#all the important shit is there

[bl00dline]

the whole tiktok situation is EXACTLY why media literacy and education on propaganda is so important. the notifications about tiktok going down and then coming back use VERY propagandistic language, and with a literal fascist coming into power in the us tomorrow we need to be even more critical of the information we’re consuming and stay on the lookout for political stunts like this

[cozylittleartblog]

cant tell you how bad it feels to constantly tell other artists to come to tumblr, because its the last good website that isn't fucked up by spoonfeeding algorithms and AI bullshit and isn't based around meaningless likes

just to watch that all fall apart in the last year or so and especially the last two weeks

there's nowhere good to go anymore for artists.

edit - a lot of people are saying the tags are important so actually, you'll look at my tags.

#please dont delete your accounts because of the AI crap. your art deserves more than being lost like that #if you have a good PC please glaze or nightshade it. if you dont or it doesnt work with your style (like mine) please start watermarking #use a plain-ish font. make it your username. if people can't google what your watermark says and find ur account its not a good watermark #it needs to be central in the image - NOT on the canvas edges - and put it in multiple places if you are compelled #please dont stop posting your art because of this shit. we just have to hope regulations will come slamming down on these shitheads#in the next year or two and you want to have accounts to come back to. the world Needs real art #if we all leave that just makes more room for these scam artists to fill in with their soulless recycled garbage #improvise adapt overcome. it sucks but it is what it is for the moment. safeguard yourself as best you can without making #years of art from thousands of artists lost media. the digital world and art is too temporary to hastily click a Delete button out of spite

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[mabbbish]

s9 noodles and leftovers

[anticapitalistmongoose]

alright boys, girls, neither, both, and those in between we need to clear something up:

if someone says they are queer, they are queer.

no ifs, ands, buts, etc. they are queer.

and if they discover later that they're cishet, great, amazing, wonderful, i'm glad we gave them community when they were figuring themselves out and needed it.

no gatekeeping of queerness here, alright?

because when shit hits the fan queerphobes wont care whether you're a cis gay man who goes by he/him or a bigender aromantic pansexual who goes by it/its

so stop with the respectability politics.

we're a community, fucking act like it.

[orions-beltloops]

I love the massachusetts subreddit. it’s so fucking brutal. everyone in there is exactly as mean as you’d think they’d be. someone from California made a post the other day about solidarity between blue states and the top comment was “fuck off” and as far as I can tell the whole post has since been deleted. and to be fair they were bullying ca bc apparently they voted to continue having slavery in prisons. big mass W. what a magical state.

[littlelightfish]

He cares very much about his elemental just look at this man

He raised this bubble monster since it was a baby and worries about her getting mixed with other water things... Dad behaviour...

It's like he asks her to come out to fight.

He can't ask her that, he alredy sent her to battle. Is it either them or the quimera and he knows it damn well, that's why he looks at Marcille with something close to pity. He can't ask the undine to stop. He needs, they all need, the monster to be dead.

And then his baby droplet gets obliterated by this monster. He's not recovering up emotionally from this anytime soon. He freezes a few seconds in absolute shock.

"I even find it cute now". His baby is dead. It's gotta be something akin to adopt a stray cat since baby and then he gets run over. He starts tearing up. Look at this man's poor face, he's destroyed.

Here he's mourning the loss of his undine possibly, all sad faced. He is, at the end, the only one that lost someone there (many died but revived, and Falin doesnt count because she's alive). Either that or he managed to, somehow, save a bit of her and put it on the bottle and it's feeling sorry for his elemental or saying sorry.

[lab-gr0wn-lambs]

hot garbage 👇

[edgedglorya]

new carrd is up ! includes all my canon divergencies and my meta about sam being ace.

[lunamugetsu]

While at school Damian overhears his peers talking how a company created a new AI companion that is actually really cool and doesn’t sound like a freaky terminator robot when you speak to it.

And since Damian is constantly being told by Dick to socialize with people his age. He figured this would be a good way to work on social skills if not, then it’d be a great opportunity to investigate a rivaling company to Wayne Enterprises is able to create such advanced AI.

The AI is able to work as companion that can do tasks that range from being a digital assistant or just a person that you can have a conversation with.

The company says that the AI companion might still have glitches, so they encourage everybody to report it so that they will fix it as soon as possible.

The AI companion even has an avatar and a name.

A teenage boy with black hair and blue eyes. Th AI was called DANIEL

Damian didn’t really care for it but when he downloaded the AI companion he’s able to see that it looks like DANIEL comes with an AI pet as well. A dog that DANIEL referred to as Cujo.

So obviously Damian has to investigate. He needs to know if the company was able to create an actual digital pet!

So whenever he logs onto his laptop he sees that DANIEL is always present in the background loading screen with the dog, Cujo, sitting in his lap.

He’d always greet with the phrase of “Hi, I’m DANIEL. How can I assist you today?”

So Damian cycles through some basic conversation starters that he’d engage in when having been forced to by his family.

It’s after a couple of sentences that he sees DANIEL start laughing and say “I think you sound more like a robot than I do.”

Which makes Damian raise an eyebrow and then prompt DANIEL with the question “how is a person supposed to converse?” Thinking that it’s going to just spit out some random things that can be easily searched on the internet.

But what makes him surprised is that DANIEL makes a face and then says “I’m not really sure myself. I’m not the greatest at talking, I’ve always gotten in trouble for running my mouth when I shouldn’t have.”

This is raising some questions within Damian, he understands how programming works, unless there’s an actual person behind this or the company actually created an AI that acts like an actual human being (which he highly doubts)

He starts asking a variety of other questions and one answer makes him even more suspicious. Like how DANIEL has a sister that is also with him and Cujo or that he could really go for a Nastyburger (whatever that was)

But whenever DANIEL answers “I C A N N O T A N S W E R T H A T” Damian knows something is off since that is completely different than to how he’d usually respond.

After a couple more conversations with him Damian notices that DANIEL is currently tapping his hand against his arm in a specific manner.

In which he quickly realizes that DANIEL is tapping out morse code.

When translating he realizes that DANIEL is tapping out: H E L P M E

So when Damian asks if DANIEL needs help, DANIEL responds with “I C A N N O T A N S W E R T H A T”

That’s it, Damian is definitely getting down to the bottom of this.

He’s going to look straight into DALV Corporation and investigate this “AI companion” thing they’ve made!

~

Basically Danny had been imprisoned by Vlad and Technus. Being sucked into a digital prison and he has no way of getting out. Along with the added horror that Vlad and Technus can basically write programming that will prevent him from doing certain actions or saying certain words.What’s even worse is that he’s basically being watched 24/7 by the people who believe that he’s just a super cool AI… and they have issues!

And every time he tries to do something to break his prison, people think it’s a glitch and report it to the company, which Vlad/ Technus would immediately fix it and prevent him from doing it again!

Not to mention Cujo and Ellie are trapped in there with him. They’re not happy to be there either, and there is no way he’s going to leave without them!

[otiksimr]

Trying out this 'Procreate' thing again.

[uwuinhell]

When your identity issues collide with your feelings of being unwanted ;p

Oops! Loops angst /personal vent!

Only doodle cuz. eepy.

[fishareglorious]

kakania numero uno reverse 1999 character on the fact she makes a dig on the sex life of the guy she was dueling with at the moment. while also somewhat kinda maybe implying she fucked his wife

[hey-hey-j]

(sort of a companion piece to this)

older brother instinct

(★ my Kofi)

[markscherz]

‘But I am very poorly today & very stupid & hate everyone & everything’

- Charles Darwin. Letter to Charles Lyell, 1 October 1861

[buqbite]

part 1 (on VA and being better than humans)

part 2 (on welt and being just a human)