#also another colored square background

[parfaityuri]

you're kind of cool, I guess...

[itseghost]

sketch of my warden :] really enjoying origins so far

[greenroze2]

your rendering is so good how do you do it

Thanks, I love your rendering too!! Gonna try and make a tutorial ^^

To start off, I'm on Clip Studio Paint and these are the brushes I use! First two for rendering characters (round brushes) and the other two for mostly backgrounds (square brushes)

I used to do lineart, but it takes too long >:( now I just make a sketch and sorta clean it up!

Next I fill it in with a gray color. For simpler pieces I just put in the flat colors, but for more paint-y pieces I do grayscale -> color! I'll be doing that here :)

Also, I make 3 clipped layers on top of the gray - two are multiply, and the top one is screen. On the first multiply, I do a soft gradient using an airbrush

On the next multiply layer, I fill everything in with either a cool-ish or warm-ish gray, depending on the mood ^^

I also determine a light source, and use the lasso tool on the screen layer to block out where (I think) the light hits! Tbh I just do wherever feels right lmao, but I recommend having a reference! I like doing it in triangle patterns

Then adjust the opacity of each layer to whatever feels right, and merge everything (I don't merge the sketch/lineart yet, I do it before adding colors in!)

Now... rendering. Some tips I have are color pick (greys) off of the canvas and use them to paint! Clean up the sketch more, erase edges, but I save details (like Galaxia's red gem, his eyes, etc.) for the end, or during coloring.

After I'm sorta happy with it, I merge the sketch layer, then duplicate it, and add a gradient map! I did this sunset-y one but changed the hue to yellow-ish, then lowered the layer's opacity ^^

Play around with the hue-saturation-luminosity setting!

Now go crazy with blending modes! Multiply, overlay, color, glow/color dodge, etc. Feel free to layer them up on top of each other too, and this is to add the character/piece's actual colors in. For example, I used a white-blueish overlay layer for his mask and glove, blue for his cape, blah blah

Now I clean the sketch up/refine it more. Also, to "harmonize" the color palette, you can add a colored gradient on top. Then set it to multiply, and add overlay/glow dodge layers with any colors you see fit! I like using teal and light/warm orange! Here is an example of a colored gradient:

Another tip is to add saturated colors on the edges of both lighting and darker shadows, before blending it:

Also I usually add in a light blue/grey in shadowy areas, and lower the opacity for reflective light:

Also! You can lasso + use an airbush with a light blue to block out parts of the background (his cape here, for example). It helps with more depth!

Finally, I like adding sparkles on low opacity :3 And gaussian blur to certain areas! I'm using radial blur on this piece though ^^

For the background, I like doing blocky shapes!! I use my square brush on 90% ish opacity, to color pick different hues from the piece. For lighting I use a glow dodge layer, here's a mini timelapse as well as the finished art!

At the very end, play around with the hue/saturation and contrast tools to change the colors :)

[just-a-toast]

Book Of Bill Spoilers‼️

Rant about Bill’s Original dimension

OKAY I REALLY NEED TO TALK ABOUT THIS BECAUSE IT HASENT LEFT MY MIND

Bill’s world is COMPLETELY DOGSHIT AND OPPRESSED HIM IN EVERY WAY POSSIBLE

We know that Bill’s world is very similar to Edwin Abbott’s Flatland, as said in the Bill Cipher AMA and the picture of flatland in the book if bill on the chapter cover of his origins.

So we can assume that the same laws and way of life that exists in flatland also apply to Bill’s dimension.

First of all, Bill could be canonically adopted.

Just to give a little background, in flatland, if a shape has a son (only men are shapes, women are lines) that shape gains one side. (A square has a son, it’s a pentagon and etc). Isosceles triangles that are deemed acceptable to have kids don’t follow this rule. The isosceles triangle would correct one of its angles by a half a degree, continuing until they become an equilateral triangle. This is their whole purpose so that they can eventually have a triangle start a new line of polygons that can make circles.

In Flatland, isosceles are deemed lower in society than polygons and are less educated than polygons. So once an isosceles triangle has a equilateral child, they are IMMEDIATELY TAKEN AWAY FROM THEIR FAMILY AND PUT WITH A POLYGON FAMILY SO THEY CAN BE INTEGRATED INTO A “NORMAL” SOCIETY AND NOT CORRUPTED BY THE ISOSCELES.

Not only is Bill’s existence really rare and takes a lot of time and generations, he is immediately taken away from his family and put in a family that are higher on the social latter than him. This could EASILY lead to his family not respecting him in any way. (Really proves what Hirsch said in one of his Q&A)

Another thing that royally fucks him over is his mutation to see the third dimension

He was born with mutation that if he even TALKED about it he would be EXECUTED. A square (the protagonist of Flatland) was only sent to jail for life but since Bill is a triangle he would have easily been executed, no questions asked. The flatland government loves executing people in the book. That’s like if a person was color blind and said the sky was grey they would be killed.

So Bill’s vision is illegal, he’s the lowest on the social chain, in a family that is higher socially and could easily discriminate against him. What else could his family do?

FORCEFULLY MEDICATE HIM WITHOUT HIM KNOWING.

Yeah on the silly straw page the codes tell us that Bill when he was younger was taken to the eye doctor by his family and got a sort of prescription that made the 3rd dimension go away. We don’t know how long he didn’t know but we can assume it was for a while.

“The Doctor says Three sips a day Will make the visions Go away”

“Eye doctor of a different kind Who wants to make his patient blind”

He was literally forced to be normal.

And to get off track a little, I understand that “make his patient go blind” means ‘blind from the truth’ but what if they actually tried to make him go blind so he couldn’t see the third dimension anymore?? DO YOU REALIZE HOW FUCKED UP THAT IS?? BILL IS BASICALLY THE GYPSY ROSE OF HIS UNIVERSE

Back on track we also need to talk about how Bill DESPISED being normal.

We know that Bill is a wild person, always looking to have fun, loves the weird things in life! But in his world, everyone hated things that were not socially acceptable. In his universe, his socially assigned purpose in life was to get a family and have kids. Like I said, everyone wants to have kids in his universe that eventually become circles (the highest on the social latter). Bill would NEVER want to have such a boring and meaningless life! For his only purpose was to continue a line of oppression and meaningless things like “social status”. But his world would probably force him to have kids or else throw him in jail.

Really explains why he said no one has a purpose, and that you can make your own, because he made his own.

Also his differences caused him to possibly get bullied in school. This is implied from his description of his pyrokenesis power

There’s a bunch of reasons why he would want to destroy his dimension, But from what we know, it was completely by accident. Now we don’t know if he was lying, but from his origins page and the other evidence we know that it was at least partially on accident or something that so out of control that it destroyed his whole dimension. He wanted to prove everyone wrong by showing them the beautiful stars he saw, but ended up killing them instead.

And he regrets it.

He had SO MANY reasons to hate his dimension and destroy it without a second thought, but he misses it, misses his family, his people. They haunt him.

None of this trauma excuses anything he does in the future, but the fact that he misses such a horrible place that treated him terribly to where he literally goes insane from guilt and self hatred is truly tragic.

If anyone has anything to add to the “shitty things that happened to Bill in his universe” feel free to add!

[lightryi]

Dragons of Pyrrhia (headcanon designs)

• Skywings:

-The shape of thorns on the spine is similar to the feathers of birds

-Narrow pupil, giving dragons very good vision, allowing to see a clear picture at long distances

-Arrow point, able to drive through the opponent with a sharp push

-The shape of the wings is similar to that of a bird

-Are the best flying dragons

-High ears, good hearing but inferior to sand and night dragons

-Very sharp claws, thorns, horns

-Pent face; the upper jaw may have various shapes, reminiscent of beaks of different birds

-Height reaches 4 meters

*The design was based on common European dragons and birds

• Mudwings:

-Rounded horns of various forms (like the horns of sheep, buffalo, bulls and goats). Necessary for defense

-The keeper of the horned nest is bigger than the other dragons from one clutch

-Large lower fangs, needed for eating and defense

-A large, rectangular muzzle with raised nostrils facing upwards so that the earthy could breathe, being almost entirely in water or mud and only looking at the top of its head

-Very mobile ears, necessary to discharge dirt/water that has entered

-Solid scale, which in some way pulls the face, because of which the grounders look almost emotionless and dark (this feature appears with age, so dragons look too cheerful and emotional against their background)

-On the sides of the neck and tail are thorns, same as on the back, extra protection for weak spots of the dragon

-Massive tail with a cluster of large thorns at the end, some kind of a pin necessary for protection. The tail itself is very mobile

-Although they are predatory animals, their pupils have square

-In general, the earthlings are slow moving, fly worse than other dragons due to their massive and heavy

-Some of the largest dragons, second only to ice, due to their short limbs and neck (reaching up to 5 meters)

*The design was based on ankylosaurus, crocodiles and artiodactyls

• Seawings:

-Long, massive tail with fins that may differ in different individuals

-Behind the ears is a fin with luminous appendages

-Round/oval eye

-Round, flat face (in the perspective where I drew this not very noticeable), giving a more rounded shape to the whole body

-There is a sexual dimorphism (external differences of the sexes). The distribution of the proboscis on the mordocus is different: in males they are near the nostrils, in females on the chin. With age the proboscis becomes longer

-2 row of teeth

-No earshell

-Horns often turn in

-Luminous glands and patterns are not only necessary for underwater communication, but also for attracting marine life in the dark

-They have, like earthen, rather short limbs. Only in the case of marine this feature is caused by frequent presence in water, where they use the tail more often than the paws for movement

-Also, the flying is not very good. But unlike the earthly, they have another reason, namely the anatomy of the wings, which is more adapted to swimming (plays the role of certain fins) than for flying

-Not too big, can reach a maximum of 2.5 meters

*The design was based on sharks, deep sea fish and partly dolphins

• Rainwings:

-Snake face (or more precisely, face of a cobra)

-Clawfoot

-The hind legs have a specific structure: 3 long fingers and one opposite finger located on the other end of the paw (structure like bird's feet)

-Double nostrils

-Huge ruffs, which in the stressful environment is fully opened and gives the dragon magnitude

-Eye structure closer to the snake

-Movable thorns on the neck (play the same role as the ruffs)

-Long horns with multiple ends, which resemble tree branches

-The horns themselves are brown in color, with few scales on them to completely change their color. Horns are usually hidden among the same branches, which have grown in the forest

-Long flexible neck, able to writhe like a snake

-The eye also has a collar resemblance, is some protection of the eye from branches and other foreign objects

-Claw on the thumb of wings is very long, the end slightly bent. It is necessary to grab with the help of wings branches

-Height reaches 3 meters

*The design was based on snakes, chameleons, dilophosaurus (Jurassic Park ver.), geckos, flying foxes and partly tropical birds

• Nightwings:

-Nose of a bat giving dragons good sense

-Huge ears, thanks to which they have a sensitive ear, the best among all dragons

-In addition to silver teardrop scale may have a star on his forehead, which shows the ability to see the future

-There are night with black teardrop and stars indicating that the dragon was born during the moon, but the egg was hidden from their light, because of which the night ability is not and only the black scales indicates its lost ability

-The lower part of the body, from the neck to the beginning of the tail, is present with a small fur that was previously necessary for warming itself and eggs (due to the low temperatures at night, during which the night wakes). But due to the relocation first to the volcanic island, then to the rainforest, the wool became practically useless

-There is a glare in the pupils, it does not affect the vision

-Good night vision, besides their eyes can shine in the dark (like cats)

-Structure of the hind feet specific: 4 long fingers (much longer than rainwing) and one opposite finger. This is necessary for strong coupling between branches and other surfaces

-Claws on the hind legs are also much sharper than on the front (for the same reason as the leg structure itself)

-Small web on the wings between the thumb and the rest. Need to use thumb to grab objects (similarly rainwings)

-Not too big, reach a maximum of 2-3 meters, but there are exceptions

*The design was based on the work of chiroptera, especially bats

• Sandwings:

-The upper fangs are very close to the nostrils, creating the illusion that they seem to grow from the nose

-Long ears, necessary for heat transfer and to prevent overheating. (the crest, presumably, also plays a similar role) Also add a dragon's pretty good hearing

-More than half of the body is covered with hard scales. Such armor is more necessary for dragonets, whose poison is much weaker than the adult dragons. For protection they curl into a ball, pointing up the tail with a spike. Because of their hard from the genus scales it is difficult to pierce them. By old age, these scales become much softer than in childhood

-End of the tail, namely a thorn, similar in structure to the tail of a scorpion

-Crest has the property of "flattening", so many individuals have some streaks

-Growth reaches 3.5-5 meters

*Design based on girdle-tail lizards and scorpions

• Icewings:

-Narrow-eyed

-The body is covered with sharp scales, from which protrude thorns

-Ear shell, like in the seawings, missing

-Large antlers, resembling deer antlers

-Very long limbs that make their gait remotely resemble a deer

-Have a pointed nose

-There are clumps of scales above the eyes, similar to eyebrows

-There are some small, soft thorns at the beginning of the neck

-The largest dragons in Pyrrhia, capable of reaching almost 6 meters

*Design was created partly based on the appearance of reindeer

[lil-liaa]

𝓛𝓮𝓪𝓻𝓷 with 𝐋𝐢𝐚!! ♡

2,000 𝒔𝒑𝒆𝒄𝒊𝒂𝒍 followers ♡⋆౨ৎ˚⟡˖ ࣪

Hi!! It's Liaa and if you don't know me i'm a kpop mbd creator i'm not sooo old or recent, but I do have some notable tips that I can give you if you need a push to improve (or start creating) your moodboards based on my criteria and experience ♡ bonus at the end!

Before you r e a d this : This guide is not a rule! You don't have to apply all the tips, feel free to apply them depending on your own style and taste.

In choosing the image on which the mb is based I want to separate them into 3 levels

Easy: An image that has common and striking colors that you can find popular aesthetics - easy to combine, harmony in colors etc!

Not so difficult: an image that has one or more not so popular colors,a background or image a little more complete, with aesthetics not so seen or visual

Difficult: The image has a color filter (dying) It has extra decoration or accessories, it has a specific bright (or duller) color (it means in any case that any image to combine will have to be edited to get the exact color)

Not everything is as difficult as I describe it! Getting started tips to make it much easierrr

# 𝐓𝐈𝐏 𝟏 : ¿Where to find?

Ways to find the aesthetic you are looking for!

Searches on Pinterest

Color + color aesthetic

Color- X Soft X Bright X Palid X Dark

Object - Subject-Color-Animal-Place-Serie/movie-country- Aesthetic

𝓐𝓮𝓼𝓽𝓱𝓮𝓽𝓲𝓬𝓼 that you may be 𝐥👀𝐤𝐢𝐧𝐠 for

I recommend this website that, apart from showing you many aesthetics, tells you the story of how it came about and more info!

Click to "Find aesthetic"

# 𝐓𝐈𝐏 𝟐 : ¿How to decorate it?

1. Collages on PICSART cute and easy�� Make sure that the images complement each other from one side to the other so that there is balance and very importantly give it a center image!

2. Dividers You can make them yourself (On PICSART again) or find them here on tumblr!

I also have my own dividers if you want to check them out ദ്ദി ˉ͈̀꒳ˉ͈́ )✧

3. Gifs I always move the images a little to make it more striking! (you can do it in capcut and create the gif here on tumblr♡) another tutorial of example gif here

4. Texts! separate the angles you can always put a poem or some lyric music! (To add color to the text I have a tutorial here) You can always add "bios", symbols or kaoemojis since they are closely linked to the aesthetics in the texts

5.Pngs: It's very cutee and also gives an extra resource ((I don't use it as much as before but it can work well on quite a few mbds) I would recommend putting it in the middle

# 𝐓𝐈𝐏 𝟑 : ¿How to combine images? (My way to do it!)

Taking into account the general color palette, look at the image and check if the most prominent colors are warm or cold (including the background will be very useful) this way it will be easier for you to combine the tones without really having to find the exact color of the image! It will make it look much better.

# 𝐓𝐈𝐏 𝟒 : Center and sides

Keep in mind the center of your moodboard! As it is still a square (think like it's a painting) you can have more balance if you put certain colors or certain photos on one side or the other and put the main photo (or a collage) in the middle! So that it harmonizes and draws more attention.

# 𝐓𝐈𝐏 𝟓 : Tonal degrees

Always keep in mind what tonal degree the color of the photo has. Depending on that, you can look for images with the same tonality! As I already mentioned, if it is more opaque or stronger or brighter, it makes it much easier to identify a better combination.

# 𝐓𝐈𝐏 𝟔 : Combination

At first glance, you might be able to identify the most prominent colors in a photo, but taking into account color theory, the color of that photo only exists when it is contrasted by another, that is, based on the combination of colors with each other.

So when choosing photos to match, look for the two colors together in the photo to give a more similar impression even if the colors are not exact (In any case, you can also edit the color of images that have the same tone as your photo by changing the image and the difference would not be noticeable)

# 𝐓𝐈𝐏 𝟕 : More ways to apply aesthetics . . .

Related objects: depending on the image, there are also usually certain objects that can be related to the aesthetics of the photo. You can always add details with reference to the aesthetics that, without necessarily matching the photo, can look good.

Angles and sizes: Looking at the reference photo we can find photos that have the same dimensions as this one will make it look pretty good and make sense to put together

Requirements for adding a photo: to make it easier to combine you can write down things to keep in mind so that they combine, for example:

1.Color and Color palette

2.Size, shapes and angles

3.Common objects

4.Balancing abundance (for example if a photo has a lot of details, you have to find similar ones and at the same time find photos that have less details to give it a better impression.)

# 𝐓𝐈𝐏 𝟖 : Your own Style and have fun!

Don't rush into having your own style, eventually your mbds will be guided by your tastes and then you will have your own stamp unconsciously so don't rush!

Have fun and take your time making mbds, that's the secret formula to making a good moodboard♡

𝓑𝓸𝓷𝓾𝓼 𝐁𝐎𝐍𝐔𝐒𝓑𝓸𝓷𝓾𝓼

Match Technique 💋🎀: My painful technique for making everything match so well comes from my perfectionism and I'll tell you what I do,sometimes the photos match each other perfectly (which is perfectly fine lol if you want you can leave it like that) but to make sure.. what I do is separate each of the images and compare them to each other to see the contrast and thus realize if they really match.

Searching: ¿How did we get to the final result? There will always be many times in sex where you simply won't like the result, I always recommend having at least two stages when looking for a good result.

This requires quite a bit of experimentation.

Stage 1 "Draft" : Where you look for the basis of what you want

Stage 2 "Improvements" : You look for the parts that don't fit and why.

Stage 3 "Details": The finishing touches!

𝐓𝐲𝐬𝐦 𝐟𝐨𝐫 𝐑𝐞𝐚𝐝𝐢𝐧𝐠! These are my own techniques and I know that probably not everyone puts so much science into this but I hope I have helped you improve certain things 💕 xoxo

(English is not my first language, I would really appreciate it if you could tell me to correct any mistakes!)

[pfffsfic]

okay. okay this is not a serious theory but every time I think about it I come up with new "evidence" for it. basically the gist of it is TAWOG'S SHAPE PEOPLE ARE EUCLYDIANS. maybe refugees? "but didn't everyone in eucyldia die?" ignore that. just pretend they skipped town before the fire or something, this is not airtight. it's not even close. it's basically a joke treated seriously. i know the shows are not in the same universe but

hear me out.

Part 1: At face value.

point numnber one: these guys are 2D. the gumball universe has 3D people and 2D people, and the Shape People are 2D, or drawn as opposed to modeled.

point number two: physical traits! other than the obvious 'they are shapes', some or all of the Shape People:

Lack visible mouths (mind you, these Shape People's mouths appear when they speak). Bill also lacks a visible mouth but very occasionally gets one (one page of the Book of Bill, a polaroid in the Weirdmageddon intro).

Can have one eye. the rectangle in the top image is a one-eyed shape person, but there's also this familiar-looking yellow one-eyed triangle Shape Person (who pre-dates Bill's first proper appearance, by the way):

They have noodle arms. little noodle arms

this one is hard to explain but the positions of their arms aren't fixed. this applies to all/most Gumball characters but not to all gravity falls characters. how do I explain this uhh

look at how one of his arms is attached to his bottom plane and one is attached to his side plane. sometimes both of them hang down at the bottom and sometimes both are on the sides. POINT IS-

look at that!

in the rightmost image above you can also see a tiny sliver of a 3D edge like Bill has.

Each Shape Person is also a single color.

Part two: Culture.

note: this one only really applies to the three shapeople i've been using as examples this whole post- Ed the triangle, and his black pentagon and rectangle friends? family members?

I know there are other shapes who look less like them and whom these things don't apply to, but we can blame that on interbreeding with Elmoreans/cultural assimilation or something. okay, let me begin.

point number three: Ed's group is implied to not be from Elmore. when we first see him he's mistaking a bus stop for another shape person:

he also-

point four: the Shapeople language includes one spoken(?) system with colorful squares representing it. on the TBOB website the words of Euclydians are written in colorful square substitution cipher. there are also other shapes for the shapeople, mind you.

back to point 3: not from Elmore. The next time Ed's group appears, they're framed like tourists and ARE HAVING TROUBLE MAKING SENSE OF A 3D (well, i guess 2d but in the other way) MAP.

Gumball tries and fails to talk to them in their language, and ends up making a cultural faux pas. and in Ed's final scene there's an interesting line...

my people? He could be talking about his species, but the existence of a culture implies to me that this line refers more to a homeland. in other words the shape people are from the same place, which we sort of knew because they speak the same language. also has bill ever been seen giving a thumbs up or down? i'm pretty sure he hasn't but maybe I'm wrong, someone correct me here.

point number five: grasping at even more straws.

Despite their origin, the one known named shape person's name is Ed, which falls into the same cultural sphere as Bill.

We know that Ed's type of shapeople are physically capable of speaking English because the black rectangle does so at one point.

one of the symbols in the shapeople language is a skull. we see that Bill's mind has a bill skeleton with a skull that also fits the humanoid-ish template.

final point that does not help the theory but is still weird: Bill's baby photo seems to have a live-action background?? and so does the image of teen/preteen bill? look at these. i'm not implying that elmore IS euclydia somehow, that makes very little sense to me as of writing (though i guess it was destroyed and now Bill has a fear of TV static, which, like, maybe I could phenagle a theory here if I really tried but it seems like even more of a reach than this existing theory.) I dunno, maybe Euclydians would have wanted another 'realistic' dimension to flee to.

(we also see this squishy rosy-cheeked shaperson baby at one point, make of it what you will).

[deadhands69]

*❆ League of Villains Holiday Party Headcanons ❆*

This accidentally posted a week early while I was proofreading it on my phone, so there's another one that's supposed to come before it. It's not super important that they're in order, it's just expanding on the intro to the other one. Oh well! Christmas Party HCs

Here's what everyone at the LOV is doing to prep for their holiday party!

Toga is decorating with whatever she can find. Strands of popcorn, stocking-like socks, anything colorful. Kurogiri pulled a box of streamers out of storage for her (he doesn't remember why they have them, All For One hated things like that, but he's happy they're finally getting used.)

Dabi no. No thank you, he'd rather not. Eventually, he does end up with a job - opening the door to get carolers to go away. He doesn't say a word, just stands there and stares at them. The longest group has lasted about ten seconds before bailing. (but really, who goes caroling at a bar?)

Twice is so excited to spend the holidays with is new-found family but he's not entirely sure what to do. He makes up for it by constantly bouncing between groups, checking in with everyone, and sending doubles to get in the way help with everything.

Shigaraki also doesn't know what to do. But instead of getting in anyone's way, he decides to play video games in the living room, making his presence/boredom known, and figures someone will ask him for help when they need it.

They don't ask.

He speed runs Super Mario Bros 17 times.

Spinner picked the music. Sure, it's not the most traditional Christmas music, but people seem to be enjoying it. Even Dabi hasn't complained yet.

Magne is running some sort of scam at the mall. She left dressed as one of Santa's elves and came back with a stack of gifts for everyone.

She will not elaborate.

Kurogiri is the backbone of the party. He made the drinks, baked five different kinds of cookies, and invited a few of their closest friends allies. He also arranged most of the activities and made Tomura shower before people show up.

Compress finally found the perfect job for Twice - helping him chose a tree. They started looking at the big one in the town square, but decided that was too big to fit anywhere in the headquarters.

Then, they went to the local tree farm sale but all of those trees were just too small.

So, low on options, they head to the mall. After running into Magne (who was pretending hard not to know them) they finally find it! The perfect 12 foot tall, beautifully decorated tree. A few of Twice's doubles create a distraction, allowing Compress to secure the tree.

Upon returning, he released it from the marble it was captured in, much to the awe of most of the room. When anyone asked where it came from, they both replied that it's a Christmas miracle (Magne laughed in the background, but let them keep their secret.)

masterlist

[start-somewhere]

New Hobby Alert!! Knitting

Alright guys, everyone and their mother (including mine) seems to adore knitting, but where's the finesse? Where's that umph?! Where is the vision of an old lady clicking her two needles together to the irritation of everyone on a train????!!! That's right, I have entered my grandmother era as the weather starts to chill and picked up knitting and here are my thoughts that no one asked for:

Knitting is as close to meditation as my distracted brain can get.

Love that I can watch youtube in the background and pretend its productive because I am knitting as I do it.

There are way more stitch types than I thought.

There are way more patterns out there than I thought.

In classic overachiever fashion, I have decided to try and knit a tapestry. Yes, I have only ever made a scarf. No, I don't know how to knit with two colors. No, I don't know what the fuck floats are (seriously though, do they matter? At the end of this I have some questions to ask yall).

Bonding with my mom feels nice!

Also free gifts I can give to people because my mom has a bunch of small balls of yarn and I can just make little squares and turn them into bunnies (tutorial I used). Pics below the questions if you want to see.

Why is it that with every other product you can throw away the label, but with knitting not only do you have to keep the yarns label to know how to properly use it, but also every other tools label too? This is bullshit.

On the flip side of that, I think it is super cool that the labels have patterns that utilize the yarn on the back.

Finally, I am glad I started this. It really has introduced me to some really cool people and I've found a little community through knitting.

Questions below (pls if you know answer them, ya girl is struggling)

Ok so this is the pattern I want to do. The issue is that on row one, it is a 9 stitch float and I don't know how to avoid that. Is there a way to pin it down? If so can you show me a video for it?

Another question I have is, is the knit stitch supposed to look like a classic 'V' in the front but, purl in the back? What is the benefits of switching between purl and knit? Is it just for stretchiness? Also I think I bastard-ized my purl. Essentially, I just did a knit stitch but, every time I transferred all the knits to one side, I switched which hand my needles were in basically just only knitting with one hand for all the rows. I can't remember which hand I started with. Below is the result.

Is there a tool where you can input a pattern (like the one I have above) and then it can track what row you are on for you? Like it highlights the row you are on and then when you press space it moves up a row? That would be so fricken cool if it did.

Lastly, here are the promised progress pics:

Should have chosen a different button for the tail but oh well.

[spockandawe]

Straw marquetry, mark three!!!! Okay. So. I did two projects where i pasted my material directly onto a backing and then adjusted the edges. And I still haven't done any where I build tiles and assemble them on the backing later. But first I wanted to swerve off the road into something slightly more the realm of traditional wood marquetry, because I wanted to see if I could cut pieces out of a sheet of material, and fill it with something else.

The answer: pretty much!! There's still room for improvement here, I've done VERY little with cutting out Shapes at all, and not all wood veneer techniques map to straw (if i sanded this surface down, I would cry). And I also picked out all circle shapes because ??? I hate myself I guess. But I've been sitting on this GORGEOUS red straw and the perfect frame, and my self-control finally snapped

So, I plotted out a series of overlapping circles, sized very scientifically (based on four bowls in my kitchen) and traced them out onto my primary backing sheet. I wanted to cover with straw up over those lines, but not to waste unnecessary material.

Then I used my bowls as guides to cut out the first few circles and worked to fill them! In traditional marquetry, the advice is to work from background to foreground, so that's what I did here! And i traced out the size of the holes to determine the area i needed to cover for the inset pieces. The lumpiness of the circle below is to account for the overlap from the next piece to follow, making sure there's a clean surface to cut for that window.

I also did some VERY light color sorting, to try to pull out dark red for the biggest circles, pink red for the midsize ones, and orange for the smallest. The orange worked, the others are a bit more ambiguous! Part of the issue is that color variation within a single stalk can be extreme, and I didn't want to get lost in the weeds of subdivisions. The other is that this craft is positively ALLERGIC to overhead lights, as you can probably guess from many of my photos, which meant a lot of my sorting calls were wide open for second-guessing later.

Now, unlike wood, I wasn't really able to glue these to each other. That might change if I step up the backing to a thicker board, but here we were basically working on cardstock. Something to explore later! So for now, I attached my circles using masking tape, but I did experience a SMIDGE of damage to my finish here and there, so I'll drop to a lower tack tape next time. Once everything was assembled, I glued it all to another piece of red paper, squared it up to fit the frame, pressed it overnight, glued it to a piece of foam board, then pressed again.

And then I framed it! This was delightful, and I'm in love with the way the smallest circles pop. And I finally figured out that the trick to photographing these things lying flat is to turn OFF the overhead walls, lmao. I'm extremely pleased with how this came out and looking forward to future projects! This one is so striking, I really look forward to finding more ways to continue escalating, ahahaha

[blubberbuns]

Hiii i personally would live to hear about rabbits kiss- i mean the lore!

RUBS MY HANDS TOGETHER... alright fellas. Buckle your butts in Make sure to drop the post down to read the full lore!

Bon's Beginning, Love Interest:

Bon was originally made to be Frankie's Minnie! Back then, she was called Bonnie, and her whole purpose was to be part of all the romantic storylines—like all those you can think of. Plus, she was supposed to help Frank with some of his tricks for the shows. You know, like in magic acts where a pretty lady gets cut in half or vanishes—basically eye candy for him and the crowd. But Bonnie never clicked with the audience, so she started showing up less and less until she seemed to vanish from the show, only popping up as a low-key background character. People figured, "Oh ok- she’s still exists she's just not getting any attention anymore". That way they can focus on more diverse plots! Many people assumed they were still meant to be together.

The Rival Era:

So, while they were working on the new seasons of the show, they wanted to mix things up a bit—like throw in some Looney Tunes-style slapstick with classic Disney vibes and a bit of Tom and Jerry fun.

When they were coming up with ideas for rival characters, they gave Bonnie a makeover and turned her into Bon, a chocolate colored rabbit! Since they looked super similar, fans were like, "Oh, Bonnie must have a twin brother!" There were never any storylines where they fought over a girl or anything, so everyone just thought, "Yep, definitely Bonnie's brother." But the truth is, it’s the same character. Bonnie's not around anymore, so you could see Bon as a trans allegory if you wanted. So Bon has become Frankie's Mortimer, Tom to his Jerry, Daffy to his Bugs- but their shenanigans entirely depend on the episode's plot!

More Than Meets The Eyes:

So, now that he's a guy, he can’t be a love interest anymore, right? They totally have that Tom and Jerry vibe going on—like, sometimes Frankie wins, sometimes Bon wins, sometimes they both get the short end of the stick and occasionally they actually work well together, even if it ends with them slap-fighting over who gets the trophy.

So, every episode they cook up this stew of drama with one conflict after another, but then it’s like they hit the reset button on all the storylines and their progress. One reoccurring joke is that since Bon is called a chocolate rabbit (his name being a pun haha), it's a running joke that Frank wants to take a bite out of him.

Sometimes, you see them actually caring for one another. Like, if Frankie twists his leg and really messes it up (totally inspired by some fan art I got), he’d pretend he’s totally fine and be like, “See! I LITERALLY can’t stand you!” right before crashing down- and Bon would roll his eyes but still help him out, picking him up and carrying him when he needs it. But once Frankie’s all healed up, it’s right back to their bickering.

That’s just a chill example, but let’s say Frankie’s really not okay. They’ve got this dynamic of “I can’t stand you, but I also can’t handle seeing you so miserable.” Even though they mess with each other a lot, when things get real, they manage to soften a bit. It’s mostly in their body language since they’re not exactly pros at comforting one another, but they give it a shot. Bon tones down his quips and helps Frankie through whatever’s going on. They have these genuine, tender moments, but then, of course, by the next episode, everything's back to square one.

Yearning For A Fictional Reality:

I totally dig the trope where a cartoon character suddenly gains their own consciousness and totally goes against how they're portrayed in the show. So, yeah, since Bon never got a consciousness Frank kind of yearned for him to have one. He wouldn't admit why but as unbothered as he is with a lot of things, he wants to have someone there with him, and out of every character he wants a Bon.

Those old romance episodes just feel so cringy to him, like the whole “I was made to be yours” drama. He’s not about that. What he really wants is the guy who wasn't MADE to be his. He wants to make him his.

Our Lucky Contestant:

The lucky contestant in Bon's world is kinda like Bon in a lot of ways. For starters, their personalities aren’t exactly the same, but you can definitely see some similarities. Lucky always looks like he’s running on empty, and while he’s a bit sarcastic, he’s also really genuine and just juggling a ton of stuff in his life. He doesn’t have that same cocky vibe as Bon. So, he and Frank tend to clash a bit, even though The Other gets along just fine with the new guy. In fact, you could argue they have a situationship brewing.

Things took a turn when Frank finally saw Lucky without his mask on. He’s got chocolate brown hair, a ton of freckles, and hazel eyes (though he pops in lime green contacts sometimes, but those don’t last long). He’s different, but still so similar at the same time. Plus, Lucky sometimes rocks this headband that looks like rabbit ears, and The Other thinks it’s cute because it gives him a chance to mess around with Lucky’s ears- BUT I DIGRESS.

It really weighs on Frank, and he starts to act all strange afterward. He beats himself up for being so desperate to have a Bon around that he’s imagining him in people he shouldn’t. But it’s like clockwork – “Lucky” keeps getting swapped out for “Bon.” At first, he just slips up, but after some time, he won’t call Lucky anything except “Bon.” Not “Lucky,” not his real name; just “Bon.” It gets him all stressed out, so he starts sending mixed signals to the guy, sometimes being pretty hostile and other times sounding all longing.

He starts projecting onto Lucky more and more. Sometimes he even tries to stir up conflicts that don’t make any sense, kind of like something out of a cartoon. He’s chasing that high, he wants HIS BON. He craves that warmth and tenderness he feels during those emotional moments between Bon and Frankie in the cartoon. It doesn't change who he is or take the top spot on his priority list since the show matters to him. But still, it eats into how he interacts with Lucky and takes up a lot of his mental space.

Bigger Budgeting:

Eventually, though, he gets what he's been longing for. With the budget getting a nice bump, the Other gets a totally new body—way sleeker and less clunky than in the game. Since there's more cash to throw around, the higher-ups are all about new ideas. At one point, Frank even ends up with these awesome mech arms, and his 4D tech gets an upgrade. But the real kicker? Lucky becomes a test subject for something super special. They want to pull him into the cartoon world—like actually transport his mind onto the screen. The plan is that, in the end game, they could test it out for other contestants, where you’ve got to survive in the cartoon world, and if you die there, you kick the bucket in real life too! So, naturally, Lucky is the first one they put through the wringer!

And guess what? When they finally get it to work, Lucky looks REALLY familiar in the cartoon world. He thought he’d be a human or something—just himself but in that rubber-hose style, but nope. He looks exactly like Bon, right down to the last detail. He might not sound exactly like him, but man, the visuals are spot on. Frank had no clue this would happen, either. He was totally in the dark.

Was it intentional? Oh very much so- the only difference is that they don't sound exactly the same. (Normal Cartoon Bon sounds like this btw.) But other than that, down to a T. The Other can keep track of how things go in the cartoon world- until he can't. These two need some alone time after all- imagine how you will. (Yes he does try to take a bite out of Lucky's arm and he is disappointed he doesn't taste like chocolate)

I LOVE THESE TWOOO I HOPE THIS SNIPPET IS SUFFICIENT!

[bichambered-reservoir]

What does swwh mean?

Also your art has really pretty colors <3

I’m not very familiar with the v,ore community so I don’t know a lot, I used to be uncomfortable with it due to sexual themes, but learning about a non-sexual side of the v,ore community is nice.

I’d love a run-down about some of the terminology, for someone who doesn’t really know anything

Sure thing! Swwh stands for swallowed whole! It was my attempt to make an alternative name for v,ore exclusively for nonsexual purposes, both for the safety of those who enjoy vore sexually and nonsexually (so, minors/nsx enjoyers out of main tags, and nsfw accounts out of minor/nsx accounts!) - the other one's "e-a/t" or eaten-alive trope.

Another one is extreme cuddling, which is a term exclusively for nonsexual, safe/nondigestive/nonfatal v,ore, which i find to be a very endearing term for it. Unfortunately there are now a lot of sx accounts using this term, (and not everyone knows about the latter part of the description) though it doesn't hurt to keep posting under it, obviously. The newest one is vorarefixation, I believe.

There was also the term vescor and vittle made by the same coiner of "e-a/t," as an alternative to "predator and prey" respectively. This one I haven't seen too much, but it might still be around.

Also, same here! I used to not like v,ore in any capacity but then I saw art that forever changed my brain chemistry to see the wide, wide possibilities for portraying intimacy. And was even more surprised to find a nonsexual community for it, especially on tumblr! - I thought I was just gonna have to keep this shit to myself forever.

Also, thank you for the compliment on my colors!!! This is an artstyle I use almost exclusively for the type of content on this acc. I draw neon frames on a black background and fill it in, and the whole artstyle is also sort of reserved for romantic/intimate situations (I'd love to draw this, but: i imagine that if a character is swooning/in love, the neon frame appears and they turn into the artstyle). I also used to do an anticipatory thing where I would sort of imply I was gonna draw something via posting just the squares on the black background with my friends, so the artstyle got dubbed the "suspicious squares."

[tarantula-wizard]

Insert An Invert Week 4: Around Logs; Velvet Mites

(ID under read more, sorry its kinda long)

[Image ID:  A digital painting. Taking up most of the top left corner is a red velvet mite from a top down view. It is surrounded by peach colored squares that overlap each other, three of which are larger than the others. Four of these squares contain other images of velvet mites. The square in the top right corner features a closeup of yellow, O like patterning present on some mite species. The smaller panel below it has the body of a might, its head is not visible, and it is casting a purple shadow. The larger panel below it features the face and front two pairs of legs of another mite. Its front pair of legs are extending out the square towards the left. It is also casting a purple shadow. The square in the bottom left corner depicts six smaller mites in a group. They are also casting purple shadows. This is all set on a blue background, which is lightest under the large top down mite, and becomes darker throughout the rest of the piece. End ID.]

[arealphrooblem]

Mutually Assured Destruction Part 4

Synopsis: Villain x Civilian. Civilian can sense other people's powers through auras but hides this ability. They are terrified of the most boring person at their office job, who hides the most powerful aura Civilian has ever felt.

“How is this art?”

Civilian had never heard of Rothko before this date, but they had assumed they would be looking at normal paintings — portraits and landscapes.

Not squares of color on a rectangle canvas.

Sure they were impressive in their size. But their simplicity clashed against the other paintings in the museum, full of intricate details and delicate brush strokes.

It definitely clashed with their idea of art. But also part of them wanted to get under Jonathan’s skin.

“Did you grow up under a rock?” Jonathan grumbled. “How are you so uncultured?”

“It’s literally two squares of color. I could paint something like that,” Civilian argued.

“Yes, but you didn’t,” he pointed out peevishly. “And even if you did, these are so much more than squares of color.”

“How so?”

Jonathan guided them closer to one of the paintings, his hand gentle on their shoulders. He positioned them directly center of one of the paintings and then stood behind them, close enough for Civilian to feel his breath stir the hair at the nape of their neck.

“To understand and appreciate this painting takes time. You have to really look.” His voice, so soft, so close, sent a small shiver down Civilian’s spine. “Rothko uses simultaneous contrast in his colors to create the illusion of light. If you stare long enough, you can see the color shimmer and move.”

Civilian squinted at the painting, trying to see what he described. At first they just remained a block of color. But, true to his word, after a few minutes, they began to see the shimmer, the glow, of the paint. Faint hues appeared in the black — red-black and dark dark blue-black. They shifted into one another, almost like a dance. It was hypnotic.

“Do you see it now?” Jonathan whispered.

“It’s . . .surprisingly beautiful,” they murmured.

“Just like you.”

The spell between them snapped. Civilian jerked around only to be met with his wicked smirk.

“So the unrefined can be taught,” he said. “You should be proud.”

“Shut up,” they snapped, cheeks hot.

He gestured to the next room. “Shall we continue?”

As they coasted to a stop on the third yellow light in five minutes, Civilian side-eyed Jonathan.

“I think this is your power — getting every yellow light.”

“That’s not a power — that’s a curse,” he muttered.

It had become a game between them. A strange, fucked up game where Civilian guessed intentionally wrong answers about the power behind his aura and he neither confirmed nor denied it.

Downplaying such power made it easier to bear sometimes, but also . . .it was dangerously easy after a month of “dating” to forget that he even had a power. The aura had turned into the background noise of their life, the way people who live by train tracks learn to tune out the noise of the trains.

Jonathan treated them to lunch every day at work, and once a week he took Civilian on a proper date — dinner and bowling (he got a perfect score compared to Civilian’s five gutter balls) or trivia night at a local bar (they both lost miserably in the sports category) or an afternoon trip to the aquarium in the next city over (their favorite date so far).

Civilian did not have any choice in the activities or any knowledge of what each date would bring, but underneath the constant layer of anxiety and frustration that coated every interaction with Jonathan was genuine enjoyment.

The dates were the only real social interaction that Civilian had outside of run-ins with neighbors and coworkers. A fact they tried not to dwell on too much.

Tonight they pulled into the parking lot of the movie theater. Civilian raised an eyebrow when Jonathan bought two tickets to Blood in the Stone but said nothing. Refined Art Museum Jonathan didn’t seem the type to like supernatural horror movies, but so much of him stayed shrouded in mystery that predicting anything about him was impossible.

Civilian, on the other hand, did not like horror movies. But they refused to let Jonathan see their trepidation. Instead, they watched the screen stone-faced and ripped the napkin in their lap to shreds. Something warm and ticklish slide down the delicate skin of their wrist just as the movie protagonist got caught up in some horrific tentacle monster and Civilian could not stop the scream from bursting out.

Jonathan’s warm breath brushed against their ear as he chuckled. His fingers slid down to detangle the twisted remains of napkin from their hands.

“Should we leave early, before you wet yourself?” he whispered.

“Why did you pick this movie?” Civilian hissed, refusing to look at him.

“Maybe that’s my power — I’m not afraid of things that aren’t real.”

“Maybe your power is being an obnoxious prick.”

He chuckled again, a low rumble in their ear, and Civilian had to bite their lip against the strange shiver that rippled down their spine.

A jump scare burst onto the screen. Civilian yelped, their fingers reflexively squeezing Jonathan’s hand. They expected him to pull away the second their death gripped relax, but his hand stayed throughout the rest of the movie, fingers casually interspersed with theirs.

Part five here

Tagging: @those-damn-snippets, @heroes-villains-side-blog

@anonymousewrites @follow-me-into-the-fog @sunnyside-world @rivalriotrenegade @trappedgoose-in-a-writblr-room

Let me know in the comments if you want to be tagged!

[schizosupport]

Psychosis and Schizo Spec Flag Time!

My dear friends of the community! For a community in which so many of us have been called a freak at some point in life, we've had a distinct lack of a coherent freak flag to fly!

Well, no more. There's a new flag in town, and she's a beauty!

The flag is preceded by a number of other flags. @psychotic-pisces collected a number of them, and proposed yet more, here, and there have been other versions and attempts through the years. There can be many flags, and no flag is more right than another, but we did feel that our community might be in need of a simple yet recognisable flag, that would still be rich with symbolism. This is our proposal!

I shall refrain from waxing poetic about the elements of the flag, but the references are as follows:

The symbol used in this flag was proposed by @actuallyschizophrenic here, and has seen fair use in the psychotic and schizo spec communities around these parts.

The colour stripes in the background match the current flag most commonly used for disability pride.

The background is purple, because 70% of all previous proposed flags were purple, suggesting a cultural connection to the colour in our community.

The symbol sits upon a waxing silver-lavender moon, referencing not only tales of lunacy, but also the dichotomous nature of our illnesses, negative/positive symptoms and more.

Finally, the moon acts as a prism on the stripes, creating a disjointed feeling, that we associate with psychosis and disorganization, among other things.

The flag doesn't have a name, I think anyone in the community can call it what feels right. Schizotypy flag, psychosis flag, lunacy flag - you name it! I call it the lunacy flag, but I have provenly bad taste, so call it what feels right!

This flag was a collaborative effort in a community discord for schizo spec folk and psychotic people. There's no way I could have arrived at this design on my lonesome, and I'm forever grateful to our loving, creative, smart and awesome communities!!

Special thanks to a very cool, kind and talented person who goes by 'Orange' in the server, who created the vector file of the finalized flag, which can be found (on Google drive via tumblr) here!

And a userbox template bc why not..

Let's go fly our freak flag! 🧠🔥🎉

(License CCO 1.0 Universal - this flag can be used anywhere, credit is nice but it's not a requirement!)

Other formats, color annotated version and image description under the cut

Long format:

Square:

Version of the flag with names of each colour for accessibility:

Image ID of flag: A rectangular flag. The background is purple, and in the middle there's a circle. The circle looks like the moon, with one side in darkness. The moon is dark grey and light silver-grey lavender. On the moon is a symbol commonly associated with psychosis and the schizo spectrum in white. A beam of stripes cross behind the moon from each corner. The stripes are light green, light blue, light grey, yellow and light red. They are similar to the stripes on the disability flag. The beam shifts position behind the moon, so it is parallel above and below the moon, but not directly connected. End ID.

[chamoemileclown]

How do you art, and where do you art?

hi my name is moe! i've doing digital 2d art since about 2017 and here's a big post about the how and where of it!

the program i use for my 2d art is firealpaca! the version i use is free to download with the exception of a popup ad that shows up when you start up the program! it's a great, very consistent, program that has updated a lot and improved since i started and i don't think i can vouch for it more. everything i include in this post applies to firealpaca specifically though you can probably do similar things in other programs im a college student on a budget and im very comfortable working with this program.

the three main brushes i use i got off firealpaca's brush marketplace! they're all free crayon brushes the first one hard one being the one i use for lineart, the second sort brush i use for sketching, and the third hard one i use for coloring. i think this might be the reason why i get some stuff about people associating my art with childhood/ children's illustrations, im a big fan of using texture where i can and these help to add a lot of visual interest.

seawatt jumpscare

you may see that my finish pieces don't have a lot of flat colors if you zoom all the way in. that's because i use a lot of noise to make the colors look less flat. it sort of reminds me of construction paper, gives a little bit of a fuzziness to it.

i have it set to color at usually around 50. i turn it down sometimes if im working on something smaller. my canvas sizes usually are about 1500 x 1500 just to keep a more consistent square shape across most of my drawings.

another thing i do to make my art pop is i duplicate my lineart layer, use protect alpha to color the duplicated layer another color that's usually brigther than the original layer, put some gaussian blur on it and add multiply or add to the blending on that layer.

with versus without the added layer! i have this set to add on 31% opacity and ill add more or less if i want the effect to be more or less subtle. it's not very noticable but i think it helps a lot with line clarity and can make something almost glow if you wanted that effect.

here's another example with a multiply layer (i turned up the opacity to give a better example) subtle and it fights a lot with tumblr image degradation but it makes me happy.

i also make a lot of use of halftoning as you can see in the examples above. I usually only use it to make shadows darker and highlights stand out but they're also really good at filling up dead space like backgrounds to make them more visually appealing

with versus without halftoning! in firealpace you achieve this by using a 8-bit layer (one highlighted) once you add the layer hit the gear icon by the layer and use that to modify the halftoning to your choosing

i usually have mine with a density of 40 but you can tweak it to your choosing. you can also change the blending type on these types of layers i usually just use multiply/ add and occasionally overlay. mess around with the opacity! make it more or less subtle! have fun!

halftoning is tricky to use in firealpaca however due to the way it works. usually i apply it with my soft crayon brush since it hangs around 35% opacity. you can get a more dense halftoning using more or less opacity on your brush and can go back and forth over the halftoning to layer more on. you can also layer two different layers of halftoning to create interesting effects

two different halftoning layers laid on top of each other ^

more opacity + two different halftoning layers laid on top of each other ^

when you go to combine all your layers however because 8bit layers when combined with regular layers lose their halftoning properties. my way around this when combining everything is going layer > merge all when going to finish up and convert everything to png.

that, for the most part is all the technical stuff. i wish i could tell you how i knew what colors to pick but for me i usually pick some variation of green and just go with it. i usually pick the lineart color with my background colors in my mind and go from there until i get bored. complimentary colors such as blue/ orange and red/ green are usually good picks.

did you notice the background/ lineart is green in this picture? that's because the red cancels it out. i sneak it in there sometimes C:

that's pretty much the how of it all, as for the where, usually my bed

that's all