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woah-were-halfway-there · 4 years ago

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The Sweetest of Them All

A/N: just another little bonus part of the AFTR universe that I came up with out of nowhere. Also, I left this as third person instead of second. Enjoy!

Word Count: 3.2k

Y/N has never been a big fan of Valentine's Day.

To her, it was overrated and expensive. But, she'd be lying if she said she didn't love the fact that it gave an extra reason to love on Auston a ridiculous amount. Sure, she did that every day, but to be fair, she loved how the title of Valentine's Day added a bit more fun and excitement to something she'd normally do any other day. It felt different for some reason, so even though she didn't love the so-called holiday, she still tried to plan something special for it every year.

Admittedly, she and Auston almost got competitive about it with trying to one-up the other with affection. They didn't care about gifts. They cared about the time they spent together and the thoughtfulness behind it.

Usually, it was Y/N that came up with something ridiculously sweet for Valentine's Day to do for Auston. However, this year, he had her beat.

For some odd reason, Y/N woke up very early that day. Maybe it was the baby waking her, or perhaps it was her internal clock saying sleep was no longer necessary. But, regardless, she was awake much earlier than usual. She also knew Mia wasn't awake or else she would've heard her, so she took that time to lie back in bed and relax for a few minutes on her own.

The bed felt incredibly empty, given that Auston was with the Leafs in Washington and wasn't expected to be back in Toronto until late that night. Frank was a good cuddle buddy alternative, but sometimes the Goldendoodle just wasn't enough when Y/N was missing her man. Of course, this was one of the days when she missed him a lot, so she took that as an excuse to text Auston and at least get this so-called holiday kicked off.

Y/N Happy Valentine's Day, Aus 🥰 can't wait to see you tonight

She wasn't expecting him to message back right away, seeing as it was only 7:30 in the morning, but much to her surprise, he did.

Auston Happy Valentine's Day, babe 💕 Can't wait to see you either. Did the flowers for Mia get delivered?

Y/N Yes, they got here last night. They're beautiful. I set them on the kitchen counter, so once she's awake and we go downstairs, she'll see her little V-Day gift from you

Auston Perfect. I got part of your Valentine's thing with me right now too. Ready for it?

Y/N Is it going to make me cry?

Auston Probably

Y/N Great. Hit me with your best shot

She stared at her phone screen for a moment, expecting it to light up with the notification of an incoming FaceTime call from her husband or a picture, but instead, he sent her a link. But not just any link, it was the link to the video recording of a new Spittin' Chiclets podcast episode that was over an hour-long called 'Love Day: Part One.'

Confused, but also insanely curious, Y/N then leaned over to grab her laptop from the bedside table and got into the most comfortable position her growing baby bump would allow so she could watch the video like that. As soon as she was about to press play, her phone buzzed with another text.

Auston This was filmed a couple of weeks ago when the Chiclets guys were in Toronto. They interviewed at least 10 different guys in the league at different times, and they're kind of long, which is why there's more than one part. Just watch the intro, then I'm the first interview. Mitch is on part 2 if you want to watch that as well, but yeah... call me when you're done 💕

Still unsure of how to process what was going on, Y/N just shook her head and followed the link.

The video started with Biz, Whit and Rear sat all-around a table, each wearing a different red, white or pink shirt with heart-shaped balloons positioned behind them. Empty bottles of Pink Whitney sat on the table, acting as vases for bouquets of roses, making Y/N roll her eyes and chuckle at how far these guys would go for good product placement. But, she kept watching, and unsurprisingly, Biz was the first to speak.

Biz: "For Valentines Day this year, we wanted to do something different. Something more soft. So, we're going to tell, well, I guess, show some love stories."

Whit: "Bet you all didn't know that some of the greatest love stories to ever be told have happened to some of the guys that play in the NHL. Don't believe me? Guess you'll have to listen to find out what they are."

Rear: "We asked some players to come in and talk to us about their relationship stories and give as many details as they were willing to give. And let me tell you, they were great. To start us off, we have Auston Matthews of the Toronto Maple Leafs telling us his fairytale romance."

The video then clipped to a shot of Biz sitting next to Auston in what Y/N assumed was the hotel downtown that the Chiclets guys were staying at. Auston wasn't dressed extravagantly or anything, just wore a grey hoodie, black pants, and his signature Raiders snapback.

Y/N immediately recognized his outfit. She remembered Auston coming home in those same clothes early one afternoon after he did some running around downtown with Mia, and started thinking of how not once did he mention doing anything for the podcast. He kept this very on the down low, and Y/N was excited to see how it would all play out.

Biz: "Alright, with us today, we have none other than the Leafs number 34, Auston Matthews. Welcome back to the show, Auston. How ya doin?"

Auston: "I'm great. Thanks for having me. How are you guys?"

Whit and Rear: "Good."

Biz: "Great, real good. Now, Auston, you know what you're here to talk about, right?"

Auston: (chuckling) "You're acting like you didn't spend the last week blowing up my phone until I agreed to do this."

Biz: "Amazing! You do know. So, here's how it's all going to go down. We've got a list of questions about your relationship with your significant other. Your obvious better half. And are going to take turns asking them so the people listening at home can get a bit of insight on your, and I quote, iconic love story. Why don't you give us a little summary of your relationship before we dive in?"

Auston: (hesitantly) "Sure, okay. So, my wife Y/N and I have been married for almost two years now. Our anniversary is at the end of July. She accidentally forgot it last year, which I haven't let her live down. Y/N, babe, this is your six month in advance warning that our anniversary is indeed coming up again this year… She's going to hate that I mentioned that. We, uh, we've been together since my first season in Toronto, so for a pretty long time now, and it's been amazing. We have a daughter, Amelia, but everyone just calls her Mia unless she's in trouble. She just turned two on January 25th, and we have our second baby on the way. They're due to be making their grand appearance in late June. We also have our firstborn, Frank, the Goldendoodle. Can't forget about him. But, yeah, that's my little family."

Whit: (nodding along with Biz and Rear) "Fair enough. Now, how and when did you and Y/N meet exactly?"

Auston: "We met on the night of my first NHL game back in 2016. She was at that game."

Biz: "Oh, yeah? Was she there for a reason?"

Auston gave him an unimpressed look.

Biz: "What?"

Auston: "You know why she was there!"

Biz: (shrugging) "Our listeners don't. C'mon, refresh my memory. Was she there to cheer someone else on?"

Auston: (shaking his head) "Yeah. She, uh, she's a cousin of one of my teammates, so she was there with their family to watch him during our first game."

Biz: (grinning widely) "What teammate?"

Auston: "The one out in the hallway keeping my daughter occupied while you keep being annoying and asking me questions you already know the answer to."

Everyone laughed at that, including Y/N, as she shifted onto her side, being mindful of her growing bump that seemingly became more noticeable each day, and got comfortable as she braced herself for what the rest of this interview would entail.

Biz: (still laughing): "Just to clarify for everyone who still doesn't know, he's talking about Mitch Marner."

Auston: "Yeah, yeah, laugh it up."

Rear: "I take it that Mitch and Mia get along really well? I haven't heard a peep from her since you came in here."

Auston: "Oh, she loves him. Yeah, that's her Mitchy, alright. Him and Steph, who you will hear all about once Mitch comes in here, are Mia's godparents and some of her favourite people."

Whit: "That's awesome. And how was that at first, though, being romantically involved with one of your teammates' family members? Sounds like grounds for some chaos, if I'm honest."

Auston: "It sure made meeting the family a bit more nerve-wracking. I'm just kidding. No, it was fine. It was definitely a little awkward at first trying to figure out how I was going to tell Mitch that I wanted to date his cousin. Like, he and Y/N are very close. Always have been. And the last thing both me and Y/N wanted was for Mitch to be uncomfortable. He did handle it really well, though. It's because of him I was even able to get to know her in the first place, which I'll never be able to thank him enough for."

Rear: "Now, you're a pretty private guy. You post the odd picture of your little family from time to time. Y/N is rather private, as well. So, really, no one knows your guys' story other than those who have lived it with you or watched it unfold. I'm sure many people will jump right on the chance to listen to this, seeing as you and Y/N are one of the most beloved couples in the NHL. But, what exactly made you want to come on here, give a bit of insight into your private life, and talk about it all?"

Auston: "Well, for one, Biz would not stop asking me to do it. Literally kept calling and texting me for days until I finally agreed."

Whit: "Shocker."

Biz: "Hey, now."

Auston: (chuckling) "That and also I figured, why not. I love my wife, and I love our little story. It's nice to think back on everything that's happened and see how it all got us to where we are now. With all the ups and the downs, its uh, it's been an amazing ride for sure, and I wouldn't change it for a thing. Also, it's for Valentine's Day. I haven't told her I'm doing this, so when you guys drop the episode, I'm just going to send it to her without much context."

Whit: "Do you think she'll cry?"

Auston: "Absolutely. I know this kind of thing would make her tear up regularly, but those pregnancy hormones have got her bad. Without a doubt, she's going to call me crying once she's done watching this."

Y/N scoffed as he said that and grabbed some tissues to wipe away the waterworks she already felt coming on.

Biz: "I've met Y/N many times now. The first time being back in what, 2018?"

The screen then showed an old picture of Biz sitting in a restaurant with his arm wrapped around Y/N's shoulders, both smiling widely as they held up their drinks, with Auston seemingly moping off to the side a little bit. Y/N chuckled at the image, instantly thinking back to the day she first met Paul Bissonnette and how wild it was before the photo faded away and showed the guys again.

Biz: "Yeah, it was when she was in Scottsdale visiting you during the summer. Great girl, completely out of Auston's league."

Auston: "Hey!"

Biz: "I'll never forget you sassing her when she commented on how hot Arizona was, with her being Canadian and all, but damn she was fast putting you in your place by calling you a, what was it?"

Auston: (grumbling) "Desert Boy."

Everyone burst out laughing again, except Auston, who just rolled his eyes and sighed dramatically.

Auston: "Whatever. She sasses me all the time when I complain about the snow, but the one time I do it back, I get called a Desert Boy and can never live it down."

Biz: (still laughing) "Ugh, amazing. Okay, moving on because we don't have much time and can probably fit in like two more questions. So, Auston, tell us how you knew that Y/N was the end game for you. How did you know that she was the one?"

Auston: "Oh, man. I don't even know how to explain it. Growing up, you see all these movies and shows, or read books where people always find someone who is their soulmate. Their perfect match. And I never knew what the feeling of finding that person was because I had never experienced it. My mom would tell me that when I did find that person, I'd know. That it'll be such an intense feeling, and to be honest, I didn't believe her. Until I met Y/N, I know that sounds cheesy, but it's true. The first time I met her, something drew me in, and I knew I wanted to get to know her better right away. Mitch spoke so highly of her, so did the other guys on the team that had already met her and over the first couple of months of us knowing each other, I saw what they meant. She quickly became one of my best friends ever. When we started dating, I saw more of how good a person she is, which attracted me even more. She is so selfless and caring for everyone around her; it truly blows my mind. I had never seen my family welcome a girl I introduced them to as quickly as they did her, and I trust their judgment the most. But even if they didn't do that, I know they would have accepted her regardless because, honestly, I probably seemed like a lovesick idiot. I still do. Y/N became this significant light in my life that I knew I wanted to be there forever. I began thinking about what it'd be like spending the rest of my life with her. Then it became something that I knew I needed. I can't imagine my life without her, and I never want to. She makes me so happy and has given me more than I could ever thank her for. I'll never understand how I, of all people, was the one to capture her massive heart, but I do know how lucky I am."

As he spoke, the screen showed a little picture slideshow of Y/N and Auston over the years of their relationship. It started with one that Ema took the first time Y/N had ever gone to Scottsdale. Y/N was sitting on the edge of a pool, and her legs dipped into the water. Auston stood between them as he wrapped his arms around her middle and leaned against her while looking over at where Ema stood taking the picture. The next one was from a Christmas party where the two were under a mistletoe as Auston leaned Y/N back and was kissing her cheek as she laughed and held onto him for dear life. There was a picture of them with Auston's family, one of them with Mitch and Steph, and another of Auston with his arms around Nate and Mya, Y/N's younger brother and sister, as the three smiled at the camera and Y/N was in the background looking confused.

The last few pictures were a bit more recent. They showed Y/N holding Frank as a puppy, a maternity photo of her and Auston posing when she was pregnant with Mia, and one of them on their wedding day with Mia and the rest of the gang. Then, the slideshow concluded with a very recent picture of them taken just a couple of weeks prior at Mia's birthday party, where Auston has his arms wrapped around Y/N from the back, showcasing her growing belly. At the same time, she leaned against him and glanced over her shoulder at him lovingly. The photos then went away and showed the guys again as Auston finished speaking.

Auston was right. Y/N was full-on bawling by that point.

All the guys were smiling as Auston finished saying his thing, but were soon interrupted by a knocking noise followed by a door opening.

Mitch: (offscreen) "Wait, no! Don't let her in!"

Mia: (also offscreen) "Daddy!"

Mia then came into the frame as she ran towards Auston, not caring about what was going on or who was there. Auston was quick reacting as he smiled widely and scooped Mia right up into his arms, making sure to place multiple kisses on her cheek as she giggled and squirmed in his hold, while Mitch became visible too and shrugged.

Auston: "Hi, mini. I missed you. Did you have fun with Mitchy?"

Mia: "Yeah! Where's mommy, daddy?"

Auston: "She's at home, baby girl. I'm almost done, then we can go get a Timbit while we wait for Mitch to be done. Sounds good?"

Mia: (knuckling at her eyes, tiredly) "Mhmm."

Rear: "This is adorable."

Biz: "Hi, Mia."

Mia: (shyly while hiding against Auston's chest a bit) "Hi, Biz."

Whit: (laughing) "Okay, I think we've kept you long enough now, Auston. Is there anything else you and Mia would like to say to Y/N?"

Auston: "Yes. Happy Valentine's Day, babe. I love you so much, and I'm sorry I'm not there right now. You're going to hear a lot more from me on actual Valentine's Day, but for right now, I think that's just about it. Mia, can you blow a kiss to the camera so mommy can see it and say 'happy Love Day!'"

Mia: (blows the kiss) "Happy Love Day, mommy!"

Auston: "Can you tell her that you love her?"

Mia: "Love you!"

Auston and Mia then waved to the camera and said bye as the clip faded out, and a new interview of another NHLer began playing.

Y/N's heart felt so full. She couldn't stop crying over how much she loved her family and how badly she needed to hear something like that. Life had been particularly hard on her as of late and seemed to keep throwing her curveballs, but this, this was exactly what she needed. To be reminded of how loved she is and that she genuinely is never alone.

She then grabbed her phone to call Auston and remind him of how much she loved him, that day and every day. The two talked for a few minutes before Y/N was pretty sure she could hear Mia waking up. After saying their goodbyes, Y/N found herself thinking about how, regardless of how she feels about the actual day, this was a Valentine's Day she will never forget.

#auston matthews fanfiction #nhl imagines #hockey rpf #nhl rpf #auston matthews imagine #auston matthews imagines #nhl fanfiction #nhl imagine #toronto maple leafs fanfiction #nhl headcanon #hockey fanfiction #hockey imagines #hockey imagine

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hlupdate · 4 years ago

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While many artists would jump at the chance to tell you how lockdown has been a fruitful opportunity for self-improvement, full of pseudo self-help books and pompous podcasts, former One Directioner Louis Tomlinson is adamant that he has done, well, nothing.

“I’ve just watched loads of s___ TV,” he says after a long pause. “The Undoing is decent, isn’t it?”

Twenty-eight--year-old Tomlinson from Doncaster was always the down-to-earth Directioner, frequently describing himself as fringe member who spent more time analysing the band’s contracts than singing solos, known for chain-smoking his way through several packs of cigarettes a day and swearing like a trooper. A rarity, these days, among millennials who’d rather suck on a stem of kale and tweet about their #blessings.

Far from aimless, however, today the singer is full of beans, cheerily shushing his barking dog as he potters about his North London home where he lives with his best friend from home, Oli, [...].

The gig means a great deal to Tomlinson, whose first ever tour as a solo artist, to promote his debut solo album WALLS, was cut short back in March after just two concerts in Spain and Mexico. It was an album he’d spent five years working on: a guitar-led project that ruptured with the preppy pop anthems of One Direction, inspired instead by Tomlinson’s love for Britpop.

No doubt he was anxious to get it right following a decade “grown in test tubes”, as Harry Styles once described the band’s formation on the X Factor, where they came third before going on to make a reported $280,000 a day as the most successful band in the world. The pressure, too, was intense: all four bandmates had already released their own solo debuts.

Was he left reeling, I ask, unable to perform at such a crucial moment?

“The thing that I always enjoyed the most about One Direction was playing the shows, so my master plan, when I realised I was going to do a solo career, was always my first tour. It’s something I’ve been looking forward to for the best part of five years now. I got so close, I got a taste for it, and it’s affected me like everyone else, but I’m forever an optimist,” he says down the phone, with what I can only imagine to be a rather phlegmatic shrug.

Sure, I say, but the last year can’t have been easy. Didn’t he feel like his purpose had popped?

“You know what,” he says, reflecting, “maybe because I’ve had real dark moments in my life, they’ve given me scope for optimism. In the grand scheme of things, of what I’ve experienced, these everyday problems...they don’t seem so bad.”

Tomlinson is referring to losing his 43-year-old mother, a midwife, to leukemia in 2016, and his 18-year-old sister Felicite, a model, to an accidental drug overdose in 2018. The double tragedy is something he has been open about on his own terms, dedicating his single, Two of Us, from WALLS, to his mother Johannah, while often checking in with fans who have lost members of their own family.

It’s not unusual for Tomlinson to ask his 34.9 million followers if they’re doing alright, receiving hundreds of thousands of personal replies. It’s not something he will discuss in interviews, however, after he slammed BBC Breakfast for shamelessly probing his trauma in February this year. “Never going back there again,” he tweeted after coming off the show.

“Social media is a ruthless, toxic place, so I don’t like to spend much time there,” says Tomlinson, “but because of experiencing such light and shade all while I was famous, I have a very deep connection with my fans. They’ve always been there for me.”

In return, Tomlinson is good to them. Last month he even promised some new music, saying that he’d written four songs in four days. Does this mean that a second album is on the way?

“Yeah, definitely,” he says. “I’m very, very excited. I had basically penciled down a plan before corona took over our lives. And now it's kind of given me a little bit of time to really get into what I want to say and what I want things to sound like. Because, you know, I was really proud of my first record, but there were moments that I felt were truer to me than others. I think that there were some songs where I took slightly more risk and owned what I love, saying, ‘This is who I want to be’. So I want to take a leaf out of their book.”

Fans might think he’s referring to writing more heartfelt autobiographical content such as Two of Us, but in fact, he’s referring specifically to rock-inspired Kill My Mind, he says, the first song on WALLS. “There’s a certain energy in that song, in its delivery, in its attitude, that I want to recreate. People are struggling at the moment, so I want to create a raucous, exciting atmosphere in my live show, not a somber, thoughtful one.”

He sighs, trying to articulate something that’s clearly been playing on his mind for a while. “You know, because of my story, my album was a little heavy at times and a little somber. And as I'm sure you're aware, from talking to me, now, that isn't who I am.”

It must be draining, I say, the weight of expectation in both the media and across his fanbase, to be a spokesperson for grief and hardship. To have tragedy prelude everything he does and says.

“Honestly, it’s part of being from Doncaster as well, I don’t like people feeling sorry for me. That’s the last thing I want.”

The problem is, says Tomlinson, he doesn’t have the best imagination. “I have interesting things to say musically, but what’s challenging from a writing perspective is that I write from the heart, and I can’t really get into someone else’s story. And right now, being stuck at home, you have so little experience to draw from. It’s actually quite hard to write these positive, uplifting songs, because actually, the experiences that you're going through on a day to day basis, you know, you they don't have that same flavour.”

There is something that’s helping, though: a secret spot near Los Angeles, [...] “It’s remote and kind of weird, and I’m going to go there for three days and write. I don’t know why I’m so drawn to it. I found it via a YouTube video. It’s got some very interesting locals who live there, it’s sort of backwards when it comes to technology. It feels like you’re going back in time when you’re there. But I don’t want to give it away.”

Another source of inspiration for his second album is the Red Hot Chili Peppers’ back catalogue. “I grew up on their album Bytheway. And during lockdown I've been knee deep in their stuff. I’ve watched every documentary, every video. And I find their lead guitarist John Frusciante just fascinating.”

Has he spoken to Frusicante?

“I f______ wish,” snorts Tomlinson.

Surely someone as well-known as Tomlinson could easily get in touch?

“No, honestly, I think he’s too cool for that. He’s not into that kind of thing.”

Tomlinson’s passion for all things rock is also spurring on a side hustle he picked up as a judge on the X Factor in 2018: managing an all-female rock band via his own imprint on Simon Cowell’s Syco label. While the group disbanded before releasing their first single, and Tomlinson split from Syco earlier this year, the singer is keen to nurture some more talent.

“I'm not gonna lie, my process with my imprint through Syco, it became challenging and it became frustrating at times,” Tomlinson says a little wearily. “The kind of artists that I was interested in developing – because I genuinely feel through my experience in One Direction, you know, one of the biggest f______ bands, I feel like I've learned a lot about the industry – they weren’t ready-made. So I had lots of artists that I took through the door that were rough and ready, but major labels want to see something that works straight away. I found that a little bit demotivating. I love her and she's an incredible artist, but not everyone is a Taylor Swift.”

Tomlinson spends much of his free time scouting new talent either on YouTube, Reddit or BBC Introducing – he’s currently a huge fan of indie Brighton band, Fickle Friends. His dream is to manage an all-female band playing instruments. “Because there's no one in that space. And I know eventually if I don't do it, someone else will!”

Before he drives off to rehearsals, we chatter about how much he's been practising his guitar playing, and how he can't wait to take the whole team working at his favourite grassroots venue, The Dome in Doncaster, out ice-skating after he performs there on his rescheduled tour. “Because I've got skills,” he says, and I can hear his chest puff.

And then I ask the question every retired member of One Direction has been batting off ever since they broke up in 2015, after Zayn Malik quit. Rumours that his bandmates saw him as a Judas went wild after some eagle eyes fans noticed they’d unfollowed him on Instagram. Payne, Tomlinson, Horan and Styles have barely mentioned him since. Recently, however, they re-followed him, and Payne has teased that a One Direction reunion is on the cards.

So: might 2021 be the year of resurrection?

“I thought you were going to ask something juicier!” say Tomlinson witheringly. “Look, I f______ love One Direction. I'm sure we're going to come back together one day, and I'll be doing a couple of One Direction songs in my gig. I always do that, so that's not alluding to any reunion or anything. But, I mean, look, I'm sure one day we'll get back together, because, you know, we were f______ great.”

#louis tomlinson #241120 #lt livestream #e and f mentions from the journalist removed where there is [...]#nothing altered from louis #stunt mention #at the link

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bubonickitten · 4 years ago

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Fic summary: Jon goes back to before the world ended and tries to forge a different path.

Chapter summary: An examination of endings and how to realize them.

Previous chapter: AO3 // tumblr

Full chapter text & content warnings below the cut.

Content warnings for Chapter 24: brief claustrophobia; some RSD/fear of abandonment stuff; extensive discussion of death (this chapter’s all about Terminus, babey); allusions to past suicidal ideation on Jon’s part; mentions of eye gouging/blinding (not graphic); some internalized victim blaming; anxiety symptoms; spider mentions; swears. Let me know if I missed anything!

Chronic fear has been Jon’s baseline for so long, it’s difficult for him to conceptualize what he would be were it to abandon him. In some ways, he’s become acclimated to it. On the other hand, fear is a volatile, prolific thing, its many shades relentlessly coalescing and mutating to form new strains. It all but guarantees that the Eye will never truly be sated: there will always be some heretofore unknown species of terror to discover, experience, and add to its collection.

Sprinkled in amongst the more noteworthy moments of abject terror and the constant background pressure of existential dread, there are smaller fears: everyday anxieties; pervasive insecurities; acute spikes of panic and adrenaline. Each discrete instance may pale in comparison to life-threatening peril, but muddled together and given time to ferment, they compound. They feed into one another. Sometimes, they come to attract the attention of larger, far more forbidding monsters.

In this way, Jon is no different from the average person – and one of the oldest, most deep-rooted of those comparatively banal fears is his fear of rejection, of disappointing, of being seen and found lacking. It guided his path long before his first supernatural encounter, and in many ways, it still does. His self-awareness of that fact does little to dampen its influence.

So it’s vexing, but not surprising, that the foremost concern vying for his attention right now is whether this might be that final straw that chases Georgie away for good. She sits with her hands clasped in front of her mouth, eyes closed and brow furrowed as she gathers her thoughts. The longer she remains silent, the more time Jon has to run through all the worst-case scenarios.

It’s already difficult for him to capture a full breath under the crushing weight of anticipation. It doesn’t help that his intermittent claustrophobia has decided that right now is the perfect time to manifest. A tunnel collapse would probably damage the Archives above it, though, and there’s no way Jon would be so lucky. He isn’t sure whether to consider that a consolation or not.

Finally, Georgie takes a breath, opens her eyes, and leans forward.

“Okay.” She tilts her folded hands towards him in an indicative gesture. “Explain, please.”

“Right,” Jon says, rubbing one arm nervously. “S-so, Oliver –”

“I knew his name wasn’t Antonio,” Georgie mutters.

“No. That was an alias he used when he first came to the Institute to give a statement, back in 2015.”

“The prediction about Gertrude’s death?” Martin asks.

“The same.”

“And what was a harbinger of death doing looming over you while you were in a coma?” Georgie presses.

“I don’t know that I’d call him a harbinger –” Jon’s mouth snaps shut immediately when Georgie shoots him an impatient glare. “He wasn’t – he wasn’t trying to – to reap my soul or anything like that, if that’s what you’re worried about.”

“Then why was he there?”

“He was called there,” Jon says. “By the Web, according to him.”

“Oh, and you don’t think that makes him dangerous?” Martin says, throwing one arm out in a surge of exasperation.

“He isn’t allied with the Web,” Jon replies, fiddling with the hem of his jumper. “It just… got into his head, and it was easier for him to go along with it, rather than fight it indefinitely. Oliver tends to have a fatalistic outlook. If he sees something as inevitable, he’s not inclined to try to stop it.”

“So, what – he’s serving an evil power not because he’s sadistic but because he’s just apathetic?” Georgie couldn’t sound any more unimpressed if she tried. “How is that any better?”

“It’s, ah… it’s really not that simplistic,” Jon says, adopting a delicate tone. “And I don’t think I’d call it apathy so much as…”

“Acceptance,” Georgie says stiffly. “Everything has an ending.”

“Yes. Oliver is an Avatar of the End, and the End is characterized by its certainty–” Jon pauses when he catches a glimpse of Georgie’s hands, fastened to her knees and trembling with tension. “We don’t have to talk about this.”

“No, I –” Georgie sighs, relaxes her grip, and flexes her fingers. “Just – tell me why you invited him here.”

“It’s like I said upstairs – there were things I couldn’t tell him about outside of here.”

“Why do you feel the need to tell him anything?” Martin asks.

“I just thought… he might be able to help us.”

“Why would he,” Georgie asks, “if he’s so fatalistic?”

“Because, he…” Jon hesitates, biting his lip. “I suppose I thought that maybe – maybe he’s like me.”

“He’s nothing like you,” Martin says vehemently.

A flicker of a smile crosses Jon’s face. “You don’t even know him.”

“What, and you do?”

“Not well,” Jon admits. “But I do think I understand him.”

Martin crosses his arms, transparently miffed. In an attempt to suppress his amusement, Jon presses his lips tightly together. It doesn’t work, evidently.

“What?” There’s a flat, defensive edge to the demand, highlighted by a suspicious scowl. “What’s with the smirk?”

Jon already knows the answer to the question he wants to ask, but he can’t help himself: “Are you jealous?”

“No!” Martin yelps. “Why would I be jealous?”

Jon shakes his head, chuckling softly. “Well, you don’t need to be.”

“I’m not!”

“If you say so,” Jon says with a shrug and a sly grin.

“I am not jealous,” Martin insists – and now Georgie is snickering, one hand clamped over her mouth to (unsuccessfully) stifle the sound. Martin glowers at her, betrayed.

“Sorry, sorry,” she says. “Just – didn’t realize you were quite so jealous.”

“I’m not,” Martin says for a third time. “But – but even if I was, I would be completely justified.”

“Because he woke me up,” Jon says, toning down the smugness now.

There is an uneasy boundary between affectionate teasing and perceived mockery, and here in the past, he hasn’t quite mapped the shape of that line. Between seeing one another in the Lonely and anchoring each other through the apocalypse, he and Martin had been forced to confront long-held insecurities about themselves, both as individuals and as a unit. That shared history no longer applies. While Jon has no desire to repeat that chain of events – there are happier, healthier pathways to a relationship than bonding via trauma, or so he’s heard – it does mean that this version of Martin hasn’t yet had the same epiphanies.

Much like Jon, Martin struggles to take a declaration of love at its word. People lie; they mislead; they say what they think others want to hear – whether out of self-interest, sympathy, or simple social ineptitude, the results are the same. Sometimes they start out sincere, but little by little, their tolerance dwindles and they recognize their mistake: what they thought was genuine affection was at best a passing fancy for someone who turned out to be far more trouble than they were ever worth. Or worse: a caring façade born of pity or guilt or obligation, only to turn rotten and toxic when the burden grows too tiresome.

Add all of those deep-seated convictions to the lasting influence of the Lonely, and Martin needed proof before he could entertain the possibility of being loved. Following him into and then leading him out of the Lonely was a fairly convincing statement. Absent another life-or-death gesture to act as a catalyst, Jon suspects that this time around, building that confidence will come down to time, practice, and repetition.

“Okay, yeah, about that – what does that – what does that mean, he woke you up?” Before Jon can get a word out, Martin barrels on: “I mean, what makes him so special? I spent weeks – weeks – begging you to come back, and nothing. He visits you once and suddenly you’re fine?”

“I really did try to come back on my own,” Jon says – not accusing, not pleading, not even self-flagellating. Just plain, sincere assuredness. “I heard you calling me. Not at first, but – the last time you visited. It was the first time I’d heard your voice in… in so long, I – I never thought I’d hear it again, and then you were there, and I was – I was so relieved, so… so elated.”

Martin sulks quietly, glaring at the floor, but there’s a noticeable flush staining his cheeks now.

“And then – and then I heard you on the phone with Peter, and…” Jon swallows hard, the despair he felt in that moment still stark in his mind. “I tried to call out to you, but you couldn’t hear me. The Lonely was drawing you in, just like before, and there was nothing I could do. I wanted to wake up more than anything, but I just… couldn’t figure out how. I still don’t know why – I don’t know the exact mechanics of it all – but for whatever reason, I wasn’t able to wake up until Oliver’s visit. Same as the first time.”

At that, Martin seems to deflate somewhat, finally looking up to meet Jon’s eyes.

“If I could have come back sooner,” Jon continues, smiling sadly, “I would have. In a heartbeat.”

Martin pouts for a moment longer before surrendering, his rigid posture slackening as the rancor drains out of him.

“Yeah,” he sighs. “Yeah, I know.”

“So you think you owe him,” Georgie guesses. “For waking you up.”

“Partially,” Jon admits. “But that’s not why I invited him, really. He just seems… I don’t know. Lonely, I guess?” Georgie rolls her eyes. “He never – he never asked to be a death prophet. No more than I wanted to be a – a trauma leech. And arguably – arguably he was even less to blame for what happened to him than I am for what I’ve become –”

“Jon,” Martin says warningly.

“No, just – just listen.” Jon takes a measured breath as he puts his thoughts in order. “Oliver started having prophetic dreams several years ago. Just – out of the blue. As far as I know, he did nothing to tempt fate. Eventually, those dreams carried over into the waking world. Everywhere he went, every single day, he could see the evidence of imminent death. There was no escaping it.

“In the beginning, he tried to help people. But it never worked. When he was unable to save his own father, he stopped trying to change fate, for the most part. I think the last time he tried was when he dreamed of Gertrude. He saw how far-reaching her death would ultimately be, and he tried to warn her, even though he didn’t have much hope that it would make a difference. And he was right, in the end. He couldn’t save her, and he couldn’t prevent what came after.”

“So he just… gave up,” Martin says flatly.

“When you fail over and over again to do good in the world, when you witness horror after horror with no recourse to stop it, when you try again and again and again to escape and never even come close… at some point, you burn out,” Jon murmurs. “Lose all hope. It becomes your new normal. Exist like that long enough and you start to become numb to it all.”

“You lived through an apocalypse and you didn’t give up,” Martin counters.

“I did, though,” Jon says quietly.

Martin frowns. “What?”

“After I lost you.” Jon averts his eyes and folds his arms tight against his middle, holding his elbows. “I was lost. I couldn’t save anyone, I couldn’t change anything, I couldn’t even look away. I wasn’t allowed to sleep. I wasn’t allowed to die. So I just… survived, even though I wanted anything but.” When he glances up, he sees that Martin’s expression has softened. “You were my reason. Then you were gone, and I was alone.”

Jon hadn’t known that the world could end a second time, but there it was. With Martin gone, what little that remained of Jon’s own microcosm shattered. Yet the Ceaseless Watcher’s world dared to continue turning, to go on churning out horror after horror as if nothing at all had changed. And Jon was just another cog in that machine, going through the motions and fulfilling the purpose for which he was cultivated.

It wasn’t truly ceaseless, of course. Everything has an ending. But it felt like an eternity – and for Jon, indefinite waiting has always been a special kind of torture.

“So what changed?” Georgie asks, her tone gentler than before.

“For a while, nothing,” Jon says. “I sort of… drifted. Wandered aimlessly through the domains for… I don’t really know. When nothing ever changes, keeping track of time becomes pointless. The Panopticon kept trying to draw me in, of course, but I – I suppose there was still enough spite left in me to make a show of ignoring it.

“At some point, I got lost in a Lonely domain. Which was fine, really. Or – it would have been fine, had I been allowed to succumb to it. I wanted to just – fade into it, let it in, but” – Jon breathes a bitter laugh – “it wouldn’t take me. Wouldn’t let me go numb, wouldn’t let me forget – didn’t have the decency to let me disappear, no matter how long I stayed.”

No one got what they deserved in that future, but this was a rare exception to that rule: to be allowed to simply forget his role in creating that nightmare world, to sink into blissful ignorance, would have been a miscarriage of justice. Not that the Eye cared about what was just or fair, of course. No, it simply would not – perhaps could not – deign to relinquish its hold on its Archive.

“But the longer I stayed,” he continues, looking at Martin now, “the more I thought about you. In retrospect, maybe that’s why I didn’t want to leave. And maybe that’s part of why it wouldn’t have me – I couldn’t let you go. But being there, it kept reminding me of the first Lonely domain we came across after the change. We were separated, and I was – I was so afraid you wouldn’t come back to me. But you did.” Jon smiles to himself, remembering the relief and gratitude and awe he felt in that moment. “You rejected the Lonely all on your own. Found your own way out – found me, and… every time I thought about that, I imagined your voice in my head. Telling me off for wallowing. For giving up.”

“Sounds like I would have been justified,” Martin says delicately.

“You would have,” Jon confesses with a contrite half-smile. “I was in peak brooding condition. Eventually I wore myself out wallowing there, though, so I left to go wallow somewhere else. I needed a change of scenery, and – well, I got one. Stumbled into a Spiral domain. Ran into Helen, and… funny enough, that was the last straw.”

Jon can still recall the encounter down to the smallest detail.

‘Still drifting aimless, are we?’ Helen bared an unsettling number of teeth as her grin stretched – literally – from ear to ear. ‘Exactly how long do you plan on moping about, Archivist?’

Jon did not answer; did not even meet her eyes, instead staring vacantly over her shoulder. The incessant reel of horror scenes playing in the back of his mind made it difficult to focus on any one thing at a time, and there was nothing he cared to see so much that it was worth the effort it would take to grant it his undivided attention.

‘You know,’ Helen said, tapping an elongated, crooked finger against her lips, ‘I wonder what he would say, if he could see you now.’

It didn’t matter. Martin was gone. Those parts of the world that hadn’t already been thoroughly razed were slowly but surely withering. There was nothing left to salvage.

‘Disappointed, I imagine,’ Helen continued, distant and muffled by the din of a splintering world. (Somewhere deep below their feet, a man was screaming himself hoarse in a labyrinth made of mirrors and fog.) ‘But not surprised. It’s not the first time you’ve let him down, is it?’

Jon gave a listless shrug. Her words stung, certainly, but they were a far cry from some of her more artful jabs. A pointed insinuation to send him spiraling into his own self-destructive conclusions would always be more corrosive than outright disparagement.

(The man in the maze gazed into mirror after mirror, hoping to find himself within. In every one, his reflection had no face.)

That said, Helen wasn’t wrong. Even as a child, Jon had always been a burden. He never did manage to prove himself worthy of all the many unwilling sacrifices made on his behalf. Never measured up; never put nearly enough good into the world to balance out the cost of having him in it.

(The man in the maze had misplaced his name. Did he drop it somewhere? He checked his pockets only to find holes. Yet another eyeless reflection stared back at him from beneath his feet.)

‘You were always headed here, weren’t you?’

Yes.

(The man in the maze tried to retrace his steps, but everything looked the same: an endless, recursive corridor of mirror images. He asked one of the doppelgängers for directions, only to realize that the man in the mirror had no mouth with which to answer.)

‘To think – all that time he spent coaxing you along, and you crumble the moment you don’t have a prop to coddle you.’ Helen cackles, high and cruel. ‘What a waste.’

She wasn’t telling him anything that he didn’t already know.

(The man in the maze was scouring the mirrored ground, searching for… something he’d lost; he couldn’t quite remember, but he knew that it was important. He checked his pockets, only to discover that he had no pockets.)

‘Although, I guess the blame doesn’t fall squarely on your shoulders. He was naïve. It isn’t your fault he was foolish enough to hope for–’

The words jolted Jon back to the present like an electric shock. Whatever else Helen had to say, he’d never know. He tuned her out, and he started walking.

“She was having a go at me – nothing new there – but then she brought you into it, and…” Jon shrugs. “I don’t think it was her intention, but it nudged me back on track. You and I had a plan, before, and… honestly, I didn’t have much hope that it would work, but you had. That made it worth trying.”

It wasn’t like Jon could break the world more by parleying with the Eye. At worst, it made no difference, but at least Jon did something to honor Martin’s memory; at best, it put Jon out of his misery, one way or another.

“I’m glad I did, because… well, it changed things, obviously. You were right.”

“Sorry,” Martin says with unmistakable self-satisfaction, “could you say that again?”

“You were right, Martin.” Jon rolls his eyes, but the effect is undercut by an indulgent smile he can’t quite repress. “You often are. All of this is to say – I’m only here because you gave me a reason to be. If not for that, then… well, I meant what I’ve said before, about needing a lifeline in order to stand any chance against the Fears. I was – I am lucky enough to have one.”

More than one, he thinks with a sense of wonder. The support he has now is such a far cry from the ostracism he experienced the first time he was here. It still gives him pause every time he dwells on the contrast. Sometimes, it almost seems too good to be true.

“Oliver didn’t,” Jon continues. “It’s hard to begrudge him for resigning himself to fate, especially considering how the power that claimed him is defined by fatalism. He never asked to be chosen, he was given no hope of escape, and he had no one to reach out to, let alone anyone to reach back. It’s unsurprising that he would come to accept the inescapable when the only anchor he had was the certainty of oblivion.”

“‘The moment that you die will feel exactly the same as this one,’” Georgie says quietly.

Jon nods. “And without a dependable reason to see the moments in between as significant, it’s… well, it’s hard to see the point in anything. I’ve been there.”

As has Georgie, Jon knows. She exhales heavily, massaging her temples, visibly conflicted.

“I still don’t think you should trust him,” Martin says.

“I’m not suggesting we trust him wholesale,” Jon says, “but I’m certain that he isn’t an enemy. He might not resist the End, but he doesn’t work to end the world in its name, either. He’s… thoroughly neutral.”

“Then what makes you think he’ll lift a finger to help?” Martin asks.

“I doubt he’ll go out of his way to help,” Jon admits. “He might be willing to trade information, though. I just thought… Avatar of the End – he would have more insight into the limits of Jonah’s supposed ‘immortality’ than I do.”

“You think he can tell you something about the dead man’s switch,” Georgie guesses, rubbing at her forehead.

“That’s my hope, yes. He can see the route that a person will take to their end. Or, he can when their death is imminent, at least – I’m not sure how far into the future his foresight stretches these days.”

In the hospital, Oliver implied that he could see something in Jon’s vicinity. Whether that suggests Jon’s own end is near enough for Oliver to foresee it, Jon does not Know. Given his proven resilience, he suspects it’s just as likely to be a quirk of his strange existence. There’s no shortage of idiosyncrasies that may mark Jon as an outlier: he’s the Archivist; he’s traveled through a rift in time; he’s the primed and practiced focal point of the Watcher’s Crown, and the fate of the world hinges on his ability to keep that potential in check.

And if his situation is an exception to the rule, perhaps Jonah’s is as well.

“Maybe he’ll be able to see whether our routes flow into Jonah’s, so to speak,” Jon says. “When Oliver dreamed of Gertrude’s impending death, he saw how much of the world’s fate was intertwined with hers –”

“– the veins, whose domination of the dreamscape had only ever been partial before, had thickened and now seemed to cover almost the whole space of every street – the destination – into which all the veins flowed – The Magnus Institute – choked with that shadowed flesh – following that red light that would now pulse so bright that I knew were I to see it awake it would have blinded me – and every one of those veins – where they ended – a person sitting at that desk and it was them that all of this scarlet light was flowing into.”

“Gertrude,” Martin says.

Jon nods, then holds up one finger: Wait. The Archive has more to say; Jon can practically feel the words bubbling up his throat and crowding behind his teeth. As discomfiting as it is to have it hijack his voice, sometimes it’s easier to ride out that compulsion than to tamp it down.

“I have no responsibility to try and prevent whatever fate is coming for you – such a thing is likely impossible – but after what I saw I couldn’t live with myself if I didn’t at least try – there is something coming for you and I don’t know what it is, but it is so much worse than anything I can imagine. At the very least, you should look into appointing a successor.”

Statement ends, Jon thinks, working his jaw to soothe the unnatural tension that has taken root there. Happy now? Anything else to add?

As expected, it doesn’t answer. He’s well aware that addressing the Archive essentially amounts to talking to himself, but carrying on an internal dialogue with the more frustrating aspects of himself was a habit long before he took on the mantle of Archivist.

After a few seconds, he feels the Archive’s imposing presence start to recede, releasing him from the compulsion. It’s still there, of course – it’s always there, looming over him like a vulture, as impossible to ignore as a knife to the throat – but for now it seems content to fall back and observe once more.

Georgie sighs. “That’s why you’re sympathetic to him.”

“He tried.” Jon shrugs. “He didn’t have to, but he did.”

“That still doesn’t mean he’s going to help this time,” Martin says.

“No, but he has no incentive to hurt us, either. There’s no harm in asking him questions. He’s not going to run to Jonah to inform on us. The worst that happens is he says ‘no’ and goes back to minding his own business. But if he agrees to talk… well, it might be our best chance to determine how much of what Jonah says is true.”

Georgie chews on her thumbnail for a few seconds before looking back up at Jon, a pensive frown on her face. “Why’d he go out of his way to come here at all, if he has no motivation one way or the other?”

“Honestly? Curiosity, I think. But… I suppose I’m also hoping that there’s a part of him that might sympathize.”

“Do you really think there is?” Martin asks.

“I don’t know. In my future, probably not. He wasn’t enjoying himself like some of the other Avatars – I mean, he was feeding on the fear produced by his domain, but even then, he didn’t strike me as cruel. It was just… acceptance in the face of a conclusion at ultimately stayed the same regardless of the path leading up to it, and…”

And maybe it speaks to Jon’s mental state at the time, but there were a few points in Oliver’s statement that struck him as almost merciful. After all, in the face of seemingly endless torment, death was a covetable escape.

“I have no power to stop it,” the Archive recites, “and even if I did, I would not do so. For to rob a soul of death is as torturous as its inevitable coming – I fear the annihilation you would gift me as little as I desire it – perhaps once it might have horrified me, or given me some sense of pursuing the ultimate release of the world that you have damned – I am now, as the thing I feed, a fixed point, that has neither the longing nor ability to change its state of existence – even you, with all your power, cannot keep the world alive forever. All things end, and every step you take, whatever direction you may choose, only brings you closer to it.”

“That Oliver again?” Martin mutters tetchily. “Doesn’t sound to me like he’ll be particularly inclined to help.”

“Well–” The word comes out as a rasp, and Jon has to pause to clear his throat before continuing. “That was – that was the Oliver of the future. After the change, he was too much of the End not to live its truth, just as I was too much of the Eye not to walk its path and archive its world. We were both conduits, inseparable from the powers that laid claim to us. Here and now, though, I’m hoping he might still be…”

“What, benevolent?” Martin says incredulously.

Jon is quiet for a long moment, trying to find the right words to explain.

“At my most hopeless,” he says slowly, “I still cared, even though there was no meaningful way for me to put it into practice. I don’t think I ever managed to reach the level of acceptance that Oliver did – and sometimes I envied him for that. But embracing the End as a foregone conclusion doesn’t necessarily mean he’s completely unmoved by what happens in the interim. Not yet, anyway. And as of right now, whether it’s out of curiosity or compassion, obviously he still interacts with the world from time to time, even if he prefers to exist in the background for the most part.”

Martin and Georgie both look unconvinced.

“I’m not asking him to help us change fate,” Jon goes on. “In his view, there is no obstructing fate – not in any way that genuinely matters to his patron. Oliver isn’t particularly concerned about when the End will come – he’s just secure in the knowledge that it will happen eventually, with or without the interference of any mortal actor. Passive or active, nothing he does or doesn’t do will change that. But I’m thinking it’s been a long time since someone has asked him for help that he actually has the power to provide, and… I know what that’s like.”

Despite the immense power that Jon could exercise after the culmination of the Watcher’s Crown, he was ultimately powerless to change things for the better. It’s why he leapt at the chance to help Naomi in her nightmare: even a small, low-effort act of kindness after so long without the opportunity was overwhelmingly liberating.

It was insignificant against the vast backdrop of the universe, perhaps, but it still left a mark. It prompted a cascade of little changes that completely rewrote their dynamic; it curtailed some of the suffering in which Jon had previously been so unwillingly complicit; it's even acted as an inoculation against the loneliness that had permeated both of their lives during this stretch of time when Jon was last here. Those little changes mattered to him, and they mattered to Naomi – not only in that first moment, but in all the time since.

All of that had to count for something, right? It took fourteen ill-fated marks to end the world, after all. With any one of them missing, the Ritual wouldn’t have worked and the world at large would never have noticed. But that didn’t make any one of those marks wholly insignificant on its own. They scarred him and the people around him; every encounter changed him, whittled away at his sense of self, left him progressively vulnerable and set him up for successive marks.

The repercussions still linger. They probably always will.

In his sporadic moments of cautious optimism, Jon cannot help but wonder: If a series of little cruelties can create such a perfect and terrible storm, is it really inconceivable that a pattern of little rebellions could keep it at bay? And Jon has long since come to the conclusion that compassion in the face of unimaginable cruelty is its own form of rebellion.

“As much as Oliver talks about fate and inevitability,” Jon says, “he still seems to believe in free will to an extent. That we all make choices. When he last spoke to me, he offered me a choice. Now I’m offering one to him.”

“I can’t believe I’m saying this, but…” Georgie releases a weary exhale and tosses her head back to stare at the ceiling. “You’re sure this won’t come back to bite you?”

“We have nothing to lose by asking,” Jon says. “And he has nothing to lose regardless of what choice he makes, but… it feels right to at least give him the option. Whatever he decides, I won’t begrudge him for it.”

“Fine,” she says tersely. “Do what you want.”

Jon just barely suppresses a wince. “Georgie?”

“Sorry, that came off as –” Georgie heaves another sigh. “I’m not angry with you. I get it. It makes sense. I just don’t like it.”

“I know.”

“Just… be mindful, alright? You don’t owe him any answers you don’t want to give. And he doesn’t deserve the benefit of the doubt just because you relate to him.”

“I know,” Jon says again.

“I mean it, Jon,” she says sharply. She takes a steadying breath before continuing, more diplomatically this time. “It’s… sweet, I guess, that you want to empathize with him, but you have a tendency to…” Georgie pauses, weighing her words. “I mean, I’ve seen you compare yourself to Helen, too. And Jonah.”

“Well, I don’t think anyone would deny that there are certain… similarities,” Jon says, not quite under his breath.

“Yeah, you’re always going to have something in common with other people if you look hard enough. But sometimes you see the worst in people and you fold it into how you see yourself. Like you’re looking into a funhouse mirror, but you can’t see how the reflection is distorted.” Jon avoids meeting her eyes, shifting uncomfortably in his seat. “Look, I know you don’t want to hear it, but you have a history of comparing yourself to your abusers. Sorry,” she adds when he flinches, “but it’s the truth, and you need to hear it. Just… think about it, okay? Ask yourself whether this is compassion or if it’s just another way to dehumanize yourself.”

“I –” Jon swallows around the lump in his throat, his mouth gone dry. “Okay, I – I get your point, but – I swear that’s not what this is. With Helen, and – and – and Jonah, it’s – they’ve actually gone out of their way to – to manipulate, to cause real harm. Oliver is different.”

“You were marked by the End,” Georgie says pointedly.

“Yes, but that wasn’t Oliver’s fault. He didn’t hurt me, never tried to trap me or trick me – never pressured me into making one choice over another, even at the end of the world. I really don’t think he’s evil, or sadistic, or – or scheming, weaving some grand web. He’s just watching things unfold, because he had a crash course in the stages of grief forced onto him and the end result was… well, acceptance. He doesn’t fear the End, but he doesn’t worship it, either. He just embodies it, openly and authentically.”

Georgie is silent for nearly a full minute, scrutinizing Jon intently, before she capitulates.

“Alright. I’ll… trust your judgment, I guess,” she says, but she shares a knowing glance with Martin – who looks just as leery as she does – when she says it. “Still, be careful.”

“I, uh… I imagine you don’t want to be here when I talk to him?” Jon ventures, though he’s certain he already knows the answer.

“No,” Georgie says summarily.

Jon releases a breathless chuckle. “Fair enough.”

“I really should be getting home to Melanie, anyway. It’s stay-home date night. Pizza and a movie.” Georgie offers a tentative grin, her shoulders relaxing minutely. “She hasn’t seen the new Ghostbusters yet, somehow – something about having been preoccupied with real paranormal bullshit for the last few years – but I checked and the DVD version has audio description, so I bought a copy. She’d be cross with me if I stood her up for the grim reaper.”

“I imagine so.” Jon tilts his head. “Although, Oliver isn’t actually the–”

“Jon,” Georgie sighs, “I was being facetious.”

When the three of them leave the tunnels, they find Oliver still waiting awkwardly at the bottom of the stairs out of the Archives, Basira standing sentinel nearby. Daisy leans against a far wall, eyeing him from a distance.

Georgie gives a long, doubtful look at Oliver before turning to Jon and offering a hug that he gladly accepts.

“Text me later tonight?” Georgie says. “And keep me updated on your travel plans.”

“Will do. Tell Melanie I said hello. And tell the Admiral he’s a national treasure.”

Georgie snorts at that, shaking her head in amusement before turning towards the stairs. Oliver nearly jumps out of the way as she strides in his direction, but she doesn’t stop to confront him beyond a glare as she passes. A prolonged, awkward minute of silence passes after she leaves, charged with suspicion and tension.

“Tunnels,” Basira says eventually, her tone and expression giving nothing away. She doesn’t wait for a response before stalking off down the hall, Daisy falling in line behind her.

Basira barely waits for the others to take their seats before she launches into her interrogation. Although her eyes remain fixed on Oliver, her first question isn’t directed at him.

“Why is he here, Jon?”

“Like I said, I invited him.” Jon glances at Oliver, apologetic. It feels odd to talk about him as if he isn’t present.

“Why?”

“Mutual curiosity, I expect,” Oliver cuts in, inclining his head towards Jon. “You have questions for me.”

Jon returns a nod. He has ulterior motives, and Oliver knows it. To pretend otherwise would be pointless, not to mention insulting.

“Oliver is an Avatar of the End,” Jon tells the others. “There might be a chance he could tell us how much of what Elias says is true.”

“And what’s the price tag?” Basira asks.

“He has questions of his own. He could tell in the hospital that there’s something… wrong about me. Obviously, I couldn’t talk about it where Elias could hear.”

“You shouldn’t disclose it at all,” Basira says. “If any of it gets back to him –”

“Oliver has no reason to betray our confidence.” Jon’s gaze flicks to Oliver. “Right?”

“Consider me a neutral party,” Oliver replies.

“You’re going to just… take him at his word,” Basira scoffs.

“The End has no Ritual,” Jon says, “and it has no reason to prevent any of the other Entities from successfully pulling off their own Rituals. No matter what happens to this world, the End will claim everything eventually. The when and how are irrelevant to it. In the meantime, the world as-is suits it just fine. It has no desire to postpone or hasten the end of all things.”

“Terminus is what it is,” Oliver agrees. “I have neither the power nor the desire to contradict it.”

“Then why would you help us?” Basira asks.

“I never said that I would.”

“I’m not asking you to actively intervene,” Jon says before Basira can offer a retort. “I just want to talk. That… is why you came here, isn’t it?”

Oliver hesitates for a moment before answering. “Your curiosity must have rubbed off on me.”

Unbidden, Oliver’s statement rushes to the forefront of Jon’s mind: I still remember the first time I tried to touch one…. I don’t know why I did it; I knew it was a stupid thing to do. But I just… maybe I wanted it this way.

“Don’t know about that,” Jon says quietly. “Curiosity is only human.”

And the worst part was that, somewhere in me, I – I liked it, the statement plays on. Underneath all that awful fear, it felt like… home.

“Perhaps,” Oliver says, noncommittal.

“So you’ll tell us what we want to know,” Daisy finally speaks up. Despite her veneer of calm – leaning back in her chair, arms crossed – her bouncing leg belies her agitation.

“It makes no difference to me.” Oliver shrugs. “Though I can’t promise my answers will be satisfying.”

“I still don’t like this,” Basira says, glaring askance at Oliver.

“Look,” Jon says, “this is the only way I can think of to figure out what stakes we’re working with. Jonah has been cheating death for centuries–”

“Jon!” Basira hisses.

“It’s important context,” Jon argues back. “And anyway, it’s going to come up when I tell him my story. It’s not exactly a detail I can gloss over; it’s central to the plot.” He sighs and looks at Oliver. “Elias is Jonah Magnus, the original founder of the Institute.”

Basira throws her hands up with a frustrated snarl. She turns to Daisy for support, but Daisy only offers a sympathetic grimace and a half-shrug.

“I thought there was something odd about him,” Oliver says blandly. “He’s long past his expiration date.”

Daisy snorts at that. Judging from the bemused, almost startled expression on Oliver’s face, he hadn’t expected to garner anything other than aggression from her.

“Whenever one of his vessels is… compromised,” Jon elaborates, “or nearing the end of its usefulness, he takes a new one.”

Recovering from his fleeting bewilderment, Oliver turns his attention back to Jon. “He wouldn’t be the first.”

“Maxwell Rayner and Simon Fairchild,” Basira says.

Oliver nods. “Among others.”

“Does that… I don’t know – offend the End?” Martin asks.

“No,” Oliver says. “They can’t outrun it forever, as so many have discovered firsthand.”

“Like Rayner,” Daisy says.

Once again, Oliver looks thrown off-kilter by Daisy’s diminishing hostility, but he does offer a wary nod in response to her contribution to the conversation. “And in the meantime, their fear of their own mortality ages like a fine wine.”

“Is an unnaturally long life somehow tastier for the End, then?” Martin asks. “I think most of the statements I’ve read about it involved somehow cheating death.”

“Perhaps. If my patron has a conscious mind, it has never spoken to me directly. Everything I know to be true is just… feeling.”

“So it’s as cagey as the other Powers, then,” Daisy says with a derisive chuckle. “Good to know.”

Oliver smooths his hands across his coat, draped across his lap, before glancing at Jon for guidance.

“I gave you a story,” he says reticently. “I would like to hear yours. Then I will answer your questions.”

“Fair enough,” Jon says – and abruptly realizes that he has no idea where to start. “You, uh… you don’t need to hear my whole life story, do you?”

“I did give you an outline of mine,” Oliver says with just a hint of amusement. “I admit I’m curious as to what led you here, but I imagine if you went into detail, we would be here for hours.”

“Much of it doesn’t bear repeating, anyway,” Jon says. “Just the highlights, then?”

“If you please.”

“Right,” Jon mumbles. He takes a deep breath. “Had my first supernatural encounter when I was eight, never got over it, and a combination of lifelong obsession and unchecked curiosity brought me to the Institute. After Gertrude died, Jonah chose me as her replacement because he knew I would be easily molded into the catalyst for his Ritual, and I was.” He looks up. “Is that enough?”

“Which of the Powers marked you first? If you don’t mind me asking.”

“The Web.”

“Ah.”

“Yeah.”

“I thought you seemed… entangled.”

There’s something… off about you, Oliver had told him when they last spoke. The roots, they look… sick. Wrong. And the threads are – tangled.

It’s possible that Oliver was speaking in metaphor – alluding to the threads of fate, so to speak – but the question has been simmering in the back of Jon’s mind for months…

“When you visited me before,” he blurts out. “You said the Web sent you.”

“Yes,” Oliver says candidly. “Not an explicit command, of course. It was more a… well, a feeling. A tug. The Web usually prefers subtlety, but there are times when it wants its marks to know the hand that moves them.”

“S-so, when you said the threads around me were tangled, was that figurative, or could you… see the Web’s influence?”

“The Spider might make its presence known sometimes, but Terminus doesn’t give me the ability to see the shape of its web any more than the Eye does you.”

“Not unless the Web allows itself to be Seen,” Jon says absently.

Despite how much he could See in his future, the Web always remained something of an enigma. It wasn’t until after his standoff with the Eye that he was able to follow the Spider’s threads.

But then, the Eye hadn’t been the only watcher lurking in the Panopticon. The Web had woven itself into the foundation of that place from its conception, and the Spider made no effort to hide. More than once, it stationed itself where he was sure to notice it. The more he thinks on it, the more he suspects that the ensuing ability to See its threads, to Know where they converged, was as much an allowance by the Web as it was due to his communion with the Ceaseless Watcher.

“When I spoke of threads, I meant more…” Oliver opens and closes his mouth a few times as he struggles with his phrasing. “Well, I’ve not yet found a perfect description for it. Think of a life and fate as… a jumble of intersections. Some people feel like thread-and-nail art. Others feel like a snarled ball of yarn. You,” he adds, looking at Jon appraisingly, “are something of a Gordian knot.”

“What is that supposed to mean?” Martin demands, a protective edge in his voice.

“It’s not a compliment or an insult,” Oliver says mildly. “Only an observation. Come to think of it, Gertrude was much the same way. The fates of many hinged on the routes she took. Less of a butterfly effect and more of a hurricane.”

“So you can see fate?” Basira asks. A genuine question, but the flat skepticism in her tone makes it sound rhetorical.

“To a limited extent,” Oliver says haltingly. “I see the near-future as it relates to death specifically. When people near the ends of their routes, I can make out the details of their–”

“Seeing those awful veins crawling into them, into wounds not yet open, or skulls not yet split – they sneak up and into throats about to choke on blood, or lurch into hearts about to convulse – webbed over the face of a drunk old man stumbling into his car – one snaking along the road, over towards the railing – I’ll never forget seeing a field of cows the week before they were sent to the abattoir…”

Jon trails off with a tired groan, rubbing his eyes furiously.

“You have a good memory,” Oliver says.

“Sorry,” Jon mumbles. “Archivist thing. Can’t always control it.”

“S-so,” Martin redirects, “if any of us were about to die, you would be able to see it, right?”

“Yes. But I don’t make a habit of telling fortunes,” Oliver clarifies before Martin can ask. “Knowing your end is coming does nothing to prevent it. It only ensures that you will live your final days in fear.”

“Wouldn’t your patron like that?” Daisy asks.

Basira immediately latches onto that thought. “We have a statement here about a book that tells you how and when you’ll die.”

“Case number 0030912,” Jon cites. “Statement of Masato Murray, regarding his inheritance of an untitled book with supernatural properties. Each time the reader rereads their entry, they’ll find that the recorded date of their future death draws closer and the cause more gruesome.”

“Thanks, spooky Google,” Basira says sardonically. “Who needs an indexing system when we have a walking, talking card catalogue on staff?”

“One of my predecessors in ancient times once filed a complaint with the Eye, aggrieved by all the terrible powers it foisted upon him,” Jon says matter-of-factly, not missing a beat. “Being a benevolent patron, it granted him and all future generations of Archivists a convenience feature as compensation.”

“Smartass,” Basira says, but it sounds almost amiable, and Jon allows himself a tentative smile.

His tolerance for making light of this part of himself tends to be variable. Unpredictable, even. On good days, shared gallows humor is a balm, bringing with it a sense of solidarity and camaraderie; on bad days, even the gentlest dig feels like a barb.

He also tends to be selective about whose teasing he can weather. Martin and Georgie are safe more often than not. Daisy can usually get away with it; she’s prompt to let him in on the joke whenever he doesn’t pick up on her sarcasm. Given how blunt Melanie can be, it at least tends to be obvious when her pointed comments are meant in jest or in umbrage; and anyway, he hasn’t yet spoken to her directly since she quit.

Basira, though – she’s always been difficult to read. They have a similar sense of humor, but part of his brain is still living in a time when she saw the worst in him. No matter how many times he tells himself that things are different now, he can’t quite shake that feeling of being on indefinite probation. Hostile attribution bias, he recognizes, but having a label for it doesn’t make it any easier to silence those perennial fears. It’s only recently that he’s been able to take such joking from her in stride. Not always, but sometimes.

“Anyway,” Basira says, looking back to Oliver, “I take it that book is affiliated with the End. It feeds on the reader’s fear of knowing the details of their death.”

“Almost everyone has some degree of fear regarding mortality – their own or that of others,” Oliver says. “For some, that primal fear permeates their entire lives. Others only spare it any thought when it closes in on them. Terminus feeds on all of it equally. I suspect that active encounters with it are more about…”

“Flavor?” Basira suggests.

“So to speak,” Oliver says. “Welcome variety in its diet, but not necessary to sate it.”

“Which is why its Avatars have such wildly different methodologies,” Jon says, nodding to himself. “Justin Gough was allowed to survive a near-death experience, but acquired a debt that had to be paid in the lives of others, killing them in their dreams. Tova McHugh was granted the ability to prolong her own life by passing each of her intended deaths onto others, adding their remaining lifespans to her own. Nathaniel Thorpe was cursed with immortality after trying to cheat his way out of death. He was only one of many gamblers who played such games of chance–”

“Jon,” Basira sighs, “you don’t have to go through the whole roster of personified death omens.”

“Sorry.”

“So what kind of Avatar are you?” Basira asks, looking Oliver up and down. “How do you feed your patron?”

“For me, Terminus has not been particularly demanding. I don’t know why. Perhaps it’s because I never attempted to cheat my way out of death. It simply… chose me – or I wandered across its path – and it never left. Thus far, it seems content to have me play the observer.” He glances at Jon. “You can probably understand that.”

“The Beholding isn’t satisfied to have its Archivist simply observe. It wants its knowledge actively harvested, recorded, curated.” Jon huffs, not bothering to contain his disgust. “Processed.”

The conversation lapses into a tense silence for several seconds before Basira changes tack.

“About Gertrude,” she says. “You tried to warn her about her death.”

“Yes,” Oliver replies.

“Why?”

“The evidence of her death snaked its roots all across London – as far as I could see, and perhaps further. At the time, I’d never seen anything like it. Such a sprawling web of repercussions stemming from a single death – I felt like I had to say something. As I expected, it made no difference in the end.”

Jon worries his lower lip between his teeth. “You said the roots surrounding me seemed sick.”

“You saw roots around Jon?” Martin says urgently, jolting up ramrod-straight in his seat.

“They’re… different from the ones I’ve grown accustomed to,” Oliver says slowly. “There’s no light pulsing within them, no life flowing to or from them. And looking at them, it’s almost like…” He frowns, squinting down at the floor as if it might offer up the words he needs. “It’s like they’re there and not there simultaneously. Faded, like an afterimage – one that can only be seen from a certain angle.”

“Okay, and what does that – what does that mean?” Martin asks.

“I don’t know.”

“What do you mean you don’t know?”

“I was hoping Jon could shed some light on it,” Oliver says, raising his head to meet Jon’s eyes. “I may not have the same drive to know that you and yours do, but I find myself returning to the question frequently over the past few months.”

“R-right,” Jon says. “Let me just, uh… where to start…”

Jon rubs at this throat with one hand, the other clenching into a fist where it rests on his knee.

“Jon,” Daisy says, “are you sure about this?”

“Yes, I just, uh –” Jon breathes a nervous laugh. “This never gets any easier.”

“Do you want me to say it?” Martin offers, schooling his tone into something approaching calm. His posture remains rigid, though, hands balled into white-knuckled fists in his lap.

“No, it’s fine.” Jon takes a few deep breaths and then looks Oliver in the eye. “In the future, I ended the world.”

Oliver raises an eyebrow. “I didn’t think the Beholding gave you any precognitive abilities.”

“It, uh – it doesn’t. I didn’t foresee the future, I lived it. For… for a long time, actually, so I –” Jon exhales a humorless chuckle. “I probably meet your definition of past my expiration date.”

Oliver tilts his head, considering.

“Hard to say,” he settles on. “You’re… a bit of a paradox. Feels as if you exist in multiple states at once, and it’s difficult for me to tell which one is true.”

“Maybe all of them are,” Jon says distractedly. “But, I, uh – I eventually found a way to come back to before the change – or, to send my consciousness back, anyway. But only as far back as the coma. I… I wish it had taken me back further – back to the very beginning, though I” – Jon huffs – “I suppose it’s hard to say what counts as the beginning.”

“It depends on how you want to define a beginning,” Oliver says. “In a way, the advent of existence marked the beginning of the end. Everything since then has been just another domino.”

“Well,” Jon begins, but Daisy cuts him off.

“Nope,” she says bluntly. “You go down that semantic rabbit hole and we’ll be here forever.”

“Fine,” Jon says with a petulant sigh. “Anyway, I couldn’t figure out how to wake up on my own, so just like the first time I was here, I had to wait for you to come along and help.”

“I still don’t understand why,” Oliver says.

“Neither do I, I’m afraid.”

“Not to encroach on your sphere of influence, but I think in this case, not knowing the answer might bother me even more than it does you.” Oliver releases a quiet sigh. “So you came back to stop yourself from starting the apocalypse.”

“It’s not like he chose to end the world,” Martin says, immediately leaping to Jon’s defense once more.

“Apologies,” Oliver says with an earnest nod in Martin’s direction. “I didn’t intend to imply otherwise.” He glances at Jon. “I’ve known of many who seek to bring on the end in the hopes that they will be able to choose what shape it takes. You don’t strike me as the sort.”

“No. But Jonah is.” Jon ducks his head as he speaks, fingers twisting in his jumper. “He wanted – wants to rule over a world reshaped in the Beholding’s image. He needed an Archivist with particular qualities to serve as the linchpin of his Ritual. So he created one. By the time he showed his hand, it was too late. I was the key, and Jonah didn’t need my consent in order to open the door.”

“I imagine it didn’t go as he planned,” Oliver says.

“No,” Jon says with a grim laugh. “No, it didn’t. He suffered as much as anyone else did in that reality. It all started because he was afraid of his own mortality, and yet – in the end, he met a fate worse than death.”

“Whatever it was, he deserved it,” Martin mutters.

“Maybe so,” Jon says. “But it was never about deserving. There was some poetic justice there, seeing him brought down by his own hubris, but… at the end of the day, he got the same treatment as anyone else. Just – pointless suffering, utterly divorced from the concept of consequences. Had a way of… diluting the schadenfreude, honestly.”

Martin’s spark of vindication appears to fizzle out as Jon speaks, his shoulders slumping and his eyes softening.

“Regardless,” Jon continues, “Jonah wanted to be a god, but at his core, he was no different from any other human. Fodder for the Fears. And the one he feared the most – it was in no hurry to finish the meal. I imagine by the time Terminus finally came for him in earnest, he would have welcomed it.”

“Those who seek immortality always come to see it as a curse in time,” Oliver says sagely. “When they come to terms with the fact that there is no such thing as a truly immortal existence, it comes as a relief.”

“I walked through your domain once,” Jon says after a pause. “You gave me a statement about the End’s place in that world. The domains were reluctant to let their victims die – they’d bring them to the brink, then revive them and repeat the process – but the Fears are greedy. Eventually, they would suck their victims dry –”

“– bones – every one of them – picked clean and cracked open – desperately gnawing – trying to reach whatever scant marrow might have remained inside – sucked from them to leave nothing but dry, white fragments – the hunger he saw in their eyes–”

Jon bites down on his tongue. That’s quite enough of that.

“You alright?” Martin says, leaning over and putting a hand on Jon’s knee.

“Sorry,” Jon says gruffly. “That one was…”

“Grisly?” Daisy says.

“Yeah,” Jon huffs. “But – not necessarily inapt? That reality was a closed economy. No new people were being born. The ones who already existed were destined to die, no matter how unwilling the other Fears were to grant that release.”

“As has always been the order of things,” Oliver says.

“You predicted that eventually the Fears would start poaching victims from one another’s domains – and they did. There were…” Jon grimaces. “There were a lot of territorial disputes, towards the end there. Domains encroaching on one another, monsters fighting over scraps. The Eye got its fill Watching it all play out, of course, but given enough time, it would have starved, same as all the rest.”

“And once the world was rendered barren,” Oliver says, understanding, “Terminus itself would die.”

Jon nods. “And until that happened, both you and your patron were content to let things play out.”

“Terminus is patient.”

Too patient, Jon thought at the time.

“I don’t think it was your intention,” he says, “but your statement did come as a relief. I already expected as much – that eventually it would all end – but having it corroborated by an authority on the matter was… very welcome.”

“People may fear death,” Oliver says, “but anyone who outruns it long enough finds that there is a much deeper fear hiding underneath – that of having the release of death withheld from them.”

“We have a lot of statements to that tune,” Basira says.

“I imagine so.”

“So,” Daisy says brusquely, “is that enough of a story for you?”

“I suppose,” Oliver says. “Although it raises more questions than it grants answers.”

“Our turn for questions, then?” Basira asks. She doesn’t wait for an answer. “The… veins, or… roots you saw around Gertrude. You’re saying they didn’t just foretell her death, but showed how it would impact everything else. So, what about the ones you saw around Jon?”

“It’s difficult to observe them for any length of time, but they do seem… more sprawling.” Oliver studies Jon for a moment, considering. “Like you are the heart of a watershed moment destined to happen.”

“So that’s it, then,” Jon says dully. “I’m still the spark for it all.”

Pandora’s box with a ‘use by’ date, he thinks to himself, somewhat hysterically.

He already knew it to be true, but that doesn’t make the confirmation any less harrowing. Everything hinges on his ability to keep his head above water, but the fate of the world weighs ever more heavily on his shoulders, pressing down, down, down –

“Does that mean…” Jon hugs his middle, slowly curling in on himself. “Does that mean it’s going to happen again?”

“I cannot say.” If Jon’s not mistaken, Oliver sounds… almost sympathetic. “This is unprecedented. I can only theorize. It’s possible that you’re like Gertrude, and what I see is a premonition. Or maybe the reality you came from still exists, parallel to this one, and it still clings to you. Perhaps it’s a Schrödinger’s cat, and it both does and does not exist, right up until the point where you do or do not bring it into being. Or maybe it doesn't exist, and the roots I see are only… imprints, so to speak. Echoes of a time and place that this world will never overlap.”

“Like trace fossils,” Jon murmurs. “Ghosts.”

“If you like.”

“Could you – could you follow them?” Jon can feel his pulse quicken, his heart thrumming in his throat. “See where they originate?”

“They originate from you.”

“O-oh.” Jon’s gaze darts uncertainly around the area before fixing on Oliver again. “Then, uh – can you see where they end?”

“You have a suspicion,” Basira says, watching Jon carefully.

Jon swallows around the breath caught in his throat. “What if they go back to Hill Top Road?”

“As far as I can tell, they reach out in all directions,” Oliver says. “There may not be a single end point. Regardless, I have no desire to visit Hill Top Road.”

“Oh,” Jon says despondently. It’s not like he expected Oliver to go out of his way to help, but…

“Would it really tell you anything of value anyway?” Martin asks.

“I don’t know,” Jon says, running a hand through his hair, one finger getting caught in a knot and pulling hard at his scalp. “But – but it feels like something I should at least check –”

“To what end?” Daisy asks. Jon looks at her blankly. “No offense, Sims, but the most likely outcome is you get no real answers, you lose yourself obsessing over theories, each more catastrophic than the last, and you spend the next few weeks compulsively checking yourself for spiders. Some things aren’t worth chasing after.”

“I just – I feel like I should know one way or the other –”

“Is that you or the Eye talking?” Martin asks.

“What’s the difference?” Jon says flatly. He immediately regrets it when he glimpses the expression on Martin’s face – a very familiar mixture of concern and frustration. “I’m sorry. Just… I don’t know. I don’t Know.”

Jon tugs on his hair once more, focusing on the dull ache it produces. He’s always had trouble letting things go. Letting questions go unanswered; letting mysteries go unsolved. The Beholding just nurtured that obsessiveness, encouraged that impulse to proliferate in his head like a weed and choke out his inhibitions.

“You’re here now,” Martin says firmly. “You can’t go back, so you may as well go forward.”

“Yeah,” Jon says, guilt heavy and searing in his chest.

“Like I said,” Oliver says, rubbing the back of his neck, “my knowledge of the future is narrow. I can’t tell you anything about parallel universes, or branching timelines, or the ability to alter history. The only certainty is that anything that begins will have an end, one way or another. All the rest is just… details.”

Martin folds his arms across his chest, examining Oliver with narrowed eyes. “You say that like the details are irrelevant.”

“I wonder about that,” Oliver says softly.

“Well, I think our experiences matter,” Martin says. “The fact that we were here at all, it’s… it’s not nothing.”

“Even those who make the greatest impact are forgotten in time.”

“So what? It will always have happened, even if no one is alive to remember it. And – and you never know when something little will have an impact on someone, which contributes to them doing something that makes a greater impact – that changes history.”

“Even time itself will end eventually. History will be forgotten, and nothing will remain to register its loss.”

“And?” Martin persists. “We won’t be around to see it. In the meantime, we’re here. We’re alive. If we’re going to end no matter what, why not make it worthwhile? Sure, there are no equivalent powers of hope and love to counter the Fears, but – but who cares? That just means that we have to make up for that absence.” Jon smiles to himself as Martin builds momentum – shoulders pushed back, chest thrust out, head held higher, speech growing more impassioned as he argues his point. “If a few mistakes and some asshole with a god complex can end the world, who’s to say a few deliberate kindnesses can’t save it?”

“Am I the asshole with the god complex?” Jon says drily. Judging from Martin’s disapproving scowl, he is not in the mood for self-deprecating humor. “Sorry, sorry. But, uh – in all seriousness, I think it was more than a few mistakes on my part–”

“You know what I meant, Jon,” Martin snaps. “And – and fine, maybe a few kindnesses can’t save the whole world, but – but they can save someone’s world. They can save a person. Doesn’t that mean something?”

“Yes,” Jon says with a small smile. “Yes, it does.”

“R-right.” Martin blinks several times, momentarily stunned by the lack of resistance. “It doesn’t change the world – except for how it does. Just – the universe might not care, but we can, and that’s exactly why we should. It’s… it’s what we owe to each other. That’s what I think, at least.”

Martin goes quiet then, arms still folded with a mixture of self-consciousness and sullen defiance.

“How long have you had that rant queued up?” Daisy teases.

“A while,” Martin says, rubbing his arm sheepishly.

“You’re quite the romantic,” Oliver says. He says it like a compliment, albeit somewhat wistful.

“Yeah, well.” Martin blushes at the praise in spite of himself. “Someone has to counter the fatalism around here.”

If you ask Jon, there are many reasons to love Martin Blackwood. This is doubtless one of them.

“Besides,” Martin recovers, apparently on a roll now, “it seems to me there’s as much evidence for fate being changeable as not. Yeah, sure, eventually everything dies, but who’s to say that the details are set in stone? Like – like that book, the one where the details of a person’s death change every time they read it.”

“But does their fate actually change, or is it just the book messing with their heads?” Basira says, tapping her fingers against her lips and looking down at the floor pensively. “If the End has foreknowledge of a person’s death, maybe the last entry a person reads before dying was always their fate, and all the previous accounts were just lies intended to seed fear.”

When Jon opens his mouth to chime in, the Archive seizes the initiative, unceremonious as ever.

"When did it change?” comes the cadence of Masato Murray. “Was it when I turned back to read it again? Or perhaps when I had made the decision to never visit Lancashire? If the book knew the future, then how much did it know me? My decisions and choices were my own, so was it responding to them or simply to the fact that I opened the book again? Perhaps it changed every time I opened it, even if I didn’t read the page, every interaction changing my fate…. When I close the book I wonder: are those same words still there, squatting and biding their time, or have they already changed into some new unknown terror that I can neither know nor avoid, waiting to spring on me.”

Jon holds his breath in anticipation. After a few seconds of suspense, the pressure recedes, the Archive having spoken its peace.

“Archive’s talkative today,” Basira observes.

“Apparently,” Jon grumbles. “What I originally meant to say was that I’ve wondered the same thing – whether the book was really telling the future or simply playing on the fears of the reader.”

“Maybe offering textual support is another convenience feature?” Daisy keeps her tone carefully neutral, gauging his mood.

“The Beholding is known for being exceedingly generous,” he retorts.

Basira ignores the banter and speaks directly to Oliver. “Do you know?”

“I’m unfamiliar with the book in question,” he replies. “All the deaths I’ve personally foreseen have come to pass so far. That says nothing about whether or not the End always reveals the truth to all who cross its path.”

“Right.” Basira shakes her head. “Not sure why I expected a straightforward answer.”

“Maybe there isn’t one,” Martin says. For a fraction of a second, Basira tenses. Jon suspects she’s just as repulsed by such a prospect as he is.

“Whatever,” she says curtly. “It isn’t important right now. What I want to know is how to deal with Jonah Magnus. So” – she pins Oliver in place with sharp, unblinking eyes – “what can you tell us about his mortality?”

“In short? He won’t live forever, regardless of how much he wants to deny that reality.”

“Yeah, you’ve said,” Daisy says, tossing her head back with an impatient groan. “Him dying eventually doesn’t help us now.”

“I’m not a mind-reader,” Oliver says. “If there’s more to your question, you’ll need to elaborate. What are you actually asking? How to kill him? For me to tell you whether his death is on the horizon?”

“Jonah claims that he’s the ‘beating heart of the Institute,’” Jon explains. “He says that if he dies, everyone else who works here dies as well. You were able to see the ripples created by Gertrude’s death. I suppose I thought – maybe you could tell us if there’s something similar with Jonah.”

“If his death was imminent, perhaps.” Oliver averts his eyes as he twists a ring around his finger, growing increasingly tense under such concentrated scrutiny. “But as I said before, I don’t make a habit of telling fortunes.”

“So you won’t tell us,” Martin says.

“To be frank, this place is rife with potential.” Oliver casts his gaze around the area, as if seeing something the others cannot. “It would be… difficult to untangle it all.”

“Fine,” Basira says tartly. “Then can you tell us whether it’s possible for him to set up a dead man’s switch in the first place? Seems to me something like that would be the End’s domain, wouldn’t it?”

“It would.”

“Then would he be able to exercise any real power over it?” Basira persists. “There’s nothing inherent to the Eye that suggests its Avatars should be able to bind others’ lives to them. Even the Archivist doesn’t work like that – we’re linked to Jon as far as being unable to quit goes, but we won’t die if he does. I think it’s more likely that Jonah did something extra to bind the Institute to himself.”

“Assuming he’s even telling the truth,” Daisy says.

“So, is there an artefact that could let him do it?” Basira asks, still staring Oliver down. “A ritual? A favor from an affiliate of the End, maybe?”

“Terminus has a variety of ways in which it operates,” Oliver says cagily, “same as all the other Powers. I don’t seek out instances of those manifestations. Given the sheer number of statements collected here, it's likely you’re all more familiar with the breadth of its influence than I am.”

“You’re very helpful,” Daisy scoffs.

Oliver hunches his shoulders, chastised. It’s an odd sight – Jon wouldn’t have expected him to be particularly affected by such an accusation. Oliver never promised to be helpful; does not owe them his cooperation. Before Jon can pursue that thought any further, though, Oliver continues.

“I will say that Terminus is its own master. Those who believe they have tamed it are only fooling themselves. Orchestrating their own misery. The moment in which they finally realize that fact – that they have never had the upper hand, that the entire time they have never strayed from the route to which Terminus binds them…” Oliver chews the inside of his cheek, considering. “The existential terror that moment creates – I wonder sometimes whether it’s a delicacy to my patron.”

“Sounds a lot like the Web,” Basira says. The suggestion must pique his interest, because Oliver sits up straighter and leans forward ever so slightly.

“Except the Web reviles its extinction as much as the other powers, and as much as any mortal mind,” he says – not quite excited, but more engaged than before. “Terminus, on the other hand – its eventual oblivion is part and parcel of its existence. It does not fear the conclusion of its story. The Web will never surrender to such a fate. It will always seek an escape route, some way to appoint itself the weaver of its own ends. Its threads can never stray from the confines of the routes dictated by Terminus, but the concept that it may itself be under the guidance of another… such a thing is incompatible with its definition. Still, the shape of the Spider’s web will always mirror the blueprints of a greater architect.”

“And you think the same is true for Jonah,” Jon says.

“I know it is.”

“Okay, but – but Jon changed fate,” Martin protests. “In a million little ways – some we probably don’t even know about – and some big ones, too. So who’s to say that every step of the route is part of the End’s blueprints? What if – hold on.”

Martin stands and moves to Jon’s makeshift desk, rummaging around for a few seconds before coming up with a pen. He snatches one of Melanie’s therapy worksheets from the top of the pile and turns it over to the blank side.

“What if the only things set in stone are – are certain points along the route,” he says, scribbling a scattering of dots across the page, “but all that matters is that the route eventually intersects with those points?” Martin connects two points with a wavy, sine-like line. “Maybe it doesn’t even matter how convoluted” – he draws another line, this time with several loop-de-loops – “or long” – yet another line, this one traveling all the way up to the top of the page and making several winding turns before plunging back down to connect with the next dot – “the path is.” He holds up the finished product for everyone to see. “As long as the dots connect, the rest is free reign.”

“I like to think that choice plays a role,” Oliver says. “That fate is less of a track and more of a guideline. But honestly, there’s no way to know for certain. I only know the end point. The rest is speculation.”

“It’s also possible that the rift brought me to an alternate reality,” Jon says, eyes downcast. “If the reality of my original timeline still exists, I haven’t changed fate at all. I’ve just jumped to a different track.”

“Okay, and if that’s the case, and this is a different dimension,” Martin says heatedly, “then that means it has its own timeline and its own future, and whatever happened in your future has no bearing on ours.” Martin glares, daring Jon to argue. He doesn’t. “So it’s a moot point. If we can’t know one way or the other whether the future is already written, then let’s just act as if it isn’t. Prepare for the worst and hope for the best. At least then it will feel meaningful.”

“The worst isn’t something you can prepare for,” Jon says darkly. “Trust me, I know.”

“If I want ominous proverbs, I’ll let you know,” Martin immediately counters – and Jon loves him for it. Daisy chokes on a startled laugh; Martin ignores her, instead pivoting to face Oliver. “We want to kill Jonah Magnus. Or, at least make it so he can’t perform his Ritual. But preferably kill.”

“Never realized you were so bloodthirsty, Blackwood,” Daisy says approvingly.

“The world will be a better place without him in it,” Martin says without a hint of indecision, not looking away from Oliver. “Jonah’s original body is in the center of the Panopticon. Except his eyes, because apparently transplanting them into innocent people is how he cheats death, because of course it is, why wouldn’t it be some messed up–”

“Martin,” Basira sighs.

“Okay, fine, moving on,” Martin sasses back. “It makes me wonder, would destroying his original body hurt him, or do we need to destroy his original eyes as well, or would destroying just his eyes be enough? And – and would it kill him, or just – blind him, disconnect him from the Beholding? Or – or would that kill him, because the Beholding is what’s keeping him alive?”

“Your guesses are as good as mine,” Oliver says. “Much of this really does come down to speculation and thought experiment, and it seems you’ve done plenty of that amongst yourselves already. I’m afraid that the only certainty I can offer is the certainty of an ending, and I don’t think that’s as much of a consolation to you as it is to me.”

“No, it’s not,” Martin says.

“But, uh – thank you for your honesty,” Jon jumps in. “For trying.”

“I really do wish I had better answers for you,” Oliver says, not quite meeting his eyes. “The End is… somewhat of an echo chamber at times. When you’re already on the inside looking out, it can be… difficult, to shift perspective.”

“I wouldn’t be able to offer many straightforward answers about my patron, either,” Jon admits.

“Wait,” Martin says. “Could you… could you at least tell us whether you can see anything about our deaths?”

Oliver draws in a deep breath and releases it slowly. “In my experience, there’s nothing to be gained from such knowledge.”

“Tell us anyway,” Basira says.

“Why?” Oliver says tiredly, his hands curling into loose fists. “Why do you want to know?”

“Because if you can see something, it could help us narrow down possibilities,” Basira replies. “If you see all of us dying in the same way, maybe it means we all die when Magnus does.”

“Or it just means you all die in the same freak accident.”

“Wait, do we?” Martin asks, his voice pitching higher in alarm.

“It was just an example,” Oliver says, scrubbing one hand down his face. “I’m just saying that this kind of knowledge doesn’t tend to give people the answers that they want.” Met with nothing but four determined stares, his shoulders sag in defeat. “Are you all certain you want to know?”

Everyone nods. Oliver equivocates for a full minute, rubbing at his forehead in complete silence. Eventually, he releases a long, low sigh.

“Right now,” he says, “I don’t see death closing in on any one of you.”

“Shit,” Martin says on a heavy exhale. “The way you were putting it off, I was sure you were going to predict a massacre.”

“Honestly,” Daisy mutters. “Bury the lead much?”

Jon ignores them, preoccupied with the implications of Oliver's revelation. If they were planning on killing Jonah tomorrow, it would say nothing about whether they were to succeed, but it would suggest they don’t die in the process, which would at least offer some reassurance going in. But Jon has no idea when they’ll be able to execute any sort of plan. This only confirms that none of them are likely to die in the next few weeks – and that’s assuming that Oliver’s premonition is accurate. Up until now, his predictions have come true, but there’s a first time for everything.

Judging from the contemplative frown on Basira’s face, she’s running through the same calculations.

“How far out can you see?” she asks.

“It varies,” Oliver says. “Weeks, usually. Sometimes months.”

“And it could change in a few weeks,” Daisy says.

“It could change tomorrow. It could change an hour from now.” Oliver looks between the four of them with a faint, melancholy smile. “I did warn you that it wouldn’t offer much sense of security. It only makes you want to know more.”

“Look where you are,” Basira scoffs.

“Point taken,” Oliver says with a startled laugh. “But honestly, ask yourself whether it’s all that different from Masato Murray and his book. If it’s worth living your life around the question of when and how – especially when the answer, should you receive one, will never put your mind at ease.”

“Just to be clear, ah – was I included in that prophecy? Or do you still see the veins around me?” Jon asks. Oliver raises his eyebrows. “I know, I know – the answer won’t satisfy me. Just – humor me?”

“Yes,” Oliver sighs, “I can still see them, if I look for them, but as we covered quite exhaustively, they look atypical and wrong and I don’t know what to make of them.” A tinge of indignation breaks through Oliver's characterisic mild manner – and then the moment passes. “I don’t think they indicate an imminent demise, but much about you is an enigma.”

“And there’s nothing else you can tell us about Jonah Magnus?” Basira asks.

“It isn’t a matter of if he can be killed, but how. Unfortunately, you’ll have to figure that part out for yourselves. As for whether or to what extent he could bind his fate to the rest of the Institute… there are any number of strange phenomena and improbable feats in this world. I would never claim to be an authority on the scope of it all.” Oliver offers another wistful ghost of a smile. “I’m afraid you might just have to take a leap of faith.”

Again, Jon thinks with an inward sigh.

But at least he can say he’s had practice.

End Notes:

Citations for Jon’s Archive-speak are as follows: MAG 011; 011; 168; 121; 156; 070. The “I still remember the first time…” & “And the worst part was that…” Oliver quotes are from MAG 121.

Yes, “what we owe to each other” is a nod to The Good Place.

So. This… was a beast of a chapter, and the last half of it really kicked my ass, which is why it’s taken so long to finally finish it. Still not sure how I feel about it – it’s a bit of a digression, but I’m hoping it still fits in thematically. Either way, next chapter we’re moving on to Ny-Ålesund.

Hopefully it won’t take me an entire month this time to write the next chapter, but… we’re down to two episodes left, folks. Chances are, next time I update, we’ll have heard the series finale. Are you all ready? Because I categorically am NOT. aaaaaaaaa

(That said, I already have a handful of epilogue standalone fics planned for this AU once the main story is done. Because hurt/comfort and recovery fics are going to be at the top of my hierarchy of needs once Jonny Sims destroys me in two weeks, I s2g.)

Thanks for reading!

#tma #the magnus archives #tma fic #tma spoilers #long post

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princegeorgeofwales · 5 years ago

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7 things we learnt from Kate Middleton's revealing motherhood podcast with Giovanna Fletcher

The Duchess of Cambridge preferred labour to pregnancy

"I got very bad morning sickness. I'm not the happiest of pregnant people. Lots of people have it far, far worse. It was definitely a challenge. Not just for me, but also for your loved ones around you and I think that's the thing - being pregnant and having a newborn baby and things like that, impacts everybody in the family. William didn't feel he could do much to help and it's hard to see you're suffering without actually being able to do anything about it."

"[It was] utterly rotten. I was really sick. I wasn't eating the things I should be eating and yet the body was still able to take all the goodness from my body and to grow new life, which I think is fascinating." Kate admitted that because of her difficult pregnancies, she actually preferred being in labour. "Because it had been so bad during pregnancy, I actually really quite liked labour… Because actually it was an event that I knew there was going to be an ending to! But I know some people have really, really difficult times, so it's not for everybody. No pregnancy is the same, no birth is the same."

The Duchess of Cambridge used hypnobirthing

Like Giovanna and other famous mums, Kate tried hypnobirthing too. When asked, "Am I right in thinking you did Hypnobirthing?" the Duchess replied: "Yes! Actually it was through hyperemesis that I really realised the power of the mind over the body because I really had to try everything and everything to try and help me through it. There are levels of it. I'm not going to say that William was standing there chanting sweet nothings at me! He definitely wasn't, [laughing] I didn't even ask him about it, but it was just something I wanted to do for myself. I saw the power of it, really, the meditation and the deep breathing and things like that that they teach you in hypnobirthing when I was really sick and actually I realised that this was something that I could take control of, I suppose, during labour. It was hugely powerful."

Standing outside the Lindo Wing was 'terrifying'

With all three of her children, the Duchess presented her newborn babies to press and to the world as she posed outside the Lindo Wing of St Mary's Hospital in Paddington, London. Admittedly, Kate revealed it was a "terrifying" experience. "What was it like knowing that so many people were outside, after you've given birth and you're in your little cocoon with your new family?" asked Giovanna.

"Yeah, slightly terrifying, slightly terrifying, I'm not going to lie (laughter)," said Kate. "Everyone had been so supportive and both William and I were really conscious that this was something that everyone was excited about and you know we're hugely grateful for the support that the public had shown us, and actually for us to be able to share that joy and appreciation with the public, I felt was really important. But equally it was coupled with a newborn baby, and inexperienced parents, and the uncertainty of what that held, so there were all sorts of mixed emotions."

Of the moment she held George for the first time, Kate, who didn't know the sex of her baby, revealed: "Amazing, amazing. It is extraordinary as I've said. How can the human body do that? It is utterly extraordinary, actually. And he was very sweet. And also sort of relieved that he was a happy, healthy boy."

Prince William and Kate struggled as new parents

The Duchess was very open in how she and husband William fared with their first baby. When Giovanna asked, "How many hours after giving birth did you come out?" Kate recalled: "I… Oh my gosh, I can't remember. Everything goes in a bit of a blur. I think, yeah I did stay in hospital overnight, I remember it was one of the hottest days and night with huge thunderstorms so I didn't get a huge amount of sleep, but George did which was really great.

"I was keen to get home because, for me, being in hospital, I had all the memories of being in hospital because of being sick so it wasn't a place I wanted to hang around in. So, I was really desperate to get home and get back to normality. But I think you think, particularly with your firstborn baby, you think everything is going to go back to how it was. I totally underestimated the impact and the change it had on us from that moment really and I think, unless you've got children, you don't realise. No amount of planning and preparation can get you ready for that moment."

Mum-of-three Giovanna mused: "When you leave hospital and get home [after giving birth], I remember that eerie silence…" to which Kate revealed: "It wasn't that quiet in our household! William was like, 'oh my gosh, is this what parenting is going to be like?' No, it took us a bit of time to get ourselves settled and going again, but that's the beauty I suppose of having a newborn baby. You are pulled to your toughest and most unknown places really that you hadn't necessarily even have thought about before."

The Duchess of Cambridge on mum guilt

When asked whether she struggles with mum guilt, Kate replied: "Yes absolutely – and anyone who doesn't as a mother is actually lying! Yep – all the time, yep – and you know even this morning, coming to the nursery visit here – George and Charlotte were like 'Mummy how could you possibly not be dropping us off at school this morning?' But no it's a constant challenge – you hear it time and time again from mums, even mums who aren't necessarily working and aren't pulled in the directions of having to juggle work life and family life… and always sort of questioning your own decisions and your own judgements and things like that, and I think that starts from the moment you have a baby!

"Also I feel huge responsibility because what I've learnt over the last few years is so fascinating and I definitely would have done things differently, even during my pregnancy, than I would have done now... Because you know - the science - and I found that fascinating to see the wellbeing of the mother – not just physically, you know there's so much information about making sure you exercise and making sure you have a healthy diet and things like that, which yes is definitely important. But the emotional wellbeing of the mother directly impacts the baby that you're growing."

The one piece of advice the Duchess of Cambridge would give her younger self

"If you could write a letter to anyone about motherhood, who would it be to and what would you say," asked Giovanna. "Can I write back to myself? Is that really weird? I think I'd have liked to have written to myself at the beginning of my pregnancy with my first child because I think through I have experienced – not only as a mother but also what I've learned on my journey through, digging deeper into the early years landscape – I've learned a huge amount but I'd really love to go back and tell myself at the beginning of pregnancy, right at the start what things I feel now really matter in terms of being a parent but also what really matters to the children and my children now.

"It's the simple things that really make a difference. It's spending quality time with your children. It's not whether you've done every single drop off and every single pick up but actually it's those quality moments you spend with your child when you're properly listening to them, properly understanding what they feel, and actually when things are going wrong, actually really taking time to think, 'how as a mother am I feeling? Am I actually making this worse for my child because actually this has brought up all sorts of things that I feel rather than just focusing on them and how they might be reacting or responding to certain situations?' That would be another piece of advice I would like to give myself back then.

"Someone did ask me the other day, what would you want your children to remember about their childhood? And I thought that was a really good question because actually if you really think about that, is it that I'm sitting down trying to do their maths and spelling homework over the weekend? Or is it the fact that we've gone out and lit a bonfire and sat around trying to cook sausages that hasn't worked because it's too wet? That's what I would want them to remember, those moments with me as a mother, but also the family going to the beach, getting soaking wet, filling our boots full of water, those are what I would want them to remember. Not a stressful household where you're trying to do everything and not really succeeding at one thing."

The Duchess of Cambridge's 5 Big Questions Survey

On her survey on early childhood, Kate said: "Hopefully it's the first small step into looking at prevention and it's not just about happy, healthy children. This is actually for lifelong consequences and outcomes. I was looking at one of the stats. I think there is £17 billion estimated in England and Wales alone that is spent on late intervention and it's crazy - not only because it's an economic cost but because there is a huge social cost to our communities and our societies. So that's really why I'm doing this. It's going to take a long time – I'm talking about a generational change - but hopefully this is the first small step: to start a conversation around the importance of Early Childhood development."

- Hello Magazine

#Duchess of Cambridge #Kate Middleton #Prince William #Prince George #Princess Charlotte #Prince Louis #2020 #February 2020 #Giovanna Fletcher #Happy mum happy baby #about george

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elbracco · 5 years ago

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LiS2 Fanfiction recommendation list - updated

I updated the ff list I made a few months ago. As before, if anyone has any suggestions to add, I’m all ears. I divided the stories into three categories (Post-ending, AUs and Missing Moments) and all the ffs on this list are either completed or still actively updated.

POST-ENDING

Blood Brothers: To Puerto Lobos - And Beyond! by SerratedCucumber, in progress. It starts as the brothers break into Mexico and follows them as they try to build a life for themselves. I swear that I hear Gonzalo and Roman every time that Sean or Daniel say something: the dialogue is that good. 11,000 words for now.

Lone Wolf: The One You Feed by zeldanerdster, in progress. This work follows the "Lone Wolf" path immediately after events unfold at the border. Following that, it will chronicle Daniel's experiences for as far as they take him in an effort to reconcile the various open-ended resolutions of Life is Strange 2. Because LW didn’t break our hearts enough. 20,500 words for now. Lone Superwolf by Dreamprism, in progress. The ff begins with Sean’s death at the border and aims to show how Daniel got from the car to the “six years later” scene. The fanfic is written from the perspective of Daniel Diaz, similar to how Sean shares his internal thoughts with the player throughout Life is Strange 2. 17,000 words for now.

Parting Ways: After by koldtbold, one-shot. Sean gets to Mexico, Daniel doesn’t. Sean has a lot to do and think about. What I love about this story is that there’s much bitter and little sweet, but like in the game there’s an undercurrent of optimism, a feeling that tomorrow can still turn into a better day. 6,000 words. When There’s Nowhere Else to Run, by Autumnyte, in progress. It begins right after Daniel yeets himself from the car and follows Sean as he tries to build a life for himself in Puerto Lobos. I told Autumnyte that this story feels like a blanket: it’s warm and comfortable. No matter what issues Sean has to deal with, there is a pervasive undertone of "tomorrow will be better" that I think really captures the spirit of the game. He is done running, and he can now start to look to the future with hope. 31,000 words for now.

Redemption:

The Bravest Wolf in the World by RoodAwakening, 2 chapters left. Ask anyone for reading suggestions, and they’ll inevitably point you to this story, for a reason. Sean finds out he can use his sketches to time-travel, much like Max did with her photos, prevents Esteban’s death, and has to deal with the consequences as he tries to navigate the new life he made for himself. Wonderful characters, a realistic depiction of trauma, and golden dialogue. I love this Sean, I love the people in his life, I love his interactions with all the characters. 160,000 words (!) for now. A Howl in the Night by Bracco, one-shot. Sean is in prison, and Daniel is free: it’s everything that Sean had wanted when he surrendered. That means he can be happy… right? 28,500 words. Tomorrow's Horizon by AlariOdonell, in progress. A mysterious stranger recruits a post-bay Max Caulfield with the promise to bring Chloe back to life and to right a few wrongs along the way, like those suffered by two brothers. I am very partial to this story because it ticks every box in my list of narrative kinks: a well-written OC, an incoming threat, superpowers, misfits teaming up, IC characters, action and fuzzy feelings... 52,000 words for now, updated bi-weekly. Please, Please, Please Let Me Get What I Want by DarkJaden825698, one-shot. After his sentence, Sean reconnects with some old friends and says some things he didn't get to say when he had the chance. This story is a warm, fuzzy thing where everything goes well for a change. I may also be very partial to the title: that song is tied to some of my fondest memories, so extra points to the author. 4,000 words. Spirit Realm: Road to Redemption by Sombraguerrero, completed. Sean has served his sentence, abbreviated by a lack of success on the authorities' part to attain burden of proof on the supposed major crimes. The public has run out of patience and has allowed Sean and Daniel to try and pick up the pieces, with as much help as they can get along what is once again a rough road. 21,000 words. Stay Strange by DarkJaden825698, completed. Dr. Bright is assigned to Sean Diaz as his therapist in prison, and walks him through his trauma while trying to find him a lawyer to challenge his sentence. Crossover fic between LiS2 and The Bright Sessions podcast - you don’t know anything about the podcast? Me neither, and it’s not an issue. 32,000 words.

AUs

And All These Empty Streets by Riona, one-shot. After the apocalypse, Sean and Daniel have a run-in with Joel and Ellie from TLOU. I think that this is the story that made me realize how I love Sean and Daniel so much that I’m willing to read the weirdest AUs and crossovers so long. It flows really well and it feels natural. 2,000 words.

Riona has written a lot of stories that start from an unexpected premise and draw a little vignette. They are all different from each other and I loved them all. Check out her AO3 profile! Can you give me a hint by Idnis, completed. Teenage Daniel/Chris. If you like “mutual pining” and “dumb idiots in love”, this story will make your day. It’s just... fluffy and sweet and innocent, a tiny bit of teenage drama that Daniel and Chris deserve after everything they’ve been through. 22,500 words. Closer to the Heart by darkjaden825698, in progress. After the shooting, Sean waits for the police to arrive. He’s cleared of all charges and sent to live to Beaver Creek, where he must come to terms with what happened and rebuild a life for himself. A teen drama where nothing bad happens to the boys and they get to live normal lives? Hit me with it. 4,000 words. Double exposure by Riona, completed. It draws inspiration from *Your Name*: Max and Sean begin swapping bodies at random. If the premise doesn’t turn you away, it’s a beautiful bittersweet story about two people trying to help each other while their own worlds are falling apart. 11,000 words. Faithless by HollowK, in progress. Six years after the failed heist, Sean wakes up from his coma and has a brother to find. Exactly: oof. 6,500 words for now. I Took Both Roads, series by owlmug. AU where Esteban isn’t shot. Sean/Finn (with some Sean/Cassidy in the first story). It’s a coming of age story, and I really loved how the author mirrored some situations that are found in the game by giving them a new twist. I won’t lie, these stories hurt, because they made me think about what could have been. The characters are spot on, and the interactions of the Diaz family are golden. Bonus points for having Sean behave like a teenage brat at times, because the boy deserved to have temper tantrums and getting into fights with Esteban over stupid stuff. There are also a lot of beautiful images across the series, a lot of lines that feel raw and powerful, and a lot of healing. At times it’s like having a heart-to-heart with the author. Sometimes I felt that the sex scenes were too long, and some of them I found unnecessary, but that’s just my personal taste. I really liked all the four stories, but the last one is my favourite for sure because it follows Esteban’s point of view and it’s *chef’s kiss*.

1. A Way to Reappear (https://archiveofourown.org/works/19096837), 18,000 words. Sean’s POV

2. A Piece of the Puzzle (https://archiveofourown.org/works/19386670), 26,000 words. Sean’s POV

3. A Little left Behind (https://archiveofourown.org/works/19852561), 24,000 words. Finn’s POV

4. (I’ve Been Going Through) a Change (https://archiveofourown.org/works/20562086), 28,000 words. Esteban’s POV.

If I Lay Here by owlmug, completed. Diverges from canon after episode 3. Sean and Finn try to track Daniel down. Sean/Finn, 46,500 words. I can repeat here most of what I wrote for the earlier series: wonderful characterization, beautiful imagery, touching themes, characters that find themselves along the way. Something that makes you go “Please, sir, can I have some more?” at the end of every chapter. i just don’t know how i’m doing (i’m so curious about you) by Larrymurphycansteponme, one-shot. Another High School AU, another wonderful coming of age story for Sean. I wish I could make it justice without repeating everything I said about owlmug’s series: spot-on characterization, a beautiful narrative about growing up and finding one’s way, wonderful imagery. It’s the story of what Sean deserved to have, and one of my favorite ever. 28,000 words.

MISSING MOMENTS

A Night With Misty Mice by That_one_internet_lover, completed. It follows Sean and Lyla’s concert night that is mentioned in his phone chat in ep.1. It’s the first fanfiction I read after my endgame heartbreak: it gave me all the happy Sean I wanted, and even a bit more. The dynamic between him and Lyla is exactly what I pictured from their interactions in the game, put into words by someone who knows what they’re doing. 10,000 words. Astray by Riona, one-shot. Daniel leaves Sean behind after the events of Wastelands. It’s probably more of an AU than a Missing Moment, since it was written before Faith came out and so it’s not entirely canon-compliant, but it’s still a very good window on Daniel’s state of mind after the heist. I’m eternally grateful to Riona for filling some of the gaps that the game left in the development of these wonderful characters. 1,500 words. Fire and Floods by Riona, one-shot. Sean and Daniel go on the run, and this fic covers the first day of their journey. A spot-on dissection of Sean’s feelings after the shooting. 1,500 words. life is strange 2 poems by Spotsuns, an ongoing collection of one-shots. These stories have all the oooffness of the game. The stories in here hurt. In the good way, but they hurt nonetheless. Beautiful character studies, and some heavy-duty, post-ending feel unpacking. 11,000 words. Never Stop Shining by CorazonDesnudo, in progress. During his stay in Away, Sean receives a letter from Finn with an offer to help him and Daniel cross the border. It’s a chance to come to terms with a lot of things he didn’t really process before. 11,000 words for now. Torchbearers by Riona. Ep.1’s Sean and Daniel run into Max and Chloe among the ruins of Arcadia Bay. I can definitely see this story being a moment of quiet in the game. 2,600 words. What Remains of the Diaz Family by That_one_internet_lover, completed. Lyla sneaks into the Diaz household after the brothers have disappeared. Heartbreaking oofness ensues as Lyla walks through their memories and faces her own pain. 6500 words.

#life is strange 2 #lis2 #life is strange 2 fanfiction #lis fanfiction #sean diaz #daniel diaz #i'm terrible with tags

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goose-books · 4 years ago

Photo

(original image credit to @/theyshane on unsplash)

a month or so ago the wonderful and very sharp-fanged @yvesdot said i should make a post about the process of Working On A Podcast - what, exactly, does that entail? and so today i set down upon your table a long post about the process of this podcast, its unique struggles, and What Comes Next!

for those of you who are new here: a modern tragedy is my podcast-in-progress, a loose retelling of three of shakespeare’s plays (romeo&juliet, hamlet, and macbeth) set in a modern-day high school. or, alternatively, “so so much drama localized inside a few overlapping friend groups of gay* people”

post under the cut!

tag list (ask me to be added/removed): @piyawrites @harehearts @bisexualorlando @guulabjamuns

*well. gay people and indrajit “macbitch” chopra. never let it be said i don’t have cishet rep 😤

what i mean when i say “podcast”

sometimes when i say, “i’m writing a podcast,” people get the wrong idea - they think i’m going to sit down, maybe with some friends as guest stars, and talk into a microphone for an hour. what i really mean is that i’m writing a fiction podcast - something like an audio drama, if you will.

i’ve had this story concept for a long time (since i realized i was gay, actually. sometime around my coming out i was like “...sapphic romeo and juliet. oh i’m a genius”), but it never really worked as a novel. my inspiration for making it a podcast was the penumbra podcast! which i am not caught up on but which dragged me shirt-collar-first into the world of podcasts. [blowing a kiss to mars] for juno steel.

i will admit that i actually... haven’t listened to a ton of podcasts. mostly because my incredibly helpful attention-deficit brain said listening to things is impossible forever. but let me tell you that starting to write AMT in script format worked immediately. and in hindsight? it makes sense. i mean, i am retelling some of the most famous plays of all time... why not get a little theatrical with it?

the process so far

the podcast is drafted! all 16 episodes of it. all... 176k words of it... only took me a year and a half...

i have my main cast together! AMT has a lot of side characters, not all of whom are cast yet, but my main recurring squad is gathered and i love them all VERY dearly. (also, the population of people i know irl is 75% theater kid. so i think i will be able to figure out the side character thing.)

within the group of voice actors, i also have three assistant directors, a term i use loosely because mostly i just mean… those are my right hand men. the main folks i bounce ideas off of and the main folks i have helping me organize all of this. i’ve said multiple times that i’m just the keyboard monkey and would be hopelessly out of my depth without my beloved assdirectors. (shoutout to @asimpleram, the only one who uses tumblr, you are my best friend and i love you oh so much)

i also have two “bootydirectors” who gave themselves that name and that’s just the people who know the most about recording technology and acting. thanks kings

right now the scripts have been sent out to some sensitivity readers and i am currently editing! (both with regards to sensitivity reader feedback, and also just editing the plot and character arcs in general.) (if you want me to send you AMT and you’re willing to give me your thoughts i will straight-up send it to you honestly just know it’s LONG)

i actually did not consider that writing this might be uniquely hard before i started

fun max tip: if you look too far ahead down the road and realize the breadth of the project you’re taking on you’ll freak yourself out so just dive into things headfirst without checking both ways or considering your actions!!! [i am giving you a double thumbs up from behind my monitor]

i have never written anything like AMT before! it has been an experience! there have been some unique struggles!

working with other people is harder than i expected! which is not about my group, all of whom are lovely people. it is about me and my little OCD rat brain that hates letting go of control. even though... an inherent part of writing a script... is that at some point other people will be involved... wild, i know.

9 main characters! AMT has 9 main characters. this is somewhat excusable because the whole thing is episodic and more like a season of a tv show than a novel. but still. 9 main characters. why did i do that

i’ve never written episodically before, so i’ve had to figure out how to fit the plot into appropriately spaced intervals. there are three running plotlines (one for each play), and they’re all parallel and eventually convergent. so everything’s happening at once and it’s… hard to make episodes that aren’t just “max threw a bunch of scenes together because they were happening at the same time.” (i will admit i’ve defaulted to chronological order when spacing episodes, so the timeline doesn’t get confusing. but i hope each episode is cohesive on its own.)

balancing the tragedy and comedy in tragicomedy has been… interesting. i do to some degree feel like AMT’s gone darker than i initially imagined it; while it’s a high school retelling of these plays (and thus there’s no. there’s no murder. the only person who dies is isaac’s dad and that’s six years precanon), all three plays deal to differing degrees with suicide, among other things, and it felt… disingenuous not to write about that from a modern high schooler’s perspective.

i can guarantee a long-term happy ending for AMT! i cannot guarantee much about what’s in the middle. (there are sixteen episodes; one of my directors likened episode 7 to a five-act play’s third act, when things really start to… hit the fan. he’s right and i’m obsessed with thinking about it that way)

the massive amount of time i have been working on the thing: i started writing this podcast in january 2019. i finished writing it this past summer (2020). that’s two summers that have passed without my recording it (which is obviously easier to organize in the summer… or it was before covid but you get my point). this is… a little disheartening? i don’t know; oftentimes i underestimate how long writing projects will take me. what it comes down to is my urge to put out content vs. my urge to make it perfect…

…especially since i’m technically competing with one william f. shakespeare. (the f is for fucking.) i mean, dear old billy shakes DID write the plot out for me ahead of time, which i appreciate, but still…

AMT is absolutely consumable if you don’t know the first goddamn thing about shakespeare’s works. that said. i assume some of the people who will listen to it are shakespeare enthusiasts, casual or otherwise, and that’s a little terrifying! AMT is a shakespeare retelling, but i’ve made these characters very much my own, and i suppose i worry about how others will approach that, and whether they will disagree with my interpretations, or the way i’ve adapted the plots, and so on and so forth... i just have to live with this one, honestly. i think i could edit AMT for a thousand years and probably still find something to change about it, so i will simply have to get over myself.

that said, i don’t regret the amount of time i’ve spent on it! i think the time i’ve taken to draft and edit these episodes has been well worth the wait; i’m genuinely very happy with what i’ve created, and whether or not you agree with, say, my interpretation of a modern hamlet family dynamic, i hope it’ll still be enjoyable!

so what’s next?

as i said earlier, the scripts are currently in the hands of sensitivity readers, and i’m editing!

over the summer, the cast met on zoom frequently to read through and rehearse scenes. and i will not lie it was the most fucking fun i’ve had this entire wretched interminable year. i am constantly charmed and befuddled by the feeling of Listening To My Words Read Out Loud By A Human Voice and also i love my friends so very much

we have a tentative plan to gather the cast (socially distanced and responsibly, of course) over thanksgiving break to make some actual stabs at recording! i am too afraid to concretely promise AMT Episode 1: Fortune’s Fool by the end of 2020 but like… i’m not NOT promising it! send me your finest vibes. we’re close.

#max.txt #amt tag #the amt cast has a blursed discord server which i have not posted a link to publicly because it’s mostly people i know irl #but if you're one of the folks who's read all of amt which is... a few of you... and you want into the server... dm me #we used to use it to organize rehearsals but now that school's started it's mostly just been me complaining about editing i won't lie #max shouts into the void in his personal liveblog channel while 90% of the cast is offline #anyway i reread this post like three times to make sure it makes sense because i'm illiterate <3

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lt3archive · 4 years ago

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The former One Direction star and solo artist reveals his plans to manage woman rock bands, and tackles those pesky One Direction rumours

24 November 2020 • 4:05pm

“I’ve just watched loads of s___ TV,” he says after a long pause. “The Undoing is decent, isn’t it?”

Far from aimless, however, today the singer is full of beans, cheerily shushing his barking dog as he potters about his North London home where he lives with his best friend from home, Oli, and his girlfriend, the model Eleanor Calder.

He's getting ready to rehearse an exciting one-off gig that will be live-streamed from a secret London location on December 12, announced today exclusively via the Telegraph. The proceeds of the night will be split across four charities: The Stagehand Covid-19 Crew Relief Fund and Crew Nation, Bluebell Wood Children’s Hospice and Marcus Rashford’s charity FareShare, to help end child poverty. Tomlinson will also be donating money to his own touring crew, many of which have been out of work since March. “I've been incredibly worried about them and felt incredibly powerless, so wanted to give something back.”

The gig also means a great deal to Tomlinson on a personal level. His first ever tour as a solo artist, to promote his debut solo album WALLS, was cut short back in March after just two concerts in Spain and Mexico. It was an album he’d spent five years working on: a guitar-led project that ruptured with the preppy pop anthems of One Direction, inspired instead by Tomlinson’s love for Britpop.

Was he left reeling, I ask, unable to perform at such a crucial moment?

Sure, I say, but the last year can’t have been easy. Didn’t he feel like his purpose had popped?

In return, Tomlinson is good to them. Last month he even promised some new music, saying that he’d written four songs in four days. Does this mean that a second album is on the way?

It must be draining, I say, the weight of expectation in both the media and across his fanbase, to be a spokesperson for grief and hardship. To have tragedy prelude everything he does and says.

“Honestly, it’s part of being from Doncaster as well, I don’t like people feeling sorry for me. That’s the last thing I want.”

Too many incredible memories to mention but not a day goes by that I don't think about how amazing it was. @NiallOfficial @Harry_Styles @LiamPayne @zaynmalik . So proud of you all individually.

There is something that’s helping, though: a secret spot near Los Angeles, where he divides his time to see his four-year-old son, Freddie, whom he shares with his ex Briana Jungwirth, a stylist. “It’s remote and kind of weird, and I’m going to go there for three days and write. I don’t know why I’m so drawn to it. I found it via a YouTube video. It’s got some very interesting locals who live there, it’s sort of backwards when it comes to technology. It feels like you’re going back in time when you’re there. But I don’t want to give it away.”

Has he spoken to Frusicante?

“I f______ wish,” snorts Tomlinson.

Surely someone as well-known as Tomlinson could easily get in touch?

“No, honestly, I think he’s too cool for that. He’s not into that kind of thing.”

So: might 2021 be the year of resurrection?

Tickets for Louis Tomlinson Live In London are on sale tomorrow from 4pm

#lt live from london #nov. 24 2020 #press #the telegraph #nov 2020

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damienthepious · 5 years ago

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Going Through Changes, Ripping Out Pages (chapter 4)

[ch 1] [ch 2] [ch 3] [ao3] [ch 5] [ch 6] [ch 7] [ch 8] [ch 9] [ch 10] [???]

Fandom: The Penumbra Podcast

Relationship: Lord Arum/Sir Damien/Rilla

Characters: Lord Arum, Sir Damien, Rilla, The Keep

Additional Tags: Second Citadel, Lizard Kissin’ Tuesday, Established Relationship, (uhhhhh sorta), Amnesia, Angst, Angst with a Happy Ending, (WE WILL GET THERE…… EVENTUALLY)

Summary: Lord Arum wakes to discover that some things have changed while he slept. Namely, there is a human in his bed.

Chapter Summary: Two conversations, and a little investigation.

Damien isn't far, when Rilla finds him again. He’s standing out in the hall near the kitchen, and-

And the Keep has wrapped steady vines around his shoulders, clinging lightly and blooming in soft yellows and blues. Damien has his eyes closed, his expression motionless but tense, his lips tight together as Rilla comes close.

"Damien," she says gently. He probably hears her coming, but she knows how deeply he can get caught up in his own head. He sighs at her voice, clinging to the Keep's vines in turn, but he doesn't open his eyes just yet. "Are you-"

She doesn't quite finish the thought. Are you alright? Stupid question, obviously. Neither of them are. None of them. Damien's lip pulls to the side, a weak sort of grimace, and she steps closer. The Keep makes room, shifting some vines to brush her shoulders as well, a gentle curtain around the both of them as she pulls Damien into a tight hug.

"Rilla," he murmurs. He presses his face into her neck, inhaling sharply and holding her in return. "I… I am sorry I left in such a state. It was- I should not have-I shouldn't have faltered. I couldn't-"

"It's okay, Damien. I know. He- he was being cruel on purpose but you know he doesn't really think that. He couldn't have known it would hurt you like-"

"I know," Damien murmurs, drooping further to rest his forehead against her shoulder. "Of course he doesn't know that those particular cruelties would affect me. A rather cold comfort, I'm afraid, considering that his lack of knowledge is entirely the issue."

Rilla sighs, because obviously Damien is right. The fact that he could hurt them like that by accident- it almost stings worse than if the cut were deliberate. "I sent him to cool off in his workshop," she says softly, and Damien's lip curls into something wry, something that isn't quite a smile.

"I'm sure he was quite amenable to instruction, hm?" he drawls.

Rilla bites back a bitter laugh. "Obviously. I-" she pauses. "I don't know what to do now," she says, only recognizing the feeling as she voices it. "Shit."

It's Damien's turn to tighten his arms, holding her more securely with a quiet, sympathetic noise. The Keep shifts around both of them, humming low and brushing soft leaves over their shoulders, and Rilla looks up, raising an eyebrow.

"What, do you have an idea?" she asks, and she has less than zero clue how the Keep could answer her in a way she can understand, but- "I'm not willing to rule out anything at this point."

The Keep pauses, and then it sings, unsure but hopeful, and pulls open a portal.

Damien and Rilla meet each other's eyes, concern and hope and doubt and pain passing quick and quiet between them, and then Damien takes a steadying breath, takes Rilla's hand, and they both step through.

Arum steps into his workshop, the portal disappears behind him, and then he simply closes his eyes and clenches his hands and breathes, until he begins to feel less panicked, less uncertain.

He is too agitated to realize, for quite a few minutes, that he should have been much less agreeable to allowing the little knight to bolt off into his Keep unsupervised, and that doctor as well. When he barks out an irritated question regarding their whereabouts, however, the Keep calmly informs him that the herbalist has just now found the knight, that they are currently in a corridor near the kitchen, simply- talking.

Plotting, he thinks darkly, and then he scowls.

"If you say so," he mutters, and then after a long moment he sighs. "If they will be remaining here until this little mystery is unraveled… well. See that their biological needs are met, at least. Wouldn't do to have them starving before I entirely understand their part in this."

The Keep hums lightly, pointedly, and Arum growls.

"I do not care what sorts of meals they prefer."

The Keep hums again.

"No, I do not."

The Keep says nothing for a moment, and then it gives a very, very gentle trill.

"Well I do not currently, then!" he snarls, throwing two hands in the air emphatically. "What have they done? What did they do to pull you to their side above mine? Are we not two parts of the same whole? I exist to protect you- you are my sole reason for existing- why should either of us care about a pair of interloping humans?"

The Keep pauses, and then sings one short, gentle phrase.

Arum's frill presses tight to his neck, and then he attempts to scoff, folding his arms over his chest in a way that feels unfortunately uncertain.

"... ridiculous," he breathes. "Why should that matter? And- and it is absurd to suggest that they would have enough of a grip on me to effect- to make me- ridiculous."

It sings again, the same short phrase.

"I am-" he snaps his teeth together. "I am already-" he hisses low, feeling his tail thrashing uncomfortably. "It does not matter. What is the value of happiness, Keep? In what way does it serve to ensure your safety?"

The Keep does not sing in response, this time, but Arum can feel the sorrow that pulses through it in its silence.

"See?" he says after a moment, his voice stilted. "You can provide no answer to that, can you? Ridiculous. All of this is absurd. The only thing that matters- the only thing that matters is our survival. These humans are nothing but a threat to that."

The Keep remains silent, and Arum can feel that it is pulling its attention back, retreating from the conversation.

Arum attempts to consider this a victory. Arum resists the impulse to call the Keep's attention back. Arum pretends that the idea of being left entirely alone at this moment does not fill him with-

It does not matter. He sighs, turning his body away, ending the conversation on his own terms, despite the fact that the Keep surrounds him, despite the fact that the Keep chose to fade from attention first.

At last Arum brings his focus to his surroundings, observing his workshop, and he narrows his eyes in confusion as he does.

The experiments he has been working on are gone. Every one of them has disappeared from the space, replaced by newer creatures and tools that he does not recognize. Not only that, but the space- it has been widened slightly as his bedroom was, grown outward to accommodate wider workspaces, more tools.

Arum narrows his eyes even further, realizing that this space, as it currently exists, is meant to have room for two.

Some of the projects appear to be the ordinary fare, new traps and creatures with modifications to help protect themselves and the swamp, but beside them appear to be experiments of decidedly medical intent, and others besides those he cannot seem to determine a reason for in the least. They are magical in nature, of course, but he can see little else from which to glean their purpose.

There is a third pair of fireproof gloves beside his own set of four, now. Slimmer, smaller, carefully stitched. He stares at them for a long moment, an uncomfortable ticking in his throat.

Everything is out of place. Everything.

… He would not even have noticed the scraps of torn parchment shoved unceremoniously into the fireplace, if the colorful splash of the wax seal did not catch his eye. Catch his eye, and then stick there.

Even torn in half, Arum knows the seal of the Senate by sight.

It takes perhaps a half an hour to pull together enough of the scraps that he can reconstruct the letter, at least to the point where it is mostly legible, and his hands are utterly ruined with ash by the time he achieves his goal.

Some is still fragmented. If there were a greeting or a signature they have burned or been torn away, and though Arum can see frequent scatterings of words like Universe and Will and bits and pieces of aggressive posturing, the one paragraph he has managed to restore is edifying enough that he does not feel the need to continue scrabbling through the hearth.

It is the Will of the Universe that the monster collective does as it pleases. The Senate does our utmost to uphold this Will, and it is to our pleasure that the human infection be eradicated. By failing to destroy a growing number of humans - chief among them a healer of their kind, and a monster-killer - you defy the Will of the Senate, and by extension the Will of the Universe itself. You are going destroy them. The Senate assures you, Lord Arum, that it will be your Will to do so. A monster may only defy its nature for so long, and the human infection will destroy you, if you do not destroy your own small infection first.

Arum can see the holes on either side of the parchment, where his own claws must have dug in before he tore the page entirely asunder. His own claws fit neatly in those spaces, and part of him wishes to tear it all asunder yet again, if only for the letter's smug, self-important tone.

Evidence, he thinks vaguely, and the word comes in the little human's confident voice. Mention of a healer and a monster-killer, the doctor and the knight- the letter shredded and half-burned in the hearth- barely legible even after wasting half an hour in the effort-

If this is part of some enormous lie… it would be a nearly impossibly elaborate one.

Arum looks at the small pair of gloves again. He smooths over the torn edges of the letter from the Senate.

The growth within his greenhouse corroborates the timeline the Keep and the humans claim, the year he has lost. A year of making room in his home for these creatures. A year of dulling the sharpness of his claws, a year of experiments he no longer knows, a year of, apparently, deceiving and defying the Senate.

You are going to destroy them.

Arum feels his frill shiver at his neck.

it will be your Will to do so.

Arum's mind churns, confusion and frustration and fear, and he digs his claw into the wax of the Senate's seal. Their words certainly sound like the threat of a curse, to Arum's ears. And if it truly was the Senate who stole a year from him-

(The memory is gone. Utter blankness. Did he truly, honestly risk the safety of his Keep? Did he truly dig his heels in to earn the Senate's ire?)

He needs to speak with the humans again.

[->]

#elle's fanfic #the penumbra podcast #second citadel #rad bouquet #lizard kissin' tuesday #lord arum #sir damien #amaryllis of exile #the keep #going through changes ripping out pages #(yells loudly)#PRETEND.... that you don't know... that this hasn't been updated since literally christmas

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deathsmallcaps · 5 years ago

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July’s Story

My fifteenth Win A Commission contest is Crystal the Wise! If you would like to see my version, and see all my drawings together, please

There once was a gentleman who had quite a daughter. Whatever her teachers gave her to learn, she gobbled up. Foreign languages, geography, so—all were unspeakably easy for her. And mathematics! She could add up columns of figures far better than her father’s accountants could. Before long, she could have taken their place.

When Crystal (for so she was called) grew a bit older, the neighboring children came over to ask her to explain the problems their tutors had set. Soon everyone came to learn from her. In time, word of this reached the king. He wrote to the young woman, saying, “My son is nearly grown, but my daughter has trouble with her lessons, and needs a teacher who could make her understand. Will you come and stay with us for a few months?”

Crystal was delighted to do so. When she arrived at the palace, the king, queen, and princess greeted her warmly. The prince, however, sulked like a little child. He had offered to tutor the princess himself, but the king had said, “You’re too impatient. I have found someone else who can do a better job than you can.”

Over the next few weeks, the prince sat in the back of the classroom and contradicted Crystal whenever she spoke. His interruptions grew more and more frequent. Still, Crystal continued to teach, because she liked the little princess and wanted her to do well. Tired of being ignored, the prince stood up one day and said, “This isn’t how I learned it. Everything you’re teaching my sister is wrong.” Crystal walked right up and slapped him! After that, the prince kept away from her lessons.

When the time came for Crystal to leave, the prince went to his parents.

“I’m grateful for all Crystal taught me, and after all, she’s the cleverest woman in the kingdom. May I have your permission to marry her?” The king and queen eagerly agreed, and Crystal also accepted, figuring it was a good marriage. She hadn’t realized she was worth more.

After the wedding, the prince took his bride to a secluded cottage deep in the forest. As she was changing into her nightclothes, he came in and said, “Well, Crystal, are you ready to apologize for slapping me?”

“Apologize? I was right to slap you! And I’ll do it again if you keep on about it.” Crystal didn’t enjoy violence but knew when to defend herself.

“Is that so?” the prince snarled. He and a couple servants dragged her down to the cellar, where he thrust her through a trapdoor, into a little cell under the floorboards. There was a bed and a table and almost nothing else. In the morning, he asked her if she’d changed her mind, but she said no. Every day he came down and demanded she repent. Every day she refused, despite knowing her chances of survival were diminishing rapidly in such a dangerous situation. She had tried to run away when he first grabbed her, but even her considerable talents were no match against ten armed men.

Crystal grew weary of her imprisonment, but there was no way she would apologize. One day, she noticed a corner of her cell was blowing air, due to a spider’s web flying into her face. She blessed the spider for alerting her, tand investigated the hole. There, she discovered a rushing underground stream. She dug a hole big enough to squeeze through, and managed to swim all the way to her father’s house.

Her father was appalled to find out how she’d been treated. “I’ll see the king immediately.”

“Oh, no, don’t,” Crystal said. “Just dig a tunnel into my cell and bring me some decent food, and of course, my books. The prince only lowers bread and water.” And Crystal swam back to her cell with the prince none the wiser.

At last, he grew tired of her refusals and called down, “I’m going to Paris to enjoy myself. I’ll have a servant feed you while I’m having fun.”

“Go ahead,” she called back cheerfully.

As soon as the prince had left, Crystal bribed the servant to stop lowering bread and water, telling him to lie to the prince should he come back. She ran to her father and, with plenty of money from him, hurried to Paris, formulating a brilliant plan to ruin him forever with her father. There she disguised herself as a girl named ‘Marie’ and bought a house next to her husband’s.

She then forged a letter to the prince’s parents, explaining that ’Crystal’ had died en route to Paris, and that he was going to mourn for a while. Somewhere in the back of her head, she knew this was a dangerous course of action, and very unhealthy emotionally. But she was SO angry.

Then, each day, she drove out in her carriage behind four white horses. Her gown was thick with embroidery, and her fan was trimmed with delicate lace, and she adopted a beautiful Parisian accent. When the prince saw her, he was dazzled by her beauty, though he didn’t recognize her in Parisian fashions. He began courting her, and wedded ‘Marie’ inside a month, never mentioning, of course, that he had another wife back home. Nor did he notice her glittering intellect, and thought her a dumb but lovely creature. Nine months later, she gave birth to twins, a girl and a boy. Since Crystal had learned a bit, she made the prince sign a contract, vowing the children would be his heirs. He signed it, thinking it would be invalid, for she had drawn it up herself and he thought her stupid. He was mistaken.

Three years passed. Then the prince told her he had been summoned home, but didn’t tell her it was for a new marriage. He didn’t know that this third bride had been set up by Crystal’s father. Feeling bored with his (supposedly) new and beautiful wife, he agreed to return home and decided to leave Crystal and his children behind.

Returning home, the prince hurried to the cottage but discovered the cell empty. The servant told him Crystal had died of loneliness, so the prince thought he was in the clear.

His family got him all set up for the wedding, disallowing him to meet his match, claiming superstition. When the day finally came, he said the vows, and everyone cheered. He raised her veil, and saw Crystal grinning triumphantly back at him. His children toddled out from the audience, and he knew he was in trouble.

Stunned to see his triply-wed wife, the prince knelt down before the court and begged her forgiveness. But it turned out, she didn’t have to forgive him.

Her father produced the contract proclaiming the children as the prince’s heirs and a written account of what had passed by Crystal verified by many sources, including the servant who was supposed to feed her. Disgusted by their son, the King and Queen banished him and stripped him of his personal land, money and title, immediately giving them to Crystal. She and her family promptly lived happily ever after.

My Notes

Now, you may not have noticed, but this story? Extremely messed up. I mean, this woman is degraded and goes on the biggest revenge plot I’ve ever seen a female character do in a fairy tale. She even has revenge babies! They are going to have a pretty messed up childhood.

Why did I choose Crystal the Wise? Well, for three reasons.

One, I heard it on, you guessed it, the Myths and Legends podcast. I really liked his rendition, but I did NOT want to type the whole thing out (I did that with a different story of his that I’m going to give to a different little cousin). I found this version online. And this all happens in the story! Crystal is just that machiavellian, and I applaud her! I kind of wish she didn’t feel like she had to continue having relations with her abuser, or to change herself so completely, but she really hit him with the ol’ one-two, and I like it when people can dole out justice like that. Hopefully she had someone to talk to afterwards? Also its pretty problematic the King and Queen did not realize how much of a little creep they raised to be their heir.

Two, I realized I hadn’t done a story from South America yet! I realize its definitely a more modern story, with less ties to the Native people of Chile (btw the royal family of Chile isn’t a real thing), but I really liked it.

Three, I was looking up the Aymara people of Chile for unrelated reasons when I realized I would love to draw the women! I don’t know what the textile industry over there is like, but it must be pretty entrenched in the culture, because they have so many pretty patterns and colors in their everyday wear! Combined with the bowler hats (legend has it that a shipment of bowler hats made it to Chile just when they went out of style, so the haberdashers marketed them to women!) with all the lovely flowers added on, I was excited! So I wanted to draw an Aymara girl.

Now that I’ve explained that, I’d like to explain my drawings. They weren’t as full of background as some of my other drawings, but trust me, I put a lot of effort into them! I had a kabillion reference pictures.

The title is not based off of any movie logo I’ve seen, for once. Rather, it is based a bit off of the ACDC logo. I was working one day, when someone with that logo on his shirt came up to the register. I was inspired! So I quickly sketched out a sort of geometric, sort of lightning-bolt-esque title in between customers. And I liked it!

The second picture, the slap, was a difficult one for me. It combined an unusual perspective, unusual clothing, and unusual face shapes for me. As you’ve seen with my art, and maybe with your own art, it is often very easy to have a character face you and not interact with another object or person, You can’t really have that happen with a slap.

This story is supposed to be set in the early 1700s, when Paris was very in vogue. But as I really wanted to draw a modern Aymara woman, I did play little fast and loose with the fashion. There isn’t too many reference pictures for old Chilean fashion. I had to reach a little. Which led me to using a more European style of dress for the Prince. And this is the only time you get to see *Crystal dress in a way that is normal and comfortable to her. This is an important ‘theme’ of the story - sorry to go all English class on you!

*Just remembered that Crystal is not a very Spanish-sounding name. I’ve never found the story outside, even when I try to look it up in Spanish, so some part of me is worried that someone made it up and pretended it was Chilean. Please let me know if you find anything.

Their faces are different than what I’ve drawn before. As you can see on the prince’s face, he has serious acne. I’m not trying to demonize acne, but I decided that he’s one of those boys who hates getting clean and despite literally everyone telling him so, will not stop touching his face and causing acne. I went through a stubborn phase like that. But I also wanted to show how young and already so privileged the guy is. I really wanted to make him annoying. Crystal also has a bit of acne, to show her youth, but what really makes her face different than my usual fare is the fact she has a mole, never gets to smile of joy in my illustrations, and she is plump. I have a tendency to draw skinny characters I’m trying to get rid of as an artist - I want to be able to draw everyone, anyone. And i think she turned out quite pretty!

Third picture, the cave, was again sort of a challenge. I wasn’t sure at the beginning how to place Crystal so you could sort of see the hole that leads into her room, while also showing her climbing down and the underground waterways she is going to enter. And as you’ve might’ve seen before, when I draw caves and rocks, all I think of is really ‘geometry’ but in the way the guy in this meme thinks of aliens (look up history channel aliens if you don’t know).

But I guess I did it? As for Crystal, you can tell she’s uncomfortable, she’s skinnier in an unhealthy way and colder than before, her hair isn’t in the customary braids but in a crappy bun to keep it off her face, and her dress is in tatters. Not a happy camper, and understandably so.

Last picture, Crystal’s wedding dress, was sort of hard in a different way, again! I decided early on I wanted to base her dress off of Elizabeth’s wedding dress from Pirates of the Caribbean: Dead Man’s Chest. But I had to draw that while Crystal was holding her two kids on her hips, and smirking. I think I managed it, though. I think it’s interesting to note that the look epitomizes the kind of person she had to emulate while tricking the prince; a meek, european-mimicking little wifey. Totally different than the person she really is, the person she is illustrated to be in the first picture.

Anyways, I hope you guys enjoyed that! Another problematic story will be the one for next month! Thanks for reading!

@boopboopboopbadoop

#crystal the wise #wac #win a commission #marital abuse tw #commissions open #piff-paff #piff-paff: or the art of government #smack-bam #smack-bam or the art of governing men #Smack-Bam or The Art of Governing Men: Political Fairy Tales of Édouard Laboulaye #Smack-Bam or The Art of Governing Men: Political Fairy Tales of Édouard Laboulaye (Oddly Modern Fairy Tales)

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ladyhistorypod · 4 years ago

Text

Bonus Episode: Cut Content

Attributions: Police Scanner Clips

Click below for a transcript of this episode!

Alana: When we first started this podcast my parents had the feedback that maybe there was too much banter. And now they're not allowed to call me on Shabbat. I went back to dating apps recently, fifty percent because I got those quarantine lonelies and fifty percent to plug the podcast. I'm dead serious if you find my like Bumble profile, I do have the Lady History account hooked up to it to plug the podcast. And some dude from Hinge listened to the first episode and was like this really seemed to drag on but you sound like you're having a good time. And I was like I think that's the first time I've ever been negged, never been negged before I think that's what negging is? But so I said to him, I said you have misread the situation and I only take praise. And then I unmatched with him. So anyway we did take that to heart, mom, dad we were listening and we cut out a lot of banter. And all of it was good especially from episode nine there is probably gonna be a lot from episode nine because all that banter was good. Lexi: And we love animals and that was we just kept going. Alana: We love animals. But here it is. All of the banter that my parents made me cut. Lexi: Dear listeners if you hear little cracks, little swallows, little tap tapping noises. It's because, it's almost Christmas and let Lexi the editor is tired and she's decided that because the bonus episode doesn't really matter. So if you like me have misophonia I apologize but now you k:now what it feels like every day when I edit Haley We be humans not robots. Alana: We be humans not robots. Lexi: I wish there was like an AI podcast editor. [INTRO MUSIC] Alana: So my latest project in the Sims, aside from trying to get to, I think my total is thirteen hundred and sixty hours. For like the police training thing. So far I'm at eight seventy two. Which I have passed Pennsylvania which is eight fifty nine. And I think next is there are two that are eight eighty and I think one of them is Rhode Island. Hawaii is zero hours by the way. Lexi: Wait what. Alana: Zero police training hours. Lexi: You just sign up and you- *frustration sound* We’lll pull that apart another time. Alana *laugh* Yeah. But. So I'm recreating the restaurants from the area where I grew up because that's like the only thing I miss about Santa Clarita is my restaurants. So I recently I recreated my favorite. My favorite Mexican food place it's in the gallery if you want it it's called Sim Cuco because the name of the actual restaurant is Don Cuco and so I changed it. I also made Eggs-n-Things is my favorite breakfast place and I called that I think I called that Eggs and Sims and then I made In-n-Out and called it Sim-n-Out. Lexi: That is amazing. Police Radio Sound Effect, Male voice: No one wants to go to jail for things. Haley: That makes sense. That makes absolute sense. Lexi’s Brother: Ah precious baby! Lexi: Dude, dude. Alana: Dude. Lexi: Dude. Dude. Could you close the door? Lexi’s Brother: Yeah but look at him. Lexi: I know. Lexi’s Brother: Wait I have- Lexi: Oh, okay everyone come in and hug the dog in my room. Haley: I heard precious dong and I got real scared with your library background. Lexi: No Every it's. It's ten o'clock which is bed time here and so everyone comes in to tell the dog they love him in my room. Haley: That’s acceptable. I'm obsessed with my cat right now and then making him a very nice blanket like look at this! And I just found out I had been allowing him to sit on this Michael’s box. Lexi: This is why he stays in my room, Dad. Because I don't mess with them I let him have a space; he's a Big Boy. Sorry. Haley: My cat peed on my Michael's box and pee was on yarn and I'm like well ya fucker, you just peed on my yarn. Lexi: You can wash yarn though. Haley: I guess. Lexi: Bundle it and put it in the washing machine. Haley: I hope it’s not the box of yearn ya can't wash. But like it got cat pee on it and it's supposed to be his second blanket like his really big blanket that I was gonna like fold up into like a cat bed is this is just gonna be like a little - Lexi: Well then you know what it’s perfect that he peed on it. Alana: He peed on his own yarn. Haley: I know that's what my dad was like just like making him fucking deal with it but I was like but I don't want to have knit with it. Alana: Yeah. Lexi: Wash it. Wash it on a cold gentle cycle. Haley: And I think of what you were saying like let's see the compostable dog toys like that's not something you can go down to your like ShopRite and be like that’s what I need. Lexi: Well I need corn based PLA and a 3D printer which both things I could not purchase down the street. Haley: Maybe the Whole Foods would have that. Lexi: Corn-based PLA? PLA is the material that feeds into a 3D printer to print stuff out. I don't think Whole Foods carries that. Alana: They should. Haley: I now say whole foods doesn't have it it's just it doesn't exist. Speaker 1: Because there’s a Whole Foods next to my parents that's just massive and my mom her response to everything was like go to whole foods and I’m like there's so much more than Whole Foods. There's a Trader Joe's, a Stu Leonard's, an Acme, Stop and Shop. Just now that I have more than like one grocery store at my disposal is- Alana: You have a Trader Joe's. Haley: Oh yeah, Trader Joe's is the best. Lexi: I love Trader Joe’s. Talk about a good business. Alana: Talk about a good business. Lexi:+Did you guys ever use lime wire? I know we were very young when I was a thing. Haley & Alana: Yeah. Haley: Ya, no I’ve use it. Lexi: But when I found out what that was... Alana: Well I was actively not allowed to do it because I could just be like, “Hello” I mean I'm very privileged. “Hello I need an iTunes gift card to buy songs” and my parents would be like “okay”. Lexi: I used it and when I found out it existed. I really went all in. I had the original iPod Shuffle the white brick. That my dad got at an events for work at the Trump golf course in New Jersey. He's not a Trump supporter this was in what 2006 and it was. Alana: Before Trump was a Trump supporter. Lexi: Yes I believe at the time Trump was a Democrat but he wasn't there because of that but his company rented out the golf course for an event and they all got gift bag that said like Trump hotel so my mom had to rip that part of the bag off when we we re-used after that. But I got this- one of the party favors was a white brick iPod. This is all relevant trust me. So... Alana: It’s also like the peak of technology in 2006. Lexi: Yes and I loved it. You couldn’t pick what song you just went with it. So I downloaded, we were going to the beach and my mom said okay you can take it as long as you don't let it get sandy so the night before I went on my morning downloaded like all this stuff and I didn't really check it I just threw it on the iPod. So I'm sitting in the car going to the beach. I'm listening to my iPod shuffle, my white brick with a USB stick and this thing comes on like and I’m like I don’t remember I downloading this? It’s Bill Clinton saying I did not have relations with that woman. And I was like what the hell is this. Didn't cross my mind until I was like a teenager and I kind of became more of the internet and I realized that back in the day on like limewire and other platforms like that people would as a prank put that quote instead of songs and I was like oh my god that's what happened to me when I was ten, eleven whatever that was and that was the first Bill Clinton moment I ever had in my life. My favorite thing to dislike about Bill Clinton is that he decided it was okay to go play saxophone. That made me uncomfortable but it is one of my favorite things to love to hate to love to be a uncomfy about. So yeah that's my Bill Clinton story. Bill Clinton: But I want to say one thing to the American people. I want you to listen to me I'm gonna say this again. I did not have sexual relations with that woman. Miss Lewinski. I never told anybody to lie not a single time. Never.

Haley: Ah okay so there's this thing you can look it up it's Susan Lawrence in Chappaqua, New York so overpriced d for excellent food and it kind of is like a boujie Jewish deli because like you just walk up to the counter be like I want half a pound of kale salad and they just give you the kale salad but then there's like food all around you like black and white cookies which is also something you'll see in New York Jewish deli. And it's just fabulous their mac and cheese cups A+. In the summer with their iced teas because they put half ice when the ice tea and on top they put like lemon sorbet it is beautiful and I've always wanted something like that so I can... Alana: It’s like an Arnold Palmer float. Haley: Yes. Alana and Lexi: I want that. Haley: So so so good. Alana: I'm gonna try that. Haley: Such a cute little seating area and like their part like so they have like the actual food you can eat but then like amazing pastries and cakes so in my head… Alana: Um Haley: What. Alana: You can still eat pastries and cakes. I just want to point that out. The actual food that you could eat. You said that they have actual food that you can eat and also pastries and cakes. You can also eat pastries cakes. Haley: I can't because all the pastries and cakes have eggs, so in my head that's not real food. Lexi: Haley was thinking everyone in the world can't have eggs. You just look at cakes. Haley: That’s how like I describe restaurants to people. That's like not food that all has eggs. Alana: It’s poison. Haley: Food a lot of it has eggs or cross contamination and in my head like Greek restaurants are just not viable for me.

Haley: Can we have like an episode. . . I know this isn't lady but completely can we have like an episode about how like most of the founding farmer, founding not founding farmers, founding fathers Lexi: Just little DC tings.. Haley: Yeah. Were queer. Because boy howdy I have been watching so many youtube videos on that. Alana: I’m in. . . this is totally off topic and it's fine and I'm sorry that Lexi will have to go through all this when editing. Lexi: I don't care. Alana Whatever, cut content. There was a tumblr post awhile ago. That someone was like UWU Alexander Hamilton my bisexual baby with anxiety and then someone repblogged it and was like actually he own people and now he's dead. And I so firmly belong to both of those camps. I am so like yeah he own people and now he's dead. Fuck that dude. I hate him. I hate that dude. But also it's really important to like see queer people throughout history because like it's not- it's not a new identity and I think that's important so I'm all I'm like very much yes he was queer also he sucks. Lexi: This this is like more shit for me to cut but I just have feelings. The thing that irks me is when people equate the character with the history. Separate them. Okay? The character can be UWU your baby because it's not a real person and we don't give a fuck. The real person was a complicated person with lots of different feelings, emotions, and realities. Alana: It's almost like people are complicated. Lexi: It’s important to acknowledge that there were queer people in the past. And that telling your bro how great he smells was probably a sexual thing. Alana: Gay. Lexi: It's probs gay. And, also bad people can be gay too. Haley: Thank you! Alana: Okay so this is something that I was complaining- this is like years and years ago -but I was complaining to my dad about how I think Apple is an evil corporation and he was like but their CEO is gay and I was like yeah dad it's 2018. Queer people can be anything. Lexi: Wait. If you don’t think queer people can be bad like every Disney villan doesn’t make sense. Because so many of them were queer. Alana: So I mentioned that in the witch episode briefly. I have a lot of feelings about this because almost every Disney villain is either Jewish coded or queer coded and it's no bueno. We don't like that. It's not okay. I'm trying to think of one who isn't. Haley: Scar. Alana: Queer coded. Haley: Yeah. Alana: I guess Hans? He's pretty heterosexual. Haley: Hans was pretty heterosexual. Haley: Captain Hook was not like as a small child I was like Captain Hook is gay. Lexi: You don’t think Hans has bi vibes? Alana: I guess. Haley: I think. . . Alana: But... Lexi: Everyone has bi vibes to me. I can’t comprehend the straight. Alana: Everyone has bi vibes to you.That's true. Lexi: Literally when you said that thing like all the founding fathers were queer, like isn't everyone a little queer. Haley: Everyone’s a little queer, not gonna lie. Alana If Bonobo chimps are anything to be . . . anything like humans. Haley: I feel like Hans is like 3% in him. Alana: Yeah. Haley: It’s not much. Alana: But like so. I think he's the only one, They're moving away from it in there. . . Lexi: Oh my god I know what it is. Okay Hans is like Winston Churchill where like he hooked up with a guy one time and had a fling with them but like it was just one time in his life. Alana: It’s just a one time thing. Lexi: Just this one time. Alana: He was experimenting. But like he's not queer coded. I think there was not really, there wasn't really a villain in Frozen II was there? Haley: No it was like the universe was like the villian like. . . Lexi: Yeah it was like the world. Alana: Queer coded! Jew coded! Lexi: Okay, okay. Go on to your story. Alana: Ok.

Daveed Diggs: Uh, who provided those funds? Haley: Uh, France?

Haley: Lilac, chartreuse. Oh no not chartreuse is that bright one… Magenta… Alana: Wait wait wait. What color is chartreuse? To you? Haley: It’s green. Alana: Chartreuse it.. So apparently that's one of those like Mandela Effect things that some people think it's a green and some people think it's pink. Lexi: It’s pink because Chartreuse was Blue’s neighbor and possible lesbian lover. Haley: No that’s Magenta. Alana: No that’s Magenta. Lexi: Oh my god is that a Mandela Effect? Haley: No, no. Alana: No. That's just you being a dumbass. Haley: I always, okay so here's the thing I always thought chartreuse is green and then that Mandela Effect was explained to me so now I always get it mixed up but I think like the best like colors for kitchen are like muted neutrals so it looks like the woods is coming into your baking zone. Lexi: Nah, teal. Ocean kitchen, ocean kitchen! Alana: You guys should see my Sims kitchens. I just made a beautiful little like all black and white... Shout out to the jungle adventure pack. Lexi: The jungle adventure pack is so good. Alana: I also really wanted to doo like a little dining nook but freaking sims don't know how to slide across the booth apparently so it didn't work. But.

Erika: So what I'm currently watching which I watched before is New Girl. I watch it when I have anxiety. Haley: Yeah Erika: So I started again. And then when I'm just like vibing or whatever and watching something that I haven't seen six hundred times I started watching Schitt's Creek. Haley: I’m watching Schitt’s Creek! Lexi: So good. Erika: It’s like.. Like dry funny. And it like almost lands and then it doesn’t. Alana: It’s like. . . Erika: It like pulls back. Alana: It's like Arrested Development but if the characters like had growth. Erika: Yeah Lexi: Yes and I love both series equally. Alana: Ew, David. Lexi: Alexis Erika: I don't get the hotel manager person. Alana: Stevie. I love Stevie. Lexi: I love Stevie. Her character arc is so good. Alana: Imagine the two queer people on the podcast being like I love Stevie.Stevie’s not queer but like she has lesbian vibes. Haley: I tried- Lexi: That’s her whole stick she is straight butch. Alana: Reminds me of someone else I know. Haley: Wow, got called out there. Well the thing that was said is true but the words still hurt. Lexi: You can find this podcast on Twitter and Instagram at LadyHistoryPod. Our show notes and a transcript of this episode will be on ladyhistorypod dot tumblr dot com. If you like the show, leave us a review, or tell your friends, and if you don't like the show, keep it to yourself. Alana: Our logo is by Alexia Ibarra you can find her on Twitter and Instagram at LexiBDraws. Our theme music is by me, GarageBand, and Amelia Earhart. Lexi is doing the editing. You will not see us, and we will not see you, but you will hear us, next time, on Lady History. Haley: Next week on Lady History, we're having a blast from the past and going back to our undergraduate degree to talk about some goddesses be there or be square.

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