#all the consent

[sayruq]

[derangedthoughtssideblog]

when I read aftg the first time I thought the best scenes were "thank you, you were amazing" "it's always yes with you" "i am nothing and as you've always said you want nothing"

but now I can see that the best scene is clearly when Neil asks Andrew how he can stand their relationship after everything he went through and then he tries touching his arm and Andrew says "no" and Neil stops and "that's why"

destructive

[tampire]

Filth / Horror / Glamour

[cloudabserk]

look i understand if you like marius because this is the evil morally bankrupt vampire story. however when people argue that marius was actually really cool and chill and normal about armand i want to fight them

[lilidawnonthemoon]

[muckyschmuck]

fuck you and congrats jill you're a weasel now

[hyperboleigh91]

I think when Jeremy and Jean's relationship becomes romantic, Jean will constantly put the breaks on the romance.

We know Jean feels almost euphoric when he sees how easily Jeremy respects his boundaries and gives him space, and I think he'll keep wanting to test this.

They'll be kissing, and Jean will suddenly say that he wants to stop "for today" or "for now" and of course Jeremy easily gives him that space.

And Jeremy eventually realizes that he isn't actually making Jean uncomfortable. Jean is mostly doing it to soothe himself by confirming that Jeremy will always stop as soon as Jean says something.

[artsekey]

[blackkatdraws2]

Quick note to people who use Kat's art / characters!!

How to Properly Use Kat's Content!

Get my permission first! [Ask in my DMs]

Credit me!

That's it lol

I don't mind that much but I would appreciate it if people asked me first. I don't have a problem with people using my art for profile pictures, chat bots [NOT NSFW], reposting on social medias I'm not in, Discord emojis, etc.

Let's just be reasonable, yeah? （＾∀＾●）ﾉｼ

What Not to Do!

Don't use my art to sell!

Don't use my characters for anything NSFW!

Don't use it to generate AI art/images/videos!

If you're reposting my art, don't tell people it's yours! Don't impersonate me either!

Don't make/add anything strange or inappropriate using my content/characters!

If you're not doing anything listed then I'm good with almost anything as long as you credit me.

[You're also free to ask me in DMs if you wanna do something with my works/characters that you're not sure will breach my boundaries.]

What do you do if you see somebody:

Selling my art?

- REPORT THEM! These people absolutely do not have my permission! They take other artists' art as well, it's not just me!

Reposting my art without credit?

- Tell them to give me credit! If they delete your comment / claim that it's theirs, report them! If they comply then leave them be.

Pretending to be me in social medias that aren't Youtube, Tiktok, Tumblr, Bluesky, and Twitter?

- Report them!! Don't impersonate me.

Using my art / characters in ChararacterAI, etc.?

- As long as it's a SFW bot and it has credits, leave them be.

- If it's inappropriate / an NSFW bot of my characters, report it!

Alright, Have fun guys. ✌️

[minho-knows]

The MMTG SHOW

[sayruq]

Sickening

[vilsoo]

‎ 𝑽𝑰𝑳𝑺𝑶𝑶 𝑷𝑹𝑬𝑺𝑬𝑵𝑻𝑺…

‎ 𝐰𝐡𝐚𝐭 𝐲𝐨𝐮 𝐚𝐫𝐞 𝐚𝐛𝐨𝐮𝐭 𝐭𝐨 𝐬𝐞𝐞 𝐦𝐚𝐲 𝐬𝐡𝐨𝐜𝐤 𝐲𝐨𝐮, 𝐚𝐫𝐨𝐮𝐬𝐞 ‎ ‎ 𝐲𝐨𝐮 𝐞𝐯𝐞𝐧… 𝐡𝐞𝐫𝐞 𝐚𝐭 𝐭𝐡𝐞 𝐜𝐫𝐨𝐬𝐬𝐫𝐨𝐚𝐝𝐬 𝐨𝐟 𝐬𝐞𝐱 𝐚𝐧𝐝 𝐡𝐨𝐫𝐫𝐨𝐫!

‎ 𖤐 ORDER YOUR TICKETS HERE 𖤐 ‎ ֺ [ taglist ]

𝐇𝐄𝐋𝐋 𝐈𝐒 𝐄𝐌𝐏𝐓𝐘; 𝐀𝐋𝐋 𝐓𝐇𝐄 𝐃𝐄𝐕𝐈𝐋𝐒 𝐀𝐑𝐄 𝐇𝐄𝐑𝐄 𝐖𝐀𝐈𝐓𝐈𝐍𝐆 𝐓𝐎 𝐏𝐋𝐀𝐘… Inspired by Universal Studios Halloween Horror Nights, indulge in sex and horror galore at our premiere Kinktober event, HORRORLAND! Would you dare venture our haunted houses, experience our exhilarating attractions, and uncover the scandalous, deadly mysteries of Horrorland?

fandoms: jujutsu kaisen, spiderman atsv, fnaf, re4, codmw2.

𝐂𝐎𝐌𝐈𝐍𝐆 𝐒𝐎𝐎𝐍 𝐎𝐂𝐓𝐎𝐁𝐄𝐑 𝟐𝟎𝟐𝟒

ㅤ ↓ 𝐕𝐈𝐄𝐖 𝐏𝐀𝐑𝐊𝐋𝐀𝐍𝐃𝐒 (𝐊𝐈𝐍𝐊𝐓𝐎𝐁𝐄𝐑 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓) ↓

FRIDAYS🩸 we welcome our fellow monster fuckers into this territory! deadly creatures preying on their victims, serving their lustful fantasies with wild, animalistic urges! your arousal and fear may provoke them further, so beware of the woods…

𖤐 𝐎𝐂𝐓 𝟒𝐓𝐇: ❝ 𝐋𝐈𝐕𝐈𝐍𝐆 𝐃𝐄𝐀𝐃 𝐁𝐎𝐘 ❞ starring GHOST!LEON KENNEDY (re4)

who is this irresistible creature who has an insatiable love for the dead… and ghosts?

⚠︎ CW: mentions of stalking, slight ooc leon, angst, hurt/comfort, haunted vacation home, voyeurism, paranormal activity, sex with a ghost, gentle → rough smut, mirror sex, switchy!leon, 1980s setting.

𖤐 𝐎𝐂𝐓 𝟏𝟖𝐓𝐇: ❝ 𝐁𝐋𝐎𝐎𝐃𝐌𝐎𝐎𝐍 𝐖𝐇𝐎𝐑𝐄 ❞ starring WEREWOLF!MIGUEL O’HARA (atsv)

during the bloodmoon on halloween, your werewolf boyfriend feels a rapacious urge to knock you up.

⚠︎ CW: established relationship, miguel in heat, rough sex, soft sex, marking, biting, possession, breeding, knotting, impregnating, degrading/praising, power struggle, multiple orgasms, 1980s setting.

𖤐 𝐎𝐂𝐓 𝟐𝟓𝐓𝐇: ❝ 𝐓𝐇𝐄 𝐒𝐇𝐑𝐈𝐍𝐄 𝐏𝐑𝐎𝐉𝐄𝐂𝐓 ❞ starring RYOMEN SUKUNA (jjk)

a camping trip you planned with your friends turns out to be a total nightmare, all caught on camera…

⚠︎ TW: suspense, horror/thriller themes, gruesome murder, gore, ritual sex, demon sex, satanism, sadism, betrayal, teratophilia, size kink, double penetration, plot twist, ib the blair witch project (1999), 1980s setting.

┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈

SATURDAYS 🍷 the depths of hell fall on this dark and gloomy city bound to corruption and sin, known as the devil’s playground! lurking within the streets beholds the prurient reigns of terror that which may also arouse parkland guests…

𖤐 𝐎𝐂𝐓 𝟓𝐓𝐇: ❝ 𝐃𝐈𝐍𝐄 𝐎𝐍 𝐘𝐎𝐔𝐑 𝐇𝐄𝐀𝐑𝐓 ❞ starring NANAMI KENTO (jjk)

with you and your boyfriend being a regular at this fancy restaurant, the owner became very fond of you…

⚠︎ TW: cannibalism, chef/restaurant owner nanami, poisoning, murder, infidelity/cheating, eventual smut, kitchen sex, unprotected sex, jealousy, dark obsession, slight stalking, gore, mutilation.

𖤐 𝐎𝐂𝐓 𝟏𝟐𝐓𝐇: ❝ 𝐁𝐑𝐄𝐀𝐊 𝐌𝐘 𝐌𝐈𝐍𝐃 ❞ starring WILLIAM AFTON (fnaf)

as the new intern and your boss developing a dark obsession over you, he feels the need to corrupt you…

⚠︎ TW: dubcon, mind control (glitchtrap virus), sadism, murder, psychological abuse, manipulation, predator/prey dynamic, implied age gap, degradation, eventual rough smut, mentions of vanny mask.

𖤐 𝐎𝐂𝐓 𝟐𝟔𝐓𝐇: ❝ 𝐁𝐄𝐀𝐔𝐓𝐘 𝐈𝐍 𝐓𝐇𝐄 𝐌𝐀𝐂𝐀𝐁𝐑𝐄 ❞ starring CHOSO (jjk)

accidentally bringing a girl back from the dead may have been horrifying, but falling in love with her..?

⚠︎ CW: horror/romcom themes, implied necrophilia (NO intercourse), college au, accidental ritual, romance, mentions of murder, suggestive smut, inspired by lisa frankenstein (2024) and corpse bride (2005).

┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈

FOR OUR HALLOWEEN SPECIAL . . . not only are you immersed into the stories of our attractions, you get the real experience of being a parkland guest having a fun time at Horrorland with friends! but as thrilling as it all sounds, there are many scandals and articles of what really goes down…

𖤐 𝐎𝐂𝐓 𝟑𝟏: ❝ 𝐀𝐑𝐄 𝐘𝐎𝐔 𝐋𝐎𝐒𝐓, 𝐏𝐑𝐄𝐓𝐓𝐘 𝐆𝐈𝐑𝐋? ❞ HEADLINE: PARKLAND VISITOR CAUGHT HAVING INTERCOURSE WITH A SCARE ACTOR!

flirting has become a common fear response when encountering hot masked scare actors chasing you at halloween events. this scandal covers a parkland visitor fawning over the hot scare actor in the Deathgasm haunted house, König, resulting in them flirting and sneaking off together…

┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈

⚠︎ 𝐁𝐞𝐰𝐚𝐫𝐞 𝐭𝐡𝐚𝐭 𝐞𝐯𝐞𝐧𝐭 𝐦𝐚𝐲 𝐛𝐞 𝐭𝐨𝐨 𝐢𝐧𝐭𝐞𝐧𝐬𝐞 𝐟𝐨𝐫 𝐩𝐚𝐫𝐤𝐥𝐚𝐧𝐝 𝐠𝐮𝐞𝐬𝐭𝐬 𝐚𝐧𝐝 𝐢𝐬 𝐍𝐎𝐓 𝐫𝐞𝐜𝐨𝐦𝐦𝐞𝐧𝐝𝐞𝐝 𝐟𝐨𝐫 𝐦𝐢𝐧𝐨𝐫𝐬. 𝐇𝐨𝐫𝐫𝐨𝐫𝐥𝐚𝐧𝐝 𝐰𝐢𝐥𝐥 𝐞𝐱𝐩𝐥𝐨𝐫𝐞 𝐝𝐚𝐫𝐤 𝐚𝐧𝐝 𝐞𝐱𝐭𝐫𝐞𝐦𝐞 𝐭𝐡𝐞𝐦𝐞𝐬 𝐭𝐡𝐚𝐭 𝐦𝐚𝐲 𝐛𝐞 𝐭𝐫𝐢𝐠𝐠𝐞𝐫𝐢𝐧𝐠. ⚠︎

┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈

𝐀𝐋𝐋 𝐖𝐎𝐑𝐊𝐒 𝐁𝐄𝐋𝐎𝐍𝐆 𝐓𝐎 𝐕𝐈𝐋𝐒𝐎𝐎 © 𝟐𝟎𝟐𝟒. please do not steal my kinktober prompts/works/themes! reposting any of my works outside tumblr that minors can access is strictly prohibited. will be cross posted on my ao3 soon.

[mswyrr]

rio loves agatha more than her own longing and need for agatha. she loves this woman FIRST and MOST, more than anything she can get out of her. she won't have the pleasure, the connection, she yearns for at the price of deceit, even if rio herself did nothing wrong -- she would have benefited from the lie agatha was telling herself, and she couldn't stand to do that. she doesn't want to steal things from agatha, she wants them to be given freely, joyfully, or not at all. that's *love*. knowing someone that deeply and caring that much. not just wanting things out of someone desperately, but wanting things desperately and still being able to put the person you love first. it would be far less romantic if they'd kissed right then.

[linddzz]

I'm not gonna lie "jayce is protective/possessive in a way that a guard dog is" and "but a guard dog has a collar and a leash" have changed my brain chemistry on a molecular, nay, atomic level oh my god I'm a changed person nothing is gonna be the same *feral screaming*

Thank yooouu!!!! I am pretty pleased with that framing for them ever since it occured to me when I was writing out that protective/possessive Jayce post! It really clicked using that description as the summation of the VIBE I got from them even in Season1. That vibe where it's undeniable that Jayce is more physically forward and LOOKS like he's taking charge in those moments where he puts a hand out to hold Viktor back and it LOOKS at first like Viktor just goes along with things.

But there is just. That vibe. That sense. Something about noticing how much Jayce can act assertive but very much wants someone else directing him as Season1 goes. Something about how he's always moving around Viktor. And part of it clicks when you see him putting his head in Mel's lap repeatedly like every single giant dog that does not realize they are not lap size. Then somethinnggg about "man every time he's doing that or even talking to Mel he ends up talking about Viktor huh"

And THEN the something...something about Viktor. About his mix of quiet introversion but the very self assured confidence he carries himself with. The way if something frustrates him he looks over at Jayce like "do something about that." The way that as soon as they partner up it's like he becomes this quiet pivot point holding lots of eye contact while pushing Jayce to do crimes and then being the force of calm confidence as the pressure mounted trying to stabilize the hexgem for the first time. Something about how he always takes Jayce's constant touches and physical looming like it's perfectly natural and you don't know why, but it doesn't feel like Jayce is imposing on him???

And then (for me at least lmao) that exchange on the bridge makes it all CLICK. Jayce got so wound up he ended up snapping at Viktor (bc he is a high energy dog and his response to stress/fear is baring teeth lmao) and Viktor does not even look up as he smacks Jayce's hand away. Does not GLANCE at Jayce as he very pointedly moves away from him and out of Jayce's personal space bubble. And Jayce's hand flinches where it's held out and he immediately says "I'm sorry" in the smallest voice. And THEN, only THEN does Viktor allow the hand on his back to lead him away and you realize. holy shit. Jayce has earned touching privileges back. Holy shit.

and MAN I am usually NOT AT ALL into the idea of D/s dynamics as a lifestyle thing but with those maniacs it's like. Oh you two never even discussed that this is the dynamic. Y'all are just LIKE THAT. If Viktor ever called Jayce "good boy" even as a joke you just KNOW Jayce would DROP to his knees like it's an instinct (making for a hilariously awkward day at the lab)

come with me anon come with me everyone, we gonna explore Dom/sub dynamics that have bonkers types and layers of power exchange nuances in em

[trans-leek-cookie]

yknow what. I wanna say: CSA and COCSA survivors are all incredible, but I also wanna give a shout out to ppl who were exposed to sexual stuff or had any kind of sexual experience as a kid that they either aren't comfortable labelling as or don't consider abuse, but they know it still fucking sucked and shouldnt have happened. Even if that changes later in life and you identify as a victim/surivor, it can be messy to have to imagine those labels applying to the ppl in ur life and that can take time.

The most important thing is to prioritize your recovery + health, and to support other victims + survivors.

[beannoss]

Something I think about a lot and wonder if maybe gets overlooked in Twilight’s story and as vitally indicative of his character is actually in the very first chapter:

Anya isn’t needed for Strix. Twilight decides to adopt her anyway.

[Spoiler warning: Mostly this post deals with early chapters already in the anime but there is reference to chapter 62, which has not yet been animated and will be in season 3]

Twilight decides it — “I’m going to rework the mission so it doesn’t involve a child because that’s too dangerous” and he’s 100% right! Donovan Desmond is canonically a far right warmonger with fascistic authoritarian aims. His government made liberal use of the SSS — a group to mirror the Stasi — who continue to operate in morally dubious ways (much more likely they’re actively morally reprehensible, though we’ve mostly only had rumours of that so far). From what we can tell, Desmond is at best an absent father and likely actually worse than that: if that's how he treats his own children, imagine how he might treat others. And the timeline seems to indicate that the experimentation performed on Anya was done under Desmond's government — even if Twilight isn't aware of experimentation on children, he is aware of both human and animal experimentation under Desmond's government. Taking all that and also the complexity of Strix's aims, undoubtedly there were other things that could be done, more straightforward if not necessarily easier.

So. Why? Why entertain the change at all? And then, having entertained it, why go back when the reasoning is indisputable?

On the Doylist level, I think Endo wanted to ensure that Anya had some agency within the set up — Endo also does this with Yor. It would be much harder to be on Twilight’s side fully, or to trust him on an ethical level/take him as any sort of moral authority, if he were just straightforwardly using these two people. To have them be active and consenting participants (arguably to actually be affirming the arrangement: Twilight sets it up, but Anya and Yor actually make it happen) even if the audience only knows the depth of their knowledge/motivations/etc currently, shifts the power dynamic in important ways.

But it also the set up tells us important things about Twilight. He is largely impatient, cold, detached in chapter one. His overarching feelings towards Anya are, I think, real annoyance, real confusion, and real impatience. He just doesn’t understand this damn kid and it turns out she’s a person which is frankly unacceptable — he’d needed and anticipated an automaton, ideally of himself in miniature form. (Though I think one could ponder whether Twilight was, in many ways, an automaton himself at this point, but that's maybe for another meta 🙃)

He’s not entirely unmoved of course — we're given to understand he’s affected when Franky tells him how many times Anya’s been adopted and returned, and isn't amused by Franky's joke about names. Franky's comment — "Just don't get attached" — reinforces this. The prospect of “the future” perturbs Twilight when he’s reading the parenting books. His initial reaction to Anya’s kidnap is horror. All these are true too.

Then there’s also this, from earlier in the chapter:

It’s exposition, yeah, and it’s also exposing. "Hopes" and "joys" are very specific words to describe those events. It could simply have been "A marriage? An ordinary life?" but describing them as such — hope for marriage; joy in ordinary life — expose something of what Twilight feels about those two experiences and, on the flipside, they expose what he deems he's lacking. No hopes of intimacy; no joy in (an ordinary) life. There's an argument as well, of course, that he's being ironic but I don't think that actually invalidates the above analysis. Drawing attention to 'hope' and 'joy' at all are revealing, regardless of Twilight's tone in thinking of them. I think it's also interesting this panel, taken in conjunction with a pair of panels in chapter 62, Twilight's backstory. The above is almost a pulled out version of this below panel of Twilight's recollection of his childhood, and of course the returning image of not just a rubbish bin but a rubbish bin on fire when it comes to disposing of his identity:

Back to Strix. Both his final interaction with Karen and the whole everything of the framing of Strix is making Twilight think (and feel, ahem) things that he hasn't for some time. Twilight decides, I’m reworking this. It can’t proceed this way. Not because Anya is a pain in his ass, not because she’s not as (apparently) intellectually advanced as he’d originally thought, not even because he thinks he can find another child who would better be exactly what mission parameters called for. No:

And what changes his mind is Anya asking to come home.

One of the important parts of this to me is this:

He seeks consent.

This moment is a keystone, I think, to understanding Twilight. It’s also more telling than he maybe realises. Twilight is decisive — we all laugh because he spirals at the drop of a hat when his daughter or wife look even mildly upset but outside those (also very telling) scenarios, he makes decisions and he pursues them. Often he makes decisions quickly. He’s a dab hand at it; it’s a large part of why he’s as good a spy as he is.

He’d decided to change Strix.

Anya asks him, in essence, not to.

So, he doesn't.

But it's wild that he entertains keeping her request at all — why? Why even entertain it? It’s dangerous; it’s impractical; there are too many moving parts outside his direct control; Anya isn’t the sort of child he’d wanted for the mission if he’d spent any time thinking about what a child might actually be like; Strix is in many ways an extremely long shot anyway, Desmond could just stop attending for reasons unknown and unrelated; etc.

So, yeah, why? Maybe because of this —

In conjunction, I often think of this moment in the cruise arc:

Twilight first naming the feeling as lonesome, and secondly tacitly conceding that he perceives Yor as a companion and that that relationship is important to him, something to be missed. What makes this for me though is that Anya calls this out "Papa's you're so sappy" and Twilight's reaction is that of someone caught-out. He doesn’t say “nuh-uh!” but he may as well have. Essentially, something landed a bit close to home, hm? Maybe some of that hope for marriage? A soupçon of joy of an ordinary life?

Twilight’s loneliness underpins many of his decisions with his family — probably without him being fully conscious of it. I think he is at least somewhat conscious of it, but also if he looks too closely... Well, best not to. I could fill this post, I think, with images that demonstrate his loneliness throughout the series; that sorrowful/pensive close-up of his eye(s) is one of the abiding motifs for Twilight throughout. I'd probably start with this one from Twilight's backstory arc:

Anya's request plays directly off his loneliness. Still though, he doesn’t immediately capitulate — he emphasises Anya’s choice. Is she sure? The last day has been scary for a child (and for him, but he's ignoring that part) and Twilight, in his increasing recognition that Anya is a person, is probably aware in the back of his mind that he hasn’t exactly been warm or welcoming or at all patient with her. Things that people respond to — he's otherwise excellent at manipulating people, so of course he understands this. So. Given she'd just had this scary experience, given he hasn't exactly been great with her: Is she sure? She wants to come home — with him?

I think the moment may get a little lost because Anya says something riffing off his own earlier thoughts and self-revelation (featuring that shadowed, lonely eye motif again!)

Were this a post about Anya, I’d talk about how it’s an important character moment for her as well by way both of demonstrating her agency/choice and also that she isn’t nearly as dumb as Twilight thinks (and the audience, maybe, also thinks).

But in my view, she didn’t actually need to say anything about it making her cry. I think she could simply have said yes in that moment and Twilight would have agreed.

Twilight’s an unreliable narrator; he’s disconnected from his heart and that shrouds his own motivations from himself — something he actually also concedes in this chapter!

And it shrouds from us just how much he actually understands himself. He’s also a master of deflection. Easy to assume or say that bringing Anya home is just to align with Strix. Nothing more to see here; nothing else going on. But also that ripping off of the mask in the panel above — and the literal 'riiip' sound effects — also indicate to us that this is an unveiling to himself.

In my view, Twilight agreeing to Anya's request, deciding to go back to original mission parameters, actually shifts his motivations, subtly. Now he’s committed not only to the original mission goals, but also to Anya. He needs Anya to succeed at Strix, not only for Strix's sake, but also because otherwise the mission will end and she’ll have to go back to the orphanage, and he’s just agreed with her not to do that (not right away, in any case). I don’t think at this point he’s thinking it’s forever — his thoughts throughout the manga indicate he still expects the Forgers to be temporary. I don't think the shift in motivation is necessarily even conscious, but given the set up, I think something inside Twilight recognises that agreeing to bring Anya home is a compact, jointly engaged. Mostly all this has become subsumed into Strix: he makes decisions. He pursues them. He deflects, even from himself. Of course it's just for the mission; this saved him the trouble of reworking it, of figuring out something else. Nothing more to see; no need to think any more on it. And to be fair to him, Strix is very high stakes, resting pretty solely on his shoulders, so of course that is, objectively, motivation enough. Why even consider beyond that?

But I personally think that to the extent he's aware of it at all, there is something else going on, that he wants to have Anya for as long as it takes him to work something else out for her. If that's the case, then of course, we have Occam’s razor: the simplest solution may be the best one.

Maybe Twilight should just keep Anya himself, eh?

[Image description: gif from Spy x Family season 1, episode 1. Twilight and Anya have just found out Anya passed her entrance exam and are overjoyed. Celebratory, Twilight picks Anya up and swoops her into the air as they smile at one another. End image description]