everything he posted, it was hard to not be aware. The mental image of your soaked through panties after a long day at his own work had sent him over the edge, and he finally messaged you.
Through the DM’s in Patreon, the two of you grew to become quite the friends with benefits. He would send you countless personalized audio files because you had quickly confessed to your voice kink and how his voice sent your stomach into hormonal knots. In return, you’d send the picture of an occasional soaked panty, and if he was lucky, an audio clip of your pathetic whines back to his audios.
You couldn’t complain about this arrangement.
But as the number of his patrons doubled, and he wanted to entice his subscribers with paying him even more money, Hawks began to offer a bimonthly personalized five minute audios for his $20 tier. The fans poured into that spot, and Hawks and proudly sent you the new number of adoring fans he was getting. On account of growing platforms such as Tiktok, the number of new listeners he got was nearly exponential, as he currently passed one million followers last week.
The cheeky bastard was also making enough money to stop working his regular work hours anymore. Choosing to transition slowly into his Patreon career while recording.
Hawks, however, seemed to have other ideas for your eventual personalized voice audio.
Hawks had simply asked if, by any chance, you were going to be working tomorrow the night before. Groaning loudly in recognition of your work schedule, you had texted him back that you were going to be working. Snidely including the fact that you weren’t rich like him, you needed the tedious old nine to five job.
Hawks: how utterly boring anyway u can b free around 2?
Me: Eh… probably not. Busy girl w busy schedule, ill be back from lunch so no break Why?
Hawks: well, u knw tht uve been amzing & th bst follower so i wanted 2 give u smthing better then the personalized audio
Me: Oh? Well, what is it?’
Hawks: pick up tmrw n find out
He had changed the subject immediately afterward by dodging all of your questions with ease. So you dropped it, and the two of you resumed a night of flirting. But now, sitting in your small cubicle, your eyes flashing to the clock that read 1:57 p.m., sweat began to build on your palm.
You peered down to your phone as you waited for something, anything from Hawks to show up. The fucker was too cheeky, evasive, and quick for his own good. You felt like pouting as you glared at the phone, waiting for the screen to light up.
And you stilled when finally, at precisely 1:59 p.m., your phone gleamed with light. You couldn’t abandon your computer mouse quicker than you did as you grabbed your phone, unlocking it, and reading the message from Hawks.
Hawks: do u have earbuds?
Me: Yes?
Hawks: good put them on n pick up
The moment you had read the first message, you were already pulling out your earbuds, synching them up to your phone, and placing them into your ear. But your jaw dropped when, for the first time, the call feature highlighted onto the screen, the time immediately changing to that of 2:00 p.m. The decline or accept button had never looked as daunting as it did right now.
Despite the call trying to go through, you still saw his follow up.
Hawks: if u dont pick up u wont get shit
[Accept]
You felt your heart hammering in your chest as both fear, apprehension, and excitement boiled through your veins, the hammering blood pounding in your ears as you waited for some sort of noise on the opposite side of the line.
“Little dove?” Hawks' voices filled your ears, and despite yourself, you smiled softly. The naturalness of his voice sends warm thumps down your spine.
“Hi, Hawks,” you whisper breathlessly, your head already checking to make sure your neighboring cubicle mates didn’t try to look over the divisions to stare at you. For the most part, the office building was quiet except for the phone calls, the clanking of computer keys, and the monotonous music playing softly on the speaker's head.
“Whatcha doing?” he drawled, and you felt your skin heat up when you heard the all too familiar sound of his shoes hitting the top of his desk, the soft whine of his chair as he leaned back onto it. “Are you really at work?”
“What do you mean, am I really at work?” you squeaked, half horrified at the way the lazy, warm heat of lust was infiltrating your body at the sound of his voice, and the annoyance that he thought you had been lying? “Of course I am; it’s two p.m. on a Wednesday!”
“Ah, so little dove-chan is a raging pervert who engages in phone sex to bypass her long hours at work?” Hawks sighed his tone that of understanding and dismissal. You splutter. “You never fail to surprise me.”
“I do not do… that!” you stammer, your face feeling like hot cinders, your fingers and eyes double-checking to make sure that the audio was going to your earbuds and your earbuds only. You also couldn’t help the way your eyes swept around you, trying to make sure you hadn’t accidentally invited unwanted attention. “I said I was busy!”
“But, you picked up my call?”
“You said, or else!”
“Mmm, okay, I think I see,” Hawks tutted, and although you had never seen what you supposed to be his handsome face, you could imagine a lazy, toothy smirk on his face. “Don’t worry, I don’t mind using your little cubicle to talk you into fucking yourself good for me.”
Your jaw drops.
It hits the desk, and the muffled shriek of utter humiliation is only silenced because you bit onto your tongue like a rabid animal.
“Aw, you sound so excited for me already, little dove. I bet you want to know what I’m going to do to you, don’t you? I just know that I’m going to make you feel so... good…”
“Hawks!” you plea in a hushed whisper, your heart hammering where you sat frozen like a deer in headlights. Sure, you had definitely played his audios before to pass the time, but never before in your existence had you had actual phone sex. This was riskier than just listening to his audios; his audios always had a pattern, a way to escape from the madness of his voice when people were closer than you’d like. But this? No, there was no escape. “I’m at work! I c-can’t!”
“But, fuck, I want you so bad,” Hawks' voice dipped into a gravely tone, his voice just perfectly scratchy enough that your shoulders trembled in unspoken, untouched want. “I want to feel your cunt around my cock, baby, your pussy is so hot and I want to be the fucking lucky bastard that gets to fuck you through your bed.”
“O-Oh my god…”
“I’ve been thinking of what your tits look like,” Hawks continues on, his voice continuing in the style you liked the most. It was raw, heavy, and deep. No character impersonations, just him, pure Hawks. “I hope they bounce the way they do when I imagine you riding me. I want to see you moan when I kiss the underside of your tit, I want to see your face when you realize that you’re my girl, nobody's else's, but mine.”
Heat floods your panties at his words, your shallow breaths making him chuckle on the other end.
“You’d be so lucky to be just mine, wouldn’t you, little dove?” Hawks snaps, his voice demanding a response, and you heave.
You look around, no one is near, and you croak out: “I’d be so lucky.”
“Louder.”
“I’d be so lucky.”
“Mm, there we go,” Hawks laughs, and your ears prickle for any noise that may indicate that someone was listening in. “What? Are you getting nervous that your needy ass will be heard by your coworkers right now? Answer me.”
“Mhmm,” you hum loudly, your cunt pulsing with more incredible heat and your hands shaking with a slight fear of being caught.
“Aww, don’t worry, little dove. I’m sure your boss will understand that you’re my newest fucktoy and will let me continue. Maybe they’ll want to join in?”
You whimper softly, shifting in your seat at that thought. You didn’t really want your boss coming anywhere near you, he was old and gross for one, and nothing could take the place of this beautiful man's voice in your ear right now.
“Oh, was that a no? You don’t want other people fucking you, do you, y/n? I bet you only want to have my cock in your tight little pussy, bet you want to watch the way that greedy little thing sucks me in, begging for my seed. Would you want me to cum deep inside you? You would like that little dove; you’d like to be full of my cum.”
“H-Hawks,” you keen as quietly as you can, your hips shifting uncomfortably in your seat, your heart hammering in your throat. The pressing heat in your cunt is growing, your panties growing with wet slick as Hawks' voice whispers down your ear, filling every empty and void space in your brain until you were having trouble focusing on the very much public spot you were in.
Hawks let out a soft, guttural moan, and you froze, face entirely combusting into an inferno as the familiar slick slapping of his fapping cock filled your ear. Immediately, you forgot everything.
“A-Are you—?!” you splutter, unable to find the words or the energy to come up with a way to ask if he was masturbating right now. Your eyes spun, your mind in a complete haze as soft, raunchy moans spilled from his lips, striking against your nerves and soul with each successive sound.
“I’m only trying to help you out here, dove,” Hawks growled, undoubtedly in effect to a rather loud smack of his fist colliding with his thrusting hip. “You’re the little office slut who picked up a phone call to entice in phone sex. I bet you knew exactly what I was going to do, and your pathetic, needy whore self caved to my instructions.”
Your fingers curled into the armrest of your chair.
“I bet this makes your boring ass job tolerable, the perfect distraction to a shit job, then imagining a few minutes of fucking yourself against my hard cock.”
“That’s not true!”
“No?” Hawks laughed, not believing you any more than you did. “So you wouldn’t hate it if I showed up and fucked you into the wall of your cubicle? You wouldn’t mind if I claimed your sweet-smelling pussy against your desk for everyone to hear? I know you can scream like a bitch in heat. I know that pretty little cunt of yours would milk my cock dry. Oh, I just know you would look so fucking sexy with your back arched, eyes closed, and you begging for hours just to cum. You wouldn’t cum without my permission, right?”
You gasped, heart fluttering, hammering in your chest as you shook your head, not trusting yourself to speak.
“I need a verbal answer, little dove.”
The heat in your core was blistering, your thighs shaking with your unadulterated lust and need as you ground into the cushion of your chair. All logic and moral long gone as he snarled and moaned your name in your ear, the slick of his fapping cock echoing like a great bell in your ear. You wanted to hear him cum, wanted to listen to the pithering sound of his echoing moans as he spilled the contents of his balls onto his hand — and how you wished it was your womb.
“I won’t cum w-without your permission!” you whispered, your skin shivering with your fear of being caught.
“God, you sound like such a dirty fucking bitch. I bet your pussy is fucking soaked already. Bet you really want to run that slutty embarrassed finger against your clit but don’t want to be caught by your perverted coworkers,” Hawks hissed, his breaths turning into steady, heavy hot pants. You mewl softly, confirming his spoken thoughts, and he huffs out a laugh. “How many fingers do you normally shove up that pretty cunt of yours, little dove?”
“T-Three!” you gasp, your forehead pressing to the cool of your desk, your eyes glazed over and looking at the entrance of your cubicle, fervently wishing that no one tries to check on you as you grind against your stable chair. “O-Only three fit.”
“Fuck, you really do have a tight cunt, don’t you,” Hawks snaps, the wet sounds of his fisting hand around his cock a beautiful melody in your ear that makes you whine at the back of your throat. “Bet you can’t even fit cocks up your cunt without lube, huh. You gotta stay on top, or else you’ll get hurt with how thick and long my cock will be up that baby pussy of yours.”
“H-Hawks!” you grit out, the friction of grinding on the seat no longer working.
“Go to the bathroom, now,” Hawks commands, the small gasps on his voice from his approaching orgasm more than enough ammo for you to do as told.
You sprint to the bathroom, the slick of your cunt hot, and evident to you as you sped to the bathroom. Your phone clenched in your hand as you locked the door behind you, glad the room was empty. Barely managing to get yourself into the stall, the toilet paper placed on the seat as you raised your legs up, already prepared. The skirt you wore was bunched above your ass, and the panties you wore, stretching out around your knees.
“Sounds like you’re ready to start fucking that pussy for me,” Hawks laughs, but there's no humor, just bite. “Put in three fingers, now.”
Without even arguing or caring, three fingers slip into your cunt, and you cry at the feeling of your fingers completely stretching you out. The smell of sex and slick filling your nose as your fingers slick up, fucking your tight cunt as you moan louder and louder for Hawks.
“God, your fucking pussy is so fucking wet, I can hear it from here!” Hawks moans, the frantic sound of his drilling hips gaining speed and momentum.
“I want it to be you!” you moan, your face burning in your humiliation. “I want it to be you fucking my pussy, claiming me in this bathroom. I need you, Hawks, I want your cock so badly!”
“Fuck,” Hawks gasps, something tumbling in the background. “Such sweet words for a fucking dirty ass cumslut,” he growls, and your legs shake, your clit and cunt thrumming with your increasing arousal and pit of tightness in your core.
“HAWKS, FUCK!” you sob as your hips try to start a merciless speed against your fingers, your body trying to match the speed in which Hawks was fucking his own hand.
“Keep screaming my name, whore.” Hawks gasps, his noises of pleasure beginning to grow louder and louder, your eyes crossing in satisfaction. “Screaming my name like the fucking slutty mess you are. All this shit just to get me to fuck you? God, you’re so fucking pathetic y/n. Begging for me, begging for more? I think you’re my favorite little dove ever, gonna make you mine whenever I get to fuck that pussy.”
“Hawks!” you wail his name again, your arms and pussy throbbing with the energy it takes to keep up with his inhumane speeds. Your vision seeing stars as you tremble more and more, your legs slipping from the toilet seat, yet. “I am your whore, your little dove. Please let me come, please! You fuck me so well, fucking hell, please, I needa cum, I needa cum!”
“Cum with me,” he snaps, his voice so deep, so dangerously smooth. It was precisely what you needed, the voice kink you had for his tenor exactly fulfilled entirely with that simple, last command. And just like that, your jaw slackens, head slamming backward, and pleasurable waves crash through you.
Your fingers still rock at your clit, and your vice gripped walls, your toes curling within your shoes as you soundlessly scream. Hawks, on the other end, is practically snarling, voice deep and altogether dangerous as grunt after grunt leaves him, and you can imagine the milk-white cum splattered all over his chest and hand. A beautiful, perfect sight that you wish you could see for yourself.
Exhaustion settles in your bones as you sit on the toilet, still entirely exhausted as you heave for air.
“I think that was the best fucking orgasm I ever had,” you mumble, your eyes closed, not ready to stand up and move. “Thank you.”
“I’m good at what I… at what I do,” Hawks stumbles, husky exhaustion ringing in his own voice. “Now, little dove, finish up work, and I promise there’ll be a surprise waiting for you when you’re done.”
Not entirely agreeing, but not disagreeing with his command to go finish you last… two and a half hours at work, you begrudgingly said goodbye to Hawks before washing your hands and exiting the bathroom.
When five o’clock came, you watched as your phone screen lit up, and your face flushed as you read the DM from Hawks.
Hawks: this is my fav audio now ↳ hawks_littledove.mp3 but you surprised me today, so in case u ever want to have more fun sometime call me 03-9183-2495 ;)
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Hi,, I hope I'm not bothering you with this and I'm sorry if my English isn't good, I hope you can understand my questions. I've been thinking about this for a while now and I tried to find information online but I found nothing.
MDZS is the first Chinese Novel I've read and I still haven't finished it yet,,but I've heard about rumors that said that MXTX is in jail, because she sold copies of her books. The rumor isn't true, however it made me wonder something,, I know China's censorship on lgbt related stuff is really heavy and that's why the donghua and drama adaptations of MDZS and other bl works are censored, but I didn't know that authors couldn't sell their novels.
So my question is,, how does MXTX earn money if she isn't allowed to sell her works? She has already finished 3 Danmei novels, and her works are really popular, they even have manhua, donghua or drama adaptations. The adaptations have earned quite a lot of money, but since she's an anonymous writer, does part of it even go to her?
To make the drama, the donghua and the manhua, producers had to ask her permission, I think. So, since the adaptations are doing well, she should get part of the profit, but how does it work? If the Chinese Government really is against lgbt themed works, shouldn't they have done something about her?
I really love her works and I hope that she earns something since she is the one that created all of them. Thanks for considering my question!!
Hi both of you and welcome to the cnovel fandom! Quick intro of the author, MXTX uses a pen name like many webnovel authors, it’s the abbreviation of Mo Xiang Tong Xiu which literally means “Ink Fragrance, Copper [Money] Stench” (墨香铜臭). Fun fact, it’s her mother who coined that name. MXTX wished to pursue a major in literature during university but her mother wanted her to graduate in economy instead while keeping writing on the side, that way she would have the fragrance of ink in one hand and the stench of money in the other.
We also know that she is fairly young, she wrote Scum Villain while she was a university student and she started working on the outline of MDZS in her final year. Tian Guan Ci Fu (Heaven Official’s Blessing) is the third book she completed and a fourth novel is/was in the works, its provisional title is “No rest for the death god” and is supposed to be a supernatural story taking place in a modern setting.
MXTX is one of the most popular webnovel authors on Jinjiang Literature City, the webnovel platform, but her popularity also comes with a great many detractors. You’ve heard some of the malicious rumours circulating in the English-speaking side of the fandom, it’s just a drop in the ocean compared to the outpouring of heated controversies in the Chinese side as the latter can have real-life consequences. There is a different nexus between the creator and the audience and the fandom culture is not the same either, it can be quite deleterious due to the tendency to report any content that one disagrees with.
Censorship in China is... ever-changing and nebulous. How severe it is depends on the medium. Nevertheless, gay literature (同志文学) does exist in China and it is distinct from danmei. I also want to nuance a bit the pervasive idea that anything lgbt is systematically and relentlessly censored in China. The reality is more complex than that and it would be dismissive of the hard-fought gains and visibility that Chinese lgbt activists have obtained these past two decades (some concrete examples: the work of the lgbt centre in Beijing or the pride festival in Shanghai). I don’t know if people are aware of this but lgbt dating apps are thriving in China, the most popular one, Blued, is also the largest lgbt social network worldwide. With that said, the official policy towards homosexuality is the three No’s: “no approval, no disapproval, no promotion”. A stance comparable to the “don’t ask, don’t tell”. It’s not explicit persecution but it manifests in the silencing of public discussion and the limiting media representation of homosexuality. In 2017, the top media regulator that oversaw radio, film and television issued guidelines banning a number of things, this included obscene and violent content, homosexuality, superstitious pseudoscience (such as reincarnation or spirit possession). On top of that, there is also an ongoing crackdown on online pornography that gets increasingly intense. And that concerns everyone on the internet, it’s astonishing the lengths netizens will go to in order to circumvent the censorship, new slang is developed to refer obliquely to banned words, fanfics are published in image format to prevent text recognition, etc... The censorship might be increasingly prevalent but netizens push back with their resourcefulness. Pushing back is also not without significant risk. Perhaps you have heard of the case of the danmei author that received a severe jail sentence? A few Western media picked up on that and criticised the ruling that was deemed homophobic. Chinese reactions tell a slightly different story, the author's crime was not writing danmei, she was in fact accused of making a profit by illegally producing and disseminating pornographic material. I’m not too keen on the details but it seems she printed the books herself and sold them online. To some Chinese observers, the ruling was not discriminatory because she did break the law. To others, it was absurd because this law dates from an era when internet barely existed and it would have been much more laborious to mass-produce and share porn at that time. There’s a bit of truth in all these points of views. It’s also not disingenuous to say that lgbt content is more likely to be targeted than het content even if the charges are not directly lgbt-related.
Usually contracted authors of webnovel platforms have a more secure status. They get a fee from the purchase of VIP chapters as well as tips from the readers. Other sources of revenue arise when webnovels get popular enough to get the opportunity to be published through official channels or when adaptation rights are sold (I assume that the author receives a share of that deal but perhaps does not get any further financial gain from the adaptation or its merch).
To support the author, I would suggest purchasing TGCF on Jinjiang (guide) or buying the physical versions of her three novels in Chinese (shop, change to English with top-right world icon), the special boxsets of MDZS and TGCF come with tons of goodies!
Hope I could be of service and that my tirade was mildly informative ^^'
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The Freedom of Expression Ep 58 - [NSFW] The truth behind the DIR EN GERY misprint, and a mysterious voice...
K: Hi, this is Dir en grey's Kaoru, with this week's episode of the Freedom of Expression. Joe, Tasai, welcome...Um..
T: Ah!
J: What is it?
T: No way!
K: Its 'Young Jump'
J: Ah, Young Jump.
K: I think you already know about this, but we put an ad on it like this *shows back page*.
J: Oh, looks great!
T: Yeah, it does. Very impactful.
K: Its good, isn't it?
T: Yeah, great impact.
K: There's something a bit odd about it.
J: Haha
T: Huh? Where?
J: Eh? Something odd?
K: Yeah, its a bit strange. There's a bit of a mistake.
J: Is the kanji for Oboro correct?
K: Yeh, and this is right, about the release on the 28th of April.
J: And Wenesday is correct, right?
K: Yeah, and the explosion screening schedule is ok.
T: Yeah, it is.
K: The ticket price info is also all fine.
J: Yep.
K: After that there's only this bottom section.
J:Yeah.
T: DIR EN...
T, J: GERY, haha.
J: Has a new band formed?
K: We screwed up.
J, T: Hahaha
K: Its hard to believe, right?
J: Incredible. I did not expect this..Dir en gery.
T: I thought it was like a trick or something.
J: Oh, to make it go viral or..?
T: Yeah, going with Dir en gery.
J: Kaoru, what was it?
T: We'll find out about it here.
K: It was a total mistake.
J, T: Hahaha
J: Seriously? Eh? Really?
K: Yeah.
T: Does that mean it was done on a hurry, if its a seroius mistake?
K: Yeah, I guess so.
J: Well, Tasai, you work for a newspaper, and I also work for Rolling Stone, so we understand this, but our work is handed in for checking, you know, proof-reading. And they do spot mistakes, but honestly, I have never seen mistake of this size before.
T: Yeh. This is at the level of 'accident'. However, there is a case for saying that we cannot attack this. What I mean by that is that we too make mistakes.
J: Yes, thats true. There is that. Well, this goes for magazines etc too, but if you do proof-reading within the organization, for example, if the writer writes an article, the editor will proof-read it, and they may intend to, but if everyone is really busy with loads of other work, they will run out of time. Then they will get it checked by an external proof-reader. Even then there are sometimes still typos left over.
T: Yeah, there are.
J: There are, right? Human error happens.
T: Yeah, like if I misspell a name or something, I can correct it on the digital version, but on paper it appears on every copy out there.
J: Yeah..
K: But like this?!
J: Yeah, we say this, but we've never seen a typo this bad. Like, I've mistaken small details in names and stuff before.
K: Yeah, like Young Jump becoming Young JumP, right?
J, T: Yeh, haha.
K: Not like this! *points to 'GERY'*
J: Haha, this is...
*Sound of strange voice occurs in background - On screen text: 'What was that voice?! One more time.. (Clip of strange voice re-plays) No-one during the filming heard this. Its a mystery voice'*
J: Tell us what happened?
T: Yeah, lets ask.
K: Um, we had the design made, and the designer made the regular logo and put it down here in this fixed spot, so it looked as if the logo was done, even though there was a mistake in it. At the time, I wasn't looking at the band name, I was looking at the overall design, and ths impact it had. Like this image of Kyo from RokumaykanGIG. My eyes were drawn to the best parts of the design. It wasn't really designed to emphasize the band name. Its designed to showcase this top part, so I, like, didn't see it. Die didn't even see it, and he normally checks these really carefully. Even if we miss something, he normally spots it straight away.
J: Ah, even Die didn't notice it! ???*1
K: Yeah. We were too busy checking that there were no mistakes in the tour schedule.
J: Yeah.
K: But the information is all correct, so if its just the band name with a mistake, well, maybe its ok.
T: This could become a really rare item in time to come.
J: Yeah, cause there isn't gonna be a misspelling with Dir en grey again after this. That point will be strengthened.
K: Not for a while yeah. A long time ago, we had a single out called 'Filth', and there was a mistake in the title of the song on the cover jacket.
T: Eh? So this is the second time this has happened to you?
K: Well...yeh.
T: Hahaha
K: Well, we occasionally make small mistakes *2, but...
T: This is big.
J: Can I suggest something? Good things come in threes.
K: Ah, terrible.
J: So there will be a third time to come, imagine it, it could be both the title and the band name with a mistake.
T: Hahaha
K: Well, what can I do about it now? If you buy the single 'Filth' even now, its still like that. So filth is spelled f-i-l-h..huh? h-f...um, it's..
T: ..t-h
K: f-i-l-t-h, but the i became f, I mean h. So because there were two h's I realised the mistake. If there really is only one h, it could be that they just made the letters look in that style, but they look the same to me.
T: Ehh? I want to line Filth up next to this magazine.
J: Yeah
J, K: Hahaha
T: Don't you have it here? Filth?
K: We do.
T: Lets put them out together!
K: When I saw this (*Young Jump*) though, well, I thought it was quite rare*3, it could become a talking point. If you take a bad thing in a smooth way, someone will notice, so I thought we could just go with it.
J: Brilliant!
K: And then I posted on Twitter, like 'Ooops'. And that was a photo of the actual magazine, so it really was like 'ooops'.
T: As soon as I saw your Tweet, I was like 'Huh?!' and I went to the convenience store and bought it. haha
J: Well, in that sense it is a rare item
T: Can we decide on the correct reading for this? How would you say it?
K: Ge-ri?
J: Dir en gery (ge-ri).
K: jeri? geri?
J: geri? jeri?
T: gari?
J: Its geri, right? Well, jeri is like..
K: In the basic form its geri, right?
J: Yeah. jeri might have to be 'Gerry' with two r's. Which is best Dir en jeri or Dir en geri?
T: Should we decide? Even though it doesn't really matter.
J: Yeah
J: Dir en geri sounds like a struggling country rock artist or something, haha. Dir en jeri has jellyfish vibes.
T: The official name: Dir en Gery (jeri). haha.
J: I want you guys to do a joke live show as Dir en gery. You could switch parts, like Kaoru, you could be on drums.
K: Ah, but we did kinda do that once, we changed parts on stage. I just made a load of noise.
J: Ahh, so you could do that as Dir en gery somewhere officially and play one song.
T: Ahh, thats a good idea.
J: Do a cover or something.
T: You could do ???*4
K: Er, no. haha.
J: Haha, this will getting bigger and bigger.
T: But I heard recently at the MeguroRokumaykanGIG screening, Kyo said that Toshiya used to play guitar a long time ago.
K: He was playing guitar the first time we saw him playing in a band...well, I don't know if he was playing it, or just waving it around a lot.
T: Yeah, Kyo said the stage was going wild.
K: Yeah, he wasn't playing.
J: So, when you guys switched instruments on stage, what did you do Kaoru?
K: Drums.
J: Oh, drums?
K: Thats the one I wanna try out the most.
J: So if you guys played as Dir en gery, Kaoru, you would be..?
T: Drums?
K:...Nah....*imitates playing the castanets*
J: Tambourine? Oh, castanets? So, it doesn't necessarily have to be the same instruments you play at the moment?
K: Yeah. As long as we play as a proper band.
J: Yeah, so Kyo could play the recorder..
T: Someone could hit the ???*5
J: Yeah, yeah. Oh, that would be good.
*The single Filth gets passed over*
K: I'll just get it out.
*K shows cover jacket to J*
J: Oh, here, right?
K: Can you see, there are two h's.
J: Yes. I see.
*K shows it to T*
J: The first h is a typo?
K: Yeah.
T: Its a bit difficult to spot though.
K: We didn't even notice, we thought it was just the design.
J: Yeah. Put them together now.
*K puts magazine and CD together*
J, T: Hahaha
K: By the way, it was the same person who designed both of these.
J, T: Haha
K: When he saw it he was so pained.
T: Its ok, ???*6
J: Ahh, well, it can't be helped though.
*On screen note: Again? (weird voice appears)*
J: Even if there is a spelling mistake, its conveying the atmosphere that is the main thing.
K: Yeah, thats the emphasis.
J: But on the other hand, you could say that as soon as 'Dir' appears, people recognise it as Dir en grey, even with this kind of misspelling. The name is that well know.
T: Hmm, yeh
K: Hm, well, yeh, if you look at it up to here. But for us, its impossible.
J: Well, I guess yeah. It goes for Rolling Stones too. For example, if the last n in Rolling Stones became an m, you wouldn't immediately spot it. If it came up all of a sudden, you would just think 'Ah, the Stones'. It's that kind of name recognition. You could see it in that way. But I didn't know it was the same designer who did it both times.
K: Our boss was pretty mad about it.
J, T: Hahaha
J: Really? I see.
K: He couldn't believe it.
J: Well, yeah. Its also the most important part.
T: Well, yeah, and cause its already in circulation.
J: Yeah. Well, everyone can keep it as a treasure.
K: Where's Kami?
J: Yeah, isn't he here?
Kami: Oh, Im here, I was just listening the whole time. People make mistakes, right?
T: They do.
Kami: This is just a mistake. So its wrong to point blame.
T, J: Yes.
J: Kami, have you made a mistake recently or something?
Kami: Im always making mistakes, and always getting into trouble.
J, T: Haha
Kami: As soon as you've made a mistake, it hurts, right?
T: Yeah, I know that feeling.
Kami: Yeah.
J: Yeah, the person who made the mistake knows it, you don't have to tell them.
T: Yeah, that hurts the most.
Kami: I bet if you made a mistake like this though, you'd get into big trouble.
T, K: Haha
Kami: I think you really would.
T: Well, heh, yeah. But if even Die overlooked this..its like a demon interferred..
J: Yeah, unbelievable.
K: But, anyway, Im taking it in a good way. Well, I mean, it's not good to take just any old thing in a positive way, but....its a bit like those remarks by Mori that we discussed recently.
J: Oh yeah.
K: Like how to move on with it.
J: Yeah, we can learn from that.
K: Yeah.
*Sound cuts out. On screen note: Suddenly, we were unable to record to voices. Was it linked to that sound we heard earlier?*
K: Um, the sound..
J: It seems as if the sound went off.
T: I wonder whether its to do with what we just talked about?
K: What, like, 'Stop this conversation?'
J: Haha, like from ths designer's perspective...'Please stop it!'
T: Haha, yeah, 'Please!'
J: So, what about the Oboro single?
K: So, we're at the last stage, just the mastering, and a little more discussion, and we're about finished. And then the packaging. Well, there's just a little bit longer till the 28th, about another month.
J: Well, Im looking forward to it.
K: Ok, lets finish here for this week. Thank you.
*On screen note: The voice that no-one, including the staff, heard during recording was recorded into the mic data.*
*1,4,5,6 Couldn't catch
*2, 3 Not entirely sure
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Not Today IV
A/N: Funnily enough, I was really struggling with what to write in this chapter. Then, it hit me, and... it got long enough I decided to make it into two separate chapters. Finally getting some more plot building here, and this little feast arc will be wrapped up next week! Until then, I hope you enjoy! Skål!
Summary: When Ivar takes the throne of Kattegat, Lagertha flees to Wessex along with Björn, Ubbe, Torvi, and the Bishop Heahmund. There, they seek the aid of King Alfred. This aid comes in the form of his sister, Aethelind, who agrees to travel to Kattegat and try to reason Ivar, who she spent some time with during their youth, when her grandfather King Ecbert hosted Ragnar Lothbrok in their castle. Now, she is the only hope for Lagertha and her supporters to retake Kattegat from Ivar the Boneless.
Masterlist
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True to his word, Alfred had a feast called to be hosted for Aethelind’s guests, and they were rather stunned to hear about the feast being held in their honor. They also were sure this was Aethelind’s work, a show of good faith and good things to come. And Ubbe certainly had no plans of turning down free food.
Sounds of celebration poured out of the feasting hall, and Aethelind grinned widely as she sat, quietly talking with Torvi. The feast was in full swing by now, Vikings socializing with Saxons, something that brought peace to the Princess’s soul as she watched the crowd. Her eyes had focused on Lagertha, speaking in an almost conspiratorial way to the Bishop Heahmund. She smirked slightly, and then returned her attention to the woman at her side.
“And… you are one of these shieldmaidens, yes?” she was asking the older blonde, and Torvi smiled and nodded.
“I am,” she confirmed. “Though, I wasn’t always.” When Aethelind turned a curious gaze to her, she decided to elaborate. “My second husband tried to make me kill Björn.” The Princess’s eyes widened drastically at that, and Torvi chuckled. “I didn’t, obviously. Instead, I killed my husband. That led to me joining the raid on Paris, and… Lagertha trained me from there.”
“You killed your husband?” Aethelind questioned, as if that were the only thing that had caught her attention.
“My second husband,” Torvi confirmed. “Erlendur. He was the son of King Horik, who-”
"Who once helped King Ragnar raid Wessex,” Aethelind finished, and chuckled. “I had no idea you were no stranger to being married to royalty, before Ubbe.”
Torvi laughed softly at what Aethelind said, and said, “Oh, I have always been married to royalty. First, Jarl Borg, then Erlendur, Björn, and now Ubbe.”
Aethelind gaped in a way she knew her mother would have scolded her for, and asked, “Four husbands? Torvi!” This led the Viking woman to giggle, and she put her hand on Aethelind’s hand familiarly.
“Two of them died,” she defended. “Björn is the only one that… we simply did not work.”
“‘Two of them died’,” Aethelind repeated playfully. “I was under the impression you just confessed to the murder of one?”
Torvi nodded, still laughing, and answered, “Yes, but that does mean he died.”
Aethelind gave a small shake of her head, and kept giggling at what Torvi had said. “You are too much,” she teased. As the two began to regain theirselves, Aethelind asked her, “Now, what exactly is a Jarl? Is that… sort of similar to a Lord?”
“Essentially,” Torvi answered her. She began to explain the hierarchy of the Viking royalty, and as she did so, Ubbe found himself chuckling and watching the pair.
Alfred looked up from his meal as he heard this, and tilted his head slightly. “What is it?” he questioned. No one had said anything to Ubbe, so he wasn’t quite sure what the Viking was laughing at.
“Your sister and my wife,” he answered Alfred. “It seems they are getting along very well. I cannot be sure what they are talking about, but they keep laughing together.”
Alfred’s eyes turned from his plate to his sister and Torvi, who were now laughing once again, and he made a slightly considering face. “I suppose I cannot be… too surprised by this. I have always found her to be more similar to our biological father than I am.”
“Your biological father?” Ubbe asked, looking to Alfred.
“Yes, the priest, Athelstan.”
Ubbe’s eyes lit up with recognition at the name, his brows lifting slightly. “Athelstan?” he said, looking back to Aethelind again. “I didn’t know you were his children. I knew him in my youth.” A small chuckle, and he added, “I led the search for the man who killed him, on my father’s orders.”
Now it was Alfred’s turn to look slightly stunned, and he even blinked a few times as he processed this. “You- you were not very young when he died then, were you?” he asked.
“No,” Ubbe confirmed. “No more than… eight winters could have passed, since my birth. But when Floki ran, it would have been about ten.”
“My grandfather sent me to Rome at three years old,” Alfred commented. “It looks as if we were both doing things we might have been… more prepared for at an older age, during our youth.”
“Apparently so,” Ubbe agreed. “Though, I would be lying if I said I was unprepared for such a task at that age. Viking children are prepared for much more than it seems your children are.”
Alfred sighed and shook his head a little. “I wish I could argue that, but I was being taught things in books at ten years old, while you were leading searches for an escaped criminal at that age.” He looked to Aethelind, and smiled a little. “My sister might have been happier to grow up in your world, I think.”
“How so?” Ubbe asked curiously. His eyes turned to Aethelind, who had moved from Torvi to speak to his brother, Björn. He seemed to be quite amused with her, leaning against the wall and watching her animated expressions. Ubbe smirked a little.
“Look at her and your brother,” Alfred pointed out. “Doesn’t she already seem happier, with you all here?”
Ubbe shrugged, even though the thoughts of what had been said of her and Ivar circulated through his mind. “I wouldn’t know.”
The sound of her laughter reached them at their table, and Ubbe noticed the way Alfred smiled. He couldn’t be sure if Alfred was happy to see his sister with the oldest Ragnarsson, or concerned.
“No, you can’t mean that,” she was currently saying to him. “Not one wound? Nowhere? Not even a scratch?”
“Nothing indeed,” Björn confirmed for her. “It is why I am called ‘Ironside’.”
“So explain to me then, how your brothers are Ragnarssons, but you are Ironside? Should they not instead call you Björn Ragnarsson, the Ironsided?”
This caused Björn to chuckle slightly. Her confusion was somehow very endearing, the way her voice shifted and brows drew together as she tried to figure out the name worked. The Viking chose not to let her suffer with that confusion for too long, and clarified, “I am called Ironside, just as my father was called Ragnar Lothbrok.”
“So, your name was never Björn Ragnarsson?” she questioned, and he nodded.
“It was.”
Her lips pressed together in a frustrated way, and her expression fell flat. He chuckled again. “Now you’re teasing me,” she insisted.
“I am not teasing!” Björn said defensively, even lifting his hands as if in surrender. “It is the truth! I am Björn Ironside, and also Björn Ragnarsson. An earned name can become how you are known, instead of the name you were given at your birth. It is the beginning of your own legacy. I am set apart as my own man by this name, and not simply part of my father’s legacy.”
She couldn’t help herself in saying, “And so, Ivar the Boneless…?”
Björn was clearly not quite sure how to react to this. Of course, he knew what her question was- was that name some part of a legacy he had already made for himself? Or, was it a title given to him simply because his legs did not work? But at the same time, it was a subtle way of asking about him, seeing what he had been up to. If nothing else, it confirmed for Björn that the Princess still cared for the man.
“He was first called that because of his legs,” he ended up explaining. “But now, he has turned that name he was given into a name which… he hopes will be remembered for ages to come. It has become his legacy, and likely, it will be a powerful one at that.”
"But not more powerful than ‘Ironside’,” Aethelind teased, and Björn cracked a grin.
"I should hope not,” he agreed. She giggled lightly at that, and smiled up at him.
“Then make it so, Björn Ironside. If it is what you wish. You seem to be a great man. I don’t doubt you can do what you set your face toward. Though, I still wish there were more I could do to help you in this battle.”
Björn looked at her curiously, tilting his head and pressing his lips tightly together. “Why are you so interested in turning against Ivar?” he asked her. “He was your friend in childhood. Why turn against him now? We cannot have become better friends to you now than he was to you then?”
Aethelind sighed, and leaned against the wall as she considered what he said. “In truth?” she questioned, looking to him with the silent question of if she could speak freely to him or not. He nodded. “I am not interested in turning on him. A peaceful resolution is what I am interested in, where there can be peace among your family again. He may have been my childhood friend, Björn, but he was your brother.” Her hand rested against his arm, and he found her eyes to be perfectly sincere when they met his.
Alfred choked on his drink as he and Ubbe saw the interaction between their siblings.
“All I want,” she continued, though they could not hear her, “is to see your family reconciled.”
“Even if that means standing against Ivar?” he questioned.
“I hope it does not come to that.”
Her mind was working quickly, trying to come up with some way she could make sure it didn’t, near ready to pray for a solution, when Björn spoke again. “If it were possible to speak to Ivar, then I would…” The Viking paused, unsure of what to add to his statement, before shaking his head. “He cannot be reasoned with. Speaking to him would do no good.”
Björn, try as he might, could not have foreseen the response Aethelind would have to his words. He believed it was a worthless cause, talking to Ivar, but to her, he’d provided exactly the thought she’d needed. “Unless the wrong person has been trying all along,” she said, a thoughtful look entering her eye.
“The wrong person?” Björn asked. “How could… who else is there to try?”
When she grinned at him, his eyes widened, and brows creased in shock. “No. You cannot mean…?”
"I do,” she confirmed. “Send me to speak with your brother. Maybe he’ll believe I would still be on his side, and he’ll trust me and my judgement. After all, you and Ubbe spoke as if he were still fond of me. Is that true or isn’t it?”
“By his standards, it is true, but if he would listen to reason, he would have already heard it. His desire to rule Kattegat is not only because he wishes to be King, but because he wants revenge on my mother. Do you not remember-”
“I do,” Aethelind interrupted. “But we are taught against such pursuits here. Surely, I could convince him to let it go? I know the good that comes from forgiveness. I can show him.”
Björn would have scoffed, had he not cared if he offended the Princess. “You would have to convince your brother to send you,” he reminded her. “Without his permission, you will not make it beyond the docks. If he asks me what I believe, then I will not voice my support in this endeavor. You are safe here, Princess. You should remain here.”
Aethelind gave a slight huff, and her hand dropped as she moved to cross her arms. “Then I’ll talk to the rest of your party. Surely one of you will support me.” She thought perhaps Torvi would, maybe Lagertha. If she could get two supporters out of the Vikings, then maybe her brother would listen. And if Lagertha agreed, then she could likely gain Heahmund’s support as well.
The Princess wasn’t blind. She could see easily through the way the two looked at each other, spoke in their hushed tones. And… Well, Heahmund was no longer a Bishop, she figured. With that the case, then he was free to love Lagertha. She couldn’t fault him for finding happiness in a romantic love, when his ability to find it in giving spiritual love to the kingdom of Wessex had been taken. Not by any fault of his, of course, but he had been gone. They’d needed a new Bishop.
Well, Aethelind decided that had all worked out the way it was meant.
She turned to find any one of the Vikings who would be available, and soon noticed her brother talking to a beautiful young woman with long, dark hair and fair skin. His betrothed, then, Princess Elsewith. This meant Ubbe was no longer in conversation with the young King, and so Aethelind soon found he was talking to Torvi. Perfect. She began her walk toward the couple, a warm smile on her face as she approached.
“How are you two enjoying the feast?” she greeted, and Torvi smiled brightly in response.
“It is wonderful,” she answered. “Ubbe and I were just saying how excellent the food is.”
“Yes, we are very impressed with… whoever prepared all this,” Ubbe agreed. “It was done well.”
“Good,” Aethelind said, nodding slightly. “Perhaps the two of you would like to join me for a drink? I have something I’d like to discuss with you.”
“With us?” Ubbe questioned. “Very well.”
Torvi and Ubbe followed Aethelind as she went toward one of the tables, finding a pitcher of wine and filling their three goblets. Ubbe noted with interest how she didn’t call for a servant to refill their cups, simply doing so herself. Was that common in England? he wondered.
Once they all had some wine, Aethelind led them over to a place they could sit alone, comfortably, and discuss what she’d wanted to. Torvi and Ubbe watched her expectantly, and she smiled. “I have had a thought,” she began. “A plan, perhaps, that may help your plight in Kattegat.”
Ubbe’s brows lifted as he heard this, and Torvi’s eyes widened. “A plan?” he asked. “What sort of plan?”
“None of you want to fight Ivar, and he’s your brother anyhow, it wouldn’t be right,” Aethelind began. “So… someone needs to talk to him. I have it from Björn that this has been tried, that he cannot be reasoned with, but I wonder… Would he listen to someone who wasn’t one of you? Someone who has no stake in this except perhaps bias toward him, even?”
“What are you suggesting?” Torvi asked skeptically. She was beginning to suspect where Aethelind was going with this, and the idea was unsettling to her already.
“I am suggesting… an old childhood friend,” Aethelind replied with a small, playful smirk. “Someone he continued to think of even once he was home.”
"No.” Ubbe’s response was nearly shocking to Aethelind, but she still turned to look at the son of Ragnar. “No, you also have it from all of us that Ivar has changed drastically since he was young.”
“Do we ever change?” Aethelind questioned. “Or do we just think we do?” Ubbe and Torvi looked at her with slight confusion on their faces, unsure now of what she meant by that. But, before they could ask for clarification, she gave it. “You, Ubbe, said that, ‘he is buried beneath years of anger, and pain, and hatred,’ didn’t you? If he really is still there? If that’s true, then why shouldn’t I try and… bring that back out? You told me he was always cruel, but if that were true, then why would he have behaved so… differently with me? Doesn’t it make sense that, if he wasn’t then, he may not be now?”
“You are putting a lot into these uncertainties,” Ubbe said. “You have no way of knowing if Ivar will be cruel to you if you go to Kattegat. If he is, then the worst-case scenario is that he would kill you. Best is that he simply will not listen, and turns you away. And if he is not cruel, there is still no guarantee he will listen to you. Your life is too great a risk to base off nothing more than a ‘what-if’, Princess.”
"I agree with my husband,” Torvi said. “We cannot risk you. If I knew better that you could defend yourself, then perhaps… But for now? I’m sorry, but we just… we don’t have enough information, and Ivar has always been unpredictable as it is.”
“Then it stands to reason that he might just listen after all.”
Torvi and Ubbe were getting rather tired of being so bewildered by her all the time. What could she mean now?
“You predict that at best, he won’t listen, and at worst, he would kill me. But… he is unpredictable, you say. So it stands to reason that he would again be unpredictable, and at worst, listen to me. At best, he may agree to find peace. And Torvi, if you trained me… I could defend myself, and the worst-case would be far less likely to actually be a threat.”
Ubbe looked to Torvi, his brows creasing thoughtfully as he watched his wife carefully consider Aethelind’s words. Her argument did make sense, in a rather twisted up sort of way. She didn’t want to say it, but the logic rather reminded her of Ivar himself. It sounded like exactly how he’d have sold one of his daft plans- the sort that tended to work, she thought begrudgingly- to his brothers. Perhaps this English Princess had the exact same sort of mad genius that Ivar did. If that were so…
“Very well,” she said, with a sigh. “With your King’s permission, and the agreement of the rest of us, and satisfaction that you can defend yourself… I will agree.”
Ubbe’s eyes widened. He’d had a similar train of thought to hers, concerning how Aethelind had defended her argument, but to hear Torvi agree…
“And I suppose I will support my wife,” he said. The words seemed to surprise him, even as they left his mouth. “Her terms seem… reasonable.”
Aethelind grinned happily at their agreement to her plan. “Excellent,” she said. “Björn has already spoken his disapproval of this plan, but I think if I can convince your Queen, the Bishop- who I suppose will agree with her- and my brother, especially with these terms, then he might come around.”
Torvi grimaced at hearing Björn was already against the idea. “Well… That, or we may have to go with the majority,” she conceded.
“Is he that stubborn?” Aethelind asked with a soft chuckle, and Torvi nodded in a slow way that agreed enthusiastically. “Well, a majority will do, then. Excuse me, I have to find Queen Lagertha and speak with her about this, before Björn does and convinces her against it.”
She glanced out into the people, and found Björn speaking with Elsewith and Alfred, now. The sight made her grimace. “Hopefully, he wouldn’t speak of this in front of my brother’s intended…”
“I doubt it,” Ubbe assured her. “It is too private a thing for him to share with any who are uninvolved. If she weren’t there, he might tell your brother, but… He won’t say anything with her there, I don’t imagine.”
Aethelind let out a small breath of relief, and nodded, smiling once more. “Thank you,” she said. “Well, pardon me, and enjoy the feast, and I cannot thank you enough for discussing this with me.” She briefly kissed Torvi on the cheek, a show of her gratitude for the new ideas concerning her plan. And then, she walked away, leaving a wide eyed Torvi and Ubbe- neither of whom had expected that- behind.
Now, she approached Lagertha and Bishop Heahmund, who were still in deep conversation, which made her hesitant to interrupt. But the matter was important, and she figured both Heahmund and Lagertha would be involved, and therefore, Björn likely would feel comfortable speaking to them both on the subject. She needed to get their approval before he gained their dissent.
As she approached, Lagertha offered her a kind smile, and stepped back just a bit from Heahmund. The Princess held back a knowing smirk.
“Queen Lagertha,” she greeted, giving a small curtsy to the shieldmaiden, and turned to Heahmund. “Your Grace. How is the feast treating you both? Well, I hope?”
“Very well,” Lagertha answered. “We could not be more grateful for your hospitality and generosity.”
“You are most welcome to it, Your Highness,” she said with a smile. “We’re happy to have you here. And Bishop Heahmund, it is a joy to see you returned in good health, by God’s good grace.” She put a hand on his arm, a small sign of sincerity.
“Thank you, Princess,” he replied with a smile. “I can only think it must be your prayers, and the prayers of your people, which moved Him to spare me.” Aethelind grinned, and nodded slightly.
“It must have been,” she agreed. “And we thank Him for it. And for your health as well, Queen Lagertha.” She turned to her, and mirrored the placement of her right hand on Heahmund with her left on Lagertha. “You have been through quite an ordeal. It is good to see you have survived, and survived well, it seems.”
“Thank you,” she said. “The gods have certainly been merciful. It is said that I and my allies have lost their favor, but… We are alive, and with good allies. I cannot believe it is so.”
Aethelind smiled, and nodded to that. “Neither can I,” she agreed. “And, on that front, I have had an idea that I have discussed with Prince Ubbe and his wife, Torvi. One that- with mild alteration- they have come to support. It is a plan to begin working toward the restoration of Kattegat to you.”
Lagertha’s eyes widened and her brows lifted in shock. “You have come up with a plan?” she questioned. “A plan to take Kattegat back?” She hadn’t expected the girl to have any military expertise, and yet she found the fact she did to be something of a comfort. Militarily experienced women were rare in England, and so it was calming to her to discover that Aethelind was one such woman.
“Yes,” the Princess confirmed. “This is still contingent on two circumstances, of course, and those circumstances are that Torvi train me to defend myself. Though, thinking now, I can’t help but think you would also be an excellent asset in this, if my grandfather’s stories held any truth- and I fully believe they do. And, that I have majority approval from yourselves, and my brother.”
Lagertha’s brows now drew together suspiciously. What could Aethelind be thinking that would require her and Torvi to train her..? “And what is this plan of yours, Princess?” she asked.
“With training and approval, I would like to go to Kattegat, and meet with Ivar, myself.”
Now Lagertha’s eyes widened, but it was Heahmund who spoke. “You cannot mean this, Princess,” he said. “I have worked at this man’s side… He is ruthless, and wicked, and he will-”
"-Not harm me, I don’t expect,” Aethelind interrupted. “Would you agree that Ivar is unpredictable, Bishop Heahmund?”
Lagertha watched Heahmund as he seemed to be given pause by Aethelind’s question, his eyes focusing on some invisible place, and his mouth hanging slightly open. He blinked a few times, then closed his mouth, and nodded. “I would, Your Highness,” he finally agreed.
“Then if it is predictable that, at best, he might simply not hear me out, and at worst, he may try to kill me- an option made less likely by Torvi and, should she agree, Lagertha’s training- then the unpredictable option would be that he, at worst, will not hear me, and at best, listens. And if he is unpredictable as you say…”
“Then he may hear you out,” Lagertha finished.
“Exactly.”
Heahmund gave a short laugh, one that held no mirth, but that Lagertha recognized as realization. He was coming to agree with Aethelind already. “That’s just mad enough that… with him, it might work,” he said.
“Then you will support me?” Aethelind questioned, her eyes hopeful. He nodded.
“I will,” he said. “My vote… hasn’t been asked for, but I will offer my support in any way I can.”
Aethelind smiled a little, and gave his arm a grateful squeeze. “You know Alfred has always appreciated your council, Bishop Heahmund,” she assured him. “It may just be your voice that convinces him.”
“If your voice cannot, then I doubt any can. Especially considering I doubt your mother will support this.”
The Princess grimaced slightly. “No… I don’t think she will,” she agreed. “But I will have the support of each Viking- save for Björn, I imagine, and hopefully… including yourself, Your Highness.” She turned back to Lagertha briefly as she said this, before returning her attention to Heahmund. “If I can gain Alfred’s approval of this plan, as I gained his approval in allowing me to open my villa to our guests, then… She won’t like it, but I will journey to Kattegat without her permission. I would simply like to have her blessing, is all.”
“You go for a righteous cause, Princess,” Heahmund said. “We will do all we can to ensure you go with the blessing of God.” He didn’t say it explicitly, but she could tell what he meant.
The approval and blessing of her mother, Queen Judith, would mean little, if the Lord Himself were on her side.
“I believe you are right, Your Grace,” she said with a warm smile. “Thank you.” Aethelind took a deep breath, and turned her attentions once more to Lagertha. “And… that leaves you, before I attempt to sway Björn once more, and then my brother. Will you support me, and this plan?”
Lagertha sighed softly, looking into Aethelind’s young face. The Princess was clearly less experienced with war than the Viking had believed at first. She was speaking of going to talk to one of the most dangerous men in their world, a man who Lagertha knew would have little interest in peace. If Aethelind was going to sway him, she would have to do something powerful in order to do so. Something… very clever. She’d have to gain his full trust before even mentioning peace to him. But, this plan, though only the bare bones of it were had at the moment… could perhaps be made into something that would work. She nodded.
“I will want a stronger plan,” she said, “and a new vote when the time comes to send you, so we all are assured that you are as ready as you can be, but… For what you have now, I will support you. And, I will help train you, if you receive your brother’s approval. With myself, Heahmund, Torvi, and Ubbe… This does give you majority from us, so that and your training is settled.”
“Yes,” Aethelind agreed, and grinned. “Thank you for your support, both of you.” She moved so she could speak more directly to both the Queen and the Bishop at once. “I do wish to have Björn’s support in this venture, so I will give him the updated plan, before I speak with my brother about it. Though, I will do so with or without Björn’s approval. Torvi has insinuated that he may be very difficult to convince, so… I don’t hold out too much hope.”
“My son is fond of a good plan, one he believes will work,” Lagertha said. “And, I believe he will see how like Ivar you think.” Aethelind’s eyes widened. “That, in and of itself, has increased my confidence.”
“Might I ask why that is?” Aethelind asked curiously. “Don’t you think that may make Ivar keen to what I’m attempting to do?”
“On the contrary,” Lagertha countered. “It means it may work exactly as we hope it will on him.”
A smile split Aethelind’s face, and she nodded. “Then I hope and pray it will, Your Highness.” She turned to Heahmund, and with a slightly less enthusiastic expression, added, “We all must.”
“And we all will,” he assured her. “But you have business, now. Go to Björn and your brother, convince them as you have us and the others. Then, we’ll see about training you.”
Aethelind’s smile returned in full force, and she nodded eagerly. “Thank you, Bishop Heahmund, I will.” She gave both their arms a small squeeze, and then said, “Enjoy the feast,” before turning and walking away.
“What do you think?” Lagertha asked Heahmund, stepping back in with a look of concern on her face as she watched the Princess go.
Heahmund sighed as he considered carefully his words, also watching Aethelind’s retreating figure. “Her plan is a good one,” he said slowly. “But if it is approved…” He sighed, and gave a small shake of his head. “I will pray to God daily for her safety, and her survival.”
Taglist: @youbloodymadgenius, @wilhelmyna, @katfett, @fangirl-nonsense, @zuzus-sun, @heavenly1927
If you want to be added to the taglist, feel free to reach out either by commenting, reblogging, DMing me, or sending an ask, and I’ll be more than happy to add you!
#ivar the boneless#ivar x oc#vikings#vikings history#history channel vikings#not today#chapter four#ivar's heathen army#ivar fanfic#ivar ragnarsson#alex hogh andersen#ivar x ofc#ivar x original female character#ivar x christian!oc
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Oneshot #2: Three times someone checked out Darcy’s ass and the one time he didn’t mind it
Description: A crackfic based on this post I made a few days ago. Basically what it says in the title and it plays during the canon era. The main pairing is BillDarcy.
words: 1645
A/N: To be honest, I don’t even know what this is, I just suddenly had this idea yesterday when I originally wanted to write the little idea for a Jojo/Elmer-Oneshot I have in my head. But hey, if there are things I’m good at, it’s procrastinating and doing things wrong, so here we are. As always, it’s possible that there are mistakes regarding grammar and spelling (I checked for them but since English isn’t my first language I might have forgotten something). It would be nice if you left a comment.
I hope you enjoy,
Sincerely, me,
Lélodie
—–
I.
Darcy hated puberty. Pimples were scattered all over his face and a few days ago, his mother had helped him trying to figure out how to shave his face without cutting himself. Still, there were some leftovers of an incision on one of his cheeks.
The worst thing was that he hadn’t even had something that he could have called a ‘beard’. But he had overheard some of his classmates talking about the positive effect of having a beard – looking more mature and therefore having a better chance with the ladies they wanted to court. Darcy himself didn’t want to court a lady, yet he always wanted to look more mature so that his father might stop treating him a like little child. So, after a lot of insistence on his part, his mother had helped him with the soft hairs over his upper lip and on the sides of his face and he regretted it.
He was attending some important event, where all the influential persons in the world of newspapers were gathered. And he was there with a bright red face, full of signs of imperfections.
“Look at that fancy new suit! Darcy, puberty’s starting to grow on you.”
Startled, Darcy turned around and was promptly hugged by one of his best childhood friends, Katherine Pulitzer. “Kathy, I’m glad you could make it,” he said, quickly hugging her back.
Katherine freed herself from the embrace. “I couldn’t leave you guys alone with all these people now, could I? But back to what I said, when did your ass get this gorgeous? Or is it just the suit?”
Darcy choked on his own spit. He was always surprised by Katherine’s bluntness. A blush spread out over his whole face as he truly realised what she had said and he made an embarrassed sound. “My ass is the same as always, thank you very much. The only thing that’s changing is the constellations of pimples on my face.” He grimaced.
“Uh, how poetic. Maybe you want to write my next article, then I’ll have a lot more free time.”
“Kathy, I’m having a serious problem here.” Darcy threw a glance at the people surrounding them, making sure they were out of earshot. Then, he whispered, “How can I face Bill when my face looks like I’ve been burned by the sun, over and over again?”
Katherine was the only one who knew of his infatuation with Bill – his other childhood friend. She had also been the one who had helped him overcoming his long phase of self-hatred because he was falling in love with another boy. At first, there had been all these thoughts like: “It’s wrong. Two boys can’t love each other.” But when Katherine had told him that she as well did like people the same gender as hers, he had felt a lot better. He wasn’t the only one. He wasn’t hurting anyone. So why should he be ashamed of who he loved?
“Don’t worry, Darce. I think it looks cute. And if he doesn’t like it, you can always show him your ass.” Katherine winked.
Again, Darcy blushed. “What’s it with you and my… butt?”
Katherine just shrugged inscrutably and led him to the buffet.
When they met Bill, he didn’t mention the pimples. He also didn’t mention that Darcy’s suit was apparently too tight around his ass. He had only brought life to the butterflies in Darcy’s stomach when he had constantly readjusted Darcy’s glasses and therefore brushed his skin from time to time.
II.
A soft breeze was caressing Darcy’s hair as he and Katherine wandered along the streets of New York, arm in arm. Katherine was going on about some vaudeville show she had to review that night, until they came across the Newsboys’ lodging house. A smile appeared on her face as they watched some kids dancing around, presumably on their way to the circulation gate. Darcy knew how she admired these kids that had nothing and still seemed to be so happy to at least have each other.
Since the kids weren’t walking really fast, Katherine and Darcy caught up with them and Darcy rolled his eyes as one of the boys started flirting with Katherine. It was always like this. Katherine was a beautiful girl and therefore, she caught the attention of many boys on the street. But only some of them mustered up the courage to actually speak to her.
Trying to suppress a sigh, Darcy let his gaze wander and couldn’t help but notice some boys passing them while the presumable leader flirted with Katherine. He blinked. Had he just imagined it or were two of the boys checking him out? He lowered his head, not daring to look back at them and not really listening to Katherine’s conversation.
He took a deep breath, fiddled with his hands and eventually glanced back at the two boys he had noticed. He nearly let out a surprised gasp as he caught one of the boys checking out his ass once again. A blush crept up his neck. The boy noticed him looking back and winked.
Darcy had never been more glad of Katherine taking control than in this moment. Oblivious to Darcy’s own problem, she grabbed his arm tighter and led him away from the newsies.
He took another deep breath. Had the boy been flirting with him? Darcy couldn’t handle people flirting with him. The only exception was Bill but that didn’t really count, considering that Bill was his lover. Which Darcy still couldn’t quite believe. He and Bill were a thing. Bill had been the one to take the first step, turning a little moment of them cuddling into a sweet, intoxicating kiss.
Darcy smiled and it didn’t take long for him to forget the incident with the newsies.
III.
Apparently, people did have a thing for his butt. That was the conclusion Darcy came to when he was ready cleaning the printing press and went to put on his coat. Bill had already left the cellar, presumably talking with Katherine and Jack outside.
He hadn’t meant to eavesdrop but he couldn’t help but hear two voices, a few feet away, seemingly not noticing his presence.
“… yeah, but one of 'em definitely had a stick up his ass.” The heavy Brooklyn accent in this voice was obvious and Darcy suspected that the boy talking was that Spot Conlon that every single newsie seemed to either fear or respect.
“Obviously. He’s refused ta shake Jack’s hand when he’d spit on it,” the other person laughed. It was also a boy but Darcy couldn’t quite place who the voice belonged to.
Was he talking about Darcy? It would make sense, considering that Spot had talked about two people specifically and he and Bill were the odd ones out (Katherine didn’t count since she had already been involved in the strike before they had been printing the banner tonight). Suddenly, Darcy felt offended. Just because he had manners didn’t mean that he was uptight.
“But you have to admit, it’s a pretty nice ass,” the person whose voice Darcy didn’t recognize answered.
It took Darcy all strength he could muster up not to cough and make his presence known. That would be even weirder than only hearing people talk about his ass. He hurried with putting on his coat, while contemplating listening a little more. Of course he was embarrassed but he kind of wanted to know what else the boys had to say.
“You’s right, Race.” A pause. “But do ya know who also has a great ass?”
Alright, that was Darcy’s cue to leave.
+ IV.
“I can’t believe you!” Darcy exclaimed while Bill only laughed more and more. He sighed. “I shouldn’t have told you, I knew it.”
“I am sorry, I did not mean to offend you, Darce, but that’s just too funny,” Bill said, letting his fingers run over Darcy’s arm, yet not even trying to suppress his laughter. “Why did I never notice that your butt is apparently so interesting?”
“I hate you,” Darcy retorted, crossing his arms in front of his chest, all the while trying to come up with a convincing pout.
Bill stopped laughing at that but the smirk didn’t leave his face. “No, you don’t.” His voice was soft and he moved closer to his lover. “Do you want to know what makes you the most handsome in my opinion?”
Darcy threw him a sceptical glance and let his arms fall to his side again. “What is it?”
“Your nose.”
“My nose?” Darcy let out a small laugh. “Seriously?”
“Well, it is,” Bill replied and shoved him lightly. “Especially when you’re wearing your glasses.” He raised his hand and started to trace the rim of Darcy’s glasses, gently, as if he was afraid of breaking them. Darcy’s breath hitched. “Shoving your smartness in everyone’s faces.”
“Glasses don’t make people smart.” Darcy remembered the time he thought that he would seem more mature when he acted as if he indeed had a real beard. In retrospect, he nearly laughed at that.
“But they make people look smart. And smart people are very, very attractive.” To prove his former point, Bill planted a short kiss on Darcy’s nose.
Darcy smiled. Then he leaned back a bit and took off his glasses. “But what happens when I stop wearing my glasses and don’t look smart any more?” He teased.
Bill made a face like he was thinking about something real intensely. Eventually, he embraced Darcy and smirked. “Then you still got your ass to show off,” he whispered, letting his hands wander lower and lower over Darcy’s back.
For once, Darcy didn’t mind someone paying attention to his butt.
#newsies#crackfic#billdarcy#darcy reid#newsies musical#livesies#Bill hearst#katherine plumber pulitzer#katherine pulitzer#jack kelly#albert dasilva#buttons newsies#racetrack higgins#spot conlon#sprace#fanfiction#newsies fanfiction#fangirl#fandom#newsies broadway#musical#oneshot#writing#writer#darcy newsies#canon era#fanfic#newsies fanfic#fluff#attempt at humor
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MASRANI BACKDOOR
AVAILABLE PROGRAMS:
ASSETS ..... USE TO ACCESS A PARK ASSET
QUERY ...... USE TO QUERY AN OBJECT
INBOX ...... READ RECEIVED MESSAGES
ARCHIVE .... READ ARCHIVED LOGS
TIMELINE ... USE TO SHOW COMPANY HISTORY
USEFUL COMMANDS:
HELP ....... DISPLAYS ASSISTANCE
LS ......... LIST DIRECTORY FILES
CLEAR ...... CLEARS THE SCREEN
EXIT ....... EXITS THE PROGRAM
ARCHIVE
KARYOLYSIS
---BEGIN LOG---
OWNER: WU, HENRY DATE: 09/20/1991 2205 CST SUBJECT: KARYOLYSIS NOTES: DESPITE INITIAL TESTS SHOWING PROMISING RESULTS, SUBJECTS 4X, 6X AND 7X (VELOCIRAPTOR) ALL FAILED WITHIN 6 DAYS DUE TO KARYOLYSIS: COMPLEX CHROMATIN MOLECULES COLLAPSING DURING INTERPHASE. WE BELIEVE THIS WAS DUE TO INCOMPATIBLE GENETIC STRUCTURES IN DENDROBATES LEUCOMELAS; AN INTERESTING THOUGHT AS DILOPHOSAURUS HAS SHOWN GOOD RESULTS WITH XL-22(728)[REGION 1]. A POSSIBLE SOLUTION HAS BEEN FOUND IN HYPEROLIUS VIRIDIFLAVUS.
---END LOG---
COLLECTIVE INTELLIGENCE
---BEGIN LOG---
OWNER: WU, HENRY DATE: 02/13/1992 1410 CST SUBJECT: COLLECTIVE INTELLIGENCE NOTES: VELOCIRAPTOR SUBJECTS HAVE BEEN DISPLAYING HIGH LEVELS OF SHARED INTELLIGENCE AS A RESULT OF A THREE STEP PROCESS INVOLVING COGNITION, COOPERATION, AND COORDINATION. THE COLLECTIVE IQ IS STAGGERING. PERHAPS MORE ALARMING ARE SCANS OF THEIR TEMPORAL LOBE DISPLAYING HIGH LEVELS OF ACTIVITY RESPONSIBLE FOR MEMORY, ORGANIZATION AND SEQUENCING, AND RECEPTIVE LANGUAGE.
---END LOG---
LYSINE
---BEGIN LOG---
OWNER: WU, HENRY DATE: 05/12/1994 1215 CST SUBJECT: LYSINE NOTES: THERE MUST BE A HICCUP IN THE LYSINE CONTINGENCY SOMEWHERE. THE ANIMALS HAVE NOT PERISHED. WHAT'S MORE ASTONISHING IS THAT THEY'RE BREEDING. I'VE SEEN THE NESTS MYSELF. ONE CAN ONLY ASSUME INCLUSIONS FROM HYPEROLIUS VIRIDIFLAVUS WERE TO BLAME. COMPLETELY UNPRECEDENTED IN MY FIELD OF RESEARCH. LIFE FOUND A WAY?
---END LOG---
KARACOSIS WUTANSIS
---BEGIN LOG---
OWNER: WU, HENRY DATE: 05/21/1997 0745 CST SUBJECT: KARACOSIS WUTANSIS NOTES: SUCCESS! SOMETHING THAT I THOUGHT WAS DECADES AWAY WAS ACHIEVED IN A MERE FOUR YEARS: THE ABILITY TO COMBINE MULTIPLE SPECIES OF GENETIC LIFE INTO A SINGLE ENVIRONMENT. A BRAND NEW SPECIES OF LIFE. THE INTERNATIONAL SOCIETY OF GENETICISTS ARE ALREADY NAMING IT IN MY HONOR: KARACOSIS WUTANSIS. IF ONLY HAMMOND WAS WELL ENOUGH TO HAVE COME AND SEEN THIS. LOOKS LIKE I'LL HAVE TO UPDATE MY BOOK.
---END LOG---
IRON STORES
---BEGIN LOG---
OWNER: WU, HENRY DATE: 08/25/2000 1355 CST SUBJECT: IRON STORES NOTES: TECHNOLOGY NEVER CEASES TO AMAZE ME. JUST A DECADE AGO NO ONE HAD BELIEVED WE'D HOLD THE TECHNOLOGY WE USE TODAY. MOORE'S LAW IS THRIVING. OUR RESEARCHERS IN SAN DIEGO (BRIDGES & CURTIS, ET AL.) HAVE GIVEN ME THE NEWS THAT OUR PROTOTYPE IRON ANALYZER READ INTO OUR RECENTLY UNCOVERED FOSSILIZED MOSASAUR SKELETON AND HAS SHOWN SIGNS OF TRACEABLE DNA FRAGMENTS. WHILST IT IS STILL MUCH TOO EARLY TO TELL, I BELIEVE THIS MAY BE OUR ONLY MEANS TO RECREATING AQUATIC LIFE IN THE ABSENCE OF CULICIDAE.
---END LOG---
WEEK 3
---BEGIN LOG---
OWNER: HOSKINS, VIC DATE: 04/19/2002 1910 CST SUBJECT: WEEK 3 NOTES: I WAS IMPRESSED WITH THE TEAM TODAY. HELL, STARING A SEVEN TON PREDATOR IN THE EYES IS NO EASY JOB. THESE THINGS ARE BIGGER THAN YOU'D EXPECT! LET'S JUST HOPE TIMACK KNOWS HOW TO BUILD STRONG PADDOCKS.
---END LOG---
RUFFLED FEATHERS
---BEGIN LOG---
OWNER: WU, HENRY DATE: 02/20/2003 1410 CST SUBJECT: RUFFLED FEATHERS NOTES: I'M CALLING THIS THE 'COMMON COLD OF GENETICS'. WE CAN'T CURE THIS ONE SOON I'M SURE. BECAUSE WE'RE ACTIVELY MANIPULATING AND MUTATING THE ANIMALS' GENES, ADDING FROG, BIRD AND REPTILE DNA, WE CREATE WHAT IS KNOWN AS 'NULL ALLELE'. THE DINOSAURS CANNOT LIVE WITHOUT SOMETHING ADDED TO THEIR CODE SO FOR NOW WE'RE STUCK WITH SCALES. MAYBE MY RESEARCH INTO GENE SPLICING WILL UNEARTH THIS PROBLEM, IT CERTAINLY PROVED ITS LIMITLESS CAPABILITIES WITH THAT ACCIDENT WE LEFT ON SORNA.
---END LOG---
NAMUMKIN KUCH BHI NAHI
---BEGIN LOG---
OWNER: MASRANI, SIMON DATE: 06/06/2009 0800 CST SUBJECT: NAMUMKIN KUCH BHI NAHI NOTES: I REMEMBER THE FIRST TIME I HELD A BABY DINOSAUR, AN INFANT PARASAUROLOPHUS IN 1999 DURING MY VISIT TO OVERSEE OUR RECENTLY PURCHASED INGEN. I REMEMBER THINKING THIS WAS THE RESULT OF PURE IMAGINATION REINFORCED BY THE UNDERSTANDING THAT NOTHING IS IMPOSSIBLE. PEOPLE OFTEN TALK ABOUT HOW MAN CANNOT FLY WITHOUT AN AIRCRAFT, HOWEVER IF YOU REMOVE GRAVITY MAN CAN FLY WITHOUT AID OF ANYTHING. IT'S ALL ABOUT PERSPECTIVE. I KNOW NOW, MORE THAN EVER, THAT OUR SPECIES HAS UNLIMITED CAPABILITIES. HOLDING THAT YOUNG ANIMAL WAS A WAKE UP CALL. IF WE DREAM OF IT, WE CAN ACHIEVE IT. NOW ONLY ONE QUESTION REMAINS: WHAT IS NEXT FOR INGEN? I BELIEVE HENRY WU HAS AN ANSWER.
---END LOG---
INBOX
THE NEXT TEN YEARS
---NEW MESSAGE---
FROM: MASRANI, SIMON TO: [UNDISCLOSED RECIPIENT] DATE: 01/10/1998 1215 CST SUBJECT: THE NEXT TEN YEARS MESSAGE: FANCY MEETING ME FOR LUNCH THIS THURSDAY? STRICTLY BUSINESS. SIMON.
---END MESSAGE---
JURASSIC PLOP
---NEW MESSAGE---
FROM: MASRANI, SIMON TO: [UNDISCLOSED RECIPIENT] DATE: 10/23/1999 0005 CST SUBJECT: JURASSIC PLOP MESSAGE: I'M DISSATISFIED WITH THE NAME. 'PARK' FEELS SMALL, TOO 1980'S, NOT TO MENTION IT HAS A LOT OF WEIGHT AND BAD PRESS AROUND IT. I'VE BEEN SCRIBBLING NOTES ON MY FLIGHTS COMING UP WITH POSSIBLE TITLES, AND I'M THINKING 'WORLD'. WELCOME TO 'JURASSIC WORLD'! THOUGHTS? OTHERS IDEAS INCLUDED ... JURASSIC ISLAND, THE LOST WORLD, PREHISTORIC WORLD, JURASSIC LAND, DINO ISLAND, CRETASIA ISLAND, ROAMING REPTILES, DINOSPHERE, ... GIANT CHICKEN ISLAND?
---END MESSAGE---
RE: JW SYSTEMS CHECK
---NEW MESSAGE---
FROM: MCCLURE, JAMES TO: [UNDISCLOSED RECIPIENT] DATE: 06/08/2004 2050 CST SUBJECT: RE: JW SYSTEMS CHECK MESSAGE: I'VE MANAGED TO ISOLATE THE ANOMALY. I WOULD SAY THE SYSTEM IS NOW WATERTIGHT. I'LL GIVE HOSKINS A CALL AND SEE IF HE CAN SPOT ANYTHING THAT NEEDS UPDATING. YOU KNOW HOW HE HAS AN EYE FOR DETAIL. MIGHT HELP.
---END MESSAGE---
GRAND OPENING
---NEW MESSAGE---
FROM: MASRANI, SIMON TO: [UNDISCLOSED RECIPIENTS] DATE: 05/30/2005 1530 CST SUBJECT: GRAND OPENING MESSAGE: I JUST WANTED TO SEND A QUICK MESSAGE TO THANK EACH AND EVERY ONE OF YOU FOR ALL THE EFFORT YOU'VE PUT INTO MAKING JURASSIC WORLD COME TO LIFE. WE HAVE A SAYING BACK HOME IN INDIA, 'DER AAYE DURUST AAYE' OR 'BETTER LATE THAN NEVER'. IT'S TIME WE MAKE HISTORY. HAMMOND WOULD BE PROUD. NAMASTE. SIMON.
---END MESSAGE---
NEW OPPORTUNITY
---NEW MESSAGE---
FROM: MASRANI, SIMON TO: [UNDISCLOSED RECIPIENT] DATE: 04/04/2012 1720 CST SUBJECT: NEW OPPORTUNITY MESSAGE: HENRY. I'VE JUST COME OUT OF A MEETING AND THE BOARD ARE UNANIMOUS IN THEIR DESIRE FOR A NEW PARK ATTRACTION TO SATISFY OUR INVESTORS. SOMETHING BIGGER, SCARIER, COOLER. ANY NEW SPECIES COME TO MIND? YOU HAVE MY FULL AUTHORIZATION. SIMON.
---END MESSAGE---
HELP
---NEW MESSAGE---
FROM: GRADY, OWEN TO: [UNDISCLOSED RECIPIENT] DATE: 05/17/2013 0955 CST SUBJECT: HELP MESSAGE: THEIR PACK DYNAMIC IS MUCH MORE COMPLICATED THAN WE FIRST THOUGHT AND I'M STARTING TO THINK YOU'RE NOT WEIGHING UP THE GRAVITY OF THAT. WE CANNOT BURY OUR HEADS IN THE SAND AND HOPE FOR THE BEST WITH THIS, SO I' M GOING TO NEED SOME HELP. I HAVE AN OLD FRIEND IN FRANCE, BARRY, WHO CAN ASSIST. I'LL SEND HIM YOUR NUMBER TO INTRODUCE YOU. IF WE'RE TO STUDY THESE ANIMALS AND LEARN HOW THEY WORK THEN WE SHOULDN'T ASSUME TO GAIN THEIR CO-OPERATION WITH JUST A FEW SNACKS. REMEMBER, THEY CAN TALK TO EACH OTHER. JUST A TIP, VIC.
---END MESSAGE---
MARTEL
---NEW MESSAGE---
FROM: WU, HENRY TO: [UNDISCLOSED RECIPIENTS] DATE: 11/15/2014 1105 CST SUBJECT: MARTEL MESSAGE: CONGRATULATIONS TO THE MARTEL TEAM ON THEIR OPENING! THIS IS OUR FIRST STEP INTO CREATING THE MOST COMPREHENSIVE BIOLOGICAL LIBRARY THE WORLD HAS EVER SEEN. OBVIOUS RUMORS HAVE ALREADY BEGUN CIRCULATING ABOUT OUR INTENTIONS BUT I WANT THE CORE TEAM TO KNOW THAT WE'RE JUST COLLECTING AND ARCHIVING FOR NOW. I'VE SPOKEN WITH SIMON AND HE HAS EXPRESSED HIS UTMOST DELIGHT THAT WE'LL BEGIN WORK ON THIS.
---END MESSAGE---
RE: INDOMINUS REX
---NEW MESSAGE---
FROM: MASRANI, SIMON TO: [UNDISCLOSED RECIPIENT] DATE: 12/24/2014 0940 CST SUBJECT: RE: INDOMINUS REX MESSAGE: UNFORTUNATELY MY FACE IS NEEDED AT SEVERAL OTHER MEETINGS AND EVENTS OVER THE COMING SIX MONTHS. I WON'T BE ABLE TO SEE THE FRUITS OF YOUR LABOR UNTIL THE END OF MAY OR EARLY JUNE. SINCERE APOLOGIES. SIMON.
---END MESSAGE---
INSTALLATION
---NEW MESSAGE---
FROM: HOSKINS, VIC TO: [UNDISCLOSED RECIPIENTS] DATE: 01/10/2015 1215 CST SUBJECT: INSTALLATION MESSAGE: MASCOM NETWORK ENGINEERS WILL BE ON SITE INSTALLING NEW SCANNING HARDWARE IN THE NORTH OF THE ISLAND PAST THE RESTRICTED ZONE ON JANUARY 30 0800 CST. ALL INGEN SECURITY STAFF PLEASE BE ON STANDBY TO ASSIST.
---END MESSAGE---
QUERY TERMS:
Amber - DESCRIPTION: Fossilized tree resin (not sap).
Barbasol - [Used to open a page on jurrasicworld.com]
Colin - Name: Trevorrow, Colin Position: Director, Safety (Not Guaranteed)
Derek - Name: Connoly, Derek Position: Employee of the Month
Diabolus rex - ERROR: Did you mean 'Axis Boulder'?
Fetahers - ERROR: Null Allele.
IBRIS - Name: Integrated Behavioral Raptor Intelligence Study. FURTHER INFORMATION: RESTRICTED ACCESS
Isla Nublar - Location: 120 miles off the coast of Costa Rica. Description: Home of Jurassic World.
Isla Sorna/Isla Matanceros/Isla Pena/Isla Tacaño/Isla Muerta - Location: Las Cinco Muertos. Description: U.N. heritage preservation.
Masrani - Name: Masrani, Simon Position: Cheif Executive Officer, Masrani Global Corporation
Timack - DESCRIPTION: Building the foundations for state of the art entertainment.
Visitors Centre - [Opens jurrasicworld.com] It also says "FURTHER INFORMATION: RESTRICTED ACCESS".
Wu - Name: Wu, Henry Position: Lead Genetic Biologist, International Genetic Technologies, Inc.
TIMELINE
1525 - Isla Nublar discovered by Diego Fernadez. 1526 - Muertes Archipelago discovered (disputed). 1928 - John Parker Hammond born in Edinburgh, Scotland. 1930 - Sanjay Masrani is born in Bombay (Mumbai), India. 1967 - Simon Masrani is born in Bombay (Mumbai), India. 1969 - John Hammond's 'Animal Kingdom' opens in Nirobi, Kenya. 1973 - Mascom Network established in Bombay (Mumbai), India. 1975 - International Genetics Technologies, Inc. established in San Deigo, USA. 1979 - Mascom unveils concept for fiber-optic communications. 1982 - Isla Sorna leased from the Costa Rican Government. 1983 - Construction of Jurassic Park: San Deigo. 1984 - First test fertilizations of artificial ovum. Tatsuo Technology established in Tokyo, Japan. 1985 - 'Jurassic Park: San Deigo' decommissioned. Isla Nublar leased from the Costa Rican Government. 1986 - First dinosaur (Velociraptor) successfully cloned at 'Site B'. 1987 - Last remaining Bribri Tribe descendant resettled off Isla Nublar. 1988 - Construction of 'Jurassic Park' begins. 1990 - First mature animals moved from 'Site B' to Isla Nublar. 1992 - Sanjay Masrani passes away. Simon Masrani made chef executive officer, Mascom Network. 1993 - FURTHER INFORMATION: RESTRICTED ACCESS 1994 - FURTHER INFORMATION: RESTRICTED ACCESS 1995 - Dr. Henry Wu publishes 'The Next Step: The Evolution of God's Concepts'. 1996 - Masrani Oil Industries established in Abu Dubai, UAE. Data Analysis established in Johannesburg, South Africa. 1997 - John Hammond passes away. Dr. Henry Wu creates Karacosis wutansis. FURTHER INFORMATION: RESTRICTED ACCESS 1998 - International Genetics Technologies, Inc. acquired by Masrani Global. 1999 - Masrani Global acquires limited access to Isla Nubalr and Isla Sorna. FURTHER INFORMATION: RESTRICTED ACCESS 2000 - Dr. Henry Wu begins work on 'Jurassic World' project. Axis Boulder established in Dubai, UAE. 2001 - 'Flying Reptile Cleanup' headed by Vic Hoskins. FURTHER INFORMATION: RESTRICTED ACCESS 2002 - Timack Construction established in San Jose, Costa Rica. Construction begins on 'Jurassic World'. 2003 - Midixal Health established in New York, USA. 2004 - 'Jurassic World' construction completed. Assets moved from Isla Sorna to Isla Nublar. 2005 - Opening of 'Jurassic World' on Isla Nublar. 2007 - Aerospace Dynamics established in Toulouse, France. 2009 - Hybrid hatched April 05. FURTHER INFORMATION: RESTRICTED ACCESS 2011 - Tatsuo Technology acquired by Masrani Global Corporation. 2012 - IBRIS Project begins development. FURTHER INFORMATION: RESTRICTED ACCESS 2014 - 'Martel' facility established in Siberia, Russia. International Genetics Technologies, Inc houses world's most complete genomic library. 2015 - UPDATE PENDING
ASSETS
Upon entering any asset, it will pull up the asset page on the jurrasicworld.com website
LIST DIRECTORY FILES
IBRIS.JPG
MEME.JPG
TIMACK.JPG
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BnHA Chapter 242: SANTA IS REAL
Previously on BnHA: We said farewell to the League of Pliff and were finally reunited with the kids of U.A., an institution which I would just like to point out is so diametrical to the League that they literally took the polar opposite route when choosing their name, and focused only on the acronym. I’m 100% sure U.A. doesn’t even stand for anything. Anyway, so Bakugou and Todoroki went on whirlwind press tour following their ch 219 antics, and the resulting interviews were so disastrous that Aizawa decided to bring in Mt. Lady to give the whole class a crash course in PR 101. Meanwhile All Might scoured Ancestry.com for info on the past users of OFA, and Rat Principal announced that U.A. was going to resume its internship program. This is great news for Deku, who’s been taking his sweet time mastering Blackwhip. Like, we’re not even talking baby steps here so much as little tiny flea steps. Kid’s going to need all the help he can get.
Today on BnHA: Horikoshi targets all of my weak points at once. The My OT3 Academia arc gets off to an incredible, award-winning start with a Christmas party and the announcement of Internships 2: This Time, it’s Compulsory. Highlights include: (1) Kaminari and Mina forcing Bakugou to accept the spirit of Christmas into his heart and soul, (2) Iida rocking a Santa beard, (3) Eri holding a giant sword, (4) Bakugou reminiscing about his internship with Best MIA Jeanist, specifically the part where Jeanist was all “A HERO’S NAME IS REALLY IMPORTANT AND SYMBOLIC AND MEANINGFUL, SO YOU NEED TO THINK VERY CAREFULLY ABOUT IT” and oh my fucking god, and lastly (5) Todoroki inviting Bakugou and Deku to come intern with him at the Endeavor Hero Agency (known for its famous business slogan: “Got Plot?”). It’s like I wished on seventeen different falling stars and they all came true at once. I still can’t even fucking process this. kfkdslgk.
(All comments are my unspoiled reactions from my initial readthrough of the chapter. I did a quick edit for grammar and clarity immediately afterward, and added a few ETAs in the process, but aside from that there are no changes.)
I just got like three excited-seeming asks (I haven’t actually read them yet) in rapidfire succession less than an hour ago, and my dashboard is now filling up with filtered “bnha spoilers” posts, so I took this as a sign that I should read the new chapter ASAP. oh gosh
(ETA:
(1) SAMEEEEEE, and (2) YEEEEEEEEP. listen I’m not religious you guys, but I said “oh my god” so much while reading this chapter that I wouldn’t be surprised if he or she finally answers and is like, “YES!? WHAT IS IT???”)
what new state-of-the-art tomfoolery will our intrepid heroes engage in this week. what novel hijinks will they commence. what frivolous escapades will they embark on this lovely Friday morn?
HOMGAAAHHHHHH
THE TITLE IS LITERALLY MY FEELINGS RN. MERRY FUCKING CHRISTMAS TO ME. YES GOD I LOVE IT. I’LL TAKE A DOZEN
okay. so today, September 6th, is officially Christmas. you heard the man and who am I to argue
so we’re opening with a teacher’s meeting! probably about the internships. or the fact that they’re all screwed. I don’t really know what their priorities are nowadays
okay yeah it’s about the internships. also Rat Principal is nested in Aizawa’s scarf for absolutely no reason, and Aizawa is disgruntled about it. heh. tomfoolery already and it’s only the first panel
oh shit, Nezu’s saying it’s now a government requirement. I got so surprised I actually forgot to call him RP
because ain’t nothing safer than hero internships. if the Basement arc taught us nothing else. it’s that
that was sarcasm in case that’s not coming across. this is clearly a baffling decision. but what are government committees for if not for making baffling decisions I guess
and now Midnight is coming to the same conclusion I was starting to wonder at
can someone please tell me what the PSC’s goals actually are, then? is this not the same group that recently changed the rules of the provisional license exam so that an even smaller percentage of people would pass? so do you want more heroes or fewer? which is it?
how do they cope with it? does anyone even have any idea?? it seems to me like they’re just throwing them to the wolves. we have this problem that we have absolutely no idea what to do about, oh I know, let’s toss a bunch of inexperienced kids at it. and hope that none of them gets murdered I guess
anyway so The Sheriff is speculating that the League must have been involved in the Deika situation, and he’s wondering why the PSC is trying so hard to keep it on the dl
oh yeah. friendly reminder that the PSC, thanks to Hawks, probably knows exactly how powerful Tomura and the League have recently become. so they know full well how shark-infested the waters are, and they’re making it mandatory for the kids to all take swimming lessons. nice
lol back when I was brainstorming ideas for future arcs, I seriously thought Horikoshi would have to go out of his way to come up with excuses for the kids to have future encounters with the League, because the school was so concerned with their safety that they wouldn’t allow them to leave the grounds except on rare occasions. well I sure got that one wrong. though to be fair, for once it isn’t U.A. that’s doing the child endangering here
(ETA: and actually, regardless of how insane it is, I do appreciate that when shit inevitably hits the fan again, at least it won’t be U.A.’s fault this time. I’d like to be able to continue rooting for them, and that can be difficult when they keep doing reckless things that needlessly put children in danger. at least this time they’re not the ones driving the Stupid Bus to Bad Decision School.)
a message to who? the League?? “we’re not scared of you”?? did they seriously not think of all the numerous ways this could backfire?
oh shit Aizawa even went and said the d-word
well there you have it. the government is drafting teenagers to risk their lives dealing with a crisis they won’t out-and-out admit they’re actually having. on today’s episode of “Oh Hero Society, You’ve Got Problems”
anyway so RP is making the admittedly good point that “we’re fucked and everyone is in terrible danger” is hardly a new state of affairs for them these days, and so they’re all moving on. okay then. good talk. lol. gonna need my damn Christmas fluff after all of that
and also RP is mentioning some other mysterious new program to Aizawa too. I wonder what that could be
(ETA: oh yeah I almost forgot about this. thoughts??)
and now we’re cutting to “several days later” oh my god. it’s really happening. I need a moment here, I’m not even ready. gotta get all my Christmas headcanons lined up here. Satou baking cookies. Kaminari and Sero running around arm in arm singing “JINGLE BELLS, ALL MIGHT SMELLS” over and over at the top of their lungs until Bakugou screams at them to shut up. Mineta debating anyone who will listen over the merits of the song Baby It’s Cold Outside. the naturally Christmas-themed Todoroki savoring this, his time to shine
oh shit, we’re still with the fucking Rat Principal. for fuck’s sake
-- ooh but are they talking about the traitor??
will this put an end to the “Horikoshi forgot about it” rumors? several people have mentioned this to me here and there (sorry to everyone whose asks I still haven’t answered), but as far as I know, this was part of a fake interview with Horikoshi that was unfortunately circulated around as though it was the real deal. sometimes people are not cool and think it’s fun to take advantage of communities that are enthusiastic and trusting! always fact-check what you read on the internet just to be safe guys
anyway
so there definitely is one, then. got it
so the traitor is definitely a student in the hero class, then. got it
sob. I got an ask about the whole Kaminari traitor theory earlier this week, so I’m in the process of doing up a whole long post about that. but the cliff’s notes version is, it’s not him. it’s Hagakure. but I will actually go into detail in the post. it’s been a while since I’ve discussed the traitor thing in depth anyway
so RP is asking All Might if he’s coming back today, and All Might is immediately all “WHY, DID SOMETHING HAPPEN TO MY CHILD, OH GOD IS HE OKAY” which, omg. so much love for this man
and RP is like “geez relax” and OH MY GOD
[slaps on a paperboy cap and screeches at All Might in a bad cockney accent] TODAY, SIR?? WHY, IT’S CHRISTMAS DAY
OH MY GOD
I SPOT A GRINCH UP THERE AT THE TOP. SOMEONE NEEDS TO BE VISITED BY THREE GHOSTS FROM VARIOUS DIFFERENT TIME PERIODS
LITERALLY EVERY SINGLE CHILD (GREMLINS ASIDE) IS WEARING A SANTA CLAUS OUTFIT. DID U.A. JUST GIVE THESE OUT FOR FREE
AND IN THE TOP RIGHT NEXT TO SHOUJI, SATOU’S COOKIES! JUST AS THE PROPHECY FORETOLD
I SEE THEY HAVE THE REQUISITE KFC PLATTERS LIKE GOOD JAPANESE CITIZENS. WE SHOULD ADOPT THIS TRADITION HERE IN THE WEST TOO TBH
and last but not least, there are only nineteen children in this panel. it took me forever to figure out who was missing, but pretty sure it’s Iida. Iida where are you. clearly the traitor. certainly not off visiting his brother and the rest of his family, what kind of gullible fool do you take me for
looool
I love when the characters start to become self-aware that they’re the main characters in a story and that plot things keep happening to them at an unreasonable rate
oh my god they really are wearing the suits. it wasn’t just a title page gimmick like I half-wondered
ANSWER THE QUESTION, JIROU. INQUIRING MINDS WANT TO KNOW. do we even know where she did her first internship?? I suddenly desperately want to learn more about this
(ETA: she interned with Death Arms, the traffic cone-looking guy who notably chewed Deku out for trying to save Kacchan’s life in chapter one. Jirou my hope for you is that you find someone better this time around!)
also Tsuyu is observing that Momo doesn’t have a chair, and I honest-to-god was trying to count how much seating there was in the previous page. it seems to me like the common room got a lot bigger. it keeps adjusting to their needs like the room of requirement in Harry Potter
also does anyone else wish that Jirou would move her cup off of the armrest. IT’S GOING TO SPILL ffff :/ this is who I am at parties
oh shit wait, that was Iida with the beard?? I honestly thought that was Satou. well then Satou is the traitor. -- NOBODY TOUCH THOSE COOKIES!!
anyway so he’s all “well Deku not to bring up the elephant in the room but YOUR PREVIOUS MENTOR DIED A HORRIBLE DEATH so what’s your plan huh”
oh sweet god
listen, no offense to Centipeder, he seems like a really nice guy, but if I never see his repulsive face again I will count myself lucky
OH FOR FUCK’S
PLEASE GET RID OF IT IT IS CHRISTMAS!!! here I am trying to have a nice time and!!
god. and like, I feel bad, it’s not his fault he is A GIANT BUG and he has like, fucking mandibles and shit! but I can’t help the fact that my skin is trying to crawl off my body right now, and god but I can barely look at this panel long enough to read the dialogue sob why
(ETA: and now that I’ve forced myself to read it again, this doesn’t even make any sense lol. “we have too much work and not enough help, so we have to pass on you coming back to help us out. ...wait.”)
I want Iida to like. pat his lap and tell Deku in a big booming voice to cheer up and come sit and tell him what he wants for Christmas. not in a weird way you guys, come on. but just, he looks so forlorn. do you want Santa to bring you some cozy All Might socks
or wait, didn’t he want a PS Vita according to that one omake thing. what the fuck Deku. someone get this kid a Switch
anyway so Deku says that participation is mandatory this time, so the school will handle assignments if the kids aren’t able to find someone
meanwhile Kacchan is in the background accusing Mina of stalking him. I think she is trying to get him to wear his Santa outfit. doin’ god’s work
OH SHIT YOU GUYS I CLICKED TO THE NEXT PAGE, AND THIS. THIS IS MY CHRISTMAS OMFG
HORIKOSHI YOU DID GET MY LIST! BAKUGOU BEING TROLLED BY HIS SNEAKY DETERMINED FRIENDS AND MANHANDLED INTO A RIDICULOUS GETUP WHILST ANGSTING ABOUT BEST JEANIST BEING MISSING, YESSSSSS. IT’S SO SPECIFIC, I THOUGHT, “SURELY HE WON’T ACTUALLY DO IT,” BUT SANTA IS REAL, EVERYONE
HFMLSDKMGLKLKL!!!!!LKL:DSF
RED ALERT RED FUCKING ALERT PEOPLE!!! THIS IS NOT A DRILL!!! GET OUT OF THE WAY!!!!
AHHHHHHHHHH HOLY SHIT YOU GUYS
“MERRY CHRISTMAS MAKESTE HERE’S A WHOLE FUCKING CHAPTER ABOUT KACCHAN’S FUCKING HERO NAME COMPLETE WITH A BEST JEANIST META ON THE TOPIC” mother fucker I need to start reading these chapters with a goddamn life alert and a defibrillator on standby
“your name represents your wish.” ladies and gentlemen, introducing the new number one hero... Number One Hero!
heh. just kidding. “what do you want to become?” this, though. this right fucking here is why I’ve been dying to know what name he’ll actually choose. because it does reflect exactly what Jeanist is saying. whichever name he chooses will be an insight into who he is, and who he is trying to be
and this meta is making me rethink all my chapter 223 feels, and tbh now I’m back to thinking that it’s not going to be Ground Zero, unless he comes up with a cool reason for why that name ties in to the image of the person he wants to be (because right now, that particular name is tied more to the past than to the future). but oh my god, if he does choose the name Kacchan I am going to spontaneously combust. I will fucking do it. I will fucking die from being a dramatic excited bitch
(ETA: because. listen. there is one person who has always looked up to him in spite of everything and has always seen his potential. “in the end, in my mind, you’re the image of victory.” this, to me, is the meaning that the name “Kacchan” would have if he did choose it. it would symbolize him choosing to be his best self.)
don’t mind me I’m just stanning this child so fucking hard it hurts
(ETA: oh hey, and more feels on the reread because it looks like the reason he’s having this flashback is because he was planning to go back to Jeanist’s agency to do his real internship, and to show him how much he’s grown. but then The Thing happened. Hawks I just want to talk why won’t you answer my calls.)
Mina and Kaminari are the MVPs of this fucking chapter and I owe them my life omggggg. THEY’RE HERE TO SAVE CHRISTMAS
what are you thinking about there, Best Friend?
are you thinking about your daddy angst. penny for your thoughts
(ETA: “how can I cheer up my new best friend? I know, I’ll make him a lucrative job offer.” actually that’s a good way to cheer up just about anyone in this day and age, Shouto.)
okay, is there some sort of perverted context to Christmas that I’m totally missing here?? or is Mineta just really into the holiday spirit?
I feel like I missed something. eh
anyway Mr. Traitor himself is walking out now and HE’S BROUGHT THE CHRISTMAS GOOSE! or turkey! but goose sounded funnier
of all the things to be shocked about?? “SATOU CAN COOK!?!” like um yes hello you’ve been living with this guy for four months already? like the only thing more ridiculous than this would be, “TOKOYAMI IS A BIRD!?!”
(ETA: like I know baking and cooking are two different things, but in a manga they’re the same thing. fact.)
now someone is making a dramatic entrance! IS IT ERI I WILL DIE!!!! BRING IT
YESSSSSSSSSSSSSSS
I HEREBY SWEAR FEALTY TO THIS PANEL OF AN ADORABLY AND FESTIVELY DRESSED ERI MIXING UP HOLIDAYS WHILE DADZAWA PATIENTLY CORRECTS HER. I WILL PROTECT IT WITH MY LIFE. SOMEONE PLEASE TELL ME WHAT DID I DO TO DESERVE THIS CHAPTER SO THAT I CAN GO DO IT SOME MORE AGAIN, OVER AND OVER AND OVER
Ochako is me
(ETA: DEMONS OUT! DEMONS IN!! THAT’S WHAT IT’S ALL ABOUT!! YOU DO THE HOOOOOOOOKEY POKEY.)
and Kiri is out here asking the real questions, but sadly Aizawa says Mirio is spending Christmas with his own class. WELL FINE. I HOPE HE’S EXPERIENCING THE FOMO OF A LIFETIME. HOW DARE HE HAVE OTHER FRIENDS whatever I’m over it
sobbbbb
WELL HOW MANY FUCKING HOLIDAYS ARE THERE!? CAN SOMEONE HELP A GIRL OUT OR WHAT
oh my god I’m just going to reblog every single Dadzawa panel and none of you can stop me go on and try!!
impatiently waiting for fanart of Aizawa tucking Eri in and reading her A Visit from St. Nicholas. get on it, fandom
ohhhhhhhhh my goddddddd
I know it’s not a Christmas song, but I am this close to cranking up “I Gotta Feeling” by the fucking Black Eyed Peas. ya feel
do you guys see him sitting there next to Dadzawa. he finally gave in. Satou is feeding him chicken. his friends will not abandon him to be on the naughty list. motherfucker that’s it. I’m fucking doing it. fill up my cup. mazel tov
lol I don’t even want to click to any more pages because they’re all so happy and it won’t fucking last. :( noooo
good little boys and girls. noshing on that chicken. Kacchan continuing to be stalked by the Ghost of Christmas Friendship. Tokoyami what even is that. lol and is this their weird way of distributing random gifts. did Sero buy Jirou a scarf. did Deku buy Ochako a freaking All Might plush keychain!? FOR THE LOVE OF GOD, WHAT IS THAT THING AND WHY DOES ERI HAVE IT NOW AND WHY IS SHE MAKING THIS FACE
-- holy fuck, IT’S A SWORD. oh my god. THEY GAVE THE SEVEN YEAR OLD A FREAKING BUSTER SWORD AND SHE IS FEELING IT YESSSS THIS CHAPTER TRULY IS ALL MY DREAMS COME TRUE
“dad can I keep it.” Aizawa: [not even opening his eyes, all bundled up in his oogie boogie suit] “sure”
so now we’re cutting to afterwards and everyone’s cleaning up and Deku’s using his freakish super strength to lift heavy things impressively while Bakugou continues to stomp around with his hands shoved into his pockets waiting for someone to finally tell him he can go back upstairs
OH???
motherfucker. are you going to invite them to come intern with you and your dad!!?!?? I know I was all set on Bakugou interning with Miruko just last week, but I TELL YOU WHAT BITCHES, I’M FUCKING FLEXIBLE LIKE THAT
OH SHIT YOU GUYS!!!!
TODOROKI ARE YOU PLAYING THE OT3 SONG BECAUSE HONEY YOU KNOW THAT’S MY JAM, BRO
OH FUCKING SHIT YESSSSS
BAKUGOU DO YOU WANT TO INTERN WITH YOUR TWO BEST FRIENDS, EXCUSE ME, HATED ENEMIES. DEKU DO YOU WANT TO INTERN WITH YOUR TWO BEST FRIENDS. AND THE NUMBER ONE. WHO JUST SO HAPPENS TO BE BEST FRIENDS WITH THE NUMBER TWO. WHO JUST SO HAPPENS TO BE BEST FRIENDS WITH TODOROKI “I DIDN’T HAVE A FLASHBACK IN THE LAST ARC BECAUSE WE WERE SAVING IT FOR THIS ONE!” TOUYA? THAT’S RIGHT, IT’S BEST FRIENDS ALL THE WAY DOWN. OH MY GOD
it’s like Horikoshi made a long and detailed list of all of his regrets about the previous internship arc, and then said, “fuck it. do-over”
you guys. I’m all out of cans. we only have can’ts and cannots. I cannot
Christmas fluff. Dadzawa. Bakugou hero name meta. hints that the traitor plot will soon be relevant again. and the motherfucking OT3 of OT3s, MY SONS, MY THREE RESPLENDENT OFFSPRINGS, interning together at the motherfucking Endeavor Hero Agency because Todoroki is the sweetest most considerate angel, and because KNOCK KNOCK, IT’S ME THE PLOT, I’VE COME FOR YOU AGAIN AT LONG LAST AND I VOW TO NEVER LEAVE YOU ALONE AGAIN FROM THIS MOMENT ON
shit, y’all. I don’t know if it’s possible for an arc to become my favorite motherfucking arc only two chapters in, but damned if this sunnuvabitch ain’t trying
#bnha#boku no hero academia#bnha 242#bakugou katsuki#midoriya izuku#todoroki shouto#eri (bnha)#class 1-a#best jeanist#bnha spoilers#mha spoilers#makeste reads bnha#I gotta feelin'#that tonight's gonna be a good night#let's do it let's do it let's do it let's do it#JUMP OUT THAT SOFA#LET'S KICK IT OFF#lol you guys I am in a *good* freaking mood I tell you what
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Darkness, Bathed in Blood - Whumptober 2020 Fic
Entry Number 27 (alternate prompt) and 30 for Whumptober 2020: Presumed Dead and Ignoring an Injury
Title: Darkness, Bathed in Blood Fandom: Final Fantasy XV Pairing: None Rating: T Triggers: Gore, torture Summary: Darkness has fallen on the whole of Eos -- fear always brings out the worst in people. A group of terrified citizens capture Ignis to try and find out where the crystal is and lift the darkness but no matter what he will not falter.
Cross posed to Ao3
It was impossible to determine how many days had passed like this, trapped. Outside the entire world was bathed in constant darkness, there was no reset signaling the start of a new day. Ignis thought that he had been here for about five days, but that was an estimate at best. There was no cycle, nothing to indicate when one day started and the next began. The group of people holding him seemed to arrive at random times and in random groups. So far he could pick out six distinct voices, two women, three men, and one more that he suspected was also male but they were quite young and their voice was quite high.
They would arrive in groups from two to six and then take turns. Sometimes they beat him, sometimes they cut at his skin with what he could only assume were knives. They often asked pointed questions in between the pain but they were asking less and less. They were probably figuring out that he wasn’t going to give them any answers. He had no idea who they were or what they wanted.
Clearly, the small group was ill-informed. They had bound his hands up in a chain, leaving just enough slack for him to stand, legs bound, with his arms held over his head. They had also tied a blindfold over his eyes which told him that they had no idea what they were doing. It was well known among the hunters that he was, for all intents and purposes, completely blind. So why bother with the blindfold? It meant they weren’t angry hunters.
“You wanna end this never-ending agony this time?” It was one of the women. Her voice was harsh, like someone had rubbed sandpaper over her vocal cords. Probably a smoker, when indulgences like that were commonplace. Just like every other time they prodded him, Ignis stayed silent, just listening. His only hope of escape was catching them off guard, somehow. While he could still summon his weapons, at this angle there was little he could do against the steel chains. He had already tried. Magic was also an option but without knowing where he was that just invitation disaster.
“Tell us where we can find the crystal!” The same woman bellowed at him. Only a moment later Ignis felt a small gasp forced from his lungs. A blade, a knife, was shoved into his stomach so deep that the hilt cut into his body. Before they had been careful, no wounds that would cause him to lose too much blood or possibly be lethal. Now they were either angry or stupid. She pulled out the blade and quickly forced it back in, tearing the flesh with the sharp blade
The hilt made a sickening squishing noise as it pushed up against the new wound and forced blood down his side. He focused on the details, on her voice, on the height of the wound, on the weapon, that way he could ignore the pain. She pulled out the knife and stabbed his gut a third time, this time with enough force that a hiss of pain skipped past his lips. She was no longer interested in his answers, she was angry.
The advisor could feel blood seeping into his clothes with alarming speed. These wounds were deep enough that if she kept going he could very likely die of blood loss.
“If you kill me, you will never get your answer.” Silence and then a burst of pain in his temple as his head snapped to the side. She’d hit him with the butt of her knife hard enough that he felt dizzy. While he’d angered her, he had pretty much proven that it was only the two of them. For a short moment, he absolutely lamented the loss of his vision. If he could see maybe he would know if she had a key to release him or not. Or even how his restraints locked. But he was not going to let himself be stopped by something he had no control over.
“Shut up! You’ve been playing us for fools for days and I’ve had enough!” Another slice of the knife into flesh. “You probably don’t even know where the crystal is! Which means you’re worthless to us. No one’s coming to get you, Scientia. So how about I just slice your gut open and let you bleed out on the floor?”
The venom in her voice spoke volumes. She was far past angry, instead fueled by malice and hatred. Each word was as sharp as her knife although he wasn’t sure why it was aimed at him.
“It’s all your fault! You and your idiot friends. If you’d protected the king like you’re supposed to we wouldn’t have to live in this endless night! I’m going to make your death slow and very, very painful.” She leaned in close, her breath tricking across his neck like a miasma.
Ignis forced himself to breathe even though taking in air felt like needles through his chest. He wanted to rebut her, tell her all they went through to try to protect him. To protect their king. But he knew it would be pointless. She wouldn’t understand, no one could. No one could ever understand the exact moment, watching his vision burn away and seeing nothing but his best friend limp, unmoving. To feel the only semblance of a family any of them had ripped itself apart in pain and grief. So he stayed silent. He let her bring her hatred against him wound by wound, absorbing her pain as his own.
Eventually, she slowed, the room punctuated by her heavy breathing and the constant drip drip drip of blood on the floor. He was feeling lightheaded and weak as if he would fall over if he’d been able to stand. It hurt to move, it hurt to stay still. He let himself hang from the chain holding his arms, even though he could feel his left shoulder slowly slipping out of its socket. It would be nothing like the pain of his body being torn to ribbons.
“You wanna know why no one’s looking for you?” She sounded smug but also winded. The fury keeping her going had ebbed into his body, tearing it apart with each slash. “We knew they’d come for you so we gave them your glasses. Broken, of course, and a little bit of blood. So now they all think you’re dead. And you will be. Any last words?”
She was right, he was going to die here. Here alone in some sort of shed or building, hidden away in the darkness. But none of that mattered. Not the pain, not the sensation of his body rending with every gasp of breath. What mattered was that he wasn’t going to be there when Noct woke up. That he wasn’t going to be by his side when he returned to claim what was rightfully his. And that hurt more than any torture or any blade ever could.
“My last words are you better get the hell out of here before I do you ten times worse!” Ignis startled at the voice, his head snapping up to see, as if he’d forgotten his world was nothing but an empty nothing. The voice rang in his ears, a welcome familiar comfort. It was deep and carried far, the voice of a man who knew how to both communicate and intimidate.
“Gladio…?” The advisor was surprised at the raspiness of his own voice which almost sounded like he had forgotten how to speak. There was a sudden, loud, thump and the clattering of something across the ground. He knew those sounds. A shield used for offense, Gladio’s full might behind a deadly bodyslam into the ground. And then the knife that had been soaked in his own blood hitting the ground and being kicked away by a trained soldier.
“Ignis, what the hell! I was told you were dead! I came here to collect your body.”
“You came?” He wasn’t sure why he was so surprised. Maybe because the last time they had seen each other it had been a rather unpleasant exchange. He had a feeling that another was coming, a tirade on why he should be back at base and not out here, trying to fight. Certainly, this situation was going to turn the tide even stronger in Gladio’s direction.
Ignis heard the snap of steel and the chains holding him upright gave way. His knees folded but Gladio’s arm caught him, carefully lowering him to the ground. The other man’s arm felt like hot led against his skin or was he so cold that it made Gladio feel warm. Ignis felt faint as if he would lose consciousness at any moment.
“Please allow me a moment to recover, then we can return to base.” The Shield didn’t answer but he could feel movement and then there was a quiet mechanical click. The metal bindings on his legs were pulled free and the chain slowly unwrapped from his hands. As circulation rushed back it brought with it a familiar pain but the sensation seemed rather distant now. As if he was observing it in someone else.
“Iggy we have to get you back, and now.” There was no room for argument between his words. The man stood and pulled Ignis to his feet in turn. The sudden movement wrenched away his sense of up and down but he did manage to stay on his feet. He felt Gladio’s hand on his back, trying to lead him by pushing him in the correct direction. Their bodies were so close together that he felt the other’s body tense as Ignis wobbled, unsteady on his feet.
“Ignis-”
“Gladio, I will be fine. I asked for a moment, did I not? I just...need...a moment.” It was getting hard for Ignis to string words together. He didn’t even notice his own knees give in and Gladio caught him again, this time just shifting the other man into his arms. It was obvious by the paleness of his skin and the red soaking the floor that Ignis was bleeding out.
Without giving the blind man a chance to complain he started to carry him. He couldn't run without making the injuries worse so he just walked with steady, long strides.
“Gladio? If I die, please, tell Noctis that-”
“Shush. You’re not going to die. Just hold on, I’ll carry you. And I’ll keep carrying you until you can stand on your own two feet in front of him, you idiot. I wish you wouldn’t...no, this isn’t the time to fight. Just know I’m going to keep holding on.”
Ignis didn’t respond, instead, he just let himself relax into the strong arms that cradled him with a surprising gentleness. It was a long way to base and he knew he couldn’t hold onto his conscientiousness that long. So he was going to enjoy the sensation while he could.
#whumptober2020#fic#no.27#altprompt#no.30#Presumed dead#Ignoring an injury#Final Fantasy XV#FFXV#gore tw#torture tw#ignis scientia#blind ignis scientia#gladiolus amicitia#world of ruin
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Turn My Grief to Grace
Title: Turn my Grief to Grace Rating: Hard E. Very smutty. I regret nothing. Pairing: Genji/Zarya Notes: This was such a fun piece to write! I want to thank @unseaworthy for issuing me the challenge to write this off an interaction between the two.
Also, check it out on Ao3 as well!
Genji knew that there were some people who were still weary about working with him. After what he liked to refer to as his accident, he could understand why. There was still a lot of tension between people and omnics, and it made sense that people would be weary of him being mostly cybernetic. When he first started to recover he found himself struggling with everything. It wasn’t just because he had to relearn how to use 90% of his body, it was also because he felt completely alone and angry and lost. On the nights when he was trying to learn how to walk again, or on days when talking was more difficult than he remembered, or when his right hand shook as he tried to make a fist or move his shoulder Genji would start to wonder if this was even worth it anymore. Not only was his body in constant agony, but it wasn’t like he had much to live for any more. His brother had betrayed him, his family believed that he was dead, and he had no real other relationships in his life. Sure there was the young doctor who helped to save his life, but while she was pretty, he didn’t feel right trying to hit on his doctor. Genji literally had nothing left to live for.
But then Overwatch stepped in. They offered him the chance to help the organization and save the world at the same time. Not to mention they had one of the largest cybernetic facilities at their disposal in the world. It was a chance for him to start again and have a new life. Originally starting out in the Blackwatch unit, Genji mostly kept to himself and his few teammates. He kept his distance from everyone else, knowing that he wasn’t necessarily welcomed by some recruits who had joined to fight against people who were just like him. So, Genji stayed quiet, kept to himself, and worked with Blackwatch to better himself and the world that he was in.
However, the years in Blackwatch took its toll on his body. He soon found himself needing even more cybernetics in order to keep his body from deteriorating or getting too injured. By the time that he was out of Blackwatch’s control he was unrecognizable. If he didn’t know better, Genji would have said that he was an omnic. Now completely under Overwatch, Genji found himself avoiding the new recruits like a plague. It wasn’t necessarily because Genji thought that he was above the new recruits, but he figured that most wouldn’t want anything to do with the cybernetic man that looked exactly like the very enemy that they had signed up to defeat. Not to mention that people around Overwatch got curious about people’s histories very quickly. The last thing that he wanted to do was to bring up his accident. It had already taken him this long to be okay with what happened, he didn’t need a curious new recruit to cause him to spiral again. Plus, if he didn’t get close to anyone then he wouldn’t find himself as devastated when someone died at the hands of Null Sector or the new terrorist group, Talon. No, keeping to himself was the best way to protect himself.
But, despite his efforts to keep away from people in Overwatch there was one who didn’t give him that opportunity. She was a force to be reckoned with and she never gave him the opportunity to shut her out. She was a new recruit that had joined Overwatch after seeing the destruction that the omnics had caused to her home country. There were a few rumors running around the base that she had been a world champion weightlifter at one point and that she had pulled her weapon of choice off a downed omnic with her bare hands. Other than those few rumors, Genji knew absolutely nothing about the new recruit. It didn’t take long for her to make herself known.
The two first met as Genji was leaving commissary with McCree. Reinhardt had caught the two of them and introduced the new recruit, Aleksandra Zaryanova, or as she called herself, Zarya. Genji just stood back, away from the other three, letting McCree turn up his usual charm and Reinhardt dominate the conversation like usual. But, even with those two, Zarya kept her eyes on Genji the whole time. No matter how nonchalant he tried to play it off, he could feel her staring at him. Finally, as everyone started to depart, Zarya addressed Genji directly.
“I didn’t know that they let omnics into this organization,” Zarya said simply. Her Russian accident was thick and dripping with disdain.
“I am not an omnic,” Genji replied, turning away from Zarya. It hurt to hear someone call him an omnic. He was certain that people thought of him as an omnic already, but actually hearing someone actually call him that to his face was a completely different story. It reminded him just how far away from being the same Genji that he was years ago. Now he felt like he was more of a machine than a man. Zarya just huffed in response before leaving with Reinhardt, leaving Genji with his thoughts and a chatty McCree.
For the rest of the night, Genji’s mind was wrapped up with the idea that he was honestly mistaken for an omnic. He knew that he didn’t owe anyone an explanation, nor did he have any reason to tell Zarya the story of how he ended up like this, but Genji wanted to do nothing but explain what happened. He wanted to tell her the truth and maybe she would understand. He didn’t want this. He didn’t want to end up more of a machine than a man. He didn’t want to sit there and hear the hydraulics in his legs that moved him, or the small filter that helped him breathe. He didn’t want to hear the liquid rushing through tubes that circulated his blood… Most of the time these weren’t issues. He had grown used to these sounds by now. They were just a part of him. But tonight, with the word ‘omnic’ ringing in his ear, his mechanical parts seemed to be louder than ever.
Realizing that he wasn’t getting any sleep, Genji decided to get up and head to the base’s gym. At least if he pushed his body to its limits he would pass out and he wouldn’t have to lay there listening to his body betray him. And apparently he wasn’t the only one who had the same idea. When Genji entered he realized that Zarya was already there, easily benching more than what Genji weighed. It was incredibly impressive to watch, just admiring how her muscles moved and how calm she seemed while doing it. It actually caught Genji off guard for a minute, He just stood there, watching her. That was until Zarya spotted him in the mirror.
“I didn’t know that your kind needed to work out at a gym,” Zarya commented, moving to sit at the end of the bench, her legs slightly spread as she took a towel and wiped the sweat from her forehead.
Genji crossed his arms across his chest, watching her in the mirror. He was trying to decide what he wanted to do. Part of him wanted to leave and let Zarya keep thinking that he was an omnic, but another part of him wanted to tell her the truth. He wanted someone to know the truth and to understand that he wasn’t this monster that she was trying to make him out to be. Exacerbated, Genji reached up, lifting up his face plate to show her his still human face. “How can I convince you that I am still a man?” he asked simply, staring at her in the mirror.
“I know what you are. I am only sorry that you do not,” Zarya responded simply. She caught Genji’s eye in the mirror, just watching him for a second.
The two of them just stared at each other for a few seconds. Finally, Genji was the first one to look away. “Maybe you are right,” Genji said, feeling absolutely defeated. If she had made up her mind that he was an omnic there was nothing that he could do to change her mind.
Zarya huffed, standing up and turning to look at Genji. She was taller than Genji remembered. Or maybe it was because she had been next to Reinhardt she didn’t seem as tall when they first met. It was then that she realized that Zarya could easily hurt him if she wanted to. Planting his feet better, Genji was ready for her to attack him, but instead Zarya reached out, taking Genji by the chin and forcing him to look at her. When Zarya wasn’t looking at him with complete disdain, she was one of the most beautiful people that Genji had seen. “I can show you what you are,” Zarya said softly, her eyes raking down Genji’s body.
“How are you going to do that?” Genji asked, a little scared about what Zarya could be thinking of.
Zarya smiled slightly, keeping the grip on Genji’s chin. She smiled slightly, catching his eye once more. “You can still feel, right?”she asked. Her words were heavy with implication, something that Genji wasn’t expecting. Curious as to where this might lead, he just nodded slowly. He definitely still had sensors across his body that allowed him to feel pain, and he imagined that he would be able to feel pleasure as well if it came down to it. He hadn’t really gotten the chance to test that theory out since he had recovered. “Then let me help you feel like a man. I’m in room 2642,” Zarya said, finally letting go of Genji’s chin before turning and leaving the gym.
Genji stood there for a moment, stunned about what had happened. Earlier that day, Genji was sure that she was going to murder him. She definitely had the strength to kill him with her bare hands. But now, she was offering to make him feel like a man for the first time in years. Part of him wondered if this was just a set up. After all, cleaning a room of evidence was much easier than cleaning an entire gym. As he stood there, his back against the wall, Genji pondered if he wanted to take the chance of going to her room. If she was going to attack him, he didn’t believe that he would resist it at this point. Genji understood. Most likely if he was in the same situation he would be upset as well. Still, there was a possibility that this was a legitimate offer. And it had been so long since he had felt anything sexual that it would be a welcomed experience. Plus, when Zarya wasn’t so intimidating she was gorgeous.
It was maybe half an hour after his run-in with Zarya at the gym that Genji had made up his mind. He was ready to face whatever Zarya had in store for him. When he knocked on her door, he didn’t know what to expect. But it definitely wasn’t Zarya in only a sports bra and a pair of shorts, every one of her muscles on display. Genji had never seen someone built like her before, and was completely taken by how good she looked. So much so that he didn’t even know what to say. Part of him wished that he had put his face plate back on because he was sure that he was blushing at the sight of her.
“I did not expect you to come,” Zarya said simply, opening the door to let Genji in.
“I was not sure that I would either,” Genji admitted, stepping into the room. He turned and watched as Zarya closed the door. There was no going back now. Genji’s heart was racing, and he was already making note of any escape routes that he might need. But, his escape route didn’t seem necessary. Zarya made no attempt to attack him. Instead, she stepped close, putting a hand on his chest.
“Let me remind you what it’s like to be a man,” Zarya said softly, running her hand down his chest, stopping at his waist.
Just that small gesture was enough to set every sensor in Genji’s skin on fire. It had been years since someone touched him like that. It was enough for him to gasp out loud, reaching out to put his hand on top of Zarya’s. He just stood there for a minute, feeling her skin under his fingers, feeling the warmth radiating off of her. He wasn’t warm anymore.
That was all the encouragement that Zarya needed. She leaned forward, kissing Genji deeply. One hand ran up his chest again, the other on his hip as she brought him closer to her. The kiss was soft, tender, and cautious. It was like Zarya was afraid that he would change his mind. He wondered if she was like him: An outcast in her world just hoping for a little bit of human connection.
Genji reached forward, letting one hand wrap gently around Zarya’s neck. He pulled her closer, deepening the kiss, wanting to be close to her, wanting to give her everything that he could. Genji’s other hand moved from hers, running along the muscles of her stomach, up until his fingertips barely touched the edge of her sports bra. Then he trailed his fingers back down to the edge of her shorts. Zarya emitted a soft moan at the feeling of his fingers running along her skin, and that was all the encouragement that Genji needed.
Gently, Genji started to push Zarya back toward the bed, happy that she didn’t resist. With her sitting and him standing, she still came up to about his chest. God she was so tall. Kissing her deeply again, Genji reached down, pulling her sports bra up over her head. “You are so beautiful,” Genji said softly, letting his fingers linger on her cheek before moving to run along her shoulders, her arms, her chest. Anywhere that Genji could touch, he let his fingers linger.
Zarya’s fingers ran along the panels of his legs, his chest, his waist. It was obvious that she was nervous about touching him or how this was going to work out, but she wasn’t shying away. In fact there were a few moments when her fingers dipped lower toward his crotch, only to pull away quickly. Her fingers then went to trail along his waist again and along his back. Zarya pulled Genji closer, placing a few open-mouth kisses along his stomach. The feeling of her breath on his cybernetic skin was almost enough for him to short circuit. Genji gasped, putting his hand in Zarya’s hair and using it almost as an encouragement to stay in place. “Can you feel that?” Zarya asked as she looked up at Genji from under her lashes. One hand stayed by her mouth, slowly running up and down his chest. Her other hand was on the back of his thigh, keeping him close.
Genji shuddered slightly as her hand trailed up his skin. “Yes,” he whispered softly. He didn’t know that someone could have this kind of power over him. Something as simple as the fingers on the back of his thigh was making him weak in the knees. Partly trying to hide that weakness in his knees, Genji slowly sunk down in front of Zarya. He ran his hands up her thighs to her hips before running them back down again to her knees, just feeling her muscles. The second time that he ran his fingers up her thighs, he went and tugged at the waistband of her shorts, encouraging her to take them off. Zarya obliged, raising her hips to slip out of her shorts and underwear, leaving her completely naked in front of Genji. He noticed that she had a bit of blush across her cheeks, almost making her skin match her hair.
“You are so beautiful,” Genji said again, letting his fingers run up her thighs once more. Slowly, and still keeping eye contact with her, Genji leaned in, pressing his mouth to the skin on the inside of her skin. Hearing the small gasp from her made Genji smile. He continued to kiss up her leg, passing over her slit and going to kiss back down her opposite leg. The teasing didn’t last long though, as Zarya’s hand reached down to rest on the back of Genji’s head, directing him toward where she really wanted. Genji chuckled to himself, kissing back up the inside of Zarya’s thigh before placing a tentative kiss right above her slit. Zarya let out a soft sigh in response, her legs opening a little further.
Seeing the reaction from her, Genji just smiled, placing a few more kisses along her slit. When he got to the bottom of her slit he stuck his tongue out, running it along her slit tentatively. Hearing Zarya moan as he reached her clit made him smile. He circled his tongue around her clit a few times, enjoying the sounds that Zarya made. He couldn’t believe how wet Zarya already was. Just the thought of her getting this worked up for him turned him on even more. Going further down, Genji stuck his tongue inside of her slit, finally getting to taste her completely. Without any hesitation he added a finger in as well, causing Zarya to gasp and roll her hips forward. The movement caused Genji to smile, his free hand going to rest at her hip, trying to keep her from bucking up too much. When he was satisfied that Zarya had been worked up enough, Genji added a second finger, hearing her moan under him once again.
Zarya moved her hips under him, adjusting until he hit the spot that made her gasp again. Genji smiled, bringing her closer to the edge. He heard a few whimpers from her, causing Genji to smile. When Genji could feel Zarya’s thighs start to twitch, he pulled away, leaving her on edge. Smiling widely, Genji moved up, leaning over until he was just a few inches above Zarya’s lips. He smiled bright before Zarya’s hand was on the back of his head, pulling him in for a deep, open mouthed kiss. Chuckling slightly, Genji kissed back deeper, moving one of his legs in between Zarya’s thighs. He smiled again, feeling her grinder herself against his thigh.
“Please,” Zarya whispered, breaking the kiss and looking up at Genji. He looked down at her, his eyes scanning her face. She was beautiful like this. Her skin tinted a slight red from being worked up, her blue eyes blown from lust. She was panting like she had just run a marathon. She was gorgeous.
“I have not… Not since I have been…” Genji said, all of a sudden feeling nervous. He knew that it would eventually come to this, but still. Now, in the face of actually finishing what he started he was scared.
“I don’t care. Please. Show me how much of a man you are,” Zarya said, reaching out and pulling Genji closer.
That was enough for him to regain his confidence. Genji leaned in, kissing Zarya deeply again. He ran one hand up her stomach and over her chest, letting his thumb circle her nipple to tease her. Another smile played at the corner of his lips. It seemed that whenever he was with Zarya he couldn’t stop smiling. Nervously, his other hand reached down to his hip, finding the latch for the panel that was between his legs. Zarya was going to be the first person to see him as naked as he could be since his accident. He was glad to be sharing it with Zarya. Once the protective panel was out of the way, Genji reached down, stroking himself a few times.
Zarya sat up on her elbows, watching as Genji stroked himself. With her eyes watching him, he felt even more embarrassed than before. He looked away before he gasped, feeling Zarya’s hand on his cock. He looked back toward her. She was stroking him at the same pace that he had been, her blue eyes looking up at him from under her lashes. Seeing her like that made him twitch in her hand. When Zarya’s lips wrapped around his head, his eyes rolled back and he let out a moan. Just something that simple was enough to almost make him blow his load in her mouth.
Reaching out, Genji wrapped his hand in Zarya’s hair, moaning as she took more of him in her mouth. He gripped a little tighter on her hair, smiling as she moaned at that. Genji didn’t want to push her too much and allowed her to set the pace, sighing deeply as she started to bob up and down on him. He knew that he wasn’t going to last that long after not doing anything for literal years, but he didn’t want to finish this quickly. “Z-zarya,” Genji stuttered out, encouraging her to lean back.
“Hmmm?” came her reply from around his cock, looking up at him.
Genji shuddered as he looked down at her beautiful face. She pulled off his cock with a small pop, keeping her hand wrapped around his shaft and stroking slowly. Genji ran his hand through her hair gently. “Let me make you feel good,” Genji whispered softly.
Zarya’s hand stopped. She looked up at him for a second before nodding and scooting back, spreading her legs. With her lying there, Genji felt like the luckiest man in the world. She was beautiful, strong, and wanted him. Of all people, this goddess of a woman wanted to be with the broken, cybernetic, shell of a man. Genji stepped forward, one hand around his cock as he ran it up and down her slit. His other hand went to cup the side of Zarya’s face. He pulled her close to him, kissing her deeply. At the same time he rolled his hips forward, pushing into her for the first time. She gasped against his lips, letting out a moan right afterwards. As Genji pushed in slowly, he lowered Zarya back onto her back. The hand that was on the back of her head moved so that it was beside her head, supporting him.
As Genji pressed all the way in, he paused, looking down at Zarya. He paused, leaning in to kiss her softly again. In that moment, as he continued to kiss her slowly over and over again, the rest of the world stopped mattering. It was just that moment. Just the two of them. Zarya was the first person to make him feel whole again.
After a few seconds, Genji paused his endless stream of kisses, pulling back slightly. “Are you okay?” he asked softly, running a hand through her hair. He didn’t want to start going too fast or move too soon and end up hurting her. Even someone as tough as Zarya could be sensitive to things like that.
Zarya didn’t respond, instead she just nodded her head furiously, moaning a little as Genji moved a bit. Genji found his footing under him and slowly started to pull out. When he was pulled out just enough so that his tip was still in, he pushed himself off the bed, straightening himself out. Both of his hands went to rest at Zarya’s hips, steadying her as he pushed back in again, going slow. He wanted to do everything in his power to drive Zarya to the edge. When he bottomed out again he rolled his hips against hers, loving the way she gasped and moaned.
This time he was quicker pulling out, still leaving just the tip in before rolling his hips against Zarya’s, going harder and faster. Each time he pulled out he sped up how fast he pushed into Zarya, loving the sounds of her moaning and gasping out his name. Zarya’s hands were above her head, grasping the bed sheets as she rolled her hips up to meet Genji’s. “Fuck. Fuck me harder,” Zarya gasped out between moans.
Hearing Zarya’s request, Genji pulled out completely. He tried to catch his breath before smiling. “I would like you to get on top,” he requested, running his hand up Zarya’s thighs.
“I would crush you,” she pointed out, biting her bottom lip a bit.
“I am stronger than I look,” Genji teased, leaning in and kissing her again.
When Genji pulled away from the kiss he went to lay back on the bed, stroking himself. He watched as Zarya hesitated for a few seconds before she went to straddle his waist. Her large thighs on the outside of his legs. Her hands were near his head as she arched forward, looking down at him as she lowered herself onto his cock once more. Genji let out a slow exhale, running his hands up Zarya’s thighs and smiling. When she was lowered down completely, Genji reached out and put his hands on her hips.
“You feel amazing,” Genji said softly, looking up at Zarya. He smiled softly when he noticed the blush across her cheeks. He ran his hands up and down her thighs again, letting Zarya get used to him again.
Slowly Zarya rolled her hips against Genji’s, making him smile and let out a shuddering breath. It was slow but deliberate. Soon, she rolled her hips again, moaning out. Genji smiled and started to match pace, rolling his hips up against Zarya. Once the two of them seemed to have a good pace, Genji moved his hands from Zarya’s thighs up to her hips. His fingers dug into the soft skin at her hips, encouraging her to go faster as he started to buck his hips up Zarya’s. She took his hint and started rolling her hips against his faster, causing him to moan out once more.
Genji had already been close. It was a combination of not having sex since before his accident and the way that Zarya was driving him absolutely crazy. Genji could tell that Zarya was close too. Her legs were twitching again. Genji sped up, bucking his hips up against Zarya’s as hard as he could, his hips moving more erratically, moaning as he started to come. He threw his head back, closing his eyes as he heard Zarya swear in Russian above him. He felt Zarya’s walls tighten around him, spurring his orgasm to last longer. The pink-haired woman leaned forward, nearly collapsing on his chest.
Wrapping his arms around her securely, Genji just kept her close. He ran his hand lazily through Zarya’s hair as they both laid there, panting. After a few seconds Zarya looked up at him, smiling. She leaned in, kissing him slowly again. “We should do that again,” she joked. Her voice was low and raspy.
“I would not mind that,” Genji said softly, running his fingers through her hair again. He leaned in, kissing her slowly once more. In that moment, as Genji lay there with Zarya on his chest, one arm around her protectively and the other running through soft pink hair, he felt whole again. For the first time in years he felt like he wasn’t hiding anymore. This was where he was supposed to be.
#My writing#Overwatch#overwatch fanfic#overwatch fanfiction#genji overwatch#genji shimada#genji/zarya#pwp
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Nobody expected Johnny Depp to send those photos, though in retrospect they probably should have.
Director David Yates was finishing filming Fantastic Beasts and Where to Find Them when the images arrived in his email. Depp had yet to shoot his climactic scene: Magizoologist hero Newt Scamander (Eddie Redmayne) reveals that the fugitive dark wizard Gellert Grindelwald has been hiding in plain sight the entire film, disguised as dapper auror Percival Graves (played by Colin Farrell). The Farrell-to-Depp switcheroo was to be the film’s biggest shock when it came out in theaters, but first it was the director’s turn to be surprised.
Much like Depp had done when crafting his takes on Willy Wonka and Capt. Jack Sparrow, the actor huddled together with a makeup team to design his own creative look for J.K. Rowling’s villain.
“I had an image in my head of the guy,” explains Depp, who felt emboldened in his creative choices by a Skype chat with Rowling about the role. “She said, ‘I can’t wait to see what you do with him.’ It was beautifully left as this open gift.”
So Depp sent photos of himself as Grindelwald to Yates. His first-draft makeover was “slightly more extreme” than where Grindelwald ended up, the director recalls. “We saw this character as a combination of poet, rock star, visionary, and sociopath, beguiling but lethal,” says Yates, who also helmed the final four Harry Potter films.
After some back-and-forth (at one point a “foppish, romantic look” was considered and rejected), the production embraced Depp’s concept of Grindelwald as a pre-WWII vision of Aryan fascism — an ultra-white, pasty-faced platinum blond, with an undercut haircut and pale mismatched eyes.
“I almost felt like he’s maybe two people,” Depp says. “He’s twins in one body. So a gamy eye is more like the other side of him — a brain for each eye, and he’s somewhere in the middle.”
When Depp’s Grindelwald was unveiled in the final moments of Fantastic Beasts, fans were indeed stunned, but also concerned. The dark wizard looked so strange. Was he supposed to be comedic? So for the second title in the planned five-film franchise, The Crimes of Grindelwald, the evil wizard’s appearance was “softened and refined,” made to look more natural. Judging by the enthusiastic fan reactions to the film’s final trailer at the end of September, the tweaks worked.
Grindelwald’s evolution was just a small example of how the Fantastic Beasts team leveled up for the sequel. Where to Find Them bore the burden of launching a new Wizarding World franchise with a different cast, setting, time period, and characters. While the movie was largely a success — with solid reviews and $814 million worldwide at the box office — members of the filmmaking team quietly felt that the sequel could (and should) be an improvement over its predecessor.
“When we made the first film [the actors] all thought it was great,” recalls Ezra Miller, who plays troubled young wizard Credence Barebone. “But the department heads — Yates, [production designer] Stuart Craig, [costume designer] Colleen Atwood — were all like, ‘It’s not good enough, it has to get better, it has to get way better, and here are all the things that were wrong with it.’ [Crimes] is a serious push by some of the greatest artists in the game to elevate in a way that’s inspiring to watch and be around.”
That elevation began with Rowling’s script, which largely shifts the action from New York to Paris — a new locale, sure, but returning to Europe feels more Potter-esque. And while the first film was focused heavily on Newt, the sequel is more of an ensemble piece that deepens returning characters, introduces several new ones, and plays like a life-and-death, wartime noir thriller (no whimsical three-minute scenes of Newt demonstrating a mating dance at the zoo with a horny Erumpent).
The setup is that Grindelwald escapes while being transported to a new prison and rallies an army of supporters with his pledge to unify the Wizarding World and rule Muggles. That leaves Hogwarts professor Dumbledore (Jude Law), the dark wizard’s former childhood friend (and perhaps more?), to enlist his expelled former student Newt and, by extension, his American friends — rebellious auror Tina (Katherine Waterston), her telepathic sister Queenie (Alison Sudol), and affable No-Maj Jacob (Dan Fogler). But that’s only the beginning.
“The script is labyrinthian,” says Redmayne, whose introverted beast-wrangler is a bit more comfortable in his own skin this time around. “You’re going down this maze, and Jo [Rowling] is weaving the stories together with such intricacy. Along the way, connections to Harry Potter and secrets are falling at your feet. And there is one…” The Oscar winner pauses, knowing he’s treading into heavy spoiler territory. “I got to the end and my jaw dropped. There was one thing I didn’t see coming.”
“Darker” is a word the cast uses a lot. “Complex” and “fast-paced” are others. The film is more, well, adult — The Crimes of Grindelwald may be the most grown-up of all the Wizarding World titles.
EW caught up with Fogler shortly after he saw the completed film for the first time, and he was as excited as any fan stepping out of a cineplex. “It reminds me a lot of The Empire Strikes Back,” he says. “The first movie is so positive. It’s sweet and lovely. But this time everybody is really put under fire. People are gonna see this, like, a hundred times just to get everything. They’re going to be going nuts that they have to wait for the next one. And Jude Law, oh God, he’s perfect.”
Ah, yes. From the moment that first photo was released of Law as a dashing Dumbledore, even the most discriminating Potter purists admitted he was spot-on as the beloved wizard (and some are rather hot for teacher, with hashtags circulating like #Dumbledaddy and #Dumbledamn). Adding Dumbledore to this prequel pleased Rowling, too, who spent more time visiting the set during this shoot than the first film.
You might assume Dumbledore would be the least mysterious part of this tale since we already know so much about his past and future. Not so. “There are things to resolve from Albus’ life, some of which we know from the story, some of which we don’t know about yet,” Law says, and then comes up with an even better tease: “This is a good riddle. One of the reasons Dumbledore trusts and likes Newt so much is Newt understands and forgives beasts and monsters. And there’s a part of Dumbledore — only a part — that sees himself as a bit of a beast.”
The friendship between Newt and Dumbledore might feel a bit wistful for Harry Potter fans: It’s like a glimpse into what might have been if the future Hogwarts Headmaster had somehow been able to carry on his friendship with the Boy Who Lived into adulthood. Yet Newt, unlike young Potter, can quickly spot Dumbledore’s “for the greater good” manipulations.
“One of the things I love about Newt is he has this naivete and gentleness on the surface, but he’s got quite a steel core,” Redmayne says. “He adores Dumbledore, but he also knows when Dumbledore has crossed a line and isn’t afraid to call him on it.”
Newt’s whip-smart Auror love interest Tina is back as well, going on a mission to hunt down Credence in Paris. “She’s more confident this time. No one is questioning her intellect and instincts,” Waterston says. Yet her character’s love life is a mess thanks to some long-distance-relationship misunderstandings. While fans know Newt and Tina eventually end up together, the duo clearly have no idea. “It’s fun to play something out where the audience is one step ahead and Newt and Tina are the clueless ones,” the actress says.
Newt also has a tense relationship with his older brother, Theseus, played by Callum Turner, who broke his wand during his first day on set during an enthusiastic screen test. Theseus is an uptight careerist and Head of the British Ministry of Magic’s Auror Office, who’s pressuring the rebellious Newt to fall in line with the wizarding government’s plans.
“Theseus wants his brother to stand up and fight [Grindelwald],” says Turner, but the two have conflicting ideas on how to #resist. That Theseus is engaged to Leta Lestrange (Zoë Kravitz) — Newt’s schoolboy crush — complicates matters as well.
Yet perhaps the most intriguing new character is the one fans only discovered last month: Nagini, a circus performer who gives customers one heckuva transformation act as she morphs into a massive snake. South Korean actress Claudia Kim wasn’t told which character she was playing until she arrived for her last audition. A Harry Potter fan since sixth grade, Kim instantly realized Nagini was cursed to eventually become Voldemort’s murderous serpent.
“I was speechless,” she recalls, and then was told that for this final test, she had to pretend to transform into a snake — on the spot. “I instantly felt the heartburn, a lot of insecurity, but you have to empty your head and let your instincts take over,” she says. “If I find [the audition tape] I will destroy it!”
Once on set, Kim worked with a contortionist to perfect her act, infusing her performance with varying degrees of snake-ness. “David would give directions like ‘Can you do 2 percent more snake?'” she says, laughing.
Since her casting was announced, however, some have objected to a person of color playing a character doomed to subservience. Those close to the production disagree with that perspective and note that Kim simply gave the best audition for a standout role. “Claudia Kim is a living god,” Miller declares. “You’re about to get your head blown off. Prepare yourselves for Nagini. This is a tragic and beautiful story.”
Miller should know, as it’s his character, Credence, who teams up with Nagini to form a power couple of sorts: two lost souls with unique magical abilities they can’t entirely control. “Credence has joined the circus, as one does when you’ve killed your foster mom and fled the country,” Miller says glibly. “He’s trying to figure out who he is. They’re two people who don’t really trust anyone who are learning trust for the first time.”
Another challenged couple (actually, every major character in Crimes of Grindelwald is arguably part of a couple, and that’s why the Paris setting is so apt) are Jacob and Queenie, who flee America due to its strict policy against No-Maj/wizard relationships. And guess which charismatic politician is surprisingly in favor of such unions?
“Grindelwald actually sounds like he’s all for love — if you love a Muggle, you should be allowed to be with them, and you should be allowed to marry,” Fogler reveals. “But wizards, he feels, should be on a pedestal. This is very tantalizing to some.”
So hold up. Could the nicest couple in this story, Jacob and Queenie, join Team Grindelwald? They’re not saying, of course, but Sudol notes: “Grindelwald’s like staring at the sun — you’re not supposed to, but he’s hard to look away from. He does very, very bad things.”
And he does them with flair. One of Depp’s improvisational additions was giving the wand-waving Grindelwald a conductor-like rhythm during a key sequence. “When Johnny conducts a barrage of spells he’s like a conductor guiding an orchestra — except instead of creating music he’s effectively creating fiery mayhem and death,” Yates says.
Indeed, the film’s title promises crimes. And that this dark wizard’s deeds are wrapped in divisive rhetoric at rock-concert-style rallies peppered with populist appeal sounds kind of, well, familiar. Is Rowling making — unintentionally or not — some kind of modern political point? Sudol certainly sees one.
“The film is terrifying that it’s so relevant,” she says. “We really need to focus on trying to find commonalities amidst the instability of the world’s climate. When a lot of crazy things are happening, it’s very easy to lose true north.”
Which brings us, quite appropriately, back to Newt, the story’s moral compass. At one point in the movie, Newt tells his brother, “I don’t do sides.” That’s almost a revolutionary stance in hyper-partisan times. But it’s also one that, given the forces at play, is perhaps unsustainable. “You really get the sense that Newt’s always gonna make the right choice,” Fogler says. “In this day and age, that’s very refreshing.”
#fantastic beasts#crimes of grindelwald#COGMagazine#Katherine Waterston#Tina Goldstein#coginterview#dan Fogler#gellert grindelwald#jude law#Eddie Redmayne#newt scamander#albus Dumbledore
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歌劇 “Che Guevara” discussion
The August Kageki issue printed a transcript of the round-table discussion for Che Guevara with Harada Ryou, Todoroki Yuu, Kazama Yuno and Amashi Juri. There still might be some mistakes here and there, so if you notice any feel free to tell me. Thank you @lilywilde for helping me make the whole thing sound better in english.
Harada Ryou: This is now the 4th time I’m working together with Ishi-san (Todoroki) and I chose the subject of Che Guevara because this time, unlike last time’s “Doctor Zhivago”, I think we have a production that can show the full “Todoroki Yuu-ness” (轟悠の轟悠) without restraint. To begin with, Guevara is a subject that I always wanted to do, but because there are parts that are un-Takarazuka like I had the feeling that it would be difficult, but if it’s Ishi-san, it could be done. Over 50 years have passed since his death, but people are still fascinated by the man Guevara, I think due to his way of life and way of sticking to his believes. After succeeding in the revolution, while taking a key position in the new government of Cuba, he proceeded to abandon all titles and chose to life as a militant. The appearance of someone like him for me very much overlaps with the image of a person like Todoroki Yuu.
Todoroki Yuu: I was surprised when I heard that I was going to play Guevara. “Oh, the time has come” was what I felt like (lol). I was also a bit anxious, but mainly grateful for being offered such a challenging work.
H.: Whenever I have the pleasure of working with Ishi-san, I think there exists no otokoyaku, that is more realistic. And yet, there’s still a continued improvement. In that sense too, I felt there was no one else but Ishi-san, that could’ve played Guevara and I want to challenge myself together with the members of Tsukigumi too.
T.: Guevara, together with Castro, led the Cuban Revolution to success, but for him, who came from Argentina, Cuba was a foreign country. But those who see suffering and pretend not to see, are equally guilty as those causing the suffering. I think it’s important to establish this fundamental part of him.
H.: That’s the “smell” I want to always hang over the stage in this show. The smell of humanity, the smell of earth, the smell of sweat… it’s the body odour of living. The topic this time is, that no matter what the circumstances, people have to go on living. As we went through it repeatedly during rehearsal, it became three-dimensional and it felt very responsive.
T.: I thought Guevara was a reticent person, but when I watched things like the remaining videos…
H.: He talks so much! And he’s also earnest and very honest, kind of like an investigator. But he’s not a gloomy person, there’s always a calm part. That gap might be his number one appeal I think. People are attracted to that, men loose their heart to this charm too. The fateful meeting with Castro as well - depending on one’s point of view Castro could be one of those that lost their heart at a glance too.
T.: I felt so too, when reading the script. At the same time I think Guevara maybe didn’t just furiously advance forward, but suffered under always having to soliloquize.
H.: It isn’t just force, isn’t it?
T.: Yes. I want to bring that out in the second half of the rehearsals.
H.: Kazama Yuno as the role of Fidel Castro, Guevara’s sworn friend, what do you think?
Kazama Yuno: I think that the topic of this production is something that can be understood by us today too. Though I might live in today’s peaceful Japan, but I feel that if I go to the bottom of things, I can find feelings kind of similar to the ones of Castro inside of me. My lack of self-reliance due to being raised in Japan isn’t something I can wipe away completely, but I am very grateful for getting this chance to overcome it. I already got to work with Ishi-san 2 years ago.
T.: Right. Hakataza wasn’t it?
K.: Yes. At that time I really was an Underclassman… this time it was really fun because I was given a role with Ishi-san, where we had a clash between men.
T.: The experience of this role will definitely become a strength for Kazama-kun.
H.: I agree.
K.: Thank you for saying that, but when I think about what I can do, I nonetheless can’t really see myself equal to Ishi-san. Since the first time Guevara and Castro met, we had over 10 hours of meetings with deep conversations, now it really kind of feels like having a soul mate.
T.: You more and more picked up Castro’s charisma, the heat at the start of the Coup d’état alone. There’s a part precisely because of the combined ambition of him and Guevara as well, where I think “I would die for this guy”.
K.: Even before Castro met Guevara he fought to opposed the dictatorship of president Batista and had his own proper idea of justice. After the success of the revolution, the plans of the two developed discrepancies and I want to carefully portray where each thought goes from there.
H.: Of course there is a difference in rank, but please try not to worry about it.
T.: Right.
H.: Ishi-san’s “Todoroki Yuu” is unintentional, which is why I’m curious to see the relationship between Guevara and Castro. Amashi-san as the role of Guevara’s wife, Aleida March, what do you think?
Amashi Juri: Aleida is a university student, who’s an active member of an underground group that opposes the Batista administration and kind of a patriotic person. Her driving force seems to be “For my beloved homeland”.
H.: That’s right.
A.: For her country she’s a strong willed person that would cross mountains to deliver war funds. Her own thoughts for Cuba make her a strong person with a strong mind and that passion is an important part I want to portray. She’s not a musumeyaku or an onnayaku in my opinion, but just Aleida, a human that wants a steady life.
T.: Aleida reminds me very heavily of Carmen.
A.: Yes.
T.: But if she wasn’t a strong woman, Guevara probably wouldn’t have been attracted to her. (lol)
K. + A.: (strong nodding)
A. It really feels like Todoroki-san exists far above the clouds… with Guevara, who is played by this same Todoroki-san, I have to show a relationship of comrades in arms and also express the strength of my will to fight.
T.: Since the people living in that country are latino, there’s something openhearted/frank in both men and women. I know that feeling, you imagine different things that you have to express.
A.: Yes. Because there were discoveries every day during the rehearsals, I could find out more about myself too. Rather than concerning myself with actual reality, I think about living as the Aleida of this performance and try to give 120% of my strength to this role.
K.: Like Juri said, I feel like I’m discovering something new day after day too. Even today I still don’t understand all of Castro’s convictions, but when I think that I can push myself and change it up in the rehearsals, I feel like I can ask everyone to talk about it once again. It’s also an opportunity to analyze myself I think because I want to keep up with Harada-sensei and Ishi-san.
T.: Dear audience members, when you come and see us, you might feel like we’re fighting together, your hands sweat, your chest hurts… you will sympathize so much, that you will have sore muscles just like us. (lol)
All: (laugh)
T.: If it goes that far, I will be happy. Since I don’t think Guevara is someone who lies very often, just is more secretive, I want to practice that subtlety with my co-actors.
H.: As Ishi-san said, his way of life is very straightforward, he doesn’t lie. He always clashes with others by speaking his mind, and in that sense I would like that around the stage - sweat and also body heat kind of circulates. It’s far from a Takarazuka-like subject, but because there is “affection” I believe that it can exist under the name Takarazuka Theater. The love between men and women and between male friends… Guevara states that the revolution won’t succeed without great love and because our heart is as hot as his will, let’s fight to the bitter end to make this the best production.
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Transfigure ( rewrite ; first draft ), Chapter 1. word count: 3,270.
The full moon illuminated the river, casting the world around us in black and white. The river, a sheet of obsidian glass beneath the glow, wrapped around my feet and begged that I join in with the current.
Just let it all go; be free.
Something hit my hand, hard and cold. At first, the feeling sent a chill down my spine, and reflex demanded that I throw it. Though useful in the field, that instinct was well out-of-place here. Carefully, calmly, I raised the object into the candlelight.
It was one of the bottles that Kane repurposed for a candle holder, an idea he had when we first found the place months before. The wax stick jammed into the top had already burned down so far into the neck that it stained the glass around it black. Even the wax seal could not hold back the smell. Whatever was inside, its stale scent gave the impression that it could only be useful for cleaning wounds.
I tried to push it back. How did he roll a square bottle?
“Nah,” he demanded, kicking it back over the short distance I had managed. “We had a deal.”
“Yeah, and I’ll hold up my end with or without yours.” In truth, I was sick of feeling stupid. It sounded fun to face the impossible, but that was before I found out that even trivial things could hold that title.
“Both ends are my end. Now go.”
“Fine,” I mumbled under my breath and raised the bottle again. I tried to ignore all the other details. The shape, the scent, the weight—anything that would be important under any real circumstances was useless now.
Words. I had to figure out the words.
With the old world gone and the city ripped apart, readers weren’t all that common. This place was built by a group of strangers, after all. Each was stripped from their home and dropped here to make a new life alongside the others. Some kept their families in tow; most came alone. This lack of community, alongside the shared goal of survival, led to an illiteracy rate that I didn’t notice until Kane moved in.
As a neighbor once told me, if the old world’s skills were so useful, we wouldn’t be where we are today. It didn’t make that much sense, but everyone else thought so. Who was I to argue?
Kane was one of the lucky ones. He came here knowing how to read. Though we were left wanting for books, he still managed to keep that talent sharp.
Both of my parents could read. My mother all but spoke in code, and it was holy texts that made up my father’s foundation. Both tried to show me their worlds; both kind of succeeded. Reading, however, was never included.
There were a few words scattered throughout the city that had been burned into my mind through recognizance. “Voodoo” and “girls” made the top of that list. Try to make sense of the Bible on that alone.
Three days after Kane figured it out, he came up with his greatest plan yet: he would be the one to teach me the sacred art of literature. His words, not mine. Boredom replaced his brilliant curiosity with a rabid need for purpose a long time ago. So, as any idiot would, I eagerly agreed. He dedicated our first week to the alphabet. I was to say it forward and back fifteen times every few hours to make sure it stuck.
Simple enough.
Then, we moved on to the next logical step: “Sound it out.”
Despite the roll of my eyes, I did as I was told. “J-aysk”
“No, no. Where are you getting the’s’?”
“What do you mean?” And after he hissed the sound back at me, “Right there.”
“That’ s—no, that one makes the same sound as the ‘k’.”
I changed my mind. This sucked. “That makes no sense.”
“The ‘a’ makes the sound like ‘at’, too.’”
“Jac-k?”
“Don’t pronounce them both.”
“Both what? It’s four—”
“Just, ‘Jack’.” He chopped at the air with one hand, but the motion’s meaning was lost on me.
My response was the forced sigh of, “Okay. Jack,” followed by another, meeker attempt. “D… e… nials?”
Kane snorted behind me.
As I shifted back to lean on my elbows, the bottle turned over in my hand, allowing me one last whiff of the foul liquid inside. “So, what. This Jack guy was so ashamed of this stuff, he had to say it on the label?” The bottle sang out an eerie scrape as I returned it to the slab of concrete at Kane’s feet, and its ring somehow made more sense than the next word from his mouth.
“Daniels.”
“What?”
He sputtered again. This time, it sounded like a laugh. “It’s Jack Daniels. It was whiskey. Alcohol, but not the kind you use on cuts.” And because I clearly didn’t get it, he added, “A drink for, uh… entertainment.”
It was exhausting how much he knew about the old world. Some would say too much. Though it was easy to agree, it was almost impossible not to be fascinated by it. At the compound, there were rooms dedicated to artifacts and treasures worth more than any ten men together could afford. It would not surprise me to know all of that, in addition to what was left of the natural wonders, paled in comparison to Kane’s collections.
“You’re stupid good at a lot of things,” I told him after an agonizing moment of self-debate. The added spice of his own slang would hopefully soften the blow. “But you might be the worst teacher I’ve ever had.”
This time, his laugh was flimsy. “Well, I’m not a Minister or a Control Chief, so that’s a weird corner to throw me in.”
Oh, good. No harm done.
Kane was always this easy. I could be a little bit mean, and he’d just be happy to hear himself talk in-between. The banter served as a low-effort veil between us and the void of boredom, sure. When things got deep, though, it was the true void that stared back. His teaching needed work, but Kane filled the silence with more knowledge and life in a single minute than any amount of time with my parents ever did—official, familial, or otherwise.
A second bottle clinked against the stone at my left, this one with some of the original contents still inside. I waited for the same set of instructions. Instead, what he gave back read something like, try it. One sip, and I spit it out instantly. “Oh, that’s disgusting.”
“It is what it is. You’re doing fine.” His shift in tone was so swift that I nearly forgot about the acidic film on my tongue. “It’s just been a couple of weeks. It took me like a month, I bet.”
“You’d also be six.”
“And you’re seventeen—“
“Eighteen.”
“The arguments make themselves.” I looked back, and his smile was as smug as his tone. “Like I said. You’re doing just fine.”
If the right response existed, it was lost beneath an awkward laugh and the gentle sound of the flowing river.
Even without many character references to place around him, Kane was odd in a way that even his sacred art of literature would have trouble capturing. Though he only stood a few inches taller than me, no room could contain his personality. His body was more weapon than temple. From appearance to mind to words—everything but his eyes, he kept sharp.
One of the bottles floated out from the cove and into the river without either of us noticing. The water tugged it one way and another. It was the flickering of the light that caught my attention. The flame rose and fell in the hot air, twisting as the bottle bobbed from side to side, and finally went out altogether when it tipped over and washed out.
The light was now too low to read, but both ends were Kane’s, right?
“Let’s go,” I mostly grunted just before scooting from the pavement’s edge and into the river. Wading beyond reach of the shore to where the cool stream rose high enough to combat the humidity, I turned back to face him.
Kane maintained both still and silence surprisingly well.
“I promise it’ll be less fun if we do this by force.”
Only the still broke. He slid from the jutting knees of a cypress onto the slab below to remove his boots, socks, and the sidearm he kept strapped to his thigh. After sliding those over to join my things, he moved on to rolling his tattered jeans until they threatened his circulation. Stalling was routine, same as the distance in his eyes and the occasional sighing.
In a lazy attempt to match his performance, my hand moved in slow, dramatic circles in a gesture to hurry up. By the time he touched the water, my arm was a quick snap away from falling off my shoulder and drifting out to sea.
It was by no small feat that he was able to reach me. Though the water gathered only at his hips, if even that far, he could only do so with his eyes clenched shut. It was impressive.
“Alright, I’m ready,” he told me once his hands were safely in mine. His stance was so tight that his grip almost hurt. Determined, he may have been, but Kane looked anything but ready.
“I won’t make you do anything yet,” I said. “Just stand there. Get used to the flow. Try to open your eyes, maybe?” They tightened at that. “Hey. If anything happens, I’m right here.”
The sentiment did little to calm him. At the very least, it did encourage the hint of a grin, fleeting though it was. When it was apparent that he couldn’t control his own breathing, mine became slowed and pronounced for him to mirror. After what felt like an hour of coaching, but must have only been a few minutes, his breathing began to fall smoothly in time with the steady sound of waves crashing in the distance.
Sometimes, when the fog cleared enough to see the endless expanse of the southern sea, and the river rose just a little higher than usual, he would mention his home sector. Not much more was given than what he wanted to remember. I knew it must have been somewhere west because he always mentioned how the morning sun blinded him on the move over. The way he marveled at our trees for the first three years said it must have been pretty dry.
When Kane spoke about it, he did so in hushed tones, as though home could be all that scary. Maybe it was. In some ways, I was less surprised by his aquaphobia than his decision to tell me about it.
Kane dropped my hands and took another deep breath through his nose, rereleasing it from his mouth in a tight stream of air. Not that his first thought would be the position of his face in relation to mine. A warning just would have been nice.
“Alright,” he repeated. With just enough bravery sucked in with a second, more generous inhale, he coaxed his eyes open.
Had I not been watching, I would have missed the literal instant regret set in. “What a face. Think you’ll live?”
His mouth pressed into a firm line.
“Dude. You have to breathe.” Maybe he wasn’t feeling talkative, but at least he was present enough to listen. “You’re doing way better than last time.”
Last time was a wrestling match just to get this far. It ended with Kane falling in and scrambling his way back before we could make any more progress. Victoria thanked me that day for forcing her son to bathe. This time, though fear was still evident in the way his eyes darted between the water below and the sky above, Kane was able to restrain himself.
It was a noble effort—one lost the moment he looked to the branches of the looming trees. “They’re gathering late tonight,” he noted, referring to the growing amassment of crows.
“You think it’s dogs?”
“Probably.” The commotion of subsong and wings replaced our voices for a moment before Kane turned his eyes on me again. He tried to grab my hands again and added a desperate, “I’ll walk with you.”
My hands were held up for him to see while I backed away. “Hold on, hold on. We have time.” Already, the soil of the riverbed pulled me down, seeping between my toes with each step. I’d seen panic drown too many in this river to join them. So I allowed the distance between us to expand instead.
We were only a couple of meters from the waters’ edge. Still, when I finally reached the wall of trees and turned to face him, he felt oceans away.
The collection of candles had melted over the bottles’ necks, their labels now impossible to decipher beneath the wax coating. It was as good a time as any to turn in. I raised the last, still burning, high for him to see.
“When it goes out.”
“You know, one pack took out an entire team last week.” His voice was soft, nearly inaudible over the water.
“So I heard.”
“I should really get you home.”
“They got a whole team. Having one extra body won’t keep me any safer. You worry about you.”
A distracted laugh, both forced and cautious, slipped past Kane’s worry just to free-fall into silence. No longer were the cicadas singing, the birds paused in quiet wonder, and for a moment, even the water fell into an uncomfortable still.
The sector grew quieter by the day, it seemed. Together, we survived war, famine, disease. I’m sure you can piece together what happened to the rest. My uncle always liked to say that book of Revelation didn’t prepare us for an after. Nine years old may have been too young for that lesson, but I understood all the same.
Over the past week, more stories from the Cage made it to the dinner table. My mother told us that one of the things inside had a wingspan twice as long as its own body. She said it tried to take to the skies, but its wings were too heavy. Instead of lifting itself from the ground, it destroyed three buildings and killed two people before being captured. Suits spoke in hushed tones throughout the Complex about how the webbed pinions left an ashen residue on their uniforms.
The rest was a matter of who told the story.
Kane tugged me from the thought by prompting from his position in the water, “Hey, Andy. Can we tuck in yet? No rush, but I’m starting to freak out.”
To get back to the road meant scaling the city’s deteriorated retaining wall and the roots that had nearly devoured it. Kane beat me to the top and triumphantly threw both fists in the air as if the effort were for glory rather than escape. It was the pair of boots, hanging together from one clenched hand as I remained at the water’s edge to lace my own, that gave him away.
The trees served as a veil between the southern wilderness and what was deemed before my conception as “civilization”. Once we passed through, our usual banter had to be capped. We stepped lightly, even slowing our breathing to a shallow and cautionary flow. The smallest sound could bounce through the empty streets and lead something much worse than the river’s wrath to us.
From the gaping mouth of an old storefront, the sun-bleached cast of a massive, toothy lizard smiled at us. Could you believe it was a real thing? Not the smiling part, but the creature itself. Kane told me all about it when his family first joined the sector.
They were big, sometimes twice as long as he was tall and three times his weight, he said. I asked if he knew all that because he had to kill one. Kane only gave me a strange look and said everyone knew what an alligator was. But that wasn’t true. I didn’t. For all I knew, they were no more real than his Mothman.
A time did exist where the buildings along our hike were beautiful. Time and the elements faded their colors, shattered their windows, and darkened their doors. Here and there, shop signs still clung to their rusted mounts. Due only to their current state, which was battered too far beyond recognition for even Kane to read, was I brave enough to look at them for more than a glance.
The path was so familiar that I could have walked it backwards with my eyes covered. Every step was as much a part of me as my own two hands. The shape of the street names, I had memorized before Kane joined the sector.
St. Peter.
Bourbon.
Bienville.
And at the end of Bienville was home. Well, it was my home. Kane’s family relocated so often that I stopped keeping track. At first, the frequent moves were quirky. Then, they were frustrating. While the other kids moved on to new friends, I knew there was a different solution. I just had to get good at finding him.
Home was a single cross-section of road, separated from the ruin and wilderness by tireless grooming. Even as we crossed over the threshold between broken asphalt and the intact pavement that bound the structures together, Maintenance took stock of tomorrow’s workload.
As always, they paid us no mind.
The Complex stood three stories high and only an echo of its former glory. Like the rest of the city, it battled weathering of its own. The Northwest corner and an entire block of the cemetery were swallowed by the earth four days after my twelfth birthday. Before was the contagion. And after? That was the Summer of Lights, which burned down more than half the city.
Yeah, it wasn’t that fun.
Kane led me to one of the clone doors and shoved his hands into his jacket pockets. “Tomorrow’s a big one,” he told me.
“You ready for it?”
“Never am. Don’t sleep in.”
And I responded, “Get good sleep.”
He disappeared beyond the dim glow of our stoop light, leaving me to drown at the hands of anxiety. The Course—like I could forget. If I failed, then what? There was always the Ministry, but if I couldn’t read and failed a glorified physical exam, even they would have no use for me.
As my mind swarmed with thoughts of tomorrow, the still dark of the entry felt like a gift. It meant that my feet could make the weary climb to the second floor without the help of a conscious mind. Mine was too busy repeating the phrase, “Do you accept?” To the question, it shouted the oath.
Outside my window, the moon still shone over the city, either oblivious to its state of distress or indifferent. It lit the single-block cemetery there, and I could swear there was more life in those mausoleums than remained throughout the whole sector. I could see Kane perched on one of the roofs, thumbing through the pages he stashed inside an oven crypt.
Past him, past the concrete structures, past the contorted knot of crumbling highway, I could see the six points of the Cage reaching into the night sky.
This was home.
#; there are likely typos in this but again#; first draft of a rewrite#; i'm proud enough of where it stands#ooc.
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Ideas of the Near East in the general American popular imagination in the first half of the 20th century were mostly limited to Bible stories or the cigarette pack camel and pyramids. Then a handful of popular books appeared by Armenian and Syrian immigrant writers in the 1940s and nightly news broadcasts of the Second Arab-Israeli war in the 1950s superimposed a new set of images. In the early ’60s, the movies Never on Sunday (1960), America America (1963), and Zorba the Greek (1964) crystalized a growing interest in the Eastern Mediterranean. The B-movie Dark Odyssey (1961), depicting a Greek sailor on shore leave in Manhattan, included a scene shot in Port Said, one of the small “Oriental” nightclubs along 8th Ave. with nightly live music during the ’40s and ’50s catering to a primarily Greek and Armenian immigrant clientele where Turkish was a lingua franca.
The film that most people saw, though, was the gaudiest and most fantastically Orientalist of them — Cleopatra, starring Elizabeth Taylor, released June 1963. That’s the one that the housewife, the salaryman, and the dumb kid alike were all most likely to have seen. For Chevrolet-driving, Crest-toothpaste America, that’s the one that solidified the notion of a world of gauze-covered women shielded from a bright desert sun by palm fronds. And that’s the one that a small independent record label of schlockmeisters who produced generic music sold directly through supermarkets and dime stores latched on to as their marketing strategy — for a tape of about a half hour of material recorded around 1962 by a group of wedding band musicians.
The recording session was arranged and paid for by a trumpet player whose name no one now recalls. He brought in a band of creative and intellectual no-name, down-at-the-heels Brooklyn-based players who eked out a living by playing ethnic weddings for Jews, Armenians, and Greeks. He added a bongo drummer and a blind oudist from Turkey who didn’t speak English, and the group blasted out a Middle Eastern-jazz hybrid record in an afternoon.
The group met in a bar before the session, where the trumpet player showed them tunes scrawled on a stained cocktail napkin. They recorded songs drawn from repertoires of Armenian, Greek, and Jewish material that they knew, along with a tango in the style of “Miserlou,” a pop standard composed by the Greek-American Nick Roubanis and popularized by singer and music publisher Tetos Demetriades. The session’s leader got too loaded during the recording and split three quarters of the way through the studio time. The last couple songs were done without him or the bongo guy.
Somehow that tape wound up in the hands of the cheapo record label, who issued it with no artist credits, “exotica” titles for the songs, a drawing of Elizabeth Taylor on the cover, and the word CLEOPATRA in big letters on the front — a deceptive cash-grab on the popularity of the movie. Poorly pressed, sloppily packaged, hastily recorded, it was made to be disposable. And disposed of, it was. One for the junk heap.
Among the jobbing musicians who banged out this porto-World Music flotsam were two extraordinarily gifted players whose esteem and notoriety have grown over the decades that followed. They were 25 years apart in age and from different worlds. But one day in 1962, they both needed the fifty bucks and took the gig. One was the Sicilian-American clarinetist and composer Joe Maneri. The other was Hrant Kenklulian.
Udi Hrant, as he is usually called, was an Armenian, born blind in northwestern Turkey in 1901. He and his family survived the Armenian genocide in Konya, where he began studying oud as a teenager. Though the 1920s and ’30s, he lived in poverty, supporting himself playing in nightclubs and earning a reputation as a performer of exceptional depth and soulfulness. Many of the recordings that he made in Istanbul during that period were released in the U.S. for the immigrant population. When a wealthy Greek paid his fare to the U.S. in 1950 to have a procedure that might give him eyesight, there was already a waiting public of Armenians who knew his music. He spent more than a decade touring the Armenian communities of the U.S. — Boston, Fresno, Los Angeles, Detroit, Washington, DC, and New York — performing in concert halls and house parties, teaching a budding generation of Armenian oudists, and recording for small, independent labels — Aris, Smyrnaphone, Oriental Moods, and Near East. The latter of those labels was a short-lived subsidiary of Orrin Keepnews’s Prestige Records, and the resulting LP, originally issued as Eastern Standard Time in 1962 and subsequently reissued as Turkish Delights, included several tracks with jazz saxophonist Johnny Griffin. Prestige had been dabbling in Near Eastern music, issuing several LPs of Greek clarinetist Spero Spyros, and in 1963 released the third Arab-jazz hybrid LP by the Brooklyn-born bassist Ahmed Abdul-Malik. Griffin had played on the first two Abdul Malik LPs along with Lee Morgan, Benny Golson, and the Syrian-born Brooklyn violinist Naim Karacand. Hrant was in his early 60s when he gamely attended the session that resulted in the Cleopatra LP. That same year, he went back on tour overseas. He died in 1978 and is buried in Istanbul. His recordings have mostly been anthologized, notably by Harold Hagopian (son of one of Hrant’s primary disciples, Richard Hagopian) on his Traditional Crossroads label.
Joe Maneri was born in Brooklyn in 1927, the only child of a second-generation Sicilian-American carpenter and immigrant mother. Raised in Williamsburg in the Depression, he learned clarinet from an Italian neighbor. A lifelong devotee of Lester Young, he played in ad hoc jazz groups in neighborhood bars in the ’40s. A dreamer, he struggled to find work through the ’50s but hooked up with a cadre of “far out” musicians who introduced him to the German composer and conductor Joseph Schmid, a former student of Alban Berg’s and an exponent of the Second Viennese School of serial twelve-tone composition. Maneri plodded devotedly through a course of study of serialism with Schmid while pursuing musicians’ union jobs. He played a lot of Greek and Jewish weddings, where drinking was part of the gig. In 1963, his band recorded seven original songs that incorporated elements of all of his experiences — modernist atonalism, ethnic Brooklyn, and a freedom-loving style of improvised jazz not far removed from the parallel post-bop innovations of Ornette Coleman — in hopes that Atlantic Records (run by Istanbul-born Turk Ahmet Ertegun) would be interested in making an album. Atlantic declined. The composer Gunther Schuller, meanwhile, supported Maneri with periodic gigs and commissions through the 1960s. Schuller ultimately hired him to teach at the New England Conservatory, where he spent the 1970s and ’80s theorizing and teaching microtonal music, ultimately co-authoring a book on the subject in 1986. His knowledge of klezmer repertoire and technique influenced a generation of younger performers that sprouted up in the 1980s, and his improvising synthesized his complex composition, his down-home working-class musical life, and his personal spiritual journey. Like Hrant, his music spoke plainly and from the heart, with an outrageously sophisticated vocabulary and technique. From the late 1980s until his death in 2009, he performed and recorded prolifically. Among his recordings was one he called “Gardenias for Gardenis,” in tribute to the Greek clarinetist Costas Gadenis, who performed and recorded prolifically in the 1940s and was billed as “the Greek Benny Goodman.”
This group of recordings seems to represent the earliest recording session of Joe Maneri’s and among the last of Udi Hrant’s, a coincidence organized by an as-yet anonymous performer. The drummer, pianist, and bassist on the session were Joe’s band at the time, the same group on the 1964 demo session for Atlantic (issued on CD in Japan in 1998 under the title Paniots 9).
The session’s drummer, Pete Dolger, appears to have been a second leader of the band. Apart from appearances on at least one early 60s LP on MGM under the leadership of trumpet player Michael Hartophilis (b. ca. 1920; d. 1993), this album appears to be the sum total of his entire discography released in his lifetime, and no further biographical information has come to light. The fact that both bassist John Beal, pianist Don Burns, and Udi Hrant also make appearances on the Hartophilis MGM records tempts us to name Hartophilis as this session's horn player and musical director, but that remains conjecture.
The Atlantic demo session and a 24-minute free improv live duo performance with Maneri recorded in front of an audience of about eight people (ca. 1963-64, issued on CD in 2008 as the Peace Concert) are the only other recordings of Dolger. The two parted ways shortly thereafter when Maneri stopped playing wedding gigs. “We were wedding players, full time,” Maneri told Stu Vandermark in 2006; “That was our Real Job, so to speak. […] We weren’t in the ‘jazz scene.’ We respected jazz for jazz. We knew about Coltrane. […] I wasn’t really ‘knowing’ Coltrane’s music. Cause I was the type that didn’t buy records. and never listened to anything. Early on, when I was 18, 19, 20, 21, I started to get the feeling that there was no chance that in a lifetime I would ever be in a jazz circle. So, I just turned it off, so to speak, and didn’t listen to anything. Just like that.”
Once record collectors noticed the Cleopatra record, it seemed so peculiar that the rumor circulated that it was a Sun Ra session. That was the only explanation anyone could make for its existence. Maneri himself heard of its release through a friend who happened across it in 1963, bought a copy for himself, gave it away to a student years later, and then forgot about it. It wasn’t until the ’90s when a guy in a record store noticed that the clarinet sound like Joe and played it to him that it came back to him. Some of it. When he listened, he remarked, “if I knew it was going to be listened to 40 years later, I would have played better!”
In 2018, the UK Trunk label issued a raw transfer of a stereo copy of the Cleopatra LP in less-than-ideal condition digitally through the big download channels. Their blurb about it perpetuates the Sun Ra-connection rumor. So, we present here the best quality mono restoration that we have been able to produce, in a better running order with as much detail as we have so far been able to gather. We offer it to you at no cost and as a gift to the memory of the musicians involved. Corrections and additions will be gratefully received.
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