#also first time making gifs with photoshop!

[mangosaurus]

Jurassic World: Chaos Theory - Cabin Attack Clip ☆

[johnbly]

Too bad the director’s not around, you know? Elena too. Hope they’re alive… They are.

[akirakirxaa]

[ day 26 - ascian ]

This 'Azem' was nothing like the other Ascians.

[ masterpost ]

[cloysterbell]

Pete, I need you to stay here.

[lesbworth]

selected moments (mostly gay or countess almaviva or both) from barrie kosky's 2023 production of le nozze di figaro at the wiener staatsoper

[fakewaves]

Until your sin is cleansed... my vengeance will pursue you.

[kiisaes]

tsubomi! 👋

[mystery-star]

Russell Crowe as Ben Wade in 3:10 to Yuma (2007)

[firegiftlouis]

Hey, why not fly south for the winter?

“Hey, little songbird” - Hadestown (1/?)

[sirfrogsworth]

If you have seen Ted Lasso you may have noticed these unusual microphones used by the football commentators.

Despite being a microphone nerd, I had never seen anything like them before. So I decided to go into research mode and discovered these microphones are quite fascinating.

They are called "Lip-Ribbon" or "Commentator's" microphones.

They were specially designed by the BBC in the 1950s for extremely noisy environments. Soccer Football stadiums have peaked at 130 decibels so they needed something that would not get overwhelmed in that circumstance.

They use several very clever techniques to make sure only the voice is picked up and everything else is rejected.

First, they use a bidirectional polar pattern.

That means it will accept sound from two directions, but reject any sound coming in from the sides. And since the diaphragm is only exposed on one side, that helps reject sound coming from the other direction.

Next, the microphone is not very sensitive so you literally have to hold it up to your lips (hence "lip-ribbon") in order for your voice to have enough sound energy to vibrate the diaphragm.

That top part rests directly on your lip and there is a little pop filter to keep your plosives in check.

There is a built-in high pass filter so it rejects any sound below the frequencies typically used by the human voice.

But my favorite trick... a labyrinthian internal baffle system.

(I found a diagram of this when researching but then I lost the tab and I cannot find it again. So you'll just have to accept this crude photoshop I did in 30 seconds to help you understand.)

Sound is energy. And that energy is diminished the farther it travels. The inverse square law for sound states that the intensity of sound decreases by approximately 6 dB for each doubling of distance from the sound source. Sound also diminishes when it reflects off a surface.

That is a very sciency way of saying... make sounds go through a tiny maze and only sounds with the most energy will prevail.

So if you have your lip pressed up against the front of the mic, your voice's energy will make it through the labyrinth of baffles without issue. But every other sound in the stadium will have a much harder time getting through.

These mics may even be vuvuzela-proof.

And even more amazing... this microphone was designed in the 1950s and they have yet to create anything better for incredibly noisy environments.

Isn't that neat?

I think it is neat.

[kinnbig]

✨ Simple Gif Colouring for Beginners ✨

I wrote up my basic gif colouring process for a friend recently, but a couple of people here mentioned they'd also find it helpful! so, as requested, this is a beginner-friendly walkthrough of the way I colour my gifs :) it's aimed at brand new gif makers with no prior experience with photoshop or photo editing.

when I first started gif making I found colouring and photoshop in general suuuper daunting, so I've tried to simplify everything here as much as possible. hopefully this will be relatively easy to follow and not too intimidating!

a couple of things to begin with:

I'm only talking about colouring here - this is not a full gif making tutorial. I've linked to some of my favourites of those here!

I personally like to make bright, 'clean' looking gifs with vibrant but natural colours, so that is the style of colouring this tutorial is geared towards. most of gif colouring is subjective and about personal taste - the only thing that I'd say is possible to get wrong is skin tones, which I talk about a lot in this guide.

as I mostly gif Thai dramas, most of the advice is geared towards colouring for East Asian/South East Asian skin tones - but the techniques should be fairly universally applicable (and here are some tutorials that talk about gif colouring for other skin tones).

I'm not an expert! I'm not claiming this is the best or the only way to colour gifs - it's just how I do it.

this post is very image-heavy. if the images aren't loading (or the gifs are running slowly or cutting/looping weirdly), then try viewing the post in its own tab (rather than on the your dash or someone's blog) and refreshing the page.

okay, full walkthrough beneath the cut!

contents:

1. intro a. natural gif colouring goals b. very very basic colour theory 2. super simple colouring (the essentials) a. curves b. selective colour (and skin tone correction) c. hue/saturation d. saving and reusing colouring e. another simple colouring example 3. other adjustment layers a. brightness/contrast b. levels c. vibrance d. colour balance e. channel mixer 4. troubleshooting a. curves b. saturation 5. fin!

1. intro

the colouring part of gif making can be super overwhelming, especially if (like me when I first started!) you're completely new to photoshop and/or have no experience with colour theory or photo/video editing.

if you're opening photoshop and making gifs for the first time, I highly recommend getting used to making a few basic, uncoloured gifs to begin with. just to practice, rather than post anywhere (though you can always come back and colour them later if you want) - but it'll make the rest of the process much easier if you're already beginning to get used to working in timeline mode of photoshop. give yourself a bit of time to practice and get a feel for things like how many frames you tend to like in a gif, where you like to crop them for the best loop, what kind of aspect ratio you like etc* - so that you're not trying to navigate all of that for the first time on top of everything else!

* frames: for me between 60-90 frames is ideal, but 40-120 frames is the absolute min-max I'd personally use in a normal gifset loops: for the smoothest loops, try to avoid cutting someone off mid-movement or mid-word if possible. aspect ratio: for full-size (540px) gifs, I tend to go for either 8:5 (slightly 'skinnier' gifs), 7:5, or 5:4 (particularly big, thick gifs lmao)

✨ natural gif colouring goals

part of what can be so daunting about starting gif making is not knowing where to start or what you want to achieve. this is definitely something that gets easier with practice - the more gifs you make, the more you'll get a feel for what kind of look you like and the more instinctively you'll know how to get there. it also helps to see if any gif makers you like have made "before and after colouring" posts - these can help with getting a sense of the kinds of changes made through gif colouring. here's one I made!

in general, I like to make my gifs bright and 'clean' looking, with vibrant but natural colours. these are the things I'm usually hoping to achieve with colouring:

brighten dark scenes

remove muddy, yellowish lighting or filters

saturate colours

correct any skin lightening filters or overexposure

make lighting and colours as consistent as possible between gifs within a single gifset, especially gifsets featuring gifs from multiple scenes/episodes/videos

this guide is focusing on natural colouring, but of course there are many cool ways to make stylised/unnaturally coloured gifs. imo you'll need to master these basics first, but if you want to learn how to do things like change the background colour of gifs or use gradients or other cool effects, then @usergif's resource directory has loads of super helpful tutorials!

✨ very very basic colour theory

[disclaimer! I don't know shit about fuck. I do not study light or art. this is just an explanation that makes sense to me exclusively for the purposes of gif making.]

the primary colours for light/digital screens are red, blue, and green. having all three colours in equal measures neutralises them (represented by the white section in the middle of the diagram).

so to neutralise a colour within a gif, you need to add more of the colour(s) that are lacking.

in practice this usually means: the scene you want to gif is very yellow! yellow is made of red and green light, so to neutralise it you need to add more blue into your gif.

it can also mean the reverse: if you desaturate the yellow tones in a gif, it will look much more blue.

looking at the colour balance sliders on photoshop can make it easier to visualise:

so making a gif more red also means making it less cyan.

removing green from a gif means adding magenta.

taking yellow out of a gif will make it more blue.

tl;dr:

neutralise yellows by adding blue (and vice versa)

neutralise reds by adding cyan (and vice versa)

neutralise green by adding magenta (and vice versa)

2. super simple colouring (the essentials)

starting with a nice sharpened gif in photoshop in timeline mode. (these are the sharpening settings I use!)

some scenes are much harder to colour than others - it helps to start out practising with scenes that are bright/well-lit and that don't have harsh unnaturally coloured lights/filters on. scenes with a lot of brown/orange also tend to be harder.

I usually save a base copy of my gif before I start colouring just in case I end up hating it, or find out later that it doesn't quite fit right into a set and need to redo it etc.

so here is my base gif!

it's an okay gif, but it has a bit of a yellow tint to it that I want to reduce.

colouring is easiest to do in adjustment layers, which can be found under layer -> new adjustment layer - or for me they are here:

there are lots of different types of adjustment layers that do lots of different things - but for me the absolute essentials for colouring are curves, selective colour, and hue/saturation.

I also use brightness/contrast, levels, exposure, vibrance, colour balance, and channel mixer sometimes, depending on the gif - but I use curves, selective colour, and hue/saturation on every single gif.

✨ curves layer

the first thing I always do is a curves layer. when you first open one it will look like this:

first I usually click the ‘auto’ button, just to see what happens. sometimes it makes a big difference (it usually brightens the gif a lot) - but on this gif it didn’t do much.

if it had made the gif look nicer then I would have kept it and added a second curves layer on top to do the rest of these steps.

the next step is selecting the white and black points with the little eyedropper tools.

the bottom eyedropper lets you pick a white point for the gif. click somewhere super light on the gif to see what happens - for this gif, I clicked on the lampshade on the left. if it looks weird, I just undo it and try somewhere else - it usually takes a few goes to find something that looks good.

here's what that did to the gif:

then I pick the top eyedropper and use it to pick a black point by clicking somewhere really dark, again playing around until I find a black point that looks good.

here's what the gif looks like after picking the white and black points:

this can take some experimenting, but you can make super easy drastic changes to your gif just with this. in this case, the curves layer took out a lot of that yellowy tint.

and this is what the curves graph looks like now:

you can click and drag those lines to make further changes if you want - I usually leave them alone though. the colours of the lines indicate which colours have been changed in the gif - for example, you can see from that steep blue line on the graph that blue has been added to neutralise those yellows.

next I usually do another curves layer and just press the ‘auto’ button again to see what happens. usually it brightens the gif a bit more, which I like.

‼️if nothing is working: usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :( the troubleshooting section at the end goes over some options, including starting with a levels layer instead.

✨ selective colour (and skin tone correction)

skin tones are made up of a mixture of yellow and red.

removing yellow (or adding blue or red) to a gif will make the skin-tones too red - and removing red (or adding cyan or yellow) to a gif will make the skin-tones too yellow.

adding blue to this gif with the curves layer took out the yellowy tint, which I wanted - but it also took the yellows out of Kim's skin tone, which I don’t want. so I need to put yellow back into the skin tones specifically - without putting it back into the rest of the gif.

selective colour layers let you select an individual colour and adjust the levels of other colours within that colour. you can change how yellow the green shades are, or how much cyan is in the blues, for example.

I need to add yellow back into the red tones to correct the skin tones on this gif. this is the case for most gifs in my experience - the vast majority of the time, unless a scene is very heavily tinted in another colour, a curves layer will add blue/remove yellow.

in the 'colors' dropdown, select the 'reds' section and drag the 'yellow' slider higher - this will add more yellow into just the red shades within the gif.

the amount of yellow you need to add back into the reds depends on how much yellow was taken out of the gif initially - I just play around with the slider until it looks right. if you're not sure, it helps to have some neutrally-coloured (not white-washed!) reference photos of the people in your gif to compare to.

here's the result. Kim's skin is a lot less pink toned and much more natural looking:

✨ hue/saturation

this adjustment layer lets you adjust the hue and saturation of the gif as a whole, and also of each colour individually.

I don't use the hue or lightness sliders unless I'm trying to do something more complicated with the colouring.

clicking the dropdown menu that says 'master' lets you edit the saturation of each colour individually. this is useful if your gif is still super tinted in one colour.

I thought the yellows on this gif were still slightly too bright, so I switched to the yellow channel and desaturated them slightly. (remember if you do this then you need to go back to selective colour and add more yellow into the red skin tones to balance out the desaturation!)

then I increased the 'master' saturation of all the colours to +5:

I usually find the right amount of saturation is somewhere between +5 and +12, but it depends on the gif.

‼️if the gif feels undersaturated, but the saturation slider isn't helping/is making the colours worse, try a vibrance layer instead.

done!

✨ saving and reusing colouring

you can copy and paste adjustment layers between gifs to make your colouring even across each of your gifs for one scene - so if you're making a set of multiple gifs of the same scene, or you think you might want to gif the same scene again in the future, you can save it as a psd so you can reuse the colouring again later.

each gif's colouring will then still need tweaking - different cameras/angles/shots of the same scene can still start out with slightly different colouring.

I recommend uploading the gifs as a draft post on tumblr so you can see what they all look like next to each other and catch any inconsistencies.

✨ another one! (speedrun!)

HI KEN!

the white point for the curves layer was in the window behind them.

the curves layer removes the muddy yellow tint, but again it makes their skin tones (especially Ken's) very red toned, which is adjusted by the selective colour layer.

3. other adjustment layers

imo many many gifs can be coloured really nicely with just those three adjustment layers, but some need different adjustments.

✨ brightness/contrast

pretty self explanatory!

I personally usually avoid using the 'brightness' slider because I rarely like the effect - I only tend to use the 'contrast' one. 

the 'auto' button is sometimes useful though, especially if you’re struggling with the curves layer.

✨ levels

levels alters the white and black points of the gif, like curves - but unlike curves it doesn't also alter other colours.

use the sliders beneath the graph to alter how dark/light the gif is. you can slide the black slider further to the right to make the blacks darker, and the white slider to the left to make the whites lighter.

levels is a good place to start if your curves layer isn't working.

(I'm going to hit the image limit for this post lol so here are some screenshots of a table I made to demonstrate this rather than actual gifs. sorry!)

on both sides, I dragged the sliders up to where the big jumps are on the graph - this is usually a good place to start!

✨ vibrance

vibrance... makes the colours more vibrant. it's more subtle than saturation.

it's really helpful for gifs that feel grey. sometimes adjusting saturation just makes the greys kind of weirdly tinted, but a vibrance layer can fix that.

vibrance is much more subtle!

✨ colour balance

colour balance affects the overall balance of colours within a gif.

it's good for scenes with heavy tints.

I tend to stick to the 'midtones' dropdown, but you can also alter the colour balance within the shadows and highlights if you want.

✨ channel mixer

I avoided channel mixer for such a long time because it scared me. but it's great for scenes that are very heavily tinted in one colour.

basically, it works with the levels of red, green, and blue within a gif. you select an output colour and then play around with the levels of the colour you selected within each other colour.

kind of the reverse of selective colour?

so in the 'blue' channel, the levels of blue are at 100%, and the levels of red and green are at 0% - but you can impact how much blue is in the reds and greens and blues.

this tutorial explains it well - but imo the best way to get to grips with channel mixer is just to play around with it a bit (sorry)

(when I made this guide for my friend, I also made a slightly more complicated gif colouring walk-through that included using channel mixer. there isn't space to include it within this post, but if anyone is interested I could always upload it as an 'intermediate' gif colouring tutorial - lmk!)

4. troubleshooting

‼️curves

usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :(

for example, with this base gif:

using many of the brightest points as a white point turn it wacky colours, like this:

yikes :(

some options for these cases:

try brightening the gif first with the 'auto' button on the curves layer or with a levels layer. having a brighter gif to start with can give you better options for picking a white point.

try finding an alternate, whiter/brighter white point. look for places the light reflects - on this gif, using the light on Porsche's cheekbone works well as the white point. it also helps to find places that would be white if the scene wasn't tinted - the lightest part of a white shirt is often a good place to start, for example.

skip the curves layer, and instead use a levels layer to alter your white/black points, and colour balance or channel mixer to balance the colours.

‼️over/undersaturation

if your gif (especially the skintones) is looking a little washed out or lifeless, it might be undersaturated. boost that saturation - or if that's not working, try a vibrance layer.

oversaturation is often easiest to spot in the mouths and ears of any people in a gif. if the mouths are looking unnaturally, vibrantly red, then you've gone too far with the saturation.

5. fin!

and done! I hope this was coherent helpful to somebody.

if there's anything that I've missed or that doesn't make sense pls feel free to shoot me an ask or a message and I'll do my best to help! I've also collated a bunch of additional reading/resources below.

happy gifmaking 🥰

✨ some links!

photoshop basics by @selenapastel

gifmaking for beginners by @hayaosmiyazaki

gifmaking guide for beginners by @saw-x

dreamy's gif tutorial by @scoupsy-remade (includes instructions on how to blur out burned-on subtitles or annoying video graphics)

beginner's guide to channel mixer by @aubrey-plaza

how to fix orange-washed characters by aubrey-plaza

colour correcting and fixing dark scenes by @kylos

does resampling matter? by usergif

how to put multiple gifs on one canvas by @fictionalheroine

watermarking using actions by @wonwooridul

resource directory by @usergif

[damienns]

My GIF Making process: Screen capturing using MPV player, Organizing files, 3 Sharpening settings, Basic Coloring PSD + Actions set

This is a very long post so heads up.

I’ll try to be as thorough and true as much as possible to the way I make my gifs (I already use Photoshop Actions which I’ve long since set up but now for this tutorial I’m reviewing them to show you the exact steps I’ve learned to create my gifs 😃) and present them to you in a semi-coherent way. Also, please bear with me since English is my second language.

First things first. Below are the things and tools we need to do this:

Downloaded 4K or 1080p quality videos (let’s all assume we know where to get these—especially for high definition movies and tv series—so this post doesn’t get removed, okay? 😛)

Adobe Photoshop CC or the CS versions can work as well, but full disclosure I haven’t created gifs using the CS versions since 2020. I’m currently using Adobe Photoshop 2024.

mpv player. Use mpv player to get those frames/screenshots or any other video player that has a screen grabber feature. I’ve used adapter for the longest time but I’ve switched to mpv because the press to screenshot feature while the video is playing has been a game changer not to mention ultimate time saver for me. For adapter you need to play it in another video player (like VLC player), to get the start and end timestamps of the scene you want to gif which takes me ages before I can even open Photoshop.

Anyway! Please stop reading this post for a moment and head over to this amazing tutorial by kylos. She perfectly tells you how to install and use mpv player, both for Mac and Windows users.

One thing I have to share though, I had a tough time when I updated my MacOS to Sonoma since MPV is suddenly either duplicating frames or when I delete the duplicates the player seems to be skipping frames :/ I searched and found a solution here, though it didn’t work for me lol. My workaround for this in the meantime is decreasing the speed down to 0.70 then start screenshotting—it’s not the same pre Sonoma update but it works so I’ll have to accept it rather than have jumpy looking gifs.

Now, after this part of kylos’ tutorial:

you can continue reading the following sections of my gif tutorial below.

I want to share this little tip (sorry, this will only cater to Mac users) that I hope will be helpful for organizing the screenshots that MPV saved to the folder you have selected. Because believe me you don’t want to go through 1k+ of screenshots to select just 42-50 frames for your gif.

The Control + Command + N shortcut

This shortcut allows you to create a new folder from files you have pre-selected. As you can see below I have already created a couple of folders, and inside each folder I have selected screenshots that I want to include in one single gif. It's up to you how you want to divide yours, assuming you intend to create and post a Tumblr gifset rather than just one gif.

Another tip is making use of tags. Most of, if not all the time, I make supercorp gifs so I tag blue for Kara and red (or green) for Lena—just being ridiculously on brand and all that.

Before we finally open Photoshop, there's one more thing I want to say—I know, please bear with me for the third? fourth? time 😅

It's helpful to organize everything into their respective folders so you know the total number of items/frames you have. This way, you can add or delete excess or unnecessary shots before uploading them in Photoshop.

For example below there are 80 screenshots of Kara inside this folder and for a 1:1 (540 x 540 px) Tumblr gif, Photoshop can just work around with 42-50 max number of frames with color adjustments applied before it exceeds the 10 MB file size limit of Tumblr.

Sometimes I skip this step because it can be exhausting (haha) and include everything so I can decide visually which frames to keep later on. You'll understand what I mean later on. But it's important to keep the Tumblr 10 MB file size limit in mind. Fewer frames, or just the right amount of frames, is better.

So, with the screenshot organization out of the way, let's finally head over to Photoshop.

Giffing in Photoshop, yay!

Let’s begin by navigating to File > Scripts > Load Files into Stack…

The Load Layers window will appear. Click the Browse button next.

Find your chosen screenshots folder, press Command + A to select all files from that folder then click Open. Then click OK.

After importing and stacking your files, Photoshop should display the following view:

By the way, I'll be providing the clip I've used in this tutorial so if want to use them to follow along be my guest :)

If you haven't already opened your Timeline panel, navigate to Windows > Timeline.

Now, let's focus on the Timeline panel for the next couple of steps.

Click Create Video Timeline, then you’ll have this:

Now click the menu icon on the top right corner then go to Convert Frames > Make Frames from Clips

Still working on the Timeline panel, click the bottom left icon this time—the icon with the three tiny boxes—to Convert to Frame Animation

Select Make Frames From Layers from the top right corner menu button.

So now you have this:

Go and click the top right menu icon again to Select All Frames

Then click the small dropdown icon to set another value for Frame Delay. Select Other…

The best for me and for most is 0.05 but you can always play around and see what you think works for you.

Click the top right menu icon again to Reverse Frames.

I think Photoshop has long since fixed this issue but usually the first animation frame is empty so I just delete it but now going through all these steps there seems to be none of that but anyways, the delete icon is the last one among the line of feature buttons at the bottom part of the Timeline panel.

Yay, now we can have our first proper GIF preview of a thirsty Lena 😜

Press spacebar to watch your gif play for the very first time! After an hour and half of selecting and cutting off screenshots! 😛 Play it some more. No really, I’m serious. I do this so even as early (lol) as this part in the gif making process, I can see which frames I can/should delete to be within the 10 MB file size limit. You can also do it at the end of course 🙂

Now, let’s go to the next important steps of this tutorial post which I’ve numbered below.

Crop and resize to meet Tumblr's required dimensions. The width value should be either 540px, 268px, or 177px.

Convert the gif to a Smart Object for sharpening.

Apply lighting and basic color adjustments before the heavy coloring. I will be sharing the base adjustments layers I use for my gifs 😃.

1. Crop and Resize

Click on the Crop tool (shortcut: the C key)

I like my GIFs big so I always set this to 1:1 ratio if the scene allows it. Press the Enter key after selecting the area of the frame that you want to keep.

Side note: If you find that after cropping, you want to adjust the image to the left or another direction, simply unselect the Delete Cropped Pixels option. This way, you will still have the whole frame area available to crop again as needed and as you prefer.

Now we need to resize our gif and the shortcut for that is Command + Opt + I. Type in 540 as the width measurement, then the height will automatically change to follow the ratio you’ve set while cropping.

540 x 540 px for 1:1

540 x 405 px for 4:3

540 x 304 px for 16:9

For the Resample value I prefer Bilinear—but you can always select the other options to see what you like best.

Click OK. Then Command + 0 and Command + - to properly view the those 540 pixels.

Now we get to the exciting part :) the sharpen settings!

2. Sharpen

First we need to have all these layers “compressed” intro a single smart object from which we can apply filters to.

Select this little button on the the bottom left corner of the Timeline panel.

Select > All Layers

Then go to Filter > Convert for Smart Filters

Just click OK when a pop-up shows up.

Now you should have this view on the Layers panel:

Now I have 3 sharpen settings to share but I’ll have download links to the Action packs at the end of this long ass tutorial so if you want to skip ahead, feel free to do so.

Sharpen v1

Go to Filter > Sharpen > Smart Sharpen…

Below are my settings. I don’t adjust anything under Shadows/Highlights.

Amount: 500

Radius: 0.4

Click OK then do another Smart Sharpen but this time with the below adjustments.

Amount: 12

Radius: 10.0

As you can see Lena’s beautiful eyes are “popping out” now with these filters applied. Click OK.

Now we need to Convert to Frame Animation. Follow the steps below.

Click on the menu icon at the top right corner of the Timeline panel, then click Convert Frames > Flatten Frames into Clips

Then Convert Frames > Convert to Frame Animation

One more click to Make Frames From Layers

Delete the first frame then Select All then Set Frame Delay to 0.05

and there you have it! Play your GIF and make sure it’s just around 42-50 frames. This is the time to select and delete.

To preview and save your GIF go to File > Export > Save for Web (Legacy)…

Below are my Export settings. Make sure to have the file size around 9.2 MB to 9.4 MB max and not exactly 10 MB.

This time I got away with 55 frames but this is because I haven’t applied lighting and color adjustments yet and not to mention the smart sharpen settings aren't to heavy so let’s take that into consideration.

Sharpen v1 preview:

Sharpen v2

Go back to this part of the tutorial and apply the v2 settings.

Smart Sharpen 1:

Amount: 500

Radius: 0.3

Smart Sharpen 2:

Amount: 20

Radius: 0.5

We’re adding a new type of Filter which is Reduce Noise (Filter > Noise > Reduce Noise...) with the below settings.

Then one last Smart Sharpen:

Amount: 500

Radius: 0.3

Your Layers panel should look like this:

Then do the Convert to Frames Animation section again and see below preview.

Sharpen v2 preview:

Sharpen v3:

Smart Sharpen 1:

Amount: 500

Radius: 0.4

Smart Sharpen 2:

Amount: 12

Radius: 10.0

Reduce Noise:

Strength: 5

Preserve Details: 50%

Reduce Color Noise: 0%

Sharpen Details: 50%

Sharpen v3 preview:

And here they are next to each other with coloring applied:

v1

v2

v3

Congratulations, you've made it to the end of the post 😂

As promised, here is the download link to all the files I used in this tutorial which include:

supercorp 2.05 Crossfire clip

3 PSD files with sharpen settings and basic coloring PSD

Actions set

As always, if you're feeling generous here's my Ko-fi link :) Thank you guys and I hope this tutorial will help you and make you love gif making.

P.S. In the next post I'll be sharing more references I found helpful especially with coloring. I just have to search and gather them all.

-Jill

[the-borgias]

hi sole! your sharpening is always so soft and pretty, i was wondering if you would be open to share it? hope you are having a wonderful november so far <3

Hi, Anon! Thank you so much <3 Yeah, sure, tutorial under the cut:

What you'll need:

Photoshop (I use Photoshop 2023)

Basic knowledge on how to make gifs

Camera Raw filter installed

Okay so, first of all, I use two different methods depending on the size of the gif. Let's start with the one I use for most of my gifsets which are big gifs (examples: x x x x.)

METHOD #1: Smart Sharpen + Camera Raw

I started using the Camera Raw filter last year and let me tell you, I'm obsessed! It completely changes the game of sharpening. I use this method for all gifs with a 540px width.

We're going to work on timeline so get your gif ready and convert it for smart filters. I'm using this scene from my last set as a base:

Here's the gif after I color it (I usually sharpen my gifs before I color them but for the sake of the tutorial I'm showing you this so you guys can see the difference):

(1) Smart Sharpen Layer: Let's start by adding a Smart Sharpen layer (Filter > Sharpen > Smart Sharpen) with these settings:

Disclaimer: I didn't come up with these settings myself I got them from these sharpening actions forever ago so I don't know which one it is :/. I also wasn't able to find that person's new blog (if they even have one since they've been inactive since 2021) so if anyone knows please let me know and I'll give them proper credit!

Now we're going to go to the 'Layers' panel and click on this little thingy:

This window will pop up and we are going to change the Opacity to 50%.

(2) Camera Raw Filter: Here's where the fun begins. Go to Filter and click on Camera Raw Filter (you'll need to have the plugin installed for it to show up.) I don't know how the Camera Raw window will look like the first time you open it but good thing you only need to change a couple of things!

If it isn't opened yet click on 'Effects' and we're going to change the Texture and Clarity:

Depending on the scene/show/film I'm giffing, or if I want a stronger or softer sharpening, I'll use two different settings, but 99% of the time they are these:

First setting: Texture (+20) Clarity (+10)

Second setting: Texture (+40) Clarity (+20)

As you can see the difference isn't huge but the first setting gives a "softer" look. As I said I'll use one or the other depending on how I see the scene (it's almost always about the vibes yk.)

Feel free to experiment with these two and see what works best for you (although I wouldn't go higher than 40 on texture because the sharpening will look too fake imo.)

Also this filter is soooo good at making low quality videos look 1080p! Every time I've had to use 720p videos the Camera Raw filter has saved me 🫡

METHOD #2: Smart Sharpen

I use this method for smaller gifs. For example, 8 gifs of 268px x 180px sets (like these) or small-ish gifs in complex sets (like the second gifs in this set.)

This process is much simpler since it's the one I explained before but without adding the Camera Raw filter. That's it that's the method. Just a Smart Sharpen layer with the Opacity turned down to 50%.

As I said this method looks best on smaller gifs but to be honest it looks good on big gifs too? Depends on what you like most!

Anyway I hope this was easy to follow and if anyone has any questions please feel free to dm me or send an ask! ♡

[tickfleato]

how to make cool blobby turing patterns in photoshop

i'll preface with i learned the basic loop from skimming a tutorial on youtube, but as someone who prefers written tutorials i'm sure many would appreciate one! also, the second part of this is some of the visual effects i figured out on my own using blending modes and stuff.

i'm using photoshop CS4 on a mac so some buttons and stuff might be in different places on windows and newer photoshop versions but all the actions are the same. my canvas is 1000x1000 pixels.

UPDATES (i'm hoping these'll show up whenever you open the readmore?)

it's possible to do something similar in krita using this plugin, made by the love @arcaedex

it's also possible to do this in photopea, a free browser alternative to photoshop! the results are pretty much identical.

FIRST off you wanna get or make a black and white image of some kind. it has to be one layer. can be noise, a photo, a bunch of lines, whatever. here's mine, just some quick airbrush lines:

now find the actions tab. idk what it looks like in newer versions of photoshop but you probably won't need to dig!

hit the little page thingy to make a new pattern. once you hit 'record', it'll record everything you do. the little square 'stop' icon will end it.

now you want to do a high pass filter. you can mess around with the radius to change the size of your squiggles, but the tutorial had it set to 6. experiment!

now add the 'threshold' adjustment layer. i use the adjustments tab but i think there's also a dropdown menu somewhere. keep it at the default, 128. merge it down. (control or command + E or you can right click it like some kind of weirdo)

and finally, the gaussian blur! the radius of this affects the shape and size of your squiggles as well. i like to keep it around 4.5 but you can mess around with that too.

after that, hit 'stop' on the action you're recording, and then repeat it a bunch of times using the 'play' button, until you have something you like, like this:

WOW!! that was fun!! and only a little tedious thanks to the power of macros. anyway, here's some fun layer blending stuff i like to do. it's with a different pattern cause i made this bit first.

anyway, using a black and white gradient (or a grey base that you do black and white airbrush on), make a layer with the vivid light. this will make the blobs look thicker or thinner.

then, for cool colors, do a gradient map adjustment layer over that:

and finally, my best friend, the overlay layer. just using a gradient here bc i'm lazy, but feel free to experiment with brushes, colors, and blending modes!

NOW GO. MAKE COOL SHIT WITH THE POWER OF MATH. AND SEND IT TO ME

also these are not hard and fast rules PLEASE mess around with them to see what kind of weird shit you can make. here's a gif. as you can see i added some random airblush blobs in the middle of it, for fun.

[mithrandirl]

i always get questions when i do a split gifset, and it's a deceptively simple process so i thought i'd try to show how i do it! i don't know if these types of gifsets have a more universally recognized name, but that's what i call them so that's what i'm going with.

i'm going to write this assuming you have a solid familiarity with photoshop and making gifs, but please feel free to send me an ask if anything is unclear. i use video timeline/smart objects so will be showing that (here's a great general tutorial on giffing with timeline). i will also be talking A LOT about gif dimensions, so first let's briefly go over the limits and theory a little bit.

a 1 column gifset can accommodate gifs 540 pixels wide

2 columns = 268 pixels each with a 4 pixel gutter between

3 columns = 177, 178, 177 pixels with 4 pixel gutters

i'm mostly going to talk about 2 column split gifs here (what i will refer to as 2x1 from now on - 2 across and 1 high), but the process is the same for 3 column (3x1) and so on (1x2, 2x2, etc).

so, why would you even want to make a gifset like this? i mean, let’s face it, generally, bigger is better for gifs on tumblr, and there are obvious incentives to 540 width gifs over 268 or 177/8 width, especially since the upload limit went to 10MB. but even 10MB isn’t much when you’re talking about high quality footage. gif making is a constant balance between quality (whatever that means to you: frame dimensions, sharpening, coloring, etc) and file size. split gifs are a cheat to that limitation >:)

i personally believe an untapped frontier of tumblr gifmaking is playing with dimensions and time. that sentence makes me sound like an old-timey sci-fi villain, but you get the idea: gifmaking is an art and there are many fun and interesting ways of exploring the medium. you can do a lot with 268 pixels! longer frame loops to gif longer scenes unbroken, bolder coloring on a wide shot you don’t want to pare down. and, a shorter x axis means the y axis’s bang goes a lot further on a buck. also just if you have a 2 column set but only 5 gifs so you need to make one take up 2 slots. there's a lot of reasons but the most important one is it's fun :) here are some examples of other split gifs i've made: x, x, x

this isn't so much a limitation, more of a shift in how you think about gifs, but it's important to remember that each gif should ideally be doing something still. when making split gifs, it’s easy to pick a wide scene without thinking about how it’ll be split down the middle, and then you’re left with a lot of something on one side and a lot of incongruous nothing on the other - or you're left with a person cut in half awkwardly in the middle. so while a split gif can still be a whole scene, you shouldn’t ignore the break and what it means to the bigger picture. now this is personal preference, but i like to play with the break and make it a part of the gifset. mirrored movement, subjects trapped on either side but still talking to each other, a bird flying from one side to the other. fun with frames! it can be another way of drawing attention to specific images/moments/feelings happening within the same shot.

SIMPLE SPLIT GIFS

to more narrowly define what i’m calling “simple split gifs,” it’s one set of frames split down the middle into two separate gifs that are meant to play concurrently, side by side.

first thing's first, crop your gif and uncheck delete cropped pixels if it is not already (very important). i'm cropping it to the 1x1 size, in this case 268x350. if you need to see how the full size will look, you can try it out with 536 first. but this one is pretty easy, this is the exact center of the frame (the left boundary of this crop is the center line) and both their heads fit within their respective 1x1 crop.

then color as you normally would. if your scene is very different one side to the other, it might be easier for you to color on a wider crop and then either crop again or copy paste your coloring to the smaller crop version. i do that with the 2x6s, but it's usually not that big a deal to color the 2x1s with just the small crop on your canvas at the time. this scene is very symmetrical, both in movement and colors, so i'm good.

now the fun part! once you've got one side how you want it, save/export as you normally would. at this point i also like to make a mental note of how many frames there are.

so i have 49 frames and it's still only ~3MB! this is just an example that i picked from my rotk fancy set, otherwise i probably would have made this gif longer.

then onto the other side, so i ctrl + z my way back to my smart object video timeline. to get to theoden i just drag and drop the smart object 268 pixels over. since this one is in the exact center of the image, it even helpfully guides me (this can get annoying if you are NOT giffing the center of the image fyi, but you can always manually go pixel by pixel too if you need to with your <- -> keyboard buttons. just always remember where you started and count accurately). i can never move around my smart object without hiding the adjustment layers on top of it, so you'll see me do that in this screen recording.

see how it corrected me when i dragged it a few pixels down by accident, and with all those pink guidelines? sometimes photoshop is good 😌

then make sure you still like the coloring, adjust whatever needs to be adjusted, but watch out! don't make any major changes because it still has to match the other side. and export again.

what we perceive as 1 series of frames chopped down the middle is just 2 separate gifs with the same frame rate. when tumblr loads the images, it will run concurrently in the post (even though it never does in the draft post 🙄). and that's it!

COMPLEX SPLIT GIFS

again i'm making up terms, but i call anything with more than 2 components a complex split gifset. i've tweaked some things in the process as i went along, but this is generally how i did the lotr series. these sets are basically just many split gifs with transitions. and here's where endurance becomes a factor :) there's a lot of prep done blind. but if set up well, it will be fairly easy to pull together by the end.

first i decide on my dimensions, using my upper bounds to determine how big i'm going to go. since lotr has very nice large file sizes, i can go pretty big without sacrificing much in quality. i decided on 3 rows of 350 pixel height gifs and it's worked well for me. that means my biggest gif will have a total height of 1050 pixels - fun! you could also do 8 rows, with two 2x2s or just a series of 2x1s that transition to 1x1s. there really is no limit to this except your imagination and source material.

i cap everything i'm going to use before i even open photoshop, then do all of them at once. uncheck delete cropped pixels, then i make my gifs! this is where i spend 90% of the time on this set. every gif should be the size of the smallest 1x1 gif (268x350 for me). i make all 10 into a fully colored, separate psd. (and then i usually go back through all of them a few times to get the colors to match better 😅) for the bigger ones (2x1: 536x350 and 2x6: 536x1050), i just crop them as if they were 1x1 but always thinking about how they will look when big. this gets tricky when i do the big one :) my lazy workaround for that is to basically make it twice: one cropped as it will be and one full size for me to color. then i copy and paste all the coloring layers onto the small one and voila, i know that the coloring in the upper right slice will also look good on the bottom left slice 1050 pixels away because i saw it on the full size version.

coloring is probably the biggest thing i'm thinking about with this kind of set. the whole idea is that these gifs are using the same colors, more or less, throughout each phase. even with the 1x1s, they're still part of a larger color concept, and they should (🤞) work with each other.

in a pinch, i like to eyedrop a color from one gif and add it as an accent to another. one of my 1x1s had a much more muted color palette originally, but i wanted it to have deeper blues and yellows to complement the 1x1 that would go next to it, so i added some gradients on lower opacity over it, color picked from other gifs i already colored.

i keep my coloring and the smart object in separate folders to help me in the final step of combining everything, and then i trim everything down to my lowest common denominator of frames. you might think you need to keep frames pretty minimal if you're doing 3 phases with transitions like this, but there's more room to work with on a small gif, in terms of file size. i usually do 30-50 frames for each phase, with the assumption that i'll be adding a transition on each side of each gif that will eat up some frames (i usually do 4-6 frame fade transitions). for the rotk set my final frame count was 129 and i never went over 8MB on a gif, so there's plenty of space play around with things :)

and then, combine! whatever order you start with, you are stuck with (unless you're getting even more complicated, but we won't go into that lol). for these sets i go small 1x1 -> medium 2x1 -> big 2x6. i like to think of it in phases from this point on. small is the first phase, then medium, then big. then i put in the fade transitions, chopping up the first phase gif so the last one will fade into it, restarting the whole cycle seamlessly. i'm just doing a quick and dirty fade here, but here's a tutorial if you want more explanation on transitions.

at this point i save this psd as its position, "top left" or whatever (usually it's a psb by this point too 🥲), just in case i need to go back to it. then i export this first gif and move on to the rest.

it's the same concept as a simple split gif: drag and drop the smart object to the new position, but now there are multiple phases to keep track of. folder organization has been key for me to keep everything straight. i move through the gifs in a backwards S, starting with the top left. but you could go any direction, just gotta stick with it and remember your counts. in my case, i'm always thinking of 268 pixels over and, for the 2x6, 350 up/down. it's a tedious process, but it goes quick (apart from waiting for photoshop to load each time you export).

i did this series as a color concept aesthetic kind of thing, so my theory was by using the same-ish colors throughout, that would save me in the end when it came time to export. there's only 256 colors max to work with on a gif, and that's usually what gets me over the 10MB limit. but as i said, i have never even gotten close to the size limit on this series. it's pretty hard to reach the limit on 268 pixels, but not impossible. (i did run into that on the emma set i did, and that was hell. but also not an impossible fix in the end.)

and that's it! if you try any of this and have trouble, i'm happy to help if i can but mostly this is a "click around and see what works for you" kind of process. and feel free to tag me on your split gifsets :) i love seeing them <3

[dianagj-art]

No. It has to be me. Anyone else would probably do it wrong

Congratulations to @mutantninjamidlifecrisis for not only being the first fic to make cry in quite a while, but also being the first fic ever to get such a reaction out of me that I had to laid down my phone and just breathe for a few minutes until I calmed myself enough for my hands to stop shaking, this happened multiple times while I read chapter 8, I even had to stand up and walk around my room once to calm down.

anyways if you havent read this fic yet go read it

Bonus lil gif under the cut bc photoshop screwed up the colors when I tried to export the whole page as a gif