#also does someone has the original video?

[mysteriousauthor448]

What if Class of 09 Flipside was made by a Woman?

I liked Class of 09. I liked it's snappy dialogue, I liked it's social commentary of high school and women's experiences with creepy men and adulthood, I liked how it gave such a compelling main character where you know she's awful yet acknowledge that she has her reasons without justification. I like Class of 09, both the original and re-up. What I don't like though, is Class of 09: The Flipside.

Setting my personal disgust with the feet routes and the 'Palestinian slave trade' comment aside, the writing in Flipside just is completely different from the last 2. Instead of focusing on the biting social commentary of the woman experience, it instead prioritizes shock value with only some form of substance (e.g, jecka seeing nicole's suicide, jeffrey's death, the ending messages apart from the creator) And you know what else sucks? We never actually got to explore Jecka properly of who she is as a character, her relationships with her family, friends, former friends...Sure, we get doses of her life like her dad which does do what the game promised: Change how we saw the Class of 09 story before. We now understand why Jecka was terrified of the cop's yelling, not only because an powerful authority abusing his power but also experienced it before. See, this was the stuff I expected from Flipside. This was what the game should've prioritised in. Instead, it seemed like the creator would rather showcase his fetishes and spite people that don't like him or the game. From that there on, I keep thinking to myself: 'you know, this game would've been better had a woman wrote this.' But can they?

I'm a woman experienced high school before, even tried to fit the class of 09 writing style on my characters in my own personal time. Given how a lot of class of 09 fans are disappointed with the new game and I want to get into writing publically, I figure that I be the one to rewrite Class of 09 The Flipside in hopes of re-capturing the essence of the first two games alongside the game's intentions itself. Even though it's still in development, I've already outlined the routes/endings so far for you all to get a peek:

Route 1/Ending 1 - Invasion of MySpace: The foot route will be replaced by Jecka taking and making videos/pictures in order to make money after being fired from her job. Think of it like a late 2000s or early 2010s version of OnlyFans. This would help remain the social commentaries of men’s creepy behaviour to women alongside how their safety is affected. There’ll be an option of whether to go to the creepy man’s house or go home. If she goes home, she finds Nicole giving her dad a handjob with a dead expression. It ends with Jecka killing herself and implies that Nicole followed her too (not half naked though, just in regular clothes cuz I'm not a freak unlike someone)

Ending 2 - MurderSpace: If Jecka chose to go to the creepy man’s home, she gets murdered and placed like a doll in the man’s basement. 

Route 2/Ending 6 - Breaking the Wounded Heart: Jecka finds herself to work with Karen and Ari at Dominos. Overtime, they start to form a bond and Jecka herself starts to mature and finds Nicole to be unbearable. Jecka finally breaks off her friendship with Nicole and cuts forward to the future where Jecka currently lives a peaceful yet boring life, reflecting on the past with Nicole, wondering if she’s really better off without Nicole because while she’s now in a stable life without the chaos, it's the chaos that entertained her: Nicole entertained her. And now it’s all gone. But in the end, it suggests that things are much better with Nicole gone as it cuts to a phone beeping and Jecka looking down at it with a smile while Ari is by her side. Yes, this is the route where Jeckari is canon. I know this sounds too sweet for Class of 09 but I want it to still match the vibe with it being less shocking but more real in a way. Something too realistically depressing but still mundane. This is what I planned to be the saddest but best outcome of the game. The most real I should say. 

Ending 5 - Was it all worth it?: If Jecka chooses Nicole over her new friends, it ends with her and Nicole being homeless smoking drugs in an abandoned forest with Jecka reflecting on whether or not she made a good choice with Nicole before commenting on needing a Xanax to distract her from the regret and pain. 

Route 3/Ending 3 - Fuck Men!: Jecka gets into a relationship with a presumably kind-hearted gentleman. Nicole tries to warn her but Jecka won’t listen. She then is coerced by the man into doing sexual favours for his economic gain, making her become a sex trafficked victim.

Route 4/Ending 4 - Drunk Drive Delivery: Same route where Ari dies but instead the ending changed to Jecka being arrested for 6 months where the ending monologue would showcase her conflicted in anger and regret. Plus, it plays more to the idea of Jecka ‘dying at 21’ logic with being forced to work: adult party culture: that kind of thing. 

I'd be happy to hear any feedback or/and ideas for this rewrite.

[jung-koook]

are you making those gifs just from the yt shorts/ig reels of I AM STILL that they are posting? it doesn't even look like it bc the quality of the gifs is so good D:

If you want to talk about quality you've come to the right person! LAKSKSALKS everyone loves high quality files but sometimes I do crazy things for files that not even my friends can do. such as my paid weverse files. I always want the original quality and with screen record we don't have that, so I literally gave my email and password to someone on a forum so they can download my files from my weverse account in the original quality. this person just said "hi, I know how to download paid files from weverse using codes, do you want me to do it for you?" and I, who don't know this person, said "omg please, thank you so much for doing this for me". 😅😭 also download torrent files from suspicious websites. the list is long LKASKLAKSAS but I can give you some tips on how to always find good quality files, at least files that are free or easier to find.

try to join in exclusive forums like kpop24hrs or a harder like jpopsuki and avistaz. I had an account on jpopsuki, but maintaining an account there is very hard for me, I am someone who doesn't keep files saved on my laptop. there is a forum called "torrent invites" where some people go there and offer invitations or even exclusive forum accounts. I got a jpopsuki invitation account for a friend there. check torrent invites forum if you want an invitation to another forum! now youtube videos. to download youtube videos I use 4k video downloader. but before downloading the videos you can also try to change the format of the video to see if the quality changes too. sometimes videos in mkv format have better quality, so it's always good to check if the quality changes.

I always do that on bangtantv like bangtanbomb or the episodes videos which most of the time are always only uploaded on youtube. BUT we have some videos that are not only uploaded on yt but also on instagram and tiktok~~~~ and this is where we win heheheh~~ if a video is uploaded on these three platforms ALWAYS download it from tiktok. 99% of the time, videos on tiktok have a thousand times better quality than those on youtube and instagram. or you can also download the video on these three platforms so you can compare and see which quality is better, but I'm sure that tiktok's quality will always be the best. here's an amazing example, jin video that I giffed earlier.

first i only saw people sharing the instagram link but i went and searched if the instagram account also had a tiktok account and BAM they did 🥹 I downloaded the video from instagram and the quality was poor:

but when i download the tiktok video the quality was:

damn... this is sexy🫦

when instagram doesn't always make videos available in 1080p, most videos on tiktok are 1080p. just go and search "where to download instagram videos online" "where to download tiktok videos online" and open a website that does that and that's it.

another example, my tae and jeongguk recent gifset that you talk about here in this ask.

the quality of the video uploaded on youtube and instagram is very similar.

yt:

instagram:

but look how the quality is a thousand times better on tiktok:

🥹🥹🥹🥹🥹 so beautiful that I almost got emotional LAKSKASKASKA

my advice is to always look for other platforms they may have uploaded the files to! like for example jeongguk vogue photoshoot. many people thought that the videos were only uploaded on twitter and instagram but no, they were also uploaded on facebook! always look for accounts on facebook as well. but facebook is weird… from what I understand they won't upload all the quality at the same time so sometimes it takes a while for a video to be in 1080p there. another thing, sometimes they will also change the quality lol. for example, when I downloaded jeongguk photoshoot there the highest quality available was 2k but now it only has 1080p.

now:

😭😭😭😭😭😭

now torrent files~ I don't recommend the websites I download my files from because I'm not sure they are trustworthy but as I have a good program to protect my laptop so I feel safer lakskas. for torrent files I use eztvx, kpkuang, 1lou. "are you sure" files I had to search for jung kook or jimin to find the files on some of these websites.

and now free websites where we can download high quality bangtan files are namuspromised, sharemania, soowoozoooo and ouranxingg.

there are others but I feel like these are the ones who always share high quality files.

this was me trying to explain to you guys how to always find high quality files with my bad english LAKSKSKASK I just love helping people find good quality files ♡

EDIT: I forgot to talk about vimeo but @galatariel reminded me of them too ♡ many photoshoot are uploaded there with high quality so also check vimeo when a photoshoot comes out! I downloaded most of my recent tae photoshoot there~

[curio-queries]

I saw Jungkook's documentary this weekend and have just a few thoughts. If you're avoiding spoilers, don't click the cut!

The Hybe Documentary Format

So...as a reminder to you all, I do not have professional expertise in the film industry. I'm just a very discerning consumer. I also haven't seen Hobi's documentary and I watched Road to D-Day while I was quite ill last year so I only vaguely remember some bits. (I'll definitely be getting back to those sooner rather than later though as research for a series of posts I'm developing.) That being said, I think we have enough data points to state that Hybe has absolutely no interest in filmmaking techniques outside of music videos.

I did mostly enjoy my experience seeing this film yesterday and I'm always grateful for any amount of footage the members are willing to share with us but this 'documentary ' was worse than Jimin's Production Diary. Any of you that managed to make it through my rambling review will know how dissatisfied I was with that.

I Am Still is not a documentary, it's a mixture of showcase footage and behind-the-scenes clips, most of which has already been divulged in the various episodes and shooting sketches on YouTube. Honestly, if you're not able to see the film, just go rewatch all of the bangtantv content for JKs solo period and the showcase and you'll be up to speed with 85% of what was in the documentary.

There are definitely some expansions to the storylines featured in the bangtantv content; mostly being anything that wasn't overtly optimistic. For example, we learn a little bit more about just how sick JK was during the Seven/3D promotions. That content likely was pulled from the bangtantv edit because it would have put a damper on the promotions and given certain 'fans' a focus to fixate their vitriol. But overall, it feels more like an extended version of existing content rather than a new work. At least JPD didn't continually feed us footage we'd seen before.

I'm someone who gets completely bothered by previews spoiling content so I didn't watch any of the promos until after I saw it and I am so glad I skipped them because most of the 'original' scenes of the film were featured in least one of them. Alas, that's a separate issue of which I'm definitely in the minority.

Was There No Structure?

Kinda. Like JPD, there is a semblance of a structure: Attempting to follow the chronology of release activities for JKs GOLDEN album through the lens of JKs staement trying to prove that he is still worthy of everything he was being hailed as during the BTS group activities but I don't feel this was successfully executed. It jumps round enough and isn't very successful in explaining the events if you didn't already know about them. The film starts with the SEVEN performance at GMA and footage that we've already seen of JK recording SEVEN, not mentioning anything about the music video or really how JK got involved with the song in the first place. The rest of the story beats have similar missing points.

They have a vague narrative with the 'I Am Still' points but that's mostly carried by subs and a couple of moments that JK mentions himself. I'm not saying it's not true or wasn't top-of-mind for JK during this process but it's not the main point of many of the moment/messages he shared with us during this time period so it feels a little disingenuous since everything else jn this film really only makes sense if you've already seen quite a lot of behind-the-scenes content.

Honestly, it makes me question the intended audience. Obviously, they know that ARMY will shell out whatever we need to when there's new content from our members but most of us will have already seen all of the bangtantv content so we are already familiar with the most of the footage in this film. I genuinely don't think this was produced in such a way to be palatable for audiences not familiar with BTS so who does that leave? Our friends and family that are peripherally aware of the content but haven't learned the basics of JKs album? ARMY with short term memories only?

But again, it seems this film was compiled by an editing team and not lead by a director with experience in crafting a documentary. The only new footage that Ican guarantee was captured with the express purpose of being included in this film was the few clips of JK talking in the practice room with the albums displayed by him. But we all know that's where all of the promo clips were gathered as well. I have issues with that approach as well but I'll leave this point alone for now unless anyone is interested.

Suffice it to say, all of these suppositions over the past year about how JKs documentary was getting special treatment or even questioning about investment in a project up front are dead. This was a product assembled with bits of what they already had completely in-house which was sold for distribution.

So, Did We Learn NOTHING?

No, there are a few Golden nuggets (see what I did there?). I can't recall everything having only seen it once (and having a rather disruptive audience - I swear there were only dozen or so ppl in my theater but I forget how obnoxious teenagers can be. I'm glad they're enjoying and supporting but we really didn't need light sticks flashing during a film and how many times does one person need to get up to answer their phone during this runtime? Three according to the row in front of mine.)

Anyway, something I thought was interesting to learn was that Standing Next To You was initially recorded the day after JK heard it for the first time. And hearing a little more about how JK yearned to perform that song definitelygot me thinking a little more about it. We can't reach any conclusions just with this little nugget but it does open the door to some theories. Like perhaps they were initially planning to have JK record two separate albums? SEVEN and 3D would be the singles of the first and JK would perform them as we saw but perhaps STNY was originally planned to be the single of the 2nd album that would release while he was in the military and thus be unable to perform it? Maybe JK loved STNY so much that everything was grouped into one album and Never Let Go was the only track held back for ms? Definitely some theorizing space to be had now.

Final thoughts?

Similar to my thoughts on the GCF: Budapest (which I feel would have had a much better reception if it had been labeled as a bangtan episode rather than a GCF), I AM Still should not have purported to be a documentary. It was much more similar to the annual Memories compilations. But the general public would not have shelled out the $25 to go to a theater to watch a Memories DVD so alas, we have our content packaged as a ~documentary~...

Did my view on the music change at all? Not because of the documentary. We're coming up on the year anniversary of GOLDEN and it's still definitely not my favorite. I completely understand why some people like it but it's just not to my taste. The overall impact falls a little flat for me. Too much breadth and not enough depth. I came into my musical soul during the 00s emo phase and will always be a sucker for music that absolutely drips in an emotional way rather than catchy songs vaguely referencing heartache and love. Again, just a matter of viewpoint.

I do think most of these songs stand much better being shuffled amongst other artists in a Playlist and several of them are significantly better when JK sang them live but I still won't be listening to them regularly. I wholeheartedly believe JK completed his task of proving himself as an extremely dedicated and versatile singer and performer. He's definitely got some solid points added to his resume after this project.

[bzhitstruth]

In the last few days, in GG's materials and the events related to DD there are a few things that my CPN-brain finds suspicious.

All this is CPN and fiction, do not take it seriously!

In the photo shoot from the Beijing concert, GG had a sea and the moon. There is nothing about the sea in the song "The moon represents my heart", and there is no sea in Beijing either. But the sea is the main theme of the latest episode of DD's film. It seems that the concert is timed to coincide with the Mid-Autumn Festival, but the GG's moon is not only not full, but not even waning, as it was on September 19 in Beijing. The phase of the moon in GG's photo is waxing, approximately the same as it was in April, during the filming of the episode about the sea, when DD flew to Hainan.

In the episode, DD lights a fire on the shore. GG lights a match, probably also on the shore, because the photos with the match are part of the "sea" photo shoot.

The theme of GG's first photo shoot from the gala of the Greater Bay Area is GG in an underground garage and in a taxi. Do you remember when XZS published a photo shoot "GG in a car"? Has that ever happened? I don't remember that. However, on the same day, someone came to Zhuhai to practice on a racing car. What a coincidence.

In the second GG's photo shoot from the gala, an unusual interior appeared, and among other things, attention was paid to a strange lamp wrapped in fabric. This lamp also appears in the last frame of GG's vlog. The turtles immediately noticed the resemblance to the branch lamp that DD made in the Discovery episode. I also think it looks a lot!

This branch, apparently, pleased DD so much that he took it with him to the mainland, and for some time it stood in the diving center in Zhuhai. And now they write that DD took it away from there. I wonder if he wants to decorate his interior artistically?

But there is another detail connected to this branch, and it is most likely just a joke of the universe. The song 往事随风, which GG performed at the gala concert, has an original music video from 1995. And there is a similar branch there too! It appears throughout the video.

How does all this manage to get tangled up in such complex knots every time? 💚❤️.

[poutyniall]

Wha... wh... how... 😦😳🥵

[celestial-kestrel]

It's that time of year again where Mari Lwyd starts to be talked about and shared around and an INCREDIBLY misleading post gets shared a lot. As someone who grew up with Mari Lwyd I wanted to clear some things up.

Also hello, if you are unaware who Mari Lwyd is. This is about the Welsh tradition of the horse skull who visits houses during the Christmas to New Years period in Wales asking for alcohol.

First off and probably the most important one:

Mari Lwyd is not a cryptid!

I can not emphasise this enough. She. Is. Not. A. Cryptid. There is no story or mystery about a ghost or zombie horse roaming the Welsh valleys. She's not even supposed to be a ghost or a zombie. It's just a horse skull on a stick with a guy under a sheet. She's a hobbyhorse and a folk character used to tell Welsh stories and keep songs alive. When people spread the misinformation that she's a cryptid, it's the equivalent of saying Kermit the Frog is a cryptid.

She is actually only one character in a wider cast of characters who go door to door or, in more modern times, pub to pub. The cast of characters can change town to town and village to village but there are some common ones I see time and time again. The Leader, the Merryman, The Jester and The Lady are just some I see regularly. Punch and Judy used to be more popular a few years ago but I haven't seen them in a while as their tradition has mostly fallen out of popularity. In most cases, almost the whole cast will be played by men. Even the characters are considered and referred to as female. Though this again depends and varies by which group is partaking in the Mari Lwyd tradition.

This point also goes onto my second point,

Mari Lwyd does not rap.

I think this comes from a very common misunderstanding of what rap is vs spoken word. Rap is a very specific style of music originating from the African American communities of the USA and has it's own structure and motifs unique to it. It's a lot more complex than people give it credit for as a style of music and just flippantly assign anything similar to it as being rap. If someone is talking fast or reciting poetry, it is not rap. Or anything that is an exchange of words between two people is not a rap battle. Mari Lwyd does not do rap, actually something that gets left out of these posts is the fact Mari Lwyd does not even speak. It's actually the Leader, who does all the speaking and song based banter between the house/pub owner for entry. Mari Lwyd just clicks her mouth, bites people and bobs her head around.

I think Mari Lwyd is a really beautiful and unique part of Welsh culture. She's not actually as wildly celebrated as a lot of the posts make her out to be. Actually, I think most Welsh people themselves learn about Mari Lwyd through the internet as well. Her popularity is increasing thanks to the drive of local groups wanting to keep the traditions alive and a renewed desire to document Welsh traditions before they're gone. Which is why it's such a shame that she's turned into something she's not to earn horror points on the internet. I think this is why it bothers me so much to see the misunderstandings of the culture and the folk tradition. Mari Lwyd's origin is very hot debated as well as how long it's been going on for. But I think it's thanks to a lot of traditions like this that the Welsh language and our stories weren't lost forever. Welsh culture is recovering as is the language. But it's still in a very fragile place. I think it's why it's important to document and correct information when it's spread.

Anyway, if you want to see the tradition in action, here's a lovely video from the Cwmafan RFC going to one of the pubs for charity. It includes the song exchange with the pub owner for entry and the whole pub singing and joining in once Mari Lwyd and the rest are inside.

As well with another video from St Fagan's showcasing the more traditional and door to door form with the larger cast.

[charliemwrites]

Squeeze Me, I Squeak!

While your interactions with Lieutenant Riley started out cold and tense, he's been warming up to your secondary specialty. Apparently, you make for a great stress-toy. (In which Ghost is a brat with authority, but you don't mind. You're a bit of a brat too.)

Original AO3 Link (I posted this a million years ago to AO3 and it was my first ever COD fic, inspired by a Discord chat and Badjhur audios. I figured it's about time I added it to the Tumblr masterlist for ease.)

Content: Dom/Sub Dynamics, Fraternization (therefore power imbalance), Medical Care (non-descriptive), Body Piercings, Safe/Sane/Consensual Intimacy

It starts with one simple catalyst: your cheeks.

You’ve been with the 141 for over half a dozen missions now. Three bullet grazes, two concussions, four sprains, and one nasty cold into your assignment under Captain Price, and quite pleased to be there. He’s a good leader, trustworthy and steadfast, a bastion of experience and skill shielding your unconventional squad from red tape and repercussion.

Time is a little more fluid for you as the combat medic. You’re awake about twice as long as you’re ever asleep. Anxiety tugs you from fitful rest to check on your patients – your boys – if any of them are laid up with more than a dislocation. It makes the days long, nights longer, and you’ve lost track of how many calendar months since you’ve officially been with the task force.

Long enough, though, that you feel like you’ve got a handle on your squad and their personalities.

Captain Price is a grump about medical care. He understands the necessity, but resents the paperwork, time, materials, energy that goes into it. He’s gracious to let you fuss (within reason) and you’re gracious to ignore his old man grumbling. And the cigars.

Gaz is an absolute peach. Sits still, asks for painkillers when he needs them, follows care instructions. The worst he does is whine, but that’s only for the silly little injuries and the occasional flu shot. He’s respectful, sometimes a little bashful, and friendly. He makes you feel welcome, bought you your first drink with the squad after a mission, and generally is a sweetheart.

Soap is fun. A bit rambunctious and fidgety on your table, but he tries, at least. Not as careful as you’d like him to be. He’ll give you a sheepish smile whenever you fuss that he’s pulling his stitches or straining a healing joint. He whines like a banshee over everything except the serious wounds, but paradoxically has to be strong-armed into painkillers for anything. He reminds you a bit of a husky.

His brand of friendliness comes with jokes and teasing, flirtations that he’s careful to never take too far. You’ll indulge him in return sometimes, especially if he’s having a rough go of it, but it’s all in good fun. A lot of your downtime is spent in his and Gaz’s company, chatting about anything and everything, playing video games, or trying (the operative word here) to read. He’s also, unfortunately, the one who came up with your nickname.

Then there’s the lieutenant. You call him “the lieutenant” because you get the impression that he’d toss you out a window if you dared even utter his call sign.

The 141 isn’t your first assignment; you’ve been a combat medic for long enough that you’ve seen the full range of patients in the military. You’re no stranger to the puffed-up hyper-masculine men that practically resent your specialization.

“Like they think I’ll take their Man Card just for getting a plaster,” you’d once commiserated with a fellow medic.

The lieutenant goes a step beyond that. The best you can get out of him on a good day are one-word answers. A good day is if he’s hauling someone else to you. When it’s him that needs the care, well… you two often don’t meet eye to eye. And not just because he’s roughly the size (and build) of a tank.

On your third mission with him, he suffered a knife wound to the hip. You hadn’t been able to judge how deep it was between his gear and his evasiveness and you’d lost your temper.

“Lieutenant Riley, stand fucking still,” you snapped.

“The fuck did you just say to me?” he snarled.

And oh, you regretted every word you’d ever spoken in that moment. Had felt, with some certainty, that enemy combatants were not going to be what did you in. Cursed Price a little too, blaming him for this somehow.

But you were tired and a little pissed and had about a million other things to do that weren’t chase after your lieutenant.

“I said standing fucking still,” you dared repeat, raising your voice.

“I’ll have you booked with insubordination so fast, your fucking head will spin,” he growled.

“Medical treatment outranks everyone, sir,” you snapped back, just as fast. You were already snapping gloves on; he was finally still, after all, even if it was to yell at you. “So if anyone can be written up, it’s you.”

“Lass—” Soap tried, but you were already ducking down, eyes narrowed and gauze in hand.

You were relieved to see that it wasn’t too bad. Slathered it with antibiotic and pinched it closed with butterflies, then straightened. It was done in under a minute and you were even more annoyed than before.

“All that for fucking what,” you grumbled to yourself. Not quietly enough, apparently.

“That’ll do,” the lieutenant barked.

The unholy burning in his eyes informed you that you’d pushed your luck far, far enough.

You shut up and skittered off, had not been written up for insubordination, but received a well-meant ‘cool it’ from Price afterwards.

And Lieutenant Riley was… well, he was himself.

He doesn’t make you bitch at him anymore, though – and you would be lying if you weren’t a bit proud of that. By no means is he jumping to get treated, but he comes to you for the serious injuries and obliges if you manage to catch the non-fatal stuff.

It’s not that you hold it against him. Medics are a sore spot for a lot of people, and Lieutenant Riley is more private than the average soldier. He’s never actively rude, at least, apart from that one spat. Gruff and short maybe, but not mean. And you’re quite happy to have that, at least.

Besides, he watches out for you in the field, where it matters. Has literally hauled you to safety by your straps more than once. Ensures you get into exfil before him. You’ve even caught him giving you a quick, assessing check that all your gear was secure and ready.

You and he bicker at each other still, and you don’t always come out victorious. There have been plenty of instances that he’s just marched away from you, long legs carrying him to some dark corner when he won’t entertain your nagging. Still, there’s growing respect between you two, you sense. He’s a solid CO, if much different from Price, confident and competent without being arrogant. And, well, he can be a bit rude (“abrupt” you demur to Soap, who cackles) but not disrespectful.

On his end, you think things change when he gets injured. Again. You don’t know exactly what’s happened, only that he was a little too close to an explosion. The edges of his balaclava are burnt, one damning edge melted to the skin of his neck. The real issue is the deep laceration that’s sliced through the fabric. From what you can see, it starts behind his ear and slashes around his temple to take a sizable chip from the edge of his hard mask.

His bell has been rung enough that he’s silent when Soap drops him on your cot.

You do a concussion test – thank whatever higher powers there might be that he passes – and reassess the situation. He’s bleeding, he’s burnt, his mask is a hindrance. Most other medics would pry the thing off and treat him regardless of his feelings on the matter.

But you’re not any other medic, you’re the 141’s medic. You have candy for Gaz and fidget toys for Soap and carry nicotine patches or gum for Price. Lieutenant Riley hardly even pulls his mask up to drink in front of you still. He doesn’t trust easily (maybe not at all) but you’ve managed not to fuck up this far and you won’t start now.

“Need to take the skull off,” you inform him, “the balaclava can stay.”

His shoulders drop just the smallest micro-fraction. You’ve made the right choice.

He lets you pull the hard mask away, eyes flickering to yours when you set it within his reach. You blink at him, just once, trying to convey that for all your differences and squabbles before, you’re his squad-mate, his medic, and you’re on his side.

Then you turn to the bleeding.

“Going to cut a bigger hole,” you warn.

You don’t know if he’s listening, if he cares, if he’d prefer you to be quiet. You do this for Gaz and Soap, and you’ll do it for him until he tells you otherwise.

The surgical scissors make a perfect, neat line through the fabric. Blood stains dirty blond hair beneath your gloves, flattening the curls. It’s a nasty wound, deep enough that it’ll need stitches. You tell him as much as you clean it, efficient without being rough. You don’t coddle your boys; they don’t need it. The kindest thing you can do is always to just get it over with.

As you numb his skin and prep the sutures, you begin explaining the care instructions. It’ll cut down the amount of time he’ll have to hang around after you’ve finished treatment.

You fall quiet as you start stitching him up, bottom lip between your teeth to focus on speed and accuracy. On your little rolling stool, you’re trying not to loom over his prone form. Plenty of soldiers have bad reactions to being leaned over like this, and you’d expect it from any of the 141.

Your hand is starting to cramp by the time you get to the sharp cheekbone where the injury ends, but it’s done – possibly in record time. As you sit back to check your work, you catch his eye. His gaze is so heavy that you’re shocked you didn’t feel its weight this whole time. There’s an odd glint to it, the calmest you’ve ever seen from him. Especially on your medical cot.

“All good, sir?” you ask.

“Affirmative.”

“The burn now.”

You don’t touch him, just direct his head at a good angle to treat his neck. You have to numb that too, see more of the tension drain from him when it takes effect. Christ, you hadn’t even noticed. He’s like a statue sometimes, bearing wounds that would have most other people in shambles.

“Burns are the worst,” you agree. “I hate getting them, hate treating them.”

“There anything you like treating?” he grumbles.

You hum. “Common cold. All you big boys get sleepy and nasally and pathetic.”

There’s a little puff of air that you recognize from comm banter with Soap – he’s amused. You’ve managed to get something like a laugh out of him. Buoyed by this, you proceed with the delicate process of treating melted fabric.

“Pathetic, eh? Tell Johnny you said that.”

“I already told him when he got sick,” you gloat. “He pouted. Might have a picture of it somewhere.”

When you chance to look away from your work, you catch his eye again, peering at you from his peripheral. You flash a grin – a little goofy from the high of a positive reaction – and then turn back.

“That legal?” he asks. “Pictures of patients.”

You arch an eyebrow, knowing he’ll see it. “Are you going to lecture me about GDPR, Lieutenant Riley?”

“Not if it doesn’t become my problem.”

You chuckle a little – heartened by your progress and by his unusual talkativeness. “Hasn’t yet,” you point out.

More likely to be Price’s problem, anyway. Probably.

He lets you fall silent again to concentrate. Despite the severity, the affected area is smaller than you initially thought. It’ll be painful and scar like hell, but no skin grafts are necessary. You report this with obvious relief – good news all around as far as you’re concerned.

When you’re finally done, you scoot your chair back and turn to his (heavily redacted) chart, scribbling out the diagnosis and treatment. As you’re signing your initials, he calls for you by last name, tugging your gaze up.

“Was there something else, Lieutenant?” you ask, already scanning him for other injuries.

“Need one more thing from you.”

You hum in question, folding his chart over. His hand comes up, still gloved.

And then he takes your cheek between thumb and forefinger. And pinches.

Your brain spits static, eyes going wide in shock and confusion. It takes you a beat to respond, and then only because his fingers tighten to the point it starts to ache.

“Ow, Lieutenant—” you complain, still too surprised to really snap, one eye closing to express discomfort.

He releases you, staring at the spot he just grabbed. It’s probably already turning red.

“Anyone ever tell you,” he drawls, slow and measuring, “how round your cheeks are?”

Now you’re red for a different reason. You rub at the skin and scrunch your nose, unsuccessfully telling yourself that you’re not pouting like you joked Soap did.

“No,” you huff, “because most people aren’t dumb enough to say that to their medic.”

Your brain still isn’t working right because there’s no way you’d be implying that Lieutenant Riley is dumb if it was. The most personable you two have gotten before now was him buying you a drink after a mission, but he’d been buying everyone else a drink at the time.

“Not afraid of you, Squeaks.”

“I’m aware, Lieutenant.”

You’re hoping he’ll drop it, a little confused but also a little… flattered? It’s difficult to parse what you’re feeling when he’s still staring at you with those dark, glittering eyes. Not that you’re looking. No, definitely not. In fact, you are doing your damnedest not to look at his eyes. Or his face.

Which is why you notice him tugging his glove off. And then reaching for you – for your face – again.

“Hey—” you start, but he’s already squeezing, just before the point you’d fussed last time.

“Want me to stop?” he asks.

… No.

“Want to know what you’re doin’,” you deflect, brows furrowing.

Why are you letting him do this? You shouldn’t let him do this. It’s not that it hurts. It’s just… principle. Military isn’t an especially touchy-feely cuddly career field. Soap and Gaz are fairly tactile, true, but not… like this. But, well, maybe you’ve missed it. This. Touches like this. Haven’t seen friends you’re close to in a long time, don’t have this kind of relationship with your family. Haven’t had a partner in… a depressingly long time, and even then, it always took a while to get to this level of casual intimacy – if you got there at all.

“Thought that was obvious,” the lieutenant replies.

The other hand, still gloved, finds your opposite cheek and pinches that one too. Your eyes are forced narrow as the skin is manipulated, bunched up. You make a noise in the back of your throat, tilting your head to accommodate.

“’S not,” you mumble. “Who are you, my auntie?”

“’M scarier than your auntie.”

You snort, edges of your mouth tugging up despite how he’s pulling your cheeks.

“Never met my auntie, then,” you giggle.

Noticing your grin, he lets one go, only to gently crush both in his ungloved hand. And god, it’s so big that he could span your jaw from middle finger to thumb. Instead, he smooshes your face until your mouth puckers. You must look like a fish – a dumbstruck, awkward fish.

“Sir,” you slur out. He squeezes a little tighter, cutting off your ability to speak. Good thing, probably; you’re not sure what you would have said next.

“Like a little stress ball you are,” he muses, almost to himself.

That does prompt a laugh from you, the absurdity of the entire situation making you a little light- headed. Here is your huge, terrifying lieutenant, practically more legend than man, squishing your cheeks like a particularly long-suffering but beloved pet. You, the team medic, the person who pokes and prods at them more often than not. The one person in the 141 that you always thought he barely tolerated.

“Next time I’m on the edge of tearin’ my hair out, I’ll just come to you for a squeeze.”

He emphasizes this with one last, extra scrunch that makes you humph in mild discomfort. But when he finally lets you go, you grin and shake your head, somehow more amused than annoyed or offended. It seems like you finally might be growing on your lieutenant. That’s nothing to sneeze at.

“Try it and you’ll lose a finger, sir,” you tease.

“Like to see you try it, Squeaks.”

Your mistake was thinking that Simon “Ghost” Riley makes idle threats. (Not that you think that he was threatening you; if he was you know you’d know it.)

He’s been out training recruits by himself – Gaz and Price on a mission, Soap laid up with a twisted knee – a task that already tends to irritate him. Add to that, the weather is fucking miserable. Hot as hell but also a little rainy, meaning that it’s humid as a swamp. Probably has been making his stitches and burn itch beneath the mask.

When he storms into the common room at the end of the day, you and Soap exchange looks. A lot of assassin-soldier to be barreling into a small room – and making a beeline straight for you.

“Uh, sir?” you yelp. Consider a tactical retreat, but even that brief deliberation is too long. He crowds you against the counter you were making tea at and grabs your face.

He still has his gloves on, rough and uncomfortable on your skin. You wrinkle your nose, try to pull back, but his grip is too tight, so you just submit yourself to whatever is happening.

Apparently, “de-stress” is happening.

His smooshes your face just like he had in the infirmary, and some of the tension in his shoulders drops. You blink as his grip relaxes, then tenses. And then again. And again. Again, again, again. It dawns on you that he’s literally treating your cheeks like his own personal stress ball.

You should be insulted. Outraged. You’re not a toy.

“All good, LT?” Soap ventures. Sounds like he’s defusing a bomb.

“Fine, Johnny,” Ghost replies, almost absently. “Long day.”

“Recruits bein’ idjets, then?”

“Fuckin’ muppets,” he agrees, less heated than he’d normally be.

Huh, you think. Is this… actually working?

You make eye contact with Johnny. He looks more blindsided than you, a bit like he’s witnessing your murder instead of being accosted by your strained lieutenant.

“Couldn’t find their way out of a paper bag with a map.”

He squeezes a little tighter as he says it, prompting a noise of protest from you. It doesn’t hurt yet, but your teeth are rubbing against soft tissue. He eases up again and meets your eyes, half-lidded and a touch warmer than you’re used to. The skin around his eyes eases bit by bit, and the line of his jaw beneath the balaclava looks relaxed.

You settle then, resting your weight back against the counter. Nothing untoward is happening, just Ghost being… honestly, a little weird. It’s a nice thought actually, that your big scary LT is a weirdo. The kind of weirdo that would rather squish his medic than a stress ball.

Makes sense in a way, with how he’s always covered up and keeping a safe distance (physically and emotionally) between himself and others. Probably touch starved. Not sure why he’s picked you, but you’re happy that he did.

After a few minutes you pat his wrist, a gentle double tap. Like sparring. He lets you go.

“I’m making tea if you’d like a cup?” you offer.

“Yeah, Sergeant. Earl Grey, left side of the cabinet.”

“Yessir.”

You can feel Soap squinting.

“Since when are you two so chummy, eh?” he asks.

“Since always,” Ghost replies as if Soap is an idiot.

With your back turned, he can’t see the grin that would surely give you away. “Yeah, Soap, where’ve you been?”

“Och, now you’re taking the piss.”

You hand Ghost his tea and sit down to let Soap rant.

It has become a habit. Ghost gets annoyed at recruits, paperwork, bad intel – your cheeks get squished like it’s a family reunion. He starts removing his gloves at least. Warm, calloused hands are much more comfortable than textured gloves. You’re starting to look forward to it, even.

It’s not a long process. He’ll come find you, smoosh up your face until you wrinkle your nose, and then continues with his day, shoulders looser than when he appeared. You usually complain, whine that you’re in the middle of something, that he didn’t even warn you, that his grip is too tight. But you never push him away or pull back. And he always honors your little tap-taps if you need to be freed before he’s ready to let go.

By this point, everyone on the team has seen it. Soap no longer brings it up, but sometimes informs you when Ghost appears with that Look about him. Gaz floundered the first time he saw it, stuttering and stumbling until Ghost told him to spit it out or shut up. Once after that, he asked if he could squeeze you for stress relief. You had to make Ghost let go from how tight his hand went. Gaz didn’t ask again.

Price, shockingly enough, takes in the situation, then settles you with a nonjudgmental look.

“Solid, Sergeant?”

“Yessir,” you manage around your pressed cheeks, adding a thumbs up.

“As you were, then.”

And that was that.

Of course, with jobs like yours, some days are more stressful than others. Some days are hell on Earth. This mission wasn’t quite that, but it did go to shit in a handbasket, and you’re ragged by the end of it. Gaz dislocated a shoulder, Soap is concussed. Price has a nasty road rash across one arm that he was a bit of an ass about tending – not that you’d say as much.

Even you are scuffed up. A hostile split your lip with a nasty jab that caught you off guard. (Ghost, right behind you at the time, stabbed the guy with vicious prejudice. You’re trying not to be flattered and trying not to think about what it means that you’re failing.) Besides that, you’re exhausted, dehydrated, and you’re pretty sure you hurt your back trying to stabilize Soap at some point.

Ghost is the only one that made it out unscathed as far as you can tell. You also know that that’s more likely to put him in a mood than if he’d suffered alongside you all. Cold and detached as he might seem, he doesn’t like seeing anyone in the 141 hurt on his watch.

You’re beside Soap, making sure he doesn’t fall asleep on the transport back to base, but you can feel Ghost’s eyes on you. You make eye contact across the aisle. His shoulders are tight, arms crossed, hands clenching and unclenching. He’s too disciplined to tap his foot or bounce his leg, but you know he would be if he was anyone else.

When you land, you send Soap to the infirmary for observation. Price decides on debrief after breakfast the next morning and slinks off to his office. Gaz follows after Soap to get painkillers and a sling. You shoot Ghost a long, tired look.

“Can’t be a stress ball today,” you tell him, “my mouth hurts.”

“I know.”

But still, he’s standing too close to you at the armory where you’ve returned your weapons. His shoulders are bent slightly towards you, hands twitching at his sides. In all honesty, you wish that you could do your usual destress routine – because as much as he seems to enjoy having something/someone to squeeze, you enjoy having to sit still for a few moments of physical contact just as much.

And after thinking Soap cracked his skull, Gaz lost his arm, your captain got skinned, you need to decompress. And you need to do it with Ghost, who saved each and every one of you today.

“C’mon,” you say and, taking a chance, grab his hand.

He hums in question, but allows you to lead, careful not to grip too tight. The bones there are too delicate, and you need them in working order as their medic. He can’t be so rough with them.

You practically drag him to the common room and put on the kettle. Understanding, Ghost preps the mugs and sachets of preferred tea. When the water is hot enough, you each make your tea, then tug him to the couch. You direct him into the corner – and it’s only then that you hesitate.

Instinct is to climb into his lap. He’s a big man and you want to be cradled, but you also suspect the weight and warmth of another body would be soothing to him too. Instead, you clamber up as close to him as you can get, wedging your shoulder against his rubs and encouraging his arm around you.

It seems like he hesitates for a moment too. This is the most contact you two have ever had, regardless of how close he usually stands when he’s squeezing your face. Right now, you’re pressed together all down one side, your thigh overlapping his a little. After a moment, though, he releases a long breath and curls his arm around you. His hand settles naturally on your hip. 

It’s not long after that that the squeezing starts.

He's still got his gloves on and the skin on your hip is sensitive, usually hidden under layers of clothes, but you’re too snuggled in to disturb the arrangement now. Between the heat he radiates like a furnace, and your steaming tea, you’re quickly cozy and spaced out. The rhythm of his hand kneading plush flesh is soothing, something to drift back to while your mind goes blissfully blank of anything but safe, warm, comfy, quiet.

At some point, your mostly empty cup is plucked from your hand. You mumble a thank you and curl in closer, both legs over his lap now. His other hand rests on your lower thigh, just above your knee, and begins squeezing there too. Almost a massage, if not for the near-rough way he grips you.

“Like a cat,” you mumble, head lolling onto his shoulder.

“Hm?”

“Cat making biscuits.”

There’s a huff of air. You smile faintly and tilt your head away from the suddenly too-bright lights of the common room. Don’t even realize you’ve tucked into his neck until he rubs his jaw over the top of your head.

“’S nice,” you whisper.

He hums. You think it might be agreement. Must be, Ghost wouldn’t be entertaining this if he didn’t. It’s a reassuring thought to drift off with, knowing that no matter what you want, he’ll never do something just to be nice.

You wake the next morning horizontal, something too firm to be a pillow under your head. When you sit up a little, Ghost’s dark eyes are peering at you, heavy as usual, but not as sharp. His chest rumbles beneath your chin in greeting.

“Mine or yours?” you mumble.

“Mine.”

You hum, too sleepy to let the implications of such a big gesture make you anxious right now.

“You’re a bad pillow,” you say instead.

It’s a lie. He’s a wonderful pillow. Jacked as he is, all that muscle is so plush and cushiony when it’s relaxed like this. Helps, also, that he’s still so warm.

“Slept on me just fine,” he grunts. “Drooled a little, too.”

“Did not.”

“Explain the wet spot on my tits then.”

You say the first thing that comes to mind. “Lactating.”

“You’re a freak.”

“Stones in glass houses, sir.”

You close your eyes again for a moment, enjoying the dark room and heat beneath you. The best night of sleep you’ve gotten in a long while, honestly. Especially with so much of the team injured.

There’s a tug at your hair, gentler than you usually get from Ghost.

“Get the fuck up, Squeaks,” he gruffs without any heat. In fact, he sounds like he’d rather you didn’t. “Need to piss and eat.”

“At the same time?” you tease. You’d sound more scandalized if you weren’t still half asleep.

“You’re fucking disgusting.”

 He rolls you onto the mattress and pushes himself up.

“Meet back here in fifteen. Fresh clothes, fresh face.”

“Gonna squish it?” you ask.

“Maybe later, see how the day goes.” He pinches one of your cheeks anyway. Still rougher than most people would be, but for him it’s downright tender. You try not to lean into it, not sure if you succeed. Don’t think either of you cares, really.

You lay there for another moment, listening to him bustle around his quarters, getting new clothes it sounds like.

“How copy, sergeant?”

“Solid, sir.”

“Fifteen.”

“Yessir.”

You haul yourself up and trudge out of his room for a shower. Gonna need all fifteen of those minutes.

Breakfast is a quiet but pleasant affair. Gaz is using his sling and sore as all hell, but in high spirits. Soap is exhausted from two-hour wakeups and the sensitivity the concussion has left him with. The painkillers are helping, and despite all that, he’s in a decent (if slightly subdued) mood.

You snatch up a couple of dry muffins and an orange juice for Price before heading to debrief, plopping it all on his desk when you enter his office. Your efforts are rewarded with a fond smile.

Gaz and Soap take the two single chairs, probably afraid of falling asleep on the couch. That’s where you and Ghost end up, you pressed up against the arm and him… right next to you.

Not that you’re complaining. His thigh pressed against yours is a nice comfort. Reminiscent of how he made you feel the night before. A reminder that he’s here, that he’s solid and safe while you all recount the mission from the day before. If Price is shocked by you two practically nested up together, he doesn’t show it.

Somewhere along the way, your hand reaches for something to fiddle with. You’re not as restless as Soap, but you like something to keep busy while you’re thinking or anxious. Usually you tear up the inside of your mouth biting your lips, but you don’t want to aggravate the healing split. Your fingers land on the pocket of Ghost’s cargos. The material is thick, the stitching an interesting texture, and the pockets have snaps that are quiet enough to play with during debrief.

Ghost lets you fidget in peace, only giving you a slight nod when you glance at him to check. His arm is resting along the couch behind you, and you can feel his fingers twisting into your loose hair. Fair exchange, you figure, and settle in.

There’s a brief call with Laswell to discuss next steps. You listen, but not closely. You’re just a medical sergeant after all. Your opinion is considered when offered, but you’re not much of a strategist or tactician. Mostly, you go where you're directed, do as you're told, and keep everyone in one piece as best you can.

When it’s over, Soap helps haul you off the couch while Ghost stands, clipping his thigh pocket closed again.

“Good to see you two getting along,” Price calls as you’re leaving.

You glance over your shoulder, catch the smirk on his face, and stick out your tongue. And then promptly bolt, lest you be reprimanded for insubordination. It’s a common threat in the 141; you’re not sure if anyone has actually been written up for it outside of a mission. You don’t want to be the one to find out, though.

Soap cackles at you, Gaz calls you chicken shit. Ghost ruffles your hair and steers you towards his office.

“Oi, where are you two off to?” Gaz asks.

“Paperwork,” Ghost replies shortly.

News to you, but sure. Some company would be nice while you fill out forms. That becomes mildly more difficult when he plops you into his lap, but you make do. Ghost keeps his office cold – all those layers, you figure – and the chair across from his desk is purposefully uncomfortable to discourage lingering. His broad thighs make a much better, warmer seat. The fact that he circles an arm around your waist, hugging you like a kid with a teddy bear is just a bonus. For all that, you’d figure out how to do reports on water.

You two should probably talk about this, or something. There are regulations or codes of conduct prohibiting this sort of behavior. Never mind that the interpersonal lines (the ones you actually care about) are starting to blur. But well, you don’t have a problem with all this, and you wouldn’t be breathing if he did. So, well, there’s not much to talk about, is there?

“Hey, LT?”

“Mm.”

You watch him sign the bottom of a report, his signature an efficient and jagged thing, somehow still elegant. Like watching him practice with his knives. He flexes his hand when it’s done. You two have been at it for a while now. He hasn’t said a word, but you know Ghost despises paperwork. You could both use a break.

“You ever seen Halloween?”

“The horror movie?” He pauses, thinks about it. “Yeah.”

“The next one is going to take place in the summer. Guess he’ll be Michael Perspires.”

He goes still behind you. “What.”

“He’s gotten a job as an electrician. Michael Wires.”

You keep your face forward and down, pretending to work, trying to swallow back hysterical giggles.

“Squeaks…”

“He’s into arson now as well. Michael Fires.”

His arm tightens around your waist. You wish you could see his face, but you know you’ll break if you look. “Shut the fuck up.”

“He didn’t tell the truth on his resume. Michael Liars.”

“If you make another shitty Michael Myers pun, I swear to god—”

“You don’t like them?” you ask, grin so wide it hurts. “I’m going to Michael Cry-ers.”

“God fucking dammit, Squeaks.”

You burst into laughter that is quickly cut short by his arm constricting like a snake. Even with your air supply diminished, wheezing a bit, you kick your feet in delight.

“G-Guess… guess you’re…” you struggle to get it out between the lack of oxygen and your giggles. “Guess you’re M-Michael Tires of this joke.”

“I’m going to make you regret breathing at our next sparring session.”

And oh, you believe him. Your LT doesn’t make idle threats. But you’re telling yourself that it’s so worth it this time. Soap is going to give you a fucking medal for this. You know, assuming Ghost doesn’t snipe you when you try to tell the story.

You’re still cackling, but it turns to squeals when you feel sharp pressure on your shoulder.

He’s biting you.

“L-LT!” you gasp, scrabbling to push at his forehead without dislodging his mask. “Fine, fine, I’ll stop!”

He growls, the sound burning through you, straight to the pit of your stomach. You choose to ignore that in exchange for the oddly ticklish sensation of him gnawing through your shirt.

Knowing by now that you won’t be free until he’s ready, you just try to sit still and not spur him on further. After a moment, he unlocks his jaw and speaks in your ear, voice low but unmistakably amused.

“Medic, stress ball, comedian, chew toy – anything you can’t do, Sergeant?” he snarks.

You scrunch your nose at this new designation. “I am not a chew toy.”

“Seem pretty chewy to me,” he muses, sinking his teeth in again. You bark out reactive laughter and squirm, but his hold hasn’t loosened a bit and you’re trapped against him.

“LT,” you complain like usual. “You’re going to leave a mark.”

He doesn’t respond verbally, but you feel his teeth dig in a little harder. Well, that’s new. You still don’t push him away, a not-so-small or secret part of you pleased by the idea of him leaving a bruise. It wouldn’t even be visible. Just something to remind you of the trust your lieutenant has in you, in the bond you two have formed, unorthodox as it is.

You hand him a bottle of water when he finally releases you, to sooth his undoubtedly dry mouth. There’s a wet patch on your shirt (and probably your underwear) but you ignore it to return to your reports. He seems a little less reluctant to join you now, pleasingly.

You’re not so sure about the “chew toy” thing, but you definitely seem to be an effective stress relief.

You’re having a great day. No one is injured, you’re caught up on paperwork. You pinned both Soap and Gaz during sparring earlier, earning a proud nod from Ghost and Price. There were pudding cups at lunch, and you’ve made plans with the rest of the team to watch a movie in the common room tonight. Even your antisocial LT agreed to come.

In fact, he’s the first one there when you arrive in the early evening. You chirp a hello, heading for the pantry for popcorn. Soap and Gaz can’t be trusted to make it without setting off the fire alarms.

Ghost hums in return, but he seems content to scroll on his phone, saving his energy for socializing. You don’t mind his silence, never do. Not like he can chat when he’s biting you like a teething puppy. And he has been. A lot. His new favorite form of stress relief, apparently, apart from squishing your cheeks like usual.

If there’s privacy for it, his teeth have been imprinting your arms, shoulders, even your hands in perfect pinpricked circles. He’s not any gentler about it than he is smooshing up your face, and a couple times now you’ve discovered bruises later on. You suspect that’s his aim, especially when he’s more aggravated than stressed. A way to release aggression without wasting bullets at the range or beating the stuffing out of someone in the ring.

You don’t mind, no matter how you complain aloud. It was a sudden step up in intimacy, but you like the feeling of his teeth on you. A way to get that soothing moment of forced stillness without losing the ability to speak, eat, or look around. And you’d be lying if you said you didn’t like the mark either. Feels like a claim, one you’re not sure is actually being made – but you’re allowed to dream.

That said, Ghost is a bastard about it. If you thought he was pushy before, pinching your cheeks at inopportune times, the biting could almost be classified as a nuisance. Several times now, someone has walked into the common room to your forearm between Ghost’s jaws. You’ve lost count of how many conversations with Soap or Gaz have been interrupted by your lieutenant’s canines sinking into your shoulder or the meat of your thumb, tongue swiping excess saliva from bare skin.

You’re ruminating on this as your fellow sergeants filter in, joking and laughing about something stupid the recruits did earlier.

Ghost has hardly looked up from his phone, only jerks his head in acknowledgement when they greet him. His shoulders are loose; he’s relaxed. You know better than to mistake it for being unaware of the environment, but… well, if there were ever a time for payback…

You leave the popcorn to finish in the microwave and stroll over to the couch. To your delight, Ghost shuffles a little to make room for you, an obvious invitation to cuddle up. It’s almost enough to distract you from your mission. Almost.

You perch on the edge of the cushion, hook a thumb under the edge of his shirt. The break in routine draws his attention but doesn’t seem to raise any alarms. He flicks his gaze up from the screen to catch your eyes. You lock gazes, tug the fabric up just the tiniest sliver. Then dart down and blow a deafening raspberry into the toned skin of his stomach.

There’s a moment of dead silence. Then you scramble up and bolt, yelping when you hear the heavy thump of boots behind you.

“Squeaks, you little shit!” he snarls, Manchester accent thicker than usual. And he gives Soap shit.

“I’m sorry, I’m sorry!” you lie, revealed by your breathless giggles.

“I’ll make you sorry!”

You believe him.

You skitter around Price, calling a frantic “hi, sir” as you stumble to keep your footing. Ghost doesn’t even bother with pleasantries, solely focused on getting ahold of you. Your only saving grace is being able to take corners faster than him, but his long legs eat distance like nothing and it’s only two hallways later that you’re snatched right off your feet.

You squeal, not sure if it’s in terror or delight, as he hauls you up and over one broad shoulder.

“Ghost, wait no, I didn’t mean it!”

“Sure fucking seemed to,” he growls, manhandling a better grip on you.

You put up a bit of a struggle, but there's no question who would win even if you really did fight him. Instead, you press against his chest and arms, laughing as his fingertips dig roughly into your hips and thighs and waist.

“Earning your nickname today,” he mocks as he lugs you back to the common room.

When you arrive, Soap groans in dismay at your failure, Gaz taunts you for thinking you could get away with your stunt. Price just shakes his head, playing at exasperated but unable to hide his fondness. Ghost all but tosses you onto the couch and before you can scramble up, flops on top of you. All the breath is forced from your lungs with a little oof, feeling a bit like those animals that can flatten themselves to squeeze into small crevices.

“LT, I can’t breathe,” you whine. “You’re heavy.”

The cushions on the couch aren’t luxurious by any means, but they’re forgiving enough that you can, in fact, breathe. It’s just a little more difficult than usual. Not difficult enough to tap out, though. You like the weight of him on you.

“Should have thought about that before being a little shit.”

You grumble; don’t really have an argument for that but unwilling to cede the point.

“Oi, you two done?” Gaz calls. “I wanna watch the movie.”

Price snorts. Soap, angel that he is, offers you the bowl of popcorn.

“No one told you to wait, sergeant,” Ghost replies, bland.

“Yeah,” you second, muffled and admittedly pathetic sounding. “Takes you five minutes to figure out the sound anyway.”

“We all know you’re going to put the subtitles on, don’t know why the volume matters,” Soap chimes in.

“It’s only for the Captain’s sake,” Gaz defends.

“Now what are you implying, Garrick?” Price asks, silky and dangerous.

You snuggle in happily, enjoying the moment of peace and companionship. No shooting, no bleeding, no nightmares. Just the five of you, alive and healthy, enjoying this little family they’ve built and brought you into.

You don’t even realize you’ve fallen asleep until the pressure is gone, Ghost wedging his arms between your lax body and the couch. It’s cold without him as a personal blanket, and you curl into his arms with a discontent noise.

“Atta girl, Squeaks. I got you,” he rumbles.

You crack an eye open to check on everyone else by instinct. Gaz and Soap are leaning on each other, lightly snoring. It looks like Price is about to rouse them as well, but he shoots you and Ghost an especially soft look.

“Taking this one to bed, sir.”

“Be good to our girl, Lieutenant,” Price nods.

“As good as she is to us,” Ghost agrees.

You’re half-sure that you’re dreaming, but you smile at them both before tucking in and falling asleep again.

The next morning starts in Ghost’s bed, a place you find yourself often enough now that you recognize it as quickly as your own. You’re all tangled up in each other, more than usual. There are fingers in your hair, scraping across your scalp. You could purr it feels so good, pressing your face into Ghost’s chest to let him get a new spot.

“Didn’t even make it halfway through the movie,” he teases.

“Seen it before.”

“Gaz is going to be cross.”

“He’ll understand – getting chased takes a lot of you.”

“Don’t make me chase you down, then.”

You snort. If you have any say in it, you’ll be instigating games like that much more. Something about the big scary Ghost dashing after you over a stupid little prank – and knowing that the worst you’ll get out of it is a forceful cuddle – is not the deterrent it should be.

Still, there’s a pattern to this little game of yours. You can’t admit that you enjoy the play.

“Not my fault you can’t take what you dish,” you reply, twisting to nip his chest through his shirt, as if to prove your point.

It’s sharper than you would be with anyone else. Ghost, though, hums low and rough in his throat.

“I’ve never done that bullshit you pulled last night,” he grumbles.

“Lack of imagination on your part.”

He huffs, pinches your cheek and chuckles when you whine in complaint, muttering that it’s too early for his shit.

“C’mon, Squeaks, up and at ‘em. Before Soap takes all the blueberry.”

“Yessir…” you groan.

Ghost has been away. Price sent him and Gaz off on a stealth assignment, something that Soap is less suited to. Not that he couldn’t do it if needed, but it’s more Gaz’s specialty, so Price sent him. Soap isn’t too bummed about it, though. He’s been wreaking havoc around base with you casually egging him on from the sidelines, feeding into his chaos without being directly involved.

Not that Price would see it that way if he caught wind. But he hasn’t, so you’re not in trouble yet.

You might be after this though.

One drink too many, Soap complaining that you always play it safe. And, to his credit, you do. He and Gaz are the troublemakers, you just like to watch and occasionally add your two cents to the explosive mix. Price has joked before that you’re the best behaved amongst the group, even over Ghost.

Not only are you the least experienced with combat, but you’re also the team medic. It often leaves you feeling like you have to maintain a certain level of decorum and responsibility alongside your officers. It’s no wonder that you try to stay on the straight and narrow – the occasional snippy comment aside.

But this is beyond anything you’ve dared.

Soap has had enough to point out the parlor down the street and dare you. You’ve had enough to be goaded into spitefully proving a point. If Gaz were here, he might be clever enough to dare Soap into something else to get him to back down. If Ghost were here, he’d scruff you both like unruly kittens and haul you back to base. If Price were here, you’d be running laps until you puke.

Instead, it’s just you and Soap. Ghost and Gaz aren’t due back for a week and half, Price is probably buried waist deep in paperwork as usual. And there’s no one to tell you not to.

And so Soap gets his nipples pierced and you get your tongue re-pierced, and you both wake up the next day a little hungover and a lot sore.

You consider taking it out but… well.

You kinda missed having it.

And you want to see how long it’ll take Ghost to notice if you use your discreet jewelry.

You give Soap painkillers for his nipples and promise to hook him up with a good jewelry store recommendation. Then you spend the rest of the day trying not to talk. The rest of the week, really. If anyone notices, they don’t mention it. Soap is always happy to talk for the both of you.

By the time Gaz and Ghost return, it hardly hurts anymore. Still healing, yes, but it only aches in the mornings now. You fit the flat-topped, clear ring into the piercing and go to meet the boys on the tarmac.

They exit the aircraft together, Gaz chatting about something and Ghost humoring him in characteristic silence. When the latter sees you, though, he makes a beeline. You let out a surprised but pleased noise as you’re scooped up, mask wedging into the space beneath your jaw to press against your neck.

“Welcome back, sir,” you manage, squeezing his shoulders.

He grunts in reply. You shoot Gaz a questioning look.

“It was slow going,” he explains, “And the guys on the transport back were, uh, chatty.”

Ah. Set on your feet again, his gloved hands rise to squish your face like usual.

“Do the thing,” he gruffs.

You wrinkle your nose. Partially out of embarrassment, and partially because he’ll see the piercing if you’re not careful.

“That captain is—”

“That’s an order, sergeant.”

You sigh. Then poke your tongue out as he smooshes your face further. He exhales like the first hit of nicotine for the day. You keep the jewelry hidden behind your teeth and are released a few seconds later.

“That’s the stuff,” he says.

“Christ, LT, don’t say it like that,” you complain.

Unsurprisingly, he ignores you, turning to Price.

“Debrief now?”

“If you and Gaz don’t need medical.”

They both shake their heads, and you make no secret that you’re pleased by this news.

As you head into the building, you find Ghost’s finger hooked into your belt loop, tugging you along to Price’s office. You don’t mention it, only arch an eyebrow when you catch his eye.

At the door, Price pauses, giving Ghost a long, exasperated look.

“You know she’s not actually a service animal, son?”

“The intel isn’t confidential.”

Price sighs, drags a hand down his face. “Suppose not. Get the fuck in, then, Squeaks.”

You get the fuck in.

As usual, Ghost stands, and you’re obliged to stand with him. In front of him, actually, his chin settling on top of your head while his hands settle on your shoulders, squeezing and kneading at the muscle. You tune out most of the conversation, only here for Ghost’s sake, apparently.

Not that you mind. There’s a large, loud part of you that is glowing with the knowledge that he missed you so much.

When it’s over, he doesn’t even bother to stop at the mess hall. He picks you straight up and strides off to his quarters. You complain that he needs to eat, or at least drink water, but he doesn’t even deign your fussing with a response.

He closes and locks the door when you’re both inside, then tosses you on the bed. It smells overwhelmingly of him: metal, gunpowder, standard issue detergent, and something spicy. It’s a scent you’ve become intimately familiar with – could get addicted to, if you let yourself.

You settle in amongst the crisp sheets and thin pillows, Ghost sheds his tac gear like a second skin. When he’s down to his undershirt and boxers, barefoot on the cold ground, you open your arms.

He climbs over you as you giggle, then unapologetically drops all his weight. You make your usual little oof sound, suspecting that he likes it, and tilt your head so he can press his face (without the skull mask) into your shoulder.

“So how was it actually?” you ask.

“Gaz was antsy the whole time. Said he sensed you and Soap up to something without him.”

You snort, relieved that he can’t see the damning expression on your face right now.

 “There isn’t anything to get up to when he’s not here causing it,” you lie.

“Don’t put anything past Soap, the crafty cunt.”

You grin, patting your hands lightly over his shoulder blades. “Nice alliteration.”

He hums, slowly going boneless beneath your rhythmless tapping.

“Mask,” he mutters.

It takes you a second to realize what he wants.

“You’re asking me to pull it up so you can bite me?” you scoff.

“Telling, not asking,” he grumbles.

“Oh for the love of…”

You do it anyway. It’s not long before you feel his teeth, always sharper than you expect, latch onto the base of your neck. You tilt your chin back to give him comfortable access, staring up at the ceiling. How often does he sit here after nightmares, staring at it? Does he do it even when you sleepover, clinging onto him like a koala?

You lay like that for a while, fingers finding the fine blond hair peeking out from his rolled balaclava and scritching. One of his hands wedges beneath himself to find your hip, squeezing you tight enough that his nails scrape across your pants.

“So what did you two get up to?” he asks, detaching eventually.

Your neck is aching pleasantly, mind drifting in peace, and you don’t realize what he’s asking at first.

“What?” you ask.

You try to suppress a shiver as his tongue drags over the saliva he left on your neck. This is a normal part of the process, but that doesn’t mean you’re immune to the pleasure it sends down your spine.

“You and Soap,” he clarifies. “What did you do?”

“It was mostly Soap,” you deflect, forgoing any attempt at innocence.

He snorts. “My problem?”

You consider, humming. “Probably not.”

“Probably?”

You shrug. “Don’t leave me unattended if you don’t want paperwork.”

He nips sharply at the hinge of your jaw. “Didn’t want to. Price said you don’t have enough experience if things went to shit.”

You don’t know how to feel that Ghost would have preferred you on a mission with him. Even over Soap? You know he’s fond of you, but you didn’t realize it was enough to have you partnered with him on missions. It makes your chest warm and fluttery. The bastard.

“He’s right,” you say instead of something unforgivably sentimental.

“Imagine he’ll overlook that when he finds out about your body candy.”

You squeak, eyes closing in regret. Well, it was a nice life while it lasted.

“That fast?” you ask.

“Saw it as soon as you opened that pretty mouth,” he answers.

“It’s clear!”

“Thought I wouldn’t see a piece of plastic in your mouth, sergeant?”

You sigh, barely even noticing the bite he leaves on your collarbone. When he pushes his chest up to look at you, he’s half-lidded, almost lazy looking. But the corner of his mouth quirks up, just that slightest bit you’ve become hypervigilant of. Your hands slide from his shoulders and curl into the front of his shirt.

“How much trouble am I in?” you venture.

“A world of it,” he replies, voice pitching low and rough in a way that’s just not fair.

“Soap did worse,” you complain, not above throwing him under the bus. This is his fault anyway.

“Don’t care what Soap did. Care that you tried to hide it from me.”

He catches your chin between thumb and forefinger, gives it a little shake like a reprimand.

“Wasn’t hiding it,” you argue. “At least not from you. Would have told you by the end of the week if you hadn’t noticed.”

And you really would have. If Price hadn’t been present on the tarmac, you had half a mind to show it off immediately, excited to be breaking the rules.

Ghost hums, eyes roving your face – apparently to determine the truth of your confession.

“Doesn’t mean you’re off the hook,” he warns.

But you know that tone of voice by now. You’re not off the hook yet.

“…Want me to take it out?” you try.

His eyes go from dark to pitch black. “No.”

Oh?

Oh.

“Want… to see it?”

He hums. Not quite confirmation, but close enough. You don’t even think before dropping your jaw, tongue rolling out over your bottom lip. He let out a short, hard breath. You see his jaw twitch.

Then he shifts.

His thumb lands on your tongue, much farther back than you expect but you don’t flinch. He draws a line down the center to the flat top of your piercing and then presses down. You make a protesting noise, a warning because it’s still new and still sore. He doesn’t let up but doesn’t push any harder.

“Squeaks.”

You flutter your eyes open (when did they close?) and meet his eyes. They nearly absorb all the light in the room, twin blackholes drawing you in, inescapable and immutable. There’s a hunger lurking within, one you realize with a jolt you’ve been seeing for a long time now.

Whatever he sees on your face, it makes him run his tongue along his own teeth – pearly white and perfectly straight. Then he ducks down and licks over your piercing, first in neat sweeps, and then in tight little circles around its circumference.

Trapped beneath him and mouth open, you can’t swallow back the whine that peels from your throat. You’d be embarrassed about it; except the noise you make when he stops is so much worse.

“Taste good,” he rumbles.

“This another stress thing?” you ask, dizzy and flushed.

He smirks, chuckles deep in his chest. “If it is, will you let me do it whenever I want?”

You nod, thoughts blurring at the edges. His smirk widens, but he obliges when you tug at his shirt, wanting him close, wanting him to do it again.

It takes a long time for it to evolve into an actual kiss. He spends what feels like a small eternity flicking his tongue over your piercing, around it. It’s an unusual sensation, not quite ticklish, but decadent and erotic. At some point, quiet little noises start spilling from your throat and don’t stop. He doesn’t seem to mind, pressing down when the pitch goes higher – or maybe you pitch higher because he’s closer?

Eventually your jaw tires from hanging open, tongue aching at the stretch. You retract back into your own mouth, but Ghost chases after. It’s like he forgot about actual kissing until that moment. And then he has something new to amuse himself with. His tongue explores your lips, the roof of your mouth, the back of your throat. He drags his sharp teeth over your bottom lip, growls when you return the favor in retaliation for the sting.

“That’s my girl,” he rasps, “my medic.”

You hum, reciprocate the thorough exploration he just gave you. He tastes a little metallic, but mostly he tastes like Ghost, like Simon, and it’s addicting.

“Think it’s a stress thing for me too,” you murmur when you pull away for air.

“Yeah?” He trails his mouth down your jaw, teeth scraping. “Anxious while I was gone?”

You nod. You always worry about the boys when they’re away, when you’re not there for a worst-case scenario. But you thought about your lieutenant especially, wondering at his mood, at his feelings, without your usual daily interactions. His absence left you feeling twitchy, a little unmoored. You wonder – hope – if he felt the same.

“Take what you need, then,” he whispers. “Don’t mind returning the favor.”

You sink your nails into his shoulders, rake them down his back and sides, treating him like a scratching post. He shivers, puffs out a hot breath by your ear. Your mouth finds that strong, sharp jaw and latches on, sucking and biting, worrying the skin until you pull away to a dark bruise.

“Go on,” he urges.

You do, making a trail down his neck, then across. Tug at his shirt when it gets in the way. He leans back to pull it over his head. You nearly tackle him, mapping out the swell of hard muscles, licking over the angry lines you clawed into him.

“Easy now, precious,” he purrs. “No rush.”

You make a disagreeing noise, lips never leaving his skin. One hand tangles in your hair, petting and holding, not guiding. His other drifts down to your ass and grips like a vice. It hurts a little; it feels so fucking good. There will be bruises for days.

When your nails scratch across his hip, he bucks, fingers spasming against your scalp.

“Careful,” he growls. “Asking for something you might not be ready for.”

You hum. “Maybe,” you agree honestly. “I’ve never…”

He goes rigid. Worried, you glance up. His bare chest (marked up by your hands and mouth) is heaving. His jaw is slack, lips wet. You can’t distinguish between pupil and iris anymore.

“You swear?” he asks, rough. “You’ve never fucked anyone before?”

“No,” you say, not embarrassed, not with him. “Got close, but never managed it. Things always got in the way. Used to be a joke with my friends, that I was cursed.”

A fire alarm, an oblivious roommate, police knocking on the door, the roof falling in, once.

“You have experience,” he asserts.

“Definitely.” You quirk a wicked smile his way. “Plenty of practice with my mouth…”

He shudders, tilting your head to a vulnerable angle, neck exposed.

“And my hands,” you add, gasping.

“You keep pushing, pet…” he rumbles.

You whine. “Want to, with you. Want it to be you, Simon.”

His lips crash into yours, messy and filthy, licking all the needy sounds from your mouth.

“Strip, sergeant. Now.”

You scramble to obey, wiggling out of your clothes as quickly as you can while still half under him.

“Always so good for me,” he hums. “Always follow my orders, my good little sergeant.”

“Yours,” you breathe against his mouth.

The last scrap of clothing is barely off when he pounces, hand flattening on your stomach and pressing you down into the mattress. It nearly knocks the wind out of you, the force of it, pinning you. His eyes hungrily lock on your chest, on the smooth and unmarked skin of your breasts.

If you wanted to protest, you don’t get the chance to. He descends on you like a starving man, all teeth and tongue, practically mauling you. You squirm, not sure where you want to go, just that it’s a lot of sensation all at once. He captures a perked nipple between his lips and sucks until you keen, knee bumping his flank like you want to kick him off.

He slots his hips between yours, presses up tight to trap you further. His free hand grasps at your other breast. Kneading roughly, then twisting and plucking at the rosy nipple until you’re crying out, nearly thrashing. When he’s satisfied, he switches his hand and mouth, spinning you up and up until your breasts are aching and the best kind of sore. He finally pulls off with a lewd pop, mouth slick, rosettes left all over you in his wake.

“Trying to kill me,” you pant.

He smirks, drops one last soothing kiss on your sternum. Then extricates himself to remove the last of his own clothing. His dick springs free from his waistband, slapping obscenely against his stomach. You freeze when the dim light glints off bits of metal.

“Is that…?”

“Come find out.”

You scoot to the edge of the bed and brush your fingertips over the hypnotizing ladder of studs along the shaft. Which, now that you’re closer and your hand is there for scale, is huge. Like, almost pornographic. You didn’t know that existed outside of raunchy media. That’s been under you, snuggled up to you, beneath your ass – for months now.

“Oh my god, Simon,” you gulp. “Is that going to…?”

“It will if you can be patient for me.”

“Okay,” you say, eyes never leaving the glittering silver row. You trust him. As rough as he can be, he’s never hurt you. Not in any way you didn’t crave.

His hand catches your chin again, tips your gaze back to his. “Another time, lovely. Give your tongue a break.”

You whine but sit back on your haunches, hands planted between your knees. “Then hurry up.”

His thumb caresses your jaw, presses in warning. “Patient, I said.”

“I’ve been patient,” you argue. “Gimme.”

That coaxes a chuckle out of him. He plants a hand on your shoulder and shoves. You land on your back again, stretch your legs to hang over the side of the bed. He lowers to his knees between them, thick thighs flexing. His hands slide under your hips and drag until your thighs are over his shoulders.

“Fuck,” you breathe, “Simon.”

“That’s it, lovely,” he coos, teeth grazing your hip. “Just lay there saying my name. Let me play with my toy.”

You’re so wet that you can feel it all over your inner thighs, would be embarrassed if not for the absolutely feral noise he makes at the sight.

“Made a mess.” He draws his tongue up your thigh, sucks at the junction where it meets your hip, loud in the quiet room. “You always like this for me?”

“Mhmm,” you whimper out, squeezing your eyes shut. It’s true. You can’t count the number of times you’ve gone back to your room just to change panties.

“That’s my girl.”

He spends an agonizing amount of time licking, biting, and sucking your thighs. Your pleading and whining is met with indifference or absent chuckles. The need has long since tipped over into desperation, muscles twitching with little sparks of pleasure at every graze of teeth and sharp suck.

You’re already both understimulated and overstimulated when he clamps down especially hard, think he’s broken skin for a moment. Frustrated tears have been dancing at the edges of your vision for a while now and they spill over at the blissful burn that shoots through your leg.

“Simon, Simon, please,” you sob, “please, want it. Please, just—”

He shushes you, soothing the hurt with his tongue until your babbling trails off into little sniffles.

“How copy?” he hushes.

“S-Solid,” you answer. “Just a lot.”

“Tactical retreat?”

“No.” You take a shuddering breath. “No, please. Want to keep going, sir.”

His breath is also unsteady as it brushes over your sensitive skin. “Alright, precious. Tap out if you need.”

You snake a hand down the bed and find his wrist, digging your nails in as you squeeze. A promise to honor his command.

He groans low in his throat, eyes smoldering as he looks up your heaving body.

“Pretty when you cry,” he rasps. “Will you do it more if I play with your needy clit?”

“N-no,” you lie.

He calls your bluff, pressing his mouth to your pussy and making a long, slow pass up your slit. You shake and whimper high-pitched, almost hurt sounding. He swirls the tip over your throbbing clit, sucks gently every few passes. You press your eyes shut, too gone to try to stop the reactionary tears any other way.

It’s a quirk of sex you’ve always had. Not prone to crying emotionally or from pain, but when the arousal or pleasure gets too intense, your eyes water like rivers. Some partners have found it off-putting, but the louder you wail and hiccup and cry, the more eager Simon gets. Like he’s got a direct line to heaven’s choir with his tongue.

You’re gripping his wrist so tight that you must be close to drawing blood, but he doesn’t do more than flex his fingers on your ass. Keeps you right there against his mouth, so that all you can do is take exactly what he gives you.

He seals his lips over your clit again, rubbing his tongue against the swollen bundle of nerves as he sucks. It gets you to the edge so fast that you’re seeing stars, nearly kicking him.

“Close,” you pant.

He eases up just that little bit to keep you from tipping into orgasm. You’re devastated. Afresh wave of tears drip down your temples to the sound of pathetic, helpless moans. Blessedly, he doesn’t stop. Just keeps you right there as he slides a hand from your ass to your cunt.

Just one of his fingers is thicker than any of yours; sliding two into your dripping hole almost hurdles you into ecstasy. He pulls his mouth away as you clench around them, trickling down his wrist.

“So tight. Didn’t you ever get off to the thought of me?”

“All the f-fucking time,” you admit.

“Yeah?”

You nod, tongue laving over your bottom lip. “My hands just… yours are bigger.”

He chuckles. “No cute little toys to help you out?”

“Like to imagine it’s you,” you ramble, shame long gone. “Easier without a vibe.”

“Fuck.”

He dives down to your clit again, tongue almost cruel as it tortures you with quick, rough strokes. You might scream; you don’t care if you do. His fingers curl to pet your walls, find that spot as if he had his sniper scope on it. You thrash as he strokes you, steady and unrelenting. He sucks one last time and you’re gone, coming so hard that your fingertips go numb.

You’re definitely screaming now; his name, specifically. He growls against your pussy, the vibration only prolonging that pleasure, writhing on his hand. You swallow air like you’re suffocating, Simon filling every part of you, drenching your senses. He’s all you know right now, your heart beating to his name.

And he doesn’t stop.

“S-Simon, what are – t-too much. It’s too much, it’s too—” His pins your hips down as he fits a third finger inside you, finger-fucking you so hard that the slick sounds almost drown out your sobs. You’re overstimulated, riding the edge of pain in your pleasure, lower back tight and hot.

But you don’t tap out, just fist the sheets hard enough to pop the seams.

Simon is single-minded, insistent, demanding. It’s a quality you’ve always admired in the field, and right now it’s pulling you apart piece by shivering piece.

“Simon, I-I’m gonna – I can’t…” You shake your head, crying freely and loudly, whimpering as much as you’re moaning.

He presses one of your thighs towards your chest, fingertips digging harsh into muscle. The shift gives him better access to that thrumming knot of nerves inside you. He presses against it hard and incessant as his tongue flicks repeatedly over your abused clit. Your second orgasm drowns you in waves, hips rolling, not sure if you want to get away or get more.

Simon strokes you through it until you subside into pathetic, shuddering noises, pushing weakly at him, pleading for mercy. When he pulls away, slick is dripping down his chin to his neck. The bottom edge of his balaclava is dark where it’s bunched over his nose. He surges up to kiss you, letting you taste yourself on his tongue.

You stay that way for a while, letting him coax your breathing into something like normal again. A task made more difficult whenever his fingers tease your tender nipples, preoccupied with how your lungs hitch and your body jolts.

Eventually, your mouth strays to clean him up, licking yourself from his jaw and chin, messy but earnest. He captures your mouth again when you’re done, sucking your tongue like he wants to get every last drop. You shake at the thought, almost horrified to realize you’re still ridiculously horny.

He must see something in your face because he smirks a little. “Playtime’s not over, don’t worry.”

His fingertips trace over your pussy, not dipping in far, but the threat of it triggers a new batch of whimpers and tears. He cocks his head at the sight, almost curious, then leans down and follows their paths with his tongue.

A hum, low and pleased, thunders in the heady sliver of air between you. Against your hip, you feel his cock twitch, hot enough to brand.

“Taste good everywhere,” he muses, tongue still lapping at your tears.

“God, Simon,” you keen, squeezing your glassy eyes shut.

“Want you to do it again,” he murmurs. “Cry for me so I can taste how good I make you feel.”

You moan, pussy clenching, feeling horribly empty. The teeth in your neck are an almost welcome reprieve from the overwhelming pleasure, grounding as they bruise delicate skin.

“Want to see you crying on my cock, lovely. Will you do that for me?”

You nod, reaching for him. Curl your arms around his shoulders, wrap your legs around his waist. He shushes you again, cooing when you hide your wet face against his neck. He supports your unsteady body with unfaltering strength; lets you cling as he rearranges you in his lap.

You can feel his cock beneath you, rock hard, the Jacob’s ladder teasing against your pussy. It distracts you a bit, foggy mind obsessing over how it’ll feel inside you, especially now that you’ve come twice.

His hand pats your ass. “Eyes up, doll.”

You emerge from your hiding spot only to stare, wide-eyed and awed, at his bare face. There are scars everywhere, just like the rest of his body, of varying color and size and healing histories. One on his temple, just clipping his cheek, catches your attention. It’s one of the better-healed scars.

You press a gentle kiss, flick your tongue along it. His hands spasm on your hips, but don’t tug you away.

“Handsome,” you sigh, then nip the same spot you just kissed.

You can feel his smile, a small but precious thing, against your cheek. “Can’t even fucking see straight right now.”

“Not that far gone,” you scoff, scritching your nails along his stubbled jaw. You could purr at the way he leans into it.

“Have to fix that, then.”

You prop yourself up with your other hand on his chest. His heart is beating beneath your palm, a little fast, but steady and strong. You adore it instantly.

You make eye contact, the hand on his face drifting to his cheek. Then you stretch to get the other… and squish. Just like he’s done to you countless times.

“Yes,” you agree.

That finally coaxes a proper chuckle out of him, bass deep and a little rough with disuse, but music to your ears. You let his cheeks go, nipping the little red marks your grip leaves behind.

“C’mon, Si,” you whisper. “Want your dick in me.”

And finally, it seems he’s run out of interest in teasing.

You lean your shoulders against him, letting him take most of your weight between his chest and the arm angling your hips. His other hand steadies his cock, drags the flushed, leaking head against your sopping entrance.

He lowers you slowly, encouraging you to dig your nails into his shoulders, draw them down his arms. Even stretched and two orgasms in, he’s big. It’s testing your limits, not quite pain, stinging in a way that makes your mouth water.

And your eyes.

The tears are back and streaming down your hot cheeks. When Simon notices, you feel his cock throb. You choke on a noise, mouth falling slack as he licks at them like a thirsting man in the desert.

“Didn’t take long,” he teases, a little mean. You love it.

“S-sensitive,” you whine, pressing your forehead to his.

“I know, pet,” he croons. “The head’s almost in.”

Just the head. Christ.

The pleasure keeps racking you and so do quiet little cries, your walls clutching every raw centimeter of his cock like he was built just for you. (Or the other way around, a depraved part of you whispers.)

He’s steady and patient as he fills you, keeping your mouth busy with claiming kisses when he’s not drinking up your tears. At the first rung of the Jacob’s ladder, you squeak and have to be held down, gone on how it stretches your poor entrance and grinds against your abused walls.

Each one after that garners a similar reaction, driving you insane as they press against you.

“Can feel your fucking heartbeat,” he groans at one point.

You moan, raking your fingers through his sweat-damp hair. The blond strands are dark and messy, getting messier as you play with them. He grunts and his eyelids flutter every time you tug.

By the time he’s fully inside you, your ass resting on his tense thighs, you’re panting and trembling. He sweeps a hand up your arched spine and curls his fingers around the back of your neck. You lean into his hold, go lax as he guides you through a decadent, devouring kiss.

“There we are, lovely,” he soothes while you whimper. “Hurt?”

“A little…” you gasp, clenching helplessly around the base of him.

“Good,” he growls, teeth on your shoulder.

You moan, falling limp in his arms. He rumbles a pleased hum, squeezing at your hips and ass and thighs in that way you recognize.

“Stressed?” you ask, confused.

He snorts. “I don’t need a reason to play with what’s mine.”

You suck in a breath, the casual (and true) claim making your head spin.

“Relax, pet,” he murmurs. “Just get used to me inside you.”

You mewl, high and soft in your throat. He tilts his head to speak in your ear.

“Your pussy is going to remember the shape of me by the end of this.”

And your lieutenant doesn’t make idle threats.

He guides your head down to his shoulder, his other arm wrapping around your waist. The lewdest hug you’ve ever received. If not for the fat cock stretching you, it would be calming.

“Good girl, that’s it,” he hums, drawing idle patterns along your spine. “Just drift. It’ll be a bit before you can handle a proper fucking.”

He’s so deep and big inside you that you believe it, but a nagging part reminds you of the uneven score.

“What about you?”

He presses an unusually gentle kiss to your temple, though it’s balanced by the tight squeeze to the back of your neck.

“Don’t you worry about me, precious,” he chuckles. “You’ll keep me nice and warm until you’re ready.”

You swallow thickly, can’t help how you flutter around him. It’s a delicious thought, just sitting here with him filling you up for an indefinite period of time, until he decides you can handle how he’s going to fuck you.

“Like that do you?” he muses, too dark to be truly amused. “Like being my personal cocksleeve?”

“’M not,” you mumble, feeling a new sting of tears.

He tuts. “You’re my toy every other way. No point pretending now.”

You whimper into his neck, bite in retaliation but don’t deny it. Well past the point of anything like plausible deniability.

“No more fussing, pet. Be good for me now.”

And you are, settling in with your mouth brushing absent kisses to his marked collarbones. His hands never stop stroking your skin, lulling you into empty-headed bliss. The full feeling of his cock never dissipates, but you become less aware of it, internal muscles accommodating the stretch. You don’t even realize you’ve slipped into a doze, breaths going deep and even, safely cradled in your lieutenant’s arms.

When you wake, watery early-morning light is leaking past the blackout curtains. One of your hips is stiff from sleeping bunched up, but that’s not what calls your immediate attention. No, it’s the absolute puddle that Simon is coaxing from your stuffed hole with his thumb on your clit. He’s hard inside of you again – or maybe he never got soft in the first place.

“Mornin’,” he rasps when he sees you peeking your head up. Calm as you please. Like his cockhead isn’t kissing your cervix right now.

“You bastard,” you wheeze, sinking a mean bite into his shoulder.

“Grumpy thing,” he teases. “Forgot how sulky you are before coffee.”

You grumble incomprehensibly for a moment. Can’t believe he put you to sleep on his cock. More than a little miffed that you didn’t receive the proper fucking you earned yesterday. That you’ve woken up raring to go already, want his cum in your stomach more than breakfast.

“You actually plan on doing anything?” you demand. “Or we going to the mess like this? Risky to have hot tea that close to your balls.”

His laugh is like honey, rich and syrupy. Liquid sunshine when you kiss it from his mouth.

“Remember who’s in charge here, pet,” he warns.

You tilt your head in question, arching an eyebrow.

“You,” he continues, surprising you. Then he keeps talking. “So if you keep acting like a brat, I’ll have to treat you like one.”

You shiver. It should be illegal to be so salacious this early in the morning. To your delight, he allows you to wiggle a little, testing the feeling of his cock inside you. It’s absolutely divine.

“Or, counterpoint,” you say, daring to be cheeky when he’s looking at you like that. Like he’d burn the world just to keep you warm for a night. “I was very good yesterday and deserve a reward.”

“That so, sergeant?” he asks.

“Mhmm,” you chirp. Duck down to bribe him with kisses and nips along his jaw and neck, stubble prickling your bruised tongue. “I’ll even ask nicely.”

He groans, low and rough in his chest. “Yeah?”

You yelp as he tangles his fingers in the hair at the base of your neck, dragging your head back. His teeth scrape over the stuttering pulse in your throat, where there’s a sensitive spot that makes you squirm. His other hand sneaks to your breasts, tweaking a nipple still sore from his treatment the night before.

“Show me how nice you can ask then.”

And, well, not backing down from a challenge is what got you here in the first place.

You straighten up as best you can – have to take a moment when his cock grinds just right inside you – and arch your back. Your nails score lines down his chest, just this side of rough, knowing it’ll work better than any soft petting. Paired with nibbling kisses to the spot beneath his ear, you can already feel the rumble building in his chest.

“Simon, please,” you breathe, “I need you. Need it to be you.”

“Need what, lovely?” he husks.

“Need it to be you that fucks me.” You dare to rock your hips, pleased and distracted that he lets you. His fingers spread your ass wider over his lap. “Need you to break me in. Please?”

Sniper he may be, but his patience must already be gossamer thin from holding back last night and crammed inside your pussy until morning. He snaps at your crooning pleas, rolling you onto your back and grinding into you as deep as he can get.

There have been times in the field that you’ve stared as Simon operates his rifle. It’s his piece, modified and maintained in pristine condition. You’ve watched his clever fingers put it together, dismantle it, clean it, handle it with a deadly competence and precision that you envied. Not him, but the rifle. Probably something wrong with you, that you want to be an instrument, a tool, in your lieutenant’s capable hands, built up and broken apart at his whim.

Now, though… now you know. You’ve got confirmation that it’s everything you imagined and better, his scarred hands on you like he owns you, like you’re his to figure out. You want to be, you are, and you babble as much when he draws his hips back and snaps them forward.

There’s nothing testing or careful about it. Simon knows you’re not fragile, spent all night making sure you could take him exactly the way he wants you. You’ve never wanted him to hold back, don’t want him to now. Crave the way his control seems to slip when it’s you, your body, your voice egging him on.

He rolls his hips every time he bottoms out; his piercings grind deliciously against your twitching entrance with every thrust. You bury your fingers in his hair, tug when he pulls out as if he’s going to leave you empty and wanting. He grunts against your neck, teeth ravenous over skin that already bears their imprint.

It feels like freefall with no parachute, like getting caught in a perfect white-hot explosion. The force of him makes the bed creak, would shove you up the mattress if not for the tight grip on your thighs. His arm loops under the small of your back and angles your hips up.

“Mine,” he growls into your shoulder. “All fucking mine. My sergeant. My medic. My pretty toy.”

You can’t string together more than broken syllables, little noises forced out every time he drives home. He’s not looking for a verbal response though; your body is already singing its agreement, clamping down on his cock like you can’t stand any millimeter not inside you. You’re rocking with him as best you can, knee hitched up by his ribs, pulling him closer, closer, closer.

“I’m right here, doll. Not going anywhere,” he murmurs. Then, almost to himself. “No, not letting you out of my sight ever fucking again. Going to keep you right by my side, within reach.”

You cry out, ridiculously turned on by promises he can’t possibly keep. It’s not the nature of the job, but the fact that that’s what he wants…

“Go fucking crazy when I can’t see you,” he pants, “touch you. Was goin’ fuckin’ batshit all week. Gaz wouldn’t shut the fuck up. Just wanted to get my hands on you. My teeth in you.”

There’s an earnest, desperate edge to his words. Sounds like a sinner praying for salvation, like he’s begging some cruel god for relief. Or, more likely for your lieutenant, threatening to take that god’s place.

You’d worship Simon if he did. Practically do already. Would spread yourself out on his altar and let him devour you mind, body, and soul just to appease his appetite.

“Simon, please,” you cry, head tilting back, bearing your throat. “I’m yours. Your medic, your sergeant, your toy.”

“Fuck,” he hisses. “That’s right, love. All mine.”

He pushes himself up, pressing his hand to the wall over your head. It’s gorgeous, the play of muscle and sinew in his arm. A fucking masterpiece of a man, beautiful and dangerous and right now, all fucking yours too.

The new leverage lets him slam into you faster and harder, frantic now. You have to brace your arms above your head to keep from knocking into the wall, pushing back to meet him thrust for brutal thrust. Could swear you feel him in your guts.

“C’mon, love, let me see those pretty tears.”

His hand slides over your thigh to your clit, thumb rubbing vicious little circles over the nerves. It gives him what he wants instantly, you’re near screaming as you cry. It’s rough and ruthless and has you so close to the edge that you’re almost jolting away.

“Lemme cum,” you beg, “Please, please, Simon, want to cum on your cock. So close…”

His grin is more just a bearing of teeth, eyes glittering in the shadows above you. “Cum for me, precious.”

It doesn’t take much more than that, always eager to please your lieutenant. His hips and finger sync up at just the right moment, just the right way, and you’re gushing over his cock, voice breaking. Your nails scrape the wall as you curl our hands into fists, bucking as he fucks you through it.

You’re not surprised when he doesn’t even slow down, though you reach to push his hand off your screaming clit. His hand darts from the wall to capture your wrists, pinning them over your head. The punishing rhythm of his hips doesn’t even falter, bullying that spot inside you relentlessly.

“I didn’t say you could fucking stop,” he snarls.

You whine and struggle, but that just makes you tighter, makes him rougher, makes it better. You’re not even sure if the cresting sensation is pleasure anymore, if it’s another orgasm or your body reaching max capacity. It’s just whiteout intense and you can do nothing but lay there writhing.

“Gonna cum in you,” he moans, head dropping. “Gonna leave my mark inside you too.”

You contract around him helplessly, his thrusts getting messier, plunging into you at a dizzying speed. Not even sure if you’re making noise anymore, or just sucking in air when you can get it. His fingers flex around your wrists, tight and unforgiving.

And then there's a burst of heat as he moans, sounding gutting. He fucks you through his own orgasm before finally slowing, and then stopping buried deep inside you. His thumb eases off your abused clit, hand landing on the bed beside your hip. Your leg flops down to the mattress, stretched out and still twitchy.

“How copy, sergeant?” he rasps.

“Solid, LT,” you wheeze. “You?”

“Fucking fantastic.”

That startles a little giggle out of you, grinning up at him fucked-out and high on afterglow. His returning smile, small and disused as it is, is better than all the orgasms you’ve had in the last twelve hours.

“Gonna pull out now,” he warns. “Brace.”

Even prepared, you still yelp, beyond sensitive and cored without him inside you. The feeling is only exacerbated by the warm cum you can feel dripping down your ass from your used hole.

“Look at that…” he drawls appreciatively, tilting his head for a good look. “There any part of you that ain’t pretty?”

You groan and cover your overheated face, knock your shin into his hip. But you leave your legs open.

“Shut up, Simon.”

“Insubordinate.”

“Fraternizer.”

“Mm. Gonna report me to Price?”

“Only if you report me.”

“Mutually assured destruction then.”

Your mouth is still hidden under your hands, but you know he can see your body shaking with suppressed laughter.

“Or you could help me clean up, take a nap, and we’ll negotiate terms for a ceasefire.”

He chuckles. “Should have you on a diplomatic envoy, Squeaks. Have the rest of us out of a job. No wars, no soldiers.”

You shake your head, dropping your arms to card through his hair. He lowers himself onto you – not his usual full-force flop, but still by no means delicate about it. You like the weight of him on your tingling body. Feels like he’s keeping you from floating away.

“Only way they’re getting me on protection detail for politicians is if you’re there with me.”

He grimaces. It’s stupidly charming how it makes a scar on his nose scrunch up. “The point is to stop incidents, not start them.”

“Shame, then,” you hum. “Guess we’re stuck here then.”

“Guess so.”

He pats your thigh, then pushes himself up. You protest immediately, but he shushes you with a wry smirk.

“Part of the terms, wasn’t it? To clean you up?”

You grumble but subside, thankful that officer quarters come with an ensuite. It doesn’t take him long to return with a damp cloth and a cup of water. He sets the latter on the side table and kneels between your thighs, wiping you down as gently as he’s ever been.

When he’s done, you make grabby hands until he scoffs and climbs in with you again.

“Nap?” you ask hopefully.

“Yeah. Got you up early. Still an hour ‘til breakfast.”

Not for the first (or likely last) time, you are grateful for Simon’s brilliant tactics.

“You’re my hero.”

He snorts, but when you peek up at him, there’s a fetching pink tint to his cheeks. “Go the fuck to sleep, Squeaks.”

“Yessir.”

[room-surprise]

New Ryoko Kui interview dropped!!!

(This is a quick and dirty translation made using machine translation, and which I've lightly edited to add clarity. I'm not fluent in Japanese so I may have gotten things wrong. I'm sure others will do a better job later.

ADDITIONAL CONTEXT: This article is from a Japanese gaming magazine, like the previous interview in Famitsu, so they focus on video games and don't discuss other influences, even though they do get mentioned and are clearly pretty major.)

Kui was able to write "Dungeon Meshi" because she was not good at eating food and participating in human relationships. In this interview, we dig deeper into the influence of games, and how Ryoko Kui focuses on things she likes and dislikes while writing. [Writers of the Gaming Generation]

Dungeon Meshi.

This manga is attractive for its unique theme of "dungeons, defeating monsters in the labyrinth, and cooking them," as well as the unique characters, detailed human relationships, and deep worldview depicted in the labyrinth. It is currently being made into an anime, and adventurers from all over the world are fascinated by the world of "Dungeon Meshi."

So I thought , "I wonder if this work was drawn by someone who loves food and people." The depiction of such delicious-looking food and the construction of delicate human relationships and characters. Surely, it must have been drawn by someone who absolutely loves it.

However, in reality, the author, Kui Ryoko, says that she "is not good at either food or relationships."

So why was he able to continue drawing things she was not good at?

During the roughly 10 years of serialization, Kui has continued to confront "things she dislikes." This interview delves into Kui's unique creative techniques... and at the same time, it also delves into her "favorite things."

That's the "game"!

Those who are familiar with the subject may already know this, but Kui is also a big gamer. And it seems that "Dungeon Meshi" is heavily influenced by RPGs such as "Wizardry."

As a result, this interview turned out to be "I asked Kui a lot about her likes and dislikes." Likes and dislikes. They are the source of all interests and curiosity.

So how do we use this knowledge in our creative endeavors? How does this knowledge manifest itself in Dungeon Meshi?

How were those charming characters and the deep world created? We spoke to the original author, Kui Ryoko, and the editor, Masaru Hiroi, about things they could only talk about after the series was completed.

This is a game with the volume of a great labyrinth. I hope you will explore it all the way to the final floor!

Dungeon food. It's eat or be eaten. There is no superior or inferior, to eat food is simply a privilege of the living. Dungeon food. Ah, dungeon food.

First, I want to ask about how Kui first encountered video games.

--What are some influences from games in Dungeon Meshi? What was your first game, Ms. Kui?

Ryoko Kui (hereinafter referred to as Kui): I played traditional RPGs such as [blank?] and "Final Fantasy."

I think the first game console I ever played was a Famicom, which my parents won in a lottery . So before I knew it, we had a Famicom at home. I think my parents bought me the Super Famicom and PS1 after that...

After that, I took a break from games for a bit around the time of the PS2, but around the time of the PS4, I was finally able to buy games with the money I had earned myself .

--Why were you able to stay away from games around the time of the PS2?

Kui: I was too busy with exams, so I thought, "Well, I shouldn't be playing games," and left. When I started living alone after that, I couldn't play games because I didn't have a TV. My computer was also a Mac. [Macs aren't compatible with many games.]

--What was the trigger that made you think, "I want to play games" again?

Kui: I think the biggest thing was starting the serialization of "Dungeon Meshi."

Fantasy stories all have different settings, but at the same time, there are also things they share in common. For example, if you want to create a fantasy work, but you only know "Dragon Quest," it will end up resembling "Dragon Quest." It's scary to copy the setting of only one work.

So I just wanted to play a ton of different fantasy games and get an idea of ​​what the most common general understanding of fantasy is.

--Did you start playing it while you were still developing the concept for Dungeon Meal?

Kui: That's right. If I'm going to talk about "eating food," I have to play a game that has a system for eating food .

So I was interested in "Dungeon Master." However, at the time there was no easy way to play "Dungeon Master" on a real machine, so I played "Legend of Grimrock", which can also be played on a Mac.

["Dungeon Master," is a computer RPG released in 1987. Time passes each time you take an action in the dungeon, such as moving, fighting, or resting, so its biggest feature is that the game progresses in real time according to the player's actions. "Legend of Grimrock," is an action RPG released in 2012. It has a game design similar to "Dungeon Master."]

Until then, I had felt that overseas games and games played on PC were too difficult, but I felt like I had overcome one obstacle there. I thought, "Oh, this is pretty easy," and started playing a lot of different games.

-- Those two games are quite heavy even among RPGs, I think, so did you actually have that much difficulty with them?

Kui: No...I would say that my impression is more that best-selling games are easy to play (laughs).

I'm not that good at games myself, so I usually play games that allow you to adjust the difficulty on a super easy setting. So, games that allow you to lower the difficulty are always a lifesaver.

-- I've heard that apart from RPGs , you also like games such as "13 Sentinels: Aegis Rim" and "Paranomasite FILE23: The Seven Mysteries of Honjo ." Do you have a favorite genre, Mr. Kui?

Kui: I guess I'm just not very good at games that require you to use your brain through trial and error.

But in RPGs, if you just level up and keep tapping, you can win and progress in the game. Also, in novel-type games, if you read the text, you can progress. By this process of elimination, I quite like RPGs and text-based games .

Personally, I like games like Disco Elysium the most, which are text-heavy, top-down, and have maps to explore.

...Even I think that's a pretty negative reason (laughs).

Everyone: (laughs).

Hiroi Masaru (hereinafter referred to as Hiroi): But, Ms. Kui, you have really played quite a lot of games, haven't you?

Kui: No, the reason I'm able to play so much is because I play in a pretty callous way ...

I often buy a game, play it, and then just don't play it. So there aren't that many games I complete... I only complete a few a year. I play around 40 games, and if I complete 5 or 6, that's good.

When I asked if I could draw at Comitia, I got scolded.

-- Have you had any exposure to fantasy outside of digital RPGs?

Kui: I think it's not just games, but also the fact that I've always loved foreign fantasy novels . I was given books like "The Neverending Story," "The Lord of the Rings," and "The Chronicles of Narnia."

-- Dungeon Meshi gives off an atmosphere of Western fantasy like gamebooks or tabletop RPGs, rather than the typical Japanese fantasy games like Dragon Quest.

Hiroi: I think I went to Kui's house before the series started. At that time, we were discussing the name of a sci-fi manga called "Drawing Inside the Brain," which I had rejected many times.

Ms. Kui said she wanted to serialize this sci-fi manga... and when he was on the fourth draft, he said, "No, this isn't going to work," and when I looked at the scribbled notes next to her desk, she had already drawn the original version of "Dungeon Meshi" ! (laughs)

Kui: ……………No, I don't remember much (laughs).

Everyone: (laughs).

Kui: But I had wanted to draw a manga about exploring a dark dungeon, like Wizardry .

Since I was in elementary school, the manga I drew in pencil in my notebooks were all fantasy stories about swords and magic, so I had always wanted to draw a proper fantasy manga. However, there weren't as many fantasy manga in bookstores at the time as there are now, so I wondered, "Maybe fantasy doesn't sell."

Hiroi: At the time, there were a lot of people in their teens and twenties posting fantasy illustrations on online communities for artists, such as pixiv, and Kui was one of them.

I thought, there are so many people who want to write fantasy, so if she writes a fantasy aimed at this generation, it might sell.

And when I saw Kui's notes, I thought to myself, "Let's make a straight-forward fantasy manga, without making it weirdly twisted."

Kui: I originally thought of making this "dungeon exploration manga" as just a hobby... When I asked Hiroi if I could draw it at Comitia first, he got angry.

[Comitia is a comics convention in Japan for original self-published comics.]

Everyone: (laughs).

Hiroi: I said, "If you're going to draw at Comitia, then make sure you draw it as a proper serialization!" (laughs)

However, at that time, Kui had already published two collections of short stories, and they were being reprinted. In other words, she had a certain number of fans even before the serialization began.

So I decided, if Kui creates a pure fantasy for those fans, we can't fail badly. If it doesn't work, we'll just learn that fantasy is difficult to sell after all.

--By the way, were there any discussions between you and Ms. Kui about the fact that fantasy doesn't sell?

Kui: I remember vaguely talking about how fantasy manga doesn't sell well and how difficult it seems. I don't know much about light novels, so that might have been there for a while.

However, since a lot of fantasy manga were coming out around the same time, it was probably a "transitional period ." Maybe it was just when people started to feel more and more like they wanted to draw and read fantasy.

Not everyone is that interested in the things I like

-- I feel that "Dungeon Meshi" is a title that has breathed new life into the fantasy genre. How did you go about creating the setting and world when dealing with fantasy?

Kui: I try to think, "Not everyone is that interested in the things I like."

I like to think about pointless settings endlessly, but there are times when I think , "When this setting is actually made into a manga, people probably won't be interested in this story." So I try to include things that will make people interested, and cut out things that will distract people as much as possible.

For example, in "Dungeon Meshi" I initially wanted everyone to speak various languages. On top of that, I wanted to make the characters "only able to communicate with each other in one language"... but Mr. Hiroi said "Don't do that" (laughs).

Everyone: (laughs).

Kui: Even when I'm drawing it myself, I think, "It takes more than six panels to explain this setting...", and if I explain the setting more than necessary, it slows down the pace of the story.

Moreover, since "Dungeon Meshi" was a monthly serialization, unlike a weekly series, there wasn't much time for extraneous stories. Specifically, I had to draw one episode of about 30 pages per month.

In that case, there was no time to add in settings like "Actually, he was thinking about this behind the scenes" or "Actually, he can speak two languages." So, rather than there being any clear choices, there were quite a few times when "there was no time to do things normally." If it had been a weekly serialization, I might have included more.

--Does the scene where Chilchuck yells insults in his own language feel rather "forced"?

Kui: That's right (laughs).I thought, this only takes one frame...it's my chance [to include information about language]!

--So you haven't thought through all of these "fictional languages" yet?

Kui: If Dungeon Meshi were to be my life's work and I were to spend my whole life creating this world, I think it would be more fun to think about it...but initially, I thought that Dungeon Meshi would end in a few years.

Hiroi: Initially, I said, "It'd be nice if it continued for about five volumes" (laughs).

However, Kui's first draft really had a lot of material... so the editors cut out a lot of it. I understand that it's the parts the readers want to read, but I cut out the parts that deviate from the main story. So it's a battle between the "author who doesn't want to be cut" and the "editor who wants to cut."

--By the way, what kind of discussion took place between the "parts you want to cut" and the "parts you don't want to cut"?

Kui: There were a lot of them every time, but I can't remember them specifically now...it was just small, unimportant details that got cut.

In the scene where the hams made by the Red Dragon go back into the pool of blood, I remember saying, "You don't need these," and they were about to cut them off, but I remember desperately stopping them by saying, "We'll need them later!" I'm glad they weren't cut off.

But once I think of the setting, I want to include things, and then they get cut out, so at first I didn't want to expand the world too much.

I also wanted to complete the story within the dungeon. I didn't want to reveal the name of the country, and I didn't want to give the characters surnames. But in the second half, Hiroi-san told me, "The world is too small, so you should make it bigger," and I was like, "Are you sure?"

--Mr. Hiroi, why did you say that?

Hiroi: As the story progressed, it became clear that "Dungeon Meshi" was no longer just about saving a sister in a dungeon. So I decided that it would be unconvincing if the story had no involvement with the outside world, since what was happening in the dungeon was something that would affect the fate of the whole world.

For example, in real life companies, the more important a decision you make, the higher your superior's rank becomes, right? When I thought about it that way, I felt something was off about the idea of ​​Laios and his friends deciding the fate of the world on their own. "How can they make that decision without anyone knowing about it?"

The fact that the Canary Team was there meant that there must have been a system of reporting, contacting, and consulting here, because that's how "society" and "organizations" work.

In short, I think we were thinking about the situation and asking, "If an organization were to get involved in saving the world, how persuasive could they make it given the society that exists in the story?"

Kui: Well, the plot hasn't changed at all.

From the beginning, I had intended to write a story about saving the world, but I also thought it was possible for the world to be saved by only a select few people in the dungeon who knew the circumstances. Changing it was what Hiroi-san thought would make it more persuasive.

When I was drawing the first half, Hiroi told me, "You don't have to decide anything yet." I was in a hurry to move the story forward and explain the world and story setting, but he told me, "It's better to limit it to introducing the four main characters until about the fourth volume." But in the second half, he said, "Introduce more people and expand the world."

Everyone: (laughs).

Hiroi: Kui-san was like , "That's not what you said originally!" (laughs) But both had meaning...

Kui: I was the one saying, "If we expand the world there, the story will never end, right...?"

After drawing it through to the end, I realized that the balance between holding back and expanding didn't work the way I had expected. I think this is one of the reasons why the serialization of "Dungeon Meshi" took so long.

-- But there are a lot of characters in "Dungeon Meshi," and the relationships between them are complicated. I heard that you also created the relationship diagram for "Taikaishu" [※3] ...

Kui: No, I haven't made one [I didn't do that?]!

[Taikaishu is a full-color web comic by Funako Tsukasa that began serialization on a website in 2005 and is still ongoing. Its unique worldview has earned it a loyal fanbase, especially on the Internet.]

-- Eh? Is that not the case?

Kui: To be precise, I just created an account on the fan wiki.

When I started reading "Taikaishu," I struggled with the complex setting and the large number of characters...and I thought "it would be easier to read if there was an explanation or a list of characters."

So I searched for a bulletin board where readers were sharing their thoughts and asked if there was a summary, but they said there wasn't. So I thought, "Maybe if there was a place where someone with more knowledge could summarize it," and I just made a wiki account.

So I didn't actually edit it. It seems like I've been given credit for someone else's work, and I'm sorry about that...

Dungeon Meshi was created from a sense of guilt about food?

-- "Dungeon Meshi" started off with the catchy theme of "cooking monsters," but little by little the darker aspects and deeper world were revealed. Was the structure of "little by little revealing the darker side" something you had in mind from the beginning?

Kui: I thought I needed a theme to serialize it so I thought I'd try "food education." There were a lot of gourmet manga at the time, but I felt like there weren't many that focused on food education.

-- Considering that the theme is "food education," it makes sense that the nutritional value of the dishes in the story is clearly written down.

Kui: With the theme of "food education," I also thought up a rough outline of the story. Rescue the kidnapped princess, defeat the evil wizard, defeat the final boss, and become king... the framework is pretty simple.

But when I actually tried to proceed with the plan, I realized, "No, this story can't be done so lightly..." At first, I thought I could draw it in a more light-hearted manner.

Hiroi: At first, you were trying to finish the fight against the Red Dragon in one episode, right? I was like, "is that possible?" (laughs).

Everyone: (laughs).

Kui: When I tried to actually tell it in one episode, it ended up feeling like a very brief summary... In order to tell the story I wanted to tell, I had to tell it more thoroughly than I originally thought.

-- Did you have any special thoughts about the theme of "food"?

Kui: No... well... if I had to choose, I'd say I have a strong grudge against food.

Since I was a child, I was a very picky eater, and mealtimes were a pain for me. I hated eating in front of other people, and there was a time when I hated seeing other people eating, so I would look for toilets that were rarely used and eat my meals in the toilet.

When I was doing it, the word "toilet meal" didn't exist, so when the term actually appeared in society I was so happy, thinking "everyone was doing it!"

[Toilet Meals are a social phenomenon in Japan.]

Everyone: (laughs).

Kui: I was thinking, "This is so terrible, right...?" but it was a relief to realize that other people were doing the same thing.

--So what made you choose the theme of "food education"?

Kui: My parents, who were struggling with my picky eating, taught me many things, including the "triple eating" method, but it was no use and I continued to be a picky eater into adulthood. My parents had instilled knowledge about food education in me, but I was not able to put it into practice.

[Kui might be talking about Triangular Eating but I'm not sure.]

So the only thing that remains is that I feel an enormous amount of guilt when it comes to food and eating...

Hiroi: If you think about it objectively, the series starts off on a very negative note.

Kui: But now I've gotten over the habit of eating with other people... or rather, I've come to like it. My editor takes me to lots of delicious places.

--When I was a student, I was trying to leave my udon bowl at school, but my teacher found out and made me eat the packet of udon by myself. There was no soup, and it was really hard to eat the udon by itself.

Kui: It must be tough. I tried to hide it, but my teacher found out and I got really angry.

Hiroi: I've tried to hide it in a drawer before. Then, something dried up came out of the drawer... (laughs bitterly).

How can I draw things I hate?

-- Or rather, is it the fact that you're not good at it that gives you a higher level of insight into the food?

Kui: I think it's because you're interested in it that you either like it or dislike it. Inevitably, you spend a lot of time thinking about it.

Since "Dungeon Meshi" depicts a lot of food, one might think "Do I like eating?", but in fact there are many times when I draw it because I dislike something .

--Aside from food, do you also draw things that you dislike?

Kui: Maybe. For example, human relationships, modern times, fashion...?

-- Perhaps the relationships between the characters in "Dungeon Food" are portrayed so delicately because the author is not good at dealing with human relationships?

Kui: I've always been very curious about things like, "(This person is usually so cold, but has such a charming smile in front of other people)" ...

I feel the same way, but I think people are different in the way they show their true colors. I think it's strange that it stands out to me...

-- I have a simple question. When you draw something you hate, how do you feel? No matter how much you hate something, do you find it fun to draw it?

Kui: The events in the manga don't directly involve me, so I don't dislike the things I'm drawing as much. Also, when I draw while looking for the good parts, it can lead to new discoveries.

Also, I think it's scary to draw only what I like.

In my work, the important thing is "what to capture with the camera," and there's no need to go out of your way to capture filthy things, but at the same time, I think the world will look bigger if you keep in mind that "there are a lot of inconvenient, dirty, and unpleasant things outside the camera." That's the feeling I have when I paint/create manga.

When playing a game, if I have to choose between a game where I only feel like I'm in the world inside the game screen, and a game where I feel like there are lots of people living on the other side of the screen, and that the people in that world could travel anywhere they wanted, I think the latter is more fun to play.

I'm always thinking about how to express that "sense of the vastness of the world" ...and I personally like games that have "a world" to them.

-- Do you ever incorporate elements from the game into your manga?

Kui: On the contrary, I think that is a part that cannot be adopted .

The best thing about games is that each person has a different experience. Games that have lots of endings are also a result screen for what you've done up until that point. When I see something like that, I think, "That's so cool."

Personally, I think that's the game's greatest appeal, and something that could never be replicated in a manga that doesn't have players.

If you're so busy, when do you play games?

-- I'm personally curious, how do you find the time to play games? Even though you're busy with your work as a manga artist, you play quite a lot of games.

Kui: I often use the Steam Deck before going to bed or during breaks between writing manuscripts. In fact, I almost only use the Steam Deck now. I keep it by my pillow, so I can take it and play before going to sleep, or during breaks...

--Is Steam Deck really that convenient?

Kui: I recommend it. The screen is small, but it can run Cyberpunk 2077 .

Also, personally, I've gotten tired of having to turn on my PC to start up a game...with Steam Deck, I can just turn it on and it starts up instantly, even when I'm lying down. How do you writers usually play games? There are times when you have to play games for work, aren't there?

--When it comes to work, I calculate backwards how long I'll be playing before I start playing...If it's a game that can be completed in about 60 hours, I usually estimate that I'll play for 3 hours a day and complete it for 20 days in a row.

Hiroi: It's a lot of work!

Kui: That's amazing... You really are a gamer.

I've always thought that I have a talent for playing games ... but I'm not really good at that. If I'm given a game that's a little difficult, I get tired of it right away, and I'm not very good at trial and error. The range of things I can enjoy is very narrow.

I wonder if game developers around the world are also struggling with the question of "Should I make my games accessible to a wide range of people, even those who aren't particularly gamers?" or "Should I make games that are challenging and can be played deeply?" The same problem exists with manga, too.

When there's a game that I can't play well, I feel happy because it means the creator decided that there's no need to pander to people who can't keep up.

-- By the way, when you play games, do you do it as a normal "hobby"? Or do you play more often to find material for your manga?

Kui: Of course, a big part of it is that I play games as a hobby, but it is alleviated by the fact that playing games might be useful for my work (laughs).

Even if I'm not that interested in a game, if I think "it might be useful for work," I'll find the courage to buy it, and no matter how expensive a gaming PC is, I can still buy it if I think of it as a work tool. So the hurdles for many things related to games are lowered for the reason that it's "for work."

--So, when you read manga, do you feel like you're reading it for work?

Kui: In my case, manga has become my job, so when I read it I can't help but think of work.

However, I still enjoy gaming as a hobby . That's why I don't want to lose this hobby... and I don't think I'll be able to enjoy it as much if I get involved in games as a job, so I don't take on any games-related jobs.

Does the depth of the world come from the fact that it is "not decided"?

-- I heard in advance that "Dungeon Meshi" was written with a clear awareness of "what should be explained" and "what shouldn't be explained," so could you tell me more about that?

Kui: Having read a variety of fantasy novels and games, I thought that the "moment of discouragement" was the "repeated use of foreign words." When you write something like "XX of XX of XX," if there are three or more katakana characters, there is a high chance that it will be skipped over by Japanese readers.

That's why I try to refer to town names as "the neighboring town" whenever possible, and refer to characters who appear in flashbacks as "uncle" rather than by their full names, so that readers can understand without having needing exposition.

The magic used during battles in "Dungeon Meshi" is depicted in such a way that you can "understand what kind of magic it is just by looking at the picture."

-- What other aspects of Dungeon Meshi are there that you deliberately left out of its concrete settings?

Kui: Numbers and language are the settings I avoided touching. For example, just by deciding the month of birth, it is first determined that there is a moon in this world. From there, it is also determined that there is gravity.

What's more, just the concept of a "birthday" means that there is a division into a "year" and that the world is determined to have a 365-day cycle. It quickly becomes complicated.

But on the other hand, if I were to set the details and make it something like "This country's currency is 1 gold, which is worth 5 yen," it would be a burden on the reader. When reading the work, the reader would be forced to convert it into "1 gold = 5 yen" in their minds every time. That's why I try to write it with "readability as a priority" as much as possible.

However, if you're creating a "fantasy" in the truest sense of the word, it would be better to create something that corresponds to that world's calendar or metric system in order to really immerse yourself in that world, so it's difficult to get the balance right...

-- I think that style of "deliberately not giving explanations" is quite amazing.

Hiroi: I think that 's definitely partly because "Dungeon Meshi" is a silly title.

The "mindset" of the reader is a little different...I think that from the very beginning, the reader is made to recognize that "this work isn't going to say anything too difficult."

Kui: Also, we had to give a bit of thought to coming up with the character names.

For example, the main characters in Wizardry are given names that correspond to their professions, such as "Warrior" or "Wizard." The "Senshi" in Dungeon Meshi was taken from that ... I named him after thinking, "I want that person to play an active role."

That's why I wanted the overseas version of Senshi's name to be "Fighter", but I was worried that overseas readers would be like, "What does that mean...!?" so I kept it in my head.

--The character names in "Dungeon Meshi" tend to be around 3 or 4 letters long and fit nicely.

Kui: If the name gets too long, it won't fit in the speech bubble...It's generally said that a line in a speech bubble should be about 7 to 8 characters long to be easy to read.

So "Chillchuck" is really long... I actually thought that the abbreviation "Chill" could be used more, so I named it that way, but it didn't work out so well, so in the end I just kept calling it "Chillchuck". Even I was thinking "that's long" while drawing it (laughs).

Everyone: (laughs).

Kui: Anyway, there are quite a few manga-like circumstances where "maybe four characters would be enough."

--By the way, are there any rules for naming the characters in "Dungeon Meshi"?

Kui: It's not detailed, but there are "settings within the story" and "meta-settings that are just for my own enjoyment."

For example, [if Dungeon Meshi was a game] the Shuro party has names that would be given by a certain type of player. When playing a games, some people give their characters themed names that follow self-imposed rules. In that sense, meta-wise, the Shuro party is played by a player who names their characters with a plant-based restriction.

Also, since the player likes girls, the party members are all girls, and so on... (laughs).

Hiroi: Oh, I didn't know that!

Kuon: ...While it's fun for myself, I also create characters by asking questions like, "Why is the party mainly made up of women?" or "Why do they all have similar names?"

However, even if I revealed these settings in the story, it wouldn't have made the story any more interesting, so they are merely "settings that only exist in my own mind."

-- What are some specific examples of "settings that you deliberately didn't reveal"?

Hiroi: I still remember when I said, "I want you to depict the elven kingdom in more detail," Kui replied, "That's going too far."

The dwarven country was depicted quite a bit, so I personally thought it could have been shown a little more...

Kui: I felt that if I depicted that, it would limit the reader's imagination.

There are definitely "lines that suggest something might happen," and when it comes to parts that are better left to the reader's imagination, I often choose not to draw them.

Also, even when we present settings that readers think they can just skim through, they often try hard to remember them...

It all started with the manga "Eating soba through your nose."

--Let's go back to the topic a little. How did Ms. Kui and Mr. Hiroi meet?

Hiroi: I think we scouted her.

I saw a short story that Kui had posted on Pixiv and sent him an email asking if I would like to draw a manga. I remember that he had a really funny four-frame manga called "Eating soba noodles through your nose ." It was about a character eating soba noodles through his nose and crying out in pain... I think I was drawn to his drawing ability, which made me feel like "Wow, that looks painful" when I saw it (laughs).

And from that point on, we have come to this point.

[This may not be the exact comic that Hiroi is talking about, but it's a comic Kui posted on her blog about someone eating soba through their nose.]

Kui: Oh, is that so? Isn't it something like "Shugaku Tenshi" [※4] ?

Hiroi: No, that's not true! The manga about eating soba noodles through the nose was made before "Shingaku Tenshi". By the way, that manga was planned to be published in "Rakugakihon" , but when I asked Kui-san "Can I publish this?", she was very against it...

Kui: No, that's fine, but... I didn't think other people would find it that interesting.

Everyone: (laughs).

Hiroi: But that was more than 10 years ago...

--By the way, was Mr. Hiroi the first publisher to contact you?

Kui: Before that, an editor at East Press had contacted me. I was originally publishing fantasy manga that I had drawn as a hobby on my personal website. I compiled them into a self-published original comic and exhibited it at Comitia, and they asked me, "Would you like to publish this long manga as a book?"

However, after the editor asked around to various people, it seems he was told that "this will be hard to sell"... so the plan was dropped. Instead, it was decided to release a "short story collection" of short manga that had been published at the same time . This is "The Dragon's School is on the Mountain: A Collection of Works by Ryoko Kui" published by East Press.

I was contacted by a few other people as well, but the two people I still keep in contact with are Mr. Hiroi and the editor at East Press.

-- When you went from drawing short stories and web comics to starting a commercial serialization, did you study anything like "how to draw a serialized work"?

Kui: I learned almost everything about how to draw manga from Mr. Hiroi and the editors and writers at Harta .

I had absolutely no understanding of whether panel layout was good or bad, so up until the middle of the serialization, I would rearrange the storyboards one panel at a time, and I would get lectured like "Don't put a panel like this here."

I was also impressed when I was shown original manuscripts by other artists. They look beautiful in print, but the real thing is even more impressive. This is what it means to be good at drawing manga.

It didn't finish as I expected

-- Speaking of "serialization," you mentioned earlier that you initially intended to end it at about volume 5. Did "Dungeon Meshi" continue longer than you had anticipated, Ms. Kui?

Kui: First of all, I didn't really understand what a "serialized" comic meant, so I didn't even know how much of a story I could get done in how many pages. So, I thought I could wrap up the story nicely in about five years, in five volumes.

But I never quite got around to finishing it. It was so hard... (laughs).

Hiroi: To be honest, when I first heard "Volume 5,"I thought to myself, "(Are you kidding me...?)" I didn't say it out loud though (laughs).

--Honestly, even as a reader, around the time of the fight with the Red Dragon in volumes 4 and 5 I was starting to feel like, "Huh? It seems like it's coming to an end soon..."

Kui: From the beginning, my goal was to "defeat the Red Dragon at the halfway point." However, I was supposed to fight the Red Dragon in Volume 4, even though it was supposed to be 5 volumes. So I thought, "Huh? It's not over yet," and I gradually lost interest.

By the time I got to around volume 10, I felt like no matter how much I drew, it would never end. I didn't want to drag it out, but no matter how much I drew, it just never seemed to finish.

Hiroi: Even from an editor's perspective, it seemed like Kui was getting very anxious from around volume 10 onwards.

-- Having finished the long-running serialization of "Dungeon Meshi," did you experience any changes in your mindset?

Kui: I think it was great to have the experience of learning that it would take 10 years to draw a story of this scale. And when I think about my lifespan and how many more works I can draw... it makes me dizzy.

Hiroi: I feel like I'm constantly fainting...

-- Ms. Kui, are there still any works you want to draw in your mind?

Kui: Not that much. But I love drawing manga, so I want to draw a lot. I don't know if I'll have the stamina to continue for another 10 volumes, but I want to continue working as a manga artist somehow.

But maybe... I don't think it will sell that well next time...

Hiroi: Stop! Don't say that!

Everyone: (laughs).

Kui: In that respect, "Dungeon Meshi" sold well, so I was able to draw what I had imagined to the end. Next time, I think it would be better to consider the opposite scenario of "if it doesn't sell" and make it shorter.

That's the next new challenge.

-- In addition to the expectations for your next work, do you feel any pressure?

Kui: In my case, the first collection of short stories I published was fairly well received. For a manga I drew for the first time, that's about it.

That was a relief, but at the same time, I felt that "Ideally, the reputation of my next work will also steadily increase, but there will definitely be ups and downs." If the reputation of the next work is bad, will I be able to continue drawing without getting discouraged? I realized that the "battle with myself" had just begun , and I was terrified when I read the first volume.

What game has cute illustrations, in your opinion?

Kui: This is a completely different topic, but you 've played SaGa Frontier 2 , haven't you? Aren't the pixel art in SaGa Frontier 2 really cute?

--The pixel art in SaGa Frontier 2 is...the best!

Kui: The illustrations in "SaGa Frontier 2" have such exquisite balance... if you try to express that in a picture, you can't reproduce that cuteness. It's like "exquisite head-to-body ratio."

-- In your opinion, Ms. Kui, are there any games that have cute illustrations?

Kui: The first one that comes to mind is definitely SaGa Frontier 2. Also, I still remember how cute the character designs were in Final Fantasy Tactics.

But back in the day, I used to trace characters from FF7 . I thought, "There are so many cool designs in the world..." (laughs).

Hiroi: Nomura (Tetsuya)'s drawings are amazing, aren't they?

Kui: I traced Cloud and Aerith on tracing paper and quietly said to myself, "So cool..." and got really excited. I noticed something while I was working on the "Dungeon Meshi" anime...basically, games and anime are made by many people, aren't they? So I always thought, "Many people must be giving various opinions to make them."

But when I got involved, I realized that one person's power is quite large. This was quite surprising. I thought that there were multiple people who wrote the script and storyboards, and that each person had their own responsibility, but... the power of one person is quite large.

──No matter how much the work is divided up, it's important to have a director or supervisor who brings it all together.

Kui: Yes, in the end, it depends on the power of the person who takes the lead ...

However, at the same time, I think that the division of labor between scriptwriting and storyboarding is something that would never be possible with manga. In the end, you have to create everything in one person's mind, so "bias" inevitably arises. So personally, I don't like the idea of ​​it becoming a "world created in one person's mind."

Hiroi: However, not only in manga but also in novels, the individual author's personality is strongly expressed. I wouldn't go so far as to say "ideology"... but the person's way of thinking is strongly expressed.

Kui: Speaking of which, people who create games alone, such as indie games, are amazing.

It's often said that manga artists "come up with everything, from the art to the story, all by themselves," but I don't think they can compete with independent game creators who create the music, programming, and art all by themselves.

Moreover, even more than manga, no one can give their opinion until the game is completed. If you think about it that way, making a game by yourself is really a "one-man battle." At the same time, what I like about games is that there are quite a few "works that are not made with much consideration for cost" ... I enjoy it a little bit.

-- Do you ever think, "I want to make a game?"

Kui: I once bought RPG Maker , but it ended up being a complete failure... (laughs).

Everyone: (laughs).

Love for "classic RPGs" was a major influence on "Dungeon Meshi"

-- I'd like to ask you, Ms. Kui, since you play a lot of titles on Steam and other platforms, have you ever had any problems playing a game?

Kui: Simply put, a "game that doesn't work" is a problem (laughs).

This sometimes happens with games made by individuals on Steam... they don't have any reviews, so there's no way to deal with it other than contacting them directly. There have been a few times when I've been stuck and wondered, "What should I do?"

Other times, I'll buy a title that just happens to pop up at the top of Steam's rankings. Sometimes I'll play it thinking, "The graphics are kind of cute, so I'll give it a try," only to find that it's incomplete beyond the framework.

--So now people are playing titles that aren't that major.

Kui: Also, when I played Planescape: Torment, which is said to have influenced Disco Elysium.

While playing, I came across a character who was suffering from a terrible curse that made his whole body smell and become sticky. A quest was triggered to ask the NPC who had cast the curse to lift it, but when I asked them to lift the curse, I ended up being cursed with a curse that made me have constant hiccups ...

So when I was walking around the town, the "hiccup" dialogue started popping up all the time. What's more, every time it happened, I would freeze up for about 0.1 seconds. All the dialogue was filled with "hiccups." Anyway, it was a troubling curse.

I had no idea how to deal with this either, so I decided to just kill the NPC who had put the curse on me. The NPC also challenged me by saying, "Maybe if you kill me, the curse will be lifted?", so I tried killing him, but... it didn't lift the curse at all (laughs).

Everyone: (laughs).

Kui: I thought maybe the quest would progress in other places, so I walked around here and there, but the curse was not lifted after all. I was really curious, so I looked back at overseas information exchange thread online, and I found someone had written a lecture that said "You know what happens if you kill an important NPC without thinking about it, right?"

So I realized that this curse can never be lifted again. Even if I wanted to rewind, it was an auto-save, so I had to go back almost to the beginning... I was really... in trouble!

-- But "Planescape: Torment" hits a pretty impressive spot. Was it something that just happened to catch your eye while you were browsing Steam?

Kui: I originally liked games in the same genre as Baldur's Gate, so I think that's how I got into Planescape.

Also, I saw information that a huge amount of text in Planescape was translated by one person... I'm not very good at English, and games like Planescape have a lot of text to begin with, so I'm at a loss if it's not translated into Japanese .

However, when extraordinary people like those who make Planescape use their precious time from their lives to accomplish great things, I feel very grateful.

-- So, Ms. Kui, do you prefer games that are closer to the classics?

Kui: That's right. The first game I played was The Elder Scrolls V: Skyrim, and it was so much fun that I searched for "games similar to Skyrim" and played a lot of the games that came up.

All of them were completely different games from Skyrim, but they were fun. However, I don't like "old games". I think that newer games are generally more polished and well-made.

-- Wizardry, which influenced Dungeon Meshi, is also a classic work.

Kui: When I was a child, I saw my father playing Wizardry V : The Heart of the Maelstrom. As time passed, I remembered that there was a game called Wizardry. The game I played at that time was Wizardry VI: Forbidden Pencil.

I also played Wizardry V , but it was hard to see the map unless I chanted a spell. I was directionally challenged, so even though I had a guidebook at hand, I couldn't progress.

--By the way, were you more interested in making a manga out of "Wizardry" than the tabletop RPG "D&D" ?

Kui: When I was researching fantasy, "D&D" was often mentioned... but I had never even heard of "TRPG" before. First of all, you can't play it without friends, and I was shocked to find out that lots of people have friends they can play with like this...!?

Everyone: (laughs).

Kui: So when I looked up TRPGs on Wikipedia, I couldn't imagine that people actually played this kind of game. I was more confused and thought, "How can people really role-play in front of other people?"

After that, I watched replay videos on YouTube and it was only then that I understood how games like D&D worked.

Games, manga, novels. What is the purpose of all creative works?

-- What was the last game you played?

Kui: Recently I played a school management game called "Let's School." It's made by a Chinese company that also made "My Time at Sandrock."

Hiroi: You really like that kind of game, don't you? (laughs) Oh? Haven't you played "FF7 Rebirth" ?

Kui: I'm thinking about playing the remake of FF7 once it's completed.

Hiroi: No, no, if we don't do it now, we'll never finish it! It'll be a long time before we do it!

--Honestly, I also thought it would take about 10 years for FF7 Rebirth to be released.

Hiroi: I thought it would take about that long too... I really wanted it to be completed while I could still see. So, please do it!

Kui: Once it's finished...I want to play it all at once (laughs).

--Do you and Ms. Kui often talk about games?

Hiroi: Ms. Kui sometimes says, "I want to talk about this game, so I want you to play it." I played "Red Dead Redemption" because of that. Also, a long time ago, Ms. Kui recommended "13 Sentinels: Aegis Rim."

Kui: Whenever there's a game I want to discuss with someone, I always recommend it to Hiroi.

But maybe I haven't been playing games as much lately. Until now, I've been playing games because I thought of it as "for work," but now that the serialization of Dungeon Meshi has ended, I've been playing less games.

Moreover, I'm not the type of person who gets that into one game...I don't generally play through a game in repeated playthroughs, and I'm usually satisfied once I've finished the story.

Hiroi: Then we have to start [a new ] serialization soon.

Everyone: (laughs).

-- I'd like to ask you personally, do you have any "recommended indie games"?

Kui: I highly recommend "Papers, Please" and "Return of the Obra Dinn."

First of all, "Papers, Please" is a simple "spot the difference" game, so I didn't have high expectations at first. But when I played it, I felt like there was a proper "world" to it . Also, I was curious to see how the story continued.

And "Return of the Obra Dinn" had a great atmosphere. There were hints to solving the puzzles if you looked closely, but there was also a good balance of being able to force your way through, and the music and production were cool.

Hiroi: Come to think of it, you read quite a bit of the novel after the serialization ended, didn't you?

Kui: Ah, you mean "1984" by George Orwell? That was good...

I've always thought that creativity isn't necessary for life... It's entertainment, so it's not essential to life. But after reading "1984," I thought, "I guess creativity is necessary after all."

Humans need stories to experience things that should never come true, to prepare for bad things, and to prepare for understanding other people... You might think, "You should have already learned that when you were younger," but I was deeply moved by this realization.

Anyway, I feel that it would be great if people could learn things they didn't know before through this work.

Hiroi: ...Overall, it just felt like we had a fun time talking about games (laughs).

Kui: We just used the interview as an excuse to talk about the game (laughs).

-- No no, thank you very much for sharing your valuable story! (End)

I think I can understand a little bit about being interested in things you hate.

It's easy to analyze "why do you like something?" when you like it, but it's surprisingly difficult to analyze "why do you dislike something?" When you understand the reason, it seems that "why do you dislike it" is often more meaningful.

Perhaps creative works exist in part to help us understand the things we dislike.

I was able to hear a lot of deep "creation stories" that made me think about such things. Also, Ms. Kui is a huge gamer. Mr. Hiroi also likes games quite a bit. Since serious talk and game discussions alternated, the content may have been emotionally confusing. But I feel like "Dungeon Meshi" has a similar atmosphere.

If you haven't read "Dungeon Meshi," please take this opportunity to read it. It depicts a fun adventure. On top of that, it may help you prepare for difficult things that might happen in your life someday. Of course, it's also extremely interesting as a manga. I think it's definitely one of the best "entertainment" of our time.

Why does the body want to live? What does the mind want?

This is because we have a "desire" to pursue what we like and dislike. In fact, "things we dislike" are just as important as "things we like." By understanding our own "likes and dislikes" through creative works and entertainment, humans can prepare for things that happen in their future lives. Food and creative works are equally important for human growth.

...That said, I'm not sure if it has a nice punchline, or maybe not.

To eat. To experience creative works. These are truly the privileges of life. In order to live, we must continue to eat.

Now it's time to eat. What shall we eat today?

[bee-wg]

Year 4:

Beep Beep Beep Beep

“Oh my god, uncle! You’re gonna burn the house down!” Theo yelled.

“David, What happened? Is your hand bleeding?” Mom screamed

“Ahahaha, it’s nothing Chloe, don’t worry about it. I was just trying to make everyone a surprise breakfast,” Dad said.

“It’s nothing? There’s fire on the stove!” Mom said frantically.

“I got the fire extinguisher, don’t worry. Just a little mishap,” Dad said, trying to cheer them up.

“Uncle, you’re bleeding all over the fire extinguisher! We need to get him to the hospital,” Theo said.

“Hahaha, I guess I am a little clumsy,” Dad said.

Beep Beep Beep

“Someone please turn off the fire alarm, it’s stressing me out,” Mom asked

“What’s happening?” I asked, half asleep in my Pajamas.

Sometimes life surprises you, one moment, you were having a sweet dream. Then, you’re driving your bleeding father to the hospital in Pajamas. The new SUV does feel nice to drive, at least.

“I’m fine, guys. I think it must be the sugar. If I would’ve put more in it, this wouldn’t have happened,” Dad said.

“David, I love you, but don’t you EVER pull stupid stunts like that again,” Mom said, leaning on Dad’s shoulder.

Apparently, Dad wanted to surprise us with waffles for breakfast and thank Mom for all the delicious food she made. He was also hungry for a snack, so he broke Mom's one rule: Don’t mess with her kitchen.

The doctor said he could remove the cast in two months, about the time Theo and I graduate. He already got an internship in a restaurant, bringing home some fancy leftovers. 

Mom has not let off her sight from Dad since we got back. She gave him a firm warning and pinched his cheek. Now Dad gets ice cream and meals delivered to his mouth without lifting a finger.

I wish someone would do that for me. Imagine not having to leave the bed and constantly having sweets in your mouth. That would be a dream.

My thoughts disturb me sometimes. 

Since winning the competition, I have accepted that I will never be muscular again. The original plan was to savour everything I could for a year, then go on a diet. Mom and Theo have slowed down with the food so that I won’t eat until my stomach is about to burst, but they won’t refuse if I ask for something.

Now I am close to 500 pounds with my stomach always growling for more. I guess it’s just another fat ass behaviour I would have to accept.

Since losing weight is out of the question, I have figured out a way to keep my core muscle fit enough to support the enormous belly in front of me. It’s simple, I stick an 8-inch dildo from Seven’s house to my chair, and I would sit on it when I’m playing video games or watching a movie. When the itch gets too much, I can use my core muscles to lift myself up and down. This way, I get to work out and get off. It's not good for the chair, but who cares? It’s reinforced.

***

It was a regular lunchtime when Brad broke into my house again. Usually, he would greet my parents and head straight upstairs to perform witchcraft for all I care, but today, his footsteps are leading to my door.

Oh shit, oh shit, oh shit. Brad is the kind of asshole that does not knock. I still have the dildo in me!

I panicked and pulled up my pants before getting off the dildo.

He came in right as I flopped my belly down to cover the fact that my pants were not fully pulled up.

“Sup,” I said.

“Sup, Jay,” he reached out his fist for a bump.

“So, you know our last season of football in college just ended,” he said. 

Brad walked to my left to sit on my bed.

I rotate my seat to face him so he doesn’t see my ass hanging out in the back.

“Oh, fuck!” I yelped.

Fuck, the dildo twisted in the movement, now poking my prostate. 

“You okay, dude?” Brad asked.

“Of course, continue,” I said with the best smile I could muster.

“The guys are celebrating, so it’s like the last party for the team, and I was wondering if,”

“Okay, yeah, I’ll go,” I said quickly.

“Oh, that’s it? You usually don't like to go out or like- move at all,” he said, then stood up.

His sudden movement startled me, and the dildo jerked deeper.

“Are you sure you’re okay, dude?” Brad said, walking closer.

“I’m all good bruh, don’t worry,” I said.

I can feel my hole tensing, almost swallowing the dildo whole.

“I just don’t want you to be angry at me for fucking your cousin. If you want me to stop, I will,” he said.

“You what the who?” I said, baffled.

“I’m fucking,”

“Ew no, don’t tell me. I’m fine as long as you never mention doing that with my cousin ever again,” I said.

He let out a breath.

“Well, that’s something out of my chest. I’m going up now. I’ll come here and pick you up tomorrow night,” Brad said, rushing out the door.

I let out a breath too.

The locks will never be open after this traumatic experience.

My ass is still tingling, so I quickly fuck myself with the dildo to get over with it.

***

The drive to the house has been excruciatingly slow because Brad is a cautious driver. It leaves a lot of time to think without food distracting me.

I am now extremely aware of the bright yellow Pikachu face stretching across my belly. There aren't many clothes that fit me, and it’s been a while since I went out, so I didn’t bother buying new shirts. 

I haven’t seen them in a while. They’re gonna think I’m fucking lame.

“Dude, snap out of it. Everyone there misses you. I didn’t invite the assholes,” Brad said.

“…I guess.” 

“You’re doing the arm-scratching thing again, haven’t seen you doing that in a while,” Brad said.

“I’m going to put on some music, and you’re going to stop thinking, okay?” Brad added.

“Yeah, okay,” I replied.

When we opened the door, Marcus the quarterback greeted us, and half my worries melted away. 

He is about 300 pounds, which feels skinny to me now. At least I’m not the only fat one.

Now that I look into it, not everyone has defined abs. I don’t know why I expected everyone to be runway models. Even Brad is softer around the middle.

“Dude! Where have you been?” Aiden yelled.

“Oh shit, you look humongous, my guy,” Braxton said.

We quickly got back into the groove we had two summers ago.

Brad booted up a party game, and we tried our hardest to destroy each other.

We also caught up on what each of us was up to this past year, or what to do with our future. Aiden wants to marry his girlfriend, Marcus wants to join his boyfriend’s band, and Brad wants to be a freelance artist alongside his side job.

When the night came, They ordered some Chicken wings and pizzas.

“Fuck yeah, trash food! No more diet from Coach,” Aiden said, taking away half the pizza.

“By the way, I bought extra pizzas to see how much we can push ourselves,” Brad said.

I have a bad feeling about this.

“Of course, if it’s too much, we can always count on Jay,” Brad laughed.

There are six of us, with twenty large pizzas. I am screwed.

“It’s just some pizzas, no big deal. I can beat Jay easily,” Braxton, the most muscular guy in the group, said.

“Hahaha, don’t underestimate him, my dude,” Brad replied.

Except for Marcus, all of them are wimps. They started groaning and bitching after a few slices.

“Damn it, how do you make it look so easy,” Aiden asked.

“There’s a technique to it, dumb ass. I trained for this shit,” I answered.

Aiden then passed out from the food coma after six slices. 

Two more people soon followed after him.

Brad is on his way to his second pizza. His stomach has never looked this bloated before. Marcus is trying his hardest on his fourth one, but the guy is barely hanging on.

When the seventh pizza box emptied, I was stuffed beyond belief.

The guys woke up and refocused their energy on me to finish the rest.

“There’s only two left, people. Finish it,” I said, pointing at the boxes.

“We’re not on your level, Jay. You’re like, a pro at this,” Aiden said.

“Yeah, man. Only you can do it,” Brad said.

Braxton handed the pizza box over, and they started feeding me slice by slice.

“Come on Jay, you’re better than this,” Aiden said and rubbed my belly.

These people have no personal boundaries like always.

I am beyond capacity after the eighth one.

This was most likely a fucked up plan by Brad to show they don’t care I’m a fat ass. I still believed they wouldn’t like me because of my size until a few hours ago, now it seems ridiculous to reject all those party invites last year. Well, maybe I was up to something because now they’re trying to suffocate me with pizzas.

When Aiden stuffed the last of the slices in my mouth, everyone cheered.

Tonight was absurd, but I got my friends back. When some guys were not happy for a fat guy to be on the team, they stopped hanging out with me. I thought I was a lost cause.

“Dude, you better come back next time,” Aiden said.

“I’m gonna beat you next time, Jay. Watch it,” Braxton said.

“Awesome to have you back, man,” Marcus said.

It reminds me of that summer when we hung out by the river every time the fast food party room got too suffocating, when my worries were carried away by the water. 

“Thanks, Brad. For doing this,” I told him once we got in the car.

“No problem, I’m always here,” he answered.

I must have gotten too sentimental, or pizzas are clogging my brain, but I opened my Instagram and tabbed Recent in the search bar.

It seems like he made some new decorations for the coffee shop. 

I scrolled down to see the picture of the beach.

“Stop scrolling like a creep, Jay. Just call him,” he said.

“What?” I asked.

“He’s still waiting for that coffee,” Brad said.

“You still talk to Ave?” I asked.

“This is fucking depressing to watch, Jay. You guys were best friends,” he said.

“You know, I was kinda jealous of you guys back in the day. I was the skinny guy who got bullied on the side, and you were the guy on the team who still takes the time of day to befriend me. I only had you, and you also had him. It’s frustrating seeing you throw that away,” he finishes.

He doesn’t understand though. I’m a hypocrite who ignored Ave when he got fat. I don’t deserve his attention.

***

It’s been two weeks since our graduations and Dad getting his cast off. Mom has been working full-time, trying to figure out what we could do as a family to celebrate. It’s proven to be difficult when there are two 500-pound whales in said family. We can’t fit into any amusement park ride, and we’ll sink into the bottom of the ocean if we go to the beach. So, the rational thing to do is a picnic. At least that’s what I suggested. But Mom insisted a camping trip was the best family bonding option. For two whales.

It’s fine, I thought to myself. We have done this plenty of times.

After stuffing Dad in the front seat and the emergency food boxes in the back of the SUV. Mom explained the bags of medicines she bought like a flight attendant with the safety instructions. She must have been traumatized by Dad’s injury. He’s not allowed to do anything remotely dangerous, like moving his hand to eat. Hence, the army medical packs.

Mom went through the bottles of fox spray, bear spray, mosquito spray, sun spray and pepper spray, and then we finally got moving.

On our way there, we had some intermissions at the gas stations to replenish snacks. Theo whined it, but this was all his fault anyway.  If only he hadn’t grown our monstrous appetite, and forced musical soundtracks to be played in the car for hours, I might have skipped over a few snack breaks.

Recently, my weight has stabilized at about 520 pounds. Thank God my exercises on the chair worked; otherwise, I’m going to blow up on my way to the camp. 

“Guys, Brad said safe trip, and he’ll miss us,” Theo said.

“He probably only meant you,” I replied.

Theo has been giggling for an hour straight, looking at his phone.

“I’ll miss you, Bradley. The signal’s breaking off. See you soon!” Theo said.

We set up the camp in a few hours. By the time we were done, the sun had already set, giving the mountain an orange hue. 

Today we’re going up to Sunshore Lake. It’s going to be a steep walk, but I’m ready to flex my athletic prowess.

It was not a good sign that I was already sweating before arriving at the entrance.

“David, this is a bit steeper than I remembered. Do you guys want to stay down here?” Mom said.

“Nah. Jay and I will do it. This is a piece of cake compared to what we used to do. Right, son?” Despite not having to walk for more than a year, Dad remains confident.

“Hell yeah, Dad. Let’s show them what we're made of!” I said.

I give up. We’re a third of the way through, and I can feel my belly weighing me down.

“Come on -huff, son, you -huff-can do it!” Dad said, looking worse than I do.

Theo looked at us and chuckled.

“Guys, I’m so sorry! I should’ve known this was too much,” Mom said, panicking.

“It’s- it’s all good, Chloe. Remember you married the- huff- Star athlete back in college?” Dad smiled at Mom and gave her a thumbs up.

“Need a hand?” Theo asked me.

“Isn’t that too much?” I motioned to our luggage on his back.

“Oh, that’s nothing,” he swung my arm behind his shoulder and carried me.

He’s been doing that more often than not when I couldn’t get up. Probably the reason he got all those muscles under his shirt. What happened to the noodle arm ginger?

“Thanks, man. I guess I don’t have to roll back down there,” I said.

When we were halfway through, Dad told us solemnly.

“I- I don’t think I can make it.”

“Noooo, David I’m sorry! I didn’t mean for things to end this way,” Mom said with tears in her eyes.

“I love you guys. You’re the light of my life. I am honour to be a husband, a father, and a-” 

“Dad, you’re not dying. We’re almost there,” I said.

“Is it too late to call an emergency helicopter?” Mom asked.

“David, I love you, but I really don’t want to touch you right now. Can you pull through yourself, baby?” Mom said, looking at the sweat ball that was Dad.

Theo burst out laughing, and I couldn’t help but join too, even if I was in an equally dire situation.

When we got to the top, everyone was exhausted. 

We cleaned ourselves up with towels, and Mom went to check the Kayaking information. 

Dad and I were too big for it, as expected, so we went to find a good spot for fishing.

“I’m so excited. I have never kayaked before!” Theo said, looking as refreshed as ever.

Before we set up our fishing gear, they eagerly ditched us.

The Lake looked as calm as ever. It's boring with little going on.

Mom and Theo are probably in the middle of the lake now.

Staring at the stale water, I realized Dad was not perfect. He’s a little stubborn, clueless sometimes, but that’s what I like about him. I don’t know if anyone would find my quirks appealing. if Ave would.

I’m just a Lazy food addict who basically lives in his mom’s basement, so maybe not.

“Jay?” Dad said.

“What’s up, Dad?” I asked.

“You think too much, buddy.”

“You were always an overthinker since you were a toddler,” Dad said.

“I remember you told me you wanted to play football instead of hockey because hockey will give you frostbites, and freeze you into those Neanderthals from the museums,” Dad said.

“Oh Gosh,” he still remembers.

“You know what?” Dad said, then quickly took off his shirt.

“Let’s go for a swim,” He said with a smile.

“But the fishing,” I said.

“Don’t worry about the fish,” He said, walking back and charging towards the water.

The cannonball created a massive splash, making me completely wet.

“Mother of God, it’s freezing! Did you see that, Jay?” He said with a laugh.

“Yeah, that was pretty cool,” I chuckled. It’s not every day you see a chunky beast jumping into the water.

“Come on, Jay, take it off and jump!” he said.

I have not taken off my shirt in public since middle school, when I started to notice my flaws. Even in the locker room, I would find a bathroom stall to change.

“Don’t overthink it, Jay! Trust me!” Dad said.

Don’t overthink, I thought.

I took off my shirt and back off. When I pick up the pace, my entire body is wobbling.

With all the strength I have, I jumped.

Shit, this was a bad idea.

The cold water hit me.

First, nothing but white bubbles clouded me. Then, schools of fish surrounding me appeared in my vision, hurrying away from the meteor strike. I moved my legs slightly apart on the lakebed, so I don’t step on the tiny crabs while they take refuge in the kelp forest.

“Holy Fuck, it’s freezing!” I said as I pulled my head out of the water.

“Hahahaha, watch your mouth, Jay. You don’t want to summon your mother here,” Dad said.

The view down there was breathtaking; it was what I expected, but not. The fish looked different from a simple change of scenery. I wouldn't have known if I had never jumped.

“I’m proud of you, Jay. That was a huge splash. Aren’t the views here amazing?” he said.

“Thank you, Dad. I wouldn’t have done it without you,” I said.

“You did it all by yourself, kid,” he replied.

We kept exploring the lake until our stomachs growled in protest.

After setting up the fire, we roasted some fish in the bucket and made S’mores from caramel marshmallows. 

Theo and Mom joined and we talked about the stories we had at school or some embarrassing stories of me Dad has kept.

The next day, we packed up our stuff to leave. The mountain is beautiful and all, but Dad and I are starving for some real food.

On our way down, I realized that I had been the biggest enemy to myself. There are so many supportive people surrounding me when my self-doubt overshadows them.

The signal bars slowly appear one by one. I opened Avery’s profile picture.

If he rejects me, I’ll be embarrassed in front of a person I really care about.

I shouldn’t overthink.

There’s nothing more I can lose when I already lost his company.

So I texted.

“Hey, Ave. I know I’m late, but would you mind if I take you up on your offer for the coffee?”

“...” a text bubble appeared.

“I thought you'd never ask.”

[eddie4bat-president]

I have a vision and that vision is of modern day steddie on tiktok - eddie is moderately successful with his band and on the side he's doing tiktok and YouTube just for fun (but also promotion. You know how it is); he does bts on the tour bus, backstage, at the studio (annoying the shit out of his fellow band members (affectionately)) but also a lot of D&D and fantasy related shenanigans when he's at home

Steve is an EMT and only downloaded tiktok to keep up with the Party and got a following on accident; Dustin posted a video talking about planning something truly reckless including fireworks and Steve stitched it, pointing at the camera "No. Absolutely not, you little shithead! Do you know how many people I've seen who lost fingers doing shit like that?‐" he keeps going until the video abruptly cuts off. The party remains unsure if he was even aware that the video was public and not a private reply and they make fun of both Steve and Dustin the next times they see them and also? run with it.

The kids (plus Robin) keep posting things they know Steve would tell them off for and he keeps stitching them until their videos turn into them just showing a thing and then showing themselves staring meaningfully into the camera and he stitches them tiredly telling them No.

Suddenly he gets tagged in random shitheads doing reckless shit and at first he's confused ("those aren't even my shitheads!") but he gets the joke and plays along until he's suddenly the guy that gets tagged when an object has a phallic shape but no flared base just so he'll point his finger and say "no". I'm imagining he starts branching out from those and the rants (that were originally for his friends) to more vlog-like updates while he does his hair to hair-care tips to first-aid to some fitness. Does he do some of these tiktoks in very tight polo shirts that have his chest hair peeking out and some of them sweaty and shirtless? Maybe. Is he aware that's what a lot of his followers are here for? Absolutely.

Anyway obviously Known Menace Eddie Munson is someone who would look at a suspiciously penis shaped award or a gargantuan d&d figurine or a particularly phallicly bollard and wiggle his eyebrows at a camera. And maybe when Steve gets tagged in one of those he offers him something safer. Like himself.

"Why the fuck did I say that- I can't just say that on the internet- yeah no this one needs a take two, holy shit" he did film a take two. It's just that he posted a tiktok that was both takes. Eddie is a fan.

[lazycats-stuff]

U know those adorable videos where big brothers are the most gentle and just keep picking up and kissing their baby sibling no matter if the baby was sleeping or not? I imagine babybatbro (triple B lol) will be napping next to Bruce in bed and then which ever batbro will come in and steal the baby with no explanation hehe, I'd like to see something like that with all 4 batbros please

Awww... My heart, my cold heart is melting slowly but surely... So much fluff...

Summary: (Y/N) loves to nap, but everyone keeps picking him up.

Warnings: fluff, so much fluff, minor cursing,

Babies are wonderful little creatures. So cute, adorable, extremely cuddly, kind of defenseless, but one hell of a boost for serotonin. Babies were also a source of anxiety. Whenever (Y/N) cried, one of the boys or Bruce or Alfred would check on him and would gently shush him and try to figure out what was wrong with their little brother, son or grandson.

Usually it was easy, but sometimes it was a little bit more complex. No one ever said that raising a child is an easy feat. It's incredibly difficult, but also fulfilling at the same time. You get some incredible memories on the way and a nice cuddle bug who to a certain degree has a calming effect on you.

Of course, while the baby is calm and sleeping.

Speaking of sleeping, (Y/N) loved to nap. Whenever he could nap, he would. Public, home... It does not matter where they were, (Y/N) would nap. Even when the press was around and was loud, if it was nap time, (Y/N) was out cold. It was funny to see it and nothing but hunger or a soiled diaper would wake him up.

More importantly, the little bat or little shit if you ask Jason, loved to sleep next to someone in bed. And considering the fact that every member of the family needed a nap, (Y/N) was a perfect person to nap with. Some said that (Y/N) was like a cat. You know, eat on time, sleep on time...

Almost like a little kitten almost.

And when (Y/N) was asleep and cuddling with someone, those who weren't napping would take the little baby. At this point, they only used nicknames like little bat or kitten.

Now, back to the napping situation.

Whenever (Y/N) was napping with someone, the others would just take the little baby into their own arms and slowly move away from the original napping person. Yes, it may sound confusing.

For example, if (Y/N) and Bruce were napping, Jason would come in, sneakily take (Y/N) into his arms, gently of course.

The first time anything like that happened, Bruce was napping with (Y/N), in Bruce's room. It was quiet and Jason wanted to see his little brother. So what does on do to go get his little brother? He sneaks into Bruce's room and ever so quietly takes the napping baby into his arms and slowly sneaks out of the room to go to his own room.

When Bruce woke up he looked for his son. He found him with Jason after 10 minutes of searching. Jason simply waved at him while (Y/N) was slowly waking up in his arms. Bruce just sighed and left to get some coffee.

Jason chuckled quietly and cuddled his baby brother who was waking up, slowly cooing and squirming in Jason's arms and Jason nearly puked from the atomic bomb that (Y/N) has dropped at the moment in his diaper.

" Oh you cheeky little- " Jason cut himself off with a gag before going to (Y/N)'s room to change the diaper and not die from the smell. He gagged as he undid the diaper and threw it in the trash. He is weak. He is Red Hood, but he is weak. However, this could be considered as a bio weapon.

Jason cleaned (Y/N) up, who was wiggling his legs and giggling. Jason smiled and then put on a clean onesie and then took him into his arms.

The second time that taking a napping little baby happened was when Jason was napping with (Y/N). He was sleeping in his room, his brother in his arms. And who dares to disturb them? Damian. He wanted to spend time with his little brother.

So what does Damian do?

After a second of planning he sneaks in and ever so gently takes his little baby brother into his arms, shushing him gently in Arabic when he started fussing. Then, Damian, slowly made his way to his room, gently humming to him to keep him quiet.

Once in his room, Damian started cooing to (Y/N) in Arabic. Yes, Damian has said to Bruce that (Y/N) should know Arabic. It's a language worth knowing, what can he say?

Once Jason woke up, he was pissed. Whoever took (Y/N) was a bastard. He grumbled as he started looking for his baby brother. He glared when he entered Damian's room. And more so when he saw Damian smirking, in the condescending way.

" You are weak Todd. What if I was a burglar? "

Damian was lucky that (Y/N) was in his arms.

Third time when it happened was when Tim took (Y/N) from Dick. Dick was sleeping on the couch, which was outstretched so it could accommodate Dick and (Y/N). It was a nice, rainy afternoon, perfect for a little nap with a little, warm and cuddly baby.

So that's what Dick did.

He took his little brother into his arms, laid him on a couch, covered him with a blanket and closed his eyes. He put his arm over his brother and fell asleep quickly. It was nice to fall asleep with his little brother and the sound of rain falling.

Well, it was nice until Tim popped into the living room.

Tim also wanted to have his brother in his arms. Everyone hogs the poor baby and Tim needs to make sure that he has his time with the baby too. Tim ever so gently picked his little brother up and left to his room. But not before leaving Dick a note saying where (Y/N) is.

When Dick woke up, confused as to where his baby brother is. Safe to say, he wasn't a happy camper when he saw what has happened. More so at the note. He just grumbled and went back to napping.

And the fourth time when (Y/N) was 'kidnapped' was when Dick took (Y/N) from Tim. The two fell asleep while they were watching a movie. And Dick, very gently took his brother into his arms, happy to have his brother back.

And once of the best things about (Y/N)?

He could sleep through anything as he was a heavy sleeper. He rarely ever made a sound while he was sleeping. So Dick took his brother back into his arms and simply left. And without a note even. Dick laughed in his room afterwards, happy to take his revenge.

This was all some revenge, but not a vicious cycle by any means. It was nice, fluffy, harmless revenge. (Y/N) was happy to be cuddled and held, especially during napping. And if it was a competition between the brothers...

Oh well.

[creatureheart]

Made an updated version of this with a bit more info on things and a few tweaks, so go check out that version here!

I've made a few posts talking about things in the nonhuman and alterhuman communities recently, mostly just brief looks into them, so I thought I would share this one.

The info may not be all that much, and could easily be expanded upon, but I did my best for a simple bit of info for certain things.

All pictures have ALT text included, but I shall post the text also here, under a cut, cause it's a bit long, lol

Nonhuman as an identity: To identify as not human either fully or partially. (hate/trolls will be reported and deleted)

Reminder: These are all personal identities and why someone identifies as nonhuman and what term someone decides to use for themself is exclusively their business. In the end it is what makes the most sense to the individual and not up to others. Now, onto some of the communities that are included under the nonhuman identity:

Otherkin: from the term "otherkind" - an identity which typically encompasses being wholly or partially a nonhuman entity. Usually understood to cover those who identify as mythical creatures and other fantastical things. Also covers those that fall outside of beings and creatures.

Examples of non-being or creature based identities: Conceptkin: an identity where one identifies as a concept such as the concept of night or fire. Objectkin: and identity where one identifies as an object. Songkin: an identity where one identifies as a song.

Examples of being and creature based identities: Therianthropy: usually shortened to therian - where one identifies AS a nonhuman animal. Some will say that this term refers to only earthen animals, living or extinct, but it has never only encompassed earthly animals. The community's language came from those who identify as werecreatures. Theriomythic: an alternate identity term for one who identifies in some intrinsic was as a mythical creature. Paleotherian: an identity term for one who identifies as a now extinct earthly animal, like a dinosaur or mammoth.

Cladotherian or Cladokin: an identity term for one who does not identify as a distinct species, but a broader identity encompassing an entire genus or larger grouping. Cladomythic: an identity term for one who identifies as a group (clade) of animalistic mythical creatures.

Fictionkin: an identity term that covers all things fictional. For those who identify as something fictional like characters, animals, species, objects, etc. These can be from books, shows, video games, etc, but not always! Original fictional characters and such are also possible.

There are many other identities that fall under the nonhuman umbrella which is why it's important to do your own research to figure out if a certain term works for you. All these identities share the trait of being involuntary. You cannot choose to be therian, otherkin, or the other mentioned identities.

While the already mentioned identities are involuntary, there are some identities that fall under being voluntary. Otherlink: an identity where one voluntarily identifies as nonhuman. Copinglink: an identity where one voluntarily identifies as nonhuman to copes with things such as trauma, stress, etc.

A lot of people may also say that it is impossible to become a therian, otherkin, etc. While the identity is involuntary, things like trauma and neurodivergence can cause an individual to take on a nonhuman identity when they had not had one previously.

Most will usually see people explain that these identities are spiritual or psychological, but these are only some of the ways that individuals may experience them. Some other experiences of nonhumanity: Symbolic Metaphorical Ancestral Physical (Yes this is an actual reason for some and they are just as much a part of the community as anyone else. Physical and Ancestral nonhumans are part of the community's history and some of its founders.)

For those looking for more information, and community places, here are some places to check out! Werelist Nonhuman National Park Alterhuman Archive The Chimera's Library. The above are forums and archives of information on the community. Most archived information is thanks to who-is-page, liongoatsnake and frameacloud on tumblr.

While this is a brief look into the nonhuman identity that I could share, I do hope it has been helpful in some way. Remember to be true to yourself, and don't let anyone tell you how to feel. Ignore, report, delete and block the haters!

Yeen out~

[aingeal98]

I think Cass as Batman should get to follow the time honoured fanon meme of having a bunch of people shipping Cassandra Wayne with this new Batman. Bonus points if they also believe Bruce Wayne and original Batman have been coparenting all the Wayne kids, which makes rumours and debates about this new Batman even more heated. Someone og Batman thought good enough for not only his mantle but his precious stepdaughter? What sort of crazy perfect crime fighter could that be? Maybe the second batgirl? Wasn't she in Hong Kong though? Wait, I thought she died? Did we ever have a solid theory for how batman found her?

Cass isn't massively online, she mostly just enjoys watching YouTube videos and learning memes through that. And she rarely interacts with reporters so when one actually does stick a camera in her face and ask her about the connection between herself and the new, smaller Batman, her mind goes blank and she just blurts out:

"Yeah we've fucked."

It's all over the Internet within 24 hours. The happiest people are the ones who had been fighting with everyone insisting that this new Batman was definitely Not a man and now gets to rub it in their opponents faces that known lesbian Cassandra Wayne has slept with them so therefore the probability of them being a woman has just skyrocketed.

Bruce has journalists ringing him six times a day. Damian gets popcorn. Beloved hero the Signal gets asked about it and says that it's true and as a proud ally he supports all his gay Bat colleagues. Miss Wayne's current girlfriend Stephanie tweets out "Pray for me guys, her ex can fight 😔😔"

Despite the explicit confirmation from Cass that they used to be a thing, the Cassandra Wayne/Second Batman tag never gets higher than the 10th most popular ship on Gotham's vigilante rpf ao3 fandom. Eight of the nine above her are M/M and the other one is batcat.

[riding-the-sunset-bird]

I was in a Baxter mood today so I went swimming in GB Patch's blog for all the Baxter facts:

General

His personality, at least defined by GB Patch, is that he's sheltered and out-of-touch without being elitist or self-centered. He's preppy/posh, quite sociable, and hates conflict, but likes to go against what's expected of him. He grows out of being such a rich kid trust fund baby by Step 4.

His parents are bigots. He's the unlucky one in a sea of characters with supportive parents.

He has a distant French origin.

His birthday is the day his DLC came out, meaning May 19th.

He's 5'11" (180cm) in Step 4 (this was apparently reconfirmed on the Our Life Discord as well).

His natural hair color - a dark dusty gray that he hates - is uncommon to be born with (as opposed to aged into) in the Our Life universe.

He's right-handed.

Childhood

His dream job as a child was to get into investments, having a strong portfolio with diverse assets (he does not fully know what that means at the time).

He's a late bloomer.

Baxter's crush on Qiu from Our Life 2 is at its peak when he's 12 and 13 (13 being his age in Our Life 2's Step 1), but he's moving on by 14 (when he can potentially meet the MC in Soiree).

He met Qiu at their local dance hall (as they both took lessons there, just in different forms of dance) and also met Ren/Renee (Darren in Our Life 2's Step 1) through Qiu, as the two had known each other since they were very young.

He wasn't thrown off by his crush on Qiu despite Qiu being a boy, as Qiu was popular and it seemed "unfair" to Baxter not to be able to like him. He puts more thought into it as he grows older and what it means, deciding that he'll feel however he'll feel and not worry about what's expected of him. In Soiree, the MC can notice this if they're male or non-binary, as Baxter isn't bothered by dancing with someone who isn't female.

Abilities (or Lack Thereof)

He's a weak swimmer. He can swim fine in pools but would probably struggle in the ocean.

He can sing.

He's experienced in multiple types of dance (though his favorite is the waltz).

Step 3 Baxter is a lazy, bad cook who doesn't even want to bother with cooking, but Step 4 Baxter takes an interest in trying more fancy/restaurant-style food and is able to do so.

Likes/Dislikes

He likes things being clean, but isn't always motivated enough to maintain that.

He liked video games when he was a kid, leaning towards action/adventure ones, though doesn't anymore in his late teens and beyond. He would play life-based games (such as the Sims series) with the MC if asked, however, either playing innocent like he didn't know what he was doing while messing around with the characters or being blatantly obvious about it.

He doesn't like dancing in clubs/discos. He would try it once because he enjoys trying different types of dance, but would only go regularly if he had a friend/partner who liked going to such places.

He would absolutely approve of an MC who chooses to only wear black and white.

Romantic Inclinations

Beyond his crush on Qiu (who he never confessed to), Baxter dates people, but never for long or seriously.

The reason he backs out of asking out the MC if they say that he's their first crush (unless the MC is referring to his Soiree self) is that he feels they have idealized feelings for him and he'd disappoint them. He essentially panics, not wanting to get the MC's hopes up and especially on their very first feelings of romance.

The best way to romance him is to Not Let Him Escape.

In terms of how Baxter will/won't date in the future between Step 3 and 4 if he had a fling with the MC, answers range from him not dating anyone if the player intent was that they were both genuinely in love, but would otherwise to him trying to move on with others but the flings become even more surface level than before to the point where he's simply going through the motions. He ultimately hits a breaking point (whether he dated the MC or not) and ends up improving due to the MC's return in his life and/or support from other people such as Xavier.

When it comes to what he's attracted to in another person, he likes seeing nail polish, false lashes/heavy mascara/naturally long eyelashes, and full suits (especially if they're expertly tailored).

His love language in terms of receiving is Quality Time, but in terms of giving, he will happily adapt to whatever the MC wants.

Clothing Choices

When it comes to Step 4 Baxter's personal dress code, he's always meeting/formal ready (even when not working) unless he's doing anything athletic, in which case the button-downs get a break.

- Likewise, his closet is basically all button-downs and fancy suits with a few exceptions including clothes suited for the cold.

Assorted

Him skinny-dipping didn't happen in Golden Grove, and the Now & Forever main cast are not his friends by then.

He immediately finds the MC and Cove appealing (not necessarily crushing on them) at the start of Step 3 as "beautiful beach strangers."

He'd be flattered to hear from an MC that they love his laugh/find it charming.

He says "hallelujah" because he's pretentious.

He doesn't know French, but does occasionally drop a French word he knows during Step 3 to "add to his formal flair." His Step 4 self considers it embarrassing in hindsight.

While he started dyeing his hair black at 14, he didn't start adding white into the mix until he was 18. His Step 3 hair was likely something he only had for a year, at which point he changed it up with different attempts at black and white. He switched back to plain black after graduating college, feeling like he had to be "a serious grown up."

During the wedding in Baxter's Step 4, he will have Jude send along a vegan cupcake to the MC if they're vegan.

Semi-revealed during one of his mornings with the MC in Step 4, he has a multi-step daily skincare routine.

His Future

He has no preference over who he'd prefer to be the one to propose to the other in his relationship with the MC.

He would absolutely want to plan his own wedding (whether for or with the MC, depending on whether they want to be involved). He would not want another planner included.

He would forbid his parents from attending his wedding, but invite his childhood friends. Cove, Terry, and Miranda would also go.

He doesn't have a preference when it comes to last names during a wedding. He's just in awe that he's marrying someone at all.

He might consider having facial hair at some point in his life.

When it comes to having kids, he doesn't have any particular age he'd prefer to have them and is more of a "when it feels right" kind of guy. In terms of the number of kids, none is his default but he'd prefer to have two if the MC wants them, as he finds the relationship between the MC and Liz to be lovely and was personally lonely as an only child.

🍋 (below are asks that might be considered risqué - especially going to the posts themselves on some - but I wanted to include them for the sake of having all the information in one place; know that me and my prudish nature pushed through this for the people who want it and I hope you appreciate it! >:o) 🍋

This one definitely goes without saying due to being a love interest in a game where the MC can be she/they/he even down to being intersex, but Baxter is pansexual.

Baxter isn't good at being sexually active beyond being with an MC who wants that. He tries to bond with others but either fails to have his interest reciprocated due to being too forward or backtracks if he senses that someone is actually into him. His relationships are short/inconsistent for that reason.

He would never sleep with the MC during Step 3. He's already planning on leaving and wouldn't risk souring the relationship at any point even if the MC would want it. He wants company more than he wants sex and would not want to be remembered as the guy who slept with the MC and then just left without contacting them again.

Between chests and backsides, Baxter prefers the latter.

Baxter is a top (though is flexible on the matter), is into BDSM, and "kind of" has a sir kink.

[yuurei20]

Hi YuuRei! I was revisiting some of your past videos, and when I was watching your video on how Trey was changed in the English version, I was reminded of something that I saw a fan point out once upon time. In the Japanese version, during Riddle’s Overblot fight, Cater’s character model has red colored eyes rather than green. I was curious if you knew more about that? Thank you!

Hello hello! ^^ Thank you for this question!

Yes yes, it seems that this is very true!

While looking around for possible information I discovered a twstsoku thread on this very topic, full of people reminiscing about the little visual changes that the game experienced in its early days, and this was one of them! ^^

Someone points out that there are actually illustrations of Cater with red eyes in the Magical Archives Game Guide, and I can confirm that that is true as well!

There are two drawings--one of Cater in his labwear and one in his gym uniform--where his eyes are red instead of green. So it seems that his character design may have had originally red eyes, and the change to green was made fairly late in the development process!

(His eye color has since been corrected to green.)

For a personal theory, Yana has mentioned something about early-Cater before: he wasn't supposed to be human!

"Cater was a beastman, there was a character based on a white rabbit motif, and so on…" - Toboso Yana (Magical Archives Game Guide (2020))

She does not say that Cater was going to be the white rabbit character, just that a white rabbit character existed and Cater was also a beast-person, but I wonder: that unnamed white rabbit character, was it originally Cater? 👀 Is that why is eyes were red in early stages of development?

But then I discovered another theory:

Back in 2020, two weeks after the game was released, user kozue_pixiv writes:

"Are you all familiar with a gemstone called Alexandrite? It's a stone that changes color depending on light wavelengths, and it's known as 'the emerald by day' and 'the ruby by night.' Is there a connection? Are his eyes changing from green to red inspired by Alexandrite? Are his eyes gemstones? After thinking about it so much I realized, Cater-senpai is from the Land of Pyroxene. It's perfect… Come to think of it, he is from the Land of Pyroxene and his family name is Diamond--that’s really well thought out. Among the four suits in a deck of cards, only diamonds are gemstones, so maybe it was intentional… Hmm, I wonder… Since he’s the only one in Heartslabyul from a different country, I might be overthinking it, but isn’t it interesting that everyone from the Land of Pyroxene are in different dorms?"

And another point in favor of "the character named 'diamond' has eyes that change in the light' theory? In Cater's ceremonial robes groovy, he originally had gold-colored eyes!

Interesting!! 👀📝

[lurkingshan]

Things That Have My Attention In 4 Minutes Episode 6

Original timeline FINALLY let’s gooooooooo

Going back to the start to see Great’s utter lack of remorse for killing that woman, his spoiled brat reaction to his dad handling his mess, and his decision to help his terrible friend get away with a murder was a great reminder that he is in fact a terrible person.

Congrats to… a bunch of us? for piecing together the original timeline correctly based on what we had. In the original sequence of events, Tyme was deep in his revenge plan, got dumped by his girlfriend for neglect, and then intentionally seduced Great so he could record their sex and use it for leverage against Great’s dad. Which didn’t really work. He’s not good at plans, y’all!

By the way, Tyme? Clearly not a virgin. I never liked that read anyway so I’m glad it’s dead. His awkwardness during his first time with Great in the redo timeline is more about his feelings being engaged, it seems.

Great being unphased about the video and just wanting more of that good dick makes perfect sense for his character. He doesn’t care about anything or even have real curiosity about what Tyme was after with that stunt.

And as we finish up the timeline we learn the source of Great’s regret. It’s not any actual self-motivated remorse or understanding of his moral failings, of course. Instead it’s Tyme calling him a coward to his face and rejecting him. His attempt to suddenly claim a moral high ground with his parents after his own string of murders was hilarious and I don’t think he gets the irony.

But someone does! Tonkla coming in clutch as the cause of Great’s cardiac episode was EXCELLENT. And it makes perfect sense because in this timeline, Great is one of Dome’s murderers along with Title. I think safe to assume we’ve been seeing everything else Tonkla was up to in this time in the cold opens, though the exact timing and sequencing of them is up in the air.

The only piece that’s still not tracking for me is Tyme’s side of the romance. The events of this episode explain why Great’s choices in the redo seem to center on getting Tyme to trust him, but they don’t explain Tyme’s reactions to him. This is hardly a love story for the ages. He and Great were emphatically not in love in this original timeline, so I don’t see why Tyme would trust him if he was also reliving this timeline. And if Tyme is not reliving things, that rushed romance arc in the redo timeline doesn’t really work. He has no reason to trust or fall for Great that easily. We also still haven’t seen how Tyme gets shot, so I am inclined to believe there is an additional timeline at play that fills in the remaining gaps and better motivates Tyme’s end of the romance.

Noting here that in the original timeline, the lady Great hit, Dome, and Nan all die, but his mom does not. So by saving that woman, Great inadvertently caused his mother’s death. Something to ponder as we head into the final eps and figure out whether these changes stick.

I’m still hoping that this story is going to take us to a nuanced and complex place and not lead to a pure happy romance ending for Great because honestly he does not deserve it.

It’s nice to finally have a week where we actually got a bunch of questions answered and didn’t generate too many new ones!