#all three of them fail at escaping in their own perfectly unique ways <3< /div> Explore tagged Tumblr posts

[twasbrillig71]

literally obsessed with this. bro is frolicking.

AAAGRGHAA HES SO SMALL BITES HIM LOVINGLY

every time i see jervis with a hat while in custody, i assume they needed to let him keep his Comfort Item or else he'll start mauling people like a rabid chihuahua

LOVE how all the dork squad is here too btw

jonny just questioning how this life got to this place (it was all the chemical terrorism)

and eddie sneaking off with all the grace of the hamburglar

My God are they so silly

[homeformyheart]

Hi I already love Nora with my entire heart and am requesting from dialogue prompts:

#19 “I think I’m in love with you, and that scares the crap out of me”

- ❤️ PD

from these dialogue prompts (always accepting)

ahhh thank you PD for indulging me <3

author’s note: thank you so much @wayhavenots for requesting this and for indulging my Nick x Nora headcanons. More of the backstory and context will be written up in a separate fic, so this fic takes place about six months of these two agreeing to give each other a real chance. I hope you all enjoy! *fyi, Nora is Nick’s LI in all of my MB universes, and Nick’s features will vary based on that, so feel free to self-insert or use one of my Nicks’ below :)

copyright: all characters, except the oc and oc button, are owned by jo o’connor @mindblindbard. series/pairing: mind blind – nick wiseman x f!oc (nora mcconnell) rating/warnings: 14+; swearing, minor angst, fluff based on/prompt: dialogue prompts // 19. “I think I’m in love with you, and that scares the crap out of me.” (in bold) word count: 1.7k summary: six months into their relationship, nora freaks out when she finds out nick is falling in love with her.

permission

nick’s hand brushed nora’s as they walked side-by-side toward his house. he held his fingers near hers and looked at her imploringly, making sure that she knew he was giving her permission while giving her the space to set boundaries.

nora smiled and closed the gap between their hands, intertwining her fingers with his and inching closer. the instant their hands were flush, a simmering warmth bloomed from their joined fingers up her arm and passed through her chest.

happiness. joy. peace.

even below the surface.

she was getting better at recognizing and reading the emotions of others without skin contact. eight months working for unity gave her the opportunity to hone her skills and she could read surface-level emotions from up to two feet away and read deeper, repressed emotions with prolonged touching. she was reluctant at first, but rosy and adsila had demanded insisted that she be trained properly lest it distract her on the job.

throwing open the floodgates to all the emotions around her had been excruciatingly overwhelming. nick had ended up being a supportive presence throughout it all, helping her learn how to narrow her focus and practice differentiating between her emotions and his. they set boundaries, but he offered to be a lifeboat whenever she felt like she was drowning.

it still took her a long time to be convinced that he wanted something serious with her – that his playboy days were over.

he yanked her gently out of her reverie by pulling her close, his other hand coming up to her waist to hold her against him.

“what are you doing?” she asked, a laugh escaping her as she brought a hand to his chest and looked up at him.

“i’m just happy,” he said, his eyes sparkling with sincerity. “permission to kiss you?”

she nodded and nick leaned in to capture her lips with his.

nora didn’t think she’d ever get tired of the way nick kissed. each time was unique – sometimes soft and featherlight that made her want to chase, and other times so deep and consuming that she wanted to drown.

and these were perfectly in-between. his soft lips pressed lightly against hers in rapid succession, the pressure deepening incrementally once she matched his tempo in return. she started to smile into the kiss as she felt his hand tighten at her waist.

after a few moments, nick pulled back slightly to rest his forehead against hers. she could feel his emotions pulsing under her hands, a warm leggero of affection, happiness, and lo—no. not that.

anything but that.

panic started rising in her throat and she clenched her fingers where they rested on his chest, scrunching the fabric of his shirt. she needed to stop him from saying it anytime soon. it shouldn’t come as a surprise, but she had gotten comfortable with the idea that he’d never fall in love with her.

love came in a package deal with hurt and she refused to subscribe.

she didn’t need her powers to recognize that she was starting to spiral inwardly. but then she noticed that nick hadn’t moved or said anything.

maybe she was in the clear. she started to let out the breath she was holding, relief beginning to settle into her lungs.

“i think i’m in love with you, and that scares the crap out of me,” nick said quietly.

her body froze, the breath in her lungs trapping the relief that had started to seep in before, holding it hostage against her ribcage. she didn’t know how to process what he just said so she pulled her head back to look at him.

nora blinked rapidly to keep the tears in her eyes at bay. “i can’t—i mean, we can’t—”

“hey, hey, hey, it’s okay,” nick murmured, trying to pull her back into his arms. “i’m not expecting you to say you feel the same.”

she took a deep breath and forced herself to look up at him, pushing his arms away from her. the goosebumps on her arms punctuated how much she already missed his warmth. his eyes swirled with hurt, and she could feel his confusion.

“no, you don’t understand, nick. you can’t fall in love with me. i’m not—” she bit her lip. “i’m not someone who can love you the way you deserve. i’m sorry.”

nora turned and walked away as briskly as she could, wiping away the stray tears that slipped down her face. she headed toward the nearest metro station, digging around in her purse for her card. her fingers brushed against the off-brand kirby trinket hanging off her keychain and she pulled it out to look at it.

the features on the trinket did not look anything like the famous video game character. its eyes were too far apart, and its smile was definitely creepy. but nick found it hilarious and insisted on pretending it was kirby, attaching it to her keychain and checking for weeks afterward to make sure she kept it.

it was from one of their first dates and possibly, her favorite – he absolutely surprised her by not taking her to some fancy restaurant. and when she tried to call him out for the lack of originality in a navy pier date (since anyone who’s grown up in and lived in chicago for some time has been to navy pier at least a half dozen times), he simply responded that he wanted to show her more of who he was outside of being a ment and ucrt’s leader.

it was the most fun she’d had in a long time – and seeing nick genuinely enjoy himself brought out a side to her that she had long forgotten about. the side of her that wanted to let loose and be child-like for once. it helped that his ment abilities were useless against rigged carnival games – the great equalizer, she had teased him at the time as he tried (and failed) to win her a big prize.

off-brand kirby was the consolation prize and a perfect reminder of that night.

nick made her want to bring down her carefully and rigidly designed walls that she clung to after her dad abandoned her family. she had grown too comfortable behind the walls – they protected her time and again from getting hurt. after all, if she didn’t let anyone in, then they couldn’t leave her behind.

but she didn’t consider the fact that nick willingly let her in, and she may have just done more damage to him than he deserved by leaving things the way she did.

she clutched the keychain in her hand and walked right back to his house. she knew that he’d see her coming, but she still hoped that he’d answer the door. she steeled her nerves and knocked with three, quick raps on the door, nearly tapping nick’s chest as the door swung open after her third knock.

“what do you want?” nora cringed at the harsh tone of nick’s voice.

“you don’t have to forgive me. but you deserve an explanation,” she replied, fiddling with the keychain.

nick just stared at her for what felt like minutes, eyes darting to the keychain in her hands and back up to her face. nora wondered if she should just walk away. maybe it was too late to explain. after a few awkward moments, he turned and walked back toward the living room, leaving the door open.

nora took a deep breath and followed him, closing the door behind her and joining him on the opposite end of the couch.

“please know that the way i reacted didn’t have anything to do with you. i have a lot of baggage and you deserve to be with someone who doesn’t scare you. someone who is worth it in the end.”

“you don’t scare me, nora,” nick said quietly.

“but you said being in love with me scares you?”

“i’ve never been in love before. and i’m scared you’ll decide one day you need someone more mature or interesting or—” he took a deep breath. “i’m just so goddamn happy with you that i don’t want to lose that.”

the distance between them felt stifling. nora couldn’t read him beyond surface-level from this distance but it didn’t matter, the hurt and longing in his eyes said everything. she wanted to reach out to him so badly that her chest ached. but his arms remained folded over his chest, a visible signal that she needed to stay where she was.

he wasn’t giving her permission to come closer.

tears welled in nora’s eyes. “i’m terrified of losing you, nick. you run headfirst into dangerous situations and have this—this self-sacrificing nature that might get you killed one day. and then you’d be another person who’s left me behind.”

her voice dropped to a whisper as she stood up to leave. “i can’t go through that again. i’m sorry.”

nick finally looked up and made eye contact with her as he stood from the couch. “i won’t leave you and i’ll be more careful, i promise. i don’t want to lose you.”

he held out his arms toward her, eyes vulnerable and open. “permission to fall in love with you, nori?”

she almost chuckled at the nickname, reminiscent of a date night where they dissolved into giggles while attempting to make sushi. her heart leapt toward him before her body could react, but she followed the instinct and moved into his arms. she nodded against his forehead resting on hers, his arms wrapping around her lower back.

“only if you give me permission too, nicky,” she said softly, daring herself to look into his eyes.

she can tell he’s trying hard to be serious and not break out into an ear-to-ear grin, but a smile escaped him anyway. “yes, please.”

from these dialogue prompts (always accepting)

* * * * * taglist: @pearlsandsteel; @anotherbeingsworld; @sosolenoo; @mevnraels; @wayhavenots; (if you don’t want to be tagged for nick x oc, let me know!)

[entertainment]

Entertainment Spotlight: Jordan Claire Robbins, The Umbrella Academy

If you’re a fan of The Umbrella Academy, you probably recognize Jordan Claire Robbins, who stars as Grace/Mom along with Ellen Page, Colm Feore, and Tom Hopper. Jordan's other tv credits include Netflix's Anon opposite Amanda Seyfried and Clive Owen, Supernatural, Man Seeking Woman, and SyFy's 12 Monkeys. Before she set her sights on acting, Jordan had a successful career in modeling. When she's not on our screens, she enjoys singing and playing the piano. Jordan hails from Bermuda and currently resides in Vancouver. She took a few minutes to chat with us about The Umbrella Academy, funny moments on set, and more. Check it out:

Despite the creepy Stepford Wife vibes, on balance, Grace has been a better parent than her maker. What is it that drew you to the role?

I love that there is more to Grace than meets the eye. The writers did a brilliant job of revealing Grace’s depth as the first season went on, while also constantly making you wonder what she was capable of – she’s such an enigmatic character. There were all these beautiful flashback scenes where she was the perfect mother figure she was programmed to be, but also moments when you see a dissonance of sorts when she can’t protect the children from pain inflicted by their father figure. And when the story starts off she’s a shadow of what she once was. She’s lost under this faulty programming and she has so much to fight against to find her own voice. Then when she is given another chance at life she’s this different version of herself, one that makes her own choices and has agency for once. It certainly kept me on my toes, getting to play these different versions of her and also finding a balance between perfectly programmed AI and a hidden humanity, a consciousness I believe she developed over her years with the children. I also really loved how Grace’s story, while being very distinctly non-human, mirrors the life women led not that long ago. I did a lot of research (one of which was Stepford Wives!) to have a better understanding of the template Grace was built in as a 1950’s housewife, and was just so struck by how trapped they were in the gender role of being the perfect wife and mother, to never push back against what society expected of them. There were so many obstacles to them feeling free and empowered, just like Grace. Her inability to leave the house, and totally losing the identity and purpose she was programmed to have when the kids left, felt like such a beautiful, heartbreaking parallel to what so many women have struggled with through history and I loved being able to tell that story.

You've successfully made the leap from modeling to acting. Do you think your experience as a model has helped you in your career change/expansion?

I think the more experience you have in life, the better an actor you can be. Modeling definitely gave me lots of practice getting comfortable being in front of the camera, not taking rejection personally, and being a part of telling a story. Modeling feels very collaborative, the same way acting is, and I think my years of physically transforming to contribute one part of a bigger picture at shoots really helped me understand the creative process that goes into every day on a film set. The biggest challenge for me coming from modeling to acting has been learning to embrace my imperfections, and be okay with letting the camera see them which felt very vulnerable and uncomfortable at first. In modeling there’s a ton of pressure to be this and that, essentially to be flawless, but playing a human being onscreen requires the opposite. Humans are complicated and messy, and the more you can embrace the unattractive parts of yourself the more depth there is to draw from.

In your free time, you like to sing and play the piano. If The Umbrella Academy were a musical, what would Grace's big number be?

Ooh, great question, music is such a huge part of the show, so a musical episode would have been amazing! I listened to a ton of music from the 40s and 50s to get into character, and in my audition tape for Grace I hummed Sinatra’s ‘Fly Me to the Moon’ - it’s a funny coincidence because the moon ended up being such a huge theme in Season One. I think it’s perfect for her since it’s so romantic and classy, and because she was always longing for her children, for an escape from being under Hargreeves’ eye so the lyrics are fitting.  

If you could play any other character in the show, who would you choose, and why?

I think Klaus would be a blast to play, he’s so free with no boundaries or self consciousness whatsoever, but he’s also tortured from a lifetime of numbing his pain. Recognizing that I would not be a good casting choice for Klaus (and since I can’t picture anyone playing Klaus besides Robert) I think it also would’ve also been fun to play Cha-Cha, with her dry sense of humor and all of those great stunts. Plus I love Cameron and would love the chance to have scenes with him!

Can you tell us about any funny fails/stories that happened on set?

There’s a scene in episode 3 of season one when Allison and Luther are questioning Grace while she cooks them breakfast. I was supposed to cook eggs and bacon, plate the food into smiley faces, and then bring the plates over to them while avoiding their questions. But I’m not a great multitasker when food is involved and it was the last scene up on a very long day of shooting, so I somehow plated them two really sad looking frown faces. The camera was on me through the middle of them and when they got the giggles it was near impossible to stay in character. For the rest of the night the three of us had a hard time keeping it together – it actually turned out to be one of my favorite scenes, probably because we had so much fun shooting it!

What advice would you give to young people looking to get into modeling and/or acting?

I would say to make sure you stay connected to your sense of self. Neither are particularly easy industries, and it can be hard not to take rejection to heart, but the most important thing is being really grounded in yourself and what makes you happy. There really is no way to do any of this “right” and the most successful people are always the ones who own who they are because that’s the most endearing quality, so if you keep honoring yourself you can’t go wrong. Other than that, be a “yes” person when it comes to taking opportunities to learn and grow! The more you push fear aside and make it your goal to get out of your comfort zone, the further you will go and greater your work will be. The world needs more brave voices to share their stories.

Who do you look up to as an actor?

Jordan Peele is so incredibly talented, he’s obviously a master at comedy and he’s making such original, intelligent projects that look at social issues like racism in a way that’s never been done before. I would love to work with him one day. I’m also really taken with Phoebe Waller-Bridge – I love the boldness she brings to her work. Fleabag is so beautiful, raw, hilarious, and Killing Eve is brilliant, we need more strong female driven stories and she has such a unique voice. And I have always looked up to Helen Mirren. She radiates this strength and classiness while also being so playful and irreverent - and she makes aging sexy in an industry where women can feel so much pressure to stay young.

Thanks for taking the time, Jordan! Season two of The Umbrella Academy is now streaming on Netflix.

[tuiyla]

She-Ra’s like, really good, people

It’s been over a week since She-Ra season 5 came out and I binged it and this is not going to be coherent but I just want to rant about it a bit before writing some more structured metas. I deffo wanna write about Catradora and how I think SPoP is the true spiritual successor to the Avatar.

But first, let me just scream about how good this show is. I already started rewatching it, pretty much straight after finishing it, and I don’t rewatch tv shows often. The exception is Avatar (seen it like 15 times) and sitcoms. But She-Ra is so layered that I felt like I needed to watch it again just to appreciate the dynamics even more.

I already enjoyed the first season but it kept getting better and better. I’m not in love with the art style and it’s definitely for a younger demographic overall than my other favourite animated shows, but like any good kids’ show it balances tone well. It doesn’t talk down to its target demographic but also includes more traditionally mature themes in a digestible and entertaining way. Not all the jokes landed for me but as the series went on I learned to appreciate the tone and the type of humour She-Ra goes for.

It’s funny to me because this is definitely the type of show I would have rejected as a kid, with all the princesses I would have deemed it “too girly” and therefore not for me because screw gender roles. There’s a degree of internalized sexism to that, for sure, a rejection of the feminine because it’s always been seen as less somehow. But there’s also a truth that, at least in my childhood of the late 90s and early 00s, children’s media targeted at girls often had a poor quality to it, at least when compared to “boys’ stuff”.

She-Ra is not only a clever, heartfelt, complex story, it also transcends that binary of having to be either for girls or boys. I know most of modern animation rejects that as well, but She-Ra embraces so many traditionally feminine qualities while also going beyond gender roles and even the gender binary. This show is so queer, man, and I love it. It’s especially impressive when you consider the source material that was literally just the girly version of He-Man. I have no beef with 80s She-Ra, haven’t seen much of it, but this is such an upgrade.

That being said, I would have loved to watch She-Ra as a kid. I’m so incredibly envious of kids, aged around 10, who get to watch this show as they’re growing up. But I am so, so, so happy for them and for the future of animation that shows like She-Ra can be made now, that they’re being made. I’m going to go into spoilers soon, but just before that: She-Ra’s a perfectly enjoyable show in many aspects. I think the worldbuilding’s pretty cool, the story feels coherent and planned out, it’s lighthearted and so genuine. That’s the word that I ultimately choose to describe the series: genuine.

I feel like so much of TV aims to be dark and gritty nowadays, animation included, and though that’s slowly turning to dark comedy or a balance between fun and serious, it’s still the norm. At some point in the last decade, creators became terrified of being judged as cheesy. Even something like the MCU bathes in bathos to avoid being cheesy. But She-Ra proves that creators shouldn’t be afraid of being genuine, of basing characters and storylines on the simple power of love. Like, it’s such a cliché trope but I think that’s mostly because it has become stale.

Noelle Stevenson has talked about the importance of love in her story and I’m so grateful for that. Through, She-Ra, she’s truly proven how powerful love can be in a story and how it doesn’t have to be cheesy. It’s just so unabashedly genuine. The power of love and friendship literally saves the day several times but it’s always so genuine and more importantly it always makes sense that it doesn’t get boring. If the foundation wasn’t there, then I’d say “well this is just super cheesy”. But the show makes a point of building relationships and making them the focal point of the story.

Alright, so, spoilers because I need to talk about character arcs and THAT KISS and just everything. I really need to write more in depth about Adora and Catra and their relationship but for now I feel like it’s so important to appreciate how they’re developed. Everything from their shared childhood to their trauma with Shadow Weaver and the finding their way back to each other, it’s just *chef’s kiss*. It’s so well-written and believable. Ngl, I do have some minor issues with Catra’s redemption arc. Let’s just say that on a scale from Kylo Ren to Zuko, she’s definitely closer to Zuko. I also appreciate Shadow Weaver’s death scene and how it allows them to move on. I didn’t see that one as Death as Redemption and it shouldn’t be. Again and again the show made it clear that she was abuse towards both girls and nothing will negate that.

From what I can tell, the fandom really latched onto Catra, even when it wasn’t clear whether she’d get a redemption arc. I think that’s important, because unlike some characters in animation, Catra’s actions were almost always framed appropriately. There was always an understanding as to where she’s coming from, how she’s acting from a place of hurt, and yet her actions weren’t justified. They weren’t suddenly all okay just because she’s hurt, too. I especially loved in the season 3 finale when Adora was allowed to finally say no, to say that Catra’s actions were not her fault. That season as a whole was beautiful, like, episode three when Adora’s struggling so much and Catra has the opportunity for a better life but she still fails to choose her own happiness because she’s too bitter over SW and Adora? It’s poetic cinema. I love that angst, so well done.

It would be so easy to misfire in Catra’s storyline and either a) write off all the awful things she does because she’s just “misunderstood” or b) irredeemably stuck in her abusive environment with no hope of escape. They balanced quite well there and managed to handle such a complex character with delicacy. I’m quite happy with how Catra was portrayed because on the one hand, she’s painfully relatable to me and I assume to many others. The audience can see their own mistakes reflected in her character because we’ve all been too stubborn, done things out of spite, refused to acknowledge that we were wrong because we were hurting so much. At the same time, I always felt like the show gave me enough space to judge Catra’s actions and acknowledge that she was in the wrong. I honestly think I would have been a better adjusted teenager is if saw this show just before my angsty years, lol.

I’m going to write more about Adora at some other point but I love how vulnerable she’s allowed to be. Protagonists never used to be my favourite characters because they all seemed the same, with two major categories: the stereotypical male hero who can do no wrong or the angsty boi who can be shitty and the text still frames him as awesome. It’s only recently with series like The Legend of Korra and She-Ra that I go “damn, protagonists can be like that, huh.” Adora is a dumb jock who tries so hard and she deserves all the hugs in the world.

Also, Catradora? Breathtaking, amazing, groundbreaking. No doubt She-Ra needed shows like Adventure Time, LoK, Steven Universe and the likes to pave the way but still, it went there. I saw people be anxious about whether they were gonna be queerbaited, but I always, idk, knew? Trusted? That She-Ra would follow through. I didn’t wait six years for Bubbline to happen for Catradora to not get their big damn kiss. The series has been so effortlessly queer from the get-go that it just made sense that they were always heading there. I did see a gif of the kiss before watching s5 and ngl, that spoiler kind of bummed me out in a way that I wanted to be surprised. But even before I saw that I wasn’t worried. And the context of their journey in season 5? That cannot be spoiled by a simple gif. You have to experience that to fully appreciate it and that is the marker of good storytelling.

I understand that, though this should be the norm by now, Noelle Stevenson still had to be smart about how she approached the execs and she wasn’t sure this could happen. I cannot tell you how happy I am about what she said regarding how Catradora was so integral to the story that the execs couldn’t not allow it. That’s so brilliant, and it feels so natural in the story. Queer love saves the day and it’s not ambiguous, it cannot be censored because you lose a part of the story without it. You did it, Noelle, you funky little lesbian, what an icon. I can’t wait to see more stuff from her.

In other news, I appreciated other characters as well, like how all the princesses got to be different and awesome in their own unique way. Season 5 was great for so many characters, Mermista got so much to work with and Spinnerella and Netossa got so much more characterization than in previous seasons. Glimmer continued to be the third most important character in the story and I’m happy about all the relationships that also got to be canon. Good characters and dynamics all around, no wonder since the show is built on that.

Such a satisfying conclusion and one that makes you feel like this is just part one of a much bigger story. Such genuine, heartfelt moments, well-developed characters, complex themes explored in a respectful and digestible way, and such an unapologetically fun show. Melissa Fumero as a side character? Yes please. Catra’s new haircut? Heck yeah! She-Ra’s new design? Oh my.

I’m not even like, super into She-Ra, and I usually don’t write so much about things I only watch casually. But this show is so good and important that I had to rant. And I will write more about it eventually, but for now I needed to get all of this out. I’d give it a better structure but if I really get into I might never end up posting it so for now here, have this ramble of love. She-Ra, of all shows, deserves that.

[tagsecretsanta]

From @neuroticphysiologist

To @i-am-chidorixblossom

Secret santa does not own this work, full credit to author above!

With Brains busy with his project, Virgil volunteers to help John with the maintenance for  Thunderbird 5. 

Prompts: 

*Virgil spending time in Thunderbird 5 with John 

*Virgil looking after his brothers and them returning the favour when he needs it *Winter/snowy vacation with the Tracy boys 

********************************************************************************************** 

Virgil came down to Brains' lab to see what's up. 

"Hey, Brains." 

"Hello, Virgil." 

"Anything I can do to help?" 

"N-none, I'm afraid. But when I get to w-work on the new Zero X, I'll call you." "Okay, sure." 

He looked around the lab. It was quite organized; files piled up and tools all placed on  the desk. He stared at his calendar. 

"Well, it seems like you have something important to do." 

"Oh, this?" Brains was referring to his current task. "Y-yes, it's very important." "No, I meant the annual maintenance for Thunderbird 5. It's on your calendar, Brains." "Oh, d-dear," he checked his calendar. "I should be working with John by now. T-thank  you for reminding me, Virgil." 

But Brains said he's completely in focus with his project. If he leaves now, the invention  would go critical. 

He has been so busy since they found out about what happened to Jeff. He proceeded  to work on the new Zero X, and he's also working on something to free the Mechanic  from the Hood's control. The said second project is one of his most difficult tasks to do, and he‟s still not done yet. He was making sure that the Mechanic won't get hurt. It took  him several tries but he failed. But he always knew that he's almost there. 

The new Zero X requires a lot of parts, but Brains and MAX cannot do it themselves.  The rest of the family comes down to help from time to time. Virgil also serves his  favorite brand of coffee to him; it's something to accompany him with his work.

But sometimes, poor Brains needs to have a break, but working on something scientific  and logical keeps him going. 

"M-MAX will be a great help for John, but I c-couldn't send him alone without my help." Virgil is concerned about Brains, so he spoke up. "I'll do it. I'll head to Thunderbird 5 and�� help John with the maintenance." 

Brains sighed. "Thank you, Virgil." 

"But I think I'm gonna need the checklist for it." 

"Of c-course. Hold on." 

Virgil knew the spare parts Thunderbird 5 needs to maintain its functionality. He sends  them via space elevator. But being there with John, he will encounter doing the annual  maintenance for the first time. 

Brains moved his chair to the drawers to find the folder. Unfortunately, he didn't have a  soft copy for the checklist, but anyways, he passed the hard copy to Virgil. "John has an  extra copy, so if you n-need to review the ch-checklist before proceeding to Thunderbird  5, you've g-got that." 

"Thanks, Brains." 

Virgil headed to the lounge to talk to John. 

"What is it, Virgil?" 

"Hey John, I'm coming up there to help you with the maintenance for Thunderbird 5." "Thanks. Is Brains up for the job too?" 

"No, that's why I volunteered to help you. He's been so busy lately." "I see." 

"Can I use the space elevator, John?" 

"It's quite risky to use it, since my last mission with a rogue ship was a mess and it  almost broke a few of the space elevator's minor parts." 

"Brains was almost angry at you." 

"Yeah," John nodded. 

"You've been so impulsive at the time." 

"I had no choice. Alan got his hands full and I'm the only one who can help. Well,  speaking of Alan, you can wait for him to take you here. He's almost done." "Sure. I'll just review the checklist Brains gave me." 

"Take your time," John closed the call, and then proceeded to notify Alan. "Oh, hey, John!" 

"Virgil is planning to come up to Thunderbird 5 to help me with the maintenance." "What about Brains?" 

"He's busy at the moment. Virgil needs a pick up."

"FAB. Heading to Earth's orbit now." 

Virgil heard Thunderbird 3's engines, and when it landed on the launch pad, he brought  the checklist, geared up, and proceeded to join Alan. Thunderbird 3 launched again and  docked to Thunderbird 5. 

"Here we are, Virg. Wish you luck." 

"What for?" 

"Checking the external is probably the hardest of them all, but you'll get there." "Thanks, Alan." 

"No problem." 

******* 

Virgil brought the folder and entered Thunderbird 5. He heard John talking to Alan  through the comms. 

"Unfortunately, Alan, we have a situation." 

Alan's sigh was heard. "And what's that?" 

"Satellite in uncontrollable spin," John explained the details. "But I'll know you'll finish it  fast." 

"Okay, John, Tell the crew I'm on my way." 

When Virgil heard Thunderbird 3 leave the dock, he started floating to meet his brother. "John? I have the... whoa!" 

John went to the corridor to meet Virgil, who's currently seen floating upside down. "You  got an extra copy from Brains." 

"Yeah. There's a lot of work to do." 

John grabbed his arm to get him right side up. "I hope you'll get used to it, Virgil." "I'll get it, John. First time I've been here, I sent you half a dozen of chocolate cream  bagels. I wanted to send it to you personally because I left an important note." "From Virgil, with love?" 

"Not only that." 

"Yeah, I read the rest of it." 

Virgil opened the folder for a brief review. "So, where do we start?" "We're going for a spacewalk. We'll check the externals first before we head in here.  Alan, EOS, and I repaired the space elevator yesterday and right now it still needs  rechecking to see if it works perfectly." 

"Alright then." 

"Free float for a while, I'm almost done plugging the wires." 

"I'll help you."

******* 

"By the way, Alan reminded me of checking the externals." 

"Let me guess, difficult?" John glanced at his brother. 

"That's what he said." 

"Yes, it is, but today, we won't be long. I've started the maintenance two days ago,  pretty early because we weren't so busy, so just in case, I proceeded right away. Brains  and MAX helped me on the first day, then Alan and EOS on the next day." Five is the biggest of all the Thunderbirds; it takes a long time to do the general  maintenance, so it's checked annually. Some parts are checked if there are problems. It  is made sure if all the systems are functioning properly. 

John closed the control panel. 

"We'll get back to the processors later. Let's go, Virgil?" 

******* 

They hooked themselves near the airlock when they were outside. As Virgil observed,  everything is almost complete. The solar panels are in the right place, the gravity ring is  spinning normally. He remembered what he reviewed. Then he floated to the underside  to check the hidden control panels. John was in the opposite side to check the  maintenance hatch. They moved on to the next tasks when they switched places. It took  them about an hour and a half. Then they were back together when they reached the  space elevator. 

"Hey, John," Virgil started conversing. 

"What is it, Virgil?" 

"I was thinking if we could go out in the snow this year. Gordon and Alan were asking  me." 

"I think so. I don't usually like going out in the snow, but if the whole family will agree,  that's fine with me." 

Virgil climbed up to see his brother. "I miss it, John. Last time we went out, it was like  three Christmases ago." 

"Yeah, I remember. Was it because Gordon and Alan miss having snowball fights?" Virgil chuckled. "I guess so." 

"That would be a great idea, Virgil." 

They talked about their previous Christmases on Tracy Island. Decorating days were a  mess. Those include wrapping someone with a tinsel, ribbons, or gift wrappers and  tossing the Christmas balls and they end up being broken. The two youngest were the  hosts of that. There's also the time when Virgil borrowed John's digital single lens 

camera and rainbow colored Christmas lights from the box for an experimental photo shoot. He asked Kayo to be the first model and it went perfectly. 

Almost everyone helped Grandma when it comes to cooking. It was a good feast for the  family. Exchange gifts were also present in the tradition, and singing a few Christmas  songs. 

Last time they went out for Christmas, they went to Switzerland. They stayed for four  days and three nights in a hotel. They went snowboarding and built a snowman on the  first day, skiing and snowball fights on the second day, and snowshoe hiking and getting  warm inside the ski resort on the third day. It was the best. 

In the ski resort, the family met a South Korean tour guide, who stayed in Switzerland  for his job. He assisted them for the skiing, snowboarding, and snowshoeing equipment.  He was happy seeing them enjoy themselves with snow sports, not to mention the  bragging of the "maknae line", as he called it. When it comes to snowboarding, Mr.  Scott the Showoff and Alan the Awesome at Agility were the coolest at that. There's  also Kayo the Freestyle Skier. Gordon wanted to show his best too, but snow sports  didn't like him so much. 

Virgil was the best at making snow sculptures. He built around five unique ones. They  would've been good for display, but a crazy antic from the tinies ruined one of the  sculptures. They escaped from the big V with a sled. 

John always kept warm in the chalet, along with Grandma and Brains, the two youngest  were always up for a snowball fight, and Kayo was the lead at snowshoe hiking. 

Virgil wished they could go out in the snow again, after reflecting about those memories. 

"It's the 7th of December," he said. "We should plan it somehow." 

"Let's hope that we're all gathered together this week to talk about it." 

They were done checking the space elevator. They tested it when they went inside  Thunderbird 5. It worked perfectly. 

"All done," John noted. "Let's head to the processors." 

The maintenance was almost done, but Virgil wanted to talk more with John. It's been a  long time they haven't had pretty long conversations that were about outside the rescue  business. He thought about what he wanted to say to him.

When they started checking, he stared at his little brother. He always wanted to tell him  about his habits. John looked so tired. He looked paler, slimmer, and his bags under his  eyes looked pretty obvious. He was on duty for six consecutive days with little hours to  rest. 

"How long did you rest your eyes, John?" 

"Four hours. Why are you asking?" 

"I'm sorry, John, it's just, look at you. Grandma is so gonna send you back to Tracy  Island." 

John sighed. Yeah, he's right. "I'm sorry, Virgil." 

"We're not so busy after all. After the maintenance, we're going back to Earth together,  alright?" 

He just nodded in response. 

It was like, „here we go again, now faced with the other smother hen of the Tracy  brothers‟. Virgil always had to be sure that his brothers are okay. He would simply ask  with a pat on the shoulder. If one of his brothers is not in a good state, physically, he‟ll  take him to the bedroom (or to the infirmary if it‟s serious) to give the best treatment.  Emotionally, he would give a big hug. His hugs are the best. 

He helped Alan with some lessons that confused him. He also helped a stressed out  Scott to keep him calm. For Gordon, well, he has always been by his side. And John,  he'll help him with his work, such as the repairs in Thunderbird 5. 

But who takes care of Virgil when he's not okay? 

At times, stubborn Virgil hides his pain. He also hides in his room to let out his sadness.  When one of his brothers notices him, he would feel the same. They have returned the  favor. 

He remembered the time he faced one of the hardest decisions in his life. He was  offered a scholarship from a prestigious university because of his remarkable musical  talent. It's a great opportunity, but he was having second thoughts. He had International  Rescue business to handle, and he had to take care of his family. It took him days to  decide, until he finally chose to reject the scholarship offer. When he went back home,  he had regrets. If he chose to accept the offer, his family will still support him, of course.  He was stressing himself out even though he had made his choice. He was thinking that  he did something wrong. He wouldn't have the opportunity back. He sat down next to  the grand piano and nodded. When Scott came in to hug him, he couldn't help but cry.  Then his brothers followed. It was hard to set aside the musical career he wished to 

pursue ever since he was little. It would've been a dedication to his mother. But it  wouldn't upset her, right? If he rejected the offer just to help his family first? 

Oh, man. Even today, it still hurts him. But he knows he'll get there. He'll achieve his  dream of becoming a concert pianist someday. 

The moment was all in his mind while replacing the CPUs. He slowed down his actions  and John noticed him. 

“Are you okay, Virgil?” 

He went back in focus and again and quickly closed the board. “Oh, I‟m fine, John.  Nothing to worry about.” 

“Are you sure? Because you looked a bit upset.” 

“It‟s nothing.” 

“Here you go again, Virgil. Earlier, you were concerned about me because I wasn‟t  taking care of myself. At least I was honest about why. And you, you‟ve been hiding  again.” He stopped his work to talk to his brother. “What was it that bothered you?” Virgil sighed. “Remember the time I told Scott about the scholarship I declined?” “Yeah?” 

“That‟s what I was thinking. Still hurts me, though.” 

Yep, John had to get back home to see him. Seeing Scott comforting a sobbing Virgil  who was having regrets about rejecting a wonderful offer that would help him in his  musical career sure was painful to the heart. John always loved his big brother‟s  playing. He sits down and watches him play, and sometimes, he would accompany him  with his trumpet. He rarely plays the instrument. He enjoys it more when Virgil is there  to play with him. 

John puts his hand on his brother‟s shoulder. “I was sad about that too, wondering why  you did that. But I know you‟ll get to it.” 

“Thanks, bro. I always keep that in mind.” 

******* 

“We‟re all done here,” John picked up the tools. “Thank you, Virgil.” “No problem. Remember, we‟re going home together.” 

“Of course. Let me have a word with EOS first.” 

“Yeah, sure.” 

Virgil continued picking up the tools used to repair the processors. Minutes later, John  did a quick fix on EOS‟ systems and now he‟s ready to join his brother.

They rode on the space elevator and headed to their quarters to switch to their  comfortable clothes. But John, he took a shower first. Later on, he headed to the kitchen  to grab something to eat, a little more than his usual appetite while in space. Meanwhile,  Virgil talked to Grandma about John staying at home for a few days. When International  Rescue gets busy, then it‟s time for John to get back to work. 

John went back to his bedroom after having small talks with his brothers. He noticed  that the bed sheets were changed and the comforter was placed neatly. “Grandma changed that for you,” he heard Virgil. 

“I‟ll send her a personal thank you tomorrow,” John lied down and tucked himself in. “I‟ll turn off your alarm clock,” Virgil approached to the bedside table. “Virgil, that‟s already broken two months ago.” 

Virgil checked the alarm clock. The second hand was missing and the battery was  drained. 

“I didn‟t bother to fix it,” John explained. 

“Your phone?” 

“No alarm set in there.” 

“Alright. It‟s just that you need to get some sleep.” 

Virgil walked to the door. 

“Virgil?” 

“Yeah?” 

“Thank you, for today.” 

“Always happy to help, little brother. And… thank you too. We haven‟t had a pretty long  talk together, and it was nice to spend the time with you.” 

“You‟re welcome.” 

Virgil turned off the light. “Good night, John.” 

“Good night, Virgil.” 

-end-

[themattress]

Danganronpa Chapter Ranking

Ranking all 18 chapters across the three games. 

First, I will rank each corresponding chapters over one another.

Chapter 1:

1. Welcome to Dangan Island + Destination Despair (DR2)

DR2 is the technical best of the series and it definitely has the strongest opening. While I actually prefer DR1′s prologue, DR2 definitely ups the stakes when it comes to the actual introductory murder mystery, creating a spooky nighttime locked room situation right off the bat and keeping you guessing as to how the murder went down. The high point, of course, is the revelation of Nagito’s true nature, which let you know that this is a guy to watch out for.

2. Welcome to Despair + To Survive (DR1)

Like I said, the prologue to DR1 is my favorite one - just the opening scene alone perfectly sets the tone for all that’s to follow, I also really enjoy getting to explore the school and interacting with the adorable Sayaka Maizono. The problem with this chapter is when Sayaka gets killed. Not only is the investigation a very standard one, but the mystery is too easily solved - Sayaka even wrote her killer’s freaking name down and most players will figure that out well before any of the characters do! I know this is the first case and all, but come on!

3. Ultimate Revival + My Class Trial, Our Class Trial (DRV3)

If DR1′s first chapter problem was being too easy to solve, this one’s problem is that it’s impossible to solve because the game withholds the key evidence for the sake of a twist - evidence that exposes the female protagonist you are playing as, Kaede, as the culprit! It’s a shame - despite some issues here and there (goddamn Monokubs...), I was liking the atmosphere this chapter was setting up with its ticking clock factor, the Ultimate Academy was well designed and kept distinct from Hope’s Peak, and Kaede was a wonderful, lovable protagonist the likes of which we hadn’t seen before in this series. But that one ending twist which results in her getting taken from us in favor of some dude ruins the whole chapter.

Chapter 2:

1. Boy’s Life of Despair (DR1)

Only DR1 manages to have its second chapter be an improvement over the first: with not only expansions on all of the characters and even the school itself, but a mystery that isn’t so easily solved because a certain rich douchebag deliberately tampered with the crime scene in order to make the case more challenging. The only mark I have against this one is the weird gender politics at play, and even then it’s not insulting or anything: Mondo’s toxic masculinity is even highlighted as his fatal flaw. And of course, this chapter gave us Genocide Jack. WIN.

2. Sea and Punishment, Sin and Coconuts (DR2)

While a step down from the preceding chapter, it’s not by much: this is still a quality chapter with quality character and plot development and a quality murder mystery. My biggest gripes are that it becomes obvious who the culprit is early into the trial and how they committed the murder but it takes a long time for the characters to decide on those things. If that wasn’t enough, the revelation of the killer’s motives is ridiculous, with two shocking swerves on top of each other, one of them a lie and the other one the truth. The actual scene leading to the execution, however, more than makes up for that with how emotional it is, with one of Derek Stephen Prince’s best performances in his career as Fuyuhiko reveals his inner vulnerability.

3. A Thin Line Divides Heaven and Hell (DRV3)

This second chapter is a HUGE step down from the first one. Shuichi is immediately a far blander, less compelling protagonist than Kaede was, there are too many detours before the murder happens, the mystery is way too convoluted and the culprit’s motivation is an even bigger shocking swerve than DR2′s, and the execution just goes full Saw to the point of being almost too uncomfortable to watch. In the end, it doesn’t even feel like this case mattered, it was all a drawn-out way of revealing the underwhelming “twist” to Maki’s true identity which only ended up working against her character. The best part of this chapter would have to be the body discovery, which is one of the most shocking and effective in the whole series.

Chapter 3:

1. A Next Generation Legend! Stand Tall, Galactic Hero! (DR1)

Third Case Syndrome hits DR1 the least out of all the games, as despite the problem of the class trial’s pay-off not matching the intensity of the build-up, it still doesn’t cheat the player in any way. The mystery is still well designed and on paper the crime is brilliant, and even the way it falls apart in execution makes logical sense given what has been established about Celestia and Hifumi throughout the game. There’s even fun to be had in the trial given Celestia’s legendary breakdown, plus her execution being among the series’ funniest.

2. Trapped by the Ocean Scent (DR2)

I like some things about this chapter, particularly early on: Fuyuhiko’s character development, Ibuki’s concert, Nekomaru’s sacrifice, Nagito continuing to be his delightfully twisted self, and Monokuma’s hilarious “Wizard of Monomi” movie. The build-up to the body discovery with that supposed suicide video is also legitimately scary. But it all falls apart in the class trial to a comical degree, with the revelation of the culprit having so much wrong with it I hardly know where to begin. Everything about Despair Disease in general feels like filler and a way to ax off three characters that Kodaka had no idea what to do with. It’s just a glaringly bad chapter.

3. Transfer Student From Beyond the Grave (DRV3)

This is where Third Case Syndrome hits its nadir: once again some legitimately good and scary build-up (including the requisite second murder happening halfway through the investigation when you’re not expecting it to) is destroyed by a farcical class trial that is riddled with plot holes, convoluted mechanics, and random extreme character turns that makes it clear that Kodaka was just doing all this to kill off characters he felt had reached their limits rather than staying consistent with what came before. Special mention must go to Korekiyo’s motives. While Celestia and Mikan’s motives aren’t sympathetic either, there are sympathetic reasons behind them. But with Kiyo, the reasoning behind his serial killing is...incest. Literal brother-sister incest. We had a potentially interesting, creepy character in Kiyo, but he was utterly squandered and turned into one big incest/see-saw meme. Such a waste!

Chapter 4:

1. Do Ultimate Robots Dream of Clockwork? (DR2)

One of the most challenging yet also one of the most unique and rewarding chapters in the whole series. The Strawberry / Grape funhouse is the stuff of nightmares, and the game doesn’t pull any punches in how horrific the situation inside it is, with the characters slowly starving to death and with the only way out being to either kill someone or brave a creepy life-threatening escape room. Then once the murder happens you get to play as Nagito during the investigation, getting further insight into his fucked-up mind before he pulls a morbidly hilarious 180 on his attitude and becomes a total condescending jerkwad rather than a creepy self-denigrating suck-up. And the investigation and trial amounting to figuring out how the funhouse is structured and how that structure was utilized in the murder is intellectually stimulating in the best way. Add to that one of the most emotional culprit revelations and executions and you have one of the greatest chapters ever put in a mystery-solving game.

2. All*Star*Apologies (DR1)

DR2′s fourth chapter is better, but DR1′s comes extremely close. Not only is it a locked room mystery where just about everyone except the protagonist and deuteragonist are a feasible suspect which leads to the most fun, challenging and satisfying class trial in the game, but it also ends up being the story’s emotional high point. The reveal of who actually killed Sakura and why, the reasoning behind why an innocent party tried to take the blame for it, and the long-overdue uniting of the Killing Game’s participants (even Byakuya!) against their true enemy, Monokuma...it’s powerful stuff that lingers in your memory long after it’s finished.

3. Live and Let the Languid World Live (DRV3)

Now don’t get me wrong: this chapter was the best one in DRV3 since the first chapter, but I feel like it’s trying too hard to recapture the glory of the previous games’ fourth chapters and mostly failing. The virtual world and trying to figure out how it works is a blatant copy of the funhouse from DR2, except that we barely spend time in the virtual world compared to the funhouse and whereas figuring out the structure of the funhouse actually took a lot of thinking, the secret of the virtual world is painfully easy to deduce and leads to another instance of the player being several steps ahead of the characters. Kokichi as a Nagito-esque antagonist just doesn’t work and it’s frustrating to watch him play all the other characters like fiddles when it’s so transparently obvious what he is doing. Lastly, while the deaths of Sakura, Alter-Ego Chihiro, Nekomaru and Gundham were sad, there was still a note of triumph and hope in them as well. There’s none of that in the deaths of Miu, Gonta and his Alter-Ego. These deaths are just sad, depressing wastes, even moreso in retrospect after Chapter 6.

Chapter 5:

1. Smile at Hope in the Name of Despair (DR2)

Nagito was right: DR2′s Chapter 4 was merely “the opening act” for THE best chapter in both the game and the entire series. Seeing Nagito finally go full-on batshit insane and carve out a path of destruction that leads to his own death is enthralling, as is figuring out the hows and the whys of his death, peeling back the layers of his madness and malice until you arrive at the horrifying truth, all culminating in one of the most heart-wrenching moments in the series when Chiaki finally reveals the truth about herself and offers herself up as a sacrifice to stop Nagito’s heinous scheme from coming to fruition. I get teary-eyed just thinking about it! The bizarre triangular dynamic between Hajime, Chiaki and Nagito really made this game’s story as good as it is despite uneven writing early on, and this chapter is the culmination of it.

2. Voyage Without Passion or Purpose (DRV3)

When it comes to the game’s overarching story, I don’t really care much for the events that transpire in this chapter. But when taken as a stand-alone, it’s excellent. Someone has been killed and someone is responsible for it, but for the first time in the series you aren’t just unsure about the culprit, but the victim as well! To make matters worse, the culprit shows up to the class trial inside a mech suit that has a voice changer, and he keeps changing his voice between Kaito and Kokichi’s to further muddle which one of them is actually dead. And to top it all off, not even Monokuma knows the solution to this mystery and you actually have to work together with him in order to solve it! Gotta hand it to Kodaka: this move was inspired. If only I actually gave a damn about Kaito, Kokichi and Maki, this case would hit much harder.

3. 100 Mile Dash; Pain of a Junk Food Junkie (DR1)

This time, the opposite holds true: I like these events as part of the over-arching story, especially everything that happens from the execution (the scariest one in the whole game, IMO) and onward. But when taken on its own, this chapter is a mess. Not only is the mystery and trial literally contrived by Monokuma in order to set a trap for one character, but it tips its hand too early by showing the discovery of the victim’s dead body well before it’s time for that scene to happen, and the constant flashing back to Kyoko telling Makoto about the existence of Mukuro Ikusaba is somewhere between comical and infuriating. I think the worst part is that there’s no permanent consequences for anyone: nobody actually dies in this chapter! Not the supposed victim Mukuro, not Monokuma, not Kyoko and not Makoto. It even turns out that Alter-Ego Chihiro managed to kind of survive its execution in the previous chapter! WTF? We’ve spent a whole game getting used to the finality of death, but now death is cheap!

Chapter 6:

1. Ultimate Despair + Goodbye Despair High School (DR1)

I think that DR2′s final chapter is arguably better, more epic and more conclusive than DR1′s, but I still can’t help but prefer DR1′s, similar to how I prefer Phoenix Wright’s “Turnabout Goodbyes” to Trial & Tribulations’ “Bridge to the Turnabout”. Everything about the overarching story and its mystery comes together perfectly here, Junko Enoshima never had the same villainous impact that she does here, and the conclusion where Makoto saves the day by becoming the Ultimate Hope, Junko puts herself through every execution in the game, and the surviving students open the door to an uncertain yet still hopeful future is just iconic.

2. This is the End, Goodbye Academy of Despair + The Day Before the Future (DR2)

Like I said, this one might be superior on a technical level, as it pulls out even bigger plot twists, features even deeper emotions and a greater sense of closure and catharsis, has a grander sense of scope, and Junko being given an even more final defeat since she’s a villain that if you want to defeat you can’t just kill physically but spiritually as well. Chiaki’s role here especially gets me choked up, and Hajime’s narration in the epilogue is the perfect note to end the story on....both the story of DR2 and the conjoined story of DR0, DR1 and DR2.  

3. Goodbye Danganronpa + Everyone’s Killing Game, Closing Ceremony (DRV3)

This is an ending that’s better watched than it is played. Watching it, it’s comedy gold in how absurd it is. But actually playing through it is a chore, and having to do such a chore for the sake of an ending that is intentionally designed to piss you off is no fun at all. While I’d say the game’s third chapter is technically worst, this one is definitely my least favorite, especially when you take that god-awful, pointless epilogue into account. Kodaka, if you want to end Danganronpa, then go all the way and end it on your terms; don’t pussy out with that crap!

And now, my final ranking of all the chapters is as follows:

1. Smile at Hope in the Name of Despair (DR2) 2. Do Ultimate Robots Dream of Clockwork (DR2) 3. All*Star* Apologies (DR1) 4. Boy's Life of Despair (DR1) 5. Welcome to Dangan Island + Destination Despair (DR2) 6. Welcome to Despair + To Survive (DR1) 7. Ultimate Despair + Goodbye Despair (DR1) 8. This is the End, Goodbye Academy of Despair + The Day Before the Future (DR2) 9. Sea and Punishment, Sin and Coconuts (DR2) 10. Voyage Without Passion or Purpose (DRV3) 11. A Next Generation Legend! Stand Tall, Galactic Hero! (DR1) 12. Live and Let the Languid World Live (DRV3) 13. Ultimate Revival + My Class Trial, Our Class Trial (DRV3) 14. Trapped by the Ocean Scent (DR2) 15. 100 Mile Dash; Pain of a Junk Food Junkie (DR1) 16. A Thin Line Divides Heaven and Hell (DRV3) 17. The Transfer Student From Beyond the Grave (DRV3) 18. Goodbye Danganronpa + Everyone's Killing Game, Closing Ceremony (DRV3)

1-9 are the “strong chapters”, while 10-18 are the “weak chapters”.

[deviant-reads-stuff]

Books I Read Throughout 2020-Part One

For many of us this year has been incredibly stressful and difficult. There were times throughout this year that my mental health had suffered, but there were also times where I couldn't have been happier. If I were to make any comparison to what the year was like, I would say that it was like the scariest and exciting roller coaster that anyone has ever been on. During the year, while the world seemed to burn around us and everything terrible happened, I managed to surpass my reading goal for the year. Something I did not expect to do, especially since I had months where it seemed that I couldn't finish anything. In times like this, I think it's important to take a step back and look to the positive things, even if they are small.

Here I am going to give a brief description of the first 10 books that I read, with a small snippet of what I thought of the books at the time.  

Book One - The Book Thief by Markus Zusak

Finished Reading on January 4, 2020

"It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will be busier still.

By her brother's graveside, Liesel's life is changed when she picks up a single object, partially hidden in the snow. It is The Gravedigger's Handbook, left behind there by accident, and it is her first act of book thievery. So begins a love affair with books and words, as Liesel, with the help of her accordian-playing foster father, learns to read. Soon she is stealing books from Nazi book-burnings, the mayor's wife's library, wherever there are books to be found.

But these are dangerous times. When Liesel's foster family hides a Jew in their basement, Liesel's world is both opened up, and closed down.

In superbly crafted writing that burns with intensity, award-winning author Markus Zusak has given us one of the most enduring stories of our time."

For years I have heard good things about this book and for many, this is an all time favorite. I was excited to pick this one up, especially since I had read

I am the messenger

by this author and loved it.  While I do not view this book as an all time favorite for myself, I do think it was beautifully written. I just personally wished that it was a bit shorter at times as it seemed to drag on. Despite feeling that it was a little long, my favorite part of this book was the role in which Death plays. I won't mention anything more in case some of you are still contemplating picking this one up.

Book Two - All Systems Red (The Murderbot Diaries #1) By Martha Wells

Finished Reading on January 5, 2020

"In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety.

But in a society where contracts are awarded to the lowest bidder, safety isn't a primary concern.

On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied 'droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as "Murderbot." Scornful of humans, all it really wants is to be left alone long enough to figure out who it is.

But when a neighboring mission goes dark, it's up to the scientists and their Murderbot to get to the truth."

This was a novella that I greatly enjoyed, but unfortunately I have not kept up with the series. I believe my library did not have the rest of the books and at the time I didn't want to purchase them. As my library continues to get the rest of the series, I will gladly continue to read them. I thought the story was unique, and at times funny. I would highly recommend this series to anyone who wants a science fiction book that is quick and easy read.

Book Three - Fantastic Beasts and Where to Find Them By Newt Scamander

Finished listening to an Audiobook on January 7,2020

"An approved textbook at Hogwarts School of Witchcraft and Wizardry since publication, Newt Scamander's masterpiece has entertained wizarding families through the generations. Fantastic Beasts and Where to Find Them is an indispensable introduction to the magical beasts of the Wizarding World. Scamander's years of travel and research have created a tome of unparalleled importance. Some of the beasts will be familiar to readers of the Harry Potter books - the Hippogriff, the Basilisk, the Hungarian Horntail ... Others will surprise even the most ardent amateur Magizoologist. This is an essential companion to the Harry Potter stories, and includes a new foreword from J.K. Rowling (writing as Newt Scamander) and six new beasts!"

I am not one who will usually listen to audio books. I have an incredibly difficult time listening to anything that is over 3 hours because it's hard for me to really concentrate on the storyline. On occasion, though I will listen to them, depending on the length of the title and if the general consensus is that the audiobook is better. Fantastic Beast was a great audio book to listen to when I took my daily walks. I was able to delve a bit deeper into the wizarding world and learn more about the creatures briefly mentioned in Harry Potter.

Now, I do want to briefly bring into attention that I will no longer purchase anything written by JK Rowling. I have always distanced myself from creators as I use books and music to escape, but it has come to my attention that JK Rowling has repeatedly done harm to the trans community. That's not something I agree with or can support in any way shape or form. For those who do continue to purchase and read JK Rowlings work, that is your choice and I will not say anything about it (unless it is actively causing harm here). This is my own personal choice and opinions on JK Rowling.  

Book Four - The Near Witch

Finished Reading on January 9, 2020f

"The Near Witch is only an old story told to frighten children.If the wind calls at night, you must not listen. The wind is lonely, and always looking for company.And there are no strangers in the town of Near.These are the truths that Lexi has heard all her life.

But when an actual stranger-a boy who seems to fade like smoke-appears outside her home on the moor at night, she knows that at least one of these sayings is no longer true.

The next night, the children of Near start disappearing from their beds, and the mysterious boy falls under suspicion. Still, he insists on helping Lexi search for them. Something tells her she can trust him.

As the hunt for the children intensifies, so does Lexi's need to know-about the witch that just might be more than a bedtime story, about the wind that seems to speak through the walls at night, and about the history of this nameless boy.

Part fairy tale, part love story, Victoria Schwab's debut novel is entirely original yet achingly familiar: a song you heard long ago, a whisper carried by the wind, and a dream you won't soon forget."

I am going to be perfectly honest. I will pick up everything that V.E Schwab writes eventually. Including this book, I have read 10 of her books and I have enjoyed every single one of them. The Near Witch is one of V.E Schwab's earlier works that had previously gone out print. Recently, the book has gone back into print and received a cover change. The story takes you to another world with superstitions, magic, and adventures. While it is apparent that this is an early work of V.E Schwab that does not mean that it's not a great book to pick up. This book brought me back to the type of books that I read when I was younger and it was an overall great experience.

Book Five - How's Moving Castle By Diana Wynne Jones

Finished Reading on January 12, 2020

"Sophie has the great misfortune of being the eldest of three daughters, destined to fail miserably should she ever leave home to seek her fate. But when she unwittingly attracts the ire of the Witch of the Waste, Sophie finds herself under a horrid spell that transforms her into an old lady. Her only chance at breaking it lies in the ever-moving castle in the hills: the Wizard Howl's castle.

To untangle the enchantment, Sophie must handle the heartless Howl, strike a bargain with a fire demon, and meet the Witch of the Waste head-on. Along the way, she discovers that there's far more to Howl—and herself—than first meets the eye."

Howl's Moving Castle is probably one of my favorite stories of all time. I first watched the animated film by Studio Ghibli. In all honesty, I have a hard time determining which version is my favorite. The movie and novel do have some differences, but I think both can be enjoyed. Howl's Moving Castle shows how the pressures placed upon us and how we view ourselves can have a negative impact on ourselves, but only if we let it. Sophie struggles with being eldest daughter, and struggles with seeing her worth, but as the story progresses, we see how resilient and strong she is.

Book Six - Bird Box By Josh Malerman

Finished Reading on January 21, 2020

"Something is out there, something terrifying that must not be seen. One glimpse of it, and a person is driven to deadly violence. No one knows what it is or where it came from.

Five years after it began, a handful of scattered survivors remains, including Malorie and her two young children. Living in an abandoned house near the river, she has dreamed of fleeing to a place where they might be safe. Now that the boy and girl are four, it's time to go, but the journey ahead will be terrifying: twenty miles downriver in a rowboat—blindfolded—with nothing to rely on but her wits and the children's trained ears. One wrong choice and they will die. Something is following them all the while, but is it man, animal, or monster?"

I had originally watched the Netflix movie before listening to the audio book. I was curious about the book as I noticed a lot of people was divided on whether or not the movie was better than the book. Although I thought the audio book was great, I definitely enjoyed the movie more. Normally this is never the case, but I thought the book was adapted well onto the screen. What are your thoughts on it? Was the movie better than the book?

Book Seven - Skyward By Brandon Sanderson

Finished Reading on January 25, 2020

"Defeated, crushed, and driven almost to extinction, the remnants of the human race are trapped on a planet that is constantly attacked by mysterious alien starfighters. Spensa, a teenage girl living among them, longs to be a pilot. When she discovers the wreckage of an ancient ship, she realizes this dream might be possible—assuming she can repair the ship, navigate flight school, and (perhaps most importantly) persuade the strange machine to help her. Because this ship, uniquely, appears to have a soul."

Skyward was the first Bandon Sanderson book that I've ever picked up, shocking I know. I was not disappointed at all. Skyward brought me out this world and I found myself rooting for the girl who fought for everything that she's ever had. If you haven't picked this ne up yet, what are you waiting for?

Book Eight - The Name of the Wind By Patrick Rothfuss

Finished Reading on January 30, 2020

"My name is Kvothe.I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to Gods, loved women, and written songs that make the minstrels weep. You may have heard of me.

So begins a tale unequaled in fantasy literature--the story of a hero told in his own voice. It is a tale of sorrow, a tale of survival, a tale of one man's search for meaning in his universe, and how that search, and the indomitable will that drove it, gave birth to a legend."

I first read this book in 2015 and picked it up again earlier in the year. I personally feel like I enjoyed the book more the second time around. It's a lengthy and often slow story of a man telling the story of his life. I have often described this book as having a similar ambiance to The Lord of The Rings and Harry Potter. Don't get me wrong though, this is a completely different story of those two series, but I couldn't help but draw a comparison.

Book Nine - Red, White, and Blue By Casey McQuiston

 Finished Reading on February 15, 2020

"First Son Alex Claremont-Diaz is the closest thing to a prince this side of the Atlantic. With his intrepid sister and the Veep’s genius granddaughter, they’re the White House Trio, a beautiful millennial marketing strategy for his mother, President Ellen Claremont. International socialite duties do have downsides—namely, when photos of a confrontation with his longtime nemesis Prince Henry at a royal wedding leak to the tabloids and threaten American/British relations.

The plan for damage control: staging a fake friendship between the First Son and the Prince. Alex is busy enough handling his mother’s bloodthirsty opponents and his own political ambitions without an uptight royal slowing him down. But beneath Henry’s Prince Charming veneer, there’s a soft-hearted eccentric with a dry sense of humor and more than one ghost haunting him.

As President Claremont kicks off her reelection bid, Alex finds himself hurtling into a secret relationship with Henry that could derail the campaign and upend two nations. And Henry throws everything into question for Alex, an impulsive, charming guy who thought he knew everything: What is worth the sacrifice? How do you do all the good you can do? And, most importantly, how will history remember you?"

I needed something lighter and easy to read after The Name of the Wind. Red, White, and  Blue did not disappoint, and I was whisked into the life of Alex Claremont-Diaz and Prince Henry. This LGBTQ+ book is full of entertainment, self-discovery, drama, and love.

Book Ten - Cress (The Lunar Chronicles, #3)

Finished Reading on February 17, 2020

"In this third book in the Lunar Chronicles, Cinder and Captain Thorne are fugitives on the run, now with Scarlet and Wolf in tow. Together, they're plotting to overthrow Queen Levana and her army.

Their best hope lies with Cress, a girl imprisoned on a satellite since childhood who's only ever had her netscreens as company. All that screen time has made Cress an excellent hacker. Unfortunately, she's just received orders from Levana to track down Cinder and her handsome accomplice.

When a daring rescue of Cress goes awry, the group is separated. Cress finally has her freedom, but it comes at a higher price. Meanwhile, Queen Levana will let nothing prevent her marriage to Emperor Kai. Cress, Scarlet, and Cinder may not have signed up to save the world, but they may be the only hope the world has."

The Lunar Chronicals is a guilty pleasure of mine. Each book in the series is a re-telling of famous fairy tales. Cress, the third book of the Lunar Chronicals, is a sci-fi/ fantasy re-telling of Rapunzel. While each book follows a different fairy tale, the whole series comes together and forms an epic story. As we follow a shy young girl, who spent her life locked away from everyone suddenly get swept into the resistance, we learn that hope is always possible even in hopeless situations.

[woolishlygrim]

Winter Weebwatch #3

I feel a little bad for giving out so many two and three star scores, so I should probably clarify that three stars is meant to be ‘generally pretty good’ and two stars is meant to be ‘watchable but very flawed.’ We’re not working on IGN metrics here.

Also, this week is the week I finally drop a show! What could it be, what could it -- it’s Plunderer. Of course it’s Plunderer. I couldn’t get all the way through this week’s episode and life’s too short to bother watching any more of it.

Also also, while In/Spectre hasn’t been dropped, it gets subbed so late that I’m skipping it this week and rolling this week’s episode over to next week’s post.

ID: Invaded.

★★★★☆

God, why was this show relegated to the Death Season, Where Anime Goes To Die? For three weeks running now, ID: Invaded has stood head and shoulders over all of its competitors, and while there’s always the possibility it could collapse in under its own weight, it so far seems to be going pretty strong.

So episode four (again, see remarks about how one and two aired in the same week) sees Sakaido and the team in a race against the clock to catch the Gravedigger, a serial killer who traps people into enclosed spaces with just a few oxygen canisters and livestreams their struggles, showing the world their final moments and even continuing the livestreams to show their bodies decaying. The Gravedigger has kidnapped a new victim, and for the first time left enough cognition particles behind for Sakaido to dive into his mental world.

Whereas previous episodes have focused heavily on the mystery angle, this episode largely focuses on the stress the case puts on Sakaido and the team. The Gravedigger’s world is a uniquely dangerous mess of fire, explosions, and shifting architecture, and Sakaido dies again and again as he struggles to find any evidence of the Gravedigger’s identity.

Much like the last episode, this would sit at a solid three stars, being a fairly engaging and somewhat harrowing story of Sakaido and the team putting themselves under immense stress to save a victim. What boosts it up to four stars is the moment where the writers pull the rug out from under the characters and the audience: The Gravedigger they’re hunting is only a copycat of the real Gravedigger, and his victim has been dead for days, the ‘livestream’ actually a recording.

The episode also hints at a bigger role for the Perforator in future, as the team attempts to use him as a back-up detective, Akaido, only to find out he’s ill-suited for the role.

Pet.

★★★☆☆

Pet was so close to a four star rating this week. So close. 

So, this week’s episode continues an unclear amount of time after the last week’s episode, with Hiroki and Tsubasa having bought a fish store (as in a pet store that sells live fish and naught else, not a fishmonger’s), which Hiroki believes means they can stop doing work for the shady Committee -- only for Tsubasa to inform him that the Committee paid for the store in the first place, but not to worry, he’ll do all their jobs, and Hiroki doesn’t have to do any of them.

So this episode is … moderately upsetting, actually. Intentionally so.

The bulk of the storyline, in which Tsubasa alters a bodyguard’s memory so that he’s compelled to murder one of his boss’ friends, isn’t what’s upsetting about it, although it does deal with some sensitive subjects, namely domestic abuse and the objectification of vulnerable people. No, what’s upsetting is that, like with last week’s story about Hiroki and Tsubasa altering the memories of a couple, this one also harks back to Hiroki and Tsubasa’s relationship -- specifically, that Tsubasa is emotionally abusing Hiroki.

We get hints of this early on, when Tsubasa is deliberately vague about whether he’ll psychically synchronise with Satoru, another character who, at least in Hiroki’s mind (although evidently not in Satoru’s), is something of a romantic rival. As the episode wears on, Tsubasa goes about his work, while Hiroki, left alone at the fish store, begins showing his immaturity by acting out with his powers before eventually becoming sullen and unresponsive. All of that wouldn’t be enough to indict Tsubasa as being abusive, except in the final scene, as Katsuragi snidely remarks that their new store will never be successful and Hiroki will have to return to a life of crime, Tsubasa mildly returns that he knows it won’t be successful, and he knows it will hurt Hiroki, but that’s just part of ‘taking care of a pet.’

Aaaand we get our title, with all of the unpleasant implications of how Tsubasa views the much more immature and emotionally vulnerable Hiroki.

This episode would have scraped a four star score, but the early parts of the story are a bit too fast paced and a bit incoherent. That really was the only thing holding this absolute gutpunch of an episode back.

Bonus points to the episode that the thing that prompts Hiroki to act out with his powers is seeing a woman’s domineering and callous boyfriend, implying that he is at least somewhat aware of what Tsubasa is like.

Honestly, when this show started I was not expecting a meditation on the subject of abusive relationships, but here we are, and I’m down for it.

Darwin’s Game.

★☆☆☆☆

Oh my god, I just watched it. I just watched it, guys, and I don’t remember even the tiniest bit of it. Am I crazy? Is this what crazy feels like? It’s like I’m blotting the show out of my memory.

I remember something to do with plants and that’s … that’s actually the only thing I remember about this episode.

I don’t even think Darwin’s Game is bad (although let’s be honest, how would I know), it’s just not really anything. It has somehow hit that sweet spot between good and bad where it just fails to make any kind of impact at all, and my brain just interprets it as background noise and proceeds to flush all data pertaining to it.

I might drop it just because this has got to be getting boring for anyone reading these reviews by now. Watching this show is like a sneak peek of suffering from dementia. 

And yet, I still know for a fact it’s better than Plunderer, so it gets one star.

Plunderer.

☆☆☆☆☆ (DROPPED)

Aaand I’m out.

Look, after the shitshow that was the first episode, I should have dropped it straight away. I gave it a chance, and the second episode convinced me that, hey, maybe this wouldn’t be so terrible, maybe the first episode was just an outlier.

The first episode was not an outlier. Episode three isn’t entirely sexual assault and sexual harassment, but about twelve minutes in it does segue into an extended sequence of exactly those things, getting worse with each passing minute. I got up to fourteen minutes, the point at which a supporting character was cheering on the protagonist to sexually assault someone, before I just couldn’t stomach watching anymore.

This show could be the most interesting, engaging, thought-provoking thing on television, and the constant sexual assault would still make me drop it. Luckily, even if you take out all the sex crimes, all you’d get is a show that was basically okay at best.

So zero stars for Plunderer, and I’m dropping the show. To be perfectly honest, I should have dropped it after episode one. 

Sorcerous Stabber Orphen.

★★★☆☆

Onto more pleasant news, man, I just don’t know what’s up with Sorcerous Stabber Orphen’s pacing. Having proceeded at a truly glacial pace for the first two episodes, this episode caps off the entire current story arc, bringing it to an abrupt close.

Now in the company of his old mentor Childman and a task force of sorcerers, Orphen tracks down the dragon-ified Azalie, attempting to reason with her, only for Childman to stab him and eviscerate Azalie. In the aftermath, however, Orphen realises that he’s been played: The dragon he thought was Azalie was actually Childman, and the person he’s been thinking of as Childman is actually Azalie.

So, that was a weird twist. It’s not, in fact, completely out of the left field. The episode sets up early on that Azalie was skilled not only in elemental Black Sorcery, but also in telepathic White Sorcery, and that she should have access to those spells even as a dragon, something which is cause for concern because nobody in the task force has White Sorcery, including Childman. Later on, the confrontation with Dragon-Azalie (Drazalie, if you will), has a character call attention to how she hasn’t used any White Sorcery since the battle started. So when it’s eventually revealed that Azalie did, in fact, use White Sorcery, secretly swapping her mind with Childman’s and letting him die in her place, it actually fits together in quite a neat fashion. 

The episode ends without any real hint as to where the story is going to go next: Azalie escapes in Childman’s body, and Orphen is still an exile from the Tower of Fangs, and there aren’t any other pressing story threads, so I guess we’ll see.

Infinite Dendrogram.

★★☆☆☆

This is the second week in a row that I’m giving Infinite Dendrogram two stars, and it actually physically pains me to do so, because I really like this series. I think apart from ID: Invaded, it’s my favourite anime this season, by quite a significant margin.

But nothing at all happens in this episode.

Okay, that’s only half true. The episode opens with the Player-Killers roaming around Altar having all been killed, which journalist (that’s literally her character class, which I kind of love as a concept) Marie Adler says was the work of just the four ranked players. One by one, she shows the main cast a video of each one taking out a clan of Player-Killers in their own unique way: Arena gladiator Figaro takes his targets out one by one, sadistically toying with them before striking the killing blow; cult priestess Tsukuyo uses magic to immobilise her targets, before letting her cult skewer them one by one; martial artist Lei Lei takes them out in a surprisingly friendly and sporting fashion; and the King of Destruction, whose identity is unknown and definitely not Ray’s big brother, definitely, absolutely, just levels the entire forest his targets are hiding in.

I … do see the necessity of introducing them. The Superiors are basically this show’s Gotei 13, or Gold Saints, or Hashira, or <Insert Group Of Loosely Allied Big Tough People That Are In Every Post-Saint Seiya Shounen Anime> here. There are, however, more interesting ways this could have been done than having the characters watching four videos of fights they already know the outcome to.

For example, what if, instead, you had an episode setting up the characters all getting trapped in different areas, pursued by higher level Player Killers, only for them each to be saved by a Superior. That would actually have some tension and dramatic stakes, and it’d be a much more dynamic way of introducing them. 

[fallsekings]

The Psychology of the Governor- So many people seem to assume that the Governor was a jerk from the start, when he wasn’t, and I will never portray his character as such. When I write a character, I never base my opinions on a character solely on their actions, but the reasons behind why they do the things that they do. The Governor is a villain, so I already expect him to do bad things, so the fact that he does bad things is boring. Why he does those bad things? Far more interesting. At least to me personally. That’s why I like digging into a villain’s psychology... and so I hope that this helps you guys understand him a little better, too.

The Governor’s childhood-��For part of this character analysis, I will be using the novel written on Philip’s/Brian’s backstory, The Rise of the Governor, since they didn’t really go into his background much in the show. In the book, The Governor’s name is actually Brian Blake (but the show condensed everything) and Brian was the eldest of three siblings. He was also described as a sickly book nerd... or the “runt” of the liter. He was highly intelligent and even went to college! But his home life wasn’t all that it was cracked up to be. His father, Ed Blake, was a violent drunk that frequently yelled and screamed and beat on his children... however, his younger brother, Philip, would always stand between him and his father and protect Brian from the beatings that they would receive and this is a fact that Brian also mentioned in the show:

Brian: “I remember the first smoke I ever had. Me and my brother huddled in the garage puffing on one of my dad's Lucky Strikes. He must have smelled the smoke, because he came barging in looking to beat up on us. But my brother got between us. Said he stole them. Wasn't true. It was me. But that was my brother. Hero. He got two black eyes and a broken rib for that. And I got beat anyway.” (S4E07)

(Since this post got a little long, the rest will be beneath the cut.)

I won’t go into Brian’s entire childhood history, but suffice it to say that, even though he was the older brother, he came to see Philip as his hero. He wanted to be just like him. He was everything he wanted to be and more. His brother was popular in school, had lots of friends, helped people, did ‘manly’ things like hunting, etc. etc. etc. Brian was the exact opposite. He was weak and could not take care of himself in hardly any setting. Philip honestly came to see Brian as a burden and he resented him for it... because Brian was the bigger brother and Brian should be the one that he could look up to, and not the other way around.

The Apocalypse- When everything went down, Philip (along with Bobby and Nick, two of Philip’s friends) found Brian hiding in their parent’s basement. Philip became the leader of their small group. They traveled from Waynesboro, where they originally lived, to Wiltshire Estates (where they lost Bobby), and then onto Atlanta, Georgia. Brian initially couldn’t kill a zombie. He just couldn’t bring himself to kill something that used to be a human being and he even broke down crying at the thought of it a few times, which would always piss his brother off. He would either push Brian out of the way, or kick him, and beat on him and try to drill it into his head that he NEEDED to be the bigger monster in order to survive.

Still, Brian didn’t mind the beatings so much. He actually tried to impress his brother a few times and do impossible (for Brian) things, just to prove to his hero that he could do what he needed him to do and be who he wanted him to be.

He still failed. Penny died. They were running away from crossfire and Penny was shot through the stomach and she bled to death in his arms. Later in the show he says:

Milton: “What would your daughter think about what you are?” Brian: “She'd be afraid of me. But if I had been like this from the start, she'd be alive today.” (3x16)

“If I had been like this from the start.” You see how he is blaming himself for her death? How he believes that if he was the bigger monster from the start, like his brother literally beat into him, that be believes that she would still be alive? This is what it’s all about. Not just Penny, though. Shortly after he lost her, he lost his brother, too, who at this point was starting to lose his own sanity. The stresses of leadership had gotten to him enough that Nick decided to kill him... and Brian of course defended his hero and told Nick that he believed that, if given the chance, he could fix himself... but Nick didn’t listen and shot Philip... and then Brian wrestled the gun out of Nick’s arms and shot Nick. Philip also bled out and died in Brian’s arms just as Penny did.

This is when they arrived at Woodbury. Before Brian was the leader of the small town. This is where it gets tricky, though.

Woodbury was, at the time, ran by Gene Gavin, who was a ruthless National Guardsman that held the town by force. Brian had gone into a dissociative state after his brother died... wondering how he would make it without him or if he even wanted to... and then one day Gene Gavin held a town meeting and when there was a disagreement, someone tried to leave and Gavin shot the man. Brian kept asking himself what his brother would do over and over again, and as if something else controlled his body, Brian stood up and walked up onto the stage and unloaded his gun into Gavin and encouraged the rest of the town to take their town back from the National Guardsmen. 

And so they did. Martinez was one of the first people on his side and when he asked Brian what his name was? Brian didn’t say Brian. No. Brian told Martinez that he was Philip Blake. Brian essentially develops a dissociative fugue, and took on the personality of his brother... which eventually morphs into the monster known as the Governor.

In General Psychology- So... Brian has always been weak. Always. He couldn’t survive, so he took on a personality that could survive. Something that was far more ruthless and monsterous. Brian tried to do right for a while, but he was thrust into the position of being a leader before he was ready. He was still mourning his brother and Penny and all he had to go on when it came to being the leader is what his brother beat into him. Be the bigger monster in order to survive. So he did try that. He even tried to desensitize himself by putting head in fish tanks and forcing himself to look at them... and to remind him that he was still alive and if he wasn’t careful, he would end up exactly like those guys. Dead.

Brian has a dual personality. Himself and that of his brother. He’s constantly waging a battle for dominance inside of his head... but the Governor eventually gets strong enough to overtake him.

Weakness is the trigger that brings this monster out. Because it was his own weakness that got everyone killed.

Why do people develop multiple personalities?

Dissociative identity disorder, previously called multiple personality disorder, is usually a reaction to trauma as a way to help a person avoid bad memories.

The definition: 

Dissociative identity disorder is characterized by the presence of two or more distinct personality identities. Each may have a unique name, personal history, and characteristics. 

This is Brian/Philip/The Governor and this describes him perfectly.

You can see the monster triggered by weakness when he kills Marinez, like a switch being flipped in his head, please pay attention to his eyes. You can tell he’s slipping into a dissociative state here:

Brian’s immediate reaction to Martinez admitting to no being able to defend the camp is “oh my god, you’re going to get my family killed. You can’t do what it takes in order to survive and I DON’T WANT IT. I don’t want to share the crown. I don’t want the crown at all, damn it.”

But the question is... why didn’t he want it? Brian didn’t want it because, when he killed all of his own people at the end of season 3... Brian came back out. It shocked him to see what he did... what he became... he knew he was a monster and he was afraid of what he was capable of... so he separated himself from everyone... because he knew that if he had a reason to care, he would have a reason to fight and that meant the monster would come back out... and he didn’t want that monster to surface again.

Except it did, after Martinez triggered the monster/the Governor to come out again by admitting that he was too weak to defend the camp... and then he tried to squash the monster down again.

The problem was... he was starting to realize that he was the only one that was there that could lead--- he shouldn’t lead, but he was the only one that was capable of it and he didn’t like it.

Brian: “We need to leave. It isn't safe here anymore.” Lily: “What are you talking about? We can't just run off. I'm the only nurse in camp. Tara's got Alicia. What about Megan?” Brian: “Look, things are about to go very wrong here. It's happened to me before. I can't put you and Megan through that. Can't lose you again.” (4x07)

“Can’t lose you again.” This whole conversation is about him and Penny and how everything circled back to that moment that he lost her (because he couldn’t lose Meghan a second time if he hadn’t lost her the first time). HE was what was about to go very wrong there. It had happened to him before... he was referring to the monster resurfacing again when he tried so hard to put it away in the box and forget about it... but it was bubbling to the surface once again and there was nothing he could do except try to run from himself... and as you know, he wasn’t capable of escaping it. 

So like I said before jsbkjbg the Governor is many things, but a sociopath isn’t one of them. He is very misunderstood. He is an abuse survivor and yes, he has done a lot of terrible things, but he is a product of nurture, not nature.

[starwarsnonsense]

Top 10 Best Films of 2017 - End of Year List

I did a mid-year ‘best of’ list, so it was only fitting that I returned to the format at the end of the year to run down my top 10 favourite films of the year. Only three films from my mid-year list remain here, which is a testament to what an incredible year it has been for film. As far as I’m concerned, 2017 has been a real banner year for cinema and it has seen the release of several all-time greats that I look forward to enjoying for many years to come. 

Since I’m based in the UK there will be several notable omissions here (I still eagerly await films like Phantom Thread, I, Tonya and The Post), purely by dint of the fact that they have yet to be released in this country. Do look out for them in my forthcoming most-anticipated of 2018 list!

Honourable mentions: Custody, Brimstone, The Disaster Artist, Professor Marston & the Wonder Women, Call Me By Your Name

1. Star Wars: The Last Jedi, dir. Rian Johnson

While the placement of this film on my list may be resoundingly predictable (check out the total lack of bias signalled by my username!), the thrilling thing is that the film itself is anything but. The Last Jedi shatters the Star Wars mould to entertain new forms of storytelling and question long-held assumptions. It’s a shockingly meta story in how it questions the conventions of Star Wars - particularly those concerning lineage and its implications - but it is never meta in an ironic sense. There are no wink, wink moments, and while the past is investigated and questioned it is never mocked. Instead of descending into irreverence, The Last Jedi is meta in a way that feels absolutely necessary and justified if Star Wars is to remain fresh and vital as it moves forward. Bloodline and history do not have to dictate destiny in this new version of Star Wars - the heroes are those who understand this, and the villains are the ones who fail to grasp the same lesson. It’s a beautiful and intellectually rigorous movie, and I’m thrilled by how it elevates and re-contextualises the stories that came before it while pushing the characters and their relationships forward. I have no idea of where Episode IX will take this story, and that is incredibly exciting to me. Bring it on.

2. Blade Runner 2049, dir. Denis Villeneuve

There are a million and one reasons why this movie shouldn’t have worked, but Villeneueve proved his genius by making a sublime sci-fi picture that actually surpasses its predecessor. I have always admired the original Blade Runner more than I’ve enjoyed it, and that’s because I have always found it emotionally distant. Deckard struck me as a mumbling arse and his romance with Rachael always felt obligatory, not organic. The genius of Blade Runner 2049 lies in how it made me care - it made me care about the love between Deckard and Rachael (which was something of a miracle in itself), and it made me care about the love between K and his holographic girlfriend Joi. With these emotional hooks in place, everything worked as a thrilling symphony. The cinematography is easily the best of any film in 2017 (sorry, Dunkirk - I still love you) and this film has an astonishing number of scenes that still linger in my mind after many months - the very modern threesome, the shootout in the gaudy pleasure palace, the fight in the rain, the father seeing his child for the first time. It’s a breathtaking film and I couldn’t be more excited to see what Villeneuve does next.

3. Dunkirk, dir. Christopher Nolan

Dunkirk is such a striking and effective piece of cinema that it actually made me overcome my innate bias against war movies (I blame too many tedious Sunday afternoons wasted on mandatory viewings of The Great Escape at my grandparents’ house). With Dunkirk, Nolan has probably made his most accomplished and sophisticated movie - it starts off unbearably tense and doesn’t release its grip on your pulse until the final scene, when its hero finally drops off to the blessed peace of sleep. Nolan employs a tricksy converging structure with multiple plot strands to ramp up the tension and provide different perspectives on the evacuation, masterfully playing them off each other to assemble the big picture. While criticised by some for its apparent lack of character, I can’t really agree with that assessment - Dunkirk is probably the most powerfully humanistic war film I’ve ever seen, and by stripping its characters down to their rawest selves it reveals some uncomfortable yet powerful truths about all of us. The characters are somewhat distant from us - we never hear them pine for lovers or miss their mothers - but the removal of these storytelling shorthands leaves us with soldiers who behave exactly as you would expect frightened, stranded children to. And there’s something terrifyingly poignant about that.

4. mother!, dir. Darren Aronofsky

mother! is the work of a madman with no fucks to give, and it is what I choose to refer to as ‘peak Aronofsky’. He made what is clearly an allegory, and while he had his own intentions with said allegory (which he has been very loud about declaring) the film is so cleverly constructed that it can simultaneously be about the entire history of the world and the plight of the tortured artist’s muse - either reading is perfectly correct and supported by the text. mother! is a piece of art that has provoked a lively and frequently heated debate, and while it needs to be read as an allegory to make any kind of sense as a narrative I also don’t want to undersell this movie as an emotional experience. If you go into mother! willing to be challenged and content to be swept up in a bold artistic vision, it has the potential to be a really absorbing and engrossing film - it is anchored by Jennifer Lawrence’s remarkably brave and unrestrained performance. She is not playing a grounded character, but her performance is palpably real and frequently painful to witness - she portrays the whole spectrum of emotions, from mild bemusement to shrieking horror, and the whole film soars on the strength of her efforts. This is a uniquely strength and esoteric film, and I am incredibly happy that it exists.

5. Get Out, dir. Jordan Peele

This film really knocked me for six, to such an extent that I simply had to see it twice in the cinema. It got even better upon a re-watch, when I was able to watch it with full knowledge of the characters’ underlying motives and the things to come. It’s a terrifying concept (the racism of an all-white suburb is taken to a horrifying extreme) executed with incredible panache, and you feel every emotion that Chris goes through thanks to Daniel Kaluuya’s excellent performance. Get Out also represents one of the most brilliantly communal experiences I’ve ever had at the cinema - I won’t spoil it, but let’s just say that the audience erupted into spontaneous applause at a key moment in the climax. Simply fantastic. 

6. The Handmaiden, dir. Park Chan-wook

This film is exquisite - it’s first and foremost a beautiful boundary-smashing love story, and an absolutely marvellous tale of female defiance. It transplants Sarah Waters’ novel Fingersmith to 1930s Korea, and the story is effortlessly adapted to become intrinsically interwoven with its new setting. Sookee is a talented pickpocket plucked from a thieves den and sent as a handmaiden to trick a rich heiress into falling for a conman. To say any more would spoil the twists, but this film is just a masterwork of suspense, keeping you guessing throughout a series of interlocking pieces that take their time to reveal their secrets. I’ve seen the theatrical cut and the extended version, and they’re both great - you’re in for a treat with either.

7. The Florida Project, dir. Sean Baker

This is one of the best screen depictions of childhood I’ve ever seen. Our hero here is Moonee, a smart-tongued and cheeky six-year-old. Moonee lives in a motel room with her abrasive but loving mother, but since she’s a child she doesn’t mope or lament her poverty - she takes her surroundings for granted and makes the tacky shops and hotels that form her world her very own theme park. The Florida Project is firmly committed to adopting a child’s eye perspective, and while it can feel a bit meandering to begin with it gradually accumulates pace and purpose, building to an utterly heartbreaking and unforgettable climax. The performances here are extraordinary, and Brooklynn Prince is so palpably real as Moonee that she’ll own your heart by the end of the movie (having squeezed it to bursting point on several occasions).

8. The Shape of Water, dir. Guillermo del Toro

I’ve long been a huge del Toro cheerleader, and this movie is perhaps best described as ‘peak del Toro’ - it has the mannered, detail-oriented set design, the charming quirkiness, the subverted horror, and the woozily strange romance that he has employed again and again in his films. This story, however, is unusual for del Toro in that it is ultimately optimistic and hopeful - it’s the daddy of all supernatural romances in that it is a full-blown love story between a mute human woman and a fishman, and it is characterised by total commitment and self-belief. Think Creature from the Black Lagoon done with the creature as the romantic hero. The Shape of Water has a certain playfulness that means it never feels ponderous or silly, but it affords its characters real respect and dignity and makes you care for them deeply. This movie makes me excited to see where genre filmmaking can go next (hint: I hope it only gets weirder).

9. Thelma, dir. Joachim Trier

Who knew something like this could come out of Norway? This was probably my biggest pleasant surprise of 2017 in terms of film - I went in with no expectations at all, and came out wowed. This is an intensely strange and effective supernatural horror that follows a girl with strange repressed powers that manifest whenever she experiences desire. It could be a hackneyed or exploitative premise in the hands of a lesser filmmaker, but Trier shows a deft hand and a remarkable talent for building tension and creating a sense of heightened reality. There is one scene set to ‘Mountaineers’ by Susanne Sundfor that is one of the most transporting experiences I have ever had in the cinema - the combination of the ethereal music and the mounting suspense makes for real film magic. This was a great reminder of how important it is to take chances and try out films outside your comfort zone.

10. Jackie, dir. Pablo Larrain

This is a film that soars on the strength of Natalie Portman’s incredible performance, which is complemented by Mica Levi’s haunting score. Portman’s performance is painfully vivid, with her agony and wretchedness coming through so intensely that it’s often uncomfortable to watch. Jackie is probably the best portrait of grief I’ve ever seen, and it sucks you into a famous historic event by providing an incredibly intimate perspective on it. This is great cinema, but be prepared for suffering.

[rememberthattime]

Chapter 54. Scotland

“Sing me a song of a lass that is gone

Say, could that lass be Chelsay?

Merry of soul she sailed on a day

Over the sea to Skye”

Those lyrics are from an 1870s song about Scotland’s Prince Charlie fleeing from the British after his failed Jacobite rebellion. ...They’re also from the Outlander theme song, but just ignore that.  

I’m using them because the lyrics are a perfect introduction to Chelsay and I’s Scotland escape following lockdown.

I wrote about the lockdown in the last post, but the past five months have been… uncomfortable. Chelsay and I made it through relatively easily, but months of stay-at-home orders, minimal social activity, and the daily onslaught of terrible news take their toll.

Chelsay and I also hadn’t taken a single day off since we started in London six months ago. Without the chance to travel, we didn’t want to waste our vacation days sitting at home. All of this culminated in a pent-up desire for adventure. To get away from the house, the city, and the news.

Flights and international travel aren’t quite safe yet, but luckily we have Chelsay’s favorite travel destination in our own backyard: Scotland.

One of the only small benefits of lockdown has been the extra time to plan trips. I mentioned in the last post that I booked fully cancelable trips throughout the year, preparing for whenever lockdown measures eased. I knew the Puglia and Lakes District trips in April and May had little chance, but a road trip to Scotland in July MIGHT be possible. I scoured the news throughout lockdown, interpreting every story in the context of possible travel: “Did you see France is opening up in May - good sign. And the UK said they might open restaurants in June...”

Chelsay quickly got tired of my over-analysis, but finally, in June, the Scottish government announced they’d reopen for tourists on July 15. I’d booked the trip back in April, but nailed the start date: July 17. Nostra(vel)damus.

With a flood of confidence and excitement, I used our remaining lockdown time to smooth any potential hurdles throughout the trip. Downloading offline maps, saving every possible location we’d visit, researching the best trails and how to avoid crowds - even trawling Google Street View to find where to park (difficult given how rural Scotland is).

We left a bit later on Friday afternoon than planned, so our six hour Day 1 drive had us crossing the Scottish border around 11 pm. That said, Chelsay downloaded some excellent podcasts to pass the time: Dolly Parton’s America and Serial Season 3.

Day 2 is when the trip really began. And within 5 minutes of arriving at our first destination, Glencoe, the dream of our Scottish escape became reality.

We’d visited Glencoe on our 2016 road trip through Scotland, but I planned the 2020 visit slightly differently. Namely, I accommodated a dog. I found a quieter trail far from the road, but still providing dramatic views of the undulating valley.

Maybe it was freedom from the previous day’s drive, but Indy seemed entirely in his element. He was darting off path, investigating small waterfalls along the trail, and thoroughly enjoying every bit of his border collie homeland.

Chelsay and I were swept up in the setting too. This wasn’t stuffy London – it was nature… Raw nature… Raw nature happening all at once: wind, clouds, sun, and rain all within 10 minutes. These are the elements in Scotland, but it didn’t bother us at all. In fact, it was invigorating. After months of being cooped-up at home, we felt so much freedom just steps into our first walk.

I was also overwhelmed by another emotion: adventure. It’d been so long that I hardly recognized the feeling. You start the day in one place – at home, in your routine.  Then, suddenly, you step out of the car, train, or plane, and you’re transported to a different planet. What happened to your routine? Work, cooking, doing the dishes… all gone. Your attention is completely captured by what’s in front of you: colourful Italian villas, wild Australian outback, open Indian Ocean. Glencoe may only be a few hundred miles from London, but this adventurous feeling took Chelsay & I worlds away.

Now, when I say Scotland took us worlds away, I could have been more precise: it took us specifically to the Wizarding world (of Harry Potter).

This was especially true when visiting Glenfinnan Viaduct. Here, the Jacobite steam train passes through a scenic valley along a viaduct twice a day… But the picturesque backdrop isn’t what makes this experience so popular. It’s the fact that the train & viaduct are portrayed as the Hogwarts Express in Harry Potter. As steam billowed into the air and the locomotive let out a whistle, Chelsay jumped around and triumphantly pumped her fist. Indy had the opposite reaction, running away from the booming train as it chugged by.

After a quick stop at fairy-tale castle Eilean Donan, Chelsay and I wrapped up our long journey from London, finally arriving in Balmaqueen on the northern tip of Skye. This trip was really to celebrate Chelsay’s 30th birthday, so I splurged a bit on a holiday cottage. Immediately upon our arrival, Chelsay and I wished we could move here permanently.

First, the cottage was completely renovated – it’s rare for a place this remote to offer Nespresso, Netflix, and digitally-controlled shower, but the owners had thoughtfully accommodated every modern comfort.  Second, and far more significant, the cottage maximized its stunning scenery. Two reclining chairs faced out through the cottage’s wall-to-wall, floor-to-ceiling windows. Some of my best memories from this trip are the quiet mornings Chelsay and I spent in these recliners, sipping coffee while staring out at peaceful pastures and the surrounding North Atlantic sea.

We spent the next three days exploring Skye’s wild landscapes. We’d visited Skye in our 2016 Scotland roadtrip, but despite being a relatively small island (two hours from end-to-end), the 2020 itinerary was almost entirely unique. Chelsay & I only repeated one experience from the previous trip: the Quiraing, our favorite hike in the entire world.  

Minutes into the hike, we were reminded of the Quiraing’s desolate beauty. My description from the last Scotland trip is still spot-on:  

“I’ve never seen solid land twist and turn in this way – the blending brown and olive hues, the fact that there were no trees, and the smooth bending earth made land look like waves.

For some reason, there’s something about this desolate sight that I love: just us, empty space, and open sky (Skye, pun?). There are no city sounds or buildings or buses or people, and there are no boundaries. Just boundless expanse.”

Despite repeating many of the same views, this experience was still unique for two reasons:

First, Indy introduced a new dangerous element. In London, we worry about him invading an unsuspecting picnic. At the Quiraing, a wrong turn could lead him off a cliff. He earned our trust by staying nearby for the first 15 minutes, and we figured border collies are smart enough to safely stay on-trail. We let him off-leash and immediately regretted it – he’s an idiot. He started bounding around the bouncy moss and, next thing we knew, he’d jumped off a 12 foot crag. OMG – is he dead!? I was taking a picture at the time so you can see how big of a vertical drop it was... Thank god he popped up like nothing happened! The only reason he didn’t break both legs was because he awkwardly landed on his face and chest. Needless to say, he was back on leash until the path became safer.  

The other difference from our previous visit was the weather. In 2016, Chelsay & I had to have visited on the hottest day in Scottish history (consequently, we packed extra water this time). In 2020, the weather was back to its normal, turbulent self. The hike started with patches of blue sky – Chelsay and I actually took our jackets off during a quick lunch. It was perfectly pleasant, until Chelsay quietly mumbled “Uh oh” under her breath. I turned around to see billows of rain tumbling over a cliff face about half a mile away. An entire ocean of rain. It looked like the dead invading Hard Home in Game of Thrones.

You could tell it was moving fast so as you read, keep in mind, the following sequence of events happened in under 20 seconds. First, I yelled “Initiate protocol!” (as if Chelsay & I had trained for this) and we hastily packed everything, especially hiding our electronics. Chelsay crouched behind a hill to brace from the wind & rain, and god bless him, Indy INSTINCTIVELY darted underneath her! I’ll never forget his terrified little body sprinting over and literally diving into the hillside. He’d seen exactly what I’d seen (the Army of the Dead) and wanted no part of it. The dowsing ambush only lasted 10 minutes, and thanks to our waterproof gear, we survived... though I’ll never forget Indy’s panicked reaction.

There was actually a second memorable weather-induced experience this trip. Although the storm had passed, heavy clouds remained and completely enveloped the peak. The fog line was very unusual though: there was a distinct line between dense fog and unspoilt views, which gave us two entirely unique feelings. At the top, the brooding clouds felt ethereal and mysterious. We couldn’t see more than 50 yards. Meanwhile, the descent ensured we wouldn’t be robbed of the spectacular setting, providing pristine views of the sweeping landscape.

Similar to our 2016 trip to Skye, the Quiraing was the highlight of our time on the island. That isn’t a surprise: as I said earlier, it’s our favorite hike in the world. That said, our other adventures on Skye were similarly invigorating.  

After the Quiraing, we made a brief some at Neist Point, where a lonely lighthouse sits at the edge of a craggily outcrop. Chelsay, Indy, and I looked on as the North Atlantic waves crashed below, seagulls squawking as they swooped toward the water. What makes Neist Point especially unique is its undulating shape: similar to my quote from the Quiraing, I didn’t know solid land could twist & turn this way.  

The next day, we’d embark on our longest hike of the week: Camasunary Bay, a secluded cove only accessible by foot or boat. This hike doesn’t really have a peak, but rather a long journey through open farmland, leading to a secret beach at the base of the Black Cuillin Mountains.

Along the way, Indy met a fellow border collie named Clyde. I’ll first say that it was extremely rare to bump into people in Scotland (which I loved), but when we did, they often had border collies (which I also loved). Indy had only met one other border collie while in London… and its name is ironically Skye! He met at least 10 in just four days on the island.

Anyway, Indy and Clyde played around in an open heath overlooking the quiet bay. Indy again jumped off a ledge from way too high, this time falling into a bush… He really is an idiot, but again managed to avoid injury.

We completed the long walk without further issue, though Chelsay and I were exhausted by the end. After the Quiraing and Camasunary Bay on back-to-back days, we could hardly feel our legs. Our massive Amatriciana dinner that night revived us, and was hands down the best meal all trip.

We moved very slowly the next day – I’d say we didn’t want to overwork Indy’s juvenile joints, but really our >30-year-old knees couldn’t take anymore. We managed one shorter walk: Old Man of Storr. This is actually the most famous attraction on Skye, but Chelsay and I had previously avoided it due to its popularity. Thanks to Covid though, the crowds were scarce, and we pretty much had the trail to ourselves.

The next day, we departed Skye for Scotland’s far north, Assynt, which is somehow more topographically extreme than Skye.  This terrain pushes most Assynt hikes out of Indy’s (our knees’) range, though there was one feasible option: Stac Pollaidh. “Stac Polly” is just a four-mile hike, but its 1,700 foot elevation provides both a healthy challenge and a view that ‘punches above its weight.’

This view is hidden throughout the ascent, but once you reach the top, the scenery is stunning. It’s like nowhere Chelsay and I have been – like a Scottish Monument Valley: lonely monoliths looming over a basin of stony cnocs and boggy lochs. The setting beneath us had the topographical diversity of an entire continent!

We were due to stay in Assynt for a few days, but decided to make a rare mid-trip audible for two reasons:

Our entire Assynt itinerary was hikes, and we were exhausted. It was time to rest.

Our AirBnb was haunted.

In our 50+ trips while abroad, we hardly ever make such drastic mid-trip changes, but we’ve gotten to the age where we want a little relaxation in our vacation… free from ghosts. Thanks to my Booking.com status (and the Covid-induced absence of travel demand), we found a shockingly affordable alternative:  Thainstone House, a country mansion in Aberdeenshire.

Aberdeenshire is in Scotland northeast, just above Inverness. Its known for its pastural setting (and steak), but also its salty sea coastline. It’s a few hours away from Assynt, yet our couple stops en route proved our audible was the right call.

First, we stopped in the small fishing village of Lossiemouth. I don’t remember anything about the town… We were really just visiting for the four-mile long beach, accessible by crossing a short bridge over the surrounding canal.

Well, the bridge was closed, but the canal’s water levels seemed low enough. After getting drenched at the Quiraing, crossing this dry creek wouldn’t be an issue.  

Wrong. The next hour was eventful, so I’ll break it down in bullet form:

First, the creek was slightly deeper in certain places, but Chelsay remained dry in her tall rainboots. My duck boots were too short, so our solution was that I’d jump on Chelsay’s back, and she’d carry me through this short stretch…

This plan lasted two small steps before she dropped me in the river. My feet were soaked, but no worry. We had all our clothes in the car, so I’d just change when we get back.

We arrived at the beach, an immaculate stretch of empty sand and surf. Apparently, no one else ‘braved’ the canal, because Chelsay, Indy, and I had the beach to ourselves. Well, except the dolphins and seals we saw along the shore! The entire setting was gorgeous: wind-swept grass, endless sandy expanse, and clear waters quietly crashing along the shore.

After thoroughly tuckering Indy out, we decided to head back to the car. One problem, the tide had changed, and the dry creek was now a FLOWING RIVER! WHAT!? We hadn’t even considered the tide when we ventured out… It was too shallow to even think about!

…The emptiness of the beach now made a lot more sense.

Already wet (from being dropped earlier), we decided the only way back was through. The below video is from the SAFER portion of our fording experience. Imagine the scene on the deeper side: Chelsay and I. Waist deep in the river. Fully submerged in shame.

This story may sound familiar… In fact, it’s happened to us before. In Scotland. It was Loch Coruisk, and Chelsay & I were forced to ford a river to catch a once-a-day ferry. What is it about us and Scottish rivers…

Back on dry land, Chelsay and I continued our Aberdeenshire tour through three more small towns: Fordyce, a 13th century hamlet where we stopped at the town’s Old Kirk (church) for lunch; followed by Crovie and Pennan, two salty fishing villages with single-row housing along the seafront.  …After the river ordeal earlier, we didn’t stick around to see what high tide was like.

We pulled into Thainstone House around 4 pm on Thursday, and the car didn’t move until Saturday around 10 am. That kind of dormancy is RARE for Chelsay & I. The only other vacation where we didn’t leave our accommodation for 36 straight hours was Fiji… where the entire island was our accommodation.

The grounds of Thainstone served as an ‘island’ of sorts for Chelsay & I. There was no reason to leave because the manor met every need: elegant dining, dog-friendly trails, cozy rooms, soothing lounges, and plenty of wine & scotch to occupy our leisure time. Chelsay thinks the staff even tailored to our Americanness: they kept playing Chris Stapleton whenever we were in a room alone.

We were sad to leave on Saturday. Not only had we appreciated the slower pace, but we also knew the next two days required driving 11 hours on our way back to London. That said, we had a few noteworthy stops.

First, a brief visit to Castle Fraser, where we stopped for coffee, scones, and walk. This short break was a reminder of the perks of living in Europe: even road trip stopovers included a fairy-tale castle.

We also stopped in St. Andrews, a small, charming college town north of Edinburgh. Over the next few hours, we walked the campus grounds (regarded as one of the best universities in the world and alma mater to Prince William, the future King); took in St. Andrews cathedral (built in the 12th century); and walked the St. Andrews golf grounds (known as ‘home of golf’ and site of the first round in the 15th century). Indy wasn’t impressed – he pooped on the Old Course.

And that was it. That was our trip. We just had one overnight stop in Peebles, Scotland before arriving back home in London…

Well, except… This stop turned out to be the highlight of our entire trip. I’ve genuinely rushed through the last 3,000 words to finally get to this part.

Chelsay & I had an entire castle to ourselves!  

Backing up: I’d initially reserved different accommodation in Peebles, but the owner had accidently double booked. They were very apologetic, and offered an alternative: the ‘Queen Mary suite’ in Neidpath Castle.

I had no idea what she was talking about… I checked the website: a 13th century castle that has hosted Mary, Queen of Scots, her son King James, and poet William Wordsworth. …Yeah, I’ll take the castle!  

Despite this anticipation, our stay still exceeded my expectations. When booking, I thought we’d only be staying in the ‘Queen Mary suite’: a bedroom with accompanying lounge. There were probably other guest rooms though, right?  

Wrong. We pulled up, the owner gave us the keys to the entire castle, and wished us a great stay.

We immediately began running up and down spiral staircases, through corridors, past dungeons, into dining halls, and around the castle’s chapel. We were like little kids. The only other time our hotel had elicited this reaction was in the Maldives (and two days earlier at the country manor… and four days before that at the Skye cottage…).

The castle is so large that we actually lost one another multiple times. One time, Chelsay & I were together but had no idea where Indy had gone… I whistled, but we didn’t hear anything. No movement. We started to worry that maybe he’d gotten hurt or stuck somewhere. We whistled again, but still nothing.  

Suddenly, a *scraaaaaaaaatttcch* came from behind a door.

Chelsay yelped, assuming it was a ghost. Maybe the same one from that Airbnb in Assynt.

We carefully opened the door *creeeeeek*, only to find Indy staring up at us with his mouth wide open. He was having just as much fun exploring the castle.

It had to have been at least two hours before we finally settled down, cozying next to the fire with a bottle of wine. We reminisced on what a spectacular trip it had been, scrolling through the photos to remind ourselves of all the jaw-dropping landscapes we’d visited.

We couldn’t believe some of the scenery… We had just visited these places… We were in the pictures… Yet the settings didn’t seem real.  Glencoe, Skye, that train Chelsay loved, Stac Polly, the river in Lossiemouth…

Scotland’s rugged beauty seems unbelievable in normal circumstances, but the past week felt like even more of a dream given the preceding months. After nearly half a year in lockdown, our Scottish escape was a reminder of how effortlessly adventure awaits while abroad.  

[ramajmedia]

Joker Movie Final Trailer Breakdown: 13 Major Story Reveals

The final trailer for Warner Bros. and DC Films' Joker movie has arrived, so let's breakdown the latest story reveals. After several interpretations of the Clown Prince of Crime on the big screen, Joaquin Phoenix will star in a unique approach to the iconic Batman foe. Joker is directed by Todd Phillips (The Hangover), but he has cautioned DC fans that his movie is not sticking true to the source material and is telling its own story instead.

Still, many have been fascinated by the prospects of a Joker origin movie, especially one that is entirely standalone and not connected to WB's shared universe. Anticipation for the film kicked up with the casting of Phoenix - a three-time Oscar-nominee - but then the beginning of the marketing campaign really drove interest. The first Joker trailer teased a movie that is unlike any other "comic book movie" that has been released, with Joker focused on telling a tragic, character-driven story on how Arthur Fleck becomes the Joker.

Related: Joker Movie Cast & Character Guide

The footage from the latest Joker trailer and those involved have made the film one of the most anticipated movies of the fall and a possible awards contender. It will be shown at a variety of film festivals in the lead up to its official October release, with the film's first screening right around the corner. Before reactions start to come out, WB released the second and final trailer for Joker and we're here to breakdown the biggest reveals.

13. Arthur Loses His Psychiatrist

One of the first reveals made in the new trailer for Joker is that Arthur is going to lose his psychiatrist. We've only previously seen one shot of her asking Arthur if it helps to have someone to talk to. He didn't answer before, and this is now a later session based on the clothing changes. While she once was trying to help Arthur, the psychiatrist has appeared to turn her back on him. The reasoning for her canceling their sessions isn't clear, but it could be one of a final straws that pushes Arthur over the edge.

12. Arthur's Mother Is Hospitalized

Another thing that could push Arthur over the edge is the deteriorating health of his mother. After seeing the two of them dance and Arthur caring for her, the only glimpse at Mrs. Fleck the new trailer gives us is of her in the hospital. This isn't a routine visit either, as she appears to be in bad shape. She also appears to be unconscious, with machines support her breathing. The hospital may be all that is keeping her alive at the moment. Based on their close relationship, her condition worsening could further send Arthur spiraling - especially after what he sees next.

11. Arthur’s Failed Comedy Effect

When Arthur isn't caring for his mother or dressing up like a clown for work, comedy is one of his interests. The final Joker trailer shows footage of Robert De Niro's character Murray Franklin airing a piece of Arthur's stand up routine. While Arthur is initially amazed by the fact that he is on television, that joy quickly turns to anger as Franklin makes fun of him for not being funny. Public humiliation and his mother's dwindling health may be what cracks Arthur's mental state and turns him onto his new path.

10. Arthur Is Watching Thomas Wayne

Joker is going to focus primarily on telling its own story, but one familiar name DC fans will also see in the movie is Thomas Wayne, the father of Bruce Wayne aka Batman. Thomas could be heard critiquing the actions of Joker in the prior trailer, but now there's only ominous set up that he is part of Arthur's plan. He's briefly shown on TV, and Arthur's reflection can barely be seen on the screen. Why Thomas has become a focus for Arthur remains to be seen, but it will lead to a confrontation.

9. Zazie Beetz Is Definitely A Love-Interest

Outside of his mother, the lone character that Arthur appears to be attached to in Joker is Zazie Beetz's Sophie Dumond. She is reportedly playing a single mother who catches the eye of Arthur, and the latter is certainly true based on what we've seen of her. Beetz is shown in the final trailer attending (and enjoying) Arthur's stand up routine, which could either be on invitation or how they first meet. The two of them laugh together at a later point before Arthur, then, arrives at her door in his clown makeup and kisses her.

8. The Joker Makeup Is Applied

To achieve his desired clown look, Arthur requires a lot of makeup and the final Joker trailer shows a quick glimpse at his process. It's a stark difference to the comic books, in which Joker's skin becomes stark white because of a chemical accident. His perfectly white paint covers the majority of his face, and we get to see the early portions of his work in the trailer. It stops short of showing the blue around his eyes or red around his mouth. The trailer also shows him oddly licking his paintbrush, too, but the reasoning behind this is unknown.

7. Clown Protestors At A Wayne Event

As part of Arthur's vendetta against Thomas Wayne, his work as Joker has effectively riled up Gotham's citizens. Outside of what appears to be a showing of Charlie Chaplin's Modern Times at Wayne Hall, a mob of people has gathered in protest. The protesters are wearing clown masks and holding clown-themed signs to either support Joker's cause or rally around him in some form. This may even be the same protest that Arthur is shown watching earlier in the trailer. Gotham police officers are attempting to keep the order, while Arthur stands cheerfully in his civilian attire in the crowd.

6. Arthur Escaping Arkham With Files

Arthur is later seen running through the halls of Arkham Asylum with files in hand. While this has been glimpsed before, the trailer may provide some extra clues as to how he retrieves them. Arthur is shown slamming his head against a metal barrier as there is a struggle for something. It appears as though this could be the same sequence Brian Tyree Henry was shown in during the first trailer. But, it still is not clear what documents - or whose - he is running away with at this moment. It's certainly possible the documents are his, given the Joker's connection to Arkham Asylum in the comics.

5. Thomas Wayne Punches Arthur

Thomas Wayne's final time on screen packs the biggest punch of the whole trailer, literally. He and Arthur are standing face-to-face, with Thomas dressed in a tux. His attire and the fact that Arthur is shown in the same clothes as he wears during the protest might mean that Arthur is brought into the event for a confrontation. Thomas is frustrated by the protests and asks Arthur if this is a joke to him, and when Arthur does nothing but laugh, Thomas punches him in the face. But this does raise an important question: is Arthur known to be Joker, or was he detained for being part of the protest?

4. Joker Leads Chaos On The Subway

As the trailer winds down, the final look for Phoenix's Joker takes center stage, as does the chaos he causes. With the cops on his tail, Joker starts a massive brawl in a subway car. He isn't alone on the subway, though, as many other people around him have clown masks. He puts one on himself to slip away, while his followers and regular civilians keep the cops busy. Based on shots that come after this, he is successful in evading capture, for the time being. At this point, Joker is doing what he does best: incite chaos.

3. Joker’s Stage Name Is Born

The always important moment of a character receiving their comic book accurate name was revealed, too. When Arthur gets a proper appearance on Murray Franklin's show, this is where he fully introduces his new persona. His only request is that they introduce him as Joker when he first walks out. This is the moment where the Joker identity will be officially created. Even though he is the one to request this name, it will be fascinating to see if Arthur comes up with this all on his own or if he receives some form of inspiration along the way.

2. Joker Visits A Children’s Hospital

While Joker is unlikely to be a heroic tale, the trailer does momentarily offer a glimpse at the good that Arthur was doing at one point. His day job as a clown-for-hire saw him on at least one occasion visit a children's hospital to entertain sick kids. Without a care in the world, Arthur dances foolishly in an attempt to lighten the moods of these kids. The moment is quick, so we don't get to see that much of their reactions, but the nurse appears to be enjoying it at least. Taking this away from him is what will ultimately transform Arthur into the Joker.

1. Joker Makes His TV Debut

And finally, Joker's coming out party is how the Joker trailer comes to a close. Set to the lyrics "Send in the clowns," the final shot shows Arthur readying for his TV debut. He's in the full Joker costume and strikes a pose as the spotlights circle around to their positions. Once the curtains open, Joker will make his way onto TV stations across Gotham through Live with Murray Franklin. If he holds any resentment over Murray's prior jokes at his expense, then it only makes what happens next all the more intriguing. It could also lead to many deaths, if the movie ultimately follows certain story elements from The Dark Knight Returns comic.

MORE: Theory: Joaquin Phoenix Isn't the REAL Joker

source https://screenrant.com/joker-movie-final-trailer-breakdown-story-reveals/

[batmenplayingpoker]

Let’s talk about: Arrow 5.19

In which I’m forced to defend Felicity.

After a month’s hiatus, Arrow has returned. Adrian Chase has been exposed as Prometheus, but he’s escaped, and the entire episode revolves around Felicity’s acts of desperation conflicting with the higher moral ground that Oliver has decided to occupy this week.

First off, shout out to Dinah Drake, who didn’t have a whole lot to do but worked what she got.

So anyway, as I mentioned, the dramatic tension of this episode revolves around Oliver v. Felicity (or Oliver and Diggle v. Felicity) with a little bit of Diggle v. Lyla thrown in there at the end. I should say that my feelings about Felicity throughout the course of the series has been conflicted at best. When she was basically a vehicle for “witty” one-liners and double entendres, I mostly rolled my eyes and ignored her. When she was elevated to romantic lead and Supreme Goddess, I hated her. And yet for most of season 5 I’ve ping-ponged back and forth between ambivalence to maybe, sorta, almost liking her in spite of myself?

And yet throughout the series, regardless of my feelings for the character, I have loathed the paternalism levied on her, levied on every prominent female character, in fact, with perhaps the exception of Sara (I would have to go rewatch S2 to be sure). The entire conversation between Oliver and Diggle had me practically seeing red, as they bemoan Felicity’s descent into that moral gray zone that only they are supposed to enter.

The face I was making, it was kind of like this:

Consider this line of dialogue:

“We knew she was involved, and we let her get in deeper.”

The entire conversation is framed in this way, as their failure to exercise control over Felicity’s actions. To be clear: it’s perfectly fine to express concern when you think someone is making poor choices, but they did that. Both Diggle and Oliver on separate occasions expressed their concerns to Felicity, and she took note of those concerns and decided to continue on the path she was going down, because she’s a grown ass woman who can make her own mistakes. It doesn’t mean she’s justified in what she does, she can be wrong! But at the end of the day she is the one responsible for her actions.

To make matters worse, it’s clear this conversation between Oliver and Diggle is not about Diggle taking Oliver to task for failing to exercise control over a team member as the leader of Team Arrow, but for failing to exercise control over her as her ex-fiance! 

Felicity did look pretty amazing in her heist gear, I must say. It was completely inappropriate for the occasion, and I’m not sure why you need 3″ wedge heel boots and smoky eyeshadow for a caper, but whatever, she was wearing something other than those glasses and those ugly designer dresses and she looked amazing! That works for you, Felicity. You should go on capers more often. 

But back to my rant: Sometimes Felicity’s bad choices are just Felicity’s bad choices, and she should be allowed to make them and live with the consequences of making them without being immediately absolved. But the show writers have consistently shown a wariness or inability to give Felicity any kind of moral complexity. She is routinely deified as “the best of us,” “the strongest of us,” “our moral voice,” and her questionable choices are always narratively justified or nullified. Her complicity in Susan’s firing earlier in S5 was waved away with a weak “I didn’t know what Thea was going to do!” (she asked you to plant leading evidence on Susan’s computer and you didn’t know what she was going to do with it? I thought Felicity was supposed to be some sort of genius!) It makes for a character who, when you get down to brass tacks, is pretty boring, who isn’t allowed anything by way of character growth. The scrapes and bumps she must heal from are always inflicted from the outside; her problems are never hers, she’s a victim of the mistakes of others.

For whatever reason, the writers can’t stop themselves from tripping over themselves to elevate her, even with awkward throwaway lines like the one from Diggle in this episode:

“Felicity Smoak is one of the best people I’ve ever known.”

It’s weird, the way other characters talk about her. I have some very close friends who I love with all my heart, but I don’t think I have or would ever appraise them in quite that way, surely not in a pseudo-argument with my spouse (especially since Diggle was basically saying “If even Supreme Goddess Felicity could go darksided, then oh god you, my wife, it could definitely happen to you.”) And this is far from the first time that other characters have talked about Felicity in a way that is entirely unique, that is not found in the way characters talk about any other character. It’s like an edict from on high; every now and then the Powers That Be must possess someone and use them as a mouthpiece to remind the audience that this is a good character and we love her, OK? 

This was also true about Oliver and Felicity’s relationship when it was getting off the ground and/or in full force, by the way. Diggle’s descent into the king of Olicity shippers was just weird, but even that pales in comparison to Laurel shipping Olicity on her deathbed. Why do we need everyone to love and endorse this relationship, this character? It suggests a lingering, uncomfortable insecurity in the writer’s room, a fear that they can’t adequately convey how good and right this relationship or that character is without having it explicitly reinforced by anyone and everyone. 

And let’s talk about Lyla for a second. Unpopular opinion: I hate Lyla.

I know, Digg. But hear me out. In a meta sense I have never warmed to Lyla. She was introduced as a replacement for Diggle’s S1 love interest, who we never saw or heard from again, and she eventually became Amanda Waller’s ARGUS replacement. That’s two black women that Lyla’s stepped in the shoes of, taking their place in the narrative. I’m not trying to draw anything from two data points, I’m just saying it’s enough to give me pause.

Amanda Waller was not a good person. Her decisions as the head of ARGUS weren’t even morally questionable, they were often morally wrong, yet in spite of that, Team Arrow worked with ARGUS on a number of occasions for their own ends (and, again, going back to Felicity, I can’t blame her being frustrated for being told she can’t follow the team’s general “ends justify the means” ethos because she’s been placed on a pedestal as the team’s moral beacon). In this episode Diggle expresses dismay about Lyla becoming “like” Amanda Waller, but what? Excuse me? Wasn’t she always complicit, if not outright involved in some of Waller’s questionable leadership decisions? Lyla wasn’t some powerless lackey, she was fairly high up in ARGUS even before Waller’s death. She chose to be there, she chose to act in concert with Waller, and Team Arrow often benefited from those choices. They’re all hypocrites.

This episode maybe (for me, hopefully) has sewn the seeds of the dissolution of Diggle and Lyla’s marriage. At the very least, it’s a problem that will doubtless linger. Early in the episode when Lyla takes a piece of evidence for ARGUS, the camera lingers on Dinah’s disapproving expression. This suggests to me that there is some merit that perhaps they’re going to explore Diggle and Dinah’s relationship to some extent. How do I feel about this? I don’t know. I’m happy to have Diggle do something other than act as Oliver and Felicity’s cheerleader, I’m happy for him to finally take a stance against his wife’s dubious actions, so I’m certainly interested to see where this is going. But I fear for Dinah if she devolves into Diggle’s arm candy.

The B-plot is Quentin “Hoss” Lance ignoring Rene’s boundary-setting by taking it upon himself to summon Rene’s daughter for an impromptu, surprise meeting, which ends with Rene’s renewed commitment to getting his daughter back. 

I get that this plot is supposed to be heartwarming, but Quentin bowls through Rene’s concerns due to his fresh grief over losing his daughter. To Quentin’s credit, he’s doing remarkably well for someone who’s managed to lose his two daughters THREE times, but sometimes the best thing you can do for someone is recognize that you’re not good for them, and if Rene truly feels that he isn’t good for his daughter, then it’s a good thing that she’s in a more stable environment. Let’s not forget this is a guy who runs around in a hockey mask and carries a gun; he may not be passing out drunk, but I still have some serious concerns about his ability to provide a stable environment. And for Quentin, it’s not even about Rene--not really. It’s about Quentin vicariously living through Rene, because he misses Laurel.

And finally, there were at least three references to Curtis’s “lawyer friend.” This is a strange turn of phrase to be repeated multiple times throughout the episode. Not “Curtis’s friend, who’s a lawyer,” not “a lawyer I’ve been put in touch with, thanks to Curtis,” but Curtis’s Lawyer Friend. Curtis’s Lawyer Friend. Curtis’s Lawyer Friend. Is this alluding to something (someone)? Or is is just strange dialogue? The writing on Arrow is so uneven that it’s difficult to distinguish when they’re attempting to signal something and when they’re just writing sloppy dialogue. Is “Curtis’s Lawyer Friend” supposed to ping something? I honestly can’t recall if we’ve got any relevant lawyer characters waiting in the wings; personally, I’d love for “Curtis’s Lawyer Friend” to be Damon Matthews, but again, maybe they weren’t attempting to signal a new, incoming character. Maybe Rene’s lawyer will, forevermore, simply be known as “Curtis’s Lawyer Friend.” Maybe that’s his actual name. I don’t know. ‘Til next week, which looks like a bottle episode.

[swipestream]

New Release Roundup, 19 January 2019: Fantasy and Adventure

This week’s roundup of the newest releases in fantasy and adventure features a raygun past that should have been, a privateer out to rescue his fiancee, monstergirl madness, and the escape of a rogue superhero.

Accidental Assassin (Sellswords #2) – T. L. Branson

A light shines in the darkness.

The earnings from their last heist have dried up. Now, Ocken and Riley are once again in need of a job.

Ocken doesn’t dare work for the mysterious Viper again, but Riley wants to use the stranger to take down the crime lord, Edward Ziken. Except Viper is nowhere to be found.

But Viper isn’t the only one looking for hired hands. Soon, Ocken and Riley find themselves as pawns in yet another plot for power.

The job seems simple enough, but there’s more at stake than they could possibly know.

Bert Henderson Double Adventure – Spencer Hart

DEATH RAYS & DAMES are all in a day’s work for company troubleshooter Bert Henderson.

Bert’s boss runs Phillips’ Atomics, builder of atomic-powered planes, spaceships, and industrial tools. These high-tech inventions are revolutionizing the world of 1949. So when Mr. Phillips’ interests are threatened, Bert can find himself traveling anywhere on Earth – or beyond.

Criminals and foreign agents are in for more than they bargained for, when Henderson is on the case.

And if there’s a gorgeous dame involved along the way, that can bring its own sort of trouble…”

Contains Bert Henderson’s first and second adventures:

DEATH ON THE MOON: The first ever murder on the Moon brings Bert to Roosevelt Base to find the killer. Mr. Phillips is financing an observatory on the Moon, and construction is halted while the murderer is loose. Can Bert find the killer and prevent more death on the Moon?

FIRE IN THE ANDES: One of Mr. Phillips top engineers has gone missing in Argentina, and Bert is sent to find him. But the investigation leads to the discovery of a greater threat. Complications ensue from encountering a lovely senorita. Can Bert deal with both the case and the dame?

Breaker (Monster Tamer #1) – Isaac Hooke

Three women. 

One man. 

A whole lot of monsters.

Malem is a Breaker. He breaks the minds of beasts, exerting the steel vise of his will over their own, bending them to his wishes.

His ability is severely limited in terms of the types of creatures he can control, and how many. Most monsters have always been beyond him.

And then one day he accidentally breaks a monster girl. Doors begin to open for him faster than he thought possible…

Also available: Conqueror

Heroes Fall (Heroes Unleashed: Serenity City #1) – Morgon Newquist

He wanted to be a good man. Instead he became a hero.

Twenty years ago, Serenity City’s great Triumvirate of heroes – Achilles, the Banshee, and Pendragon – maintained a golden age of peace and prosperity. Then, in an instant, it all went wrong. The city’s mightiest champion, Achilles, lost his mind during a showdown with the enigmatic supervillain Thanatos and went on a rampage across the city, leaving the Banshee dead and a swath of destruction in his wake before Pendragon could stop him.

Today, as Achilles rots in solitary confinement, Victoria Westerdale investigates a new mystery. Why are young and forgotten heroes disappearing off the streets? Why doesn’t anybody else care? And how is it tied in to those infamous events that brought the city’s greatest heroes to ruin?

And what’s going to happen to them all after Achilles escapes?

Infinite Dendrogram #8 – Sakon Kaidou

In the year 2043, Infinite Dendrogram, the world’s first successful full-dive VRMMO was released. In addition to its ability to perfectly simulate the five senses, along with its many other amazing features, the game promised to offer players a world full of infinite possibilities

Having maxed out his Paladin rank, Ray considers what job to take and level next. As he does so, he hears of a job that was newly excavated alongside an ancient ruin in Altar’s Quartierlatin County — an area bordering the Dryfe Imperium.

As it happens, Ray already meets the conditions for the job, and it suits him well, so he wastes no time going out to make the switch. But of course things are never quite so simple…

Along the way, he encounters Azurite — a mysterious masked swordswoman. There was simply no way Ray could’ve known the far-reaching political implications of his venture to the ruins…

The Starry Sky Chessboard (Starchild Escapes Arranged Marriage #6) – Fat Bread

The vast sky contains thousands of God’s domains.

Yun Xi was born in the Sword Domain, more specifically, the White Lotus Sword Domain. He has a female childhood friend who tends to become jealous very easily, while running an ordinary bakery for a living. At the age of eighteen, he was to marry his arranged bride, with the wish of living his days normally and peacefully.

But on his sixteenth birthday, the shined down on him with three different choices for him to make. These three choices came in the form of three fairies which suddenly appeared in front of him. The boy then learned a terrible truth, that his life was at stake. A bad ending, which was supposed to happen to him, was coming soon.

In order to survive, the youth had to set foot on the battlefields of many deaths trails, all while learning how to love as well as struggling to become stronger.

The Steel Hounds (The Artar Chronicles #1) – Vladimir Vasilenko

Stan, also known as Mongoose, is an extreme traceur and a freerunner, whose real-life talents attracted the attention of The Steel Hounds, the most notorious and private clan of the virtual world of Artar, famous for serving the grey cardinal. While the political landscape for this new world is yet to form, intrigues, conspiracy, daring raids, and sabotage are the main weapons of the Hounds, and his evaluation has just begun.

To complete it successfully and become a full-fledged member of the clan, Stan will have to adapt to working side-by-side with the most unique people with shady backgrounds — even if he is not a team player by nature and has already failed at the very beginning by choosing the least suitable class for teamwork: Battle Monk.

Stan is rebellious, free-spirited, and daring. He risks his life every day just to avoid getting bored of the daily grind. Normally, an expelled student has no hope of entering the virtual world of Artar, an expensive online VR project, but when a suspicious organization offers to pay all expenses to let Stan in for a special purpose, Mongoose gets his chance to become one of the select few. However, to successfully complete his trial, Stan will have to face his main enemy — himself, while finding peace and mastering all five styles of the Battle Monks of Artar.

Voyage of the Lanternfish – C. S. Boyack

An honorable man is mistaken for his disreputable father. Now he’s pushed into a political scheme to start a war that will spread across multiple kingdoms. James Cuttler’s fiancé is being held captive to ensure he goes through with the plan.

He soon decides his skills are at sea and procures a ship to wage war upon those who disrupted his simple life. He can’t do it alone, so he recruits a band of cutthroats to help him. But first, they need guns and munitions to outfit the ship properly. Deception and trickery will only get them so far. Eventually, they’re going to have to engage the enemy.

James’ goals aren’t necessarily the same as his crew. It’s a delicate balancing act to collect enough loot to keep his crew happy, while guiding them back to rescue the girl.

Warhammer Chronicles: Warriors of the Chaos Wastes – C. L. Werner

Many horrors stalk the blasted wastes at the top of the world. Mortals and daemons alike wage war – and in this volume are three tales of such monstrous, god-touched warriors.

The Chaos Wastes are an unspeakable region of magic and madness. In this hellish tundra, the Dark Gods wrestle for supremacy and champions war in their name. Death comes for any who traverse these plains in swift and savage form. Yet there are those who dare brave the wastelands, burdened by their own dark purposes. Wulfrik the Wanderer, cursed by the Ruinous Powers, seeks a prize to appease the forces of Chaos; the Skulltaker, champion of Khorne, hungers for fresh blood; and the last warrior of a Norse tribe sets out to steal the treasure of a god. But in this monstrous arena, there are no winners. Dark forces plot, daemons feed, and even the landscape itself takes sides. This omnibus contains three novels by one of Black Library’s popular authors.

READ IT BECAUSE: These three classic novels exploring the nature of Chaos are from the master of dark fantasy, C L Werner – if you’ve not experienced them, you owe it to yourself.

Will of Fire (Buried Goddess Saga #3) – Rhett C. Bruno and Jaime Castle

A Kingdom held hostage. A thief lost in time. The battle to seal Elsewhere has begun.

The villainous Drad Redstar has won the favor of king and country after leading a decisive victory over the rebels at Winde Port. Now with a seat on the royal council, he condemns Torsten to a lifetime in the dungeon and invites his militant people to take up residence in the capital. But not all light has been squelched. There is one disgraced King’s Shieldsman left who remains loyal to Torsten, and only he can help free the Glass Kingdom from Redstar and his dark desires to revive the Buried Goddess.

Across the known world, Sora deals with the loss of her one and only friend. She seeks out a Mystic of the Panping; someone who can help her figure out what really happened to Whitney in a journey that illuminates her past and present. With the true nature of magic revealed to her, she finds that Whitney is lost in Elsewhere, the world between worlds, and she’ll stop at nothing to bring him back.

As magic and war collide in Will of Fire, the third installment in the Buried Goddess Saga, the fate of the entire world will change.

New Release Roundup, 19 January 2019: Fantasy and Adventure published first on https://medium.com/@ReloadedPCGames