#also i am no authority on art or anyone elses creative process!

[slytherinshua]

I'm not asking you to rush things out but you were being way too unfair, don't you think? You write the requests that were requested by your FAV ANON or MOOTS. If you won't be able to write them, don't open a request

....i thought i explained myself well enough in the original post, but i guess not.

i am being unfair, but not in the way you claim i am. if you look at all my fics, i'd bet that the majority were ideas that i came up with, from my own brain. my writing is extremely unfair because i value my own ideas above anyones. i enjoy writing my own ideas more than anyone else's, even my best friends. isn't that unfair?

your point about writing the requests from my favorite anons and moots, isn't even accurate. it should be, because when i write something for my moots or a favored anon, at least they'll thank me for it or give some feedback (which is extremely rare on tumblr). more often that not, random anons that aren't named won't claim their request and thank the author for it. when they do, it's like a happy little surprise and honestly makes my day. but it's not common. writing for my moots and favorite anons is more fulfilling and more fun, which is why i like it. but requests from my moots are still lying at the very bottom of my inbox-- some of them were requested in summer of last year. that's how old they are. what i don't see is my moots complaining to me about not writing their idea.

not all things in life are fair, i'm sorry to say. should i be complaining because the things i've requested my moots to write haven't been finished yet? or what about those requests that i sent into writers when i first joined tumblr in august of 2022? those weren't finished-- so should i be mad about it? i'm not. because i requested them not feeling entitled that the writer needed to finish it. think about it, you're asking that someone else use their creative skills to write something for you. AND FOR FREE. art commissions often cost money, people get paid for journalism. these things are usually valued and the original artists get something out of it; money.

but fanfic isn't like that, and i definitely don't think it should be. it's for free and that's part of the charm. us authors are writing because we want to, and the fact that the readers can request something at all and the author might write their idea is a beautiful thing. but the relationship between author and reader needs to have that balance. we are giving you something to read, something to enjoy out of your day, all for free, and because we want to. the least you could do is send in feedback (which tumblr struggles with). a comment or reblog makes an author's entire day believe it or not. but if you then complain to us about not writing enough or about not completing requests, that is only going to deter us from doing it.

anonymity can be a great thing, but one of the negatives is that when 1 anon sends us a complaint or hate, we can't associate that anon from another. named anons, we can, of course. but among the dozens of requests in my inbox, i don't know which one is yours. you really could be anyone-- all i can see is the anon icon. and my inbox is full of that icon. when one anon complains, an author is going to start to get a bad feeling from interacting with anons in general. some authors won't take requests from anons, i've seen blogs do that.

i don't want to do that, and i'm not going to. i like taking requests both from moots and anons in my inbox. unlike some other blogs, i also like to keep my inbox open at all times. and there's a reason why i do that, and it all comes back to my writing process.

i don't work with the mindset that an old idea needs to be finished before a new idea. when you get an idea that you're really excited about (whether from my own brain or from a request in my inbox sent in that day) you want to write it immediately. and you should. as authors, we learn that you have to work with the motivation, otherwise you'll get frustrated. when you're motivated, writing becomes easier and more fun. when you're frustrated, it becomes harder and you're usually less happy with the outcome.

it was probable that i was just not motivated in the moment to write your prompt, whatever it was that you sent in. i don't delete requests, though, because i never know when i'll get the motivation for an idea. usually on days when i'm not particularly motivated to write anything in particular but still want to write something, i rng my list of requests. if i land on one that i'm not motivated to write, i simply skip it.

but i never delete it.

i don't feel overwhelmed by my inbox being full because i've never put pressure on myself to finish these requests. i remember my sister being worried about me whenever i said that i had to work on a request. she didn't want me to feel pressured to have to write something. she emphasized that it was okay to not write requests. but i told her that i was only doing it because i wanted to and that it was fun.

there is a way to ask a writer if they've forgotten about your request or ask them how it's going without being entitled and whiny like you, anon. you could come into our inboxes and say something like:

"hi! i requested something from you a while ago [let them know what the request was], and was wondering how it was going? please take all the time you need to complete it, i don't want you to feel pressured. thank you ^^"

a request like this, more often than not, will motivate the author to look back at the request, check how much they've written on it, or if they've started it at all, and maybe write some more. next time, i'd suggest you try this method instead of complaining that an author completed a request from one of their named anons.

[fran-in-the-deep]

Okay so, I need to get this out somewhere eventually and since this has turned out to be my writing blog, I'll just leave it here.

Clickbait Title: How I defeated my inner self doubt and have now written over 430.000 words in a year | extreme edition

Actual Summary: Me whining about how writing made me miserable, then I started writing fanfic, now have a very healthy and joy-filled relationship to writing. That writing can be fun and meaningful and I wish more people got to this point, whatever they enjoy writing, because it makes me genuinely sad to see so many writers beating themselves up over something that can be so fulfilling. And I don't mean the struggles of the writing and editing process but the constant existential justification that writers seem to have to perform. It's okay to just exist for a while.

I am one of those people who have been writing all their life and their life goal was writing a novel, publishing, becoming an author and all that. Make art, make something meaningful. I wanted to study creative writing, become an editor, the whole package.

I was also a dinosaur kind and wanted to become an Archaeologist, because nobody told me that it's actually Palaeontologists who research dinosaurs. Looking back I wish I would have stuck to this so it wouldn't take me however many years to figure out I now want to go back to it, though in a different capacity.

That is because writing was a chore, it was painful, it made me incredibly miserable. Yet it was the only thing I was good at, big fish in a small pond, small schools in rural area style. But it was always this constant perfectionism, so much pressure, so much disappointment. I have more bad memories of writing than good ones when I admit the crumbs of euphoria it sometimes caused kept me going.

Like, I hated it. The constant self doubt, knowing that I would never be good enough, that I couldn't write anything meaningful, that I just couldn't stop. I didn't even enjoy the stories I wrote myself or the feedback that I got, because as long as I wasn't publish, had really made an impact, it didn't matter anyways.

So where does this lead? That exactly a year ago I said fuck it, I don't care anymore. Fuck everyone and their high art and aspirations and having meaning and perfectionism and self doubt, just leave me alone. And I stopped writing.

For a month. And then I picked up AoT again, despite all the controversies and with no expectations and I ended up getting really invested. I started writing fanfic for it because I felt like it. I wrote by myself, for myself, no pressure and somehow ended up writing literally every free minute. You know, like Terry Pratchett did. Because it was just so, so much fun. I didn't know that writing could be so much fun.

So I wrote over 430.000 words of "bad fanfic" in a year. It was supposed to be bad, and stylistically it very much is, but even then I have fun re-reading it, because for once I'm the target audience. Because it only matters to me and that's what makes it great. And while I'm low key prouf of that number, it's not about productivity here. I haven't produced anything of merit for anyone else, and due to hospital stays and my life screeching to a halt I've had an awful lot of time to write.

Since then I've stayed out of most writing related forums because they remind me too much of how miserable I was and I just want to tell everyone in there, that they're allowed to have fun. That you can write literally whatever you want and that publishing, be it traditional or self-publishing isn't the thing that gives it meaning. You don't have to be read by a million people or make an cultural impact for your work to have meaning. I've hosted writing groups when I was in the hospital with some other patients a lot of the time now, and nothing of that will ever "matter" in the grand scheme of things but it mattered that we had a good couple hours together and they have something to remind them of that. The random funny short stories I come up for my friends with matter. My own enjoyment matters.

And it's not that I don't get it, I very much do and people are different, some kinds of writing are just not for me and that's okay. But it makes me somewhat sad seeing so many people beating themselves up about something that can be so much fun because of the mental image they have of what they have to do, of having to reach some form of grandeur so their pain was worth it, to justify their existence on this world. And for some people that works, but I'm not one of them and I hate seeing people sad, so I just want to wrap everyone in a blanket and tell them that it's okay to just exist for a while. Indulge in what you made, what you can do.

After that year I'm at the point where I felt like actually sharing what I write now, because I am petty and there isn't enough Hange fluff out there that's solely focused on them, and I can write, so I'm gonna be the change I want to see and fill that niche. (To all the other Hange writers, see you and appreciate you). And if I want to write about Levi, I just do that. Because I can, because it's fun, because I'm not owing anyone a product you pay money for. I still try my best to write a decent story, but I don't despair over it.

I don't mean to shame or blame anyone who thinks differently, if you told me that a year ago I wouldn't have taken it seriously. And there have just been many life incidents that changed my general outlook on life and whatever. Being in your early twenties is an absolute mess and things get simultaneously better and worse all the time. I've been hitting rock bottom so often all the time, especially the past half year, and writing fanfic has gotten me through it. My life might be objectively bad a lot of the time, but at least I have a good relationship to writing now. I can have fun. So that means a lot to me.

[ekkurea]

APOLOGIESS FOR THE LATE REPLYY (RENDERING ANON HERE AGAIN PHEW) YOURE KIDDING ME ? I LOVE LISTENING TO OFHER PEOPLE's journey and story and READING YOURS WAS KINDAA SWEET AND INSPORING IN A WAY.. i feel tge pressure to create tge perfect art and it gets to me ngl.. but reading your process and your answer about yk the whole ai art thing.. i dont see why i even i want to compare myself with that level when my own style is kinda still developimg.. youe so rite! no one can take away the process the understanding you have of the colors ... the way you see your art blooming.. even ai would terribly fail at capturing it and i think tahts why your drawinsg are just so perfect bec they hold that creative aspect .. THERE IS YOU IN THEM!! (your lamguage is not am issue i assure you trust me i am not a native eng speaker myself..) *self patss!! WE RE DOING GREATT!! )

also its nice to speak to artists here i have lile one artist to artisy comversation here except you and i enjoyy our talks!! (hope youre not too overwhlemed by work and taking caree)

Brand of personality, creativity, business👇🏻☕️💞

Please do not apologize! Life is so fast and I am also sorry that I don't always have time to respond on time! I couldn't even find the time to draw orders in the last few days, because I had a lot of other work to do.

But I am really happy from every conversation we have🌸(*´◡`*)🌸Your words are so kind that my heart breaks! This is something I will try to keep in my memory forever💖

I hope that you direct such words of support to yourself🍵🌿💗 And I want to support you as well! I have not been in your shoes and I will never know what you are going through, but I will be rooting for youଘ(੭ˊ꒳ˋ)੭✨

I understand how suffocating the pressure of art can be. I had to reach the peak of my nerves to start being calmer and more rational about it. And even now, if I don't have a job at some point, I can panic. (Although in recent months, thanks to all my clients, my panic is pleasant and only because I'm not in time. You are the best!)

I will try to entertain you and maybe you will be interested. I follow the illustrator Alexandra Dikaia and she has always emphasized the importance of authenticity in illustrations, taught how to create own brand of personality and thus realize myself. I'm still a bad student who never finishes her homework, haha. But I come back to them when I get "lost". Everything has its time. Now, because of the war, she was forced to move to England and met Professor Gordon Hamme. He is the author of the practical course "How to build a craft business" (How to create a business for creatives). I haven't had the opportunity to buy this book yet to review it, but the recommendations say it's a great book to look at creative business from both the personal brand and business side. It sounds like a lot of fun. And it helps to look at art not only as something unattainable, but also as something that can work and how it can work. I would also like to create my own merchandise store someday, because I love it when illustrations become practical objects. Oh, dream…

I'm still fascinated to see that someone has my drawing hanging in their home or as their avatar or something! Friends, if you ever send me a photo of your room with my drawing on it, you should know that this photo will remain in my phone forever. Haha.

О! And if anyone has any recommendations for interesting and useful literature for creative people, please share, I'd love to read it and maybe someone else will find it useful too.

Thank you again for this message! Take care of yourself and have a good rest, I always enjoy talking to you! See you soon☆⌒ヽ(*'､^*)chu

[time-slink]

you really improved in just a year and a half, do you have any tips?

thank you!! i feel like i dont have a lot to say that hasnt been said already, but: draw every day if time and health permit- just a 2 minute scribble on a napkin is good enough, forgive yourself for the days where what you draw sucks ass, look at other people's art and figure out what you like about it, go outside of your comfort zone, try new mediums, and copy people!! honest to god ive learned so much from finding people whose art i really like, putting it up on a second screen, and just copying it! important that you think about why lines are where there are while you're doing this, and copy the structure rather than the lines— also, dont post it anywhere unless you have specific permission from the artist! its a learning tool, not a final product :D

[penname-artist]

Autumn Blues

Author’s Note: You know it’s gonna be a long discussion when I have to open a Google Document around it…[also: this was planned ahead of time for after my surgery. Wanted to make sure I was alive and all. Which I am, though I now have a mouth full of holes and blood. Good times.]

In summary, this post is another personal one, and I likely won't be doing so again very much, if at all, until October. There's several reasons why, but it's mostly for my health. I also want to address something about unfollowing and/or blocking some people, which is relevant to said health.

In case you find you've been unfollowed, or in a single case, blocked, please do not take them personally. These have nothing to do with the individuals; I have not been wronged, I was not offended, there was no personal reason towards any other person that is the cause of these things. I have finally come to the decision, after almost a year of push-and-pull attempts, to cut out military/navy/air force topics from my dash and from several areas of my life. They've been collective semi-tolerable triggers for a long time now, and though I have been trying to overcome it with exposure and engagement, it has reached my capacity of tolerance, and I really do not have the mental strength to risk it anymore. I do admire and respect my mutuals that post on these areas, as they all have amazing content and they're wonderful people. But for the sake of my well-being, I need to walk away from this area. This is also why I’ve officially added these topics into my Discord carrd under a list of potential triggers, as while tolerable, they can easily capsize.

I still intend to post the occasional Kittyhawk or Flysenhower bit, but only to minimal, controllable amounts. There are simply too many unwanted memories surrounding the fandom circles of those characters for me to apply myself too much to them. My enjoyment of the characters are for almost entirely different reasons than most, and so any future posts of or around them will mostly only apply to that aspect of it. I like them for me, not for the sake of anyone else, and I need to stop convincing myself that those are the same things. Easier said than done of course, but it's a process, not an event. I spent too long convincing myself to enjoy something for the sake of other people, and now I'm un-convincing myself of that.

The reason for my extended hiatus is partially because of this, but additionally for the reason that I desperately need to recollect myself after this massive burnout. The transitional weeks between July and August were so hard on me in so many ways that I dropped writing and art almost entirely for a good bit. When your natural instinct is to doodle and drabble daily, that's a scary thing to realize.

I'm really trying to come to grips with my own abilities right now, my limitations, and how to still be productive with these limitations. People in person have been clawing at me for commission work, and I barely managed halfway through the last one before giving up on the time constraints and cutting my estimated pay in half to compensate. Commissions are not something I can feasibly do, even lightly, let alone as a main source of income. As well, my requests, gifts, and personal projects have all been collectively piling up, and the paper tower of those ideas has fallen down as a result. It's a mess.

The time I'm taking off is to rest and reorganize the mess, hopefully with finished projects I can check off the list finally. As bad as I feel for taking such a long break amidst an incomplete and long overdue major collaboration, I NEED to take this time off if I have any hope of even finishing it. And I need to continue making personal adjustments and filters to my feed, lest the precious bits of creative energy I have left be drained faster than they should be.

I am - again - stupidly grateful for all of my friends and people who have my back in this admittedly terrifying change. Shu, Mac, Dusty, Storm, other Storm (yeah there's two lol), Bobbly, Rotor, Jackal, all of the rest of the Volo Pro Veritas cult, my social media mutuals and friends, and anyone else who has reached out. It's really scary, admitting that I am not as strong as I once was, that my trauma has put limitations on me, even in the places where I feel safest and most at home. But no one else is or has ever been obligated to take care of me; that's my job. And I've really been needing to clean the junk out of these corners of my brain.

If you were able to make it down this far, thank you again so much for the bit of support in this effort. I'm not down for the count just yet, so long as I'm still breathing I'll find a way to do what I love. Even if that means scaling back a little bit.

Got ideas and plans for future projects, but not leaving any details here. They'll get done when they get done, and I'm very excited to show you all the finished products. Here's to the morrow, fans and freaks. Take care of yourselves, and I'll see you on the other side.

-Pen

[rallamajoop]

...and the unironic joys of better living through chemistry

How do I love Venom: The Hunger, let me count the ways…

It’s by far the shippiest Venom/Eddie story to come out of the character’s heyday. It’s the only story of the era to treat Venom’s violent wild-animal instincts not as an immutable fact, but as something that can be managed. It pulls off an aesthetic like nothing else that was being done at the time.

And then there’s the way it says, Does the world around you seem sinister and foreboding? Do you lie awake at night contemplating metaphorical oceans of despair? Well shit, son – have you considered you may be suffering from a mundane neurochemical imbalance, and a round of the right meds could clear that right up for you?

It does all this without breaking the atmosphere, without a whiff that our story has been interrupted for a Very Special Message about mental health.

In the near-decade since I was first prescribed anti-depressants, I don’t think I’ve read another story that lands the message “Sometimes, it’s not you, it’s just your brain chemistry,” so well.

Fair warning: if you have not read The Hunger, I am about to spoil every major plot point. If you have, well, maybe I can still give you a new appreciation for a few details you might have missed.

It’s a strange book, whatever else you take from it. It’s almost the only thing either author or artist contributed to the Venom canon, and it’s so different stylistically and tonally from the 90′s Venom norm that it feels like a tale from some noir-elseworlds setting instead of 616 canon. When you take risks that big with a property, you leave yourself precious little landing space between 'unmitigated triumph’ and ‘abject failure’: if this book hadn’t absolutely nailed it, I’d be dismissing it as edgy, OOC dreck. Fortunately, if The Hunger is nothing else, it is a story that $&#@ing commits – to basically everything it does.

Now, I'm not going to tell you Venom: The Hunger is a story about overcoming depression, because I don't know whether author Len Kaminski even thought about it that way while working on it. There's always space for other readings, and this one take is not gospel. That said: holy shit is this thing unsubtle with its metaphors. And with that in mind, let’s start by talking a little about Kaminski’s take on Eddie himself.

As I may have mentioned before, I like to divide 90′s Eddie into two broad personas: the Meathead, and the Hobo.

Kaminski’s Eddie nominally belongs in the angsty, long-haired Hobo incarnation, but that’s a bit of a simplification: this version certainly has plenty of angst and plenty of hair to his name – but nowhere, not even at his lowest ebb, does he doubt that he and his Other are meant for each other, which is usually Hobo!Eddie’s primary existential quandary.

He’s also taken up narrating his own life like a hardboiled PI.

So that’s... novel.

The only other time Eddie’s sounded like this is, er, in that one other Venom one-shot Kaminski penned (Seed of Darkness, a prequel that sadly isn’t in The Hunger’s league), so I think we can safely file it under authorial ticks.

Then again, Hobo!Eddie’s always been one melodramatic SOB, so maybe this is just how he’d sound after learning to channel his angst into his poetry. You can’t argue it fits the aesthetic, anyway.

We’d also be remiss not to mention Ed Halsted’s art, which I can only describe as gothic-meets-noir-meets-H.R.-Giger. Never before or since has the alien symbiote looked this alien: twisted with Xenompoph-like ridges and veins.

But Halsted doesn’t treat Venom to all that extra detail in every panel. Instead, the distortion tends to appear when the symbiote is separated from Eddie or out of control – and I doubt you need me to walk you through the symbolic importance of that creative decision. More importantly, Halsted’s art provides exactly the class of visuals that Kaminski’s story needs.

Did I mention this is a horror story? You might be surprised how few Venom stories really fit that genre, but if all those adjectives about Halsted’s style above didn’t clue you in, this is one of them.

Anyway, with that much context covered, let’s get into the main narrative of this thing.

As our first issue opens, Eddie’s world has become a dark and foreboding place. He’s not sleeping, though he mostly brushes this off. (Fun fact: trouble sleeping is one of those under-appreciated symptoms of depression. Additional fun fact: the first doctor ever to suggest I might be suffering from depression was actually a sleep specialist. You can guess how that appointment was going.)

Just to set our scene, here’s all of page 1.

Eddie’s narration has plenty of (ha) venom for his surroundings, but the visuals are here to back him up: panels from Eddie’s POV are edged in twisted, fleshy borders and drained of colour, the people rendered as creepy, goblin-like creatures. A couple of later scenes go even further to contrast Eddie-vision with what everyone else is seeing:

As depictions of depression go this is a little on the nose, but then, you don’t read a comic about a brain-eating alien parasite looking for subtlety, do you?

Eddie  doesn’t see himself as depressed, of course. As far as he’s concerned, he’s seeing the world’s true face: it’s everyone else who’s deluding themselves. He’s still got his symbiote, so he’s happy. He’s yet to hit that all-important breaking point where something he can’t brush off goes irrevocably wrong.

But he’s also starting to experience these weird... cravings.

He just can’t put a name to exactly what he’s craving until a routine bar fight with a couple of thugs takes a turn for the horrific.

(I include this panel partly to point out even in The Hunger, the goriest of all 90′s Venom titles, you’re still not going to see brains getting eaten in any graphic detail. We don’t need to to get the horror of the moment across. The 90′s were a more innocent time.)

Eddie himself is horrified when he comes back to himself and realises what he’s done.

Or rather, what his symbiote’s just made him do.

Kaminski doesn’t keep us in suspense about why, though. Eddie may have just done something horrific, but there’s a reason, and it’s as mundane as a vitamin deficiency. He’s bonded to an alien creature, after all, and his symbiote is craving a nutrient which just happens to be found in human brains. And if Eddie can’t or won’t help it meet that need, it’ll do so alone. 

Now, giving us that explanation so quickly is an interesting creative decision: this is a horror story, and horror lives in what we don’t know. Wouldn’t it be all the more horrifying had the symbiote been unable to explain what’s going on, leaving Eddie without the first real clue as to where this monstrous new hunger had come from?

The Hunger doesn’t take that route though, and I love it. Eddie isn’t a monster, this isn’t his fault: he has a fucking condition, and wallowing in his own moral failings is going to get him nowhere. You might as well try to cure scurvy or rickets with positive thinking. Just like depression can make you feel like an utter failure at the most basic parts of being human, and all the affirmations in the world won’t fix it when it’s fundamentally your brain chemistry that’s the problem. Or like addicts aren’t weak-willed for struggling not to relapse, they’re dealing with genuine chemical dependency – or even like how someone who’s trans isn’t at fault for being unable to reconcile themselves to the bodies and the hormones they were born with by pure force of trying. Free will is more than an illusion, but we’re all messy, biological organisms underneath, and your own brain and biochemistry can and will fuck you over in a hundred wildly different ways for as many wildly different reasons and it’s not your fault.

We aren’t monsters. But if we do, sometimes, find ourselves identifying with the monster, there might be a reason for that.

(Ahem)

I’m just saying, that’s fucking powerful, and we need more stories that say it.

Anyway, in case you missed it during that tangent, issue #1 closes with the symbiote having torn Eddie’s heart in two itself free to go hunting brains without him.

I’m trying not to get too sidetracked at this point talking about Kaminski’s take on the symbiote itself. Suffice to say there are broadly two schools of thought on how it ought to function while separated from its host: the traditional ambulatory-slime-puddle version, and the more recently popular alternative where anything-you-can-do-with-a-host-you-can-also-do-without-one. I’m not much of a fan of the latter, personally: if your symbiote doesn’t actually need a host, I feel you’ve sort of missed the point. (The movie takes the route of saying symbiotes can’t even process Earth’s atmosphere without a host, which is a great new idea that appears nowhere in the comics, and I love it. Hosts or GTFO, baby!)

Kaminski has his own take, and I can only wish it had caught on. Without Eddie, the symbiote becomes an ever-shifting insectoid-tentacle-snake-monstrosity, driven by an animalistic hunger. It’s many things, but it’s never humanoid.

If you absolutely must have your symbiote operating minus a host, I feel this is the way to do it: semi-feral, shapeless and completely alien (uncontrollable violence and cravings for brains to be added to taste).

Issue #2 comes to us primarily through the perspective of the mild-mannered Dr. Thaddeus Paine of the Innsmouth Hills Sanitarium (yes, really).

Yeah, he’s not fooling anyone. Meet our official villain! He joins our story after Eddie is picked up by the police and handed off to the nearest available institution, on account of how completely sane and rational he’s been acting.

Naturally, Dr. Paine soon has copious notes on Eddie’s ‘crazy’ story about his psychic link to a brain-eating alien monster. Fortunately for Eddie, Paine also runs some tests and makes an interesting discovery. 

Congratulations, Venom: the ‘vitamin’ you were missing officially has a name!

Finding the right meds isn’t always this easy. I got lucky – the first ones my psych put me on worked pretty well – but I have plenty of friends who weren't so lucky. In fact, the treatment for Eddie's problems is so straightforward it arguably has more in common with, say, endocrine disorders like thyroid conditions or Addison’s disease, which differ from clinical depression but present many similar symptoms (but can sadly be just as much of a bitch to get correctly diagnosed – please do read author Maggie Stiefvater’s account of the latter when you get the chance, because forget Venom, that is a horror story).

‘True’ depression remains much less well understood by medicine, either in its causes or how to effectively treat it. But simply having a name for what was wrong with me made so much difference, and that’s an experience I imagine anyone who’s dealt with any long undiagnosed medical condition could relate to. It put my life in context in a way nothing else had in years.

(I can’t speak to the accuracy of the way phenethylamine is portrayed in this comic – a quick google suggests there may be some real debate that phenethylamine deficiencies have been overlooked as a contributor to clinical depression, but having no medical background, that one’s well beyond me. Either way, scientific accuracy really doesn’t matter in this context – it’s how it works in-universe for story purposes that we should pay attention to.)

Since this issue is mostly from Paine’s POV, we don’t get Eddie’s reaction to having a healthy amount of phenethylamine sloshing around in his brain again, just the assurance that treatment appears to be ‘completely successful’.

He’s still a paranoid, hostile bastard though. Meds can turn your life around, but they won’t make you not you.

But even if Eddie’s feeling better, he’s still psychically linked to someone who isn’t. Symbiote-vision still comes through drained of colour and edged in viscera.

That’s the thing about meds: they won’t solve all your problems overnight. If you’ve been depressed for a while, there are good odds you have problems stacking up. But working meds can be a godsend when it comes to getting you into a space where you can deal with your problems again, whether said problems are doing-your-laundry or all the way into not-giving-up-completely-and-just-accepting-you’ll-die-alone-on-the-street.

For Eddie, ‘dealing with his problems’ begins with stealing a keycard and busting out of the asylum.

Of course, that’s the easy part. How do you solve a problem like a feral symbiote? Like any good 90′s comic book protagonist, Eddie tackles it by putting on his big-boy camouflage pants and kitting himself out with weapons and pouches while quoting “If you live something, set it free. If it doesn’t come back, hunt it down.”

We can add this to the list of things I love about this comic. Even if The Hunger is a weirdly-stylistic tract about depression at heart, it’s also still a goddamn 90′s Venom comic, and not ashamed to be.

We’re into issue #3 now, and back to hearing the story from Eddie’s POV.

Eddie is very much aware that his symbiote has murdered innocent people while they’ve been separated. Even if this is the result of extreme circumstances, there’s a good case to be made that the symbiote is too dangerous to be allowed to live. Plenty of heroes would treat it like a rabid dog at this point.

But Eddie isn’t a hero, he’s a mess of a character and an anti-hero at best, so we don’t have to hold him to the same standard. He’s well aware his symbiote may be too far gone to save, that he may have to put it down – but that’s only his backup plan. He wants to help it. He wants it back. He’s down in that sewer with screamers and a flamethrower because he knows all his symbiote’s weaknesses, but he’s also carrying a large jar of black-market synthesised phenethylamine, because if he can just get close enough...

Depression can’t make you a literal monster, but it can make you an asshole. Miserable to be around, lacking even the energy to care who else you’re hurting. The depression doesn’t excuse that, but it makes everything harder, and it’s that much easier to sink back into your spiral when everyone around you has given up. It can make you think everyone around has given up even if that isn’t true.

So to have Eddie here say, in effect, I don’t care how many people you’ve eaten, I know it wasn’t your fault. I still love you. You’re still worth fighting for – god, does that get me right in the id.

There’s still a whole issue left at this point – we’ve still got to deal with our real villain, Dr. Paine, who we’ve just learned is into eating brains himself and torturing his patients recreationally, and who wants to capture the symbiote for his own purposes. There’s the scene where Eddie and his symbiote finally bond again, and Venom beats up all Paine’s goons while singing David Bowie because like I said, this is still a 90′s superhero comic and this is what Venom does.

But for our purposes, I'm going to skip to the penultimate page of the story, because the way it mirrors our opening page is really lovely.

Remember that shot of Eddie dealing with a beggar back at the beginning of the story, thinking about how these people would 'get their despair all over you'? Here he is again, cheerfully forking over the last dollar in his pocket to the next man to ask him for change. For all the gothic atmosphere and gore, it’s moments like this that make The Hunger easily one of the most positive, uplifting Venom stories ever written. Funny, that. (I could probably write a whole other essay on sympathy for the homeless as a recurring motif in Venom stories, but that... well, whole other essay and all that.)

What’s Eddie learned from this experience? Don’t take your symbiote for granted. Is ‘symbiote’ a metaphor for mental health here, is paying attention to its needs an allegory for paying attention to your own? I still don’t know how literally Kaminski meant us to take this, but it’s a lovely note to end on no matter how you parse it.

At the end of the day, The Hunger isn’t flawless. The conflict with Paine ends on a thematic but slightly unsatisfying note. Eddie makes much of his symbiote's loneliness and desire for union, but when the two of them are finally reunited, the only reaction comes from Eddie's side. In fact, the symbiote seems to have no response to being able to return to Eddie at all, and that’s an omission that bugs me.

But Kaminski is more interested than any other writer of the era in the truly alien nature of the symbiote, in its relationship with Eddie from Eddie’s side, and though plenty of others talk about the symbiote's love/hate relationship with Spider-man, no-one else had the guts to portray their relationship this much like a romance.

And Venom: The Hunger is no less interesting in the context of Len Kaminski’s other work. You don't have to look far into his Marvel and DC credits to pick up that the guy has a real thing for monsters. (“All of my favourite characters are outlaws, misfits, anti-heroes,” he says, in one of the very few interviews I could find with him, “I wouldn't know what to do with Superman.”) He's written for vampires, werewolves, victims of mad science, and all of three at once, littering his work with biochemistry-themed technobabble, melodramatic monologues, gratuitous pop-culture references, and protagonists who must learn to embrace their inner demons. So The Hunger represents more than a few of his favourite running themes.

For our context, his more notable other work includes Children of the Beast, in which a werewolf must make peace between his human and animalistic sides, and The Creeper, in which a journalist must make peace with the crazy super-powered alter-ego sharing his body. In fact, The Creeper and The Hunger share so much DNA (including an evil doctor posing as a respected psychiatrist who uses hypnosis on our hero while he's trapped in a mental institution) that it’s quite the achievement that they still feel like such very distinct entities beyond that point.

The human alter-egos of both werewolf and Creeper even use prescription meds while wrestling with their respective dark sides. The difference, in both cases, is that these are stories where meds play their traditional fictional role – and that's a role that could be as easily filled by illegal drugs or alcohol without making any substantive difference. You see, if a protagonist is using them, it's a sign of unwillingness to tackle their 'real' problems. Even among work by the same author in the same genre, The Hunger represents an outlier. And that's just a little disappointing – at least to me.

In real life, of course, prescription meds are no magical cure-all elixir. Depression meds that work for one person may not work for another, or may not keep working in the longer term. Everyone has heard stories about quack doctors who prescribe them to the wrong patients for the wrong reasons, about lives ruined by addictions to prescription painkillers, or the supposedly-damning statistics about how poorly SSRI's perform in rigorous clinical trials. The proper way to treat depression is obviously with lifestyle and therapy. People will still airily dismiss medications that we all know previous generations got along just fine without, or suggest that figures like Van Gogh would never have created great art if they hadn't been mad enough to slice off an ear. I mean, the fact you think you need those bogus mediations is probably the best possible sign of just how broken you are, right? Who do you think you’re kidding?

Our popular fiction loves stories about manly men who bury their trauma under a gruff, anti-social exterior and come back swinging at the world that broke them, bravely refusing even painkillers that might dull their manly reflexes. Other genres make space for broken people confronting their demons in grand moments of catharsis, finally breaking down into tears when someone gets through to make them face their problems. "I could barely make it out of bed in the mornings until I found a doctor who started me on this new prescription" is not only wildly counter to the accepted social narrative, it's a hard thing to know how to dramatise.

 Even other Venom comics have been guilty of this.

Believe me, I recognise all of this, and just how much progress we've made in the last few decades. But I haven't the slightest doubt that for so many vulnerable people, the stigma against prescription medications does infinitely more harm than those same meds could ever do. And just having the right to externalise my problems into it's not you, it's your brain chemistry, may have helped me more than the meds themselves.

(And again, no, being prescribed SSRI's didn't fix me overnight, but I honestly don't know if all the talk therapy and tearful conversations with family members in the world could've got me as far as I've come without them.)

I love Venom: The Hunger. It's no-one's idea of high art, but it doesn’t need to be. There is a whole other post’s worth of things I love about it that I’ve already cut out this one as pointless tangents, and that may actually be it’s biggest drawback as a go-to example: I fully recognise that I would not be making this post if The Hunger hadn't also also grabbed me as a great bit of Venom canon, being the massive fan and shipper that I am. Other people who are just as desperate as me for more stories with the same core theme, but not into weird 90's comics about needy goo aliens, probably won't get nearly as much out of it as I have.

But if it sounds anything like your jam, maybe you'll enjoy it as much as I did.

If nothing else, it proves that you can make a viscerally satisfying story out of a message that shockingly unconventional. And you may even have people still discovering it and falling in love with it 25 years after the fact.

[author-a-holmes]

Yooo, for the writer asks: 1, 21, and 23? :O

Evening darling, thank you for the asks! ^_^

Answering asks 1, 21, and 23 from this ask list.

1. Is there a story you’re holding off on writing for some reason?

Yes, actually! Right now I'm holding off on completing my Stolen Stories.

In the previous ask I mentioned that I completed the first draft of Book One in my Stolen Stories series between May and October of 2020.

My plan was to continue with that series and write Book Two while doing the first round of edits on Book One, so that I'd be writing Book Three while sending Book One out to Alpha/Beta readers. There's a full 6 books planned for that series, so I wanted to overlap them all slightly, and then eventually publish Book One sort of around the time I started writing Book 4.

But...

When I started looking into the publishing side of actually being a self published author, the reality of the process kind of hit me a little harder than I expected.

The first time you do something, anything, you're bound to make mistakes. I only have to look back at my first story to know that and, for all my years of writing practice, I've never hit the publish button on a book.

And 'Stolen' is my baby, for lack of a better term. Stella Korazon and Reilly Mosswolf are the darlings of my heart. I'd die for them, I'd kill or them. I do not want to "practice" the art of publishing a book with their story.

So Stolen, and it's sequels are currently on hold, and that's why I'm working on the Fey Touched novels right now. That's not to say I love Lizzy and Andric and Booker any less, but I have to split my mind into author and self-publisher. As an author, I love Fey Touched just as much as Stolen, but as a self-publisher a trilogy of 90k books failing is better than a 6-book series where each book is 140k+ failing.

Fey Touched is where I will hit publish for the first time and, hopefully, discover all the mistakes I'll inevitably make so that I can more effectively promote and market Stolen, when that monster of a series is ready for the world at large.

21. What do you think when you read over your older work?

That entirely depends on how old the work is :D

If it's something I've written within the last 1-5 years, then most of the time my reaction is something along the lines of;

"Oh wow, that's pretty good."

"Damn, that's an evocative line. Did I actually write this?"

"I FORGOT ABOUT THAT PART!!"

If, on the other hand, it's something like my first manuscript from when I was age 8 or 9, my reaction is usually something closer to;

"Oh no... that's... oh dear."

"Oh gods, please tell me I didn't say that..."

"Umm... That word doesn't mean what I thought it meant..."

"Bloody hell, I'm glad no one else will ever read this."

Having said that, @faelanvance takes great delight in digging through my old manuscripts and reading them back to me aloud for my ultimate mortification :D

23. Any obscure life experiences that you feel have helped your writing?

Probably too many to fit into a single tumblr post, honestly.

I'm constantly drawing from my own life experiences to put my readers into my characters positions. I can take pain and terror or Joy and Laughter from one set of experiences and then Copy/Paste it, for lack of a better term, into a different situation, but that direct knowledge lets me bring the descriptions to life for the reader. At least, I certainly hope it does!

As for specific situations that I feel have helped my writing... Let me just pick a couple.

(A) My Terrible Health

I mentioned in the previous ask that I was born with congenital talipes. Anyone can google it if they want more information, but it's also known as club foot. As a child, all this really meant to me was that I was constantly in and out of hospitals for operations and physiotherapy and that I wasn't physically able to run, jump, climb trees, or even walk long distances without my feet and legs hurting.

Also, because of the operations I spent a great deal of time in bed, or sitting in wheelchairs, while I recovered.

None of this is said in a negative light, in fact, in terms of my writing I'm rather grateful for all that free time to sit and think and imagine. I was and am a voracious reader. I was reading Tolkien's Lord of the Rings, and David Eddings' The Belgariad by myself at the age of 7 and 8. If I was only going to be allowed one book in hospital, I was going to make sure it was the longest book I could lay my grubby little hands on.

I could lay for hours on the children's ward while other patients yelled and fought over the single playstation or the jigsaw puzzles, and I could create entire worlds in my head. I could bring to life characters that could explore Middle Earth or go on adventures with Belgarath, and I only needed myself and my mind.

Books were a popular gift for me, because I was physically restricted, and then once I began picking up a pen, notebooks, journals, and fancy pens were quick to follow.

I think I would still have found writing, I can't imagine what my life would be like if I hadn't discovered this passion, but I'm not 100% sure I'd have discovered it as early as I did if I'd not been forced to stay still for so much of my childhood.

(B)

Another specific scenario that I feel really helped my confidence in my writing was my High School English teacher, Mr Reck.

I was bullied through most of my schooling, mostly for being on crutches, but this really didn't bother me. I just ignored them.

But one day we had been given a task in class, and I'd already finished, so as I usually did I pulled out my notebook and started writing a story while I waited or the next task.

One of the students thought to get me into trouble by telling Mr Reck that I wasn't doing the work. He came over, looked at my completed work, looked at what I was actually doing (writing an original story), and then told me that if I ever wanted someone to read over my writing and check it, I could always leave it on his desk during lunch... and then he calmly walked away.

This was, for 14-15 year old me, mind blowing.

I didn't care about the bullies, they really didn't bother me. I also wasn't self conscious about my writing, both my parents are and have always been strong supporters of my creative work. The reason this stood out to me at the time, and continues to stand out to me as one of the defining moments of my high school life was because it was the first time someone outside of my immediate family not only read my work, but thought it was good enough to actively encourage.

Mr Reck also got me into a writing workshop that year, that was only supposed to be available to graduating students. I've no idea how he managed it, but he did and I'll be forever grateful to him. I intend to add his name to the dedication page of the first book I publish, and I'm in the process right now of trying to track him down to send him a copy.

I think I've found him, I've just got to get the nerve up to send a private message to confirm!

If there are any teachers out there reading this though, please take note of this final story. I don't know that some teachers realise just how important one, single, non-family member showing a genuine interest in a students work can affect that students entire life.

[washymylifeaway]

SunaOsa fanfic recs,,, well writer recs LOL

HI! Can you tell I’m excited? Well I’m very excited! I have been stuck in SunaOsa hell for the longest time and I enjoy it very much down here :D Come join me, you won’t regret it LOL. But seriously, I love SunaOsa and I meant to do fics, but then the sheer number of writers I had compelled me to make a post for them ahahah.... I’m here to finally prove to everyone that I am actually in love with SunaOsa and that I have not been lying to you all LOL (ik no one actually cares, but it’s an important matter to me). LEGGO!

As always, pls check WARNINGS, TAGS, and SUMMARIES for fics before reading and make sure you’re taking care of yourselves (since mental health is key!) Stay healthy loves <3

Each author is DIRECTLY linked to their SunaOsa works LOL. I actually didn’t think about this until now, and I didn’t know it’d work but here we are LOL. Whooooh internet :D Also, ignore that some of these writers have like less than 3 fics for SunaOsa,,,,,, I like their writing, okay? :’))))

I’m gonna preface this with I love all of these writers (if I didn’t, they wouldn’t be here) but I can only come up with so many ways to say I WOULD DIE FOR THIS WRITER and THEY WRITE BEAUTIFULLY so to save you from recursion, preface.

LINK TO MY SUNAOSA ML :D

DeathBelle // one I haven’t recommended and this one also got finished semi-recently, An Inconvenient Espionage by DeathBelle (E) 26.6k // a SPY AU! Where Osamu and Atsumu are separated due to necessity over anything else really, and both absolutely hate their partners :) I love their interactions as the fic progresses and how do you accidentally fck somebody? READ TAGS AND WARNINGS, SMUT!

tookumade // because I really can’t rerecommend the same mf fic for the 2384230 time (and cause this one deserves some love), colours in the dark by tookumade (G) 1.3k // an injury recovery fic :D The focus on the fic is on the recovery and the relationship more than anything, but I just love it so much! This is such a comfort fic, and I love their back and forth banter (but it’ll make you feel really single LOL).

rosegoldwriting // sjdkhjdslhf I CAN’T BELIEVE I HAVEN’T RECOMMENDED THIS ONE ANYWHERE WHAT come on with the rain by rosegoldwriting (T) 6.5k // SOULMATE AUUUU! I love my soulmate AUs and this was no exception :D Also I love singing in the rain (it’s been a while since I’ve seen it, but ik it’s a great movie), and ngl I agreed with Suna,,,, kissing in the rain just feels like it’ll be wet... Regardless, I love the ending and I love this fic too so :) (also ryan gosling cameo LOL)

bastigod // A COLLECTION OF FICS cause I love them and I haven’t recommended this yet :0, i've got you in the end i wish i had you from the start by bastigod (T) 8.2k // this is a collection of 7 one shots for sunaosa week! I loved the prompts for that week, and I loved each and every single fic on this list :D They’re all so freaking good and my favorite chapter was ch 3 hands down ljdfadjsf it’s GREAT :D

pancake_surprise // CAUSE CHOCOLATE and honestly the dove wrappers are say some stupid things sometimes like who’s writing these LMFAO, Melt with You by pancake_surprise (G) 2.8k // Osamu is doing what any sane person does with dove chocolate advice, he follows it. Not that it has any good advice, but I mean ig it worked? Trust the process? Anyway, I agreed with Atsumu in this (LOL) but hey it ended cute and I think that’s all that matters :’)

badreputation // OKAY THERE’S ONLY TWO BUT I LOVE BOTH WHAT YOU GONNA DO? FIGHT ME?????? (pls don’t, I’ll lose) Take a hint by badreputation (T) 5.4k // UGH I LOVE THIS ONE! One of the first SunaOsa fics I read and one I keep rereading! I absolutely agree with the fact that Osamu is a Neanderthal and I love food as a love language (feeding me would make me swoon over you, however, if you WERE flirting with me, I would not know LMFAO).

minie_ai // again, only two but like I said what you gonna do about it >:( And I'll Feed You Again by minie_ai (G) 7.3k // MYTHOLOGY cause Suna is a cute fox who causes problems LOL. Also, I love the setting it’s in (ik random, but I wanted to put it out there :D). And SPAM NUMBER made me laugh (maybe my humor is a little too broken) but idk I just thought it was really funny akjshflkjasd.

miyarinnnn // PLEASE not everyone clowning them,,,, someone smack off the stupid grin I have on from reading it :)))) Call it passive or aggressive by miyarinnnn (T) 10.4k // OMG this fic was so much fun to read!!!! I loved how there was the Osamu + Omi bonding moment and the BONUS AT THE END AOSFJOIAS,,,,, There’s like a slight smut scene, but other than that, Osamu is the sappiest man ever. Yeah, it was really funny and cute and I had a great time reading it :D

sketchedsmiles // honestly, I have no words because I was like no way this would happen, but then the a/n and yea anyway double vision by sketchedsmiles (T) 18.3k // I do wanna know how this worked irl, but that’s beside the point LOL. This is why communication is key, but I mean ig I can’t really blame Suna LMFAO. The situations are just tailored so well to misunderstandings and every time is a near miss :’))))). But also shout out to beer pong king Osamu LOL.

sieges // parallax if you want some hanahaki, the art of keeping up by sieges (T) 12.3k // I actually did watch this movie (though you don’t need to in order to read this LOL) and I was really surprised cause I didn’t think anyone would’ve made a fic based on it! Honestly, I don’t think I would ever be able to agree to help my crush write a love letter to their crush, so props to Suna (lol maybe I’m just lame like that okay?) :’D

sifuhotman // even if you don’t wanna read it, go look at the photo at the very end, Paint by Numbers by sifuhotman (T) 5.3k // jealous Osamu because Suna stares at Atsumu LOL. BUT the discount combee comment make me cackle because I CAN SEE IT AJFKAFFJSA (esp with the picture provided, it’s been burned onto my brain). I like this fic because it has some cute twin moments and I love their relationship! (BUT THE COMBEE AFIOJOD.)

SilverMoonT // I love his cat, atypical confession by SilverMoonT (G) 15.5k // I’ve said this before, but I’m not a big fan of body switching fics. HOWEVER, I am a big fan of this,,, say what you want idc idc it’s a good fic. I love the Suna Akaashi best friend agenda in this, and I fully support it :D

spiritscript // I almost sent you all to angst town ahahah,,, maybe I should LOL,,,, two drinks by spiritscript (T) 4k // I saw the instagram post and then OF COURSE I had to come read the fic itself! And like the panic ordering is hilarious as well as the misunderstandings LOL. It’s a wild ride with a lotta coffee Suna doesn’t like LOL. BUT THE ENDING IS CUTE and no kiss kiss cause consent is important :)

lunarins // YES I LOVE THIS ONE JKASJD you taste like strawberries on a summer evening by lunarins (T) 4.4k // I LOVE THIS ONE! I adore all the character cameos that happen (POOR SHIRABU) and THE ENDING AJHFKSJA. I love the ending. Also the food explanation by the writer was really cute and creative!!! (and I love how Osamu tells us what love taste like JADSJK!)

unrequitedangst // 3 fics but I love them all, working backwards till it rhymes by unrequitedangst (T) 4.2k // I love this fic, like loveeee. The plot is funny (I love pushing in the right direction to figure things out) and the way they plot against Atsumu is hilarious. Like gotta make sure that this makes him angry, yes.

sunablinks // there’s also only 3 fics so you should read all three :D, Cherry Bomb by sunablinks (T) 5.4k // CHECK TAGS AND WARNINGS cause they drink a lotta alcohol! But this fic is just Osamu being a mess and everyone makes some very bad decisions. Also, poor Meian san having to dead with their poor decision making skills LOL.

Surprisingly enough this didn’t take that long...... Like I think this is the fastest I’ve ever made a list,,,, Anyways, revelations aside, I had a lotta fun making this list cause like I’ve been saying, I’m in love with SunaOsa. They also definitely have some of the MOST tooth rotting fics I’ve ever read before (physical pain because of the fluff), so if you’re into that, you don’t have to look too far :)

Also sorry for not being super active in terms of new content, but this might continue through next week cause I’m getting busier :( Hopefully not though!

[daikenweek]

Daiken Secret Santa 2020!!

A bit of a surprise here, but we’re throwing together a Daiken Secret Santa gift exchange!

The challenge runs from NOW to December 25th, when gifts are distributed.

SIGN UP HERE!!!

RULES

Any participant who requests or offers Mature or Explicit (R-18) content must be 18+ years old.

Participants must complete a story of at least 1,000 words or create a finished art piece using the prompts and details that your recipient requested. Use this information as guidelines, but you absolutely cannot ignore the recipient’s do-not-wants (squicks, triggers, general dislikes, etc.).

Defaulting or dropping out before the sign-up deadline means you will not be penalized. If you do not upload a completed submission by the submission deadline, you are considered to have defaulted. Participants who default repeatedly will be banned from future participation.

Do not contact your recipient directly for information, even anonymously. All contact should go through the moderators as an intermediary.

Do not publicly discuss details of your creative content that would identify what you are creating or for whom you are creating it.

The mods reserve the right to ban any participant who behaves inappropriately during the gift exchange.

While it is not required to comment on your gift, in the spirit of the holiday season and the exchange itself, you are encouraged to thank your author/creator.

FAQS

What is the Daiken Secret Santa?

The Daiken Secret Santa is an annual gift exchange for the Digimon Adventure 02 pairing Ichijouji Ken x Motomiya Daisuke (Davis). Participants sign up to write a story of at least 1,000 words or create a piece of artwork for a prompt someone else has requested. In return, they receive a story of at least 1,000 words or a piece of artwork for a prompt they requested.

When does the Daiken Secret Santa happen?

2020 Schedule

SIGN-UPS OPEN! till November 7th

Assignments go out: Between November 7th and 10th

Posting deadline: December 20th at 12 p.m. UTC

Story reveal: December 25th at midnight UTC

How does the Secret Santa work?

During sign-ups, people use a Google form to request and offer to write stories and/or create artwork for the exchange. Participants must fill out all required questions to sign up.

After sign-ups, participants are matched up based on their requested prompts and general likes and dislikes, and assignments are sent out. Participants have approximately 5-6 weeks to write one story of at least 1,000 words or create a finished art piece for one of the recipient's requested prompts.

Prompt fills must be completed by December 20th. Fanfiction should be posted to the AO3 collection, where they will wait until the reveal. By this date, artists should email their art piece to miracles.kindness@gmail.com to confirm their completion.

At midnight on December 25th, the stories and art pieces are revealed. For fanfiction, this will happen on AO3, where the works can be gifted directly to the recipients. Artists should post their art pieces in time for the reveal and email the direct link to miracles.kindness@gmail.com, so we can pass that link on to the recipient.

How to contact the mods

The fastest and easiest way to contact the mods is by emailing miracles.kindness@gmail.com.

What am I committing to if I sign up?

You are committing to write one complete fic of at least 1,000 words or create one finished art piece and submitting it by the deadline.

How do sign-ups work?

The link to the sign-up form will be shared on various other social media websites, and participants are encouraged to share the link and invite others to join the exchange.

Can I change my mind about my sign-up after I submit it?

Yes, you can change your mind at any point during the sign-up period by sending an email to miracles.kindness@gmail.com to inform the mods you can no longer participate. We will send you a follow-up email to confirm your sign-up has been removed from the list, no questions asked.

How are assignments generated?

Once sign-ups are over, we will use an automated matching process to match the authors/creators and recipients, though we will manually tweak this to make sure the matches are a good fit.

Once everyone has a match, the mods will send out official assignments.

Do I have to create content for all of my recipient's requests?

No, you're only required to write one story or create one art piece, and you can choose which of your recipient's requests to respond to.

Can I create more than one piece of content?

Of course! Once you have one completely story of at least 1,000 words or one finished art piece for your recipient, you are more than welcome to create more.

How do I add my story to the AO3 collection?

On AO3, please go to the collection and click on “Post to Collection” under the title. This will take you to a form with the challenge collection name already filled in. You must then add the recipient’s AO3 account name manually, as provided with your assignment, and the rest of the story information.

Can I add my story to the collection before the deadline?

Yes, you are welcome to post it to the collection whenever you want, as long as it is before the deadline.

Can I edit my story after it's posted?

Yes, AO3 allows editing at any time. But it is important to note that your content must be complete when it is uploaded.

What if I can't finish my submission?

If you cannot finish your story or art piece in time, you can default. This lets the mods know they need to find a pinch hitter to create content for your recipient.

Life happens, and it is better to default earlier rather than struggling to meet a deadline you might not be able to meet. This also allows the pinch hitters more time to work. You can always default, have the prompts sent to the pinch hitters, and if you manage to finish, you can still upload and your recipient will receive an extra story.

To default at any time, please contact the mods at miracles.kindness@gmail.com to let them know you are unable to finish your submission, and we will find a pinch hitter to fulfill the assignment.

What are pinch hitters?

Pinch hitters are people who agree to help fulfill assignments where the original author/creator had had to default or drop out. As people default, the mods share the assignments to the pinch hitter group, where they're available for anyone to claim.

Pinch hitters are not required to participate in the challenge, but once you have claimed a pinch hit, you are committing to the same rules and requirements as if you had signed up to participate from the beginning.

Story reveals on AO3

At midnight UTC on December 25th, the mods switch all the posted content from hidden to visible on AO3, and participants are notified via email that they have received a gift with a direct link to the content.

Artwork reveals

Within the 24 hours prior to midnight UTC on December 25th, artists must post their art piece and email the direct link to the mods. Then, at approximately midnight UTC on December 25th, the mods will email out the links to the recipients.

[rosalind-of-arden]

Tota Est Gratia: A Great Library Fan Appreciation Project

As you all have probably heard, Rachel Caine was recently diagnosed with terminal cancer. This project is a Great Library fandom collaboration to show her how much we appreciate her work. In keeping with the themes of the series, the goal is to show the power and immortality of her writing.

The end result will be a book, or at least a booklet. What else could it possibly be? That book will contain a collection of messages describing the impact that the Great Library series has had on us and the parts that we have found most meaningful. I’m leaving this open-ended to allow for a variety of responses, but here are some options:

Choose a quote from the series and write about why it speaks to you.

Write about a favorite character, setting, plot, theme, scene, chapter, or book.

Write about the influence the series has had on your life.

Write a thank-you note.

In addition, I will also include creative and related work, so long as it is NOT fanfiction. In particular, I would love to have visual elements to add. Options:

Fan art

Moodboards and other visuals

Playlists

Lesson plans and class activities

Scholarly essays (or book reports/homework!)

Poetry

Links to audiovisual materials

Please DO NOT send:

Fanfiction. This is a boundary violation for authors.

Anything including negativity or hate toward anyone. You are welcome to say that you like this series more than any other media, but please don’t bash other media in the process.

Bigotry of any sort, including but not limited to racism, sexism, homophobia, and transphobia. As Wolfe made very clear in Ink and Bone, the Great Library does not tolerate any of that.

Adult content. It’s a YA series, so keep things PG-13 rated.

None of these have to be long. Short messages are as welcome as long contributions. The goal of showing appreciation is what matters. Feel free to be creative with formatting, fonts, colors, visuals, etc., just please give credit where credit is due if you incorporate any words or images that you did not create yourself.

You don’t have to produce anything new. Feel free to send in work you have already done if it’s relevant!

I will note that I am not especially talented with visuals, but I will attempt to design the final document in a way that is aesthetically pleasing, or at least professional and readable. I will not edit or change the content anyone’s work, but I may adjust fonts, spacing, etc. to make things fit neatly on pages. If there are formatting elements of your submission that you feel especially strongly about, make a note of it and I will do my best to maintain those.

All submissions will be due no later than Saturday, October 17th. Send your work either to my inbox or in a reply to this post. Work may be sent as plain text, links to online content, or Google docs (make sure to set sharing so I can access it!). Basically, if it can be sent to my Tumblr inbox or you can link it, I will take it.

I will compile everything into a single pdf document. Thanks to @thelonelyrainbowenby, we have a contact for Caine’s assistant, who can pass it along. I will also share the final document here on Tumblr, and I would be grateful if anyone active on Twitter, Facebook, etc. could share it there as well. Let’s show how much we appreciate Rachel Caine’s work!

[surveys-at-your-service]

Survey #348

“nothing will be free  /  nothing will be done  /  black out the sun”

Do you have any famous relatives? My third or so cousin is the author of Not Without My Daughter, but she's not like a smash hit or anything that most people know. I really do recommend the book, though. It's a long read, but a beautiful, true story. Do you care about celebrity gossip? Nah. Have you ever failed a science course in high school? No; I was very good at science. What’s your favorite breakfast food? Cinnamon rolls. Does your house have a basement? No. No house I've ever lived in has had one. Do you like Hot Topic? Well duh. Do you think imagination is valuable? VERY! Just imagine how many incredible things wouldn't exist without it. What was your reaction to your first time falling in love? Unspeakably happy, and I felt like I was building a future with someone. I felt like I had purpose, which I should mention to anyone reading is a mindset to NEVER adopt. No one gives you purpose; you're born with it. How much weight can you lift at once? Ha, not a lot. When you have your own house someday, what color Christmas tree do you want and how will you decorate it? I want a black one with faux snow on the branches, then maybe red ornaments. Kinda look like blood dripping off. Sounds metal. Name three YouTube channels you’ve been loving lately. Lately, John Wolfe, The Dark Den, and Aim To Head Mix. Have you ever bought a designer purse? No. Do you wear jewelry often? No. What color was your senior prom dress? Black. Are you colorblind? No. Name the people you know who are colorblind. Jason's older brother is colorblind to two colors, but idr which. Would you ever consider a career in writing? I'd love to. What was your first favorite color? Red. What do you think about horror movies? I love them. If you love them, what’s your favorite? I really enjoy The Crazies and both The Blair Witch Project movies. Oh, and of course Silent Hill. Got any cool Christmas presents picked out for family or friends yet? I don't have the money to get anyone presents... and while I sometimes get ideas about something I could make someone, then it wouldn't be fair to the rest of my family if I don't make them something, too. What’s your favorite word and why? I really like the sound of "serendipity," as well as its meaning. It's just a pretty, nice word. Do you like to do craft projects? If so, what’s the coolest thing you made? Not really... I think the coolest thing I made was when I put the clay heart I made in Art into a shadowbox, and a poem I wrote was in the background. It was a gift for Jason. I remember working really hard on the whole process and being really happy with it. I don't want to know what he's done with it since. What’s one occupation you think gets paid too much and doesn’t deserve to? I don't know. What’s something you are currently saving money for to buy? Everyone knows about Venus' terrarium by now... Do you smoke/vape? If so, what brand do you smoke/what device do you use? No. Ever done drugs? No. Tell me one of your worst habits. Catastrophizing. I take a tiny seed of something potentially bad, and in seconds it's a damn redwood tree. And I do mean "in seconds." What’s a weird quirk you have that no one else you know does? I don't know, I don't have any particularly unique ones, I think. If you game, what type of headset do you use? I just use earbuds. Do you think you would be a good therapist? You know, it's funny, I've actually pictured myself as one a few times, given my level of understanding and empathy for people, as well as how deeply I want to see others succeed and spread the word that recovery from things like depression is very possible. I've never truly entertained the thought, though, given I'm quite sure I legally couldn't be given my suicidal past and mental illnesses. There is also NO way I could listen to so many people's suffering and manage to stay healthy myself, so, no therapist position for me, thanks. Have you ever been to a Chinatown? No. Do you prefer chunky or creamy peanut butter? Creamy, 100%. Do you stop to pick up heads-up pennies? No. Do your pets have collars? Describe them: Roman has an adorable navy one with a bowtie. Do you have any friends that speak any languages you don’t understand? Old friends, sure. What is something you want to begin learning? I want to improve my ability to perform what in therapy is called "opposite action," where you do the opposite of what your depression (or other conditions) make you want to do. It always helps me feel good, like when I draw even when I don't initially feel like it, but it's rough to really force yourself to do it. What is a food you find comforting when you are sad? Ice cream is my comfort food. What is a quote you find comfort in? There are really a lot, but none come to mind immediately, gah. What is one Tumblr blog you really appreciate? I actually haven't been on my main Tumblr in months, but oh my god there is a Markiplier blog called "lady-raziel" and she is FUCKING HYSTERICAL. The meme quality is A+. What is a comfort movie/show for you? When I actually liked watching movies, I enjoyed watching Silent Hill when I was down. That whole franchise just makes me so happy. What is a recent creative project that you are proud of? That I'm PROUD of, idk. I'm not that happy with the last drawing I made, and I haven't done any serious writing lately that I find noteworthy. What is a video game that you find comforting? Shadow of the Colossus is probably #1. I find it so relaxing while equally epic as fuck. The soundtrack is to die for, and after playing it a billion times, it's pretty easy for me to kinda breeze through and just enjoy myself. Do you know how to bake bread? If so, what is something you’ve baked recently? No. Would you rather live in the mountains, city, beach, or the forest? THE MOUNTAINS!!! Particularly in the woods IN the mountains! Are you closer to your mother’s or father’s side of the family? Mom's. I don't even remember anyone from Dad's. Have you ever been in a “perfect relationship”? I thought so. Have you ever lost a fingernail or toenail? No. Were you a Disney or Nickelodeon kid? I preferred Disney. Have you ever been inside a jail/prison? No, and I don't plan on it. Have you ever dated a guy with a beard, mustache, or goatee? Jason had a goatee usually. He'd go clean-shaven sometimes. Did you ever name your stuffed animals? I named every single one I got as a kid. Now I don't, really, unless they're really special. What’s the name of the person who cuts your hair? I'd rather not share, given her name is very unique. Do you like cheeseburgers? Yes, they're one of my favorite foods. Do you have a Flickr? Yes, but I don't use it anymore. Did you ever want to be a fashion designer? No. Do you drink milk? Yeah, I love milk. Where was your FB display pic taken? My room. Have you ever burnt your tongue like REALLY bad? If so, what on? Yeah; white rice. My dumb ass didn't realize it had JUST come off the stove. My tongue hurt literally for weeks. Have you ever gotten your legs waxed? No. Do you own any CLOTHES from Victoria’s Secret? Er, are undergarments not clothes? But I know what you mean. No. What are your grandfathers’ names? William and... I can't remember Dad's dad's name. Have you ever seen a snake in real life? Well yeah. Are you against seances? I don't know if I believe in them being effective, but either way, they seem like a bad idea. Even risking luring a negative energy/spirit to you is something I'd stay away from. Do you own any superhero shirts? No, just Harley Quinn ones, some with the Joker on them, too. I need to toss 'em though because I am like, violently against romanticizing their abusive relationship. I used to just like them as a story character couple, but I got to a place where it just seemed... wrong to "glorify" it by wearing merch and stuff. What band has the best guitar solos? Metallica, durrrr. Who is the biggest jerk you’ve ever met? Can you believe that would be my former best friend? Have you ever swerved off the road to avoid hitting an animal? I've never had an animal in my path. Have you ever grown your own herbs? No. Do you like kissing in public? If you're my serious s/o, I could care less, so long as it's a simple peck. I'm not making out in front of people. Do you think someone has feelings for you? I don't know. Do you want to be in a relationship this year? I don't know. I'm lonely and love feels amazing, but I need to get my life on track before I can be a good partner to someone and not just dead weight. Has anyone told you they don’t want to ever lose you? Huh, funny, he's the one that walked away. How long can you just kiss until your hands start to wander? Uhhh that would depend on how serious we are, where we are, and just what mood I'm in. What’s the sweetest thing anyone’s ever done for you? ugh What’s the sweetest thing you’ve ever done for someone? also ugh What’s your dirtiest secret? TMI AHEAD. Probably receiving oral while bare-ass naked on the chaise in the living room while we were home alone. Or having sex in my sister’s bed. Oops. Would you ever get lyrics tattooed on yourself? Yeah. I already do, anyway, and I plan on getting another. Can you photoshop images well? I'm decent at it. Where did you last drive to? Mom and I went to go get our Covid vaccines today. What’s the first verse of the last song you listened to? "I don't know what we're supposed to be, but I know we lost it along the way to something better, something so much more than pleasure that we seek, so blind inside to fill these holes left by these lies that we tell to ourselves as we manufacture our own hell." What do you hear right now? The aforementioned song: "BLACKOUT" by 3TEETH. What was the last thing you laughed about? This is so fucking immature lmao but when we were driving earlier, we passed a gas station that had a sign that was advertising Coke, but due to space limitations, it abbreviated to "2 liter Cok" and I cackled like a child. Mom laughed harder than I did. Do you know any gay people personally? Ye. What was the last thing that startled you? I think it was a car hoonking at somebody the other day. What was the last thing to make you even remotely sad? Today's been a kind of rough PTSD day thanks to Facebook. My old high school friend had her beautiful daughter, a childhood friend just got married the other day, another friend is due to have her baby in just a couple weeks... It's just weird but even more painful to know it was the life I once fantasized about with a guy that just dropped me and made a break for it. I hate admitting that there's this deep, deep bitterness in me about it, like he took my life away from me, even though that's of course very unfair to say. I don't want to talk about this anymore, so moving on with my day.

[gryfon-spanish-werewolf]

About the frozen fandom ask :

🎨, ✍️, and 👗

P.s remember to get enough sleep~

@like-redhead-probably I got enough sleep I swear ;-; actually I overslept TBH

🎨- Favorite fanart(s)/ artist(s)?

I’m gonna limit my answers to those who are currently active in the fandom otherwise we will be here all day xD. Anyone who has seen my tags knows this  to be true. My favorite fan artists are:

@giuliaciulia89 - because asdfghjklssh have you SEEN her line art?? And her expressions?? And how she does shading and color (with markers!! Traditional Art YO!!) literally is just... takes my breath away. Her recent Hogwarts Elsanna commission was absolutely delightful, but I am always delighted to see her original content as well such as her 101 Dalmatians au and her All For One And All For Love Three Musketeers au. It has so many mysteries, I’m very intrigued. Watching her process is very relaxing as well, like *sketch, sketch, sketch* and suddenly WHOA, there’s like, a whole concept outlines in no time at all. Incredible

@zero-kiba - because while much more active on Deviantart, I am ALWAYS extremely gay for Copper! That’s been going on 5 WHOLE YEARS Y’ALL! I stayed up until the sun started creeping through my windows catching up on every single page that I’d missed out after about 2017 when I started working full time. Zero-kiba’s work is BOMBASTICALLY expressive and really hits that mark between UTTERLY badass and heart-meltingly soft. Also do yourselves a favor and read their other works too! Tip of the Iceberg is Copper characters in a comedy setting, The Realm is 65 pounds of concentrated whoop-ass, and The Whole Shebang?? Gay has hell. Really gay. I cannot stress that enough (also it’s a little self plug - I help make that one alongside Zero-Kiba, daughterofhel and giuliaciulia89)

@ice-bjorn - because like.... do I even need to....expand?? Y’all have seen my tags. Ice-bjorn’s got the kind of content that just pulls you up short. Doing something? Concentrating? Not anymore you’re not! Ice-bjorn posted new art and you’re gonna FEEL ABOUT IT for the current conceivable future! Unbelievably emotive, you can see all the hard work that goes into each piece (including writing!!). I’ve gone OFF in my tags so many times about their stuff and I aLWAYS anticipate doing it again XD I can’t possibly pick a favorite piece, but this one gives me the warm fuzzies (Edit: although I did link another further down)

@jabs-wocks - because they constantly surprise me. One day ADORABLE! Next day ANGSTY. Next time? New style?? New type of coloring?? Always has a great sense of humor and unique ideas. Also, such an enabler xD Always makes me want to make something in turn <3 Like, remember when I went OFF with that angsty piece of Anna drowning after the dam collapses? Or when I nearly ditched my (already very long) project to idea bomb on about their Skadi!Elsa piece? Yeah, I love their work very much

 @gracepago0314 - because I’m a long time fan from when they had a different username! Great style, strong short comics, and WOW have they come a long way! They already had such a strong aesthetic, but seeing their work at the top of 2020 was such a treat because it was SUCH a change! I loved seeing what I recognized about their unique style and getting to see all the ways they’ve improved and expanded! Also that reincarnation au goes straight for the heart ;-;

✍️- Favorite fanfic(s)/ author(s)?

Limiting my answer to the same for the same reasons. Many of my favorite authors are no longer active, but my heart is very big, and I am always making room for new stories and writers to love!

@fruipit - because every time I get an email from ao3 that they’ve updated I go ballistic. Every story I have ever read (or reread... many times) by them is just SO INCREDIBLE. Their writing makes me make bad decisions: like fighting sleep to make it through one last chapter xD Their work makes me ask questions, their stories flows like a needle and thread, their diction makes me believe. I have nothing but the highest praise for Fruipit’s work, they’ve been writing for years and continue to pick at that gentle thing called wonder. Choosing a favorite work of theirs is GENUINELY DIFFICULT, but I love Risky Business, Koselig, and When Spring Comes very much. Tiny Hearts is a riot tho xD Oh wait and Who Dares Wins! .....Look just... go read Fruipit, you won’t regret it xD

@arendellesfirstwinter - because after years and years they just bang out one badass story after another. Their most recent (and with the dawn, what comes then?) has reduced me to tears twice. No. Three times, I reread a chapter. Their writing is exceptionally raw and pointed, but they are never angsty for angst sake. Their prose has the kind of weight one gets from having a huge amount of intent and care for what they create, and the characters they foster along the way <3

@daughterofhel - because I enjoy the simple pleasures of comedy. Literally just makes me laugh. Her dialogue SLAPS. Her world building is effortless (well, it’s not, she works very hard but it FEELS effortless, which is quite the trick xD). Her stories just WORK, her scenes are so alive and colorful and I adore how she makes characters interact even under the most RIDICULOUS prompts xD Exceptionally creative and silly, I guarantee she will surprise you for the better

@themountainsays - because every story idea is completely fascinating. Even if it’s not like, written yet? Just idea bombing or musing? Totally cool, I love reading them because you can feel the excitement behind them. Or the spite xD. Ara’s writing is also almost lyrical, it’s lovely to read, and honestly? Read out loud too! I’m a huge fan of spoken poetry/spoken stories and Ara’s always gives me that vibe. I’m behind (orz) on Creatures of the Arctic, but it’s SO FUN, I’m always keen on updates :D

@theseerasures - because I adore their frohana stuff. So freaking much. Kristanna + Icebros with so much tenderness that I just stare at my screen and go “holy hell someone MADE that.” Reading their work is like... being given a soft blanket to wrap yourself in, receiving a mug of hot chocolate, and then being told “Okay, now here’s a story that’s going to make you feel feelings really hard,” and you kind of nod back like, “Okay, seems fair.” Idk man they just get me real good, every time. For years.

👗- Favorite outfit? One you’d like to see?

Picking a favorite is hard! But please for the love of god: bring Anna’s military-esque jacket/dress to the silver screen. Holy hell. I’m such a sucker for how absolutely DASHING Elsa and Anna look in masculine/military dress. @giuliaciulia89 and @ice-bjorn both here and here get me xD But I also love their highly feminine outfits? Anna’s coronation dress in F1 is a fav and of course Elsa’s ice-dress is iconic, but my absolute favorites? I don’t know, they’re all so beautiful...

Oh! You know what else I’d want? Casual wear. They’re always dressed up for adventure! Or a fancy party! Let the crew relax more! More day-to-day, more cozy pjs! Kristoff in a big oversized shirt, Elsa in Fifth-Spirit inspired sleepwear, Anna in clothes made by their new Northudran family - complete with little hexagons but like, lined with soft reindeer fur <3. I’d love to see them when the world isn’t falling down around their ears, for more than 5 minutes, please ;-;

Thanks again for asking!! I know this is a few days late but I hope my jabbering made up for it ^_^

[t100ficrecsblog]

an interview with @easilydistractedbyfanfic (she/they)

what are you working on right now? I don’t typically take prompts, but after finding out about the Bellarke Writers For BLM Initiative and how their goal is to raise money for BLM via various fandom prompts that are requested by readers and written & illustrated by various writers and artists, I wanted to get involved. I’ve finished two prompts and am working on my third, which is a Murphy/Raven smutfic set during their years on the Ring. It’s definitely an idea I can work with - it’s over 10k at this point with a lot more to say, so hopefully the anon who requested it will end up pleased! Go check out the tumblr page and the ao3 collection - there’s various t100 pairings/ratings and you can choose the cause if you want to request a fic!

what is the fanwork you’re most proud of? I struggled with this question! My stories are all like my kids, and even if some of them could use a bit of improvement with pacing or dialogue or whatever faults I see when they age, ultimately I do love them all and I’m glad I wrote them. I do sometimes play favorites but that often depends on what I’m in the mood to read myself. That said, I really do always feel proud of my story called What You Need. It’s a darker version of Raven & Murphy, but one that I don’t find unrealistic under the circumstances of the fic. I surprised myself with where my head went on this one. In a good way, because it was really fascinating to dive into the minds of who these particular versions of the characters were. 

I’m also pleased that I have over 500k on ao3 at this point. I never expected anything like this when I started writing, and it kind of blows my mind that this is my hobby now. It’s so strange to me that there are stories in my head at any given moment now.

why did you first start writing fic? I started writing in June 2018. Never wrote any fanfic before that, ever - though I did read plenty! I wrote three stories super fast, posted them all on ao3 on the same day and haven’t looked back. I think I started writing out of a combination of just really needing more content for my faves, but also I wasn’t in fandom before s5 and was quite desperate after s4 to talk to other people about Raven & Murphy. So I needed to get the stories out but also I had this hope that it would invite conversation when I didn’t know anyone in fandom.

what frustrates you most about fic writing? Just because I want to write doesn’t mean I can. Having prompts on my plate right now, I feel a real responsibility to finish them, but even when I carve time out to write, sometimes the words just don’t feel right. The muse doesn’t always strike when I have the time available. Also, it’s super ridiculously important to me that scenes and dialogue FEEL right based on the characterization I have in my head in any particular story. I can look at a scene I’ve written, especially an emotional one, and sometimes it’s just not resonating with me the way I know it could or should. It’s tough not to just push through and post it as-is, but I know that would never satisfy me, even if it means a much longer turn-around time on a story or chapter update. Often I will find that I get an a-ha moment that cracks open a better understanding of why a scene isn’t working for me, but this can take time and I have to trust in this process.

Not to preach, but it’s also frustrating when something you spend a lot of time and effort on doesn’t get much in the way of comments. I see posting fic on ao3 as a sort of conversation, so when there’s mostly silence even as the hits (and hopefully kudos) tick upwards, it can feel really...disheartening to feel like you’re talking into a void. And I say this as someone who has been fortunate enough to have regular readers who DO give feedback! I think every writer understands that they need to write for themselves first and foremost, but I wish more readers understood that feedback and enthusiasm will absolutely result in MORE CONTENT! I try very hard to follow this guideline myself by supporting and commenting on everything I read as time permits.

what are your top five songs right now? I listen to a huge mix of songs & my childhood influenced me a lot. 

Some floating in my head include - 

Chris Cornell’s live cover of Nothing Compares 2U Indigo Girls - Romeo & Juliet The Decemberists - Once In My Life Tori Amos - Silent All These Years The Chicks - March March 

what are your inspirations (books, songs, other fic)? I find inspiration in a lot of things, which I think is lucky. One of my biggest is the characters themselves. I love getting deep into understanding who I think they are, what their motivations are and why they’d make certain decisions, whether in canon or in an AU. What parts of their personalities do they keep when they aren’t tortured and under trauma on the regular? What would happen if I change this one scenario in their lives? I could probably go on forever just based on these sorts of thoughts, but I do also find inspiration in simple things like tropes, or song lyrics and the lore of the show itself. Quite a lot of my ideas in my inspiration notebook have sci-fi themes too. A few of my stories have already touched on sci-fi topics, and I absolutely plan more of them because I love how creative that can be. I also love the idea of suspended belief - can I have sentient plant life from an alien planet that can mindread & communicate by projecting thoughts into characters' heads? Yes, yes I can! (I wrote this story, fyi - Flora Incognita, part of a series) 

what attracts you to Murven? what first attracted you? Hey, do you have all day? Ha! Seriously, I could talk about this until everyone wants to strangle me! I loved Raven immediately - not so much Murphy! But I really disliked Finn, so ep 1x10 when Raven finally broke up with him had me interested. In that ep, you can see that Murphy is present, awake & nearby in the Dropship and probably overhears everything Raven says. Then he gets up and looks at her to make sure she’s still sleeping before he carries out his revenge plans. I’m not kidding - that one look absolutely and completely hooked me! Murphy was still awful then but he was so much more interesting than Finn, and back then I remember thinking how I’d really like to see them interact as two stubborn, strong personalities, because no doubt sparks would fly. And then when they did interact more, their dynamic was exactly what I’d hoped for and then some! 

I love that they’ve seen each other at their worst and at their weakest and most vulnerable, yet they’ve built a strong foundation of trust, faith and understanding. They have so much in common but they’re also different sides of the coin in some ways too. Fandom talks about Bellarke being the head & the heart, but to me Raven and Murphy are the intellect & the instinct - they complement each other, provide some of the qualities that the other needs, their differences improve each other. For me, nobody gets Raven like Murphy & nobody understands Murphy like Raven. Maybe not a lot of people notice, but Raven & Murphy check in with each other a lot - Raven tends to say “I got this” but Murphy is the only person who replies to her “Do you?”. And Raven listens to Murphy’s ideas and suggestions and plans even when she’s known as the genius because she knows that he has valuable things to say. They have fun together, make each other smile and enjoy each other’s company, which is in such short supply in this show! 

I know there’s parts of fandom that don’t ship them because Murphy shot Raven in s1. I have a lot of thoughts on it and have had quite a few tumblr posts about it. This is a fictional show - it does not reflect reality. I’ve been on the fringes of fandom for a long time and I know shipping doesn’t always mean yes, I want to see this relationship in real life. For me, I think it’s absolutely fascinating that someone Raven should hate has become one of her closest and most trusted friends. That she forgave him, and we as the audience get to see this dynamic change and grow, and that Murphy has always felt guilty about it even though he was being presented as selfish and out for himself - it’s such a huge, huge part of each of their character’s journeys. This is getting rather meta, but I don’t think either of these characters would have survived this long or evolved to the extent that they each have without specifically being around each other. 

And I absolutely can not discuss my love for Raven & Murphy without mentioning the whole way these two LOOK at each other! OMG have you SEEN it?!?? How could I not ship them when they look at each other like that! LOL! Also, I want to keep talking about this but I’ll stop now because I truly could go on forever and anyone who follows me already knows I’m wordy.

BESIDES Murven, what’s your favorite ship in t100? Honestly, nothing else comes close to Murven for me, but I did like Kabby before the show just eviscerated their characters. I like the possibilities of Niytavia still. I can see why people ship Murphamy in the earlier seasons. Definitely think Echo/Roan could’ve been something intriguing. And I’ve got this weird thing going right now where I wouldn’t hate Murphy/Russheda, but admittedly that’s mostly about the aesthetic! I tried really hard to like other partners for Raven & Murphy since they’ve always been my faves, but I’ve been meh about all the possibilities except Luna as a partner for Raven or as a Luna/Raven/Murphy threesome. At some point I might write that. Otherwise I’d say I tend to like the friendships more than the ships.

what are some things you’d like to recommend? I always hesitate to recommend other stories & authors because I can’t stand the idea of people feeling left out if I forget to mention them! But I would like to say that I really and truly love my fellow Murven shippers who read & support my stories and who create content like fic and art and gifs and fanvids. I find so much inspiration in them even though sometimes I can’t get through 30 seconds of a fanvid before I have to pause it because the angst is too much for me!

Since you���re kind enough to ask me this question and maybe a few people will read this answer, please - I recommend that everyone educate themselves on social justice and climate change and Black Lives Matter and capitalism and unions and what intersectionality & solidarity truly mean! Vote like your lives depend on it because THEY DO!

ed’s note: compiled a few resources -Rebel Well: A Starter Survival Guide to Trumped America -Jacob and Al’s Intergalactic Intersectionality Adventure -Get involved in your local chapter of DSA -Join Your Local Mutual Aid Group -Keeping Yourself Safe Online In This Capitalistic Hellscape -Angela Davis’ book Are Prisons Obsolete? -Resource about defunding the police

You can find @easilydistractedbyfanfic here on Tumblr, on Twitter, and on AO3. You can also a request a fic written by her via @bellarkefic-for-blm!

[novastarlyght]

That Time I Named an Invader Zim Background Character and Everyone Thought it was Canon: The Story of Ixane

Like a lot of others it seems, the premiere of Enter the Florpus has recently made me think back to my first stay in the Invader Zim fandom many years ago. For me it was between 2006 and 2007, and I was 14-15 at the time. IZ was and still is a very special cartoon to me, not only for how it influenced me creatively but also the fact being a part of its fandom was my first really positive experience in a fan community. And I wanna talk about that experience because it... lead to something very interesting. Something that only could’ve happened in the now bygone days of the early internet where reliable sources were harder to find and misinformation was much more common, but somehow, has lasted until today. 

This is how Ixane, a silent extra that appears only in the episode “Backseat Drivers from Beyond the Stars,” got her name.

So first off, you might be wondering “Who the heck is Ixane?” As I mentioned, she only appears as a background character in the 21st episode of the original series, titled “Backseat Drivers from Beyond the Stars” which I’ll abbreviate for the rest of this post as just Backseat Drivers. She’s a member of The Resisty, a resistance group against the Irken Empire who also only appear in that episode, although they were planned to become more significant recurring characters later down the line before the show was cancelled.

In 2006 I LOVED the Resisty. They were my favorite group of characters in the entire show, probably because I was fascinated by all their potential which sadly didn’t get the chance to be explored before IZ was canceled. What planets did each of them come from? What are each of their individual species like? How did they form into a single resistance group? What were their names, their personalities? Their hopes, dreams and fears?! THEIR FAVORITE DRINKS?!?! I attempted to provide my own answers to some of these not-so-burning-to-anyone-but-myself (or so I thought at the time...) questions by writing a fanfic called “Resisting Authority,” which I published on Fanfiction.net and later DeviantArt. It’s since been taken down on FFN while the DA version is currently in private storage on my old account, so here’s a screenshot just to prove it existed:

(click here for larger image)

Despite being more adult in tone than the show it was based on and rather melodramatic (then again, I was 14, and probably so was everyone else reading it), “Resisting Authority” became really, REALLY popular... at least for a fic that didn’t feature any of the show’s main characters, given it was entirely about the Resisty and told mostly from the perspective of its leader, Captain Lard Nar. Regardless it got a large amount of positive feedback and significant fan art on DeviantArt, most of which is no longer online although there’s still a little bit hanging around - mainly featuring Lyn, an Irken OC from the story who chooses to rebel against the empire and falls in love with Lard Nar, leading to a star crossed lovers conflict.

Because the purpose of the fic was to further explore the Resisty along with the idea of “What if an Irken betrayed their own?” several characters that appeared onscreen for only a couple of seconds in Backseat Drivers were fleshed out considerably in “Resisting Authority,” where they were given names, species names, home planet names, backstories, motivations and personalities. And of these the one who received by far the most development was a feminine, blue-eyed alien in a hooded purple cloak who I decided to name “Ixane.”

Ixane would become one of the most important characters in “Resisting Authority” right behind Lard Nar and Lyn. She is a Xanan from the planet Xana, a race of spiritual mystics. She is initially distrustful of Lyn, despite her actions and claims to be as much of a rebel as the rest of them, due to her hatred for the Irken Empire and how they destroyed her home. She believes Irkens are more like machines than living creatures, their bodies merely being empty shells to carry their PAKs around, making them incapable of genuine emotion. When she discovers Lyn and Lard Nar have been in a secret romantic relationship, she becomes even more hateful towards Lyn both due to jealousy, since she’d been harboring feelings for Lard Nar herself, and her genuine belief that Lyn’s feelings aren’t real, something that will only hurt Lard Nar in the end.

However throughout the course of the story her views are challenged and eventually Lyn manages to prove her wrong by displaying what she can’t deny is anything but legitimate love for Lard Nar and compassion for her allies in the Resisty. Unfortunately Lyn is fatally injured during a battle with a number of Irken soldiers sent to hunt down the rebellion. Now wanting nothing more than happiness for the person she loves, Ixane uses her mystical powers to save Lyn’s life while sacrificing her own in the process.

This character development (both in the meta sense and in the context of the fic itself) plus her selfless heroic sacrifice is what I think made Ixane one of the fic’s breakout characters and caused her to stick in the minds of those who read “Resisting Authority.” They were no longer thinking of her as just some extra, but as this fully developed character complete with an arc that I’d made her into - as the character of Ixane. But it didn’t occur to me just how big of an impact this may have truly had until about 9 years later.

In 2015, the official Invader Zim comic series by Oni Press began publication and I found myself extremely hyped about IZ again for the first time in almost a decade. It was during this time I came across a particular IZ wiki article and section of its TV Tropes page...

(Sources are here and here)

And I thought to myself “Wait... I thought I named her Ixane...?”

Because at this point I seriously couldn’t remember. I hadn’t thought about “Resisting Authority” in years, and with TV Tropes in particular noting that Ixane’s name was given “in the [episode] script” I wondered if I didn’t actually come up with the name. Maybe it was in the script for Backseat Drivers after all so I used it in the fic. Being unable to find said script (the original script as made by the episode’s writers, not a transcript) I couldn’t confirm it, so I mainly shrugged it off and thought more than likely I just had a bad memory. It wouldn’t be on a (still regularly maintained) wiki if it didn’t at least have a high possibility of being canon, right?

Cut to last night, August 2019. Me and all my other friends and fellow nerds who also grew up loving IZ are still buzzing over Enter the Florpus and our childhood/teenage fan content comes up in conversation. I dig up “Resisting Authority” from my old DA storage for perhaps a good laugh and a bit of nostalgia when more of when I first wrote it starts to come back to me. “I know the wikis all say her name was in the script, but I swear I came up with the name Ixane myself,” I thought, wondering if there was any way I could prove it.

Turns out I could. All the proof I needed was in a drawing of the character I posted to DA in January of 2007, which like the fic was still in storage:

(click here for larger image)

“Um...I bet a lot of people who read Resisting Authority got the impression she was an OC. She technically isn't. She is a Resisty character we saw VERY BRIEFLY once or twice in Backseat Drivers and I just elaborated on her for the story. The cloaked girl, yasee. Just look here: [link] “

That link no longer works normally, however putting it into Wayback Machine provides a snapshot taken in September of 2006, which would be around the time “Resisting Authority” was first published on FFN. Scrolling down on that page gives us...

(click here for larger image)

Additionally, opening the image itself reveals the filename “resistycloak.jpg” rather than something like “ixane.jpg” or “resistyixane.jpg”

For those who weren’t in the fandom back then, The Scary Monkey Show was a very well known IZ fansite and its Encyclopedias section was basically a resource for the show’s lore, one considered highly reliable, before things like fan wikis became commonplace. I actually used this site as a reference for the different types of Irken ships and other planets in the IZ universe brought up in the fanfic and so did many other fic writers at the time. If any site on the internet would know a minor or even background IZ character’s name, if it really was in the official episode script, it’d be The Scary Monkey Show. Yet her name is listed as unknown.

So why am I telling you this?

Because as wild as this whole situation is, I’m not a person who likes misinformation. I feel like IZ fans, both young and old, should know Ixane is not actually this character’s canon name as given to her by the writers of the show. That being said...

I see no reason to stop calling her Ixane. That’s just her name now.

Heck, it’d probably be difficult to go back to thinking of her as having no name given how long the name has been used on all these wiki pages and whatnot. And I’m completely fine with receiving absolutely zero credit for actually being the one who came up with the name in the first place, because here’s the thing...

I may have made the name, but it was the fandom that spread it. The IZ community, primarily in my absence too, were the ones who codified, legitimized it. Who added it to those wikis and accepted it as canon all these years. Who believed in it enough to assume it came from the official episode script, from the IZ crew themselves!

Ixane isn’t my name for her. It’s our name for her, as the fans who made Invader Zim the cult classic it is today.

And I want that to be something we all can have and be proud of ❤︎

[writingdotcoffee]

#122: Axioms of the Creative Life

In Maths, an axiom is a given. Something to be considered true without further enquiry. No matter how complex, every valid mathematical theory can be traced back to one or more of the basic assumptions, removing any ambiguity. 1 + 1 equals 2. Should you have any doubts, you can read up on the theory and see for yourself.

Creative pursuits are much more opaque (for better and worse). What was true only yesterday may no longer apply. Things that work for one person can make absolutely no sense for another. Reading about creativity can only get you so far. You have to try for yourself and learn your own lessons.

A few weeks ago, I was thinking about my creative process. What are the “fundamental truths” that I keep coming back to with every project, regardless of what it is? Here, in no particular order, is what I came up with.

It always takes longer than you think

It doesn’t matter whether I’m writing a book, blog post or computer program. It always takes longer than I expect.

In a way, every creative project is something that you have never done before. You may have written a dozen books, but you have never written this particular book before. And to write the next one, you may need to do something completely different than what worked last time.

Every project has its icebergs that you’re bound to sail into along the way. That’s the nature of doing new things. By their very nature, creative projects are unpredictable.

You’re your own worst critic

By the time I finish anything, I am repulsed by the ruin that I have made. How could anyone possibly like it?

Just like every human, every work of art is riddled with imperfections. They may not be immediately apparent, but you’ll find them if you look close enough. The thing is: you’re probably the only person looking close enough. You may have gone through a dozen drafts. Others, however, will be seeing it for the first time. And most likely and also the last. They’ll read it, enjoy it and move on.

You’re the only one scrutinising every single word.

It’s never really done

That feeling when you’ve changed the beginning of your story 27 times, then accidentally open the first draft document and find out that it’s exactly the same.

Perfection is a mirage that has lead many a creator astray. Finishing a story doesn’t mean arriving at a clear point of completion. There’s no finish line with free hot drinks and a crowd to cheer you on. You can always do more.

Finishing is a decision that you have to make. Those who don’t end up wandering the depths of the creative underworld like ghouls haunted by their perfect dreams.

Is it just about good enough? Then you’re done.

It never is as good as the original idea

Very few things come close to the euphoria of coming up with an exceptional idea. Everything seems to fall in place miraculously. This is going to be a massive hit. The only thing between me and stardom is that I have to write the damn thing. A mere formality.

Of course, the process of writing the story changes everything. What once seemed like a stroke of pure genius is now barely a corpse in a ditch, disfigured by your incompetence.

A novel or any other complex work of art can only be perfect inside your head. Once it has to come out, all its flaws will show. And you will have to face them.

They were always there, of course, but it was easy to ignore them and think about something else instead.

No matter how good it is, someone will hate it

Stop reading and go check the Amazon page of any famous author. Scroll down to the reviews, filter out one-star only and enjoy.

Even the most widely acclaimed, the most famous authors that entire generations of humans learn about at school get scathing reviews. The whole of humanity is a pretty diverse bunch. Our preferences aren’t only different, they’re contradictory. No matter what you do, you will never please everyone or even the majority of people.

Write for yourself, and then you’ll please people who like the things that you like. People that you can identify with.

Finishing is infinitely harder than almost finishing

That novel I was writing? It’s almost done. I’m working on this other thing now, and I’ll get right back to it.

The last 10% of any creative project is the hardest part. You may think that you’re almost there, but the next day the ground disappears from beneath your feet.

As you work through your book, you tend to leave off various decisions for later for one reason or the other. To really, truly finish, you will have to make every single one. You will have to tie up not just a few loose ends, but all of them.

Finishing your story is crucial. Either claw through to the very end or abandon it forever. ’Almost there’ is a lie.

YMMV.

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Past Editions

#121: Why Don’t We Read the Books We Buy?, December 2019

#120: On Looking Back, December 2019

#119: Where Do You Start?, December 2019

#118: A Friendly Reminder, November 2019

#117: What’s Good Enough?, November 2019

[lesbeet]

not to be a nerd but i accidentally just wrote a whole impromptu essay about editing ndjsdksksk im throwing it under a cut bc it's fucking inane and really long but honestly... i just want other people to become as passionate about editing as i am lmaooooo

i also recommend 2 books in the post so if anything at least check those out!

quality books about editing... *chef's kiss* a lot of the basic ones (including blog posts online n such) are geared towards beginners and end up repeating the same info/advice, much of it either oversimplified or misrepresented tbh. but i read one yesterday and i'm reading another one right now that really convey this passion for editing + consideration for it as its own sort of art and i just!!

it's such a weird thing to be passionate about lmao but i AM and i've spent a lot of time the past year or so consciously honing my craft (ik i mention this like 4 times a week i'm just really proud of how much i've learned and improved) and kind of like. solidifying my instincts into conscious choices i guess?

and these GOOD editing books have both a) taught me new information and/or presented familiar information through a new perspective that helped me understand something differently or in more depth, and b) validated or even just put into words certain preferences or techniques that i've developed on my own, that i don't normally see on those more basic lists i mentioned

btw the book i finished yesterday is self-editing for fiction writers: how to edit yourself into print by renni brown and dave king, and the one i'm reading currently is the artful edit: on the practice of editing yourself by susan bell.

the former was pretty sharp and straightforward. the authors demonstrated some of their points directly in the text, which was usually funny enough that i would show certain quotes to my sister without context

("Just think about how much power a single obscenity can have if it’s the only one in the whole fucking book." <- (it was)

"Frequent italics have come to signal weak writing. So you should never resort to them unless they are the only practical choice, as with the kind of self-conscious internal dialogue shown above or an occasional emphasis."

or, my favorite: "There are a few stylistic devices that are so “tacky” they should be used very sparingly, if at all. First on the list is emphasis quotes, as in the quotes around the word “tacky” in the preceding sentence. The only time you need to use them is to show you are referring to the word itself, as in the quotes around the word “tacky” in the preceding sentence. Read it again; it all makes sense.")

and like i said, i also learned some new ideas or techniques (or they articulated vague ideas i already had but struggled to put into practice), AND they mentioned some suggestions that ive literally never seen anyone else bring up (not to say no one has! just that ive never seen it, and ive seen a lot in terms of writing tips, advice, best practices, etc) that ive already sort of established in my own writing

for example they went into pretty fine detail about dialogue mechanics, more than i usually see, and in talking about the pacing and proportion of "beats" and dialogue in a given scene, they explicitly suggested that, if a character speaks more than a sentence or two and you plan on giving them some sort of dialogue tag or an action to perform as a beat, the tag or action should be placed at one of the earliest (if not the first) natural pauses in the dialogue, so as not to distance the character too far from the dialogue -- bc otherwise the reader ends up getting all of the dialogue information first, and then has to go back and retroactively insert the character, or what they're doing, or the way they look/sound while they're giving their little speech

and like this was something ive figured out on my own, mostly bc it jarred me out of something i was reading enough times (probably in fic tbh) that i started noticing it, and realized that it's something i do naturally, kind of to anchor the character to the dialogue mechanic to make sure it makes sense with the actual dialogue

so like. ok here's an example i just randomly pulled from the song of achilles (it was available on scribd so i just looked for a spot that worked to illustrate my point djsmsks)

the actual quote is written effectively, but here's a less effective version first:

“Perhaps I would, but I see no reason to kill him. He’s done nothing to me," Achilles answered coolly.

see and even with such a short snippet it's so much smoother and more vivid just by moving the dialogue tag, not adding or cutting a word:

“Perhaps I would, but I see no reason to kill him.” Achilles answered coolly. “He’s done nothing to me.”

the rhythm of it is better, and the beat that the dialogue tag creates functions as a natural dramatic pause before achilles delivers an incredibly poignant line, both within the immediate context of the scene and because we as the readers can recognize it as foreshadowing. plus, it flows smoothly because that beat was inserted where the dialogue already contained a natural pause, just bc that's how people speak. if you read both versions aloud, they both make sense, but the second version (the original used in the novel) accounts for the rhythm of dialogue, the way people tend to process information as they read, AND the greater context of the story, and as a result packs significantly more purpose, information, and effect into the same exact set of words

and THAT, folks, is the kind of editing minutia i can literally sit and hyperfocus on for hours without noticing. anyway it's a good book lmao

the one i'm reading now is a lot more about the cognitive process/es of editing, so there's less concrete and specific advice (so far, anyway) and more discussion about different mental approaches to editing, as well as tips and tools for making a firm distinction between your writer brain and your editor brain, which is something i struggle with

but there have been so many good quotes that ive highlighted! a lot of just like. reminders and things to think about, and also just lovely articulations of things id thought of or come to understand in much more vague ways.

scribd won't let me copy/paste this one bc it's a document copy and not an actual ebook, but this passage is talking about how the simple act of showing a piece of writing to someone else for the very first time can spark a sudden shift in perspective on the work, bc you'll (or at least i) frantically try to re-read it through their eyes and end up noticing a bunch of new errors -

or she talked about the perils of constant re-reading in the middle of writing a draft, which is something i struggle with a LOT, both bc i'm a perfectionist and bc i prefer editing to writing so i sit and edit when i'm procrastinating doing the actual hard work of writing lmao

it's just this side of fake deep tbh but i so rarely see editing discussed like this--as a mixture of art and science, a collaboration between instinct and technique, that really requires "both sides of the brain" to be done well.

and because of the way my own brain works, activities that require such a balanced concentration of creativity and logic really appeal to me. even though ive seen a lot of people (even professional writers) who frame it as the creative art of writing vs the logical discipline of editing. but i think that's such a misleading way of thinking about it, because writing and editing both require creativity and logic -- just different kinds! (not to mention that the line between writing and editing, while mostly clear, can get a little blurry from up close)

but like...all stories have an inner logic to them, even if the writer hasn't explicitly or consciously planned it, and even if the logic is faulty in places in the first couple of drafts. when you're sitting and daydreaming about your story, especially if you're trying to figure out how to bridge the gap between two points or scenes (or, how to write a sequence of events that presents as a logical, inevitable progression of cause and effect), the voice in your head that evaluates an idea and decides to 1) go with it, 2) scrap it, 3) tweak it until it works, or 4) hold onto it in case you want it later? that's your logic! if an idea feels wrong, or like it just doesn't work, it's probably because some part of you is detecting a conflict between some part of the idea and the overall logic of your story. every decision you make as you write is formed by and checked against your own experiential logic, and also by the internal logic of your story, which is far less developed (or at least, one would hope), and therefore more prone to the occasional laspe

but while ive seen a number of articles that discuss the logic of writing, i don't see people gushing as much about the art of editing and it's such a shame

the inner editor is so often characterized as the responsible parent to the writer's carefree child, or a relentless critic of the writer's unselfconscious, unpolished drivel

and it's like... maybe you just hate thinking critically about your work! maybe you view it that way because you're imposing external standards too fiercely onto your writing, and it's sucked the joy out of shaping and sculpting your words until they sing. maybe you prefer to conceive of your writing as divine communication, the process of which must remain unencumbered by lessons learned through experience or the vulnerability of self-reflection, until the buzzkill inner editor shows up with all those "rules" and "conventions" that only matter if you're trying to get published

and like obviously the market doesn't dictate which conventions are worth following, but the majority of widely-agreed-upon writing standards, especially those aimed at beginners, (and most especially those regarding style, as opposed to story structure) have to do with the effectiveness and efficiency of prose, and, in addition to often serving as a shorthand for distinguishing an amateur from a pro, overall help to increase poignancy and clarity, which is crucial no matter the genre or type of writing. and even if you personally believe otherwise, it's better to understand the conventions so you can break them with real purpose.

so editing shouldn't be about trying to shove your pristine artistic masterpiece into a conventional mold, it should be about using the creative instincts of your ear and your logic and experience-based understanding of writing as a craft to hone your words until you've told your story as effectively as possible

thank u for coming to my ted talk ✌️