#also (and this is very important)

[liones-s]

a big lesson for me was learning that most things are not as fragile as I’d believed. missing a class, or turning in a bad assignment, won’t instantly destroy your professor’s opinion of you. accidentally saying something harsh won’t make your friend want to end the friendship. it takes work to repair these things - it takes effort and research and sometimes a sincere apology - but you can do that because they’re not irreparably broken. what you’ve worked to build, in academia and in relationships and in life, is stronger and more enduring that your mind may teach you to believe. don’t let imagined fragility lead you to giving up

[technically-human]

First meeting

[mabbbish]

s9 noodles and leftovers

[catmask]

does anyone have like an anti aesthetic. like something you look at and can recognize as a complete fashion/interior design/artistic movement and understand it but it makes you shudder seeing it. i am not talking like “its morally bad” “its poorly structured” like just sheerly devoid of joy for you actually invites a repulse response.

[saucefunk]

CONTROL YOURSELF

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[physical-manifestation-of-spite]

Let's be crystal clear. Queerbaiting is real. But it occurs when the creators intentionally hint at a queer relationship to lure in a queer audience to give them money, but never actually follow through on their heavy-handed implications of a queer relationship. Queerbaiting does not occur when the creator has been transparent from the very beginning that Malevolent is about friendship and platonic love, meant to work through the toxic masculinity they've lived throughout their entire life, and to express healthy platonic love (and sometimes unhealthy love) between two male-presenting characters. It is not queerbaiting when they emphatically tell each other that they love each other, because love isn't exclusively romantic, and while it is absolutely okay for people to ship them (and something that the creator is totally FINE with, btw), it is not okay to accuse the creator of lying about their relationship when he's been clear about it from the very beginning.

Friendship and platonic love is just as meaningful as romantic love and that's the whole point of Malevolent.

[badangle]

[taraxippos]

I will say I get the vibe that a lot of peoples interest and support for strikers is a bit too much for a vicarious ‘burn it down’ thrill, rather than for the actual goals of a strike.

Like UPS has agreed to come back to the table and it is very possible they will concede to Union demands and avert a strike. And if that happens (so long as the union does not make concessions on its key demands) it’s a good thing. It’s a victory for the laborers. It is the same ultimate conclusion that a strike would intend to produce except without the workers having to go on (not so great) strike pay for a week or two.

[nenoname]

you can see that the script originally had ford building an anti-gravity machine for the science fair (which i guess acts as foreshadowing to the portal?), but the sun lightbulb feels like it would've connected to the opening of stanchurian candidate....

[endmotif]

the trio

[technically-human]

Friendship

[idontmindifuforgetme]

friend wanted to see my tumblr, and when i told him i can’t show it to him bc it’s basically my personal diary he went “oh so I can’t see it but a bunch of strangers on tumblr can??” he literally does not get me. no one will get me like the people in my phone get me

[taffywabbit]

reminding myself there are no truly "bad days", because every single day, someone somewhere in the world has taken a photo of an extremely tiny animal and shown it to someone else, and that's very good actually

[cj-the-random-artist]

I let them get friendship married so Narinder can get his tax benefits lol

But legitimately. I mulled this one over repeatedly for literal months. Like. Do I want them to get married in front of the cult? Should they even get married? It would be hilarious if the Goat married them and then cried at the altar the whole time, but also... that doesn't feel right, so maybe I won't do that. And then once I decided it should be a personal friendship-marriage ritual where it's just the pair of them making vows to each other, I wrote four different scripts and hated them all and ended up just pulling this one out of thin air pretty much on the spot and that was that. At one point, I wanted Lambert to basically suggest this idea and then have them get friend-married on the spot, but that didn't feel right (and it was also gonna be unreasonably long) so that's why there's no context going into this one. And the actual friend-marriage ritual is... maybe not the best designed one ever? I wanted it to in some ways be similar to like, the way I imagine a romantic marriage happening in the cult- the parties exchange vows and do rings and stuff...? (If it's not obvious, I haven't been to many weddings...) But I figured they wouldn't want an audience, or to party with the whole cult afterwards, or anything like that. I also had them kiss each other's rings as opposed to like... faces... because one of the fights I had with myself in deciding how I would want this to go was whether it would make sense for them to kiss or not. And I ultimately decided that in this AU at least they just wouldn't want to. They're also wearing the rings on their not ring fingers cuz. Honestly it just felt right that way. Based on vibes. But basically I just wanted them to exchange a vow of eternal partnership in a very casual, chill setting, because I don't picture QPR AU Narilamb doing... anything other than that.

Also this is the rest of Lambert's office, which I actually had a pretty clear vision for after my last doodle but I didn't really bother to draw before starting this comic. Maybe I should've but eh it looks good enough. Interior backgrounds are hard......

Anyways. I think I'm happy with this one? I was enamored by the concept of a chill friendship marriage, so I definitely leaned into it here. As per usual, it's not perfect, I think I could've done a lot of stuff better / differently, but honestly?? If I were to ever get friend-married I would want it to go about like this, it makes my little aroace heart happy, and I spent too long on it to not show it to anybody. Thus. Enjoy, and also happy new year cuz I totally forgot to make a post individually about that...

[egophiliac]

i love your riddle design so much, he's so pointy and british. so gracious. do you think he would enjoy a brazilian goiabada

thank you! ❤️🖤❤️ it's just. important to me on a level I can't explain that Riddle have an extremely pointy nose that he can stick into everyone else's business.

also goiabada is sweet and fruity and red, I think he would like it very much indeed!

not me stealth-editing because I forgot his antenna whoops