#also how long these chapters are in comparison

[bull-shit-suji]

rereading black butler here are some of my favorite panels so far

Tanaka's sketchy lemonade ??

spoon

100 yard stare

elizabeth's otome visual novel fantasy

i.... yeah

: )

gabby hands!

lau trying to put ciel in chinese clothing (foreshadowing?)

kiss!!!! im gonna sob

and finally the skrunky. the blorbo. he is exactly two pixels

[leafy-m]

My stupid story is 20k now how I do make it stop 😵

[lionofstone]

just finished reading the scholomance series. lays down.

[isaacathom]

Just finished reading Master and Commander, which I overall enjoyed but found a bit difficult to read (O'Brian is clearly very knowledgeable about nautical matters, and unfortunately I am not, and so my mind glazes over). I mostly enjoyed being able to compare it with my memory of having read the Hornblower books, and how similar events are handled very differently by the narrative. which was cool!

[acourtofquestions]

No. No, it couldn't have been a dream The escape, Rowan, the ship to Terrasen—

A dream. An illusion. Her escape from him, from Maeve, had been another illusion.

Had she said it? Had she said where the Keys were hidden?

Then a cool, cultured voice purred, "All that training, and this is what becomes of you?" Not real. Arobynn, standing on the other side of the altar, was not real.

"Even Sam held out better than this."

Fenrys snarled.

You could get out of these chains, if you really wanted," Arobynn said, frowning with distaste. "If you really tried."

No, she couldn't, and everything had been a dream, a lie.

"You let yourself remain captive. Because the moment you are free..." Arobynn chuckled. "Then you must offer yourself up, a lamb to slaughter."

Only hearing the King of the Assassins, unseen and unnoted beside her.

"Deep down, you're hoping you'll be here long enough that the young King of Adarlan will pay the price. Deep down, you know you're hiding here, waiting for him to clear the path." Arobynn leaned against the side of the altar, cleaning his nails with a dagger. "Deep down, you know it's not really fair, that those gods picked you. That Elena picked you instead of him. She bought you time to live, yes, but you were still chosen to pay the price. Her price And the gods'?"

Arobynn ran a long-fingered hand down the side of her face. "Do you see what I tried to spare you from all these years? What you might have avoided had you remained Celaena, remained with me?" He smiled. "Do you see, Aelin?"

She could not answer. Had no voice. Cairn hit bone, and—

Aelin lunged upward, hands grasping for her thigh. No chains weighed her. No mask smothered her. No dagger had been twisted into her body. Breathing hard, the scent of musty sheets clinging to her nose, the sounds of her screaming replaced by the drowsy chirping of birds, Aelin scrubbed at her face.

The prince who'd fallen asleep beside her was already running a hand down her back in silent, soothing strokes.

A dream. Just a dream.

She twisted, setting her feet to the threadbare carpet on the uneven wood floor.

"Dawn isn't for another hour," Rowan said.

Yet Aelin reached for her shirt. "I'll get warmed up, then." Maybe run, as she had not been able to do in weeks and weeks.

Rowan sat up, missing nothing. "Training can wait, Aelin." They'd been doing it for weeks now, as thorough and grueling as it had been at Mistward.

She shoved her legs into her pants, then buckled on her sword belt.

"No, it can't."

A gathering storm to the north had forced their ship to find harbor last night—and after weeks at sea, none of them had hesitated to spend a few hours on land. To learn what in hell had happened while they'd been gone.

The answer: war.

Everywhere, war raged. But where the fighting occurred, the aging innkeeper didn't know. Boats didn't stop at the port anymore— and the great warships just sailed past. Whether they were enemy or friendly, he also didn't know.

Aelin scowled. "What." It wasn't so much of a question as demand.

His gaze was unfaltering. As it had been when she'd returned from her run through the misty fields beyond the inn and found him leaning against the apple tree. "That's enough for today."

"We've hardly started." She lifted her blade.

Rowan kept his own lowered. "You barely slept last night."

Aelin tensed. "Bad dreams." An understatement. She lifted her chin and threw him a grin. "Perhaps I'm starting to wear you down a bit."

His canines gleamed. "You need to eat."

"I need to train."

She couldn't stop it-that need to do something. To be in motion.

No matter how many times she swung her blade, she could feel them. The shackles. And whenever she paused to rest, she could feel it, too—her magic. Waiting.

Indeed, it seemed to open an eye and yawn.

She clenched her jaw, and attacked again Rowan met each blow, and she knew her maneuvers were descending into sloppiness.

Knew he let her continue rather than seizing the many openings to end it.

She couldn't stop. War raged around them People were dying. And she had been locked in that damned box, had been taken apart again and again, unable to do anything.

Rowan struck, so fast she couldn't track it. But it was the foot he slid before her own that doomed her, sending her careening into the dirt.

"I win," he panted. "Let's eat."

Aelin glared up at him. "Another round."

Rowan just sheathed his sword. "After breakfast."

She growled. He growled right back.

"Don't be stupid," he said. "You'll lose all that muscle if you don't feed your body. So eat. And if you still want to train afterward, I'll train with you." He offered her a tattooed hand.

But Aelin said, "People are dying. In Terrasen. In-everywhere. People are dying, Rowan."

"Your eating breakfast isn't going to change that." Her lips curled in a snarl, but he cut her off. "I know people are dying. We are going to help them. But you need to have some strength left, or you won't be able to."

Truth. Her mate spoke truth. And yet she could see them, hear them. Those dying, frightened people. Whose screams so often sounded like her own.

Rowan wriggled his fingers in silent reminder. Shall we?

Aelin scowled and took his hand, letting him haul her to her feet. So pushy.

Rowan slid an arm around her shoulders. That's the most polite thing you've ever said about me.

Elide's eyes widened. Widened further as he opened his mouth, and took a bite. His swallow was audible. His cringe barely contained. Elide reined in her smile at the pure misery that entered the Lion's tawny stare. Aelin and Rowan had been finishing up a similar battle when she'd entered the taproom minutes ago, the queen wishing her luck before striding back into the courtyard.

Elide hadn't seen her sit still for longer than it took to eat a meal. Or during the hours when she'd instructed them in Wyrdmarks, after Rowan had requested she teach them.

It had gotten her out of the chains, the prince had explained. And if the ilken were resistant to their magic, then learning the ancient marks would come in handy with all they faced ahead. The battles both physical and magic.

Gavriel met her stare, and Elide again restrained her laugh.

She felt, rather than saw, Lorcan enter. The innkeeper instantly found somewhere else to be. The man hadn't been surprised to see five Fae enter his inn last night, so his vanishing whenever Lorcan appeared was certainly due to the glower the male had perfected.

Indeed, Lorcan took one look at Elide and Gavriel and left the dining room.

They'd barely spoken these weeks. Elide hadn't known what to even say. A member of this court. Her court. Forever.

He and Aelin certainly hadn't warmed toward each other. No, only Rowan and Gavriel really spoke to him. Fenrys, despite his promise to Aelin not to fight with Lorcan, ignored him most of the time. And Elide ... She'd made herself scarce often enough that Lorcan hadn't bothered to approach her.

Good. It was good. Even if she sometimes found herself opening her mouth to speak to him. Watching him as he listened to Aelin's lessons on the Wyrdmarks. Or while he trained with the queen, the rare moments when the two of them weren't at each other's throats.

Aelin had been returned to them. Was recovering as best she could.

Elide didn't taste her next bite of porridge. Gavriel, thankfully, said nothing. And Anneith didn't speak, either. Not a whisper of guidance. It was better that way. To listen to herself. Better that Lorcan kept his distance, too.

Whether the others knew what propelled her, they hadn't said a word. Aelin sheathed Goldryn and loosed a long breath. Deep down, her power grumbled. She flexed her fingers. Maeve's cold, pale face flashed before her eyes. Her magic went silent.

Fenrys sat in wolf form at the edge of the nearest field, staring out across the expanse.

Precisely where he'd been before dawn.

She let him hear her steps, his ears twitching. He shifted as she approached, and leaned against the half-rotted fence surrounding the field.

"Who'd you piss off to get the graveyard shift?" Aelin asked, wiping the sweat from her brow.

Fenrys snorted and ran a hand through his hair. "Would you believe I volunteered for it?" She arched a brow. He shrugged, watching the field again, the mists still clinging to its farthest reaches. "I don't sleep well these days." He cut her a sidelong glance. "I don't suppose I'm the only one."

She picked at the blister on her right hand, hissing. "We could start a secret society-for people who don't sleep well."

"As long as Lorcan isn't invited, I'm in."

Aelin huffed a laugh. "Let it go."

His face turned stony. "I said I would."

"You clearly haven't."

"I'll let it go when you stop running yourself ragged at dawn."

"I'm not running myself ragged. Rowan is overseeing it."

"Rowan is the only reason you're not limping everywhere."

Truth. Aelin curled her aching hands into fists and slid them into her pockets. Fenrys said nothing didn't ask why she didn't warm her fingers. Or the air around them. He just turned to her and blinked three times. Are you all right?

A gull's cry pierced the gray world, and Aelin blinked back twice. No. It was as much as she'd admit. She blinked again, thrice now. Are you all right?

Two blinks from him, too. No,

They were not alright.

They might never be. If the others knew, if they saw past the swagger and temper, they didn't let on.

None of them commented that Fenrys hadn't once used his magic to leap between places. Not that there was anywhere to go in the middle of the sea. But even when they sparred, he didn't wield it. Perhaps it had died with Connall. Perhaps it had been a gift they had both shared, and touching it was unbearable.

She didn't dare peer inward, to the churning sea inside her. Couldn't.

Aelin and Fenrys stood by the field as the sun arced higher, burning off the mists.

Aelin shook her head. Another dream, or hallucination. "If she's on our heels with this army, I'm just ... trying to understand it. Her, I mean."

"You plan to kill her." The gruel in her stomach turned over, but Aelin shrugged. Even as she tasted ash on her tongue.

"Would you prefer to do it?"

"I'm not sure I'd survive it," he said through his teeth. "And you have more of a reason to claim it than I do."

"I'd say we have an equal claim."

His dark eyes roved over her face. "Connall was a better male than—than how you saw him that time. Than what he was in the end."

She gripped his hand and squeezed. "I know."

The last of the mists vanished. Fenrys asked quietly, "Do you want me to tell you about it?" He didn't mean his brother.

She shook her head. "I know enough." She surveyed her cold, blistered hands. "I know enough," she repeated.

[cat-dragron]

Going from Ancillary Sword into August Kitko and the Mechs from Space is such like... whiplash to my brain. Ancillary Sword was challenging to read in a way I wasn't expecting but man was it rich as hell, the depth of the worlds and characters in that book are insane. Meanwhile reading AKatMfS is like... the premise is so cool and seems right up my alley but something about the writing is just not gelling with me for whatever reason. I want to get through this book so badly because I am interested but like... part of me is just wondering is this it?? Is this all there is to it?

[pokeberry5]

the classic body builder physique jiménez gives dick is SO funny to me because it makes him look so female love interest coded, complete with unreasonable hour glass figure and booty-out poses

like ok i'm gonna start with a comparison between how he draws dick vs how he draws selina

there's that same!! exaggerated curve at the waist

the rest under the cut bc this is gonna be long—i'm pulling mostly from batman (2016) #137-138 (i've been keeping up with gotham war lmao)

he gives them the same sort of broad shoulders that taper down into a tiny waist

FURTHER, this is technically where dick's pecs are in comparison to selina's curves:

HOWEVER something about the way jiménez draws dick's lats also creates a curve lower down his torso that mimics the shape of selina's tits:

this exaggerated tiny waist is even more striking in comparison to how he draws other male characters

like don't get me wrong, he definitely favors a broad shoulder to slimmer waist sort of build, but never to the extent he goes with dick

take bruce and tim from the same chapters:

their shoulder to waist to hip ration is a lot more equal, they've got much more of an rectangular build, the curve in at the waist/hips is gentle

and i swear jiménez chooses poses to exaggerate dick's tiny waist (not quite booty-out poses but the same sort of vibe)

like????

SIR??????

this sort of twisted side pose to show off the tiny waist is extremely reminiscent of the contorted poses comic artists put female love interests in

take this side by side comparison with a panel from nightwing (1995) #1 (i read it recently so it was on my mind):

there's even!!! the drawn back arm highlighting that inward curve!!

AND THEN

the booty out poses!!!

rip his back honestly

like i'm pretty sure the design choice was actually to emphasize he broad shoulders and show off his nightwing symbol, but imo all it does is makes his waist look tiny

tldr: strong female character dick grayson ig

Ok as thanks for getting to the end, gratuitous batcooch:

and a tiny dick sketch

[darkstaria]

Yandere Batfam - Soulmate Soul Animal Au.

Chapter 5:

Chapter 1. Chapter 2. Chapter 3. Chapter 4. Chapter 6.

Sorry for the long weight everyone! I had to binge allll of Stranger Things for a friend's future birthday event and ohhh wow I thought the episodes were gonna be 20 minutes not 40-1hr

Also I suffered a bit of writers block, it happens

But regardless, I hope you all enjoy! ^ ^

(also the taglist has migrated to the bottom of the fic because it's a bit too long now)

----

The office was large, sprawling walls contained by an even bigger ceiling. The faint humming of Tim’s computer provided no reassurance, nor did the soft leather of your seat. It felt as if you could sink right into it, and try to fade away. There was a faint aroma of coffee that lingered around the office, but it gave you no solace. It just reminded you of the mistakes you made, to end up here. The elephant in the room.

Tim’s smile was bright, a warm sun. You were burning.

“It’s.. nice to see you again.” You attempted, words stumbling about on your tongue. You couldn't help it, the mere presence of your soulmate sending anxiety skyrocketing down your spine. Why couldn't he just get to the point?

“I didn't really expect my company and Wayne Enterprises to be working together.” You continued, a fake smile plastered onto your face. “What a nice coincidence!”

“I hope for us to have a successful collaboration.” Tim replies, still smiling. “But enough about the companies, it's been so long since I've seen you, and I didn't have your number to text.”

You laugh in response, a pale imitation of a real laugh. You had hoped to focus on discussing the work you both had to do first, and then escape before any catch up talks were attempted. Unfortunately, it appears that Tim won't let you do any actual work before engaging with him.

Your nails dug into your knees, an attempt to stay calm. Your reply was measured.

“Oh are you sure? Surely it would be better to get work on the collaboration done first, then we’ll have all the time left to chat freely.”

“I wouldn't worry about that, really. We’ve got plenty of time together, and I wouldn't be able to work without knowing how you're doing lately. Since you didn't have the time to text, I presume you've been busy?”

“Ah, right! Yes! Yes I have been, busy that is, you know how it is with work. Endless and all that.” You were frustrated at being pushed into a lie already. Tim was in charge here and he knew it.

“Why don't you give me your number then?” His smile was perfect, as flawless as his manipulation. “That way, when you're too busy to remember to message, I can remind you.”

You frowned. Like he didn't know your number already.

Quickly remembering you had to smile, you gave him your number, watching as he slowly typed it in, then texted. Only when you showed you received his text did he relent.

The ‘meeting’ continued on from there, Tim asking about all your hobbies and passions. Time ticked on, daylight turning to evening. Any attempt from you to redirect the conversation to either himself or work was swiftly dismissed. A small part of you admired his skill, he was playing you like a doll. You knew it, but you had no option but to play along. It was like an older sibling playing pretend with the young sibling. You hated the comparison.

The attention was unnerving. Your only solace was that neither of you had soul animals present currently, which was an absolute miracle.

Actually… what if that isn't a coincidence at all? Could this too have been engineered? Was that even possible?

“So then what’s your opinion on..” The sound of Tim’s voice slammed you back to reality. You quickly focused back in, fearing losing any advantage due to a lack of attention.

Abruptly, an alarm sounded, the noise blazing a path through your eardrums. You jolted in surprise. Tim however, was barely rattled. A frown appeared on his face as he glanced at his phone.

“That was the Arkham Asylum breakout alarm. It's no longer safe to go outside.” With these words Tim got up, walking over to the door and opening it.

“What…?” You mumbled, horrified.

“Stay here.” He commanded, a firm tone in his voice. This was Red Robin. “I’m going to check on the building, don't leave, it isn't safe.”

“Wait! But.. the collaboration.. we didn't..” The words rushed out of your mouth, leaving you feeling like a fool as Tim paused for a moment, to look at you.

“Don't worry.” He smiled, the weight of it bearing down upon you. You felt small. “You can just come in tomorrow, I'm sure your company won't mind.” With the final word said, Tim closed the door, presumably rushing off to become Red Robin. The click of the door felt like a dismissal, a scolding. A reminder to stay in your place.

Once again, you were trapped.

You clenched your fists. He wanted you to stay here, in his territory. You didn't doubt that Wayne Enterprises had amazing security, probably some of the best considering the identities of the owners. This was likely the third most safe place in Gotham, with the first and second places going to Batman’s base and Wayne Manor.

But… you haven't learned anything yet. All that time spent with him and somehow he hadn't brought up that singular, obvious fact. There was no way he didn't know, not with the way he was acting. And yet, he hadn't brought it up. Why?

What was he getting out of this?

Was he hoping that if you assumed he didn't know then you could easily be monitored? Was he just gathering information before acting? Where was the rest of the vigilantes in this?

Your head was spinning, going in circles. You couldn't understand him, you couldn't understand any of them. Why choose to be vigilantes, knowing the costs that life endures? Why were you tied to them, when you were so against a fundamental part of their existence?

You couldn't understand this at all. How could this be the basis of a soulmate bond?

You were… opposites.

You felt the telltale beat of an oncoming headache. For your own sanity, you decided to fold the incoming soulmate crisis into a small cavity of your brain to panic about later.

Fact One: There was an ongoing Arkham Asylum breakout, everyone is either being attacked, hiding away or escaping the city.

Fact Two: Batman and all his partners are going to be occupied for at least several hours if not a day.

Fact Three: You were going to take advantage of this.

It was the perfect time. All your soulmates were occupied, so none of them would be able to pay any attention to you. Red Robin might know your identity, and so the other vigilantes may know as well.

That didn't need to matter. They may have the information, but information itself is useless, if they are unable to act.

Right now, any Gothamite that isn't involved with rogues is either hiding or escaping. You could join the escapes, and get out of Gotham in the rush.

You didn't have to stay here, to play the role of a caged bird. You could escape, before they even got a chance.

You had to try.

You suppressed a shaky sigh, getting up and walking to the door. You tried the door handle.

Locked.

Uh oh. You tried it again, and then a few more times after that, shaking the door eventually in your desperation. Oh come on! You desperately thought to yourself. The one time you finally got the perfect chance and it's being ruined by a locked door.

Wait. You glanced at the small window in the door, the beginnings of an idea sprouting in your head. You glance over at Tim’s desk, noticing a small paper weight. You smile.

Lifting the paperweight, you judge the weight to be enough. Holding it up, you get into position to throw.

Wait.. the door has a keyhole, not a sliding chain, you realize, almost too late.

Ah.

Well that would have been embarrassing.

Sadly, you place the paperweight back down. There goes that idea.

But that wasn't the only door in the office, there was another one, the one that the shouting voice left out of. You approach the door, trying the doorknob.

Click!

It opens! Giving a small laugh, you advance through the door and out into the halls of Wayne Enterprises, a jubilant smile on your face. Whoever was shouting at Tim earlier, you almost wanted to thank them.

You avoid the elevators, instead picking stairs, as you presumed they may also be in lockdown. It didn't take you too long to get down to the ground floor, since the main walking areas were now barren of people.

The ground floor had some unfortunate news to offer you though. The once wildly open doors had now been locked down and barred, an iron wall between you and freedom.

Although, maybe there was some other way, you thought, eyeing the anxious security guards patrolling the front entrance.

Pulling out of your hiding spot, you approach the guards, making to time your steps, making noise to not scare them. You really didn't want to get shot before you had even left the safety of the building.

“P-please help me!” You stuttered, trembling with tears in your eyes. The guards jolted in surprise, turning to face you. They were expecting threats from the outside, not the inside.

“I need to get home, I can't stay here.” You sobbed, the guards pausing in confusion. They didn't know what to do with you.

“What’s wrong?” A sympathetic guard asked, patting you gently on the back. You almost felt bad.

“I need to go home!” You repeated, tone frantic.

A disgruntled guard stepped up to you. “Look, no one can leave right now. Company policy. It isn't safe, there's been an Arkham breakout. Just sit tight, and whatever’s waiting for you at home will be there when you get back.”

“N-no…” You mumbled. “You don't understand.. I have.. I have a cat, waiting for me.” You glance up, watching the expressions on their faces. They seem unmoved. “A-and my child!” You cry out, realizing you needed a better lie.

“A child?” The disgruntled guard repeated, sounding a little more sympathetic, but clearly not convinced. He eyed you up and down, evidentially thinking you looked a little too young.

“They're so little, but my cat likes to take care of them and I needed the money so, so I left them at home alone today. But recently they're been figuring out how to open doors and if anything happened to them I don't know what I’d d-” Your frantic lie is cut off, the disgruntled guard laying a hand on your shoulder.

“Alright listen. None of us can escort you, we're here on the job.”

You nodded, feeling exuberation rush through you.

“But if anything happened, run right back here, alright?”

You nodded again, fighting a smile on your face. The guards unlocked the doors, watching you dash out with frowns on their tired faces.

They were obvious to the beaming smirk on yours.

Nights in Gotham are by nature a little terrifying, but they're nothing compared to an Arkham breakout night. Shadows crawled up alleyways, the smell of booze and smoke lingering in a way it never could on normal nights. The terror was so pungent in the air, you could almost taste it. It was on the tip of your tongue.

Every so often you'd hear a scream, and you'd walk a little faster. Ideally you would have committed to the stealth route, but you had wasted enough time already.

Your house was on the way to the bus station, so you could easily pop in, grab essentials, and get out. You wouldn't lie, you were nervous. Every so often you’d feel your knees lose strength, and you'd have to fight with your body to regain the strength to stand.

But at this point it was either the horror of whatever your soulmates had in store for you, or the horrors of Arkham night. You'd already picked your poison, now it was time to swallow.

You took a breath in, then out, and continued walking. You were almost there.

The streets of Gotham stretched on endlessly, a cacophony of fear.

Just a bit longer.

A gunshot sounded nearby, the noise blasting through your eardrum.

Almost there.

The hum of a van's engine rushed through the night, haunting laughter echoing through the road.

You could see your house!

You beamed, a smile lighting up your face, as you practically skipped up to the entrance. You reached into your bag to withdraw your keys.

You had just retrieved them when a crowbar smashed into your head.

----

Wow umh, please pray for reader guys, this is NOT going well for them. Who do you think that was?

Me writing shenanigans for this chapter:

I just really feel like reader should smash open this window, let's do it. Wait. They wouldn't have doors that work like that. so reader sadly puts the heavy object down :(

Also me: yeah so reader lies here and it's an absolute mess

Also also me: rip reader that's a lotta head trauma omg

Sorry for the lack of soul animals this chapter :(( there's a reason I swear

The next chapter is definitely gonna be a bit insane, for sure! The soul animals return then anddd in droves!

Taglist: @moonchild-artemisdaughter @jjsmeowthie @madine11-blog @xxrougefangxx @hadesnewpersephone @neerathebrightstar @mel-star636 @jaythes1mp @rosecentury @lov3vivian @gaozorous-rex-blog @victoria1676 @vrsin @silverklaus @ryukyuin @kurai-hono-blog @thisisafish123 @isawyourbrowserhistory @ain-t-no-way-bsfr @realifezompire @lunaluz432 @nickey-diano @sukiiluvs @sara0055 @alleakimlala @kdidgg @paperhermits @lavender-moony @alishii @emmbny @sirenetheblogger @fantasy-angelo @andrasia @vinnvinnvintage @nyra-42 @armystaysatnct @beyond-your-stars @starsdotalk @adeptusxia0 @jailbimbo @yandereheros @sxftiebee @i-have-three-feelings @toast-on-dandelioms @lyl-3 @sitepathos @pato-spoiler-27 @ghostdoodlen @phoenixgurl030 @problematicreblogger @sociallyakwardpanda

@imaginarydreams @zanzie @yuyuzi-ling @soriansick @f1lover4ever @kiikkey @elizzsush @raincxtter @luoyi85 @yune1337 @erikasurfer @thekingofsimps @chaosbeanuwu

If I missed anyone out im super sorry! I generally check the replies for the current chapter and messages for people that want to be tagged, so it's possible for people to slip by

Just remind me again and I'll be sure to add you! (This also goes for if I misspell you accidentally, which also happens cuz I type them all manually)

For some reason I couldnt tag anymore people until I put a random space in-between the tags, so that's apparently a thing. If anyone has any ideas why, I'm listening

[thatdeadaquarius]

About your language brainrot. I see your "Reader's writing can't match tyvat's long and flowery writing" and bring you "Tyvat isn't used to books over 50 pages long so a short story to the Reader is a whole dictionary to tyvat readers".

Seriously, have you seen how thin the books are? They don't wrote novels, they write short chapters formatted in the way really old stories are. As in, summarizing all the events down into one smooth story then adding a few quotes. Fanfiction writers are insane. They will willingly sit down and write hundreds of words at a time. To them, a proper modern day story of maybe, oh 10k words or so, would probably be like the Oddessy itself.

If we were to combine the two headcanons. It would end up as many historians being intimidated by this insanely long written scripture in the language of the forgotten.

I'm going to take this a step further and say that if the creator asked some people to proofread their things, it would establish a hiarchy of who is able to actually finish the book the creator read and who isn't.

NOW THIS, THIS IS MY FUCKING JAMMMM

I'm so sorry this is so old!! u probably all know this by this point that I've really slowed down as the year has gone on, but I graduated university and then got my first job so its been pretty crazy!

Sun: Reader (you/they/them)

Orbit: Headcanons-ish

Stars: dash of all the book/nerds of Genshin, heavy on Sumeru?

Comets & Meteors: Content Warnings: Cussing, 16+ Mature Audiences, Spoliers for Sumeru Archon Quests/Scaramouche, & Trigger Warnings: mention of shipping/characters shipping themselves with you.

Comment if any missed, please.

☆

FULL STOP.

THE AKADEMIYA, FONTAINE RESEARCH INSTITUTE, HAVE BEEN WAITTTINNGGGG ON YOUR ASS LMAO

You fall from the fucking sky like a 5 star, or pop out of the Irminsul or whatever

and immediately are mobbed by scholars. LMAO jkjk (not really, bc that's what it’d feel like)

can you even imagine the dread older stories(”the classics” to them), that was instilled in the poor students around Teyvat??

id like to think ur works are the most preserved over the thousands of years of Teyvat archeologists excavating them, in comparison to other authors (teyvat just likes you more, suck it William Shakespeare)

also, bc I cant resist language differences/world building I'm sorryyyy 😭 😭

the vocab of Genshin lang vs. ours, has significantly less vocabulary like their actual dictionary is 1/3 the size of ours type of energy

(Omfg all ur fanfics being considered like insanely long realistic romantic classics or tragedies like Jane Austen-level, and only the richest and biggest play companies put on plays about ur stories bc the script goes on for hours)

(ur plays only get put on for rlly big events bc of this, like Lantern Rite or like a Summer/Winter festival/your birthday, which is, yes, an international holiday)

dude the sheer power move of anything you’ve written being essentially “Journey of the West” to them, like Damnnn.

endless like adaptations, plays, Teyvat-short stories condensing it, (THEIR OWN FANFICTION ABOUT UR STORIES)

the power is, in fact, going to your head every time another scholar both deflates at how long ur stuff is, but also lights up bc they get to read it

speaking of scholars… you know who snatched you up first. you know. you don’t even need to read the next line.

Alhaitham.

sneaky bastard he is, absolutely manipulated, mansplained (and manwhored bc he knows he’s handsome, cheeky little shit) his way into getting you to sit down with him and interview you about both translating other classics, your own, giving your own analysis of others works and ur own, and picking ur brain apart of how/why you wrote urs, etc. its fucking endless,

Kaveh had to come rescue you bc u were starving to death after getting stuck with the Haravatat scholar in his office for nearly 7 hours of interrogation discussion about literature

and Alhaitham wasn't even nearly done, he’d informed you as you left that he already had another appointment for later conversation scheduled (how?? you don't even know ur own schedule??? you have a schedule???) and was looking forward to more of your “creative and enlightening input” :)))

(you’re never going to escape him, not even Nahida herself can save you from his stubborn ass)

On another note, Xingqiu is quaking when you agree to autograph his copy of your stories (of which he has all hard covers of the first edition translations)

Zhongli/Rex Lapis is known for having a near-lifelong passion for searching for your works specifically, and learning how to translate them better into Teyvatian vernacular

like the same way he can absolutely speak on Rex Lapis facts/rocks/adepti info, is the same confidence he speaks about knowing ur work lol

(yes he did also ask for several autographs and another sit-down talk about the works, tho a lot more sneaky then Alhaitham bc he just casually gets u guys into it during dinner)

Barbatos/Venti has written some of the most famous songs based on your stuff, he has his favorites too,

but he always claims the best songs are any that have been written in the story, like either when a character sings something, or there are like quotes from songs ur fanfics are based on lol

(he also demanded to hear what they actually sound like from you, yes, you have to sing them for him lol)

Venti also can surprisingly drunkenly ramble the entirety of at least one of ur stories, like, word for word lmao

(Diluc gave in and did give him a drink on the house for that one, just once, Venti doesn’t remember it lol)

(I forgot to mention, u guys still speak the same language, just like, different versions of it)

ur works being one of the few things all the Archons can freely talk about with each other, like it’s neutral ground bc they’re all fangirling about it lmao

Furina and Neuvillette have had like,, fierce debates over the decades about character dynamics and the general drama of ur stories, they’ve gotten into it enough they’ve stopped talking to each other for a couple days a few times lol

Albedo, Sucrose, Kokomi, Yae Miko, Ei, Raiden, have read every single work they’re gotten their hands on in Teyvat (it took them like a literal year or longer)

Albedo drew you fanart for every single story, bc he’s hyperfixated on everything related to you ngl,

Kokomi had commissioned smaller pocket versions of ur works (which later got popular thanks to Yae Miko) both the OG and the Teyvat shortened versions

THE HARBINGERS ARE THE MOST DOWN BAD LMAO

Childe has literally tried to recreate battle scenes from ur works lmao

and gets especially riled up about fighting someone who resembles any characters from them (esp villains, what a cutie)

You cannot fathom the amount of research throughout Teyvat that has been secretly or indirectly funded by Pantalone/Tsaritsa

from the experts to analyze them, to funding play companies to act them out, to actually excavating places to get more of ur stuff unearthed

(the Harbingers absolutely are the first group of people that got to read several of ur stories first bc of this, like the world’s most exclusive secret book club lol)

Scaramouche used to clown on Childe all the time about how he was too impatient to even “sit down and read the King’s classics”, and he was downright insufferable when he found out about Tartaglia’s habit of recreating battle scenes/that being what motivated him to fight sometimes lol

that being said, Wanderer surprisingly never forgot ur stories.

Even when his memories were wiped for a bit, he found comfort in these fantastical epics still sticking around, even when his old names did not

(he mayyyy or mayyy nottt have secretly namedhimselfafteroneofthetragicprotagonistsherelatesto- )

oh btw, Nahida also found joy and comfort in ur stories when she was trapped, they also helped her literally grow as a person bc she had ur stories to help her sort of process the world/what life was like outside of her dreaming prison 🥺💔❤️‍🩹

◇

OMFG

ANYWAY FULL TONE SHIFT LMFAO-

the ABSOLUTE SPIRAL-RED-STRING-CONSPIRACY-THEORY-BOARD ENERGY IF THIS WAS A BLUNT LANGUAGE AU LMAOOOO

like specifically how Teyvatians like to give all the context ever thru their words, but older deities/beings like you just do simple phrases that can have deeper meanings (whereas teyvat just explains all the meanings behind their words)

STOP there’s like an official display at the Akademiya and Fontaine Institute of red string theory boards 😭😭 (look what you’ve done to themmm LMAO)

for like every story of urs, INCLUDING THE FANFICS STOP

IMAGINE THE SHIPPING WARS IF U EVER WROTE ONE THAT WASNT EXPLICIT OR LIKE ONE OF THE MAIN ROMANTIC INTERESTS HAD CHEMISTRY WITH OTHER CHARACTERS HAHAHAHAA

that's actually what Akademiya scholars argue about the most viciously, it’s like politics you can’t just bring up ships from ur stories casually in regular convos 💀

(poor Cyno has to deal with a shipping war once a year bc someone always makes the mistake of reading ur work for the first time (without being told to not talk to others abt ships lol) and it starts an all out brawl in the cafeteria every time LMAO)

Also yes.

Cyno is a fanboy.

(he has read Creator x Reader-insert fanfiction.)

(As have most of the characters mentioned, and those not lol)

…

(I'm gonna make a whole Creator x reader fanfic post one day i stg lmao)

☆

an iced coffee? for me?? :0

ok but real talk…

wtf do you guys wanna see for new years!!

i didn't do a inktober/october days thingy bc i felt too unprepared (and bc id wanted to post that 1000+ followers eldritch au for Halloween)

but now i kinda wanna, at least for a few days :o

ill post a poll in a minute, so check it out!! but still, please feel free to comment some ideas here! :)

Safe Travels Deafening Dreamer,

💀♒

If you wanna join a taglist, DM me what for! "Pspspsss, please tag me for [All SAGAU posts, Only SAGAU Language AUs, diff fandom, etc.]!"

(If you ever wanna drop, just DM me! "No more taglists/[specifically this AU/fandom] please!")

♡the beloveds♡

@karmawonders / @0rah-s / @randomnatics / @glxssynarvi / @nexylaza / @genshin-impacts-me / @wholesomey-artist / @thedevioussmirk / @the-dumber-scaramouche / @chocogi / @fallen-starr / @areaderofbooks / @devilangel657 / @esthelily

[vorestarr]

ascended astarion and vampire spouses

so I've been reading the dnd 2e manual "Van Richten's Guide to Vampires" for fic/game inspiration, and there's this really interesting chapter on vampire brides and grooms. after reading it, it's very clear to me that Astarion didn't turn Tav into a typical spawn, but into a vampire spouse, which are two very different rituals with very different outcomes.

the typical vampire spawn creation process is exactly what Astarion describes happening to him: a painful death, a painful rebirth into undeath, fighting his way out of his own coffin, and Cazador's complete control over him. this is described pretty clearly in the guide to vampires:

According to most related tales, a vampire can create another simply by killing a mortal either with its life-energy draining power (draining all the character's experience leveIs) or by exhausting the mortal of his or her blood supply. If the victim's body is not properly destroyed, it arises as a vampire, under the control of the creature who killed it, on the second night following the burial. [...] Most vampires remember the instant of their death and the nature of their killer, and understand immediately their new nature. Certainly their new hunger gives them a good idea of what they have become. They must immediately free themselves from their grave. either by breaking it open from within or by assuming gaseous form and diffusing out.

so that's definitely what happened to Astarion, but that's not what happens to Tav. after ascended Astarion turns Tav into a vampire, they can ask him what happened, and he describes the following:

Astarion: You are so beautiful... And you will be beautiful forever. Thank you for trusting me. Player: What exactly happened? Astarion: You were drained dry, and at the height of your delirium, I granted you one drop of my own blood. Things will be a touch different for you than they were for me when I was a spawn. I'm imbibed with unfathomable new talents. I am fairly certain I can extend Mephistopheles' blessings unto you. Player: Does that mean I need not fear the sun? Astarion: You need not fear anything. You will be stronger, swifter, sharper, but you won't be different. You were already perfect before. It's hard to improve.

for reference, this is how the guide to vampires describes the ritual for vampire spouses:

To actually create the bride, the vampire bestows what is known as the "Dark Kiss". lt samples the blood of its mortal paramour—once, twice, thrice—draining her almost to the point of death. This process causes the subject no pain; in fact, it has been described as the most euphoric, ecstatic experience, in comparison to which all ether pleasures fade into insignificance. Just as the subject is about to slip into the terminal coma from which there is no awakening, the vampire opens a gash in its own flesh—often in its throat—and holds the subject's mouth to the wound, As the burning draught that is the vampire’s blood gushes into the subject's mouth, the primitive feeding instinct is triggered, and she sucks hungrily at the wound, enraptured. With the first taste of the blood, the subject is possessed of great and frenzied strength (Str 18, if the character’s Str isn't already higher), and will use it to prevent the vampire from separating her from the fountain of wonder that is its bleeding wound. lt is at this point that the creator-vampire's strength is most sorely tested. He is weakened by his own blood loss, and also by his own rapture as the "victim" of a dark kiss. Overcoming the sudden loss of strength and the inclinations of lust, the vampire must pull her away from its own throat, hopefully without harming her, before she has overfed. Should the subject be allowed to feed for too long (more than 2 rounds), she is driven totally and incurably insane, and will die in agony within 24 hours. Once the subject has stopped feeding, she falls into a coma that lasts minutes or hours (2dl2 turns), at the end of which time she dies. Several (1 d3) hours later, she arises as a Fledgling vampire—and her creator's bride.

this to me sounds like what Astarion describes. he drains Tav almost dry, and at the very last moment, gives them a single drop of his blood. (also interesting reading this guide, the single drop avoids the problem of the vampire spouse being driven ravenous with hunger for the vampire creator's blood and attacking them. did Astarion know this and give them one drop on purpose to avoid that and Tav potentially being driven mad by it? or was he being selfish and this is just a nice but unanticipated outcome?)

i kept reading and there's a lot more interesting information about vampire spouses, but the most interesting thing I found related to the game was this:

Although there are some folk tales that describe the bride of a vampire as its slave, in much the same way that offspring are slaves, a bride is free-willed from the moment of her creation. The creator vampire does have great influence over the bride. however although this control is totally nonmagical. When a vampire is created in the traditional manner—that is, when a victim's life energy is completely drained away—the new fledgling instinctively understands much about the vampiric way of unlife, and about its own strengths, weaknesses* and needs. Not so the bride.

so basically, the vampire spouse is not tied to the vampire creator in the same way as a spawn (i.e., not able to be fully controlled) but is still extremely reliant on the vampire creator to teach them how to live as a vampire. the guide goes on to describe that some vampire creators may lie to their vampire spouse about the control or powers they have, in order to exert more control over them.

interestingly, if you ask Astarion if he can compel you the way Cazador compelled him, he doesn't give a straight answer, he just says this:

Player: Cazador could compel you - can you compel me? Astarion: Why would I need to? You're going to be wonderfully obedient.

to me, all of this says that Astarion was telling the truth when he told Tav that they would be different from him as a spawn, and also in emphasizing that they are not a spawn but a consort. he didn't create a spawn, he created a vampire spouse. he married Tav, and because of this Tav also retains their free will.

of course, Astarion doesn't say this. if he knows, he withholds this information in much the way that this guide describes, as a way for the creator to maintain more control over their spouse. but still, extremely interesting implications for the ascended Astarion romance, imo.

other interesting facts about vampire spouses from the guide to vampires:

the married couple has telepathic communication that can span miles -- so Tav and Astarion can potentially have a telepathic bond even after the tadpoles are gone. (another note, this communication has to be consensual both ways for it to work, so you can't just dig around someone's mind if they don't want it.)

the vampire creator is extremely jealous and possessive. (yeah lol)

their life forces are linked, so one suffering a great deal is felt by the other.

the bond can be broken, but the ritual to do so has to be initiated by the creator. to break it, they both spill their blood on the ground and allow it to mix. this dissolves all aspects of the bond (i.e., telepathy and linked life forces), but the spouse stays a vampire.

[love-toxin]

bonus night - mike schmidt

plot: jk it's just por-//SHOT

(cws: fem!reader, FNAF movie spoilers!!!, rough sex, riding, begging, a teeny tiny taste of dom mike, tit sucking, bruising, protected sex w/ a twist, post-fnaf canon, established relationship)

wc: 2k

There's absolutely no question that it's been a long fucking day. One of many, in fact, both behind him and yet to come.

Aside from his sleep schedule still being tremendously fucked from that five night ordeal, Mike's also had the stress of landing a new job and keeping it this time. He's lucky–god, he's lucky that an old friend of his just happened to have a connection–but that just puts more pressure on his ability to keep a level head and not lose this one. Plus, with his meds cut out as well as a whole host of new traumas to keep him up at night it's almost more stressful than fighting for his own life. With today being the end of orientation and the first real shift on the job, it's finally sinking in that a new chapter of life has started but his problems are still an uphill battle.

Bills, backpay, rent, Abby's therapy, pacifying their aunt who was quite aghast at waking up disheveled on their living room floor…it's been a process to say the least. His one saving grace has been you. You. His beautiful, gentle angel, with a voice like sugar and honey and skin as soft as velvet, warm like a shallow pool on a summer's day that he'd want to float in for hours. You're so precious he can't think of a single thing he's done in life that tops being your lover, or even comes close.

Well…maybe there's one thing.

“Mike,” The squeaking of the bed beneath you just barely drowns out the high, sweet whimper that your voice has melted into. “Please baby, slow down-”

A squeaky “ah!” flies from your mouth regardless of that insistent plea, your lover's hips like stone pistons as he bucks up and topples you over to land back against his chest. He loves you there; the feeling of your tits squished against his chest as he holds your ass in an iron grip. Thumbs dig into each cheek, palms splayed out to keep you spread but still in your place–stretched enough to take him but tight enough not to let him slip out. Not even now, an hour after he carried you through the door over his shoulder, when his spit and cum and sweat have coalesced into a damp sheen spilling over his lap. Fuck the mess. He'll clean it up later, if he doesn't just throw his whole bundle of sheets into the wash to scrub away the evidence.

Each thump, thump, thump of your body thrown down rings more in your ears than his, but both of you feel it equally. Your womb kissed with hard, stinging passion on every thrust, and Mike's stomach twisting and flexing as his cockhead beats that spot raw, instincts begging him to drain all he has left inside. He's got lots of pent-up energy to spare, and on the one night that his sister's gone to a sleepover you can bet he took the chance to let some of it out. He'd barely had time to grab a condom–as eager as he was, it pales in comparison to the heat between your thighs when you see him get all riled up. If he'd let you put it on for him, you'd probably have it off in a second. Now he's just at the mercy of your needy and downright addictive pussy.

“Fuck!” Your mewls shift into a spitting, hissing curse when he bites down on one of those beautiful breasts of yours. Unlike what a weaker man would do, Mike isn't averse to leaving bruises–what else could be expected? He tries to be a gentleman in public and you always tell him he is, but the desire to put hands all over those pretty tits and mark his claim on them is second nature now. And no matter how much you'll complain about them being sore afterwards, you'll still push them in his face with that devilish look that's daring him to do it all over again.

Besides, he can't resist those things swinging right in front of him. And you'll forget the sting so quickly, his tongue will make short work of those shallow wounds you feel as he latches his lips and starts to suck. Greedily.

“Mike!”

Your hands in his hair won't stop him. But they don't really want to–as always you love to tug but you never push him back, you don't try to get any more space between you because what's already there is still not close enough.

God your whiny voice is so cute. He couldn't feel more lucky to have picked you up when he did. How would he know that the girl he helped out once for an ice cream would end up being his girlfriend? He just thought you were cute, and he felt bad seeing your face fall as you counted out your change in line, so he hadn't thought twice about the dollar he put down on the counter in your stead. Such an adorable little ditz, and now he's got you riding his lap and kissing him awake nearly every morning. If he wanted to catch a break, this is it.

“M-Mike, m'gonna cum,” Your whimpers dig into his ear and tug at the strings of his heart, his head already turned to soothe you with a low, soft shush brushed by your cheek. There there. With a stroke of your hair, you're melting again.

“Mhm,” He hums again, his warmth a lull following the furious heat that's been sparked by the friction of his hips pumping at a violent pace. “Shh, sh sh. We’ll go slow, I promise.” His murmuring muddies your head, his fingers descending quickly towards their destination. Once they reach it at the crest of your soft, pudgy mound that's been brutalized by his cock, he's glad to see you finally let that tension go as you slump forward into his chest. You just need to cling to him for awhile, and he certainly won't be complaining.

The smell of your sweat, your heat, your sleek, soft tongue wetting the bruises your teeth leave in his throat, all that whining and groaning and high, girlish squealing as your hips hump his lap–these and more are all reasons he has to absolutely worship you. Your starry-eyed gaze as you look upon him in ecstasy etches itself into his very soul. He won't ever forget this…he won't ever forget you. Not the warmth of you both being cheek-to-cheek, your hand coaxing out his end as it trails reverently from his jaw down his heaving chest.

“Pleeeeease,” You whisper, so achingly sweet he could cry as easily as cum. “Please, baby?”

Please. Such a pretty word. Prettier from your mouth most of all, so pretty it hurts–nearly stings as he digs his nails in and leaves marks on each cheek, though it will moreso for you when you wince at sitting down at your desk tomorrow morning. You're shaking, trembling more like, and even if he made you wait for it you wouldn't be able to obey. The spasms wracking through you can't be controlled, nor can the grind of your hips down as you let those strong hands drag you all the way to the base. So far that it causes a twinge in your expression as the orgasm passes, your ecstasy blotting out the stretch that you're gonna feel all the way up to your hips in the morning.

But he's got to get in deep, has to make it ache, so he's got a grip so firm it's trembling up his arms and you're shaking even harder on top of him as he digs in and lets loose. There's no question he's hit your womb, it's more curious to whether he's broken through it or not…by the way you bite down on his shoulder and bear the pressure, though, he must be nearly there. Nearly squeezing through that tight, tight wall so he's draining his seed right where it's meant to be. And you paw at him all the while, lower lip quivering, tears threatening to spill, yet you won't let up on rubbing yourself back on his thighs–it just isn't enough until you've taken all he has to give, and even then he can spot that gleam in your eyes that begs for even more. The fact that the condom's split isn't even in his mind, it's floated so far away he won't think of it until it's too late to stop.

Yet all that heat hits the same end after the climax. The friction subsides, the breathing slows, and the two of you are left in content silence as you quietly come back to your senses. There's something even more intimate about losing oneself as a collective; being so hedonistic in pursuing an indulgence, yet facing the fear of baring your own heart to one you love in the process, and reaching an even more satisfying end as it all comes to a close. It's glorious. He wouldn't trade it for anything. He wouldn't trade sex for his own life now that he's had it with you. But, again, he's still coming down from the high–he’ll most certainly feel the embarrassment of losing himself so indulgently as the cool air from the AC starts setting in.

“Was that good, baby?” Your tone just drips with deliciously sinful innocence, god. You've got such a proud expression on your face as he finds the words through his post-coital haze, hands inching back down your ass to grab handfuls of it yet again. Once he's got a grip he tugs, and draws you closer to meet you in a kiss–and as wet as it still is from the exercise, the way you lean into it and giggle is just enough to send his heart burning into passionate flames yet again.

“Very. Always is.” Panting, sweaty, he'd have no trouble convincing the neighbors he was just having it out on a treadmill for the last hour. If he could afford one.

“The best you've ever had?”

“Best. Best and only. Can I get up now?”

“Mmm…” You make a show of thinking up your answer only to tap him on the nose as you lean forward over him. “...No. I like this.”

Mike claps you on the ass suddenly, the smack echoing loudly in his modest little bedroom and eliciting a squeal from you that's just as punctual. Your squirming only draws a heat up inside him again though, and he knows better than anyone that that's exactly what you want. You'd be happy if he never got out of bed again, and if he spent all day with his cock nestled nice and warm inside you.

“Up. I gotta piss. Don't make me count.”

“Fiiiiiiine.” Huffy and puffy as always, you soon relent and slip off with a bit of manoeuvring to flop into bed beside him. “Can I at least hold it?” Rather than say something equally as shameful, he just pushes his pillow over your face with reddened cheeks and ducks with laughter as you launch it back at him, already up and on his way to the bathroom to wash off–and to soon find the evidence of that broken contraception that's definitely gonna plant a seed of worry in him when he realizes. Or…maybe not. God knows how many jokes you've made about wasting his cumshots in your mouth, and how often you've jumped him with no inkling of whether he's got a rubber in reach or not.

Maybe this is just another chapter of life, one more stage he's been readying himself for unconsciously. Whatever it comes with, he's gonna be beside you either way–so in a sense, he's more prepared than he's ever been to face what lies ahead.

[obsidian-pages777]

Pick a Card: Your upcoming revenge arc [jennifer's body theme]

Left to Right= Pile 1->Pile 3

Introduction

This is a sweet reading on how you will have your- come up- in your future life journey. Enjoy!

Pile 1

Past: Three of Pentacles

This card suggests a period of collaboration and hard work. You've been dedicated to your craft, honing your skills, and working well with others to achieve a common goal. You might have had challenges with regards to career developments. Maybe it is something out of your control that caused this. You have been undermined regarding your skills because of this.

Present: Knight of Pentacles

Currently, you're in a phase of steady progress. The Knight of Pentacles represents diligence, responsibility, and persistence. You're putting in the necessary effort and staying focused on your long-term goals.

Future: The World

This card signifies completion, achievement, and fulfillment. Your efforts in career development will pay off, leading to a sense of accomplishment and the opening of new opportunities. You will feel a sense of a massive boost to your self esteem when you achieve success in this one career goal or project that you are working on. You will receive a public accolade in terms of career and you will feel confident in yourself and your skills.

================================================================================================

Pile 2

Past: Ten of Swords

This card indicates a painful ending, likely a betrayal or significant emotional hurt. It represents the culmination of a difficult period, leaving you feeling wounded but also marking the end of this chapter. A specific person or people might have caused you a lot of pain and you might have felt betrayed and disrespected.

Present: The Star

In the present, The Star brings hope, healing, and renewal. You're finding inspiration and regaining your sense of self. This card suggests a time of recovery and the beginning of new possibilities. You have created a new sense of self and managed to continue to create a beautiful environment for yourself. You are magnetizing good luck right now.

Future: The World

The World represents new beginnings and adventures and the closing of a past cycle. Moving on from your past relationship will open you up to fresh experiences and opportunities. Embrace the journey ahead with a sense of optimism and curiosity. Since you are creating an end of an era in terms of your previous relationships and life, you are opening yourself up to new a timeline. This new space created for yourself is a whole 180 turn in comparison to how you were living before. Get ready!

================================================================================================

Pile 3

Past: Five of Swords

This card represents conflict and discord. You may have experienced misunderstandings or felt undermined by those close to you, leading to tension and isolation. Discord in terms of family and friends might have caused you a lot of turmoil.

Present: Two of Cups

The Two of Cups signifies harmony, partnership, and mutual understanding. You're currently in a phase of reconciliation, rebuilding trust, and strengthening your relationships with family and friends. You are learning to build relationships up while taking accountability for how you behave. You might be trying to allow people in your life to understand you better. It might not be easy currently.

Future: Ten of Cups

This card is the epitome of emotional fulfillment and harmony in relationships. Your efforts to connect deeper with loved ones will result in lasting happiness and a renewed sense of community and support. Despite things not being easy to get to that state, you would still get there as you would be making calculated communicative efforts. You will rebuild yourself and the life around you to a better level. You will receive a sense of appreciation from those around you. Your actions will be filled with purpose as well.

[linkspooky]

SUKUNA, YOU ARE ME

Now that we're in the last few chapters of Jujutsu Kaisen it's time to do a deep dive into Yuji and Sukuna's relationship. Is what Yuji showing Sukuna here truly empathy? Does Sukuna's death and Yuji's attempt to reach out mean Sukuna was human all along? We'll discuss that, the parallels between this and Mahito, and what Sukuna's exit means for both himself and Yuji as characters underneath the cut.

I AM YOU

While this post is about the connection between Yuji and Sukuna, I'm going to say the majority of this post will be about Yuji. I stated this in a previous post, I don't believe Yuji's showing Sukuna empathy here. While his offer to let Sukuna live inside of him may be genuine, it doesn't come from a place of genuine understanding. Sukuna himself isn't written as a character to be understood or empathized with.

Look at the words Yuji said. "You are me." He's not saying he's like Sukuna, he's saying Sukuna is like him. He is projecting himself onto Sukuna. Everyone in the story does, even Kashimo and Gojo who both considers themselves the strongest of their time and who naturally should have been able to understand the isolation of being someone as incomprehensibly strong as Sukuna were just projecting their own personal experiences on them in the end.

Of course we could dig a little deeper on the topic.

How much can one person truly understand another? It doesn't have to be a curser, or a borderline incomprehensible deity like Sukuna. How much do you understand your own best friend?

Gojo mentions that he felt loved by everyone, but also that he was so beyond their understanding that they may as well have been plants in comparison to him.

Of course, Shoko herself says that Shoko was always right there next to Gojo trying to offer him support and Gojo just chose to keep her at an arm's length. Gojo also believed that only someone as equally as powerful as him like Sukuna could understand him. Only to find that Sukuna didn't care about Gojo's feelings of isolation at all, nor was he troubled by love in the least.

Gojo makes himself out to be someone so superior to other human beings that he's beyond their comprehension, but that's Sukuna. Gojo did feel understood once, by Geto in his youth. The thing was that Gojo assumed that Geto could understand him because they were both euqal in power level. However, years after the fact when Gojo has long surpassed Geto, their friendship remains exactly the same.

The one that Gojo pictures patting him on the back is adult Geto, not teenage Geto. The one who Gojo truly would have been satisfied by in the end was Geto, not Sukuna.

So maybe what makes Sukuna so impossible to understand by others is that same reason why Shoko can't be close to Geto. Sukuna can't be understood by others because he doesn't care to be understood by them.

Perhaps, understanding isn't the end all be all of human connection. Gojo accepted Geto, and he didn't accept Shoko. Maybe Shoko would have been able to understand Gojo if Gojo ever tried to be emotionally open with her the ever way he was with Geto then he might have felt understood.

Then there's Ryomen Sukuna who rejects love and every notion of humanity along with it.

Therefore empathy means nothing to Sukuna. Yuji's empathy in particular. No, Yuji's attempt to save Sukuna is more about himself than Sukuna. It's a reflection of a change of Yuji's state of mind that he's willing to accept living with a curse like Sukuna. That he'd even try to understand Sukuna. Curses that Yuji previously dismissed as not even being worth understanding.

The first time Yuji said these words was when Yuji tried to make an offer to Sukuna to let him take control of his body in order to heal Junpei, in order to be laughed at by Sukuna. It was the last time Yuji ever asked anything of Sukuna.

Remember, in the very beginning of the manga Sukuna seemed like a standard inner demon character like the nine tails, or hollow ichigo. Yuji even thinks he can use Sukuna to switch out to help fight for him like against the special grade cursed spirit. However, we and the audience quickly learns that not only is Sukuna not just some evil half of Yuji, or a convenient power up, he's an actively malevolent entity with a will that will do anything to escape.

When Yuji realizes that Mahito and Sukuna are both curses, he starts to see Sukuna as an enemy trapped within him. Something he's reminded of again and again, especially after the Shibuya Massacre. From that moment Sukuna and Mahito become like villainous foils to Yuji, the dark to his light, the enemy for him to kill.

Yuji defines Mahito and Sukuna as his opposites and his enemies By killing them, he also gives himself a role. It's Sukuna and Mahito's actions in taunting is the first time Yuji uses the language "kill" when dealing with curses.

Mahito compared himself to Yuji and by saying as a curse he mindlessly kills humans. The same way that Yuji as a sorcerer, mindlessly kills curses. They are on the opposite side of the same cycle with no end in sight.

Yuji decides to embrace this violent cycle because it at least gives him a role to play. If curses are the shadow of humanity, if they're a reflection of humanity then what exactly is you saying here?

Yuji says he is Mahito, and then immediately that he's going to kill Mahito. It's not a statement of self acceptance, or accepting your shadow, but rather a statement of self destruction. Even though Mahito is a chaotic evil curse who enjoys killing humans, Yuji's decision to throw away his humanity just for the sake of killing him isn't a healthy way.

When Mahito said "You are me" he was attempting to drag Yuji down to his level. Yuji then willfully descends to Mahito's level as long as it gives him the strength to kill Mahito. It's character regression on his part. Yuji once said he didn't want to kill because then the value of life might become vague to him.

In a way it did, because Yuji began to devalue his own life. Yuji wasn't able to see any meaning in his life besides a "role' that someone else assigned him. Not only was he willing to throw it away at the drop of a hat, but he also didn't feel like he had permission to live.

Unlike Yuta who actively sought affirmation from others, Yuji rejected that affirmation and tried to push everyone including people like Megumi and Choso away. They were right next to him, but Yuji became unable to accept their love and support.

Yuji is a strange paradox because he presents himself as an all-loving hero who just wants to save as many people as possible, but then you read his dialogue and he's like "I'm just a cog in the machine, I will continue to kill curses until one day I die. Then I'll just be replaced by another cog. There's no meaning at all to this sequence. Life is an endless nightmare."

I'm exaggerating, but underneath Yuji's sweet nature and goofing around, there's this very bleak attitude that his life means nothing except for the labor that he produces, and one day he'll be tossed aside and that's fine because it's what he deserves.

If Yuta seeks self-affirmation, then Yuji is seeking self-destruction. His self-loathing leads him to practically lay his head down on the chopping block and offer his neck up for execution by Higuruma's domain during the fight with Higuruma, even when Higuruma himself points out that Yuji isn't the one at fault because he wans't in control of his own body. Yuji will still take the blame, anything to punish himself further.

So, the words Yuji uses in his triumph against Mahito also signify the destruction of his own ego. That is what Yuji does when he adapts his cog mentality, he denies his own sense of self.

What Yuji experiences is basically a prolonged ego-death.

Ego death is a "complete loss of subjective self-identity".[1] The term is used in various intertwined contexts, with related meanings. The 19th-century philosopher and psychologist William James uses the synonymous term "self-surrender" and Jungian psychology uses the synonymous term psychic death, referring to a fundamental transformation of the psyche.

I brung up Ego-Death in the Jungian context, but in Yuji's case, resigning himself to being a cog is also an act of self-surrender. Yuji basically moves away from all of his previous ideals. He only sees himself as a tool to kill curses. Saving others, or helping guide others to a natural death, those things get put on the back burner as a tool doesn't need ideals.

He's abandoned all kinds of idealism and higher reasoning. In fact that is what Mahito wanted him to do, to abandon the higher reasoning that belongs to human beings and act on instinct like a curse. Mahito successfully pushed Yuji to abandon human reason and become an unthinking cog.

Jung defines the Ego-Death as the stripping away of everything else to revert to your natural self. According to Ventegodt and Merrick, the Jungian term "psychic death" is a synonym for "ego death":

In order to radically improve global quality of life, it seems necessary to have a fundamental transformation of the psyche. Such a shift in personality has been labeled an "ego death" in Buddhism or a psychic death by Jung, because it implies a shift back to the existential position of the natural self, i.e., living the true purpose of life. 

Megumi also experiences an ego-death over the course of the manga that mirrors Yuji's own when Sukuna takes over his body, soaks his soul to bring Megumi near evil, and then kills Tsumiki. At this point both Yuji and Megumi both lose what were their reasons for fighting. The so-called "dignity obtained by human reason" is lost. After having those reasons stripped away from them and experiencing their ego-deaths both of them surrender control. Megumi becomes helpless and stops trying to fight Sukuna. While Yuji may not seem like he's given up on anything since he keeps trucking along, he too has given up on thinking for himself. Yuji has essentially given up as much as Megumi has, there's just less plot consequences for it.

Either way they are both brought to their lowest point by ego-death, in order to bring them to their lowest point, and make them experience a rebirth of sorts.

The persona in Jung is the face you show the outside world. it's one part of personality, with the other being the shadow. The shadow is the repressed part of peresonality. Just like curses are made up of repressed human emotions that leak out from our collective subconscious. Curses serve as the shadow of humanity collectively, especially Mahito who is made up of everything humans hate and fear about other humans. The physical embodiment of human cruelty.

However, a person can't live without their shadow. There's no such thing as a human without flaws after all, and you don't become a better person just by ignoring your own flaws. The kinds of people who are unaware of their own flaws tend to unconsciously repeat the same mistakes again and again and again.

Yuji despises curses as inhuman monsters that he can slaughter like they're enemies in a video game, but they're like... made of human vices. They are the product of humanity's emotions. Yuji's habit of only looking at the good makes him unaware of both his own shadow, his own shortcomings, and also the darker shades of grey in the world around him.

Megumi and Yuji both are characters who, need to be dragged down to the darkest point of the shadow and forced to confront their own flaws in order to learn about themselves. It's not a coincidence thaT Yuji who puts humanity on such a pedestal is a human and curse hybrid. That his older brother who's shown to be a source of overflowing unconditional love is also a human / curse hybrid, and who Yuji nearly killed because he blindly, obediently decided to kill curses. That Yuji killed two of his other curse / human hybrid brothers in spite of noticing they were different from other curses and had a family bond with each other.

It's not a coincidence that Yuji who puts humanity on such a pedestal devoured the corpses of all of his other brothers the same way that Sukuna ate his own twin in the womb to gain the power to defeat Sukuna.

Yuiji lacks a lot of self-awareness. That's why I've always said he doesn't quite live up to the "all-loving hero" he sees himself as. Savior is just a role that Yuji has adopted in order to give himself a purpose in life, but he falls short of that. The reason that he falls short is ironically that Yuji tries so hard to be superhuman, that he can't forgive himself for having basic human flaws.

It's why "Being a child is not a sin" is such a meaningful line coming from Nanami. In Yuji's eyes being a child is a sin. He constantly blames himself for not being able to hold the weight of the world on his shoulders, for not being able to save everyone by himself even though he's only been a jujutsu sorcerer for a few months.

It's why Yuji gets excited for a moment when Kusakabe mentions that Yuji is developing very fast by sorcerer standards, because he wants to be someone monstrously talented like Higuruma or Gojo - and why he immediately looks so disappointed when Kusakabe says it's not because Yuji is talented it's just because of Sukuna.

Yuji feels an overwhelming amount of responsibility and wants to be a special person who is strong enough to actually carry all that responsibility on his shoulders. That's why I say Yuji isn't a true all-loving hero, because it's more about Yuji's own feelings than the act of saving others. His guilt complex over Sukuna.

His desires to be someone special and meaningful. Yuji wants to be a good person who saves others because it gives YUJI and purpose and it gives YUJI a sense of fulfillment. If you've read Tokyo Ghoul it's like Kaneki's reason for participating in the Anteiku Raid. Not because he genuinely wanted to save others, but because he "was tired of not being able to do a thing."

(I'm keeping the meme panel because it's funny)-

Yuji wants to be strong and wants to be a savior because Yuji feels insecure in himself and loathes himself for his own weakness. However, this pushes Yuji farther away from his goal of saving others and making connections with other people so he can die surrounded by people BECAUSE people empathize with each other over their weaknesses.

Yuji wants to become someone strong and unbreakable who will never falter, never feel pain, and most of all never lose. He basically wants to become Satoru Gojo, but if Yuji were to ever rise to Gojo's level like that just by getting rid of all of his weaknesses he'd fundamentally lose his ability to connect with people the way Gojo and Sukuna have.

Yuji defines himself in strength, and suffering, and always overcoming, but then what is his heart for? He strives to become someone stronger than Gojo or Sukuna to protect his friends, but if he loses his heart that loves and cherishes those friends in the process then what even is the point?

Yuji walks a dangerous road from the culling games up until the Shinjuku incident, into nearly becoming like Mahito or Sukuna in his attempts to be stronger than them. I don't think he was ever in danger of going on a murder spree, but I do think he was risking becoming someone like Gojo.

Gojo made himself a tool for Jujutsu Society for the greater good and look what happened to him in the end. Not only did he die in the line of duty, his corpse was turned into a puppet to use as a weapon against the enemy. He made himself into a monster even when people like Yuta were begging Gojo not to. Yuji was on a similiar path of cutting off all the people who loved him and just becoming a person exploited in both life and death for the greater good.

So what stopped him?

Megumi.

YOU ARE ME.

A few people said that Yuji's abandoning the cog mentality suddenly happened too fast, or felt unearned but I think if you look at the culling games arc from higiruma's fight onwards as a whole it's actually a natural progression.

It all starts with Higuruma and Yuji's conversation:

Higuruma: "You're innocent. You didn't commit that crime." Yuji: "Even so, it's my fault." Higuruma: "Why?" Yuji: "...I see. Itaodri, there still may be a lot of people who are weak like you."

Yuji is someone who loevs humans, but puts humanity as a whole on a pedestal. He loves humanity but hates human weakness, especially his own weakness. Ironic because Higuruma is also someone who became jaded by having to work in the corrupt justice system and was forced to look at human ugliness day after day after day even though he wanted to be someone who valued people for their weaknesses.

Yuji doesn't learn to empathize with human weakness until Megumi's weaknesses are the one he's forced to confront. He doesn't abandon his notion of roles until he's robbed of his roles by Sukuna when Megumi becomes the possessed one instead of him.

Yuji is fine with being a sacrifice for the greater good, but he is not fine with sacrificing Megumi. By knowing exactly what Megumi is going through and wanting to save Megumi from Sukuna's possession, Yuji is in an odd way forced to empathize with himself. Like, it's a double standard on his part that's being challenged. Yuji blames himself for all the people he hurt as Sukuna, but he'd never blame Megumi for letting Sukuna kill tsumuki while possessing his body.

In his refusal to sacrifice Megumi for the greater good, even when Megumi is begging him to do so he rejects the common Ethos that sorcerer's are expendable cogs who are expected to sacrifice themselves and their comrades in the eternal fight against curses for the sake of public safety.

Yuji carries with him this grandiose notion of saving as many people as possible. However, when the option comes to make a sacrifice that would save hundreds of thousands of people from the merger by fighting to kill Megumi instead of save him from Sukuna's clutches Yuji can't do it. Even though Megumi at that point would be a completely willing sacrifice.

Yuji has to abandon his cog mentality to save Megumi, because an unthinking cog wouldn't put Megumi's life over the lives of everyone in Shibuya. A cog, especially a sorcerer would kill that one kid in order to save thousands of lives. Heck, Kusakabe more conservative sorcerer even brings up that argument that everything would have been avoided if Yuji was executed to begin with.

In order to save Megumi, Yuji must also reclaim his own humanity. There's a reason that Nanami, and Nobara, die right before Yuji adopts his cog mentality. Nanami, the most ethical of the first grade sorcerers who tried to teach Yuji to value his own life because he was a child, and Nobara the only kid in the main trio who was a normal person are both representatives of Yuji's humanity.

After losing both Yuji becomes reckless, he stops valuing his own life. As I said far, far bove, Yuji never listened to the advice Nanami gave him that it wasn't a sin to be a child. Yuji has this entire time thought it was a sin just to be weak, just to need the help of other people, just to not be able to accomplish everything on his own.

After Yuji starts reconciling with his own humanity though, he regains his connections to both Nanami and Nobara. Nanami comes back symbolically in the form of Higuruma, someone Yuji tries to encourage to live instead of taking the same suicidal path that Yuji was bent on. Whereas, Nobara herself actually comes back from the dead in time to land the final blow, the same way she reminded Yuji of her presence and that she wasn't alone in the Mahito fight.

Yuji also regains these connections when he's processed the grief for both people. He remembers Nanami and what Nanami left him in a more positive light. In my interpretation the line "I am a sorcerer" refers to Yuji developing a more healthy version of being a sorcerer. That instead of Yuji seeing sorcerers as slaves who have to sacrifice themselves for the greater good like Geto did, Yuji can see the camraderie between sorcerers who fight and put their lives on the line together.

Either way, I think the moment Yuji truly reconciled with the grief of death is sadly enough with Choso's death. If you want proof that Yuji's revelation wasn't rushed, that he didn't skip from point a to point b, then it's right here.

Choso apologizes to Yuji for leaving him ahead of time, and Yuji tells him not to, because Choso was always by his side when he was at his lowest point and that brief time they had together was enough for him.

Yuji's relationships so far have been defined by his fear of losing people. He wants to have a natural death, he wants the other people around him to have good deaths, he doesn't want people to die too early. By focusing on the fear of losing people, he hasn't yet been able to enjoy the time that they were around. However, in this moment he realizes how much Choso meant to him, even if their relationship was brief, and even if it came to an end. Yuji learned you can still love someone even if you inevitably lose them.

This is when Yuji finally accepts mortality and fragility as a part of life.

This is also what Sukuna can't accept. That life is fragile. That life is weak. That life comes to an end. Sukuna's entire goal is to maximize pleasure and live as long as possible, and therefore he's rejected all of the unpleasant parts of reality. Sukuna doesn't want to live in the real world like a human being, he wants to exist only in the world of Jujutsu where he's a god.

This is what Yuji represents to Sukuna, The human vulnerability, and mundanity that he threw away, by literally cannabilizing his own twin and throwing away part of his soul. The part of his soul that Sukuna threw away was taken by Kenjaku, and used as a science experiment to create Yuji. Technically, Sukuna is Yuji's uncle but symbolically Yuji is the twin that Sukuna cast aside. Especially since in this world cursed energy treats identical twins like they are the same person.

Yuji for the longest time tried to do what Sukuna did. Tried to throw his own humanity away so he could be as strong as Sukuna. He literally even ate the corpses of his own brothers.

Yuji and Sukuna are symbolically twins, but Yuji learns to embrace the things that Sukuna threw away. Sukuna threw away his own soul's twin in order to grow strong. He became all powerful in the jujutsu world because he ate his twin and gained an extra pair of arms and a mouth. He's like if Maki chose to kill Mai instead of Mai sacrificing herself for Maki's sake.

Yuji chose companionship with others over power. Sukuna doesn't need others people to satisfy him, and Yuji begs Megumi to come back from the dead because his life would be lonely without him. Yuji doesn't have some noble reason for going this far for Megumi's sake. He's not saving Megumi for the greater good, but because his connection to Megumi is important to him. Because he doesn't want to go through life without Megumi.

Yuji loathes weakness like Sukuna. Yuji desires to be someone special like Sukuna. Yuji has a grandiose sense of self importance like Sukuna. Yuji desires power like Sukuna. Yuji looks down on weak people like Sukuna does, he just condescendingly wants to save them instead of Sukuna who just wants to stomp on them like ants.

Yuji is also literally Sukuna. He was created by an offshoot of his soul. The same way that Sukuna was born with a body perfect for Jujutsu, Yuji was born stronger than anyone his age, and develops at an extreme rate as a sorcerer BECAUSE he was Kenjaku's science project to make the perfect vessel for Sukuna.

They are totally twinsies in so many ways, the only difference in the end is that Yuji learns to value human connection. In Sukuna's book there is no meaning to life, except for the pleasures he pursues as an individual. Therefore Sukuna is the only real person that matters or even exists. The narrator says as much he alone is the honored one, all that exists is his pleasures and displeasures.

In Buberian terms Sukuna only experiences existence and I and It relationships.

Buber's main proposition is that we may address existence in two ways:

The attitude of the "I" towards an "It", towards an object that is separate in itself, which we either use or experience.

The attitude of the "I" towards "Thou", in a relationship in which the other is not separated by discrete bounds.

Sukuna is the "i" and everyone else is an "it." Sukuna is the only real person who exists, and everyone else is just an object for their amusement.

Whereas, Yuji experiences "I" and "Thou" relationships. Yuji learns to see other people as different from himself. Yuji appreciates people as separate entities. While Sukuna gets amusement from his life by treating other people like toys, for Yuji the value in his life comes from the people who have entered into his life in some form. He appreciates the relationships he's formed with people and the memories they've left behind, no matter how brief the time they spent together was.

This is why Yuji's words reach Megumi, because he respects that Megumi feels differently than he does. He doesn't tell Megumi to just suck it up and keep fighting because that's what Yuji would do. He understands that he's a different person than Megumi, and he can't say he understands the grief and pain Megumi is going through right now.

That's Yuji's big revelation, in just a few short months as a sorcerer he's met so many people who left an impact on him. Some of those relationships came to an end early, but that painful ending doesn't negate what they meant to him.

The few months he spent with Choso have value even if it's not the same as the one hudnred and fifty years Choso spent with the rest of his brothers, because Choso supported Yuji when he was at his lowest point. Yuji finally sees that what gave his life meaning was the memories he made with other people while they were alive together. Not the way that they died.

So Yuji is finally willing to let himself exist outside of a role.

That's what he's offering to Sukuna as well. Maybe not empathy or understanding, because if Yuji had truly learned empathy maybe Sukuna might have accepted his offer. No, Yuji is simply willing to offer Sukuna the chance to live alongside him.

Sukuna rejects bonds of all kinds and Yuji is now embracing them. Yuji no longer seeks to annihilate curses because they're a fundamental part of life. Yuji wants to live on with his curses and burdens. He's also willing to give Sukuna a chance to keep living too.

Even Yuji points out that both of them are totally twinsies. Sukuna was born as a curse because he devoured his twin brother in the womb. Yuji was born as a curse because he was created to be Sukuna's vessel. The only way that Yuji is the way that he is is because he was raised as a normal child by his grandfather. If Yuji hadn't then he would have turned out entirely different. It's the same way that Choso became human because of his love for his brothers, even though he was born as a curse human hybrid and tossed aside by Kenjaku as a failed experience.

Yuji acknowledges both his capacity to have turned out like Sukuna if not for his grandfather's sake. This time when he says You are me, he's not saying it to threaten and destroy the person he sees as his shadow. This time Yuji is trying to reconcile with his shadow. He's looking at the person who represents the absolute worst of humanity, and the things he hates about himself and is still willing to give them the chance to keep on living together with him.

When Yuji says "I am you, so I'll kill you" to Mahito, that signals his first step on the road to self destruction.

When Yuji says, "I am you, so I'll save you" to Sukuna, that signals his first step on the road to self-acceptance.

It's Yuji allowing himself for the first time to just exist as a normal person not as the hero of some epic story. He even gave Sukuna that chance too, to just continue living alongisde him, but sukuna rejected it to keep on living as a curse until the end.

So, while Yuji saying "You are me" to Sukuna isn't true empathy, it is Yuji learning to accept himself and his flaws. . Because if Yuji is willing to forgive someone like Sukuna, then perhaps he might just learn to forgive himself.

[uriekukistan]

JJK 266 & Megumi's Childhood

i wanted to talk about megumi and his childhood for a bit, and how it ties into what happened in the most recent chapter, specifically the reasoning behind why yuuji's "i'm so lonely without you, fushiguro" was so moving for him.

i sincerely believe that everything about megumi and the way he acts can be traced back to being abandoned as a child, and i have a lot to say about this that doesn't pertain to this chapter, but that's for another post. for now, i want to talk about the logic megumi adopted to explain why he'd been left behind as a child, and how that carries through to 266.

the elephant in the room first: this is not a safe space to defend toji. you can say whatever you want about him "loving megumi," but it doesn't change the fact that he wasn't a good father, and he was never around for megumi. he gave megumi the first of many wounds, the one that megumi built his whole sense of self around.

what brought this up for me is this line that megumi shares to yuuji after yuuji has made contact with his soul in 266.

i've already talked a bit about how i don't think this should be taken literally (you can read my full thoughts here), but to paraphrase: megumi isn't saying they are literally walking side by side, rather that he holds them to the same level in his mind, and he wants to see them achieve peace and happiness. it's also implied by the "seeing off" part that he is standing back and watching this happen. he isn't a part of said peace

in that post, i touched on the way megumi is always willing to shoulder the burden of being a "bad" person when it comes to tsumiki and yuuji, and how that relates to this line, but for the sake of this post, i specifically want to draw the comparison between this line, and what megumi says to gojo in ch79 when talking about his dad.

he assumes that when toji and tsumiki's mom leave them behind, it's because they're going on to live a happier life without the kids. he adopts this mindset at a very young age, and with the previously mentioned line, we can see how it's carried through until now.

megumi has internalized the idea that he's nothing but burden that drags other people down. his young mind couldn't come up with any other explanation. he thinks he's the dead weight that's been cut in order for toji and tsumiki's mom to achieve happiness, so he believes that no one can be happy as long as he's around.

he also comes to accept that he will always inevitably be left behind. he assumes that everyone will outgrow him and move onto something better, so he lives in anticipation that he will be abandoned again eventually, hence, it is natural for him to envision the two people that matter the most to him needing to leave him behind to achieve happiness.

enter: yuuji.

he basically outright rejects the idea that he would be happier without megumi around. he tells megumi directly, "no, i'd be lonely without you." and he says this to child megumi, the one who only knew the feeling of being left behind and the idea that everyone else would be happier without him.

this is what pushes megumi to finally fight back, because he realizes his life actually is worth something to someone. he sees that him being gone won't make the people (or uh. singular remaining person) he cares about happy.

[thatwritergirlsblog]

10 worst ways to start a book

1. An irrelevant point of view

It's extremely frustrating as a reader to read the opening scene of a novel, get invested in the story and start rooting for the POV character, only to have that character never show up again or show up as an unimportant character.

Your readers will feel betrayed. Why did they get emotionally invested in this character? Why did they care?

One of the most important functions of your first scene or chapter is introducing your main character and getting the reader to root for them.

Don’t waste that crucial moment on an unimportant POV.

2. Too many characters

Starting to read a new book is usually a bit confusing. You have to get to know new characters, a new world, a new writing style etc.

Don’t add to that confusion by introducing two dozen characters in the opening scene. Readers won’t remember their names or care about them; they’ll just feel overwhelmed and confused.

Additionally, readers will also struggle to root for the main character, because there are too many other people crowding the scene.

3. Telling

My name is Lisa. I’m a short, feisty brunette who loves horse riding. I have two best friends called Anna and Daniel, and we carpool to college every day. I have a crush on Josh, one of my tutors, but he’s twenty-seven and isn’t interested in me.

Telling is boring. It has its place, but the start of your novel is not it. The above paragraph could have been an interesting scene in which you showed the reader all the information via action and dialogue.

Unless you’re using subversion to surprise the reader, e.g., My name is Lisa and I’m a class-three demon, don’t start with telling. 

Immerse the reader in the story through action, dialogue and the senses. Show us who the main character is, don’t just tell us.

4. Description

Please don’t start your book with a page-long description of the setting. In fact, I would recommend not starting with description at all. 

Yes, a few lines of description later in the opening scene is fine. But the reader needs to care first. 

No matter how beautiful your writing is, readers won’t be sucked in by a five-paragraph description of a field.

5. Worldbuilding info dump

Please don’t start your book with an explanation of your world’s climate, politics, history, magic system etc. 

Once again, the reader needs to care first. 

There needs to be action and conflict and a compelling plot. The world exists as a backdrop for the story and the characters – it’s not the protagonist and it shouldn’t take up the opening scene.

6. The dream sequence

The main reason that this is a bad way to start your book is that it’s been done way too many times.

But that’s not the only reason.

It also feels like a betrayal to the reader, because they got invested in the story and the character and the events, and then you tell them it was never real.

And oftentimes the storyline and world of the dream is much more interesting than the actual story, which makes the latter look very boring in comparison.

7. Looking in a mirror

Once again, it’s just been done too much: A character looking in a mirror and describing their physical appearance to the reader. 

Firstly, no one describes their appearance in detail when they look in the mirror.

Secondly, the reader doesn’t even know who this person is. We don’t know if we’re interested in the character yet. We don’t know why we should care. So, we don’t want a detailed description of the character’s appearance right off the bat.

Show us interesting aspects of your main character’s personality, hobbies and life. Weave in physical description as it becomes relevant. It’s not important enough for the very first paragraph.

8. Starting way too early

Yes, most books don’t start with the inciting incident (although I recommend that they do), but the start of your book shouldn’t be too far away from your inciting incident.

So, don’t start with a long scene describing the main character’s everyday life. The readers want the thing to happen.

Providing context and introducing the main character is fine, but don’t leave the reader hanging for too long before you get to the good stuff.

9. Trying too hard

“Your first line has to be amazing and hook the reader. It needs to be something no one has ever read before.”

I bet you’ve heard that piece of advice hundreds of times. It’s not bad advice, but taken to the extreme, it creates an opening that is disjointed, conflated and confusing.

Your first scene should introduce your character, story and voice. So, don’t write a single line of profound purple prose that has very little to do with your actual story as a first line.

Focus on writing a good story. Introduce the reader to the book and make the main character intriguing. You don’t need a mind-blowing first line.

10. The lesson

Most books have a theme or something the author wants to say. Oftentimes, that takes the form of a life lesson.

This is good, but the lesson needs to be subtly woven into the story.

It should not be forced down the reader’s throat in the very first scene.

Don’t tell me what I’m going to learn, show me the lesson through the story.

If you’d like to read a Fantasy Adventure novel that does not have any of these opening mistakes, check out my debut To Wear A Crown.

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[burnt-out-pancake]

Thanks for making me cry, @hockeyisforthegays

I was in the middle of reading chapter 8 when chapter 9 dropped. I immediately went to draw this once I finished reading the new chapter because that scene made me CRY. Without context, though, this work is kinda hilarious.

I officially hate Toji now. He was a nightmare to draw because idk how to draw buff men, so I spent 3 hours redrawing his pose and looking up references on pintrest until I got it right. I also spent a ridiculous amount of time drawing Megumi's backpack and his "Truck" because I can't draw anything simple without making my life hell in the process. I've also just now realized how huge the backpack looks in comparison to Megumi, and it wasn't even on purpose.

There's so much i want to say about this piece, the fact that Yuji and Megumi are bathed in light, but Toji is turned away from it. I also wanted to color this as well as make it greyscale, but then I also realized that I didn't want to torture myself any further when I had already spent 12 hours on this already, so greyscale it was. It was really fun trying out the screen tones and experimenting with them.

Shout out to my dad for making me realize how long I stayed up when he got up to get to work at 4 am.

BONUS:

In honor of the first commenter on ch. 9