#also go watch furiosa it's great

[buttfrovski]

*watching mad max*

"no way! phone destroyer reference!"

[vanishingmoments]

the way theaters are dying because people think "oh I'll just catch it later on one of 700 streaming services" is really tragic. I've seen four movies in theaters this year and with one exception I can say that the experience of seeing them again on my TV will never be anywhere near as complete of an experience.

[unproduciblesmackdown]

bonus thing i cherish in this shot is that it's the one time it's immediately noticeable that her hair length is uneven....let's go Cutting One's Own Hair (With Or Without A Mirror) look havers irl (b/c of cutting one's own hair with or without a mirror, maybe) & even when it's recreated on purpose like so

[fuckyeahisawthat]

Furiosa thoughts

About 48 hours after watching, I think my take on Furiosa: A Mad Max Saga is coalescing into: I enjoyed it as a Mad Max movie but found it disappointing as a Fury Road prequel.

Any Mad Max movie made after Fury Road was always going to suffer the fate of being compared to Fury Road, which is the best action movie ever made. So like, compared to any other action movie you can think of, Furiosa: A Mad Max Saga (we'll call it FMMS going forward) is very very good! It just isn't Fury Road.

The rest is under the cut for spoilers:

The action sequences were compelling. (I was aware I was hunched forward in my seat in tension/anticipation almost the entire time.) Some of them were even brilliant. That long sequence where the Octoboss and the Mortiflyers (yes those are their names) are attacking the War Rig with all kinds of airborne contraptions? Phenomenal. I was like yes okay now we are in a Mad Max movie! Other than that one sequence, though, in which we see Furiosa and Praetorian Jack begin to trust each other, I thought they rarely achieved the kind of wordless advancement of character relationships through action beats that is the lifeblood of Fury Road. So the action was good, but it was just normal-good, not Fury Road transcendent.

I did miss John Seale's cinematography. While I thought the action choreography was great, the shot selection was just not as dynamic and interesting as in Fury Road. I also really did not vibe with so much of the musical themes being recycled from Fury Road. The Fury Road score is SO memorable and the music is such an integral part of the momentum and feeling of every scene in the movie; I can play that score and see every beat of the action unfolding in my brain now. I wanted new score that felt like it was a part of this new action that we were seeing.

I loved all the new worldbuilding details and finally getting to see inside Gastown and the Bullet Farm. Those locations and their unique features were utilized really well for the action that took place in them. Loved the new details we got about the Citadel. The grappling hooks just dipping down to yoink people's vehicles during battle? Fantastic. The hidden Citadel ledge with the little pool of water?? That was such a fanfic-ready location. Pretty sure I already wrote at least one fic set there back in like 2016.

The Green Place! Very different from what I imagined but so much worldbuilding in just a few shots.

In general I thought the new cast rose to the challenge. Alyla Browne who played little kid Furiosa I thought was phenomenal actually. That's a tough role, both emotionally and physically, for a child actor and she slayed it. Casting Indigenous model and actress Charlee Fraser to play Furiosa's mother certainly made the Stolen Generation parallels more obvious. I'll have a lot more to say about Dementus down below, but Chris Hemsworth brought a great combo of bonkers and menacing.

I never doubted that Anya Taylor-Joy could bring the emotional intensity needed to the role--she can do crazy eyes like nobody's business, and with the growl she put in her voice she really did sound like Charlize Theron a bit. I found her physicality convincing for a young Furiosa. But she is not Charlize, through no fault of her own. Charlize is tall and she has broad shoulders and she just takes up so much space when moving and fighting as Furiosa and I think it was always going to be hard to replicate that. As long as they didn't try too hard to bridge the gap between the characters I was fine with it. But that one scene at the end where she's bringing the Wives to the Rig I was very viscerally like that is NOT our Furiosa. (I almost wish they would've used Charlize's stunt double for that scene the way they popped Jacob Tomuri into Max's place.) They could have simply left a time gap--based on the "15 years" she says to Dementus and the 7,000+ days we hear about in Fury Road there should be at least a 4-year gap between the film timelines, although in terms of bridging the look of the two actors it feels like it should be more like 10 years.

If FMMS had been a self-contained movie about a character named Furiosa in the Mad Max universe, I think I would have found it very satisfying. But as a prequel to Fury Road there were a bunch of ways I thought it was lacking on a story level.

I think it's pretty clear that this is not the backstory, or at least not the complete backstory, that Charlize Theron was imagining while playing Furiosa. Which...there's nothing objectively wrong with that; word of God and what actors think about their characters doesn't supersede what's on film for determining what is canon. However, Fury Road positions Joe as Furiosa's main antagonist, and while we don't get the full story behind the incandescent rage she directs at him, we know that rage is there and is a big part of her motivation. In interviews at the time, Charlize talked about the idea that Furiosa had been stolen to be a Wife but then was discovered to be infertile and discarded, how she survived by hiding in the Citadel and eventually rose to a position of power, how she saw her actions not as saving the Wives but as stealing them, and that her motivation at least starts out as more about hurting Joe than helping these women.

We get only the tiniest suggestion of Furiosa's backstory in Fury Road ("I was taken as a child, stolen") and the rest we piece together by implication. She is a healthy full-life woman working for a man who keeps healthy full-life women as sex slaves, hoping one of them will produce a viable male heir for him. She is effectively a general in his army, projecting his power on the wasteland, a position no other woman seems to occupy. She tells Max she is seeking "redemption." Redemption for what? She doesn't say. But "whatever she has done to win a position of power within this misogynist death cult" seems like a pretty obvious answer.

And that's interesting! That's an interesting backstory that engages with some of the core themes and moral questions of the Mad Max universe. These movies deal a lot with the tension between self-preservation and human connection. Do you screw someone else over to protect yourself? Even if it means putting them in the terrible position that you yourself have clawed your way out of? Even if it means enforcing your own oppressor's power over them? Or do you take the risk of helping people and caring enough to connect with them, even though this carries an emotional and physical risk?

FMMS doesn't really engage with Furiosa's relationship to Joe like, at all. It's not like Joe comes off looking like a good guy. He's just hardly in the movie. I don't know if this would have been different if Hugh Keays-Byrne were still alive. I don't know if there was pressure from the studio to cast an A-list male lead actor alongside Anya Taylor-Joy (who's a hot commodity now but wasn't what I would call an A-lister when she was originally cast). I don't know if, once Chris Hemsworth was cast, that affected how central his character's role became, since he is certainly the biggest name attached to the film. I would have actually been fine with Chris Hemsworth or another actor of his ilk playing a younger Joe, and us getting to see some of the charisma that attracted followers to him.

But the end result is that we have Dementus, who is a perfectly fine Mad Max villain, and quite entertaining at times! But not the most compelling antagonist you could give Furiosa.

The four Mad Max movies that feature Max go through an interesting evolution. In the first two movies, the villains are people "outside" society--criminals and roving gangs--and the people Max is defending are "civilization." So we have Mad Max where Max is a very fucked-up cop, and Road Warrior where Max is the prototypical western gunslinger, riding in to town to protect the settlement from an outside threat, but ultimately unable to accept any of the comforts of civilization for himself.

Then in Thunderdome and Fury Road, the dynamic switches. Now the antagonists are warlords and dictators. They are civilization. And the people Max ends up helping are trying to escape them.

To me, Dementus feels much more like the earlier kind of Mad Max villain. If there's another Mad Max movie I can most compare FMMS to, it's the first one. Dementus is Furiosa's Toecutter. (Kills her family, gives her her signature disabling injury, movie ends with her seeking revenge on him but it doesn't feel heroic or triumphant.) The whole end of FMMS when Furiosa is implacably hunting down Dementus? Extremely Mad Max 1.

But violent revenge holds a different symbolic place in Furiosa's story than it does in Max's. The end of Mad Max is a tragedy because Max tells us it is. He explicitly states, early in the movie, that he needs to stop being a cop or he'll become no different than the violent criminals he's pursuing. So he leaves his job and goes on an extended weird vacation with his wife and child, trying to get away from the violence of a collapsing society. But that violence finds him anyway, and by the end of the movie, Max has become the exact thing he said he didn't want to be. It's a tragedy not because the people Max kills in revenge for killing his family don't deserve it, but because seeking violent sadistic revenge is damaging to Max. That is not what he needs in order to heal from the loss of his wife and child. What he needs is to take the risk of human connection again. This is what he starts groping toward in the following two movies and fully realizes in Fury Road.

But Furiosa doesn't have the same arc. Her story in Fury Road is about how a few people struggling against their oppressor can be the catalyst that brings down a whole regime. Furiosa getting to rip Joe's face off is fucking satisfying, and it's supposed to be! So it's a bit weird, then, to spend an entire movie giving her a backstory that not only is not about Joe at all, but implies that seeking and getting revenge against Dementus for killing her mother and Jack is what made her into the person we see in Fury Road.

Aside from questions of revenge, what I thought Furiosa's goal was going to be is set up in the beginning of the movie. "No matter what happens, find your way home." Very clear objective there. And then we see her try to get home like, 1.5 times. I thought we were well set up to follow the tried and true film story format of "simple goal, big obstacles, high stakes." I wanted to see her trying over and over again to get home, and being thwarted in different ways every time. I wanted to see grief and guilt over her mother's death turn her mother's last command into a mission for which she would sacrifice anything (and anyone) else. I wanted to see her justify working for Joe and accumulating power in the violent world of the Citadel as what she has to do in order to get home. I wanted to see "Have you done this before?" "Many times." But we didn't really get that either.

Ultimately, I think the least frustrating way to think about the film--which the film itself encourages--is as one of many possible Wasteland legends about a character called Furiosa. Maybe it happened this way. Maybe it didn't. Maybe this is the Furiosa we see in Fury Road. Maybe it isn't. It all depends on how much you believe of the History Man's tales.

[ellestra]

Beyond the Wasteland of Vengeance

I just watched Furiosa: A Mad Max Saga and I loved it. It was hard at times as this is a harsh world and the rule of prequels tells us who has to die. But it was so worth it. We already know this is story of hope in the end. We know how Furiosa's Fury Road ends. It's starts with the same unrelenting determination (like the way she makes sure no one could tell of her home).

The cast is great (even if Chris Hemsworth fake face is somewhat distracting) but I think the most impressive was Alyla Browne who is Furiosa much longer than I expected for a film marketing Anya Taylor-Joy so heavily. She has some of the most badass parts (if you thought you hated Immortan Joe's sons before... well, thinking of their deaths is even more satisfying now). She is also made look so alike Anya that I initially missed the moment they switched.

But Immortan Joe and his band of monsters are just background creeps showing the decay of the world in general. The main villain is the one who took everything she loved from Furiosa. And didn't even remember half of it because he destroyed so many lives hers was nothing special. The one who set her on this path.

There is something sad about Dementus. You can almost feel, not compassion, but at least pity. You can see glimpses of a person he used to be before children died and you see how the end of the world destroyed him. It's like the voiceovers at the beginning describe what happened to his mind and soul when everything fell apart.

He's embodiment of that rot (and him going through white to red to black phases makes it even more clear). And he destroys everything he touches. At least the lords of Citadel, Bullet Farm and Gas Town built something. Something horrible and cruel but something. He can only destroy. He thinks finding Abundance will save him but he will only destroy that too. As I said, allegory.

Furiosa is his opposite because she doesn't let the cruelty of the world destroy her like this. She doesn't let the rot take hold of her and use her to spread. She never trusts the monsters surrounding her and she doesn't believe any of their promises. There is no safety in just letting them do that one thing. The cruelty will not end and will not be just that one thing.

I loved how she never stopped fighting. Not during her kidnapping. Not during her imprisonment. And then she found a way to escape one into another and then escape that one too. Using the very way those men wanted to poses her to plan her escape. Even when she loses her way home (figuratively and literally) to have her revenge it doesn't last. Even if she needed help in to follow her dream.

It's hard to trust in this world because a single act of kindness may cost you everything. But not everyone is evil. Even in Wasteland she finds someone who actually gives her help she needs. Someone she wishes to share her goal with. This films actually did "not all men" and it was great because it was earned but also because it helped explain why she would trust Max eventually. She already knew there are ones you can trust.

I tried to be pretty generic so far but behind this cut are SPOILERS for the very end (even though I don't say what it actually is - you can watch it yourself).

That ending was perfect both as foreshadowing who she will become but also as a callback to the beginning of the movie. Dementus tried to make her his daughter and use her to replace his children but she rejected him completely. Even if that was just swapping one monster for a bunch of even worse ones. And here at the ends he gloats about turning her into his daughter anyway. One in spirit anyway.

That like him she becomes creature of revenge and cruelty that nothing will ever satiate. Someone so obsessed with vengeance she will never stop even when the other side just want to leave (the mirroring of all the time he chased his prey and her chasing him was pretty nice). He thinks his death would just seal the deal because his suffering will never be great enough to soothe her pain.

You know, your standard - you will become like me spiel a villain does in moment like these. And lesser movies have heroes let villain go to prove them wrong (and then he tries to kill the hero anyway so the hero can have “my life was in danger” excuse to kill them anyway).

And she does lets him live but she doesn’t let him win. Once again she rejects him just like she did as a child. She remakes him into a symbol of her new purpose. She creates life out of a rotten man who did nothing but destroy lives of those around him. She makes him suffer for all the suffering he caused but that suffering is to build something new. And to create hope and future for those who have been abused by men like him.

And just like he asked she made it epic but as one last “fuck you” to him trying to control her story no one knows (well, almost no one). It’s epic and it’s a secret.

There is also something poetic that Furiosa eventually took over the Citadel - something he wanted so badly and never achieved. It retroactively made ending of Mad Max: Fury Road even better. And since it only took few days of them being gone he’s probably still there as she remakes it into the new Green Place.

[thoughtfulfangirling]

I picked Angharad. She just didn't deserve to die after all that fight, and I know she'd made plans for the future that would have changed the world.

Every time I watch MMFR, I hold my breath a little bit hoping Angaharad will survive just this once. Obviously, it's silly. I love how many people recognize her in this poll! @evilasiangenius says, "the leader of the revolution should have had the chance to build that new world that was only dream of" and it felt so good to see those words. It's so great to see Angharad recognized so fully. I think a casual viewer *could* see Furiosa as the leader, but she wasn't. She was the vehicle, The War Rig personified.

And in the end, that's actually why I think, narratively, that she's perhaps one of the most important people to die. The rest of my revolutionaries - at the very least Capable and Cheedo - I felt were on this ride holding onto Angharad's coat tails. Even Furiosa was until that point in it out of a sense of vengeance, not community or revolution.

Angharad's passing forces them all to find their own reasons for what they were doing. I think it also forces them to see the courage it takes in reaching for a new world, one that isn't just like the last but under a new leader.

Could these things have all happened if she lives? Absolutely! But it makes space for it to happen in the few hours we get in the movie. Between that and the added commentary the movie is making about sexual violence, it's the one death that I don't think could have been substituted for anyone else barring Nux. What it does to the narrative is so beautiful.

AND YET!!

I wish she could have lived.

I wish she could have seen Dag adopt so fully into the Vulvalini's culture.

I wish she could have seen Furiosa's desperation to save Toast.

I wish she could have seen Capable lead, to know what it is to find a mind in pain and hold out hope and see it light someone up from the inside.

I wish she could have seen Cheedo's bravery, in pretending to go back only to hold out a hand to the woman who's hellbent on changing her world, all so they could make a new one.

I wish she could have seen The Mother's, unprompted, out of a need to stop suffering, open the floodgates and sustain The Wretched.

I wish I could have seen her reaching into the crowds as they rose up to the Citadel and pulled up the hurt and lost and desperate with the promise of food and shelter and water.

If anyone deserved that, it was Angharad. And oh, how it hurts that she died before she could see all of what her spark ignited.

[agentnico]

Furiosa: A Mad Max Saga (2024) review

I have now officially lost my IMAX vorjeneteee! First time experiencing a film in IMAX at the BFI theatre and holy Moses that’s one big screen! The perfect way to get immersed in Chris Hemsworth flexing his prosthetic nose!

Plot: Snatched from the Green Place of Many Mothers, young Furiosa falls into the hands of a great biker horde led by the warlord Dementus. Sweeping through the Wasteland, they come across the Citadel, presided over by the Immortan Joe. As the two tyrants fight for dominance, Furiosa soon finds herself in a nonstop battle to make her way home.

Mad Max: Fury Road is easily one of the most spectacular action films of the 21st century. Shame that back when it came out in cinemas I opted to go see Pitch Perfect 2 instead. Look, my film tastes back then we’re not as refined nor was I so cultured in…..okay yeah, my film taste was crap. I opted to go watch some youngsters sing acapella instead of witnessing Tom Hardy and Charlize Theron wanting to literally kill one another for 2 hours in glorious form. I’ve of course since fixed my ways and discovered and appreciated Fury Road for what it was. The maddening chaotic post-apocalyptic world built from the mind of George Miller, the visuals are truly impressive, especially due to 80% of it being actual practical effects, so seeing the cars flying about left and right and characters defying physics, with Junkie XL’s energetic score and so many cool characters throughout - it’s pure awesomeness. The only weakness really is that there’s hardly a plot. Like half of the movie is a chase and the other half is a race. Essentially if you boil it down to the basics. Not much narrative substance so to speak.

Luckily Furiosa ends up being that kind of prequel/spin-off that actually enhances and improves on the Fury Road experience. There’s so much more story in Furiosa, but not only does it focus on its titular heroes, but it also fleshes out the villains from the original film as well as featuring set pieces that would be highly recognisable to the Mad Max fans. I’m not even simply referring to Fury Road here. There’s a few Easter Eggs that fall reference to the 2015 Mad Max game, which by the way is a highly entertaining play through and a very unique open-world game that doesn’t get enough love. So naturally I was pleased to see a lot of material from that game being made canon now, from the appearances of characters like Scaborus Scrotus and Chumbucket to the film debut of the Gastown location, which is only referenced in Fury Road but has been brought to life in the game. And now we get to see it in full glory in film form. Right, I’m not an obsessive video game or anything but I did have a little fanboy excitement seep through during this film.

The movie solely relied on dialogue focused on world-building, and the villain of Chris Hemsworth’s character, Dementus, was better than I’d expected. Honestly from the trailers I was afraid if he was going to be too cartoony, and also I’m still recovering from whatever the fudge Thor: Love & Thunder was, however the way Hemsworth mixes in the humor he’s known for with his rage and wit was a welcome sight. He’s still a dangerous character, standing up to Immortan Joe as well as destroying Furiosa’s childhood and leaving her with nothing but vengeance. Honestly not going to lie, this may be Hemsworth’s best performance ever. Truly with this and Bad Times at the El Royale Chris Hemsworth truly proves that he’s a fantastic actor when it comes to playing antagonists. He’s highly entertaining but also leaves a lasting impression as a truly sadistic character. Anya Taylor-Joy as Furiosa was alright, however not going to lie, I do feel the movie missed a trick by not bringing back Theron. Chances are Theron probably did not want to come back after having a terrible time filming Fury Road, but she was so powerful as that character, and with Taylor-Joy she simply didn’t reach that same level of intensity and anger expected from the character. I did enjoy her interactions with Tom Burke though. The way the two immediately worked together to fend off the raiders on the War Rig was reminiscent of the way Theron and Tom Hardy did in Fury Road, doing its predecessor justice. Burke played the role perfectly and their goals and motivations were rightly aligned with each other, eventually falling in love with one another, which gave Furiosa even more motivation on her hell-bent journey of enacting revenge on Dementus. Again, there’s so much story in this story, and it filled a lot of gaps in the Mad Max lore.

Though I thoroughly enjoyed the plot, dialogue, characters and set pieces, the main issue I had was the movie’s misuse of color-grading and CGI. While Fury Road set the standard for practical effects with minimal uses of CGI, making scenes come to life through real explosions and harsh red color-grading, Furiosa suffered from lack of both. The color-grading was too clean for me as it relied on softer colors, a downgrade from its predecessor eight years ago, and there were more moments that I could see the CGI at work — and it wasn’t done well. In fact at times the backgrounds of scenes looked so fake it was jarring and really broke the immersion. Again, I was watching this on the giant IMAX screen, so the level of detail was both great in enjoying most of the film, but also made the weaker visuals stick out like a sore thumb. Also Junkie XL’s Fury Road score is a true orchestral masterpiece. The levels of epicness it reaches is superb, so I was highly disappointed with what he did this time around. Aside from a couple of moments, the music score is an uninspired collection of booms and drum beats that left zero emotion.

Furiosa is a fantastic cinematic experience and is the second time this year where a desert setting makes for a superb film. Chris Hemsworth is the stand out and the story is rich in depth and scale, even if it does end up a bit too bloated. It does falter in the technical side with the obvious CGI and the weaker music score, bit overall this makes me want to see Miller continue making these Mad Max flicks, though judging by the box office results that may now be a pie dream. But let’s enjoy what we have - lady and gentlemens, start your engines!

Overall score: 8/10

[icarus-suraki]

1, 7, and 9 for the movie ask!

It occurs to me that I could just answer Goncharov (1972) for all of these…

Movie Questions Ask Bait!

->what is your favorite film of all time? Very possibly Mad Max: Fury Road. That movie rewired my brain. That movie scraped the rust off my soul. That movie sneaked up behind me and stole my spine. And it was great.

I literally went to see it in the theater seven (7) times. Seven. If you dig back in my blog here to June 2015, you'll see that this place was full of Fury Road. Stills, gifs, music, meta, fic, shitposts, all of it. All of it.

Sidebar: I think my absolute love of Fury Road is what's keeping me from wanting to see the new Furiosa prequel: Fury Road didn't explain everything to death so we, the fandom, had a great time imagining explanations or making things up. We dissected that movie and we also left it alone. I don't want to know too much. I like that world being left a partial mystery. We, like Max, get thrown into it and we're both figuring out how it works as the story progresses. I love that.

I can't exactly explain why I love it so much. The colors, the action, the fight scenes, the music (holy shit the music), the characters, the weirdness, the story itself, the callbacks and parallels, the newness and the oldness of it (it really is a train robbery movie at its core), the sense (ultimately) of hope, the presences of women (old women even!) in action roles… Something about it, maybe everything about it, were just perfect for me at that time and in that place.

Yeah. Favorite movie ever.

->name a movie you’re emotionally attached to? There's so many ways I could take this. Positive attachment? Negative attachment? Very Strange Time in My Life attachment?

Like, I know I can never watch L'Illusionniste, Les Triplettes de Belleville, or Grave of the Fireflies again because I cried just too fucking hard at each of them, which I think is an emotional attachment.

Or I could say the Lord of the Rings movies (all of them). They came out when I was in college and a handful of us were counting down the days to the premiere, watching this miniscule clip of video taken by a fan from a train that showed a glimpse of the Minas Tirith set endlessly, gobbling up any news or leak or rumor about production on Livejournal, engaging in the fandom of that era (which was a whole thing in and of itself), even going to midnight local premiers. So while I'm not a huge fan of the movies, they certainly were a constant presence in my undergrad days.

Or it could be the other movies that rewired my brain: Mad Max: Fury Road (see above), Princess Mononoke (baby's first Studio Ghibli film in 1999 at the local art house theater), Star Wars (only episodes 4, 5, and 6 though; I kind of deny that any others exist), Kiki's Delivery Service (which I had on VHS in college and would watch when I was stressed and depressed because I love the city), Voices of a Distant Star (the concept really got me)…

Or it could be the kids' movies from my own childhood, you know? Robin Hood (1973) is very near and dear to my heart. And Panda and the Magic Serpent is what started me down the weaboo road way back when I was 6 years old.

There's so many possible answers here. But that's a few movies I have emotional attachments to. How's that?

->guilty pleasure movie? Do I have to? Okay, okay, okay: I like a good cheesy, gory giallo movie, red tempra paint blood and all. Spaghetti westerns are amazing with their half-understandings or misunderstandings of USAmerican history to the point that it becomes something different, something bigger and more epic (I love The Good, The Bad and the Ugly so much). Martial arts movies full of dramatic scenes and wire-fu are so much fun (and I get to practice my Mandarin or my Japanese). Gothic drama, especially from the 1990s, is great like the original IwtV, Crimson Peak, The Crow…

But I paid actual, real, hard-earned money for a (digital) copy of Bloodsport and it's so bad. It's so bad! But I love it--maybe as much for meta reasons as anything.

Like, the whole thing is based on this Canadian-American guy Frank Dux's memoirs about being trained in ninjutsu by a mysterious Senzo "Tiger" Tanaka (who probably didn't exist at all and has the same name as a character in You Only Live Twice) and then going on to compete in this international full-contact underground martial arts competition in Hong King (the "Kumite"). Oh and he was also in the military at the time, doing covert missions, so he had to go AWOL to fight in this competition of course. Which he does without being caught. And he keeps outsmarting the CID officers (one of whom is played by a young Forest Whitaker) when they chase him to Hong Kong, meanwhile picking up an April O'Neill-style beautiful American journalist ("reporter" because it's the 1980s).

The whole thing is so clearly ridiculous bullshit but it's marketed as being based on a true story because Frank Dux insisted his bullshit was true. And it was produced by Cannon Films, which is another can of worms entirely (I highly recommend the documentary Electric Boogaloo: The Wild, Untold Story of Cannon Films for more backstory on the company; it is bonkers). And did I mention that Frank Dux is played by Jean-Claude van Damme? And yes he does do the most epic of splits.

And the whole thing is simultaneously so deep in meta layers (self-proclaimed martial arts masters, which ties into Count Dante and the dojo wars, Frank Dux's amazing bullshit and stolen valor, Cannon Films) and yet so incredibly shallow at the same time.

There's minimal plot, zero depth to the characters, massively long flashback sequences, even longer training montages, a totally ridiculous amalgamation of Chinese, Japanese, and Korean cultures into just "Asian Culture," the dubbing in some scenes is practically criminal, there's minimal exploration of the location (Hong fucking Kong!!!) outside of a chase and a throwaway scene about bad restaurant food, and even the fight scenes during the tournament aren't really all that great.

But the Kowloon Walled City gets some screentime (except that it's just a set sometimes). And there are tons of locally-hired extras and bit players, along with a slew of international actors and/or actual martial artists, even if a lot of them have been cast as nationalities other than their own???--like Bernard Mariano, who is Filipino by descent but was born in Hong Kong, had no martial arts experience but got scouted while he was working out, was cast as a "Middle Eastern" fighter named Hossein, but used his pay from the movie for university classes to go on to be an English teacher in Hong Kong. Meanwhile, Jean-Claude van Damme is busy taking his shirt off and wearing super tight spandex underwear (he snaps them in one scene; you're welcome). Leah Ayres is a "reporter," which is really "journalist" and one of the few adventurous jobs acceptable for women in 1980s movies to have, who maybe lives in Hong Kong or maybe doesn't but she's super cute and deserves better than she got in the script; she's The Girl (Leah Ayres is now into pseudoscience). And Donald Gibb is playing this American bar brawler who somehow got invited to this elite fighting tournament and he looks like Kurt Russell in The Thing if he were still infected by the Thing and living out on the ice alone.

Like, I could just keep going. I love this shit. There is so little that's "good" in terms of filmmaking, scriptwriting, cinematography, anything in this movie and yet it entertains the fuck out of me.

Hence: guilty pleasure film.

[leo-fie]

Is Furiosa another Fury Road? (Guide of autistic folk)

Yes and no!

Furiosa has a different structure. Rather than a relentless chase for most of the movie, it's an episodic narrative over about 15 years. So it's not getting your heart pumping constantly with barely any breathers in between. It has actual plot. And dialogue.

That's not to say that Fury Road is lacking in any way. Rather the fact that it's basically a silent film with barely any plot, but loads of story, is it's greatest strength.

Visually it’s very similar. I don’t know if the filmmakers reused the cars they build for Fury Road or if they rebuild them, but there are several vehicles we already know. I don’t doubt for a second that most of the stuff we see on screen is practical. It has a similar feel of realness than Fury Road. Almost, more on that later.

Because we know where Furiosa ends up and the filmmakers know we know, they expect us to have watched Fury Road (or the many dissections of it, like by Innuendo Studios) recently. Fury Road is the Tankobon, Furiosa is the Databook.

Yes, we get more information about basically every aspect of the wasteland. We see more of the Citadel, we see the Bulletfarm and Gastown. We learn more about the inner workings of Immortan Joe's system. Sadly we do not see how our beloved War Rig gets build. But it's predecessor.

Furiosa expects the audience to pay close attention. The setting and pay-off, the flow of the action, the faces of characters, everything shown will come back in some way. That is of course just basic film craft, but even the simple things are nice if they are done well. I only saw Furiosa once so far, but I’m fairly certain repeat viewings will only reveal more nice setings and pay-offs, instead of plot holes.

Now to the feel. Because I’m not used to seeing movies on the big screen, it’s possible that the following is just me. But I thought the visual style of Furiosa leaned more into the hyper-real, almost mythical or into magical realism. Of course Fury Road already had the colour grade cranked up to where the sand was orange and fire was blood red. But it still felt incredibly real and tactile. Which is what set it apart back then from the shiny CGI of superhero movies. There were still weird elements in Fury Road, Max’s indestructibility, the sudden sandstorm with a lightning tornado in it, etc. But Furiosa in its visuals leans in a little bit more.

Could be because the story is canonically told to us by the History Man. Could be that the sweeping vistas of various locations are more clearly computer generated due to the sheer scale. Could be the camera work. Could be that we spend a lot more time in the actual fortresses of the wasteland, rather than just the War Rig, which we know to be a real object. Could be me.

I’m not saying it’s bad, I’m saying it’s different. The shot in the trailer, of young Furiosa picking a peach, that feeling is what I’m talking about.

Also the music. Tom Holkenborg returns for the music, but there is very little of it. I didn’t really pay attention much, but the massive Fury Road score is missing almost completely. Or I didn’t notice. I’m not a music person.

Anyway: Go watch it in the cinema, if you’re able. It’s an incredibly well made action blockbuster that takes full advantage of decades of lore. It’s firing on all cylinders. It explains the world of Fury Road more, but doesn’t get dry or takes away the intrigue. All the actors showed up for it. Anya Taylor-Joy is great, we all know that. Chris Hemsworth gives Dementus so much personality and gravitas that I only now realize he would have ended as a Joker-clone with another actor. John Burke as Praetorian Jack has a couple minutes and a couple lines and he makes it count. We also have returning actors such as Nathan Jones as Rictus Erectus, Angus Sampson as Organic Mechanic, John Howard as the People Eater. Sadly Richard Carter (the Bullet Farmer) and Hugh Keays-Byrne (Immortan Joe) could not return.

[missyourflight]

some stuff i read and watched january - may

i had to stop doing f1 stuff (because it was making me miserable lol), redirected most of that energy into reading romance novels (occasionally other things but mostly romance novels lbr) and watching films. anyway now interview with the vampire's back and i'm fully deranged about that etc. highlights below!

black sails (s1 & 2 rewatch): i do enjoy s1 for my sins (marcus aurelius foreshadowing!) but it's Wild how much s2 kicks up a gear the instant they start properly pairing off flint and silver. coming back for the rest of the rewatch once i've calmed down about the vampires so the true devastation lies ahead etc. also i rewatched twelfth night for toby stephens reasons, his orsino remains a formative piece of nonsense

mary & george: i'm not going to get into the whole nicholas galitzine filmography deepdive i was compelled to do for reasons not even known to myself but i raced through this. very sexy obviously but often in a way transactional or empowering or tender without necessarily being romantic. like it's not reinventing the wheel but it felt like a more expansive presentation of intimacy than you usually see in a costume drama. tony curran great in this!

shōgun: god what a show!! epic and tragic and funny and specific and just like an unbelievable showcase for craft and talent. fuji forever

a moment of romance: andy lau so gorgeous i could die, neon bloody hong kong action with a love story that's almost chaste until they finally kiss and it's fire actually. the rain! sparklers! explosions! a motorcycle helmet that says "safety!" on it!

tampopo: spent way too much money on a bunch of criterion collection blu-rays and i Loved this one, even the freaky egg stuff. an all-time food film and also baby ken watanabe is there with a little bandana!

all that heaven allows: i always feel like i came to sirk backwards because i saw far from heaven first; did magnificent obsession and written on the wind as well and the colours are always gorgeous but this was far and away my favourite. at one point a teapot gets smashed and i gasped like my heart was breaking

thief: god this absolutely rips! unfortunately your girl Is a michael mann bro (austin butler heat 2 let's gooo) and incredibly into things like blowtorches and shots of windows exploding outwards like a shower of diamonds

challengers: feral about it obviously, itemised list of derangements here

la chimera: it's josh o'connor season and i loved this even more than challengers, there are moments in this that felt like miracles

emma. (2020): rewatched this with the blu-ray commentary which only made me love it more, also i've warmed on callum turner since i saw his trip to the criterion closet, what a babe

queen of the damned: watched this in a vampire fever and in the spirit of "how bad can it be?" and the answer was: worse even than that

furiosa: a mad max saga: i really felt the saga of it all, like the almost mythic telling of it, and hemsworth's great and the action's great, but most importantly OH GOD TOM BURKE IS SO HOT AS PRAETORIAN JACK. OH GOD HE'S SO HOT AND STOIC AND SOLID and i was not prepared for it to be a Romance like that oh god

land of milk and honey by c pam zhang: near-future dystopian unbelievably sexy food book, i still think about some of those images. a duck breast split open like a geode!! fuck!!

the spymasters series by joanna bourne: i haven't loved a romance series like this in a While, it's napoleonic era spies! everyone's in love and constantly betraying and shooting each other! it's Not lymond but it was twisty and detailed enough to scratch the lymond itch for me. you can basically read them in any order because they weren't written chronologically, but take my advice and start with the black hawk, because then you can play "what's hawker up to?" in all the other books and hurt your feelings, then go back to the spymaster's lady and do the rest in publication order. i love my terrible spy family!!

practice by rosalind brown: i'm so obsessed with this, it's about a student trying to write an essay but really it's about shakespeare and yoga and the elaborate gay fictions she's constantly making up in her head

henry henry by allen bratton: henry iv by way of brideshead and patrick melrose, i deeply loved this and i deeply loved this hal. one for the hal/hotspur yuletide enjoyers etc

you should be so lucky by cat sebastian: i also read and loved her cabot series but this one really got to me. as a brit i can never truly be a baseball understander but this crossed the bull durham/everybody wants some!! line of making me yearn about it a bit

kaliane bradley, the ministry of time: loved this so wildly that i committed multiple counts of reverse wage theft to dazedly copy the best parts into my notes app and yowl about it with my friends who'd had arcs. sexy time travel roommate situation, my beloved

add me on goodreads or letterboxd if you're into that sort of thing etc

[vampiricmechanic]

My review of “Furiosa: A Mad Max Saga”

rating: hard to say but somewhere between ★★★ and ★★★★ (while both at the same time)

text below — includes spoilers!!

Such a hard movie for me to rate. This is going to be long but I’ll fang it as much as I can – fasten your belts.

When I watched this movie at the cinema, I walked out of the room a little overwhelmed, little disappointed, a little happy regardless but mostly trying to sort my thoughts and weigh them in a way that pointed a direction towards like or dislike for it. I’m not sure if I made any progress, but I was able to crank out some coherent sentences that, at least, verbalize the mess inside my head.

I said to my friend – “I feel like I gotta watch this movie three times to be able to opine.” Today I rewatched it with no pretensions, but – if anything – I feel like I rusted the chrome finish of it all by doing so. It’s not bad, yet it’s not good. It is, in all of its pomposity, furiously okay.

I knew it wasn’t going to be Fury Road – by Valhalla, I didn’t want it to be – but I wanted it to look like Fury Road. A little seedling, yet to turn into a ripe peach when set behind its predecessor. The visuals are duller, and while I’m not sure what was attainable filming in a different country, you’ll take the toll of not catching the public’s eye. Humans, we’re like magpies (or crows), there’s no way around it. The hot-blue sky and even hotter orange sand are almost like missing characters.

The way Furiosa loses her arm — I was (in all of my know-it-allness) so sure that, the reason it happened was because she had tried to run away a couple times too many, making someone take away her map. Still, the canon alternative leans so much more into the very nature of Mad Max narratives — bad things will happen no matter how hard we try to avoid them, how far we run from them. The act of not only having to do it herself to live, but also knowing she'd have to trust her memory from now on, is such a clever and heartbreaking choice.

Plot holes can be extrapolated to be worn-out patches or vice-versa, potential for fan additions, creative liberty or overall diversity in interpretations, but I can’t help but yearn for more story – clarification – in some bits. Did no one notice how Furiosa went missing? And no one recognized this little, so thought war-boy, popping up from chains and car gears? When she came back as road warrior Furiosa, I connected the dots that Jack convinced Joe to let her stay as a road warrior, “she’s too good at what she does to be lowered into breeding stock.” Or something of this nature. Charlize’s headcanon of a proven barren Furiosa, bitterly recycled as Praetorian sounded more realistic, but that’s at least one less trauma on her back.

But fear not, not everything is mediocre!

Anya is magnificent, but she feels like a different font of the character – and fair enough! Tom is captivating, Jack is so easy to crush on, every interaction between him and Furi feels like a warm hand clasp. Organic Mechanic, The People Eater, Kalashnikov – even if briefly – maintain their brilliance. Joe feels like Joe but younger, like he’s growing out his evil glare, blunt-blow personality and whatever-it-takes mindset; all that’ll unwillingly soften as he’s past his peak, aged and tired. Scrotus is nowhere as cruel and distressingly unstable as I expected, which is as unfortunate as it isn’t – he’s a fun little guy. Rictus has a surprising twist, and more intellect than I assumed. I’ll take it as his mental capacity being wavering and hard to measure.

Dementus is his own thing. He’s a confident failure, a powerful mess, a character playing a character. He’s so immersed in his idea of greatness he began believing it, no matter how pathetic life proves him to be – and he’ll only come to his senses too late, but regretting none of it. That’s a character I’d read a second chapter of comics about.

Cars, cars, cars. They don’t feel as grand, no longer a key object – and again, fair enough! The War Rig was so many things beyond a truck, but there’s no need for such thing again. For the CGI, I silently winced less than I thought I would, but a couple times too many. Dealbreaker? No.

The blurt out between Furiosa and Dementus in the end, oh, grandiose. Quite literal while maintaining some poeticism, time-old lesson about revenge.

There were many more things I planned on writing down, many of which I talked about so much after watching that my brain made sure to wear away and discard so I could shut up – or alternatively, attain some ability to be briefer. The rest of it I considered irrelevant while my brain revved and fingers burned rubber on the keyboard.

Every time I try to ponder this movie fully, I start out excited, get upset midway through and finish it contently and glad George is still so in love with his own creation, as he should be. In the end, Furiosa: A Mad Max Saga isn’t as shine as Fury Road, and as much as I don’t use one as a standard to the other, comparison is unavoidable – just don’t let it be thing that ruins the experience for you. It is an unpolished V8, a movie I wanted, thought we didn’t need, and wouldn’t trade back.

Witnessed! Risen from the ashes of this world into the gates of my Mad Max hyperfixation.

———

NOTE: PLEASE take into consideration this is my opinion and i'm NOT seeking beef. you have every right to disagree, just keep things civil.

[kolbisneat]

MONTHLY MEDIA: May 2024

Hey it's May! Big X-Men month over here but also lots of other great stuff. Here's how I spent the last 31 days!

……….FILM……….

Furiosa: A Mad Max Saga (2024) Impossible to live up to my expectations, given how much I love Mad Max: Fury Road. I liked the bits with new characters, I liked the bits that felt like Fury Road, and I surprisingly liked how it tied into the previous film during the credits. It's a different beast and given it succeeds as a prequel, I gotta respect it for what it is.

……….TELEVISION……….

Mr. & Mrs. Smith (Episode 1.01 to 1.06) Shockingly violent but it does a good job of setting the tone for the series in the first scenes. Love it when something fantastically (spy life) is used to highlight the mundane (stages of a romantic relationship). Big fan.

Delicious in Dungeon (Episode 1.18 to 1.22) Uuuuugh so close to the end of the season and I'm not looking forward to the wait between now and season 2.

X-Men '97 (Episode 1.08 to 1.10) Hey a really tight season of television! Maybe a little too tight at moments (strangely it feels like it could've benefited from 1 or 2 more eps in the middle there) but I really do prefer a fast pace over a slog. Now I'm gonna go read some X-Men comics.

Succession (Episode 4.03 to 4.10) Somehow avoided having the ending spoiled and it was a perfect culmination of great characters and writing. What I love about this series is how consistently it puts the core trio in the same room, and how the score is practically all just variations of the intro song. Loved it.

……….YOUTUBE……….

The Spectacular Failure of the Star Wars Hotel by Jenny Nicholson I've been watching Nicholson's videos for years and it's great to see this one break out of its core community for a few reasons: 1. it shows that thoughtful and thorough art can connect and has value and 2. towards the end it becomes a scathing indictment of cynical corporations. Much like blockbuster cinema slowly dying, it confirms that the general public can discern art from content and won't support the latter. The Star Wars Hotel was overpriced content and it failed. VIDEO

……….READING……….

The Farthest Shore by Ursula K. Le Guin (Compelte) I don't know what I was thinking when I read and disliked A Wizard of Earthsea. This and The Tombs of Atuan are so thoroughly fantastic that I feel the need to go back and reread the first book after I finish the series. Such economical and poetic storytelling.

Dirk Gently's Holistic Detective Agency by Douglas Adams (Complete) Big fan of the Hitchhiker's Trilogy but maybe that set the bar too high for this one. It never quite came together and if asked what the book was about, I'd have a hard time landing on something. Maybe that works for some folks and I'm in full support of the journey being the adventure, but it just wasn't for me.

House of X / Powers of X by Jonathan Hickman, Pepe Larraz, R.B. Silva, and Marte Gracia (Complete) Hey the new show has me in the mood to read some X-Men comics! I appreciated the series more on this reread but still find the pacing of the "reveal" to undersell the gravity of what it's suggesting. I'm keen to get into the rest of the series even though it's a convoluted jumble of multiple titles. Comics!

Dawn of X Volume 1 by Jonathan Hickman and a whole slew of talented folks (Complete) Reading single issues from different teams back-to-back really highlights individual strengths and weaknesses. I really dug some issues and was bored by others but I'm going to keep going with these collected volumes to see what sticks.

Delicious in Dungeon Vol 7 & 8 by Ryoko Kui (Complete) I really forgot most of these volumes. Izutsumi is such a good foil for the group (especially now that Marcille is barely resistant to eating monsters at this point) but I always have trouble with the moody loner types.

……….AUDIO……….

Hyperdrama by Justice (2024) You know I haven't listened to this since the start of the month. Some standout tracks but the album as a whole didn't leave me with much of an impression.

The Lonely Island and Seth Meyers Podcast (Podcast) The Lonely Island digital shorts were a foundational part of my youth and listening to how they were made, along with behind-the-scenes stuff with SNL, is a great listen.

……….GAMING……….

OZ: A Fantasy Role-Playing Setting (Andrews McMeel Publishing) Tuesday crew is beginning to see the aftermath of their political assassination (you can read all about it here!) and the Mof1 crew is actively sabotaging a memorial to the lives lost in a catastrophic explosion they caused.

And that's it. See you in June!

[lesvegas]

Super simple mostly spoiler-free thoughts on Furiosa right after watching.

I'm definitely gonna need to rewatch it again in the future to take it all in but it's really, really good. It is different from Fury Road, though. In arbitrary numbers I'd say Fury Road is a 9/10 while Furiosa is an 8.6/10. While Fury Road is much more of an action-driven spectacle that keeps you hyped the entire time, Furiosa (while also being spectacular, don't get me wrong) has a lot more emphasis on plot; there's more dialogue, more locations and events, and the movie follows Furiosa from childhood to adulthood in her mission to survive, get revenge, and return home.

That said, everything Furiosa adds only improves Fury Road retroactively, and I can't wait to be able to watch Fury Road right after Furiosa to get the whole story chronologically in one sitting. Fury Road gives you enough to be invested in Furiosa but her titular movie makes me really, really want to see her succeed in her mission all over again. Great writing, set design, costumes and props and stunts as usual, and I didn't think I'd enjoy Taylor-Joy's performance even half as much as I did, she was fucking stellar. All the actors in the movie were, even the child actors, particularly the one who plays young Furiosa.

Go see it, especially if you never got the chance to see Fury Road in theatres when it first released. If you like post-apoc media in general, there's a lot to love in this movie. And because this is a FNV-centered blog and I have a FNV-centered brain, I was constantly thinking about how finally, finally there's another movie out there that I feel I can compare to FNV besides The fucking Postman (1997).

Yes, Furiosa is a lot more like FNV than Fury Road, or most post-apoc movies that I've seen for that matter.

Short answer: It's a revenge story that's only a small part of a greater wasteland war.

Long answer, with spoilers:

...

I haven't written this out yet because I have a lot of thoughts and also kinda wanna see it again before I really put it to paper. Post. Y'know.

But trust me on this one.

[ms-hells-bells]

just came back from deadpool and wolverine.

fun movie. nothing special, but it doesn't have to be. i like it in the same way that i like birds of prey and the marvels; just an open and closed, straightforward plot that's not trying to be bigger than it is. there were some fun cameos, and hugh jackman was great, it makes me actually want to go and watch all the previous wolverine/xmen movies.

i didn't completely get all the references and some of the characters i didn't know, considering i've never seen any xmen or deadpool movies, but that didn't hurt my experience too much. i think critics will probably rate it about 7, maybe an 8 for some who are bigger comic and comic film fans. there were some kinda big plotholes, but because the movie wasn't some endgame kinda thing, it's easy to just ignore and enjoy.

also, i think this one will be just fine at the box office. with furiosa, when i walked into that theatre and saw only a couple other people in there, i had a terrible feeling. this was an r16 comic book film that's the third in the series, at 6pm on a wednesday, and the theatre was nearly full. if marvel just keeps at not worrying too much about the multiverse thing (they even made pointed jokes about the marvel multiverse being dead and buried in this movie), then i think people may really grow to like superhero blockbusters again.

[plumulesauvage]

Furiosa : A Mad Max Saga

Hear me out guys

I've watched Furiosa two times, and Fury Road like four times. So yea, I like Mad Max universe pretty much.

But, I also have to say that Furiosa isn't quite perfect : indeed, it isnt't the visual wonder that is Fury road (but we already know about that befor watching the movie), but I must say it has some positive points.

WARNING SPOILERS AHEAD

For me, and other people I exchanged with, the 3 first chapters are really great and well written, with good action and story telling, a charismatic dementus, and a quite frightening Immortan Joe.

But, the last 2 chapters were... disapointing. The death of Jack is a good element, since we all knew since the beginning that he was going to die, since we don't see him in Fury Road. But, between a Dementus that can't take himself seriously, maybe because that's the way of playing Thor, I don't know, don't watch the Marvels, and an Immortan Joe you want to win when he supposed to be the worst jerk ever so that feels weird and is not morally correct... how to say that ?

The end should have been written in another way, conveying a better message for the public, and more logical and coherent with Fury Road and the comics of Fury Road. Cause yes, I've read it, and it was really good and well written, with a Furiosa disgusted of immortan Joe, implying she has been a wife and she has suffer pretty much from it, which explaines the "Remember me ?!" of Fury Road.

But, hey, I'm not her to dissert over how this film should have been wrote. I for sure know how hard it is to create a scenario and stay coherent and share a good efficient message, since it's part of my study.

What I want to say is : it would be interesting to re-write Furiosa, but with a diffrent end (and maybe a crueler Immortan Joe). Translation : I've got and idea of fanfiction (who doesn't honnestly ?).

I'm not sure if I'll write it, since don't have much time because of uni, but I would really enjoy it. I see it as a kind of love and cruel story, showing sorority between Furiosa and another Vuvalini (an Oc), kidnapped together, and forced to grow in the Wasteland, waiting for an oppurtunity to escape and avenge frome all those dirty men (Jack and Max excepted, since they are the only good guys of Australia apparently).

So... Tell me if you're in....

I maybe will write and post it on AO3.

And, by the way, english is not my first language, so, sorry for the mistakes, I try my best !

[livingasaghost]

fuck it, personal post

spent all of may running around like an insane person - drove to chicago and back for a baby shower, then i flew to san francisco to go to yosemite for a few days, all month work has been on fire bc we're implementing a new softward system/process and it's Not Great, internet friends came to visit for a week which was sAUR fun and sweet but also like......i haven't had true alone time in weeks and now i've spent all weekend by myself and i feel....slightly better i think?

jack antonoff and i have an inside joke and i found two different video angles of it and i cannot stop watching it and listening to the live recording of modern girl they airdropped everyone

i have been to sooo many shows recently and i keep buying tickets for shows?? like after i see all the shows i have tix for, i only need to see like 3 more shows to hit 100 concerts for my all-time list!!!! insane!!!

i watch 9-1-1 now. a new low. (or a high, depending on who you are.)

saw american fiction

it's pride month!!! and i need to get working on my pride tbr but i'm so hung up on masters of death that i ordered it (and love theoretically and TSC) so i can own it

i get a brief break this week - seeing furiosa, gonna go climbing (FINALLY), trying to cook a new recipe - before i have a video shoot next weekend

then i'm driving to chicago for a day the next weekend for a concert

then i'm free briefly again until i go see PARIS PALOMAAAAA (the crowd goes wild)

then i get to see my best friend for fourth of july for her bach!!!!!! then we go home and then we reunite a second weekend in a row for GATBSY IN BOSTON!!!!

i stopped caring about substack momentarily and idk what to do with that

my film better be developed soon because i wanna pick it up saurrrr bad - i got a purple lomo holga roll in there that i desperately want to see turn out (idk if it even will but who cares!!!)

talked to my therapis about PDA (pathological demand avoidance) and it's like the more i learn about autism the more my life makes sense

still working on a bunch of shame tho rip

the bear s3 + TUA4 + queenie (hulu) are coming soon !!!!!