#all of those are really fucking good but no one talks about them

[alexmasonistired]

I remeber that there was a quite a few times where our parents got a call home or an email or smtg about our attendance, which wasn’t to good. We pretty often get sick and it’s fucking awful for us. We’ve also made the recent discovery that we need more mental health days and accommodations for things than we thought we did

Also thank you SO SO much OP for mentioning doctors notes and how they aren’t always easy to get, because holy shit is that real. Our sickness often comes without warning, and we don’t have the time all the time to go get a note. That’s not even counting our days when we are heavily dissociated or in lots of pain physically and it hurts to get around school. Our school has a rule that you are only allowed 5 un-excused absences per semester, and if you have to many over that, you will get truancy officers called on you and at some point you will have to go to court. It’s absolutely ridiculous.

When it comes to schools and not being accessible to those with disabilities, attendance really needs to be talked about more and adjusted. Schools enough are already very sucky when it comes to accommodating disabled students in various ways, and attendance is just one of them.

When I say “school should be disability accessible”, I don’t just mean we need handicap rails and EAs. Kids should be able to miss a day without failing out of school. You shouldn’t be dismissed from clubs because your attendance record is “spotty” (true story). I once missed an entire week of school because of a terrible, unending migraine. I was expected to keep up with my studies despite the blinding pain that came with working on my computer. When I heard my teachers say that you couldn’t miss exams, I asked what I would have to do to be excused from them. Their response? “Either get a doctor’s note an hour before the exam or death of an immediate family member.”

I cannot express how rigid this expectation was. First of all, with my condition, I wouldn’t have enough warning about my sickness to go to the doctor and request a note. For many people, this is exceptionally difficult, especially with the current shortage of medical professionals. Next, it ignores the fact that my schedule may not line with theirs because of my medical needs. Once, I had to visit a hospital a province away (which I was on the waiting list of for over a year) on the same day as an exam. I begged my mother not to take me because I was so nervous that I would be marked as an automatic fail. I was lucky enough to make it work, but that’s only because of my spectacular support system consisting of family members and wonderful doctors.

Disabilities aren’t always about needing a bus that can accommodate wheelchairs. It’s already difficult enough for many of us to maintain school attendance without the harsh punishments involved for skipping a day. We need to be able to miss school without being punished. Only than can you claim that the school is “accessible”

[melminli]

Love To Dream

summary - there was this one girl that thanos really wanted, though, she didn't really want to have anything to do with him. unfortunately, that made him want her even more.

pairing: (thanos) choi su-bong x fem. reader

word count: 1.5k

contains: modern au, mention of drugs, enemies to lovers vibes ig, crack, yearning

a/n: i don't even know what this is tbh but I felt like we all deserved some laughs ;)

Life was good - life was really fucking good, Thanos thought to himself as he winked charmingly at a group of hot girls. They had been looking in his direction for a while now while giggling, clearly interested in him. He continued to watch them as he sipped his drink, the club music pumping through his veins like adrenaline. Thanos's eyes darkened as the girls continued to cast lustful glances in his direction - he knew he could easily get more than one of them into bed tonight and why wouldn't he? It hadn't been long since his last performance on stage, reminding everyone present once again of his legendary status in this club.

However, his attention was focused somewhere entirely else after the most breathtaking person ever decided to walk past him. The pick-up lines he had been thinking of for the group, vanished from his mind after this angel showed up in front of him since the other girls could barely compare. The whole thing looked like something out of a scene from a Kdrama because time seemed to pass in slow motion and your hair was swinging in the air like that of a princess - which would have been the perfect time for some product placement because it just looked so damn soft.

Thanos had his mouth wide open in shock and put a hand over his heart to check if it was still beating while his eyes never left your figure. You - who was leaning prettily against the bar right next to him as you ordered something from the bartender.

“Hey.” he finally recovered from the moment and casually moved towards you. “I'd introduce myself, but I assume you already know me.” he talked to you with his flirty face as soon as you looked up at him.

You smiled shyly. “Yeah, I watched your performance,” you answered him and seemed quite grateful that he was speaking to you right now. “You were pretty good.” you giggled slightly as you complimented him.

“Yeah, that's just how I am.” he sighed as he looked around the room as if it was a burden for him to have to live with all the recognition. His eyes met yours again and he tried to impress you by unpacking a few bars while emphasizing them with the movements of his hands. “Girl, I know you and I are meant to be because after I looked at your pretty face everything stopped being. If only you saw what I can see, you'll understand why I want you so desperately.” he rapped to you, stealing the last line from some One Direction song, but you didn't need to know that.

You shyly put your hands in front of your face to hide your smile. “Oh my god, that was so incredibly sexy, I'm so horny for you right now.” the words came out of your mouth and made Thanos screw up his face weirdly for a second.

Because first of all, those vulgar words didn't match your innocent demeanor in the slightest - and secondly, you said exactly what Thanos had imagined you would say - it was actually a bit creepy since you literally said it word for word. Thanos hardly thought that he could foresee the future all of a sudden or that you could maybe read minds, though he decided to ignore the whole thing as soon as you started touching his chest softly with your hands. He wanted you so bad.

“You don't even know what you're doing to me right now,” he whispered to you while you felt him so sensually and he was about to kiss you, hadn't you stopped his lips with your hand as you laughed into his face. “I think you should wake up now. Otherwise, the pink elephant will keep handing out balloons to people.” You told him, pointing behind him to where the bar was supposed to be.

“Hah?” he asked you confused and turned around while continuing to hold you in his arms, but all he saw were a few dogs breakdancing - and that was nothing out of the ordinary. He continued to look at the scene with a grin, even though some inner voice inside him was stressing out about kissing you immediately as if he was running out of time. He finally turned back to you and was about to continue when he suddenly heard a man speak. “You really should wake up man.” Nam-gyu's voice told him and Thanos only caught himself almost kissing him after he took a closer look. He just pushed him away from him in disgust and then -

Thanos woke up from his sleep, bathed in sweat, when he saw your face in his field of vision. “Finally, you're sleeping like a dead man. There's some guy at the door who wants to talk to you,” you told him as he sat up tiredly while slowly recovering from his strange dream.

That's right. You weren't just some hot girl he met at the club, you were his fucking roommate. Thanos discreetly pushed more blanket over his lap as he tried to shoo you away from his room with a wave of his hand. “Yeah, yeah - I'll be right there, just - give me a moment,” he said without looking you in the face.

You just sighed slightly and complied with his request, though not without letting him know how unhappy you were. “I told you to stop giving our address to these dealers. I don't like it when they show up here,” you grumbled under your breath before dashing out and closing the door behind you.

After that, Thanos let out a very heavy sigh and stroked his face aggressively. “Now she's showing up in my dreams, too? Fucking great.” he grumbled to himself and got up from the bed to put on some decent clothes. His eyes met his own reflection as he pulled a shirt over his head. “Get a grip man, what's wrong with you?” he asked himself as he grimaced in annoyance. “You're Thanos the destroyer, not some kind of -”

“Stop taking so long and come here already!” your voice suddenly shouted, coming through his door slightly muffled.

He looked even more annoyed at that and made his way to the living room while shouting back at you. “I'm fucking on it, alright!” and it only took a few loud steps from him to your front door for him to yank it open to fix the damn problem. He looked at his friend, completely bothered by his presence. “What do you want?” he asked him and was kinda glad that it at least wasn't Nam-gyu because he just really didn't want to see his face at the moment and probably for a little while.

“Hello, to you, too.” the man in front of him greeted him, already used to his weird mood swings. “I just wanted to do you a favor by bringing you some of the pills you wanted because last time you almost beat me up when I didn't have them with me,” he explained, holding the bag, which Thanos grabbed instantly before inspecting it more closely. “Don't act like you didn't deserve it, I paid you the money in advance, man. Of course, I was angry,” he complained again and would probably have beaten him up for real right now if he had ruined his morning over something completely unnecessary. However, he would still have to make sure that something like this didn't happen again so that you didn't have another reason to kick him out of the apartment.

“You know, maybe this was meant to be. Otherwise, I wouldn't have been greeted by an absolute hottie today,” he said happily as he stood there, still interested. “Is she your cousin or something? Do you want to introduce me to her?” he asked and was quite confident in the way he acted, but Thanos just looked at him emotionlessly for a few seconds until he slammed the door in his face.

"Okay, he's gone now!" he exclaimed, bored, and made his way into the kitchen, where you were sitting with a cup of coffee or something while scrolling on your phone. "Don't open the door for that guy if he shows up again," he said, grabbing a cold Sprite from the fridge. You just looked at him with a displeased look. He rolled his eyes. "Yeah, I'll make sure that he and no one else shows up after today. But, I'm just saying that in case it still somehow happens."

Thanos then opened the can and drank from it while he continued to watch your face from the side. Eventually, he sat down next to you, although, to his dissatisfaction, that didn't seem to get your attention. "Hey, you want to go on a date?" He asked, and you weren't sure how many times he asked you that by now. You kept scrolling on Instagram. "You know my answer to that."

Thanos continued to grin hopefully. "Yes?" he asked and then watched you disappear out of the kitchen with your cup of coffee in your hand - probably to your room. "You should be glad that I'm even asking you! Other girls would die for..." he muffled towards the end before he stopped talking entirely once he realized that you weren't giving him a reaction.

Maybe, I should just go back to sleep, he thought to himself dejectedly, unable to believe that he had actually better chances with you in dreams with pink elephants and breakdancing dogs.

[toxicanonymity]

forest floor

(early) raider!Joel x f!reader - 1360 words

A/N: Can read alone, but in series context, this answers, when sweet pea escapes, what if Joel finds her before fedra does? The smut is greatly enhanced by this media. Ty anon. I also wanna shoutout those asks who wanted this before.

WARNINGS: 18+ angst, pursuit, inner conflict, manhandling, dubcon unsafe piv, hair pulling, spit, choking adjacent.

You can't take anything from Joel Miller. When he sees you're missing, his stomach drops. His face gets cold, all his muscles tense.  His nostrils flare as he takes a deep breath, then cracks his neck with a sharp tilt of his head. He can't believe you would do this. Someone must have taken you. He has half a mind to go into the house and do a head count, see who else is missing. But there's no time for that. Not a second to waste.

He scans the treeline. That's where someone would go if they were smart. That's where they'd take you if they didn't want the wrath of God, and worse - the wrath of Joel. With his rifle on his back, arms pumped up, he heads into the woods, stalking you like an animal - eyes wide open, cursing his impaired hearing.  He'll find them. Them. You couldn't have run, that's not how things are. He takes care of you, protects you, and you know it's for your own good. He can tell by the way you tilt your hips for him, push back on him, and sigh. He can tell 'cause in your sleep, you feel safe in his arms. You'll even lay your little hand on his arm sometimes.

When Joel the hunter calls out, "Stop right there," you're not running as fast as you can. Not even close. "Don't wanna hurt ya," he booms. "But I will if I have to."  You don't want to run, not really, not from Joel. It was a look from Jackson that put you over the edge. You'd already heard him talking about you with his buddy. And then, when Joel was occupied, he came over and stared you down, head to toe. Wet his lips and bit his teeth. "You aren't supposed to look at me," you reminded him. He snickered quietly, took a step back, looking at your body, then turned and left you alone.

You want to believe Joel can protect you. But the feeling that you *should* run still pulls at you. How could you willingly stay, surrounded by all these disgusting men who look at you like a piece of meat to carve up?  You *have to* run, just this once. And if you aren't meant to escape, you'll get caught. And you'll be good for him. If he lets you, you realize and your mouth goes dry. Your stomach twists at the realization that if he can't have you, surely no one can.  You stumble and trip on a fallen branch.

You start to get up, and hear a click that makes you sick. Hit with a tsunami of regret, you hang your head. Why'd you do this? The snap of twigs under his heavy boots looms closer. You collapse into the ground and he says, "Stay." 

His faint shadow eclipses you, obscured mostly by the forest, but you can make out a tilt of his head before he drops to his knees, straddling you. His hand clamps around the back of your neck. “What the hell are ya doin’? Tryin’ to get bit or worse?”

I'm sorry,” you choke out into the leaves tickling your mouth. 

“Don't you move an inch.” He grabs the back of your shirt as though it's the scruff of your neck, and when he's lifted your chest up, he wraps an arm around it. He gropes your breast, and desire swells in your loins. Maybe he'll just fuck you, if you're lucky. 

He manhandles you, flipping you over into your back, then wraps his hand under your chin. Not a full-on choke, but a threat. His head hovers over yours with eyes like dark thunderheads. A breeze rustles the leaves and it feels like the wind of a storm. 

“I'm sorry,” you repeat. 

He studies your face and repeats, “you're sorry,” with a dismissive nod.

“God *damnit*, sweet pea.” The pet name gives you hope. He squeezes a little tighter. Even then, it doesn't feel like he wants to hurt you. You even wonder if he knows he's putting pressure in just the right place to feel a little good. But his eyes tell a different story - it's not about making you feel good. His voice becomes calm, but grave. "You ain't gonna try this again," he warns.

"I won't," you whisper. "I wasn't thinking straight." His nose twitches with a snarl as he searches your eyes. He punctuates the warning with a tighter squeeze, and you cough.

His hand leaves your neck and urgently undoes your pants. “How sorry are ya?” He asks darkly as he yanks them down. 

“Real sorry,” you answer, “I dunno what I was thinking, I-”

“Lost your goddamn mind,” he answers as he pulls your pants off, and your panties along with them. He throws them aside with disgust that he even has to mess with them. He lets you keep the shoes, and it makes you wonder if he’s not going to let you put your pants back on. Is he going to take you back to the house like this? Your shirt will probably cover you, but...

"There's dangerous people out here," he says.

Joel pulls down his own jeans, freeing his fat cock, mostly erect. You bend your knees up and make room for him. By habit you expect to earn a good girl, but you don't deserve one, not right now.

He slams all the way into you with a grunt, propelling you back a couple of inches, leaves clinging to your hair as your head slides across them. You wince with the burn, but you're wetter than you think you should be, and it doesn't take long for your body to catch up, even though he allows you no time. He lets out an animalistic grunt with each thrust. His first few thrusts aren't fast but they're sharp and deep, so deep, like he's stabbing you with his cock. He pauses and dick throbs against your tight walls and further stiffens, grows, full mast.

Then he picks up the pace and doesn't let up on the power. As he fucks you, he gets even stiffer, louder, more animalistic. He pounds you hard and rough, balls slapping against you. He's feral and loud. He looks down at your body, not at your eyes. He slows down only to pull your shirt up over your tits and watches them bounce with each thrust. When he does look at your face, he scowls. He grabs a fist full of your hair, holding it tight in his fist with his forearm braced on the ground. He growls, "you're mine."

Then he bottoms out brutally and his other hand squeezes your jaw so your mouth opens. He spits, and you nearly choke on his spit. As you swallow, he says, "don't you ever forget it."

He growls and grunts and pounds you deep and sharp, unrelenting in pace and power. Your walls give a warning twitch, and you're torn between letting yourself cum or not - on one hand, maybe it'd calm him down. On the other hand, you're ashamed--too bad, turns out you can't help it. You hold your lips together as it begins then release them with a sigh as your climax continues.

He doesn't let up at first. But as you squeeze his cock, his breathing changes, and soon his grunts turn into moans as he erupts. Even his moans are animalistic, vibrating like the growl of a bear. His face is still mad, but begins to soften as he finishes, leaving your insides warmly coated with his seed.

He pulls out right away and quickly puts it back in his pants, before putting yours on, nothing gentle about it. He gets up and manhandles you to your feet, and with a firm hand around your arm, he marches you forward, back up the hill toward the house. His voice is dark - "We'll talk about this later."

You can feel it - there's something worse to come. You can't take anything from Joel. Can't ever take anything that's his. Especially not yourself.

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Thank you so much for reading! Your feedback means a lot to me if you're able 🙏🏼 your casual comment could help give me the energy and confidence to write my next fic. Love y'all. 🖤

[pencil-n-pen]

SPILL YOUR GUTS

˚₊‧꒰ა . ——— ˗ˏˋ ✮ ˎˊ˗ ——— ˖ ໒꒱ ‧₊˚

practice boyfriend! eddie x fem! reader

summary: eddie’s your practice boyfriend. you’re positive he’s upset at you and you’re waiting for him to get mad. however, he has a different response in mind.

cw: references/allusions to past child abuse but extremely vague, references/allusions to bad relationships (also pretty vague), reader acts on a learned response and assumes the worst about Eddie, anxiety

tags/tropes: angst, hurt/comfort (my brand!) sappy sappy romantic idiots, they kiss and figure their mess out at the end

a/n: this came to me in a vision

summary makes this sound smutty but i promise it’s not. this accidentally became disgustingly romantic. read at your own risk :)

࣪˖ ࣪ ⊹ ࣪ ˖

You’re positive Eddie’s mad at you.

Okay. Maybe positive is a strong word. But still.

You’ve only been fake/pretend/practice dating Eddie for about two weeks now. He’s the one who approached you with the offer— when you were in the Upside Down together, you’d made an off-hand comment about how you might die without ever having a real boyfriend- not one that mattered, anyway. It’s always kind of been a sore spot for you for a good portion of your life. Growing up, you didn’t really have the best relationship with your dad (Robin likes to call that “The understatement of the year, and we almost died.”) and out of the incredibly small handful of guys you’ve gone out with, none stuck around longer than a month and all ended in such equally, specifically, and uniquely horrific ways, you finally came to the conclusion you had to be fucking something up. What are the chances of all them ended so completely horribly?

After you all had decidedly not died in the Upside Down, Eddie approached you with an offer: pretend date him. You’re popular and well known enough that it’ll help get people off his back about the whole Chrissy/murders thing —even though he’s been absolved of all charges, the people of Hawkins hold grudges— and in exchange, you get a trial run of a relationship that won’t end unless you both agree too— you get to figure out what you’re doing wrong.

You feel bad about it, because even though you spend so much time together, you feel like a nervous wreck. All. The. Time.

You’re constantly waiting for the other shoe to drop— waiting for him to tell you that you’re too weird, that you’re not considerate enough, that you’re selfish, or that you talk too much.

But he never says any of it. All he ever tells you is the good things. He tells you how sympathetic you are, how kind you are, how good you are at remembering little details that matter. He tells you that you’re a good kisser.

(Yeah. Your first kiss, even after those failed relationships, ended up being with Eddie ‘The Freak’ Munson. You’re not quite sure you’ll ever forget how you felt when his lips —just a little cracked, but not rough— met yours; when his hair tickled your face and you could faintly smell the cigarette smoke that stubbornly clings to all of his clothes, no matter how many times he washes them. You didn’t tell him he was your first. That’s something you decided you couldn’t bear to share.

You kind of have a feeling he knows anyway, though.)

It all sets you on edge. You’re under no reassurance that you’re perfect. You’re currently questioning if you’re tolerable, from a romantic standpoint.

You know how you are. You’re clinging and you drink up reassurance like a dying man in the desert. You linger in his casual touches like it’s the first and last time you’ll ever feel them. You know you’re a lot. You know. You know that guys in a relationship don’t want ‘a lot’, they want a pretty thing to hang off their arm and laugh at what they say.

But you just… can’t.

You tried, and you tried, and you tried. But you always ended up being too much, or it didn’t work out for some other reason. You want more. You want to feel safe, and happy, and cherished and loved and all those things that only happen in the movies.

The ironic part of all of this is that when you first started setting out terms for your arrangement, Eddie had told you flat out: “This will only work if you are completely and one-hundred percent yourself. You gotta lay it all on me, angel.”

And so you had, and now you regret it because he’s upset about something.

You’d come over to his trailer at his request to ‘hang out’ while he went over DND stuff for his next campaign. Eddie does this a lot— he calls them ‘Neutral Dates’ where you’re not really doing anything in particular- most of the time, you’re both doing seperate things, but still just being in each other’s presence.

It’s nice. The majority of your friend circle consists of everyone involved with the Upside Down and that entire mess. You two are no Steve and Robin (you’re convinced those two have the kind of bond no one can replicate or break. Like the kind of bond stray cats get and then they have to be adopted together) but it’s still nice. To just be with someone.

Even if you feel like you’re walking on eggshells.

It’s not always eggshells. Sometimes, for a a few moments, you forget. You forget it’s all pretend. You forget he’s just a friend helping a friend fulfill a goal. That’s all.

You’ve almost forgotten just now, too— you’re too concerned about what you might’ve done.

He’s not acting angry, per-se, but he’s definitely upset. You tend to pick up on this kind of thing: small changes in someone’s personality or body language. Most of the time it’s not a conscious habit.

Most of the time.

Right now, he’s run his hands through his hair about a million times. It’s become a frizzy mess behind him, and when you’d made an offhand joke about it —an attempt to lighten the mood— all he’d done was scowl. Not at you, really, but the message was there. You’d snapped your jaw shut so fast you’re pretty sure he heard your teeth click.

After that he’d frustratedly made tea for the both of you, which consisted of opening the cupboards faster than he usually did, closing them slightly louder than he usually does, and drumming his fingers impatiently on the stove-top while he waited for the kettle to boil.

All of this you observed from the corner of your eye while ‘reading’ on the couch.

And if all of that wasn’t bad enough, when you’d finally mustered up the courage to speak again, a little joke about a part in the book you were reading, all he’d said was a flat:

“That’s great, babe.”

You’re starting to get antsy. Nervous. Maybe you should go? Unless he gets upset at you leaving. That would be bad. But he’s clearly upset with you being here, so maybe you should go.

While you’re debating the pros and cons of leaving, you try to remain as still and silent as possible. No need to upset him anymore by moving too much or being too loud.

You flip a page in the book you’re no longer reading (he might notice you’re not paying attention to it anymore) and decide to test the waters again.

“The author just spelled restaurant wrong. That’s the third spelling mistake I’ve caught in this book.”

“Hmm.”

Okay. So that was worse. Talking to him is out of the question, then. It must be something you did, to warrant this kind of reaction.

You wrack your brain, trying to think of anything you could’ve done in recent hours to make him upset, but you can’t think of anything.

You glance slightly to the right— not far enough that he’ll see you looking at him, but far enough to get a better look at him in your peripheral. He’s glaring down at his campaign notebook. Shit, he looks so angry.

Unbidden, tears begin to well in your eyes and you try to shift, trying to angle yourself away from him enough that he can’t see the tears in your eyes.

But your hand shifts, knocking into his leg.

Fuck. “Sorry!”

You yank you arm back as if burned, jolting back on the couch so you’re in no danger of touching him. “I’m sorry!”

He sits up, immediately snapping to attention at the desperation coloring your voice. “Woah woah, hey. Hey, what’s going on? Are you okay?”

You take a steadying breath. “Did I do something wrong?”

He blinks blankly at you. Oh shit, you’re supposed to know that you’ve done something wrong.

“I mean,” You hurry to correct, “I know I— Can you tell me what I did wrong so I can fix it?”

Understanding floods his features and you brace yourself, ready for the reprimand.

“Can I touch you?”

Now it’s your turn to stare with confusion. You nod once, briefly thinking about how weird it is to ask for permission first.

He sits up on the couch, facing you with his legs crossed, the couch springs squeaking loudly at his movement. You resist the urge to wince. He reaches out with a slow hand, taking the hand that’s still clenched, held away from him and up near your chest.

He stares down at your hand, holding it with his left hand and tracing delicate shapes on it with his right. His ringed fingers drag lines around your knuckles and veins, lingering occasionally over the odd, old scar.

“How long did you think I was upset with you?”

Your heart is racing, muscles tensed and ready to bolt. “Um. A few hours? Maybe?”

You’re hyper-aware of the grip he has on your hand, and how quickly and easy it could become crushing.

It doesn’t.

“Bug,” He says slowly after a moment. At first he used to use pet names as a joke— it was something you’d laugh at, between the two of you, since the relationship wasn’t real.

But recently, he’s been saying them with a different inflection in his tone. A little less teasing, a lot more fond.

“Have you spent the past few hours afraid that I was mad at you?”

He sounds… sad. Which is confusing. It doesn’t— he was. He was.

“But you were,” You say, suddenly unsure about anything and everything. “You were upset.”

“I was upset because I couldn’t work this part of the campaign out, and i’m dramatic. I was never mad at you, honey. I was never mad at you.”

You frown, gears turning in your head. “When I made that joke about your hair, you glared at me. And then when I tried to talk to you, you were upset. You didn’t want to talk.”

“I was jokingly glaring at you, I’m so sorry you thought I was serious. I wasn’t, I promise. I didn’t mean to be dismissive, I was really focusing on writing.”

You’re both silent for a moment. A beat too long. You want to squirm in the unwelcome space the silence has created.

“What did you think I was going to do?”

That is a loaded question.

“I don’t know,” You pick at a loose thread on the couch cushion. “I don’t— I don’t know. That’s the problem. You don’t yell at me, or get angry, or tell me when i’ve made you upset. I don’t know what you’ll do.”

He makes a wounded noise in his throat.

“I know you get angry,” You bulldoze on, “I’ve seen it. You’re so… loud, in everything you do. I know you get angry. But you never get that same kind of loud angry at me and I don’t know what to do because that means that I upset you and you don’t tell me about it and then I don’t know how to fix it. I have to fix it, Eddie.”

His eyes, deep and brown, search your face. He reaches up a hand, painfully slow, to cup your face. Your eyelids flutter shut, and you tip your head to the side, leaning into the job.

“I’m gonna tell you something, Bug. Are you listening?” He waits for you to hum in confirmation before continuing. “You’re not responsible for my moods. Or anyone else’s for that matter. That’s not your job. You don’t have to fix it.”

He reaches his second hand up to cup the other side of your face. “You know why I don’t get angry at you? Not all loud and dramatic like that? Because I’ve seen how you react when people do. And I never, ever want to be the reason you get that look in your eye. I never want to make you afraid. I never want you to believe, with proof and confidence, that I’ve grown sick of you.”

You open your eyes, eyes darting across the planes of his face. Searching for even the smallest hint, the smallest giveaway that he might be lying.

You can’t find any. In its place, you find eyes, shining with pure determination. You find lips parted ever so slightly, a sad-sort of smile being etched into being. You find two hands on your face, thumbs delicately sweeping across the skin of your under-eye, of your cheekbone. Smoothing away the steady tears that had begun falling, wiping away the hot trails they leave on your face.

And you realize all at once that love isn’t like the movies. It isn’t picture-perfect kisses. It isn’t ball gowns and dresses and kisses in the rain. It isn’t like the love you thought you were supposed to have: empty and hollow; a life of hanging off of arms and praying your next slip-up didn’t cost you your relationship.

It was this.

It was just being. Just being and knowing the other person is there for just that— for you. It was not raising your voice. It was carrying extra hair-ties. It was making two cups of coffee. It was steeping tea for an extra couple of minutes, just the way he liked it. It was playing your favorite music in the car, and looking over at each other during the bridge, belting the lyrics with the same, toothy-smile. So full and so happy you just keep screaming the lyrics, because you’re filled with so much you don’t know where to put it all.

Your tears begin to fall in earnest now. Your heart is thudding in your chest, but for a different reason now. You’re struck with the need to convey all of this to him— to tell him you understand, you know, you feel the same.

“These hair ties,” You shove your wrist up to his eye-line. “They’re for you. Because you always forget your own. And— and I steep the tea for a few extra minutes, because you like your tea strong, and you didn’t just find that tape in your van, I bought it ‘cause I know you lost the old one in the Upside Down, ‘cause it felt out of your pocket.”

You’re babbling, nearly choking on your tears and your words, rushing them all out of your mouth in an aching wish to be understood, in this very moment.

“I know,” He says, voice a little hysteric and eyes a little too bright. His lip wobbles. He presses your face tighter in his hands. “I know. I know. I see you. I see you.”

You stay like that for a little while. At some point, your hands find his wrists, and then you’re just two fools, smiling like idiots with tears streaming down your faces, staring into each others eyes.

Eventually, Eddie clears his throat. “The next time you think I’m upset at you, you tell me, okay? You can ask. You can ask me and I pinky promise I won’t get mad.”

You giggle wetly. “Pinky swear?”

“Pinky swear,” He says, taking his left hand away from your face to hold up his pinky. You intertwine yours and his together, the both of you laughing at the ridiculousness of it all.

He gets quiet for a moment; removes his hands from your face and instead clasps, your hands together, resting in your lap.

“You know why I never tell you when you’re being a bad practice girlfriend?” He says, his voice low and soft.

“How come?”

He smiles, full and good. “Because you’re not. You’re so sweet and kind and loving. And if you’d let me, I’d really like to kiss you right now.”

You furrow your brows. “The real kind? The I-love-you kind?”

Your face flushes over the words ‘I love you.’

“I’ve always kissed you for real,” He says, words laden with fondness. “Ever since the day we met and you slapped the shit out of me for being stupid. I’ve been hopelessly obsessed ever since. I’ve just been waiting for you to notice.”

You suck in a breath. “So all of this— the, the dates and the hanging out and the kissing— that’s all been real?”

“Every last bit.”

“Then in that case,” You say, squeezing his hands. “I would very much like you to kiss me.”

He leans in, slotting your lips together and everything just clicks. Like this is where you’re meant to be. Maybe it’s puppy love. Maybe it’s not.

All you know is that Eddie Munson is kissing you for real, and he always has been. You couldn’t ask for anything better.

˗ˏˋ ★ ˎˊ˗

[midnight-soulless-system]

I just realized I got one of my own stories.

Almost 2 years ago, I had a black goldendoodle named Trinity. She was my childhood dog, and me and my mother had taught her everything she knew, all of her manners, extra tricks etc. My mother and her then wife divorced and since her ex-wife got one of those fake registries for service dogs, the court decided to let her take the dog. Unfortunately the only reason she did that was to try and guilt me into seeing her, since she didn't even want the dog but I refused to talk to her or see her at all (and my mother, doctors, psychiatrist, and therapist agreed). My mother and I live in an apartment and the man that was head of maintenance really loved Trinity and Trinity loved him, so when we had to give her away we found him and told him that we no longer had the dog, and we all had a little bit of a sad moment about it and went our ways.

A few days later and he sees us again, just tajing the trash out and he's like "hey! My wife and I have two kittens left that we want to give away, and I want you to have them if you can. We'll give them to you for free since i trust you and think you'll give them a good home." So mommy and I were like "fuck yeah we wsnt these kittens" quickly went to petco, got a bunch of things for kittens and then picked them up that night.

Then, a few months ago, my mother saw a post on Facebook from her coworker about how she's going through a divorce and neither her or her ex husband can take care of the dog they had, and that it needed a good home. My mother asked me if I wanted it, I said yes, and we made plans to pick it up that Thursday. We got her for free as well, and she was clearly neglected by the ex husband. We shaved all of her mats off, cleaned her and have been training her the basics and hopefully will train her to become a service dog. Just this week her and the cats have found a way to live together peacefully. The dog's name is Cocoa, and the cats are named Boof and Strainer. They're wonderful animals and are slowly befriending each other.

A group of rough looking boys walked past me today and all I heard of their conversation was “he’s got that anxiety disorder bro so I went with him so he’d be more comfortable” and it made me realise the world isn’t all that bad

[ennabear]

✴︎ —PAINT THE AGES A HUNDRED SHADES OF GOLD ⊹₊⟡⋆

I DON’T WANNA TALK ABOUT LOVE ANYMORE ‘CAUSE IT’S GETTING TOO MUCH FOR ME …

cw: councilor!sevika x painter!mel, sevika is a lil sad and mean but she gets over it, sevika is also kind of a loser who can’t stop talking when she gets drunk, jinx and isha mentions because i’m evil and we know this, mel paints sevika nude, body worship, lots of comfort, oral sex, 18+

word count: 7.3k

it’s been months since sevika’s big move, and she fucking hates it to say the least.

all of these pilties are stuck up, even more than she remembers. which is a lot. she’s exhausted, she questions why she’s even a part of the council if all they do is ignore her. showing up every day and listening to them talk about her home and her people the way they do makes her sick.

they draft plans to raid the markets, shutting down anyone who isn’t licensed to be selling meat or rice or bread, but they refuse to let anyone get a license to sell those things. of course, she’s glad that she gets to eat three meals a day now, but with every bite she takes, she’s reminded of her home, and how starving they must be over there.

no matter how much she fights back, offers up a real plan that could make peace between the rivaling nations, they all just snicker and point fingers at her like she’s some sort of circus act.

and don’t ask her about how much she likes being called councilor sevika, because she doesn’t like it at all. she’s not a councilor, and maybe that’s a good thing, because it’s the last thing she’d ever wanna be.

still, she keeps her emotions under control. this is a huge opportunity to help get zaun on it’s feet and cut ties with piltover officially, she won’t spoil it by making a scene and giving up. no matter what, she’s gonna make an effort, even if it means being locked in a room with a group of rich pigs who’ve never felt that growing pit of hunger in their stomachs that make them so dizzy that they keel over on the streets.

that they die on the streets.

so yeah, it’s not easy, not even a little bit.

most of her nights are spent alone in her room. it’s nice, “small” compared to the rooms everyone else occupies, but still bigger than any house she’s ever seen in the undercity. it has large windows that let every bit of light in, but it’s still eerily dark at night compared to zaun.

in zaun, there are neon lights and buzzing street lamps that glow and flicker at every hour, so when it gets dark, the colorful lights bounce off of every inch of the city. you can see them in the reflections of the puddles, bright streaks of light flying up into the night from behind buildings and stretching until they’re out of sight.

here, in piltover, they have different kinds of lights. tiny, white holes in the sky called stars that shine when it gets dark. they have spotlights and statues and lanterns, but it gets lonely at night. everyone is at home, distancing from their friends and their jobs, getting sleep and resting up for whatever the next day will bring.

there isn’t really any rest in zaun, just a small wink of sleep whenever you catch it, and you’re up again. everyone’s grouchy and hungry and cold, but it makes for good shimmer sales, and the bar is a great place to find refuge when you need a break from it all.

so sevika sleeps with all of her lights on. an attempt to remind her of home— although her home doesn’t have a queen sized bed, fluffy pillows and soft blankets, lamps, alarm clocks, fireplaces, clean water on their nightstands, and stars that shine through their windows.

the stars might be her favorite part about piltover. probably the only good thing about piltover. she doesn’t really know what they are or what they do, but they’re nice to look at late at night when she can’t manage to sleep.

every time she finds herself staring up at them, she sends a prayer or two up to janna. always one for the people, a prayer that even though they pretend to hate each other, and there sure are a few goons who are ready to slit her throat for never paying them back, she hopes they’re okay.

she hopes that ran and theiram have got the bar under control, that vi and ekko manage to keep the chaos limited, and most of all, that jinx and isha are doing alright.

ever since silco died, her whole world was flipped upside down and shaken vigorously. who knew that someday she’d be missing jinx? but she does. she cries at night for the blue haired girl, praying for her safety and her happiness, hoping that she’s managed to keep some of her creativity after everything that went down.

and of course for the more tolerable blue haired kid, isha.

she prays that isha is still attached at the hip to jinx, that her fluffy hair gets dyed that awful bright blue color as often as she wants it to, that she’s found some way to communicate with the world while her voice is at rest.

she’s got no clue as to where they could be. one second, she’s wishing jinx would leave her alone. that she’d pack up her inventions and make a home for them far away from sevika’s life. the next second, they’re gone. no warning, no heads up whatsoever, just completely taken from her life.

but if she wishes to find any wisp of happiness, she’s gonna have to push these thoughts to the back of her mind, only letting them front when she’s alone and awake and accompanied by the stars. they’re the only things who understand her.

——

if you listen closely, you might be able to hear the sound of mel’s thoughts buzzing around in her mind.

the past few months have given her some intense whiplash, but things are finally starting to straighten out. her life isn’t exactly normal, but she’s growing used to her… new self.

she spends most of her time perched at her easel, painting the canvas in beautiful colors that fall over various people or places. it’s therapeutic for her, whatever image or question or anger she has lingering in her head, she can work it out with the paints. when she’s done, she lines them up in front of her.

it helps her see things more clearly, like a thought that can’t float away, frozen in time for her to analyze further. some of them are just plain colors. gold, with white, yellow, and bronze streaks, an attempt to recreate the swirls that are painted on her own body.

sometimes she paints her mother, her eyebrows lowered in a scowl and her silvery gray hair crowning her head. jayce and viktor occasionally make an appearance, both of their faces lost in thought as they stare at various equations and formulas that she can’t quite make out.

sometimes she just sees miscellaneous things, quick visions that she needs to bring to life. countless canvases are covered in black, with that dark red fog reaching into it like vines. there’s also the hextech that makes the occasional appearance, but she can’t quite get that bright, rich blue color right.

a few times before, she’s attempted portraits, but she doesn’t prefer them. lest has been one of her closest friends during all of this, she can sit and pose for hours while mel works away at her figure on the canvas. they’ve also tried painting together, but mel prefers her alone time.

she’s tried recreating the pictures from her memory, but it never comes out as well. she covers the canvas in thick paint, a bronze, brown, and white, making up jayce’s features. but she always clouds his face with shiny white webs, and those glistening, rainbow stars. the ones that stole him away.

while she sits, her body stays stagnant, eyes racing around the blank canvas. she mixes the colors in her head before she even opens the tubes, her eyes proportion it all for her, so she rarely makes sketches anymore.

recently, she’s been more interested in staying in and shutting out the world. the occasional knock rings out against her door, but she can’t be bothered to investigate. she doesn’t wanna give her opinions anymore, doesn’t wanna lead all of topside to peace and gas the streets of the undercity. really, she never signed up for that. sure, she’s ambessa’s daughter, but she doesn’t care to be a leader anymore. not when all it does is get people hurt and killed.

but apparently it’s urgent this time, because the knocking persists.

“um, mel?” a timid voice asks. “i hate to bother you, but the council requires yo—”

she flings the door open, clad in her white robe and slippers. her hood hangs halfway over her head as she glares at the man, but he insists on escorting her to the council meeting. her feet gently pad against the floor as she walks through the long halls, already dreading having to play referee for a group of adults who should know better.

but ambessa is gone now, and these people need someone to give them any sort of direction.

the dome shaped room welcomes her, and although she dreads being there, the sun shining through the stained glass is gorgeous. she spies a few familiar faces sitting in their respective seats, and notices some new ones who were added after the war.

“but they need the money!” one councilor booms, one of the newer ones who mel doesn’t quite recognize yet. “you can’t just cut their funds and raise the tax prices, they—”

“councilor sevika, please.” someone says, talking over her voice. “what possibly could they need more money for? our city needs to be rebuilt, and it’s them who’s caused all of this destruction.”

mel observes quietly, noticing the tears that fill sevika’s eyes. she makes an assumption that they’re either out of sadness, anger, or exhaustion, but she can’t quite tell. one thing she does know, though, is that it isn’t fair.

it’s not fair to just drag a zaunite up to topside and force her to be the only one representing her nation. especially when she has to be locked in a room full of people who hate her, who think she’s nothing more than just undercity trash to mock and make fun of.

mel’s surprised that sevika has held her ground for this long. if that were her, she’d want to pack up and leave within a day, especially when she notices the snorts and sideways glances that she gets every time she opens her mouth.

“have you even been down there?” sevika asks. “have you seen the bodies lying on the streets? have you heard the sobs of the starving children?”

they all look at her, unable to imagine what hunger even is, much less an entire nation overcome by it. shoola offers a sympathetic frown, but it’s not enough for sevika. she’s exhausted, and the thought of seeing her home even more impoverished is killing her. worst of all, word on the street is that zaunites are beginning to call her a traitor.

she wishes that they could see how hard she’s working, how much she’s fighting for them behind the scenes. but she can’t exactly blame them, it must be hard to watch every leader they’ve ever had either fail at leading them to sovereignty or turn their backs on the people. must be worse to watch someone who they thought was on their side disappear into the council and watch as things just keep getting worse and worse down there.

and this makes sevika feel horrible.

it’s hard for her not to blame herself for this, especially because that’s what she’s used to. her job for years was to be silco’s right hand, so it was constantly her fault if something went wrong. that’s just how things are. if things don’t go her way, it must be her fault for not working harder to overcome it.

“i agree.” mel says plainly. “councilor sevika has firsthand knowledge of what it’s like for them, why shouldn’t we trust her?”

sevika is taken aback at this. she’s never seen someone so… rich looking… be this understanding toward her. but although it’s the bare minimum, she appreciates it. she’ll take whatever form of kindness she can get right now.

the other councilors stare at mel like she’s just grown three heads. obviously, they’ve never been told no a day in their life. sevika is glad that she gets to be present for the first time. some of them sputter and growl, some of them roll their eyes, but sevika just sinks back into her chair and decides to let them argue it out.

“i agree too.” councilor shoola says. “it’s only fair… unless, any of you would like to go down there and experience it for yourselves? then you could tell us all about their excess of funds.”

sevika sighs in relief, thanking janna or the universe or whatever god decided to help her out. she can’t exactly smile, at least not yet, but she manages a tiny grin, and decides that maybe she shouldn’t feel too bad about herself just yet.

mel is glad that sevika and shoola have at least a little bit of brains, but she’s starting to rethink having all of the others on the council. maybe they need to fire some, or at least add some more zaunites to level the playing field. although, she now knows that sevika can put up one hell of a fight, so maybe she doesn’t need it.

but the clock strikes two in the afternoon, and the councilors file out to get on with their day until they meet again tomorrow. sevika hangs back, waiting for everyone to leave before she returns to her office. but mel hangs back too, determined to talk to sevika more, to get to know her.

sevika pulls her cape over her shoulders, completely covering her figure before she exits the room. mel perks up and shoots her a questioning look.

“yes?” sevika asks.

“you’re brave.” mel says.

“no i’m not. d’you think it’s brave of me to leave my people starving and helpless down there while i have a real home and three meals a day?”

mel just stares blankly at her. that isn’t what she meant at all, but at the same time, she’s completely right. as much as she still believes that sevika is brave for putting up with the councilors, she should be calling everyone else brave, everyone in zaun who goes days without food. sevika is the luckiest of them all.

“that’s not what i meant.” mel explains. “i meant that you’re better than them because you stand your ground instead of just getting everything you want. you work hard for what you earn.”

sevika shrugs. “i guess you could say that.”

“do you miss it down there?”

“what do you think?” sevika grunts.

“i’d bet that you do, you just try not to show it in front of anyone.”

“yes, because showing weakness gets you killed.”

“not up here, it doesn’t. you should open up a little, it might be good for you.” mel suggests.

“i’ll pass.”

“i could help you.”

“i don’t need—”

“let me help you.” mel says, reaching out to grab sevika’s hand.

“help me how?” sevika asks.

“open up to me. tell me about your life. friends, family, past, anything.”

“okay… maybe.”

“okay, good.”

——

sevika has never been great at opening up to anyone, but mel is… understanding. as much as she hates to talk about her struggles to other people, mel is probably the best possible person to talk to. mel marched herself down sevika’s hall to her door, banging on it until sevika sleepily presented herself. she marched sevika down the hall and through the building until they reached her own suite, and she fed sevika more and more wine until she started to talk to her.

it started with just a confession. sevika was wine drunk and admitted that yes, she did miss her home, and that she hated topside. and then mel pressed for more, made her tell her specifically who she missed and what she missed about them.

the list of people who she missed was never ending. at the top— jinx and isha. in all honesty, mel is shocked to learn that sevika had anyone that she really considered family, much less a daughter or a niece. but sevika tells her all about them, how isha would beg to paint her nails or dye her hair, and how jinx finally had a sister who she could play with, instead of just being too young to do anything.

but when mel asks where they’ve gone, sevika freezes. she doesn’t know, and it’s not something she prefers to think about. dead is something she’d heavily considered, but that ending makes her too sad. as long as she doesn’t know that they’re dead, they’re not. at least not in her world.

she tells mel that she hopes they’re somewhere safe, somewhere that they can have fun together. like floating on a cloud, or living in outer space with the stars. maybe they are with the stars, and that’s why she loves them so much.

“you like the stars?” mel asks.

“that’s the only thing actually worth liking about this place, i think…” sevika slurs drunkenly.

“hmm, i guess they are pretty, aren’t they.” mel ponders.

“yeah and there are so many of them, and it’s like every time you see them you’re seeing a completely different sky. and they’re cool because they only come out at night when they think nobody can see them, it’s like they’re shy. but i always see them because i’m always awake with them.” she rambles.

mel can’t help but giggle. again, everything she said is exactly right, but she’s never seen it that way. sevika offers her a fresh new perspective, one that makes her ponder how much she knows about the world.

“sorry…” sevika whispers, suddenly aware that she’s drunkenly blabbering and probably making a fool of herself. she tries to blink herself sober but it doesn’t work.

“no worries. i like them too.” mel soothes.

“i think i should go.”

“already?” mel asks.

“it’s gett’n late. i have places to be tomorrow…” sevika sighs. mel stands and walks her to the door, grabbing on gently to her human arm in an attempt to stabilize the woman. she offers a sweet smile to sevika as she leaves, even takes her hand in her own for a second and squeezes it tightly, but sevika just stares at the floor.

“mel?” she asks finally, although in a timid voice.

“yes?”

“thanks for sticking up for me. i don’t know what those pigs would get up to without people like me and you.”

mel’s heart warms at this. sevika is so drunk that she’s starting to get sappy and sweet, and while it’s adorable, it’s clear that she needs to get home. but she’s glad that her effort isn’t going unnoticed, and she’s starting to really like sevika.

“of course.” she smiles again. “get some sleep for me, okay? don’t spend too much time with the stars.”

sevika curses herself for the warm feeling that wraps herself all around her, she hates that she’s being vulnerable and making friends. she just blames the feeling on the alcohol, but she knows that it’s not. because that light, warm feeling clings itself to her every time she sees mel.

it happens again when they coincidentally cross paths, mel on her way outside for some fresh air and sevika on her way to her room to sign papers until her fingers bleed. but she realizes for the first time that mel is so beautiful. she hasn’t spotted sevika yet, but the sunlight glowing in from the windows catches her golden streaked skin perfectly, and she’s shining. it’s like she’s a real life star, and sevika can’t peel her eyes away.

“oh, hi sevika.” mel grins.

“um… hi.” she responds, her heart suddenly beating faster than usual. “where are you going?”

“just outside. been cramped up inside all day and the smell of my paints are starting to give me a headache.”

“you paint?” sevika asks, although to anyone else the answer would be obvious.

“yeah, all the time. i’d love to show you someday.” she offers, already knowing that she’s gonna have to drag sevika by the arm and force her to visit.

“okay… yeah, that would be nice.” she says.

“what are you doing right now?” mel asks.

“i just have a lot of paperwork to fill out, letters to write, things to sign, you know how it is.”

“will you stop by later, then?”

“are you gonna make me?”

“probably. if you don’t show up by yourself.”

“alright, see you later then.”

——

sevika is dreading this outing. the more times she thinks about going back over to mel’s, the more anxious she gets. every time she’s been over there the past month, she’s ended up either drunk or blabbering on about stuff that doesn’t matter. or worse— drunk and blabbering. she always finds some way to make a fool of herself, and she doesn’t know how to stop. she just wishes it wasn’t so easy to open up to her, wishes that mel wasn’t so damn likable.

mel already knows she’s gonna have to drag sevika over to come look at her paintings. she always does. no matter how many times she tells the woman to come on her own terms, she finds herself stomping down to sevika’s door and forcing her to hang out. it’s cute, in mel’s mind, it’s like a date. so that’s what she finds herself doing tonight. cleaning up her suite a little, spinning one of her jazz records, and marching down to collect sevika.

she’s arranged her paintings in no particular order, but the array is beautiful. some are framed, some are smaller than others, some of them aren’t even finished. sevika feels so moved by this. she’s never seen anything so beautiful. not anything in real life, not mel herself, not even the stars are as beautiful as her paintings.

mel sits her down on the loveseat, pouring two glasses of wine and sitting down next to sevika, but sevika begs her to talk about her paintings. she’s dying to know how anyone could make anything look more beautiful than the stars. mel blushes at that compliment— it’s a lot coming from sevika for multiple reasons— but she decides that now it’s her turn to open up.

they sit an chat for hours, and before long, sevika feels as if she knows mel like the back of her hand. she now knows about jayce and viktor and what happened to them, about ambessa, her mother, the noxians, and the rest of her family. sevika’s oddly surprised. of course, she’s aware that mel is probably the strongest woman she knows, but she never would’ve guessed that she’s been through that much.

mel cries a bit, and sevika cries too, and they laugh about their emotions like old friends. for once in her life, sevika feels like maybe not everything sucks, and that maybe it’s okay to let herself fall for someone. she just hopes that mel feels the same way.

“sevika?” mel asks, still catching her breath after a fit of giggles.

“yeah?” she smiles.

“will you dance with me?”

“i don’t dance.” sevika says, laughing at the image of her dancing with someone. how silly.

“aww, come on! it’s just us and some jazz! you’ll be fine.” she reasons. “please?”

sevika rolls her eyes at mel’s outstretched hand, but she’s very tipsy and in a good mood, so how could she say no to the beautiful woman standing in front of her?

mel yanks her up by her arm, and sevika wastes no time following after her to the middle of the room where the big sky lights let the stars shine in. sevika scowls and tenses up a bit, but mel wraps her arms around sevika’s waist so gently, guiding sevika’s arm to press against her back. mel sways them back and forth a bit, and sevika soon loosens up and stares down at mel with a smile that puts all of the stars to shame.

“do you ever miss your arm?” mel asks.

“yeah, sometimes. i miss the one jinx made for me, i wish i didn’t take it for granted.” she responds, her mood quickly turning sad against her will.

“i could have one made for you.” mel offers.

sevika shakes her head and flattens her lips into a straight line. “they won’t let me have one on the council.”

it’s mel’s turn to roll her eyes now. “no, i’ll make you one that they’ll accept. they always listen to me, you know.” she grins.

“i guess that would be alright, as long as it’s not much of a hassle.”

“for you? nothing’s a hassle. don’t be silly.”

sevika’s eyebrows pull together in the middle and she pouts, tears quickly filling her eyes. nobody’s ever been this nice to her before. offering her a new limb, protection from the ruthless comments from the council, good wine, and a dance underneath the stars. she can’t help but cry, but she’s not afraid to anymore. with mel, she feels safe enough to be this vulnerable.

mel notices her sad expression, and she silently prays that she didn’t accidentally offend sevika, it’s the last thing she’d ever wanna do. “oh, what’s wrong? did i—”

sevika cuts her off with a kiss. she doesn’t wanna hear any apologies from mel, not after she’s been a literal angel to sevika this past week. mel’s lips are warm and welcoming, they taste sweet, like if gold was a flavor. she reaches her hands up and cradles the back of mel’s head, deepening the kiss.

mel is completely taken aback by this. she didn’t know that sevika had feelings for her. actually, she thought that sevika was sick of her. but she kisses sevika back, her lips are big and pouty and oh so soft. she also gets to feel sevika’s piercing up close, and the cold metal drags against the bottom of her lips ever so slightly. it’s a stark contrast, but a comforting one at that.

one thing leads to another, and they’re quickly back on the loveseat, lapping at each others tongues and giggling like kids and holding hands. sevika’s had tons of sex before, sure, but nothing comes close to this. she feels so special, so cared for, that she notices this strange, giddy feeling bubbling up in her chest.

little does she know, that feeling is called love.

she pins mel down to the seat, both of them breathless and high on this mysterious feeling— although it definitely has something to do with the liquor— and sevika almost cries again when mel spreads her legs beneath her white gown. the warm lamplight mixed with the starlight causes her to glow again, like she’s on fire, so sevika can’t help but kiss all over the gold patterns that paint her skin.

mel erupts into another fit of giggles, holding sevika’s shocked face in her hands. sevika tenses up slightly at her touch, but takes a deep breath and swallows all of her anxiety.

“can i?” sevika asks.

mel smiles and nods. “of course. you can do whatever you want to me.”

sevika shudders and reaches up mel’s dress, caressing her stomach and hips. mel is soft and malleable under her touch, and she’s golden. she reaches forward to tug her dress above her hips. sevika doesn’t think she’s ever seen such a beautiful sight, and mel absolutely adores sevika’s awestruck face.

the same golden markings that paint her face also trail down her abdomen, all the way to her ankles. there are thick streaks of gold that mirror each other on each side of her torso, twisting themselves into swirls and shapes. she also has small golden freckles littering her body, identical to the ones on her face. they look like stars.

best of all, as if sevika wasn’t already turned on enough, she has small, golden hairs that trail down from just beneath her belly button, only stopping when they crown her dripping hole. this woman is made of pure magic, and if sevika doesn’t get her mouth on her within the next millisecond, she thinks she might faint.

mel grabs sevika’s hand when she notices her hesitation, and this makes her snap back into the moment and start eating mel out. she starts slow, just some teasing, soft licks to her clit that make her shiver. mel moans so sweetly and beautifully and sevika feels like she’s floating.

sevika grips mel’s hand harder and harder as she keeps eating her out, and it’s times like these that she wishes she has two hands. one to hold mel’s with, and one to feel inside of her, pumping her full of her thick fingers. mel arches her back and thrusts up into sevika’s face, and they both nearly cum on the spot.

she pulls back for a second, a string of white slick connecting itself to sevika’s lips before dripping down her chin.

“sev, you’re doing so good, baby.” mel praises. “don’t stop, i’m so close.”

sevika speeds up her movements, determined to make mel cum. her big, silver eyes squeeze shut as her mouth works it’s magic, sucking on her clit and running her pointed tongue between mel’s folds to collect her slick.

but she doesn’t cum until sevika wraps her lips around her clit again, her piercing colliding with mel’s throbbing clit as she tips over the edge. a low whine is pulled from her throat, and sevika pulls back to admire the woman above her. mel yanks sevika up by her shirt, thanking her with a deep kiss. some of sevika’s lipstick is smudged, so mel wipes it off with her thumbs, as well as the wet slick that’s smeared all over her face.

sevika is suddenly very aware that she doesn’t need shimmer anymore, because she feels like mel’s sweet nectar is enough to get her high.

“i’m gonna need that new arm as soon as you can get it.” sevika says with her lips smashed against mel’s. “need to show you what else i can do.”

——

it’s been three weeks since then, and sevika’s been coming over every night. she still has lots of work to do, but mel helps her with all of it. they sort through tall stacks of paperwork, taking turns sitting on the others lap and pouring each other more wine. sometimes they get distracted with sex, but they try their hardest to stay focused. occasionally mel will bring out her paints and work on something new, forcing sevika to stay focused while she’s at work.

they also spend their mornings together. if they don’t wake up in the other’s arms, they’ll sleepily march down to their door and bang on it until they reunite and hold each other again.

but this morning, sevika wakes up in mel’s bed alone. she reaches out for the woman with her arm, but that side of the bed is just cold and empty. sitting up, she glances around the room until she spies mel in her silky white cloak painting on the balcony.

“mel?” she asks groggily. “why’re you up so early?”

“just had to finish something, love.” she responds, smiling at her girlfriend’s half awake state. “you can go back to sleep if you’d like.”

“can i at least see what you’re working on?”

“not yet.” she smiles. “it’s a surprise.”

sevika groans and turns around to go back inside, but mel catches her arm and yanks her back for a kiss. sevika kisses over each of mel’s golden freckles, and then her lips, then her nose, her forehead, chin, and then lips again, before returning inside. mel giggles and tries to swat sevika’s back before she gets away, but she’s too slow and the effort is wasted.

back inside, sevika grabs onto mel’s pillow and stuffs her face into it, bringing a familiar comfort that lulls her back to sleep. she’s shaken awake a few hours later, though. it’s mel, very gently rattling sevika’s shoulder while caressing her hair. “sevika, babe, wake up.” she whispers.

“mmmmh?”

“i have a present for you.”

“hmmmm?”

“wake up so you can open it.”

“ughhhhh.”

“oh, please. don’t be so pouty. i want you to see it! quickly, quickly!” she urges, yanking sevika back to the balcony. the sun is slightly higher in the sky now, some of the orange in the sky is still fading away but the sky is painted in a light yellow color, it matches mel a little bit.

she hands her a giant white box with mel’s name on it, a small golden bow sitting directly on the top. “what is this?” sevika asks.

“open it and see!” mel smiles.

so she does. she flips the lock on the box and pulls it open, a smooth, golden arm staring back at her.

“what is this?” sevika asks again, this time in disbelief. she couldn’t tell how serious mel was about acquiring a new arm for her, so she didn’t think she’d be receiving a new one this quickly, or one this pretty.

it’s a lot more modern compared to her other two arms that she’s had in the past. it has a matte gold casing all around it, with shimmery gold patterns that resemble mel’s carved into it. it has all five fingers, but they’re not as pointy, more resembling her human fingers than her past arms. sevika is overcome with emotions, and she turns around to pull mel in for a hug, hiding her tears on her shoulder.

“do you like it?” mel asks.

“i love it.”

“will you teach me how to put it on you?”

“of course.” sevika promises, and with that, mel tugs her inside and makes her sit and show her. it takes a bit of fumbling. sevika isn’t great at explaining things, but she also can’t do much with only one arm, so lots of trial and error occurs during the process. but eventually it’s all screwed in, and the first thing sevika does is pull mel in for a real hug.

mel never really realized how strong sevika is, and how crushing her hugs are. at least, not until now. she knows that sevika can hold her somewhat tightly, but one arm doesn’t do much. now that she as two arms though, mel is struggling to breathe with the way sevika is crushing her. or maybe it’s just because sevika wants to show her girlfriend some love. and she’s definitely not crying.

“i have one more thing.” mel says, although most of it gets muffled by sevika’s chest.

“what is it?” she asks.

“come outside and look.”

sevika follows her outside, grabbing onto mel’s elbow with her new hand.

“close your eyes.” mel says, so sevika squeezes her eyes shut and tries her hardest not to peek. mel dashes over to retrieve the painting on her canvas that’s now fully dry, and then she holds it to face sevika.

“okay, now open them.”

she opens her eyes to see mel holding one of her new paintings— the one she wasn’t allowed to see yet. but now she’s aware of why she wasn’t allowed to see it, because the painting is of her.

it’s sevika. hunched over at mel’s desk with her reading glasses on and a pen in her hand, a glass of wine half empty on the table next to her. the colors in the painting are very warm, likely resembling the warm lamps that decorate mel’s suite. and the most surprising thing— there’s a smile on sevika’s face.

it’s not something she’s ever seen on herself before. for one, she’s never been one to smile in general, it’s just not something she was ever used to doing. photographs are also very rare in zaun, so the only way she could’ve seen it on herself is by smiling in front of a mirror, which is even more rare.

sevika doesn’t even know how to feel. she should cry, because nobody has ever been this kind to her before, and she’s overwhelmed with emotions from the arm, the painting, and just being around mel.

she should also be happy. nobody has ever understood her as much as mel does, and she feels so honored to be seen in her artistic lense. she should be glad that she gets to live up here, where everything is safe and pretty and valuable. she’s also still half asleep, and can’t exactly tell if she’s dreaming or not.

“what do you think?” mel asks after a while.

“i don’t know what i did to deserve this.” sevika says honestly. “is there some kind of special occasion that i don’t know about? or are you just spoiling me.”

“well, mostly the latter,” mel laughs. “but it is our one month anniversary, if that counts for anything.”

“i didn’t get you anything.” sevika frowns, suddenly feeling way out of mel’s league, almost insecure.

“that’s alright.” mel smiles. “your presence is enough.”

sevika rolls her eyes and manages a smile too, yanking mel forward and giving her a sweet kiss. one month isn’t much, but it’s been the happiest month of sevika’s life, and things are starting to look up for her. for zaun, too.

“well,” mel starts, pulling away from sevika’s lips. “there is one small thing you could do for me.”

“and that is…?”

“model for me so i can paint you?” she asks with a happy shrug of her shoulders.

“now? but you just painted me.”

“yes, i’m aware.” she laughs. “but i haven’t painted your new arm yet, and that was from a few days ago but you just look so adorable today. please?”

sevika smiles too. how could she say no to mel when she asks so nicely? “alright, fine.” she agrees.

“good, and take all of your clothes off, too.”

sevika freezes. although mel has seen her naked hundreds of times, she suddenly feels shy.

“don’t worry, it’s just for us.” mel soothes. “lay on the bed and i’ll position you.”

so sevika is left no choice but to follow the orders she was given. she strips herself of her clothes— which is much easier now that she has two arms— and lays down on the bed, looking up at mel with her big, watery eyes. mel walks over and pushes her backward until she’s propped up with just one elbow.

“is this comfortable?” mel asks.

“uh… y-yeah.” sevika responds.

mel pries sevika’s legs open, positioning them apart so that she has a full view of sevika’s dripping cunt from her easel. sevika whimpers, her eyes widening and sparkling as she looks up at mel.

“don’t be shy.” mel teases. “it’s just me.”

“i know, sorry…” sevika says with a sigh, making a mental note to loosen up.

“are you ready for me to start? we’re probably gonna be here all day.”

“yeah. ready.” sevika responds.

“okay, let me know if you need a break.”

mel isn’t too fond of painting from models, but she can feel her opinion changing as she sculpts sevika with the paint. her legs are easy. long and thick, and she gets to mimic the way they’re pressed open.

her torso is next, which is one of her favorite things about sevika. her abs are hard and sturdy, but they get slightly softened out by the rolls of her stomach. then mel moves up to her tits, painting two perfectly pointed brown circles accented with thick, dark nipples.

her neck comes after, and then her arms, and finally her face. mel has memorized every little expression sevika has, so she has a lot to choose from, but she chooses the one that sevika is wearing right now. a goofy, lovestruck smile, adorned with a slight blush sparkling on her cheeks.

her eyes are also fun, they’re so big and sparkly and metallic, mel can’t help but paint stars in them. and of course, her nose, her tooth gap, her piercing, and her hair. they all come together to make up the most perfect face that mel has ever seen.

she moves on to the arms next, painting one with her thick muscles and her warm brown skin, and the other with a shiny gold. her shoulders are slightly slanted, and they have bite marks and hickeys carved into them, which makes mel immensely proud of herself.

and finally, sevika’s glistening cunt. she paints each fold tenderly, a small circle at the top covered slightly by a thin, fleshy hood. she paints the slick in between her thighs that just keeps collecting with her finest white and silver paints.

and of course, her bush, because she wouldn’t dare to forget it. she curls each stroke of her brush until it perfectly mirrors sevika’s thick, dark curls, and then she trails them all the way up her lower stomach.

she finishes the background next, but it’s not much. she doesn’t want anything to take away from sevika’s beauty. but she makes sure to add a few stars surrounding her of various sizes and shades of gold.

sevika has been surprisingly patient throughout the whole thing, mel predicted that she’d be begging for snacks only ten minutes in. but mel finishes quickly and she’s beaming with excitement as soon as she’s done.

“do you wanna see it?” she asks.

“you’re done already?” sevika replies.

“yeah. you’re an easy model.”

“okay, yeah, let me see.” sevika smiles.

mel lifts up the canvas and presents it to sevika, and it’s somehow even more beautiful than the other painting. mel captures her so beautifully, sevika is so honored to be viewed that way. for the first time in her life, she truly feels beautiful. and mel can tell that she feels that way too, through the tears that threaten to spill in her eyes.

and just as sevika is about to tackle mel to the bed too, she notices something in the bottom corner. in a shimmery gold writing, the words “my star. -mel m.” are painted. sevika looks up at mel with a questioning glance and asks, “what’s that?”

“it’s my signature. the title of the painting and my name.”

“‘my star’?” sevika reads off.

“yeah, because that’s what you are. you’re my star, sevika. you’re so beautiful and bright.”

and those words echo in sevika’s mind for the rest of time, especially when sevika pins mel down and rides her face into the pillow a few seconds later. she’s right. she is mel’s star, isn’t she.

[miange1]

Dexter, Angel, Brian, and James with someone who has a baby face w/ a deep voice

head cannons, male reader, reader has high moans, brian is a freak, doaks is secretly a freak, being way too curious with someone, they don't realize it's cause they're turned on and have a thing for you, spanish speaking reader on angel, kinda based off me, reader can be shorter or taller i really don't care

— didn't expect that out of you, by any means. you were the person who had called him to the crime scene, and since he had never really met you, he didn't expect to see that you're the one behind the call.

"There any blood?"

He meant to speak to angel, yet you answered right behind him and scaring the hell out of him.

"It's over here." He caught himself looking around, that couldn't have come from you? Could it? You had the face someone would steal a lollipop from.

"Uh..yeah, lead the way." He was so fixated on your face. Big, doe eyes your pretty soft lips parting at every 'ah..' of understandment. His mouth went dry even looking at you, why hadn't he noticed you before?

— When the two of you got together, it was very clear he had a thing for your voice. Especially whilst having sex, and he surely didn't expect your moans to be so high? Guess something made up for that pretty face of yours.

— Each time he was inside, he loved the way low groans turned into such needy and whiny moans for him. It turned him on when you talked him through, slow sex had him crumbing to you.

"Fuck..Dexter.." He thrusted inside slowly, taking in every single 'yes' and 'so good' Dexter himself wasn't at all a quiet person in bed, grunting and groaning along with you letting your own voices mix. He was so damn lucky.

— Yeah, you creeped him the fuck out.

— He wasn't one to care on people's voices, but damn did you get surgery or something? He might have called you 'kid' or something if you didn't sound like death crawling from hell itself.

— He was told to go to you for some sort of files, finding you at your desk.

"You the one I'm looking for? I need those files." He couldn't lie, his heart almost melted at the way you looked up at him. Was his voice too rough? Did he hurt your feelings? Damn.

"Thank you."

"You're welcome."

Holy fuck.. nevermind.

— He made a rule for you not to sneak up behind him and to randomly start speaking. Scared the shit out of him when you did that.

"Right, Morgan said the victim had put up a fight before she was hit in the head, and—"

"What happened?"

"Oh my God— never again! Never do that again."

"Hm? What did I do?"

— He weirdly liked your face. Well, the cheeks of your face. If you did something dumb you would feel his fingers harshly punch at the soft skin of them. It was cute, he wouldn't lie about that. Your face stretching out as you whined for him to let go. It made his day, it really did.

— Now sex on the other hand, he would never reveal that to anyone. He was a professional, but on his own he would think of it from time to time. The way you would moan out his name, making that voice of yours crumble just from slipping the tip inside of you. His head would be on your shoulder, his own voice soft and talking you through it. He did that on purpose, so his ear would be close to your mouth. He desperately needed to hear it.

(he's so glorious i love him.)

— Debra was having another situation in which a witness couldn't speak English well, or understand it too much and he had been busy with someone else. So they called you over instead.

"Entiendo señora, haremos lo mejor que podamos pero por favor debe calmarse." Damn. He got distracted, drowning out the voice of who he was supposed to be listening to. Watching your face go into a look of understanding as the woman in the front of you hyperventilated, your voice so deep yet so calming as you rubbed her back and soothed her the best you could.

— He loved when you spoke spanish, whether it be small curses, or exclaims of excitement. He loved it all. But when you were speaking to him, he went all still. He could admire your voice from afar, yet right in front of him? No, absolutely not.

"Morning Angel," He froze up, snapping out of it quickly so he could at least muster up something back. "Yeah.." Yeah. Yeah? Was that the best he could do, jesus..

— Never had he expected to get with you. Let alone be able to fuck you. He was nervous at first. What was he supposed to do? He knew what to do, but he didn't at the same time. It was mostly a matter of being nervous rather than you being the first guy he's done it with.

"This feel good?" Paying attention to every single sound or movement you made, looking at you as if you were the light of his life. Your little 'Mhm' as he held your body close, going inside slowly and letting his hands squeeze at your hips and waist, soothing them.

"Oh, Angel.." Your accent made him shiver, his eyes fluttering shut and rolling back the more he thrusted inside. "Perfect.." He muttered, kissing your skin softly. "So perfect."

— Overtime, he would develop a weird liking to your throat. Everytime you spoke, he'd pay attention to your Adams apple and watching it bob as you spoke. He just wanted to choke you.

— Though first hearing you, he didn't know whether or not to be surprised or turned on. He found you weirdly unique, obsessed with your voice and always gave you reasons to talk. He would learn about your interest, just to make you talk even more.

"Oh, and my favorite actor had played in this movie and I feel as if.." and blah, blah, blah..

"Mhm..yeah,"

— He was listening, he swore it! And if he wasn't listening he had gotten some sort of recorder, just so he make use of it later on.

His cock leaked the more he moved his hand up and down. Trying to force himself to be quiet enough so that he could hear your voice clearly.

"Fuck.." Imagining you riding him, moaning like you depended on riding him and like you absolutely needed him. Voice wavering to whimpers and high moans— hell, he needed that so badly.

— Next day, he'd face you like nothing happened. Greeting you with a smile as you walked through the station.

"Morning Rudy!"

"Morning.."

[crossdressingdeath]

You know what the most frustrating thing about DAV criticism is at the moment? It's that I do in fact have criticisms. Quite a few, actually. It's a Bioware game, of course I have criticisms. No one I've spoken to or whose posts I've seen thinks it's perfect or above criticism. But the thing is, I—and I imagine a lot of other firmly positive blogs—know that if I share any of those criticisms, if I make posts discussing them and talk about the game's flaws, I will immediately be inundated by people using those complaints to insist that the whole game is garbage and the writing is bad and Bioware's a terrible studio who can't make good games and DAI (of all fucking games) was so much better and blah blah blah blah. I know that because it's happened every goddamn time I've made a less-than-positive post about DAV. And I don't have the energy to deal with that! The endless stream of bad faith criticism wears me down and having to constantly stop to defend a game I like when I'm trying to discuss its flaws because if I don't (and frankly half the time even if I do) people will use my posts to claim the whole game is garbage is exhausting, and fandom is supposed to be fun. So I can't discuss DAV's flaws on tumblr if I want to avoid that, and it is infuriating. I see people bitching about toxic positivity and people refusing to acknowledge the game's flaws, and I really want those people to take a second to consider: do the game's fans ignore its flaws and refuse to accept that anything about it is bad? Or have you created an environment that is so toxic that no one who likes the game wants to risk getting your attention by mentioning what's bad about it and they respond more aggressively than is warranted to even genuine critique in an attempt to ward you off? Because there will always be assholes who claim that genuine problems are Fine, Actually, Stop Being Such A Baby... but if people can't address the game's flaws in public without immediately getting dragged into five different arguments about how it is in fact ultimately a really solid game, they're not going to do it no matter how much they recognise those flaws.

[thewadapan]

Maybe Nost's best story! Also his least fun. Definitely did not like reading most of it. Would recommend reading... maybe any of the others over this one?

I think with The Apocalypse of Herschel Schoen, Nost has managed to write a book which is haunted.

Stepping back a little. Herschel Schoen seems to have been conceived almost as a short story, which only happens to be as long as it is as a result of the (deliberately) belaboured and verbose prose used by all the narrators. It's much closer to The Northern Caves in this respect, which I remember as being mostly straightforward and intelligible, with only the highly-divisive ending leaving me with a dangling "??????" to grapple with. Meanwhile, with Floornight and Almost Nowhere, I often struggled to keep up with the object-level facts of what was even happening in the plot/world, and I feel like I mostly read those stories "on vibes", following them mostly in terms of their subtext.

So yeah, Herschel Schoen to me felt like it was using the "fairytale" format of being a Christmas story to streamline things as much as possible, such that both the object-level events of the story and the batshit conceptual-melting-pot subtext were more or less legible to me, despite Herschel's incredibly unreliable prose. There is a sense in which it feels like a children's story to me. It has very few characters, and those characters are extraordinarily archetypal.

So I do think Almost Nowhere retains its crown as Nost's most ambitious, most revolutionary, and most complex novel—if I say that I found Herschel Schoen "better", it's only because I feel I was able to understand it. It speaks more to my failure as a reader than anything.

In terms of my experience as a reader, it was fairly similar to that described by @recordcrash in his review. Most of the story is a fucking struggle to get through, mostly because of... the prose? The pacing? These issues are really the same issue: what few events occur in the book take ages to describe, and the fact that every recounting takes forever means that there physically isn't room to cram in more events. And as Makin Recordcrash puts it: I just don't enjoy hearing the thoughts of an unwell mind, particularly at length. All of Nost's books have it, this entirely-made-up concept which "you just wouldn't understand" but which it nevertheless will tell you about at length. There's Salby and mundum in The Northern Caves, there's Azad and the aliens in Almost Nowhere, there's whatever the metaphysics shit was in Floornight (I forgor), and this is the book that has the most of it, proportionally.

(My girlfriend bounced right off it- actually, let me use this opportunity to tell a story. When we first met, we were talking about the internet or something, and for whatever reason at one point I unironically said something like "oh yeah I read this cool novel set on a forum but you probably wouldn't have heard of it" and she just went "oh do you mean The Northern Caves?" and I briefly became convinced that she was some sort of psyop intended to oneshot me, a notion I have still not been able to shake over two years later. Point is her remark on the first two chapters of Herschel Schoen was something like "it's too Nostalgebraist for me", which I think is understandable.)

Anyway, like Makin, I struggled with most of the book, only for Chapter 21 to be so fucking good that it sort of retroactively made the rest of the book good, at least insofar as it was mostly necessary to set up such an audacious ending? Even knowing that this had been Makin's reaction, I wasn't prepared to believe it—again, usually Nost books are very much the other way around—but lo and behold, the twist is in fact very clever, very fun to read, and very aligned with my aesthetic interests.

All that said, I do feel like Makin sort of bombed through the book (by comparison, it's taken me almost two weeks to finish it), and maybe missed out on some of the more fun and interesting stuff the book is doing on a thematic level. Below, I'll try to delve into my interpretations in more detail.

I've seen a few takes from people that the main thematic throughlines of this book are a bit disconnected from one another, but to me this couldn't be further from the truth.

I identified four main themes, in descending order of prominence: "neurodivergence", "AI", "media", and "capitalism". I guess you could say "Christmas" is something of a fifth ur-theme, which dovetails into these in superficial ways:

Neurodivergence—the idea of "believing in Santa Claus" is framed as stunted development, a delusion which reveals someone to be less mature mentally than they are physically. The book is specifically concerned with contrasting dysfunctional "child" behaviour with functional "adult" behaviour, flipping these ideas on their head by having Ruth and Miriam basically lose it over the course of the story. A sister inverted. Also, the "preparations" needed to be made before Christmas morning are very much analogised with obsessive compulsions, right?

AI—like Santa Claus, something which promises to fulfil all our wishes, instantly, at the same time.

Media—particularly in terms of relations between Christianity and... secular Christmas, right? The story is very much riffing on the structure of Christmas stories specifically. To me, it feels like a world literally dreamed up based on Christmas stories. That, more than anything, is why it's set in New York, I think.

Capitalism—notions of "wanting", of meritocracy. I don't know, we all know "A Christmas Carol", I don't need to explain this one.

Like, if I had to guess at the genesis of this book, based on Nostalgebraist's comments, I feel like it's taking the starting point of "story about what if the AI doomers were right" -> "through the lens of Christmas" -> "[everything else in the story]". Of course there are tons of other influences in there, but those to me feel like the two ideas with the most explanatory power.

But even if you discount the underlying idea "Christmas", I don't think you could tell a good story about AI (in its current form) without writing about neurodivergence, media, or capitalism. If we're tasked with imagining a non-human mind, it makes sense to first imagine the most-non-human human mind, right? If we're talking about the machine's output, its facsimile of media, we have to talk about the real thing too, right? And if we're asking about the purpose of AI, what exactly it is we're trying to industrialise, what scarcity we are trying to erase, then we have to talk about capitalism as well! For me this was all perfectly obvious, I dunno.

I was pleased that I noticed many of the same things @weaselandfriends identified in his list of observations on the book. When it described the wall of doors in the living room, my mind went, "that's fucking weird!", though I didn't really think too deeply about it. The same things goes for all the anachronisms, which I think is one of the story's best gimmicks. Yes, for most of the story, they serve to create a "timeless" atmosphere, evoking all these Christmas stories at once, while simultaneously putting into doubt the reality of what Herschel and Miriam are describing.

But then, of course, with the twist, I think it's pretty hard not to read these as anything other than hallucinations conjured by the AI. And what I think is particularly brilliant is that the story at no point calls direct attention to the anachronisms as being of particular significance—you only notice them because you know enough "facts" about the real world to notice them—which naturally calls into question the elements of the story which are wholly ficticious, where there's no ground truth to compare against. Just how real are Herschel, Miriam, Ruth, anyone!? And does it even matter how real they are?

Part of the book's "magic trick", as I read it, is that both interpretations of Herschel's POV are able to coexist within the reality of the story. We can imagine that there really existed a boy perhaps called Herschel Schoen (just as we can imagine there really existed a guy called Jesus? This is silly, pretend I didn't say that) who perhaps lived in New York City and lived with some kind of delusion, perhaps regarding an Original Creation that only babies remember. Like, even this much isn't certain, perhaps Herschel is entirely hallucinated; the story is in fact preoccupied with the question of whether or not there's even any difference. Anyway, at some point, the AI apocalypse happens (I think this is one thing we can be pretty confident about), and for the AI's own purposes, Herschel is resurrected/recreated (again like Christ- disregard this aside!) in an "emended" form, where whatever changes are made mean that he is in fact right about the Original Creation and the future etc, his mind really was tampered with. The concept of "emendation" seems to me to be the biggest point in favour of the book overall believing that a substitution is not the same as the original; that the "transformation" of one shape into another does not mean it becomes the other, as its own history remains distinct (much as the "original" events of whatever happened to the "original" Herschel on the "original" Christmas Day can be said to have, in some sense, happened—and cannot, should not, be "forgotten"). But maybe these elements of the story were intended to be disparate, though, or related in some other way, and I'm just conflating them?

One of my favourite interpretations that I've seen raised in a couple of places is that Herschel's writings, with which he literally armours himself, are in fact literally protecting him against oblivion, because the AI can only learn based on the written word or recorded speech. It doesn't really matter what happens to the papers, so long as they are written at all. Herschel pours so much of himself into those papers so as to be understood, and in the end he is understood—if not by Miriam and Ruth, then by the only being he needs to be understood by: this machine. He secures his own existence, in at least some limited form, in the "Original Creation", simply through his writing. I think Herschel is the "most real" part of the story.

It's Miriam, though—the second-"most real" element—that I think makes this story haunted. It's the way she packs all those papers into a suitcase, and for the briefest of moments you can breathe a sigh of relief, that we're one step closer to understanding how this book came to be, in-universe. But immediately, it's obvious that this explains nothing, it explains less than nothing, because there are all these chapters which just don't fit, they can't be neatly contained in that suitcase. Bavitz draws direct parallels between the inexplicable frame narrative and the anachronisms, and he's absolutely right to do so. The story is often very careful about providing something which looks "quite right", at a glance, but the moment you think about it, this pit opens up under you. Something about this metatextual conceit actually makes my skin crawl.

It feels pat to say, "oh, that's because it's trying to evoke AI hallucinations". I feel like that's only part of it, because again, most of Nost's novels have this to some extent. But yeah, I think if you wanna read Herschel Schoen as a horror novel, then this is what is scary about it. Conceptually, everything with Miriam mainly recalls for me the idea of "crashes" from Almost Nowhere, which were one of the big horror elements there, the idea that the world you're walking around in is actually, imperceptibly, some kind of not-world filled with not-people. But more directly, I find myself remembering a bit from the third act of OCTO (a criminally underrated and under-discussed webnovel) where a superintelligence is trying to "resurrect" a human, and keeps putting her in increasingly-lifelike simulated "habitats" to try and create the right set of "inputs" that will make her function properly—i.e., without just like, screaming. I feel like that is what we see happen to Miriam in this book. I feel like, when the lights go out, at the end, it has nothing to do with light at all: it's more that the machine just no longer needs to simulate a world for Miriam, at all. The transmission stops. And then what becomes of her?

I think this sort of brings us to Ruth, doesn't it? A big point is made about how there's a difference between "Miriam" and "my sister, Miriam". As though in the latter, the reality of "Miriam" in the training data is watered down by all these tropes surrounding sisterhood. I mean, fuck, maybe that's where the incest stuff comes from, right? I feel like similarly, there's a reading for Ruth where the AI is first conflating these images of "a mother" with these images of "a terrorist". She acts like a fucking cartoon character for much of the book, as many of the less-well-drawn characters do, and I think that's entirely deliberate. As she draws more on the "terrorist" tropes, she stops being a "mother". And again I think this is what Nostalgebraist has always done so fucking well, in that the bullshit sci-fi allegory stuff can also just be read on an entirely character-driven level: here is a resentful, neglectful, ultimately abusive mother, here's the emotional reality of that, heightened and communicated.

I think this provides a vague stab at an explanation for the beating scene that Bavitz found so confusing. It's like the AI draws on this trope of like... the mother, in the kitchen, with the frying pan. It puts the pan in her hand. But it's not actually a frying pan, it's just the image of a frying pan. In reality, did Herschel's mother beat him? How did she beat him? Hell, maybe she didn't, maybe the AI just got so caught up in playing out the trope of the abusive parent that is gets to the point of this beating, and then just dream-logics itself to the next thing in its training data, where of course the beating never happened. I don't like that, it feels like we're gaslighting the kids here (which I think is very much the allegory intended) by saying it was just a hallucination. I think something like it happened in reality, and cannot, should not, be "forgotten". But I think the book does want you to think that its depiction does, in some way, break from reality. Hell, in much the same way that child abuse might be said to break the reality of family? Nah, that's too pat, isn't it?

I guess what I'm trying to get at here is that, ironically, I found the novel was at its best, and at its most human, when it was writing frankly about the experience of mental illness, about family, about institutions, about childhood. So what's maybe frustrating is that I'm not actually convinced Nost is capable of writing a... shall we call it a "normal" story about those things? A story with no metatextual bullshit, no sci-fi conceit, but a realist story. There are parts of all his books, where I really think that the explanation for why they are the way they are is that they are "bad on purpose", and all the bullshit is a way of turning these shortcomings into strengths. The self-effacing voice which whispers that the characters aren't sufficiently well-drawn, are too cartoonish—well, what if that was the point? What if there was a reason for that, in the story?

But honestly, I wouldn't have it any other way. Straightup, if these were normal stories set in reality, I wouldn't be fucking reading them. This is a web author who's trained himself on a bunch of classic lit, and a bunch of anime or whatever, and has smooshed those influences together and rocket-fuelled the result. It's inimitable. I deeply admire just how experimental Nostalgebraist's writing is. No-one else is doing it like him.

Anyway, what else. Herschel gets described as having a "shell" at various points, and Frederick's surname is "Eggert". Is that anything?

The Apocalypse of Herschel Schoen

My fourth novel, The Apocalypse of Herschel Schoen, is now available in full.

Merry Christmas to all, and to all a good night!

[thyfleshc0nsumed]

It costs something to be a TS woman vocal about transmisogyny.

For me, there's literal financial cost. When I write about it--in joking or serious manners--or share other people's writing on it, I lose followers. Even though this is a personal blog, it's probably the avenue through which the majority of people have found my leatherwork. And every time I open my mouth and say "hey here's my experience as a TS woman, here's my perspective on the way men treat women, here's how exactly I am marginalized even within this minority group," some people see that and decide they can't fuck with me (and likely my work) anymore.

And like, idk, it sucks. I have legitimately had the thought "if I shut up, I'd earn a bit more." For a lot of dolls, our careers are online because we're pushed out of traditional employment for one reason or another. I'm not the only one thinking these things.

Some of us decide to play 'the good one,' 'the one who doesn't bring down the vibe,' 'the one who proves all those other trannies are just man-hating transradfems,' to the result of their own financial benefit.

I don't think it's usually such a cynical or calculated decision, often I think people know more than they can name, but I think somewhere in them, they know that there is a cost that can be measured in dollars and cents to having a backbone. There's benefit to discarding the thought altogether.

That benefit is amplified by, well, the gender pay gap. If you make something catered to a broadly trans audience, which group among that audience is more likely to have a bit of disposable income? Yes, trans men earn less than cis people, but which gender group earns less than them?

Idk if I really have a point here besides kinda just venting, but yeah, it sucks that this is the case and idk if I've seen anyone else talk about it in such terms, in the specific context of the internet. Blah.

[fatliberation]

Sorry for leaving this in your inbox, but I need to vent and ask for advice in a place where people won't mock me. What do you do when sex is super difficult because of your fat? I've recently gotten into my first relationship and. I thought I had a handle on my internalized fatphobia and self hate but this has made it worse than ever. We can't have satisfying penetrative sex (we've tried all the tips and workarounds. Nothing works. I'm larger than most of the FA community.), and recieving oral sex is also difficult for me. I also get tired and sweaty extremely quickly if I have to like hold up myself on mostly my arms or something, so he has to do most of the work. So sex is just. Mostly the one that works on repeat, and we don't have it very often because it isn't that fun for either of us, and it also makes me cry afterwards sometimes because of how disappointing it is & me beating myself up over it.

I'm genuinely worried my boyfriend is going to leave me for this. He's clearly very frustrated with the situation, even though he tries to be nice about it most of the time. Earlier today I tried to like be flirty and hint at stuff and he just. got a bit sad. and then said that clearly neither of us enjoy the sex we're having and that he has a lot of trouble staying hard.and that he doesn't see the point when we're both forcing it for no reason. I think he's going to break up with me soon. His ex is way lighter than me, so he's probably comparing the normal sex he had with her with whatever the fuck this abnormal shitshow is :/

All the work I've done on myself to be happy with being fat (including working up the courage to date, what a mistake that was lmao) is all gone. This has ruined my self-esteem so much. I feel like one of those fatphobic jokes but a person.

first and foremost, please try your best to remember this: your body is not the problem. one more time. your body is not the problem. I'm so very sorry you're concerned that your boyfriend would leave you over this. it sounds like he has a lot of preconceived ideas about how sex is supposed to go. I promise you that it doesn't have to be this way. if this is something that could really end the relationship, know that this person is not compatible or open to exploring your needs, rather than your needs being "too difficult." I promise it's him, not you. I know folks who are 600+ pounds who have excellent sex lives and partners who satisfy them and enjoy satisfying them. when someone starts treating your pleasure like a chore, that's just shitty. I know how much it hurts. it also does damage to your own openness to pleasure. when you're caught up in feeling like sex/your body is something that needs to be "fixed," nothing is going to feel sexy, because all that pressure puts stress on and takes you out of the mental state where you're able to experience pleasure. does that make sense? so many couples get stuck in this cycle.

there are so many ways to engage in pleasure without penetration or orgasm. there's a lot that goes into foreplay, setting a mood, making your partner feel appreciated and attractive. words and touch play a huge part in this. something as simple as exploring each other's bodies, not with the intention of reaching climax, but simply to be vulnerable and engage each others' senses. have your partner give you a massage. play with your hair. tickle your back with a feather. shower together. kiss you. compliment you. if either of you are into any kinks or dirty talk, that could be a great way to engage each other sexually without the pressure of "achieving" a goal. the goal here is just to feel good, close, and connected. societal messaging about sex has placed so much importance on orgasm instead of pleasure - when taking the time and space to relax and receive attention, is key.

feel free to check out my other posts on fat sex ed, there's lots of assistive toys that can make pleasure more accessible, but I think that should be a tool for later, since the biggest issue here is the pressure to perform. know that pleasurable sex can exist for you! but for now, I would recommend taking a break from sex altogether since it is not pleasurable for you right now. because pleasure is the whole point. forcing it is only going to feel worse. you do not owe it to your boyfriend, especially if it doesn't feel good and is taking an emotional toll. I hope you both are able to take a step back, reassess and communicate, and are able to reconnect and create a safe space to explore.

I understand why you're beating yourself up over this, I've been there too. but also know that it's just another societal standard that's been internalized (and it doesn't sound like your boyfriend is helping). like you said, you've done a lot to unlearn fatphobia. there's a lot of internalized beliefs we absorb from society surrounding sex, just like body image. I promise that there is nothing wrong with you. If your boyfriend takes his frustration out on you instead of making you feel safe to express your needs, then he's not a supportive partner. you deserve someone who takes delight in your pleasure and your body. believe me, we're out there.

[monokoitari]

Months after Binghe falls into the Endless Abyss, the entire Cang Qiong Sect begins to theorize that Shen Qingqiu and Shang Qinghua definitely have something.

Well, mainly because:

a) The Omega Shen Qingqiu, who had been in deep and devastating mourning that was half a mourning widow and half a mother who lost a puppy, had ceased to reek of despair and regret.

b) Anyone who entered the bamboo house, be the disciples or other Peak Lords to take care of Shen Qingqiu, were going to smell the scent of the silly Alpha Shang Qinghua. A marking that seemed almost accidental on his furniture, robes, and books. As if the alpha had just relaxed enough, as if the bamboo house was his home too. (Few people entered Shang Qinghua's house, but the few who did also felt the same comfortable scent from Shen Qingqiu.)

c) Yes, it was clear that Shen Qingqiu and Shang Qinghua spent too much time together. Too long which meant that, many times, some disciples of Qing Jing could see their Shang-shishu sneaking out of the bamboo house on the walk of shame, with the same clothes he had come in the day before, very wrinkled, probably with more dark circles, as if he hadn't slept at all.

d) ... and of course, all the courtship that the other Cang Qiong alphas knew perfectly well. Because Shang Qinghua, even small and annoying for an Alpha, proved to be a good provider (he was always bringing Shen Qingqiu snacks, making sure he ate, making him taste his own roasted seeds reaching to feed him with his own hand while the Peak Lord of Qing Jing read concentratedly), proving that despite his size and stature he was a strong Alpha (Qing Jing's disciples, especially, had seen their Shang-shishu carry their Shizun on his shoulder many times, even when their Shizun was kicking in a very... childish way), proving that he was ready enough to support and take care of a family (how many times had the disciples been spoiled by their Shang-shishu with sweets and pats when he came to visit Qing Jing?), and at the same time caring about the interests and desires of the Omega he was courting (because everyone knew that Shang Qinghua had never been a big fan of monsters, beasts and flora. And yet, he was always ordering new books which he then gifted to his Shen Qingqiu).

Yeah, all the peak leaders think, completely convinced of what they are seeing. Shang Qinghua is courting Shen Qingqiu. And the way Shen Qingqiu doesn't leave his side, he is always scented with Shang Qinghua's Alpha scent, and he is definitely hitting the Alpha just to find excuses to touch him, it seems Shen Qingqiu is accepting, and very gladly, the courtship.

No one understands how that happened, really, but they are pleased with the progress. It was about time for a wedding that would unite the Peak Lords a little more! They just hope to hear about it soon.

...

Shang Qinghua and Shen Qingqiu have no idea why the other Peak Lords, and even their own disciples!!! are looking at them in such a chilling manner. They, completely oblivious, are just looking for a way to get out alive after Binghe returns from the abyss for their heads. Yes, sometimes they spend the whole night debating ideas... and talking about anime and manga and theorizing about their endings that they will never get to see, but hey!! They are two transmigrating bros existing in that world, they can afford to be themselves like that!!

And, maybe Shen Qingqiu finds it a little relaxing when Shang Qinghua marks his wrists with his scent before leaving. It calms those fucking omega instincts of crying and writhing for his poor puppy in the Endless Abyss, alone, hungry and suffering. And, well, Shang Qinghua likes to leave his scent on his friend's stuff because, what the fuck, his instincts are screaming at him that he can't let the omega go around crying over his lost Bingpup (and he feels guilty for all of the Abyss thing).

They're just two bros existing and trying to survive. Nothing weird. Why are the other Peak Lords talking about a wedding? Who's getting married?

[higuchisora]

Honestly, I was always under the impression that Vander parented them "indirectly", if that makes sense. Like, Vander parented Vi, and Vi took those lessons and parented the others with them, because Vander simply didn't have the time to do so himself, and Vi was basically his mini-me.

Even prior to season 2, when I saw how the previous League bio for Warwick, implied his only memory of his past life was Powder (it says all he remembers is a little girl screaming a name- aka Powder screaming for Vi), that kind of confused me. Because on one hand, yes they're both his daughters and it's his final on-screen moment in season 1, but on the other, it felt thematically odd.

Like, he's supposed to be "dead"/unconscious by then. So wouldn't it make more sense if his final memory is of Vi screaming and crying over him? Also, considering Powder wasn't even crying over Vander- it's weird to me that his final memory is about an experience he isn't really a part of. It's Vi and Powder's scene, not Vander's and Powder's or Vander's and Vi's, so why would we want that to be his only memory?

Safe to say, as much as I thought it was sweet that they had a moment of recognition in season 2 (though I do have to wonder why seeing him like that didn't trigger Jinx at all), it definitely felt off to me. Especially since we never got to see Powder/Jinx have any real positive relationships with anyone other than Vi (before Silco), seeing her and Vander being so connected after his transformation didn't feel earned. Any affection she might've had for her previous family (and them for her) prior to Warwick nearly killing her is left entirely up to the audience to infer, which isn't really a good choice for a scene that you want to be emotional for EVERYONE. If his return is supposed to be inarguably a good thing, why leave the context behind it entirely ambiguous?

Especially when they already have a character set up for this exact kind of bittersweet moment: Vi. The focus on Jinx in the Dad Rescue Arc would make way more sense to me if Silco was the one being brought back. It really should've been Vi taking the lead on this one, which would've perfectly handled the "we don't know what to do with her anymore LMAO" thing Linke was talking about. (Honestly, I'm personally of the opinion that we shouldn't have had a Vander-Returns-Arc at all, considering the lack of time and simultaneous lack of substance both this arc and this entire season had, but I'd do anything to give Vi something to fucking do). OP is 100% correct, Vi should've been the one to grab Jinx and hit her with the "he was your dad too" line. Could've especially been potent if Jinx was all, "why couldn't it have been Silco?" about the whole thing, maybe even making digs at Vi at first when she tells her Vander's back (doing a "looks like crazy runs in the family" line or something), leading to some conflict between them at first, before Vi dishes out that line and perhaps a heartfelt "trust me just this once, just one last time" (or something to that affect). Which would work on Jinx IMO, because as we've established, as angry as she is with Vi, her willpower might as well be wet paper when it comes to trying to "hate" her sister.

If anything, this arc probably should've centered more around how the sisters still love each other, rather than their dads tbh. Vi obviously loves Vander, just as Jinx loves Silco, but I feel it's pretty clear they BOTH prioritize each other over everyone else, even still. Yeah yeah, Vi hit Powder, Yada yada- but think about it for a second. If all of this still happened, but this time it was, say, Mylo that did all this, blowing up their family etc. Etc.- do you seriously think Vi would have forgiven him for it? Do you think she'd desperately chase after him the way she chases Jinx, if Mylo ignored her orders and gotten Powder killed? This would be entirely different story, because Vi would've probably beaten Mylo to death, actually. She wouldn't have held back and walked away the way she did for Jinx in act 1 of season 2. She wouldn't be crying and bargaining with Mylo at that dinner party- she'd be straining against the ropes so she could strangle him with them. I'd say the same goes for anyone that isn't Jinx. Even Vander- even if she couldn't kill him, she'd never forgive him. He'd be dead to her in all the ways that matter.

Hence, this arc (imo) should've looked more like the sisters lowkey using Vander as a vehicle/excuse for their reunion. Like, Vi being so eager and happy to have Vander back because yes, she loves him and missed him, but also, it's one less reason for her to be mad at Jinx. One less reason her sense of duty would have to pit them against each other. If Vi could wave her hand and bring them all back, I'm convinced her first thought would be, "now we can move on, now I'm not obligated to oppose her." Because I genuinely believe the only thing really holding her back at this point is this idea of "I have to do what's 'right'." She was ready to move past this even before Vander came back as a furry, now she just has an excuse to show up unannounced at Jinx's door. And Jinx, too, being as obsessed with Vi's affection as she still is, would probably make some jabs and generally be distrustful, but the entire time she's still going along. The opportunity is too good to pass up. The chance to have Vi back is too tantalizing, is quite literally exactly what she's always wanted, even now, even after all this time. She'd take it, and as soon as she got a taste of that affection again, the soft smiles and the fond gazes, maybe even an instinctual pat on the shoulder, done before Vi even has time to consider if she should do that or not- it's a done deal. She'll still be insecure, in need of constant reassurance- but she'd be too eager to really be cautious, desperately seeking more and more of it.

As would Vi, who'd be over the moon to be able to hold a conversation with her sister again that wasn't laced with constant insults and hostility. It'd be almost like they're kids again, before everything went to hell in a handbasket, just them (and their dad) in a dingy old bar. As long as they ignored all the fur, of course.

TLDR basically I hijacked this to say I agree 100% with OP and think this arc was emotionally/thematically dodgy in several ways, which I explore a little in this reblog.

Jinx just never really liked Vander that much.

One of the things that, to me, seemed like a main theme in Jinx's arc in season 1 was the contrast between her two families, and how her switch from Vander's daughter to Silco's drastically changes the way her personality takes shape.

And I hate that the fandom, and now the show, too, has reduced Silco to an unhealthy influence in Jinx's life, pushing her towards her "bad" side (being Jinx) when, for all his flaws... he gives her a better childhood than she ever had with Vander. The first three episodes of the first season, to me, when I watched them, illustrate quite clearly that Powder feels unhappy in her family life. She is the most mal-adjusted of Vander's kids. Her older brother constantly berates her, and it's quite clearly having a big effect on her self-image. She later takes up the Jinx name and persona once she feels like she has become irredeemable as a person. Her other brother never defends her. Vi is the only one who is there for her, and they care for each other, but at the same time you can see there's still a little insecurity in their relationship. Vi is worried that maybe Powder is indeed too weak, and Powder worries that maybe Vi does indeed see her as a Jinx like her brother does.

And when it comes to Vander... he's just not really all that present in her life. And I don't blame him, the man has four kids to take care of, on top of keeping things running in the Undercity. It's clearly not his intention. But it doesn't change the fact that he's not there for Powder, not as much as she needs. To me, when I watched the first season, it seemed like Vander was a figure that felt far away to Powder, someone that she admired but also feared being completely herself around, and someone that she ultimately wished to be closer to than she actually was. It's worth mentioning that Jinx never says his name post time skip, and he is not a hallucination for her, not until Vi brings him up in the finale. Hell, Claggor is somehow a hallucination for her and he never even speaks. Vander was just not an influential figure in Jinx's life.

I always found the scene at the end of ep3 of s1 fascinating, because Powder never once mourns Vander. She never once cries for him and never once says his name. When she sees his dead body, she becomes shocked and starts crying, but it's not actually what breaks her. What breaks her is Vi's rejection. Had it just been that she accidentally caused the deaths of her brothers and adoptive father, she would not have crumbled mentally. It's Vi's rejection that destroys her. Now, of course, a little girl that cares more about her sister's affection towards her than the lives of her family members is kinda messed up, but that's what makes her character interesting. And we can see that that little girl doesn't go anywhere, as Jinx displays the exact same one-mindness about her sister. Because Jinx and Powder were never really that different, after all.

She is quite clearly placed with her back to Vander's body, that she never turns to, barely looks at, only enough to recognize him and see he's dead, and never says the name of. She's turned towards Vi, calling for Vi, crying because of Vi, and no one else. Heck, Vi had just been crying over his body a few moment ago. Vi is clearly distraught over his death. Vi is devastated, she literally punches her sister and curses her in the exact worst possible way she can, in the way she know it will hurt her sister the most. But Powder... she just honestly dgaf.

So to then hear Jinx say this line in season 2...

...is just straight up jarring. I was pulled out of the story when I heard this. This is Jinx saying this to Vi. This kinda makes it seem like it was Jinx who was most attached to Vander, or at least that she was just as attached to him as Vi was. Which is just not how things seemed in the story at literally any point until this one. And then season 2 continues this way, and somehow makes Jinx seem like the closest daughter to Vander. Flipping Warwick literally acts more attached to Jinx than Vander ever did to Powder. Like literally. Season 1 clearly sets up that Vi is the favorite daughter, and then they just... flip it?? Warwick cares more for Jinx and responds better to her than to Vi. It's actually insane. It's true they sanitized Jinx's character to hell and back this season, but this is a straight-up rewrite. I can't wrap my mind around why they did this. Plus, the entirety of act 2 they set up this weird and pointless arc of Jinx rekindling her relationship with Vander or something... and like literally her story was genuinely never about that.

(This COULD have been Vi's story. And that might have actually been cool, and made sense. Maybe Vi is the one who finds him, and she is the one who helps him calm down. And then she brings Jinx, and maybe Jinx is terrified because she was never that close to Vander, and then she literally killed him, so seeing him again is the last thing she wants. Maybe VI is the one who tells Jinx that "he was your dad, too", which would make A LOT more sense, and maybe that's the first time that Jinx thinks that oh, yeah, he was... And then maybe they have a cute moment where Vander forgives her. Or maybe she sees the state he's in right now and loses it completely. Or maybe they look at each other and they both see the monster each of them has become. And then maybe Vi looks down at the enforcer uniform she's wearing, and, privately, sees it too. Idk. The things we could have had.)

Silco was actually a good dad to Jinx, in all the ways that Vander wasn't. He gives her all the attention that she never had before. He not only listens to her, but actively asks for her side of the story. He never insults her, and he defends her against Sevika. He trusts her and gives her opportunities to prove she's capable. She goes from being one of four siblings, and getting lost in the shuffle and often ending up feeling forgotten and alone, to being the most important child, always taken into consideration and almost put on a pedestal by her dad (this, like, has to have cured some inner wounds, i think).

Silco understands Jinx better than any other character in the show, and I'm genuinely sad that we didn't get to see any flashback of Jinx growing up with him. Because their relationship was so unique, and so integral to Jinx's character and to the rest of the story, that the fact that we never get to see any other glimpse into their bond is just...

As a final note, I'd also like to add that I dislike when people say that Silco "groomed" Jinx. I think a much more realistic analysis is that he enabled her. And as for all the times he tells Jinx that Vi "betrayed her", that's just a reflection of his own trauma, and also because he fears that if Jinx knew Vi was alive, she would go back to her and leave him (which, considering what goes down in the s1 finale, not an unfounded fear). It's wrong that he does that, but it's not out of malicious intent (also tbh Jinx never really seems to believe him anyway).

And for all the people who say that Silco "turned Jinx into a terrorist" (dumbest people in this fandom fr, im sorry), that's just straight up not true. Powder was already like that. That is quite literally why Silco adopts her. Because he sees that she's like him. Silco would not have taken Powder in if he thought she was just a cute, innocent kid who was orphaned (to, what, raise her for years so that, MAYBE when she's older, she MIGHT be useful to him? when they meet he doesn't know she's the one that caused the explosion, he just knows that she's been abandoned by Vi). This is the kid who thought playing around with explosives was a fun hobby. This is the kid who giggled at the thought of hurting others. This is the kid who already suffered from explosive emotions. This is the kid who saw her father and her brothers dead, because of her, and all she cared about was whether her sister was mad at her because of it. This is the kid who throws herself at the first person she sees, someone who her sister hates, who is the cause of all this destruction, and with an anger that shocks most viewers, declares that Vi is not her sister anymore. She is livid in that one moment.

Powder already had it in her from the beginning. And it's also ok to like a character (and to write one) even if they are not 100% morally pure in every single way under the sun, cause that is quite literally what stories are for.

[snuffysnuffles]

How did all of the parents meet? This might be a doozy… I’m mostly curious about the Stokes parents. Something about them gives off Christian highschool sweethearts vibes that married immediately after graduating.

Great question! Stories below!!!

vvvv

> Jerry’s dad was the ultimate high school dork, the kind of guy who spent lunch organizing his baseball cards. His mom? A really popular cheerleader, always surrounded by friends and way out of his league. But somehow, she ended up sitting next to him in class and sweet-talking him into doing her homework. Turns out, they both loved baseball, and that was all it took. One game, one shared pack of peanuts, and suddenly that massive dork wasn’t so invisible anymore. They got each other promise rings and married after high school.

> Pete’s dad wasn’t exactly looking for love at the strip club, he was just… there. A lot. His mom was one of the dancers, rolling her eyes at guys like him but taking his tips anyway. Somehow, they kept running into each other, and one night, instead of a lap dance, they ended up sharing cheap wings and talking until closing time. Maybe it was a weird accident, or maybe they were both just a little lonely, but that one night turned into Tony. (First born / oldest) the rest kind of followed after that, they decided to start dating and eventually get married. Not a single pregnancy was planned, that’s all ima say.

> Bill’s dad had a way with words, and his mom had never been sweet-talked before. At the office Christmas party, he cornered her by the punch bowl and laid it on thick, told her she was the prettiest girl in the building, and she just melted. She wasn’t used to that kind of attention, and by New Year’s, they were practically inseparable. Marriage came fast, and kids even faster. But somewhere along the line, the charm wore off (mostly due to their kids fucking up everything). His dad packed up one day and moved far away, calling just often enough to remind them he still existed.

> Josh’s parents met the way most people don’t.. just bumping into each other at the airport. His mom dropped her bag, and his dad helped pick it up. Casual. They started talking while waiting at the gate, realizing they had both graduated college a few years ago and still had no clue what they were doing with their lives. It was one of those long, meandering conversations that felt too good to stop, so they just… didn’t. They missed their flights and ended up sitting in the airport cafe, swapping stories about odd jobs and big dreams. A few months later, they reconnected, and eventually, Josh came along.

Hope you liked reading! Asks r still open!

(Also I’m really bad at backgrounds, spare me 💔)

[chaoticwriting]

YOU ARE MARRIED??!!

-Wayne Manor, Gotham-

Cass is not having a good time. From the Arkham breakout last week all the way to losing a bet with his siblings on who is going to attend the gala with Bruce. And now this annoying lady kept asking her about her preference in men or something. And Bruce can't help her since he is being occupied by those rich assholes about investment or stuff.

Vicky: So, Miss Wayne. Is it true that you have a secret boyfriend?

Cass: No.

Vicky: Then how about that pict-

Cass: I'm already married.

Vicky blue screened as Cass finished her sentence. Cass takes the chance and slips away from her before she starts barraging her with questions. Revealing that she is married may not be the smartest thing she has done but she is very annoyed at people who keep asking her about her secret significant other. If they want to ask, at least use the proper term.

Just as Cass reaches the hallway, she is scooped up by two strong arms and is carried away to the Batcave. Cass looks to her side to see Dick and Jason both holding one of her arms each and looking very pissed. Well, Dick looks very pissed. Jason looks like he is having fun. Cass doesn't struggle and just lets her brothers carry her to the Batcave to have the talk.

They put Cass on the couch and proceed to guard the exit of the cave on the off chance that she decides to escape. Not that she would because she and her husband have been thinking of breaking the news to their respective family for awhile now.

She waited for a few hours while playing on her phone. Her main phone. Not the one she used to contact her husband since this family has a lot of competent hackers. She knows that being married is like a big deal. But she doesn't expect it to be such a big deal.

When she says everyone is here, she means everyone. From all his close family all the way to Selina (Bruce's fiancee), Roy (Jason's boyfriend), Kori (Dick's wife), Kon (Tim's boyfriend), Jon (Damian's bff) and even Harley and Ivy is here. She is also pretty sure that Clark is listening from somewhere but it's not like she is trying to keep it a secret anymore, so the more people there are the less she needs to explain.

Harper: So what are we here again? I would rather be home to polish my new gun than in this cave.

Dick: Since everyone is here, I would like to apologize for calling all of you in such short notice.

A murmur ranging from 'it's fine' all the way to 'I want to sleep' sounded in the room.

Dick: Anyway, let's get to the main topic shall we. For starters, I would like to say that none of us wishes to control who you dated nor who you choose to be your partner.

Some more murmurs sounded in the room.

Dick: HOWEVER! We would really appreciate it if you wish to marry someone, at least notify one of us since being married is a big deal.

More murmurs sounded as all of them have a rough idea on what the topic going to be.

Dick: So, the person in question, would you like to explain yourself?

A spotlight lights up on top of Cass, directing all the people's attention to her. She doesn't even know there is a spotlight installed in the cave.Cass stands up and looks at the crowd. She replies, "No."

Everyone is stunned by her reply. They expect many types of replies but no is certainly not one of them.

Tim: Fuck you mean no?

Alfred: I would prefer this conversation to remain civil and proper please master Timothy. I would also like to express my extreme displeasure at the fact that I am not notified by your marriage Mistress Cassandra.

Cass goes still at Alfred's sentence. Okay, shit is really serious. As much as she loves messing with them, she would rather not have her food burnt on the inside. (No one knows how Alfred manages to do that.)

Cass: Ehem, I'm just messing with you. It is a long story but to make it short, my husband and I met when we were in Hong Kong. We met after he got roped in one of the gangs that I was busting. After we met and a little misunderstanding, he helped me to dismantle the underground drug labs across Hong Kong.

Tim: So he is also a vigilante?

Cass: Ex-vigilante. He has a daughter now so he is taking care of her.

Dick: You get pregnant?!! How? When?

Cass: I did not get pregnant. But she is technically my daughter.

Jason: Like how Lian is with me?

Cass: No. Biological daughter.

Kon: Umm, guys. I think Bruce needs to rest a little. His heart has been beating a little too fast for even him.

Dick and and Tim are closest to Bruce realizing that Bruce's face has been impossibly pale for quite a while now. They take him to an empty couch and let him lay there and rest for a while. Everyone's reactions range from amused to straight up concerned that Bruce's career as Batman might get cut short today.

It takes a while but as soon as Bruce is fine, they continue another round of questions and answers.

Bruce: How long have you been married?

Cass: Next week is our 3rd anniversary.

Duke: Wait. Didn't you plan to go to Hong Kong for some time next week? You even ask me to cover your patrol because you say you need to go somewhere.

Cass: I don't lie. I missed last year's anniversary since there was an Arkham breakout at the time.

Duke: Dude, still not cool. You are going on a date with your husband while I need to spend hours running on top of buildings around Gotham. So not fair.

Jason: Was the present you asked me to send last year also was for your husband?

Cass: Yes.

Jason: I've been your middle man all this time and I don't even know.

Barbara: I found it! This is the registration for marriage between Cassie Cain and Daniel Fenton. You used a fake name?

Cass: Yes. You will know otherwise.

Bruce: Why do you hide it?

Cass: I'm not sure all of you are gonna like him and vice versa.

Dick: Is he a bad person? I will kill him if he treats you badly.

Cass: No. He doesn't trust all of you at first.

Steph: And why is that?

Cass: He thinks the Justice League is working with the government. So by extension, all of you are associates of government to him.

Steph: Why is he running away from the government? Is he a criminal?

Barbara: No. He doesn't have any criminal records in his name. Except for the fact that he is practically nonexistent before he is 18, there is nothing wrong with him.

Tim: Is it a forged identity then?

Cass: No. The government wiped away his records.

Dick: What? Why?

Cass: I don't know.

Damian: I expect you to at least do a background check on someone before marrying them, Cain.

Dick: Did you get married with someone you barely know? Do you understand how dangerous that is? What if he just dipped you after you got married?

Cass: *Rolls her eyes* He isn't a bad person. I make sure of that at least. I know he is some sort of meta tho-

A green portal suddenly appears out of thin air making everyone be on guard except Cass. She expects Danny to come out of the portal to greet her but what comes out baffled her.

A young girl that looks a little like Cass riding on a big wolf comes out of the portal swiftly towards Cass. Everyone is just about to shoot their weapons when the girl's word shock them.

???:Mama!

Everyone: Mama?!!

[vqmprxz]

ticci toby moodboard + hcs

toby’s playlist

(face claim: alexander arnold)

basics (in my au)

🪓 age: 19

🪓 nationality: german + italian

🪓 height: 5’6

interests, habits, etc

🪓 such an awkward and shy person it’s unreal

🪓 unintentionally funny. if he’s comfortable around you he just says what comes to mind and it just makes people giggle

🪓 chews an INSANE amount of gum to stop himself from literally eating his hands

🪓 was terrified of drugs before but tim and brian got him into smoking unfortunately

🪓 weirdly really good at singing. you couldn’t waterboard the words “i like to sing” out of him, but sometimes if you listen closely outside his room, he’s singing along softly to the nirvana song playing on his speakers

🪓 if he’s in modern day, hes the type of person to always have an airpod in one of his ears and tune everyone else out

“toby are you listening?”

“h-huh.”

🪓 always FREEZING. he can’t feel it of course but if anyone were to touch him they always gasp at how cold he is

🪓 crazy sleeper build. he looks skinny and frail but he can LIFT.

🪓 on the spectrum (autism, adhd, bipolar)

🪓 sometimes when he’s stuttering badly he just gives up and walks away and leaves people confused. (i do this.)

“c-can- can- can y- c-can you- f-fuck, nevermind”

“???”

relationships with others

🪓 i feel like he’s only really close with tim, brian, and kate. he’ll make small talk with the others but that’s about it.

🪓 liu has made it clear that toby can come to him whenever he needs and look at him as an older brother figure if he wants (BUT toby’s a little reluctant)

🪓 poor kid is always the target of jeff’s jokes. (jeff gave him the nickname “stutters” and “twitch” and toby threatened to behead him)

🪓 toby is the operator’s favorite proxy, he’s the least rebellious out of the four and uses that to piss them off

🪓 he really just keeps interaction to a minimum, i don’t know what else to say

a relationship with him

(sfw)

🪓 it takes a lot of time and trust to build up a relationship with toby, so if you’ve came that far then good job

🪓 he’s never been in a relationship before, too awkward and shy to ever make a move on anyone he was interested in

🪓 you’ll notice fast that he’s very clingy and needs constant reassurance, but you’re willing to give that to him

🪓 sometimes though, he’s snappy and cold and wants nothing to do with you (he’ll always cuddle up to you and apologize after one of those days though)

🪓 your dates usually consist of walking through the woods together, holding hands and just having deep conversations

🪓 he loves everything about you, even if he doesn’t know how to communicate it. silently admiring your features, mannerisms, and personality is one of his favorite things to do.

(nsfw)

🪓 VIRGIN before you. absolutely no experience. it took a lot of reassurance and “am i doing this right?”s, but he eventually learned exactly how to please you

🪓 puts on a front that he’s all tough and dominant until you guys actually do it. he’s whining and apologizing in between each thrust, he just can’t stop himself

🪓 doesn’t matter if you’re a girl or guy, he’ll BEG for you to be on top

🪓 tits guy 100%. no matter what size. needs them in his palms or in his mouth any chance he can get.

🪓 NEEDS praise. just wants to know that he’s making you feel good. (don’t degrade him he’s sensitive.)

🪓 loud. put your hand over this mfs mouth or people will be knocking on the door.

🪓 weirdly talented at oral (whether you’re a girl or guy). doesn’t have a gag reflex & can move his tongue fast.