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caffeinewitchcraft · 3 months ago

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WIBTA for going to my high school reunion even though the two witches I stripped of magic are going?

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I (28 witch) was in a coven during high school. Not really even a coven. We weren’t recognized and there wasn’t a clear division of responsibilities. We did have a high priestess but she hadn’t Declared or been Initiated or whatever she believed. Looking back, her learning was all over the place (and a little problematic, honestly. I remember her calling a poppet a Voodoo doll before being called out by another member). Let’s call her Sarah.

Sarah was a year older than the rest of us (still the same grade though) and her mom was a witch so that made her the high priestess. She was the one who would organize all of our rituals and held the power of veto over any proposed spells. While you think that’d mean she’d provide the ingredients, she never did. She did tell us what to buy and, let me tell you, some of those things were expensive for a high schooler. We met in the park behind her house, and she demanded that at least one of us be in every one of her classes. If we weren’t, we’d be “cycled” out of the coven until our parents convinced the school to transfer us in.

Any alt kid knows what I’m talking about because they had a Sarah in their life. If she was angry, we had to be angry (and a little afraid of her). If she was sad, we were expected to ask why. If she was happy, we had to be even more happy. You get the picture.

The problem came when Sarah added Jess (fake name) to the Coven during the start of our junior year. It was the first time Sarah allowed someone else from a witch family to join. Jess was a transfer student from England. She told us all that that made her magic deeper and more powerful because she was a “daughter of the witches you could not burn.” When I pointed out that that statement is historically inaccurate, Jess called me a “pilgrim.” She tried to convince Sarah to blind me (take away my decision-making power in the coven), but I was the only one with reliable access to dried herbs (my mom’s a botanist and didn’t count her stores like Sarah’s mom did), so Sarah said no.

Jess’ dislike of me got worse when I actually did dress like a pilgrim for Halloween that year. And, if I’m honest, I did take it a little far. I was a hot-headed kid. I followed her around the entire day and had kids sign one of two petitions – “Burn” or “Not Burn.” When the Burn Petition won, I could tell I went too far (there were a LOT of signatures). I tried to make it a joke and told her that now she really was a witch we couldn’t burn.

Jess and I got in our first physical fight. Sarah eventually broke it up, but not before Jess ripped out a good chunk of my hair, and I broke the tiger’s eye bracelet she wore.

I later heard from another coven member that Jess tried to lay a curse on me that night. Unfortunately for her, I was pretty interested in defensive work and had a fresh witch’s jar buried under my window. Her curse got caught in it and rebounded. Apparently, that’s how Jess got pink eye, not from her younger sister.

We fought like cats and dogs. Any time Jess would talk about England, I’d make fun of her accent. When I brought up what spell I’d like to do, Jess would call me a juvenile pilgrim. Eventually, Jess got smart. She’d text me insults rather than say them to my face so that she’d have a chance to tattle to Sarah before I got the chance to hit back.

Sarah pulled me aside at least three times to “address” the fights. She basically said that I needed to respect Jess more because she came from a witch family, like her. She told me I could learn a lot from Jess if I stopped acting like a human. When I pointed out that we are humans, just humans who have elected to use magic, she got really mad.

And when Sarah got mad, she could make life really difficult.

My spell for luck on midterms got passed over for Jess’ jinx on our English teacher. The jinx worked and Ms. Edel tripped, but guess who still came to class with a broken leg? MS. EDEL. Guess who failed their midterm?

ALL SEVEN OF US.

Damn, I can’t believe I’m still upset by this petty high school drama. Therapy did not work.

So safe to say that Jess and I never became friends. I love magic now and loved it then, but she took it so seriously. I’ve always believed magic should be fun. All the spells she brought to the coven required a spirit element—blood, hair, sacrifice. One of the members was a strict green witch and had to drop out because of it. We missed two full moons until Sarah approved Eileen to rejoin after she woke up from her coma.

(And before anyone freaks out about the coma – we all ended up in comas here and there. We were a bunch of uneducated and untrained baby witches who all had different belief systems. The fact that there wasn’t anything worse than a coma is a miracle. She wasn’t traumatized by it any more than I was by mine.)

Jess and I mostly avoided each other for the rest of the year. We always voted against the other’s spell and I’m fairly certain she tried to trip jinx me in the hall as often as I tried to trip jinx her. Sarah never tried to diffuse the tension between us. She confided in Eileen that she was grateful we kept each other in check.

Things could have continued on that way until we all moved away for college (or repeated the year after failing all those midterms) if it weren’t for the vernal equinox. Or, as we inaccurately called it, the Spring Solstice.

The way it worked was that we all got to propose a ritual during equinoxes. They’re powerful magical events on their own and when you bring intent to the party? They were always our biggest, most successful workings.

Sarah always chose what we did on those days. She pretended like we got to vote, but we all knew she would never choose one of our rituals. My freshman year, she made us all do one for beauty. Because it was a “make real what is in the eye of the beholder” type, some of our transformations were a little…traumatizing. I’m only telling you this so you understand the power an equinox has, okay? I do not think this way anymore. Other members were just as extreme. Eileen went from a Wendy from Wendy’s to a Jessica Rabbit. And I…

Well.

I grew rabbit ears and teeth. That doesn’t make me a furry! Who Framed Roger Rabbit? was super influential on BOTH Eileen and me. I was a kid and didn’t understand my own concept of beauty. It took almost three months before I got the ears to go away entirely.

Suffice it to say, we were all excited and nervous for what ritual Sarah would pick, which is why it was a blow to find out that she had picked a ritual - Jess’ ritual.

A ritual for power.

I didn’t want to do it from day one, okay? My belief is that whatever magic comes to you naturally is what’s okay to take. I think if you rip magic up from the earth or the abyss, it’ll change you. Maybe even corrupt you or change your personality.

But I was a kid and didn’t know how to explain that. Jess and Sarah were both from witch families and they seemed to think it was okay. Even though I didn’t like Jess, I did see her as a more “authentic” witch because of that. I know better now, but as a kid seeing all of her grimoires, I gave her false authority.

Jess explained the ritual to us over the next month. She talked about how we were going to be “tested.” The ritual would pull our spiritual selves from our bodies, and depending on how long we chanted, we’d return to them with more or less magic than when we started. She said that everyone in her family did it when they turned 18.

It wasn’t until three days before the equinox that she told us what would happen if one of us were to be judged unworthy.

“Mostly nothing,” she said. I remember her exact words, how her black hair spun as she soared through the air on the swings. We stood in a half circle before her and Sarah as they swung higher and higher. An audience to their aerial court. She said, “Sometimes people lose some of their magic. When the ritual decides they don’t deserve it.”

Eileen asked, “When the ritual decides? It’s sentient?”

“There’s an overseer we’ll call on,” Sarah said. She’d been the only one allowed to read Jess’ grimoire. Her lip curled and she leaned forward so she could look down over Eileen like an avenging angel as she swung overhead. “An impartial entity.”

“I am not a deity witch,” I said. I had long ago committed that I would never call on a higher being in any ritual. Most of our spells had to be modified for me so that I could swear to the cardinal directions rather than to the Morrigan or Hecate. “You know that.”

“You’re not swearing to anyone,” Sarah said and rolled her eyes.

“Which means no one is swearing to us,” Eileen muttered under her breath. But I could tell she had given up by the slump of her shoulders.

“It’s only the unworthy who lose their magic,” Jess reassured. Her eyes flashed at me. “Scared you’re unworthy?”

Yes. I was scared. I know better now than to think lineage has any place in witchcraft. It’s about the magic, always just the magic. But months of hearing their rhetoric had worn at my self-esteem. It really felt like if I didn’t do the ritual, I was as good as admitting I wasn’t a witch. If I did do the ritual…

Well. Obviously, I did the ritual.

I was a hot-headed teen, okay? I felt challenged. I decided that I would wear extra protections. Tiger’s eye and quartz charged with intention. I picked out a silver locket my mother gave me, filled with belladonna. She told me it symbolized beauty and choice.

Now, here’s where I may be the asshole.

I can’t give you a play-by-play of the ritual. It was ten years ago, and calling on that much magic has a funny way of warping memory. But what I do remember is this:

We gathered in the park before sunrise. Seven of us in new colors – spring green, white, soft yellow and pink. Jess made us get rid of anything with a working on it – crystals, cards, and ladders. She collected them all in a linen bag and threw them into the woods. I couldn’t get away with my tiger’s eye or quartz, but she missed the pendant my mother gave me. It was a warm comfort against my chest as we began.

We lit the fire together, each of us frantically thumbing our lighter to make sure the sparks caught at the same time.

Jess brought the chalice. We all cut our palms and let seven drops fall into it. (No, we didn’t use a clean blade. My cut got infected as hell and it itches like a witch. I know better now!) She bade us drink, and we did.

“Now the magic will see us as equal,” Sarah said while Jess prepared the next step. She licked her lips as if savoring the blood. “It will only be our wills determining the outcome.”

Jess doused us with oil and herbs. It smelled sharp and uneasy. I had provided the herbs and knew all of them were either fresh or dried to perfection. But it was rancid. There was rot in the air, but I couldn’t place it then. I wrinkled my nose and took up the chanting with the others to distract myself from the smell.

If you’ve ever chanted before, you know the stages. First, you’re just talking. You say the words and they mean something, but you don’t feel them. Then your mouth gets tired. You start messing up the timing of the words. You stutter. You stumble. The words lose meaning. Most people stop there. They fall silent and sink into a shallow meditation with heads full of fog.

You’re only a witch if you can reach the next step. You keep saying the words. They become comfortable. You wear the words like clothes and feel your cadence curl through you like a companion. Your body goes on autopilot and your mind relaxes. The chant turns smooth as silk. Depending on the chant, you lose yourself to the sweetness of your coven singing. Sometimes, you sink into the earth with them. Other times, you ride the flow of the magic like waves.

This time, the words pulled us away from our bodies. Jess slowly introduced new words to our chant. Words of summoning.

We called upon the Overseer.

Pressure fell around me like a vice. I couldn’t breathe even as the ritual fell from my lips without breaking. Magic had, at that point, always given me control. This? This was a complete loss of it.

I felt myself compressing. Smaller and smaller in the face of the being that was rising in the middle of the flames. It was not an observer. The moment I “saw” it, its endless form writhing in the space between the smoke, I knew that. It was a judge and jury.

It was a spider.

We chanted. It grew. It pulled us from our bodies like spiderweb and spooled our essences onto its forelimbs. It was not what Jess described and, simultaneously, it was. We were being tested. Our psyches were being tested.

So long as we chanted, the being would be contained. However, the longer it was contained, the more of us it could take. If we let it go, what would it do? Would it return any part of our magic to us? Any part of who we were?

Or would it eat?

This wasn’t a test of magic. It was a test of faith. Faith in each other and faith in the ritual.

For those practitioners out there, you can see the problem. I didn’t enter the ritual with faith. My intent was flawed from the beginning. We’d had spells fail because of lack of belief. I had never been the person who didn’t believe.

Until then

My words wavered. The Overseer turned its eyes to me. I could see my magic like thread before it, shimmering against the backdrop of its maw.

Then another tremor. Eileen dropped a word. The Overseer split and looked at both of us. Someone else faltered. One of the coven – I couldn’t see them – fell and went silent.

The sky yawned overhead, empty and cold. The embers from the fire spun up into it and were lost. The Overseer rippled and I felt our coven shrink in the face of it.

I gasped around the chant and looked across the fire. The light licked Jess’ gleeful face. Her eyes hungered for my failure. I could see it. Through the connection of the Overseer, I could feel it.

Jess and Sarah changed the chant. To this day, I don’t remember if they taught it to the rest of us. There are so many parts of the ritual that I’ve left out or forgotten. But I remember them chanting different words. The circle grew discordant.

“I offer my magic so I may be unspun and woven anew,” they said. The words have imprinted themselves like bitters under my tongue. “I offer my magic so I may—”

Some of the other members tried to pick up the new chant. Their voices grew weaker and the Overseer’s limbs began to extend out towards each one of us.

I wouldn’t offer my magic to that thing. I wouldn’t be unspun. Eileen was stuttering. I saw her fall to her knees. I was close behind.

I threw my necklace into the flames.

Belladonna. Beautiful and deadly. It has meant choice to many women and many of them have been from my own family. It's extreme and it’s final. An end that doesn’t always make room for a new beginning.

Pretty words that cover up what I meant when I threw it into the Overseer.

My intent was Death.

Entities never die. I’m sure the Overseer didn’t. It howled. The wind kicked up and brought the flames into a spiral ten feet tall. Its forelimbs shattered, and I reeled myself back together greedily.

Not all of us were safe from the Overseer’s desperate struggle against my death curse.

Sarah and Jess were alone in the third phase of the ritual. They had changed the chant. They had offered their magic and asked the entity to do with it what it will. They believed.

And because they believed, the Overseer took their magic with it.

I think it was the first coma Jess ever fell into. Her family certainly acted like it. They whisked her back to the East Coast before the end of the year. I heard from Eileen that she woke up shortly after I left for college.

Magicless.

Sarah too.

I fully own that I was responsible for the ritual failing. I panicked. I’ve gone through every excuse over the years. I didn’t know what the ritual really was. I was just a kid. I took magic too lightly. It was their fault for not letting us read the grimoire for ourselves. But, at the end of the day, the real reason the ritual failed was because I panicked and I let that panic break my belief.

I moved on to college and it felt like running away. I’ve never returned to my hometown. I’m happy with the life I’ve built. My magic summer camp gives me time to travel during the winter months, and I feel like I’m making a real difference in young witches’ lives.

Nowadays I teach young witches to never do a working without full intent. If they have doubts, they don’t do it. It’s a lesson I learned the hard way ten years ago. I tell them it can cost them more than their magic. It can cost them their lives.

Eileen is still back home and she says Sarah rarely comes out of her house. Sometimes she sees our former high priestess wandering the school grounds on nights of the full moon. I hear from other members of the coven that Jess’ family put out a bounty on me a few years ago. However, I never saw an assassin so I think that was just a rumor.

So, knowing that they’re still not over it, would I be the asshole for attending my high school reunion next month? I’ve been craving reconnection with my roots, but I’d be subjecting Sarah and Jess (though Jess marked Maybe on the RSVP) to my presence.

I know they must hold a grudge. If they were still witches, that would be a problem. I don’t think I’d be able to defend myself from one of their workings since I blame myself for what happened. But since they’re not, it’s not really a danger. That’s pretty asshole-ish, right? Ignoring their feelings because they don’t have the magic to back it up?

So WIBTA for attending my high school reunion even though the two girls I stripped of magic will be attending?

-----

Thanks for reading! It looks like I'll have quite a few updates for the anthology! I am still obsessed with this format and can't wait to share some of the updates over the next few weeks.

If you'd like to support me before the anthology, please consider supporting me on Patreon (X)! I post new stories every week and many of my patrons saw the above story a week early.

The current AITA story takes place in the same universe as our former Cryptid (X). About a poor, poor boy who is just proud to be a regional Nightmare. Why is everyone so mad at him?

See y'all next week!

#my writing #aita reddit parody #reddit parody #first person #witches

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kitkatkitzune · 1 month ago

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PRINCESS

Pairing: Kol Mikaelson x Vampire!Reader

Summary: Elena, Bonnie, and Caroline find out the real reason Kol calls his lover princess.

Warnings: Violence I guess, Blood mentioned, Death, A bit of angst, Forced suicide, A lousy king, Age gap between reader and unnamed man she is meant to marry, A scene very obviously inspired by Star Wars (let me know if you catch it), Borderline excessive use of the word ‘princess’ (I fear that was implied by the title), Inaccurate historical depictions, The Mikaelson family being menaces (kinda), Kol being Kol, Caroline being Caroline, Implied Klaroline, Inconsistencies in the tense it’s written in (my bad), A few uses of Y/N

Notes: Let's pretend everyone gets along… for the most part. Kol got turned at nineteen because I said so. Those stars were formatted to be centered originally but they keep going back to the side and I don’t know why, sorry.

Word Count: 4.4k

———————

Present Day

Mystic Falls

For once in Mystic Falls, it’s peaceful. The Mikaelson’s decided that they’d all had enough running around, ripping the town apart, they wanted to relax and have normal lives for a bit. Klaus was the most reluctant of this idea, wanting to run off to create more hybrids but Caroline had asked him to stay, just for a bit before he’d continue his travels. He backed down a bit after that, behaving himself for the first time ever. All his siblings were shocked by this but chose not to taunt him about it. Well, all except for one, Kol. Kol would tease him relentlessly about it, using all the new terms he had learned, his favorite being ‘whipped’.

Oh Kol, your sweet, not so sweet, innocent, not so innocent, Kol. You had met Kol during the 16th century while you were still human. You had fallen hard for the Mikaelson boy but your feelings would mean nothing as you had already been betrothed to another man. The man was much older than you but that did not matter. It didn’t matter that you didn’t love him either, your fate was sealed. You were the only daughter to your parents, only child in fact. Your mother had tried to produce another heir, a boy, but fate would not allow it. Just as Kol would not allow you to marry that man.

You currently sat in the Mystic Grill, snacking on some french fries while you hummed quietly to yourself. Suddenly Caroline, Elena, and Bonnie all crammed into one side of the booth, sitting across from you. They were looking at you with wide eyes. You were in the process of putting a french fry in your mouth and sigh, setting it back onto your plate.

“What—“

Caroline shoves your plate of fries out of the way and slams a book in front of you, frantically pointing at a picture, “This is you? Right?!”

You look at the picture, it was a painting of you. In fact, this particular one was painted by Klaus.

“Yes, that—“

Caroline cuts in, “Is this before you were turned?! All it says is that you mysteriously disappeared at a ball! You’ve gotta tell us about this!”

Your eye twitches a bit, “I’m trying to!”

“Oh… right.”

You look at the picture of the painting again, it’s nothing compared to the original, “Nik actually painted this when he and his family—“

Caroline interrupts. Again. “Nik like, as in Klaus? He painted this? Wait so this was after you were turned? Or was it before?”

“Caroline!” Bonnie and Elena shush her.

“Sorry!” Caroline squeaks out, “I’m just excited…”

You laugh a bit, amused by the blonde's antics, “I’ll start with when I met the Mikaelsons…”

-★-

16th Century

England

“We thank you for welcoming our family into your home.”

Your father nods, holding his head high, still not too sure on the new family who would be staying around for a while. Your mother, on the other hand, had begun to gush over them.

The man continues, “I apologize, I have not properly introduced myself. I am Elijah Mikaelson.”

You watch as Elijah takes your mothers hand and brings it to his lips, she looks as though she is going to faint. You glance at your father who looks like steam is going to come from his ears. You try to suppress a giggle but fail. Your eyes widen when another boy immediately looks at you, you were caught. The heat rises to your face as you shrink back in on yourself. The boy was very attractive, they all were. He had brown hair and eyes to match, which glimmered with mischief. You knew immediately that he’d be one to cause trouble. He smirked at you and tilted his head to the side as he stared at you. You began to chew your lip and look to the ground, unable to meet his gaze any longer.

Your father clears his throat, bringing your mother back from her daydreams of Elijah. Your mother looks at you and grabs your hand, pulling you to stand in front of her.

“This is our daughter, Y/N, she is to be queen.”

The boy with the mischievous eyes raises a brow, “No sons?”

“Mind your tongue, Kol.” Elijah warns his younger brother.

The blonde girl next to who you now know as Kol begins to snicker. Elijah quickly turns his attention to her, “Rebekah.” he warns.

Another man steps up from behind Rebekah and Kol, “I do apologize for my siblings behavior. Kol and Rebekah can be rather… brash. Allow me to introduce myself, my name is Klaus.”

He takes your mothers hand and kisses it, she looks as though she is going to faint again.

Your father clears his throat once more and Kol raises a brow, “Are you ill?”

“Kol!” Elijah hisses. Kol simply shrugs.

Your father glares at Kol before choosing to ignore him, addressing the others while simultaneously answering Kol’s question from earlier, “She is to be wed soon.”

You tense up at the mention of your wedding. Something that Kol immediately takes note of.

“We are having a ball in three month‘s time to celebrate, it will be held the night before the wedding! You are all welcome to attend!” your mother quickly offers.

“Oh don’t be ridiculous, my dear. They will certainly have moved on with their travels by then.” your father looks at the Mikaelsons before narrowing his eyes, “Right?”

Kol and Rebekah glance at each other, clearly not impressed by your fathers attempt at intimidation.

Klaus smirks, “Nonsense! We wouldn’t dare miss a ball, would we Elijah?”

Elijah chuckles, “No brother, we would not. You have my word, we will be there, Miss Y/N.”

“Princess Y/N.” your father quickly corrects.

Elijah’s eyes narrow, “My mistake.” he then turns to you, “We will be at your ball, Princess.”

-★-

A week had passed since the Mikaelson family had arrived in your kingdom. You had grown to enjoy Rebekah’s company, laughing along with her as she complained about her brothers. Elijah would offer polite conversation if he saw you and you were scheduled to have Klaus paint your portrait (something your mother was ecstatic about). The only one you hadn’t had much interaction with was Kol. You could see him watching you from afar but he never approached you, though you couldn’t blame him because you never approached him either.

“For a girl that is soon to be wed, you don’t appear to be all that thrilled.“

You jump at the sudden voice and turn to see Kol. He’s smirking at you, “Hello princess.”

What was that saying? Speak of the devil…

You scoff and turn back to look at the trees, watching a squirrel run by. You often came to this spot in the forest to clear your head. It was isolated, just you with nature, and no one knew of it other than you and your mother. Until now that is.

“How did you find me?” you ask quietly.

“Oh! So she does speak!” Kol’s smirk widens.

Sitting up straighter, you clear your throat but before you can speak, Kol interrupts, “Does that run in your family?”

You narrow your eyes, “Does being an overly presumptuous arse run in yours?”

Kol lets out a whistle, “Sharp tongue.”

“Is there something you need, Mister Mikaelson?”

Kol raises a brow, “What I ‘need’ is for you to call me Kol, Mister Mikaelson makes me sound far too much like Elijah… so proper.”

“Then stop calling me princess.”

“Oh I’m sorry I can’t do that, princess. It is your title after all.”

“Very well…” you pause, “Mister Mikaelson.”

Kol chuckles, shaking his head and gestures towards the rock you’re currently sitting on, “Mind if I sit?”

“For some reason, I think you’d sit regardless of my answer.”

He smirks, “Pretty and clever.”

You turn to look away from him, heat rushing to your face. He chuckles a bit at your reaction. The two of you sit in silence for a moment, observing the nature around you. A bunny stops at a tree in front of you two, staring at you both. A smile appears on your face as the creature stares you down. You tilt your head to the side, letting out a small laugh as the bunny copies your actions.

Kol’s attention is not on the bunny though. He is focused solely on you. The way you smile, the way your hair is framing your face, the way your chest rises and falls with each breath, the twinkle in your eye as you watch the animal… just… you. An unfamiliar warmth spreads in his chest, unfamiliar, but nice.

Kol is so distracted by you that he doesn’t even realize that the bunny has run off until you’re waving your hand in front of his face. Kol blinks a few times as you lower your hand, your attention entirely on him as you begin to giggle again. Kol’s face flushes a bit and that warmth begins to spread in his chest again.

You raise a brow at him, “Has something distracted you?”

Kol laughs, shaking his head, “I just… you’re full of such life, you have wit… you’re fierce yet nurturing. And yet, I’ve seen you around with that man who must be at least twice your age and you seem dead. It’s as though you lose everything that makes you, you when you’re with him.”

You chew your lip, tilting your head as though you’re thinking, “Perhaps you are different.”

“A good different?”

“I hope so.”

-★-

Three days later you were sitting at that spot once again when Kol found you. This time, he brought a basket full of treats.

“You cook? Bake?” you ask.

He smiles a bit, raising his hands in mock surrender, “Alright, you’ve got me. I had some help from Rebekah… and I may have stopped at the market on the way here.”

You try to hold your composure but begin to laugh, Kol smiles at this and begins to laugh as well. He sits on the ground in front of you even though you had told him he could sit next to you. He simply wanted to look at you without having to turn his body.

You pick up one of the pastries and take a bite, a few crumbs fall onto your skirt and you don’t notice the few that stick to your lip. Kol does though, he finds it adorable and can’t help it when he sits up straight, bringing his hand up to brush his thumb against your lip. Your eyes widen in shock as you look down at him. Without breaking eye contact, he pulls his hand back and places his thumb in his mouth, sucking the remaining crumbs of pastry away.

Amused by your wide eyes and flushed face he tilts his head to the side, a sly smirk appearing on his face, “What?”

You narrow your eyes at him, “Please stop looking at me like that.”

“Like what?” he sits up once more, your faces directly in front of each other, only inches between the two of you. Your noses are practically touching…

You will yourself to not break away from his intense gaze, “You’re teasing me.”

“Oh,” he chuckles, amused, “I’d be much too frightened to tease a princess.”

-★-

Kol and you had continued to meet at that spot at least twice a week. No one had known other than maybe his siblings. It was taboo enough for two people of the opposite gender to be left alone if they weren’t married or soon to be. It was even more taboo considering the fact that you were to be married soon, to another man. Not to mention Kol’s obvious flirting and the way you would become flustered just by his gaze alone. Something that your soon to be husband could never do, never make you feel.

Normally, when Kol would find you, you’d be humming a song or spinning in a circle or even just sitting there, watching. Today, though, when Kol arrived, your entire body was shaking. He could hear your sobs as he approached you.

“Princess?” Kol asks softly, sitting next to you.

You looked up at him and Kol’s heart broke at the sight of your tear stained face.

“He’s going to kill me Kol.”

“What?”

“My fiancé… I overheard him speaking with his brother, after we are wed he is going to have me executed. I am simply a means to an end for him, I tried to tell my father but he brushed me off as paranoid and trying to get out of the wedding!”

Kol rests his hand on your cheek, wiping away a tear and for a moment, just a split second you could have sworn you saw the veins beneath his eyes ripple, it must have been your tear filled eyes playing tricks on you. You were certain though, that his eyes became dark. You should have been scared at that look in his eyes but you weren’t. You felt safe.

“Will you trust me?”

When you don’t answer he asks again, differently, “Y/N. Do you trust me?”

“Yes.” you answer without hesitation this time.

“At the ball tomorrow, I’ll take care of everything, okay? I promise that I won’t let him hurt you. I will find you, okay? If I do not then one of my siblings will. If none of us can reach you, I’ll be here, at this spot, waiting for you.”

You nod, bringing your hand up to cup his that currently holds your face.

“I must confess something.”

You tilt your head, urging him to continue.

“I’ve never had any intention of allowing you to marry that man.”

-★-

You were preparing for the ball when there was a knock at your door.

“Come in.” You called out.

Your mother entered the room and dramatically placed her hands over her heart at the sight of you. She rushed over to you, placing her hands on your shoulders, looking at you both in the mirror.

“My little girl, you’re all grown up.”

You smile softly, “Well I think that I still need my mother to help me with my necklace…”

You reach for the necklace that you had planned to wear but you were stopped by your mother. You look at her in the mirror, confused.

“No no, you’ll be wearing this.” she held up a gorgeous necklace, it was bejeweled, specifically with your birthstone.

“Mama…” you say, turning around to face her, touching the necklace as gently as you could, “This is gorgeous, where did you get this?”

She smiles, cupping your cheek, “It was a gift, here, allow me.”

You turn back around and your mother lifts your hair as she clasps the necklace. You reach up to touch the jewels, a small smile on your face. You have a guess as to who the mysterious gifter was and you could only hope you were correct.

She kisses your cheek, “To think, tomorrow you will be married…”

Your mood is dampened at the mention of your marriage. One day closer to your death. You had to trust Kol, that he would help.

The door opened and Rebekah entered, she looked absolutely stunning in her blue gown. Her hair was in an updo that complemented the square neckline of the dress. She freezes at the sight of your mother.

“My apologies, I did not mean to intrude.”

“Nonsense!” your mother exclaims, “I was just telling my lovely daughter how beautiful she looks, I’ll leave you two to talk.” she makes a swift exit out of the room and you chuckle.

Rebekah turns and looks at you, “You do look truly gorgeous.”

“As do you, Rebekah.” you smile softly at her.

The blonde takes your hands in hers, glancing at the door to make sure it’s closed before she turns back to you, “How much has Kol told you about tonight?”

Your brows furrow, “Only that I need to trust him…”

Rebekah sighs, “That fool.”

“Rebekah? What is going on?”

She plasters on a smile, “You needn’t worry darling, we won’t allow anything to happen to you.”

“Where is Kol…?”

Rebekah’s smile falls, “He’s having a chat with your fiancé.”

-★-

You stand with Rebekah, chatting while sipping your drinks. You glance around the room and frown when you realize you still haven’t seen Kol around. You hadn’t seen your fiancé either.

When Kol finally enters the ballroom, he makes his way to Elijah. Elijah takes in Kol’s appearance, checking him for blood stains and when he finds none, he raises a brow.

“I do hope you did not leave a bloody mess behind.”

Kol smiles sweetly, but his words are anything but, “I’d rather choke than have a single sip of that pig's blood.”

Elijah raises a brow and hums, intrigued, “What have you done?”

There’s suddenly a loud crash and a scream, causing everyone to look to the stairs. A maid comes rushing from the room where your fiancé was getting dressed, she goes straight up to your father. Listening in, Kol and Elijah hear the maid tell him that she found your fiancé’s body in the room. Your father’s eyes fall onto you and he beckons you to come to him. Your mother chews her lip, looking absolutely horrified. You excuse yourself from Rebekah and make your way to the stairs. Kol shifts the way he’s standing as though he’s about to make an escape.

“Kol…” Elijah narrows his eyes at his brother, “What did you do to the man?”

“Relax brother… he’s just hanging out.”

-★-

That night you sat on your bed, staring out the window. Your father had forbidden you from leaving the room for any reason. He blamed you for what had happened. Your mother remained downstairs trying to keep the party alive even though the guests of honor were nowhere to be found. You had discarded your gorgeous ball gown to slip into your nightgown. The necklace still rested on your chest, you couldn’t reach the clasp to remove it, you began to fidget with one of the jewels.

The more you stared out the window, the more your room seemed to suffocate you. You brought your hand up to catch the cold, metal latch and unlock the window, allowing the cool air of the night to blow into your room. Then you make a decision you’re sure you’ll regret, you climb out of the window and begin to climb to the ground. Your bare feet freezing when they make contact with the cold rock.

When you hit the ground you immediately start running to the forest, to your spot. You wish you could say that you weren’t surprised to see Kol there, already waiting for you like he had said he would be.

“Princess, I was waiting for you to show up.”

You let out a shaky breath, suddenly aware of the cold air around you. Kol stands and walks over to you, his eyes fall to your chest and you begin to feel self conscious of the fact that you’re in nothing more than a nightgown. He carefully reaches for your necklace, fidgeting with a gem, just as you had done earlier.

“I see you got my gift.”

A small smile finds its way onto your lips, “I knew it was you…” he can’t help but think that your words are referring to more than just the necklace.

He smiles down at you, “I am disappointed that I could not dance with you tonight.”

“You still can.”

He smirks, taking a step back from you before offering you his hand, “Could I have this dance, princess?”

You laugh, doing a small curtsy as you take his hand, “Why of course, Mister Mikaelson.”

Kol pulls you into his arms and you wrap your arms around his neck, taking in his body heat. His hands rest on your waist and you jump a bit at the feeling.

He chuckles, “You must be freezing…”

“Only a bit.” you admit, quietly, “You’re quite warm though, enough for us both.”

You rest your head onto his shoulder and close your eyes, humming. All nice things must come to an end as you hear your fathers booming voice echo throughout the forest. The sound of footsteps stopping right near you. You wait for the shouting but it does not come. Reluctantly you lift your head and find your mother’s wide eyes staring at you.

“Mama…” you begin to pull yourself away from Kol.

She brings a finger to her lips, shushing you as she rushes to pull you into a hug. She pulls away and holds your face in her hands, “You must go. Run.”

“Mama, I—“

She shakes her head, “There is no time to argue,” she looks at Kol, “Your family, you have money?” he nods and she continues, “You will take care of her?” he nods once more.

Your mother swallows hard, “Then go, run far from here and be happy. This life… it is never what you wanted, you want adventure, you want to travel. You do not want to sit and deal with politics… I know how it bores you. It’s killing your soul. I want you to be happy…”

Tears fill your eyes as you pull her into a tight hug, “I love you, mother.”

“I love you too, my daughter.”

She pulls away, tears are in her eyes, “Now go.”

Your father’s voice gets closer and before you know it, Kol has picked you up into his arms and has begun to run, you wrap your arms around his shoulders. You watch over his shoulder as your mother stands still, getting smaller and smaller the farther you get away.

Kol seems to be running at an inhuman speed and you close your eyes not being able to handle the way things speed past you anymore, you feel as though you’ll be sick. Not even a minute later, Kol stops running.

“Kol.” Klaus’ voice warns, “What happened to getting rid of the fiancé and leaving the girl to find a better suitor?”

“She’s coming with us.”

“Kol…” Klaus begins.

“This is not negotiable brother!” Kol fires back.

Rebekah looks at you, curled up in Kol’s arms, practically shaking, “Did you steal her?”

“What?! Do you take me for an uncivilized fool?! She came with me!”

“I’m not judging! I’ve grown to like the girl as well!”

“My mother asked me to go with him…” you finally speak up.

“If she goes back, her father will be even more enraged than he already is. She’s coming with us.”

“Does she know?” Elijah asks, when Kol shakes his head, he sighs.

“She’ll have to kn—“

“I know, Elijah!” Kol snaps, “But now, we must go! The people are looking for her, we need to leave!”

Elijah swallows, “Very well. But we will be discussing this further Kol.”

Klaus throws his hands up, “You’re not serious, are you?”

He gets no verbal response as his siblings begin to run ahead of him. Klaus groans, “You are serious,” rolling his eyes as he reluctantly moves to catch up with the others.

-★-

“Would you turn me?” you ask suddenly, snuggling further into Kol’s chest.

He tenses up, he stops brushing your hair, “Where is this coming from?”

You sit up from his chest, “We’ve been traveling for almost two years now. I’ll be nineteen soon and you’re forever nineteen.”

You bring a hand up to brush the side of his face, forcing him to look at you, “I want to spend forever with you.“

Kol holds his hand over yours, staring into your eyes, “Do you understand what you’re asking of me? You’d have to die… and then you’d wake up like me, a monster. You’ll be thirsty for blood and no matter what you do that thirst will never go away.”

“You’re not a monster, Kol. I know the things you’ve done, and yet you can still be gentle. If I have to die and drink blood to spend the rest of eternity by your side then so be it. I want to stay with you forever.”

“Forever is a long time, princess.”

You laugh, “Perhaps it will be long enough to teach you to quit calling me that!”

It’s Kol��s turn to laugh, he pulls you back into his arms, pressing a kiss to the top of your head, “Neverrrr.”

You both lay in silence for a moment, until you look up at him again. He narrows his eyes at you before finally sighing.

“If that is really what you want once you turn nineteen… then I will turn you myself. Just don’t go running to Rebekah or God forbid, Nik.”

-★-

Present Day

Mystic Falls

“Soooo…” Bonnie pauses, “Kol killed your fiancé and you ran off with him?” she then points at your neck, “And you’re still wearing the necklace he got you.”

“Well that’s one way to shorten my story.” You mutter.

Elena laughs a bit at that before raising a brow, “So wait, you knew Kol killed him?”

“It was kind of obvious that Kol had something to do with it, he did tell me he was going to take care of it. I just assumed he had threatened him and it scared the man so bad he took his own life…”

“In reality I simply compelled him to, I never laid a finger on the man.” Kol announces as he slides in the booth to sit next to you.

“Speak of the Devil.” you tease.

Kol looks around for a moment before turning to you, “I don’t see Nik anywhere.”

He wraps his arm around your shoulder and presses a kiss to your cheek, “Hello princess.”

“Hi Mister Mikaelson.”

You then look to the three girls across from you, “How did you even find that picture?”

“School project on the time period. It’s in a few history books.” Elena answers.

You hum in response then look at Kol who slides out of the booth, offering you his hand, “I hope you ladies don’t mind, the princess and I have places to be.”

You roll your eyes at his antics and take his hand, getting about a foot away before you turn back around to look at the three girls, “I’d really appreciate it if you didn’t do your school project on me.”

They all nod and you smile, leaving The Grill, holding Kol’s hand. The three girls sit in silence for a moment, still soaking in all the information they just learned when Caroline suddenly gasps.

“What is it?!” Bonnie asks, looking around, trying to find a threat.

“That’s why he calls her princess!”

“We know, Caroline.” Elena answers, a bit amused.

“Oh…”

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shanastoryteller · 4 days ago

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Hi Shana!

Do you watch any Korean dramas? You pulled me into several fandoms so I generally trust your taste in TV.

I've been trying to learn Korean, but Duolingo only has like four voices and I'm at the point where it's been recommended that I start watching kdramas.

I'm not far along enough to understand anything they'll be saying, but subtitle translation exists and it would be nice to get used to the sound of the language spoken by actual speakers.

I don't trust my own ability to find a kdrama I'd like, on account of every TV show I've gone hmm I wonder if I'll like that? I've hated.

Do you have any recommendations?

i love kdramas!

my favorite is absolutely hands down mr. queen. that show was made in a lab for meeee. gender fuckery, politics, identity porn my beloved. really fantastically written women. just wonderful

goblin was the first kdrama that really pulled me in. really wonderful fantastic characters who all have such great chemistry with one another. really hilarious when it's not breaking your heart. also once again identity porn my beloved

crash landing into you is very good but you've gotta just. disassociate from the north korea of it all. and accept that the north korea of it all makes it so stunningly unrealistic, even for a kdrama (in my personal opinion). but the main couple has incredible chemistry and the support cast is hilarious

hotel del luna is also a fave but it's pushed forward almost entirely by the amazing presence and acting of chemistry of IU alone. not that the rest of the cast isn't good and interesting, it's just that she's such a standout and really what makes it worth watching. i love a complicated woman

under the queen's umbrella is famously historically inaccurate (the whole premise of the plot makes no sense and would never happen) but it's really sweet, well acted, and! had such a wonderful and compassionate depiction of a trans woman struggling to be herself in old timey korea, which was pleasant surprise

kingom is a very good, well plotted zombie show. phenomenal acting, great story, but not enough in the way of interpersonal relationships in my personal opinion

business proposal is a classic, cute take on a trope done a million times but done very well. great chemistry, so cute, probably the one out of all my recs that's really just cute fluff. the side couple is also really cute with great chemistry, enough that you're rooting for them just as much as the main, which rarely happens. also, again, identity porn my beloved

#asks #anon

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actualhumantrashcan · 1 year ago

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I can understand a silly workplace comedy about pirates not being everyone’s jam but I really can’t understand the amount of queer people I see hating on ofmd.

like for one thing most of the debates turn into gatekeeping queerness (which I think has a lot more to do with the ages of the main couples than actual concerns about authentic representation but that’s another post) and the rest are just hateful because it doesn’t directly name or label it’s queer characters but like why do we need that at this point?? listen I love heartstopper with all my heart but it is exhausting to watch them explain queer identities sometimes (even though I do think it’s super useful for younger audiences I’m just not the target demographic!) and ofmd is an explicit, violent, adult show that doesn’t NEED to explain it’s character’s identities.

queer people past their 30’s are usually very well aware of their queerness and have had (hopefully) plenty of time to go through the arc of discovering that. so why would we need to see Stede or Lucius or Ed going through turmoil because they’re attracted to men when they have already come to terms with that at this point in their lives?? i for one find it so fucking refreshing to watch a show where the characters being queer is not their main arc, they just ARE queer and life is still happening to and around them. maybe that’s just the millennial gay in me talking, but it gets emotionally exhaustive to watch show after show where the queer character’s arc is overcoming homophobia. yes obviously homophobia still exists and yes obviously if ofmd was trying to be historically accurate these characters would be living in a very dangerous time to be queer but it isn’t trying to be accurate!! it’s trying to be fun and diverse and kind!!

and also, they aren’t pretending homophobia doesn’t exist!! it’s just addressed in a different way. Stede was emotionally abused by his father for his entire life for being “soft” and then was chased down by his homophobic childhood bullies, one of which explicitly told him that he “defiled” the great pirate Blackbeard by simply falling in love with the man behind that name. Meanwhile Ed was forced into the world of piracy at a young age and developed the entire persona of Blackbeard (who fits the toxic, violent masculine stereotype of the time) to hide the fact that he’s actually an incredibly sensitive and deeply queer man! and is told multiple times by male figures in his life that sex with other men is fine but it is absolutely unacceptable to be in love with a man. both of their arcs contain homophobic rhetoric that is still present in society today, but its never presented as a problem that they have to wrestle with. they don’t have to come to terms with what it means to love each other, they just have to overcome some trials that go along with the complicated lives they both lead as a pirate and former aristocrat. the homophobia in ofmd is woven into the backstory of each and every character, it shapes them into the people they are at the beginning of the show when all of their walls are up and they are performing the “pirate” roles they are supposed to play. and then we get to see them grow and realize that they are in a safe space, part of a community not just on the ship itself but in the life of piracy (which in the show is pretty much explicitly an allegory for queer lifestyles.)

anyway, I could rant about this all day but just truly why do we have to tear people down for enjoying something? why do we have to find reasons to hate something so obviously created with sensitivity to it’s queer audience and with so much queer joy? if historically inaccurate gay pirates going on silly adventures and falling in love are not your thing, fine! but perhaps just let people enjoy things and find your own things to enjoy.

#ofmd #our flag means death #ofmd s2 #our flag means gay

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upat4amwiththemoon · 5 months ago

Text

As free as an avis | 7

Summary: A princess and a commoner falling in love was a scandal on itself, but them both being women just adds fuel to the fire.

Pairing: Wanda Maximoff x fem!reader

Warnings: this story will deal with homophobia and sexism, this story is mostly historically inaccurate

Word count: 2359

a/n: lets pretend that it hasn’t been ages since I wrote the last chapter (this series is still my baby)

Tags: @xxxtwilightaxelxxx @themagnificentmx @raven-reyes-wife @spongebobtentacles @friskyfisher @thought-of-you-and-me @rafecameronswhore @sayah13 @wandsmxmff @emsmultiverse @natashamaximoff69 @scarsw1fe

masterlists | guidelines

All parts: part 1, part 2, part 3, part 4, part 5, part 6, part 7, part 8

Ever since Y/N and Wanda said they loved each other, they have gotten braver and braver to show that love to one another, though it still happens behind closed doors, the people of the castle have started noticing their attachment to each other. At this point, it seems like a pair of two overly attached friends. It is inappropriate in many of the castle servant’s eyes, after all, a princess and the lady’s maid should not be so close, but none of them speak of it, as they know the Princess’s stubborn nature.

As the servants don’t speak of their relationship, they have also given up on stopping the Princess from leaving the castle without permission.

Which is exactly what she is doing right now, with Wanda.

“Would you say this is a good area?” Y/N lowers her hood as she glances at Wanda, who is studying their surroundings.

They are a bit away from the bustling city, near nature. The area is wide and open, full of unused fields and a couple of abandoned wooden sheds.

“I know it’s a walk away from the city, but I would make sure carriages would drive here, and there is a future possibility of building a shop near by.”

“Y/N.” Wanda turns to look at Y/N with a gentle smile. “It’s amazing. The walk isn’t too long, building so many homes will create a lot of jobs, this…” she gestures at the nature, “this is a beautiful place.”

Y/N nods and lets out a relieved sigh. She smiles as she takes hold of Wanda’s hand squeezing it softly. Her approval means everything to her. “Yeah?”

“Yes.” Wanda giggles, glancing around before planting a kiss on her cheek.

The two of them are alone—besides the carriage driver waiting where he can’t see them—but they know to be careful wherever they may be, there’s always a chance of someone watching them.

“When will you start building?”

Y/N looks around with a proud smile. “Once I find trustworthy builders, so my involvement won’t go back to my parents.”

“You know all the townspeople would field loyalty to you in a heartbeat, no one has love for the King and Queen like they do to you.”

“You know every single townsperson?”

Rolling her eyes, Wanda links their arms together as they start making their way back to the carriage. “Obviously not.” A small grin adorns her face. “But people talk, and my brother is such a gossip.”

“And you aren’t?” Y/N laughs, pulling Wanda closer. “I’ve heard you speaking with Yelena, you leave no detail behind.”

“That is totally different.” She raises her brows, but can’t hide the small smile growing on her face. “Yelena is brutal with her words, I’m slightly afraid she’ll yell at me if I do not tell her everything I know.”

The skin around Y/N’s eyes wrinkle as she laughs. “She’s merely fun scary.”

“What does that even mean?”

Y/N shrugs, “she’s more fun than scary. She wouldn’t hurt you.”

“But she could hurt me.”

“Oh, without a doubt.”

Wanda lets out a quiet huff, gently pushing Y/N’s side as they untangle their arms, having come near enough of the carriage to see it.

The driver opens the carriage door, bowing his head as Y/N climbs in with Wanda right behind her. The door closes and the carriage starts moving soon after.

The woman sit opposite of each other, smiling and talking silently so the driver wouldn’t accidentally overhear them. Their feet bump against one another’s, giggles fill the carriage every once in a while.

“There’s a quiet corner in the garden where no one else goes to, we could go there after we get back?” One of Y/N’s feet move under the hem of Wanda’s dress, gently tapping against her ankle.

Wanda smiles, “I still need to do my duties, you know, cleaning up and such?”

She rolls her eyes and sighs. Of course she had her own duties to attend to as well, but she’d much rather bail on them and spend all her time with Wanda. “After those duties then?”

“Yes, after we both are done with our duties.”

The Princess’ duties are a bore, at least in her eyes. Besides reading books about being a good wife and baby making, it involves meeting potential suitors. Men, who are supposed to be the next King if they marry. Men, who will take over ruling, because the woman cannot be the one making the decisions, even if she is the rightful heir—to her parents’ dismay.

Y/N sits around a table, one parent on each side and Lord Scott Lang opposite of her, a man over twice her age, which seemed to surprise Scott himself. A nice man over all, but not one she would like to marry.

Most of the discussion has gone through Y/N’s ears, though it doesn’t necessarily affect anything, as her parents will are the one doing the ‘interviewing’ and choosing, it’s only her future after all.

“Darling,” the Queen pinches Y/N’s thigh under the table, causing her to bring her attention back to the conversation, “do you have anything to say to Lord Lang?”

“It was a pleasure to meet you, Lord Lang.” Y/N gives him a polite smile, clearly wanting to get out of the room and back into Wanda’s warm embrace.

Scott nods with a smile, slightly put off by the Princess. “The pleasure was all mine.”

One of the servant guide him out of the room. The Queen lets out a sigh, rubbing the spot between her brows. “She will not be marrying, Lord Lang, he was too…aloof. Maybe we will have her meet Lord Barnes next.”

“I agree.”

Y/N rolls her eyes, leaning back on her chair as her parents talk about her inevitable marriage over her.

“And having a daughter out of wedlock,” the King scoffs, “unacceptable for a king to be.”

“At least he seems to genuinely love her.” Y/N mumbles, mostly speaking to herself, but not really caring anymore if her parents hear her.

Her mother’s cold glare turns to her. “What was that?”

“I said,” she turns to look at her, “that he seems to genuinely care about her, at least judging by the way he spoke so highly of her.”

“What is your problem?”

“I thought I’ve made my problems very clear.” Y/N states, narrowing her eyes. She might as well start a fight. She lifts a finger, “number one is you two,” she lifts another, “number two is becoming queen. Number three-“

“Oh, you need to grow up.” The Queen interrupts, her voice raising in pitch. “You have known what your job in this castle is ever since you were born. You have had all these years to deal with the fact you will be the new queen, but you still haven’t. You know why? Because you’re childish and refuse to make best of your situation. This is a problem you have created and if you don’t get over it, we will be forced to do something drastic.”

Y/N stares at her mother, a frown on her face. She never liked losing arguments. “Whatever.”

The King lets out a sigh and stands up, causing the Queen to follow along. “Listen to your mother, Y/N. It’s time to start acting like the future queen.” The two walk out of the room, leaving Y/N to sit alone, wallowing in her feelings.

“Are you sure no one will see us here?” Wanda looks around the garden as she gets dragged through it by Y/N. She is holding a picnic basket and a blanket in her free hand.

“I’m sure, Wanda.” She slows down her pace as they arrive to a more hidden corner of the garden.

The spot is shaded by an old oak tree and surrounded by tall flower bushes, giving it a private feel. The wind rustles the oak leaves, some falling down as a stronger gush pushes them. Though it’s already evening, the bees and butterflies still fly around the flowers, at times stopping on top of them, and birds communicate to each other, their words coming out as a delightful song.

Y/N and Wanda set the blanket under the oak tree’s branches, small slivers of the lowering sun hitting their face as they sit down. “Well?” The Princess turns to look at Wanda with a smile.

“It’s lovely, very peaceful.” Wanda sets the basket in front of them. It’s filled with different berries and pastries.

“It’s the perfect place for us.”

They set the snacks and drinks onto the blanket in front of them, enjoying them while they speak of everything and nothing in particular.

“You seemed upset.” Wanda mumbles, glancing at Y/N as she bites into a strawberry. “Earlier today, I mean. Before we came here.”

Y/N lets out a sigh, “it’s nothing, just my parents being themselves again.”

“Another suitor?”

She hums and nods, picking up a cupcake. “They’re really starting to push the idea of marriage on me, I think they’re getting desperate.”

“I’m sorry.” Wanda mumbles. She feels bad for not knowing how to comfort Y/N better in these situations.

“It’s fine.” Y/N smiles gently, gently bumping her shoulder against Wanda’s. “I don’t want to think about marriages when I’m with you.”

Wanda bumps her shoulder back, grabbing a handful of blueberries as she drops the subject.

Soon the sun fully sets down, the evening darkness slowly starting to engulf the garden. Wanda and Y/N move the blanket away from the oak tree, so they could lay on it and watch the stars.

“Which one do you want to go to?” Y/N asks softly after a moment of silence.

“What do you mean?”

“When we met, you said you’d like to travel to a stars.” She states, her gaze on the sky. It’s not fully dark yet, but the brightest stars are already visible. “Which one would you like to go to?”

Wanda hums. “I don’t know the names of the stars.”

“We have some astronomy books in the library, I’ll get them for you.” Y/N mumbles, turning her head to the side to look at Wanda.

Her side profile is ethereal. Y/N doesn’t know if she’s ever seen something so effortlessly beautiful. A small smile adorns her face, she swears she can see the twinkle of the stars in Wanda’s eyes, she’s sure Wanda’s eyes are the stars.

“Really?” Wanda turning her head to look at her makes her come out of her thoughts.

“Yeah,” she whispers, “I’d do anything for you.” Y/N raises up to lean on her elbows, the upper half of her body over Wanda’s. They stare at each other for a moment, before she slowly lowers her face closer, pressing their lips together in a soft and slow kiss.

One of Wanda’s hands moves around Y/N’s waist, rubbing the dress covered skin gently.

They pull away, though their faces are still close enough to feel the other’s warm breath on their faces. Y/N feels like her heart is beating out of her chest. “Do you want to run away with me?” The question comes out so quietly Wanda almost doesn’t understand it.

Her eyes widen and she sits up properly, bringing Y/N up with her. “What?”

“I…I want to run away with you. Go someplace where no one knows me, where we don’t have to be careful or hide.” The heartbeat is almost deafening in her ears.

“Do you mean that?”

“Of course I do.”

A silence falls. Wanda stares at Y/N with slightly furrowed brows, her hands shaking at the prospect of running away with her, leaving her family and friends behind. They would understand, but could she really do it.

“I’m sorry.” Y/N clears her throat, her gaze falling after the silence continues. “It was a stupid idea. Our whole lives are here and w-“

“Yes.”

“What?”

Wanda sets her hands on Y/N’s cheeks, pulling their faces closer together. A smile grows on her face, one of those that hurt her cheeks but she can’t stop. “I’ll run away with you.”

Letting out a laugh, whether of shock or relief Y/N doesn’t know, she sets her hands on top of Wanda’s. “You’re perfect.”

The laughter is contagious. Giddiness and a sense of freedom fill their bodies as Wanda drops back down on her back, pulling Y/N down with her. Her other hand goes to the back of the Princess’ neck, bringing their lips together, their teeth almost clashing together.

They stay like that for a moment, hands wondering and occasional giggles interrupting their kisses. When they finally pull apart, they’re panting, huge smiles on their faces.

“When are we leaving?” Wanda whispers, moving a strand of Y/N’s hair behind her ear.

“Soon. We just need to get ready, say our goodbyes, and make sure my parents won’t do anything.” She lets out a shaky breath, the weight of their decision settling in her chest. “But it’ll be good, I’m certain Natasha and Yelena will help us.”

“My family too.” Wanda smiles, her thumb rubbing Y/N’s cheek. She can sense the nerves in her. “I can’t think of anything better than spending my whole life with you.”

Y/N’s leans her head against Wanda’s shoulder as they lay on the blanket. “Me neither.”

Another silence falls over them, a comforting one. They stay close to each other, Wanda looking at the sky and Y/N listening to the beat of her heart.

A small rustle breaks the atmosphere.

They practically fly away from each other, both of their eyes moving to the direction of the sound. There’s just a flower bush there, no insects, no other movement. Just in case, they stay quiet for a moment, waiting for any kind of disturbance.

“Probably just a bird.” Y/N whispers, fearful of raising her voice.

“Yeah…”

Nonetheless, they gather up the blanket and basket, making their way back to the castle.

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p0rk-guts · 5 months ago

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He's finally done I think. WOAW! Radio demon time!!!

Okay time for comparison + breakdown rant ^ - ^ another SUPER long one I had a lot to say about this silly guy

ALRIGHT. So. Atp all that can be said has been said about Alastor but I'll gloss over it anyhow. Grossly historically inaccurate hair and clothing. Invisible deer theming. One of the main reasons he's got one of the most clowned on designs in the show is bc he's a pretty good representation of the worst it has to offer. He's absurdly red and has the waspiest waist in town. Also gotta zero in on the coat for a second bc I find it incredibly stupid that he went to that tailor bc of his coat being ripped and then left the shop with the exact same torn coat on oh goddd that felt like a complete joke who wrote this

Also his "redesign" was pointless. He stayed pretty much entirely the same except his colors got pinker and grosser and now he has this?? White trim on his lapels??? Even less 1930's accurate and it only serves to hurt the pallate in my eyes. It's the only spot of white on his entire design, it doesn't appear anywhere else so it throws it all off. And it's so bright. Is it supposed to be a focal point?? His tits????

Anyways onto my guy who I love so very deeply. I'm pretty sure sepia film was outdated by the 1930s but I gave him a palette inspired by it to emphasize how dated and stuck in old ways he is. Added blood red accents bc. Well. Cannibal murderer. Also bc I redid the sin colors so red is wrath and it seems like a fitting sin to pair him with.

After looking into 1930's men's fashion a tiny bit (thanks anon, this video was helpful!) and gave him a double breasted coat but wider and pointier so he looks a little less like just some normal guy and really emphasize how prideful and egotistical he is. "Ooo look at me I'm super big and imposing and powerfulll". I think it's a fun character trait of his. Definitely keeping it.

I liked him wearing gloves bc I feel like he wouldn't like getting his hands directly dirty and would always be covered when committing his murders. Maybe he's a germaphobe even. "I can excuse murder but I draw the line at dried blood on my skin". Also the gloves being white would contrast really well with blood so. Love that

I gave him a long tie to free him from the Vivziepop bow tie uniform and a fedora to add to the 1930's vibe and serve as something that can occasionally obscure his face in shadow. His glasses are also opaque and I imagine his eyes would rarely be shown if ever to make him seem more inhuman and off-putting, disconnecting him from personhood a bit. Wanted to add to that with his smiling mouth never opening and just being a static grin that can only occasionally widen or lessen, his voice cracking out of his "speaker" with fuzzy radio static. Seen multiple ppl use that idea and it always eats

I love Alastor's silly theatric nature (primarily in the pilot) and I'd probably keep it, but I'd add a layer of uncanny-ness to him where when he's not putting on his silly jovial facade, he gives off an unnerving vibe. Trying to appear approachable and charming and pleasant to lure people in before he's revealed to be less than human. Loveee thattt

I love Alastor being a deer. Predator becoming prey (animal) + "prey animal" lulling people into a false sense of security before striking. Love it. We should be CAPITALIZING ON IT❗So I gave him deer like legs, visible deer hooves, and more readable deer ears + the ham radio tower antenna antlers (sorry 4 calling them horns 💀)

Tried to make it a little more obvious that he's a mixed man of color by giving him dark wavy hair and the faintest hint of lip definition Viv uses in her style. I think it works. He's still not dark skinned tho

LASTLY the mic. Also not an original idea as I've seen tons of others turn it into a carbon mic but turned into a pentagram shape and I love the idea a lotttt so I joined the crew.

AND THAT DOES IT!!!! hope u like him as much as I do hehe. Just 1 supplemental doodle this time sorry :/ showing off how his face is probably obscured most of the time. He's. So hard to draw. I'm just bad at men but I'm tryinggggg guys

Alsoooo I've already finished the drawings for Niffty, Angel, and Husk! Once I've finished their breakdowns I'll add em right to the queue, and then I'll make a post with all of the main 6 together :3

#my art #digital art #hazbin hotel #alastor #alastor redesign #hazbin hotel redesign #hazbin hotel rewrite

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fayes-fics · 1 year ago

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Doctor’s Orders

Pairing: Benedict Bridgerton x fem!reader, modern AU

Summary: Someone decides to play doctor to ameliorate your bad day…

Warnings: 18+ smut, minors DNI, doctor/patient roleplay, dom/sub tones, ‘medical examination’ with use of stethoscope and latex gloves, voluntary breathplay, cardiophilia, vaginal fingering, edging.

Word Count: 4.5 k

Authors Note: this is a long-awaited (9 months!) request fill for the lovely @eleanor-bradstreet. My dear, I hope this is somewhat worth the wait. To anyone medically trained, yes, I know what he does is wrong/inaccurate, but that’s the whole point: he’s a somewhat clueless but enthusiastic roleplaying boy, not a real doctor. Thank you to @colettebronte for the read-through and suggestions. Enjoy! <3

It’s been one of those spectacularly shit days at work. When you get to your boyfriend’s flat, all you want to do is shower, crash out and watch brainless TV together.

“Bad day?” Benedict intuits, wandering over from the kitchen, casual in shorts and a t-shirt, as you drop your bag like a tonne of bricks near his front door and pout.

“Hate my job,” you whine, burying your head into his shoulder as he chuckles affectionately, pulling you into his arms and busses a kiss onto your temple.

“No, you don’t; you love your job. You just didn’t love it today,” he smiles into your hair.

“Urgh, fine, yes, Mr EQ, yes, that's true,” you huff his neck, enjoying his clean scent.

“Come with me, my stressed-out noodle,” he offers good-naturedly, withdrawing from the embrace and lacing your fingers with his. He backs up, pulling you along with him further into the flat.

“Where are we going?” you pout again.

“To eat, I made us dinner,” he smiles, something melting in your chest at the sweet gesture.

“Do I have time to shower first?” you ask, wanting to remove all physical traces of this workday from your skin.

“Of course, be my guest,” he nods towards his room, with the en suite bathroom beyond, and you drop a kiss on his cheek as you go.

—

Fifteen minutes later, you emerge freshly showered and wearing some of his clothes- a t-shirt that swamps you and jogging bottoms you have to roll up at the waist. You take a seat at the kitchen island and tuck into the amazing-smelling food he has laid out, even giving you a comedic bow as you reenter the room.

The food tastes like heaven, and you can't stop the appreciative moans at the flavour explosion on your tongue.

“Fuck Ben, this is delicious,” you assert as you swallow the mouthful.

His face lights up with that beguiling smile that hooked you in the first place all those months ago, and you can't help but lean in and give him a quick peck.

“So do you want to talk about the terrible, horrible, no good, very bad day? Or is this more of a big glass of wine and stfu sort of deal?“ he hedges amiably, assessing your needs.

You sigh as you finish your next bite. “Honestly? I don't know. I’m so stressed about it all I sort of don’t want to talk about it. I feel like I need to be one of those Regency ladies who is prescribed a trip to the seaside for my nerves, you know?” you jest, circling your empty fork in the air to highlight your point.

He barks a laugh. “Funny you should say that; I was just reading a book about hilarious historical cures.”

“Yeah…?” your interest piqued.

“Dorset left it out,” he explains, referring to his roommate, a junior doctor at Guys Hospital. “It's hilarious. But I don't think they would diagnose you with a trip to the seaside, at least not based on what I’ve read.”

You swivel on your stool to face him. “Oh no? Then what would I have been prescribed, Dr Bridgerton?” you jest, leaning your chin on your hand and arching a challenging brow. But you don't miss how his pupils dilate a fraction as you address him such.

He turns towards you with a laconic smile. “You likely would have been prescribed a course of pelvic stimulations.”

You are glad you hadn't taken another bite of dinner, as you would have sprayed him with food with that spit take.

“What?!? No!” you laugh incredulously.

“Don't believe me? Go look,” he challenges, gesturing to the book on the coffee table.

“So… Is that what I think it is? Women would literally be told, medically, to masturbate?” you giggle, disbelieving.

“Oh no,” he corrects. “You wouldn't do it; the doctor would.”

“What the…??”

“Yup… ‘to alleviate the female hysterics’,” he chimes, affecting an old-timely announcer voice.

“With what?” you ponder aloud, still utterly perplexed.

“Hands, I would assume,” he breezes. “Why? Would you like a helping hand?” he winks, wiggling his eyebrows comically.

“I mean….” you trail off, still laughing but feeling a tiny buzz between your legs at the idea. “I'm not going to say no… Doctor Bridgerton,” you banter back.

Benedict puts down his fork, his Adam's apple bobbing as he swallows his bite of food and turns slowly towards you, an enigmatic glint in his eye.

“Well, now, you will need a thorough medical examination before I can determine if such a prescription is even the correct one,” he throws out, still with a jovial air, but the dropped octave is decidedly suggestive.

“How long until I can get an appointment?” you shoot back, feeling the atmosphere in the room shift, the dynamic between you playful but with a definite undercurrent of heat now.

“The doctor is always in… for you,” he answers, a hand landing heavily on your knee. “If you are ready, please go wait in the exam room,” Benedict responds, signalling to the sofa, that hand squeezing slightly. “The doctor can be right with you.”

You giggle and shoot him a ‘Are we really doing this?’ look. When he nods, you wiggle off the stool and drift over to the sectional as he disappears down the hallway, your half-eaten dinners now very much abandoned. Little butterflies in your stomach as you perch, eagerly awaiting his return.

When he re-enters the room, you almost forget how to breathe. He has obviously raided his flatmate's room and come out wearing a white doctor’s overcoat, his shapely calves bare beneath the hem, a stethoscope slung casually around his shoulders. He has also dug out his reading glasses to complete the look. He is so utterly convincing you don't know what to think, except��. Oh fuck yes.

“Good afternoon, Miss y/l/n,” he greets, stepping effortlessly into the roleplay. “I'm Dr Bridgerton. Tell me, what ails you today?”

He sits on the coffee table right in front of you, looking at you expectantly for your response.

“Hello, doctor,” you begin, stilted, still a little discombobulated by his appearance and how utterly aroused you are by it. “I… I am overworked in my job and don't know the best way to relieve the stress I feel….”

“Well, I am sorry to hear that. Let us do a basic examination so I can rule out any possible physical ailments and go from there.” Before you can respond, he produces disposable gloves from his overcoat pocket and snaps them on, your tummy fluttering at the sight of them pulling taunt around his long fingers.

Oh, he means it.

He leans in, his hands cupping your jaw, warm even through the latex. You whimper quietly, realising he is pretending to feel the lymph nodes beneath your ear for swelling. But he doesn't let go; he just stares you down, his eyes glittering in the lamp glow.

“Say ahhh,” he prompts.

You open your mouth instinctively, just like at the doctor’s. He pivots a hand so his thumb gently presses down on your tongue as he peers into your mouth.

“Hmm, I see no evidence of an oral infection. But I should check via other means too, to be thorough,” he murmurs, pupils dilating as you cheekily close your lips around his thumb and suck on it suggestively. The powdery flavour on the glove somehow just heightens the heat you feel spreading inside.

“Behave please, Miss,” he rebukes, but his actions say otherwise - extracting his thumb and trailing your saliva in a line down over your chin, your neck, resting it in your suprasternal notch as his fingers curl around your neck and tug you towards him.

His kiss is deep and breathtaking. His tongue unfurls into your mouth and probes yours as if this, too, is a thorough examination. You follow his lead, letting him dictate the terms, wanting to follow wherever he is going with this.

“I think we can rule out anything in your mouth being the problem,” he opines drolly over your lips.

“Thank you, doctor,” you respond coquettish.

“Let me listen to your lungs to ensure there are no respiratory problems. Remove your clothing, please,” he orders brusquely, sitting back.

“All of it?” you inhale sharply.

“I suppose just your top for now,” he revises, looking a tad impatient.

When you whip off the top to reveal you are without a bra, his eyes flash, and the tip of his tongue pokes out as your nipples pebble in the cool air of the room. A wave of something behind your ribs as he unfurls the stethoscope from around his neck and places it in his ears.

“Please keep your hands at your sides at all times. And beware, this may be cold,” he warns.

You squeak as the cool metal is placed onto the flesh above your left breast, your hands curling around the sofa edge by your thighs so you keep them as told.

“Breath in deeply for me,” he instructs, and you do, taking a deep inhale, feeling your body bloom with his proximity as his face squints in concentration. When he doesn't say exhale, you hold, unsure what else to do, your lungs feeling tight. It seems much longer than necessary. “And out”

He drags the bell over your sternum to the same spot on the right side.

“Again” he orders. You follow the instructions, taking a deep breath. “Hold it,” he alerts, as you start to feel the struggle for air. You do his bidding, feeling that trademark ache under your ribs under the exertion. “And release,” he instructs just as you want to disobey.

“Good,” he rumbles, “just one more.”

You pant lightly as he drags the scope down between your breasts, then jump as he presses it low into the sensitive spot where your ribs meet on your diaphragm.

“In and hold.”

As you do, he tilts forward and suddenly seizes a nipple between his teeth. You make a strangled noise in your closed mouth, a zipping thrill right down to your clit. The surprise makes air escape out your nose, fingers grasping the cushion.

“No,” he gruffs into your breast, not looking up at you. “I told you to hold. You hold your breath until I say you can release,” he lectures. “Now breath in and hold it,” his voice taking on a steely edge that makes your pussy constrict.

Wordlessly, you do as told, and this time, he swaps to your other nipple, biting down, then lathing with his hot tongue as you struggle—tight lungs, intense pressure behind your cheeks. The thronging pleasure around where he teases you makes it an almost impossible task; starting to struggle a little, your body twitching, fingers and toes flexing.

“Let it out,” he permits, and you open your mouth, the air escaping in a loud ‘pahhhh’ sound.

“Well, I think your lungs sound very healthy,” he breezes nonchalantly as if this is just how a doctor does an exam.

“That’s good,” you defer to his faux expertise even as you feel his saliva drying on your areola.

“Now, let's test your heart,” he proceeds, pulling the stethoscope from his ears so it rests around his neck. “Remove the rest of your clothing now, please, Miss.”

“Is that strictly necessary, doctor? Just to listen to my heart?” you waver, even as your hands go to the ties at your waistband.

“I am the doctor here, am I not?” he counters, raising a brow.

“Yes,” you demure, a pulse around your clit at how thoroughly he inhabits this role.

“You may find it easier to stand,” he chuckles as he watches you shuffling, struggling to remove your bottoms while seated.

So you do as he suggests, his breath ghosting over the sensitive skin around your belly button as you push the loose jersey material over the swell of your hips. He growls at the other surprise lurking—you wear no underwear, your bare slit inches from his face as the clothing pools around your feet, now utterly naked.

“Is this okay, doctor?” you simper, looking down at him sitting on the coffee table as he finally tilts his head to look at your face.

“Lay down on the exam table,” he commands, his pointer finger jabbing towards the chaise.

“Make me…”

Your tongue rebels before your brain can engage, wanting to see how much he will take control if you act out. He springs to his feet, towering over you, inches from you, and grasps the nape of your neck, forcing you to look up at him.

“Are you questioning my methods?” he interrogates, his hold strong but not hurting.

Oh, yes, Benedict, well done.

“No, Doctor,” you simper, attempting to look innocent but knowing your eyes must be fully dilated by now, distracted by the pulse you see in his throat.

“I need to be very thorough before I can diagnose you accurately, Miss,” he cautions. “Do you hear me?”

“Yes, doctor.”

“Good. Now lay down,” he instructs brusquely, releasing his grip.

You drop to the sofa and lay out for him, a thrill zipping over your skin. He places a large cushion beneath your neck and head so you are tilted up and can see down the plain of your naked body.

“Now be very still and be very quiet. Keep your hands at your sides. Whatever I do to you is to ensure your heart is healthy. Do you understand me?” he tutors, his eyes roaming your body covetously.

“Yes, doctor,” you confirm, knowing your chest is rising and falling rapidly, the anticipation burning in your being.

He places the stethoscope directly over your heart and loops it back into his ears, the cool metal now a balm against your flushed skin.

“You have a good strong heartbeat,” he states casually, “But it is a little slow for my liking….”

His gloved hand loops around the leg closest to him and hauls it wide into his lap, your knee brushing a prominent bulge under the overcoat that makes your insides clench at the very thought of his cock.

“Stay still.”

His clipped reminder is delivered as he trails his fingertips along your inner thigh, his other hand still holding the stethoscope against your chest. Your breath stutters as his latex-covered fingers nudge your folds, already weeping.

“Well, I see there is certainly no problem with your ability to get aroused,” he intones smokily with a tantalising brush over your clit.

His moves are unrushed, his touch maddeningly light, not nearly enough, barely a glance over your soaked flesh, making you ache for more. After a few moments, you whine and defiantly attempt to push into his touch.

“Did I not tell you to be still and quiet?” he arches an eyebrow, and you pout but still yourself and fold your lips inwards under your teeth. “That’s better. Now let's see what happens when I….”

He expertly plunges two long fingers into your pussy, your arousal leaking over his gloves as he does so. He hisses his approval at your heated cling, pushing deep as you swallow your gasp, biting your lip to prevent any more sound from escaping. His fingers hook, and his wrist twists in slow corkscrew turns, dragging thoroughly over your walls as if giving you an internal exam. You crave more: more fingers, movement, friction, more of anything, your fingernails scratching against the fibres of the sofa, keeping them at your sides as told, even as you itch to grab his wrist and direct his motions.

“Interesting,” he mutters, his fingers swirling slowly, probing inside as he drags the scope fractionally on your sternum.

You utter a silent curse, your body already quivering. The room filled only with the sound of your ragged breathing and the sodden noise from between your legs as he leisurely rocks his gloved fingers into and out of your pussy, you suctioning around his knuckles, the stretch with each stroke making you want to beg for him to make you come.

“Your heart is definitely strong,” he declares, “but I think we need to put it to the test properly.”

His thumb presses onto your clit, and it's like a lightning bolt through your being. Something about the fact it's not his skin on yours lends an extra frisson. You can feel the warmth of his pad behind the latex barrier as he flicks against your swollen nub.

“More, please, Doctor Bridgerton, please,” you entreat desperately, attempting to tilt your pelvis to ride his hand.

He groans at your use of his name, not chastising you for vocalising. His rigid cock brushes your knee held in his lap as he surges his hips fractionally, your legs spread obscenely wide as he finger fucks you, his stethoscope leaving a circular imprint on your chest, almost bearing his weight into your skin. God help you both if his flatmate cuts his night shift short.

“Your bpm is rising,” he reports as his fingers move faster, wringing filthy noises from your body now, pushing harder with every stroke, his thumb circling your clit with unerring pressure. You just moan a litany of ‘Dr Ben’, and ‘yes’ and ‘please don’t stop’ as you spiral higher.

“That's it, yes, that's what I like to hear,” he encourages, “it's like music.”

Even you can tell your heart is thumping now, hearing it loud in your own ears as the blood rushes to your head. Just as you are about to crest, he suddenly stops his ministrations and withdraws his fingers. You cry out as he rests the soaked glove on your lower belly, pressing down softly from the outside on that spot that aches for more, your own juices dripping down between your bum cheeks.

“Shhh shh,” he pacifies, the scope he still holds with his other hand feeling heavy on your flesh as his prideful gaze travels up your panting body, gleeful at his ability to do this to you.

You plead with your eyes as his eyes finally reach your face, silently asking him to finish.

“Wonderful, your heartbeat is so strong in my ears,” he sounds almost wistful, dreamy.

Your breathing slows, even as you feel the burn of an orgasm so denied, your pelvis throning, your clit painfully engorged.

“Hmm, let’s go again, shall we?” he smirks.

That’s all the warning you get before he plunges his fingers back inside, this time using three, the latex glove squeaking slightly around his palm. You scream and cant your body up off the sofa to the point he briefly lets go of the scope; his glove presses down on your diaphragm, forcing you back flat so you cannot ride his fingers like you want to.

“Please, doctor…” you beseech, voice reedy and wanton, uncaring about anything but being hurled over that divine edge.

“The more you ask, the less I am inclined to deliver,” he menaces. “I will just edge you all night and listen to your heart thumping so hard for me it sounds like it wants to break out from under your ribs.” he jerks the scope pointedly over your breastbone.

You close your eyes and bite your lip, resigning yourself to obey. That he might keep you on edge for so long, you cannot bear—you need to come like you need air.

His handsome face is smug as he once again probes your body from inside, almost experimenting based on the tiny whimpers you make. He jabs a spot that makes your entire body spasm, and a crooked, dangerous smile spreads over his features.

“Oh, look what we have found,” his chest resonant with pitch, the tone dark and sweet.

Once again, you beg silently, but he indulges in the tease. Tapping gently on the spot rather than rocking into it, a slow, gentle touch that makes every nerve jangle, like an itch you cannot scratch hard enough.

“I love to see you like this,” he admits breathily as he keeps us at that vexing pace. “So strung out and desperate to come. You would do anything I told you to right now, wouldn't you? If I just promised to let you over the edge.”

You are nodding vigorously before he even finishes his sentence, his triumphant expression almost galling if not for the desire writ large on his face.

“Good,” he snarls and starts to jab on that same spot. Desire roars fire in your veins, and you scream, your body trembling. He leans over and captures one of your nipples in his wet, warm mouth, and you scream again, uncaring what any of his neighbours may think.

You are dangling on the edge, reality bleeding into pleasure when once again he stops, and the noise that escapes your lungs is feral—a wretched groaning wail as an inferno licks around every edge of your being.

“Listen,” he growls, roughly yanking the tubes from his ear and placing them over yours. The noise is almost deafening, a thumping rhythm so fast it is virtually interpolating and looping upon itself. It's fascinating and life-affirming even as your body cries out, your clit pulsing in tempo with the thrumming beat. Greedily, he grabs them back and places them over his ears again, moving the bell to the right, his breath gusting hard.

“Touch yourself,” he orders gruffly.

It doesn't take moments for your hand to slide between your legs and catch your clit, a hardened, searing nub so wet you can hardly find grip and so distended it doesn't even feel like your body.

He leans possessively over you, a vein in his neck pulsing as he listens intently, his eyes pinging between your face, the scope on your naked chest and your hand between your legs, rubbing vigorously.

When his fingers sink back inside you, your knuckles cradled in his palm as you strum your clit, it hurtles you instantly over. You grasp his bicep as you crest the wave, your whole body held taught then snapping, shuddering and pulsing forcefully around his fingers as you tumble down that abyss, his stethoscope almost bruising your breastbone as you writhe, him singing your praises. You don't recall the next few moments, floating far away as everything is fuzzy, as if behind a gauzy filter.

“Oh, that was perfect,” he attests sotto voce as you return to yourself, shaking with tony aftershocks. “You should hear how alive your body sounds when you come like that. Fuck that was amazing…” he seems almost dazed, his fingers dormant inside you.

As he withdraws from you, you emit a mewl, overwrought and shaking from the intensity.

“Well, Miss,” he begins, slipping back into his roleplay. “I can say without a doubt you are very healthy, so no concern there. I can also tell your stress level is much lower now. Thus, I shall be prescribing you a minimum of two orgasms a day. Purely for your health, you understand,” he adds with a knowing smirk.

“Yes, doctor,” you nod drowsily, slurring slightly. “Should I administer them mysel…?”

“No,” he cuts in. “I'm afraid it requires a medical professional such as myself to ensure correct dosage,” his tone gravelly, snapping off the gloves from his hands, balling them up and tossing them aside. “You will need to see me morning and night for at least a month until I can properly assess whether the treatment plan is effective.”

“Yes, Doctor Bridgerton,” you purr sibilant, too strung out to do anything but languidly agree to everything he says.

As you go to close your legs, he grabs your kneecap, preventing you.

“Oh no, we are not done here,” he intones with a tinge of menace.

“No?” you stutter.

“No, I need to be very thorough,” he counters, his voice rich like velvet. His bare fingers trail ticklish patterns over the crease of your knee as he smiles perilously, enjoying keeping you on tenterhooks. “I am nowhere near done with your treatment for the day. You have only had one climax, and I do believe I said you need a minimum of two per day," he reminds you, his stare blistering.

You watch, almost stupified, as he removes the stethoscope and swivels to kneel between your legs, grabbing them and pushing them high and wide apart, the burning stretch along your inner thighs making you gasp.

“Now, are you going to do exactly what your doctor tells you to do this time?” he grills, his fingers digging into your flesh, his gaze intense.

“Yes, Doctor.”

“Good,” the word resonates through his being as his hungry stare slips over your body, down between your legs. “Now I think you need something more substantial than fingers, don't you?” he smirks playfully.

“Please, yes, please, Doctor Bridgerton,” you implore, canting your breasts up towards him, your eyes covetously sliding down his body as he hovers over you. Your breath quickens when you see the clear outline of his cock bulging against the overcoat. Oh god, is he naked under there? The thought makes you clench again.

You raise your hands and tug at the collar of his overcoat until the first popper opens, revealing his constellation of freckles. When he doesn't stop you, emboldened, you pull again, each popper relenting, a larger slice of his naked torso revealed with each ping. By the time you are down to the last two, you see the trail of hair from beneath his belly button and moan.

“You have been naked this whole time, doctor?!” your voice hitching almost scratchy.

He grabs your hand away, pressing it into the cushion above your head as he bears you into the sofa with his weight, one of that last fastened poppers snagging cold metal against your swollen clit.

“I cannot ask my patients to be naked if I am not as well, surely?” he rumbles, hot in your ear, his warm chest covering yours. He grabs your other wrist and guides it to the same place. “Now, hold onto the cushion under your head and don't move your hands until I say so,” he orders, his smoulder turning lethal as you do as told.

He pulls up slightly and yanks the rest of the coat open, throwing it aside, giving you only a fleeting glance before surging his leaking, heated cock right over your slit.

“God, Ben, fuck me,” your errant internal monologue slips from your tongue before you can stop it.

“Who is Ben?” he quips duskily, rocking in a distracting manner, his tip glancing into your folds. “There is only Doctor Bridgerton here tonight.”

“Doctor Bridgerton,” you amend, fingers curling into the seam of the throw cushion, fighting the urge to grab him, “please fuck me.”

He smiles triumphantly and lowers himself over you so you are swamped by him.

“Well, as you asked so nicely…”

Benedict taglist: @makaylan @foreverlonginguniverse @iboopedyournose @aintnuthinbutahounddog @severewobblerlightdragon @margofiore @writergirl-2001 @heeyyyou @enichole445 @enchantedbytomandhenry @ambitionspassionscoffee @chaoticcalzoneranchsports @nikaprincessofkattegat @baebee35 @crowleysqueenofhell @fiction-is-life @lilacbeesworld @angels17324 @broooookiecrisp @queen-of-the-misfit-toys @divaanya @musicismyoxygen84 @benedictspaintbrush @miindfucked @sorryallonsy @cayt0123 @hottytoddyhistory @truly-dionysus @fictionalmenloversblog @zinzysstuff @malpalgalz @panhoeofmanyfandoms @kinokomoonshine @causeimissu @delehosies @m-rae23 @last-sheep @kmc1989 @desert-fern @starkeylover @corpseoftrees-queen @magical-spit @bunnyweasley23 @how-many-stars-in-the-sky @amygdtjhddzvb @sya-skies

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acti-veg · 5 months ago

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is it actually wrong to be Islamophobic? and by this i mean "disliking Islam". NOT saying "all Muslims are terrorists" or we should treat Muslims badly in any way. but to dislike the religion - not the people? are there not lots of verses encouraging violence in the Quran? (this is a genuine question - i don't know the answer)

It is perfectly fine to challenge or dislike any belief system, religious beliefs are not unique in any way in that respect. However, when you ‘hate’ an entire religion you’re not really just challenging a specific belief; because religions are extremely diverse, representing a fairly wide group of belief systems that may only share some key common features. One person’s Islam can be very different to another’s. Those who hate Islam as an entire religion tend not to know very much about it, in my experience.

There are certainly passages that can be interpreted as violent in the Quran, as there are in the Bible, but the Quran and modern Islam are not the same thing. Religious believers negotiate with scripture for meaning, and apply it to their lives. You can interpret ‘violent’ passages as reflective of the specific struggle that was happening at the time that the Quran was written, you could view it as a spiritual battle, or as encouraging violence against non-believers more generally.

If you are violent, your Islam will be violent. If you are a pacifist, your Islam will be peaceful. If you took a moderate Muslim from an affluent area in East Sussex and asked them to speak to a militant Islamist from an impoverished community in Kabul, they’d barely even recognise each other’s religion as being the same as their own. They may both claim that the other is not a ‘real Muslim,’ yet you’d hate all Islam on the basis of the behaviour of one of them? Or based on the text they both hold as sacred?

To view a religion as essentially just words on a page, or Muslims as a homogenous, unchanging group is a very narrow and inaccurate view. All religions are organic belief systems that change depending on the historical period, the cultural context, by mosque and even by individual. When people say they ‘hate’ Islam, when asked why, they usually break into criticism of Muslims as an entire people, which is Islamophobia. Or, they just point to specific lines in the Quran, which is fine, but very reductive and simplistic. At that point you’re just criticising a book.

People who ‘hate Islam’ generally don’t have a good grasp of what it is they even hate, and that goes for a lot of the more forceful critics of religion more generally. They haven’t studied the Quran, they haven’t engaged in Muslim culture, they haven’t really even talked to Muslims about what their beliefs even are. They read some out of context Quran quotes on the internet, or a few lines from someone like Ibn Kathir, and they think they understand the entire religion well enough to declare that Islam is violent. Religion is complex, they’re not just dead texts, they’re lived beliefs that are coloured by perception, culture and history as much as any other belief is.

What Islam is for most people is just what they have heard about it, and that is usually negative coverage from media sources. Even for you, I’d question why you are specifically focusing on the religion that the media has told you to hate, rather than any other religious or political ideology. That isn’t a criticism of your character, none of us are immune to propaganda. I’d just encourage you to reflect for yourself just how much of this thinking comes from your study of Islam, and how much comes from negative representations in the media.

#ask #Islam #Islamophobia #religion

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lailoken · 1 year ago

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What are your favorite pieces of media that you think accurately represent magic and spirit work? Movies, books, even music..

This is an interesting question, but one that requires a lot of thought, as I have read and watched an inordinate amount of books and movies. Plus, even really good fiction with pagan themes that I've read/watched is generally inaccurate in most ways, with some realistic aspects of magic woven in here and there. Some of my very favorite media relating to the subject can't really be included, simply because of how inaccurate it is overall, but there are a few that have caught my notice.

I'm sure I'll end up missing ones, which bugs me, but I'll do my best to recount some examples that I can think of:

The Love Witch (2016) is a movie that I think presents a strikingly realistic portrayal of what magic can look like. It manages to show some of the ways one might use magic to great effect, without actually skewing into fantasy at all. Clearly, the magic shown isn't going to line up with every paradigm, and its not exactly a heady or spirit-based story, but I think it's a very real look at how ritual and magic is/can be approached by many folks in the modern day.

The Witch (2015) is, above all else, a great slow-burn horror film and an excellent period-piece. However, it also portrays quite an accurate conception of folkloric beliefs about Witchcraft in the 17th century, which inexorably inform the realities of modern Witchcraft traditions. It does just barely skew into fantasy horror, but the actual folkloric information being presented is quite sound.

A Dark Song (2016) is a film that portrays ceremonial magic realistically in many ways. Ultimately, it is still a supernatural horror film, but the bulk of the magic in the movie is based directly on the Abramelin Operation, which was interesting to see. A lot of the ways that the magic "takes shape" in the film feels real enough to me, too (though it certainly takes it to extremes at points, as horror movies are wont to do).

We Have Always Lived in the Castle by Shirley Jackson is a horror novel I much enjoyed when I read it a coulple years ago, but I also remember that it happens to contain small, but meaningful, instances of sympathetic magic within the story that I appreciated as a practitioner looking in. This one has been made into a movie as well.

Cunning Folk by Adam Nevill is one of the more realistic looks at magic—including the uncanny side of it—that I've come across. It's still definitely a horror story, first and foremost, but there's an oomph to the ritual and magic described therein that a lot of other similar fiction lacks—even when the ritual act being described isn't necessarily accurate in terms of historicality or my personal experience of the Craft.

The White People by Arthur Machen is a Welsh short horror story from the turn of the century, which I think is worth including here. There are elements and aspects of the story that feel surprisingly real in terms of Gloaming initiation and the Gloaming Spirits—though, of course, it takes creative liberties informed by the paranormal beliefs and trends of the time (1890s).

The Craft (1996) is a movie that I'm sure a lot of pagans have of nostalgia for in one way or another, myself included. I struggled with whether this movie should be here or in the Honorable Mention section, but I included it here in the end because a lot of the ways magic and ritual are presented in the film are accurate enough. I also think it did a fairly good job of capturing how it can feel to discover, revel in, and then become overwhelmed by magic. However, since it is a supernatural horror film, a lot of magic shown is portrayed more fantastically than the real thing, and there are aspects of the magic (rituals, entities, etc.) made up entirely for the sake of the story.

As implied above, there are also some pieces that, while largely inaccurate or too far into the realm of fantasy, still manage to succesfully capture some essence of realistic feeling magic in them. I will list those here as Honorable Mentions:

Practical Magic (1998) is another movie that I'm sure a lot of Pagans have nostalgia for in some way or another. I won't claim that it's a genuinely "accurate" representation of magic—and it certainly strays into outright fantasy at times—but there are little things throughout the movie that managed to ring a bell for me, as someone who grew up with magic in my family. I know this was originally a book, but I actually haven't read that as of yet, so I can't speak to it.

Pan's Labyrinth (2006) is a movie is squarely in the fantasy-horror genre to me, but even still, I include it here as an honorable mention because a lot of the lore depicted is drawn from real lore, and the overall ambience it manged to evoke strongly reminds me of some of my own experiences with chthonic journeying.

The Good Witch franchise isn't one I have ever actually watched any part of before, but I include it here because, oddly enough, multiple practitioners have mentioned to me that they think the magic is surprisingly realistic for a Hallmark series. As I understand it, the main character is a sort of local Wise Woman who helps the folk in her little town using things like folk-knowledge, remarkable intuition, and an uncanny ability to seemingly sway people and circumstances. Since I haven't seen it myself, my take on it may be somewhat lacking, (which is why I listed it as an honorable mention), but based on the description, it actually sounds like it may be one of the more realistic interpretations of magic on this list.

I know this is a strange addition, as it's not exactly magic, per se, but much of how Stephen King writes about psychic abilities like clairvoyance and healing throughout his works manages to touch on something all too familiar for me. I think, sometimes, that he may have known someone with the Sight and/or the Touch in his real life, as it comes up a lot in one shape or another in his writing.

As I said, I'm sure there's stuff I'm missing, but this at least a serviceable overview. I encourage others to share any other media that they think deserves a mention, too!

#witchcraft #magic #media #the love witch #the Witch #a dark song #we have always lived in the castle #cunning folk #adam nevill #the white people #the craft #practical magic #pan's labyrinth #the good witch #vistorille #ask

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ssinnerplazahotel · 4 months ago

Text

╭──────────.★..─╮

*Chapter Fifteen*

╰─..★.──────────╯

WC: 5k

Warning: 18+, age gap, smut, fluff, toxic elvis, manipulation, drug use, it’s the 50s/60s, painful-difficult-devastating-life-changing-extraordinary love

Pairing: elvis x black reader

Disclaimer: full of inaccuracies, inaccurate timeline, inaccurate depictions of Graceland, historically inaccurate themes and items

Masterlist: Prologue, Ch. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14

finale pt. 2

“They want you for the cover of Harper’s Bazaar.”

“Me?”

“Yeah, you.”

“Why?”

“Because they think you’re ‘extraordinarily beautiful,’” He said, quoting the request directly. “‘Otherworldly.’

“Is that supposed to be a compliment?”

“Well, I happen to agree that you’re out of this world.”

He smiled as you sat down in his lap, hugging his neck as you glanced over the letter. You thought about the offer for a moment.

“You don’t have to think about it too much,” Elvis said when he noticed your contemplation. “I’ll tell them you don’t want to do it.”

“Will you do it with me?”

“They didn’t ask me, dirty bird, they asked you.”

You laughed. “I know but…we do everything together.”

You knew if Elvis was on the cover they’d hardly spare you a glance. Doing it alone opened up the floor for criticism—criticism you no longer had the tolerance for. Though the hit pieces you saw were few and far between (Elvis made sure of that) you knew there was another level of hate out there.

“It should be all about you,” He said. “You have a few months to make up your mind.”

“They may not want me in a few months.”

“Why’s that?”

You shrugged dismissively. “I might be pregnant.”

You felt him tense beneath you. “You think?”

“I don’t know,” You said. “I’m late but…I’ve been late before.”

“They said there was a chance~”

“I don’t want to get excited. I don’t even want to think about it.”

“That mindset won’t get you far.”

“And being optimistic will?”

You stood up before he could respond, taking the lighter from the corner of his desk. He watched you wordlessly as you took a cigarette from its case and lit it.

“How late?”

“Don’t start with the questions, E.”

He stood with a sigh, dropping the pen that he had been fidgeting with. “Well, let me know when you start giving a fuck.”

You faced him. “You’re upset?”

“No.” You stopped him from leaving. “Birdie, I don’t care if you don’t.”

“I care,” You said. “I’m just scared.”

“If it works, it works. If it doesn’t, then that’s just it.”

“You don’t understand.”

“I do understand.”

“Do you know what a miscarriage feels like?”

He retracted, but he was still upset. “I don’t see the point in trying if we’re gonna ignore it when it happens.”

“I’m not ignoring it,” You said. “I don’t want to get my hopes up.”

“Well.” He walked past you. “I guess we’ll see.”

The months slipped by agonizingly slow. It was a miserable day every day you woke up still pregnant. It wasn’t that you hoped for another miscarriage, you just hated the anticipation of it all. It was hard to even acknowledge the fact.

You were measuring small, even towards the end of term. The doctors told you it was due to stress. It wasn’t the baby that was stressing you out however.

“I can’t believe I’m the one telling you that we need to get some things in order around here,” Elvis said, forcing you out of bed. “That sucker’s gonna pop out any day now, honey. They told us that weeks ago.”

“It’s fine,” You complained. “I’m sure someone will have the room ready overnight if you ask them.”

“This ain’t the inn, birdie,” He said. “You don’t just put it together in one day. Shouldn’t you have some kind of maternal instinct by now?”

You weren’t prepared to have a baby, let alone be a mother. You feared that you’d mess it up, like you mess up everything else.

“Come help me put this thing together,” Elvis said, returning to his passion project for that afternoon—the baby’s bassinet.

“Put it together in the nursery,” You said, sitting down on the edge of the bed. “It doesn’t make sense to do it here.”

“She’s not sleeping alone in a nursery,” He said. “You gotta keep her close the first few months at least. Unless you want a psychopath on our hands.”

“You read too much.”

“You don’t read enough.”

“Down the hall isn’t close enough?”

“Don’t be cruel.”

You watched him as he intently read the instructions word for word—ordering you around as he did so.

“A should snap into D,” He said, pointing the pieces out to you. “And B into C.”

“What?”

“A and D, B and C.”

“That’s so stupid.”

“Let me do it.”

It felt like everything was happening to you. You were nothing more than a variable in this equation and life was insistent on working you out.

“Just breathe for a second~”

“Is it happening?”

“Calm down~”

“Is it really happening?”

“Birdie, relax.”

You couldn’t, how could you? You were in labor, actual labor. Elvis had kept his wits about him when you told him but that didn’t stop you from succumbing to the feeling of impending doom that you had been trying to outrun for the past eight and a half months.

“Get off the phone, E,” You said, rushing him along. “We need to get there before they really start. I can’t handle it.”

“I’m coming,” He said, trying to keep his frustration at bay. “Go get dressed, you can’t go out like that.”

“I’m going to have a baby.”

“Go change,” He insisted. “You could use the distraction while I get this together.”

“Please hurry,” You said, going to find something decent to wear. “I don’t want to feel anything. I can’t take it, I already told you~”

“I know, darlin,” He said halfheartedly. “We’re practically already there.”

You were fully in labor when you arrived at the hospital and barely in time for the epidural. But, after twelve and a half hours, you were welcoming your first daughter into the world.

It was a moment that already felt surreal in your head but even more so as you watched it all play out in front of you. It was painless—as painless as it could be—and you were happy. At least that’s what you kept telling yourself. In reality, you had no idea what you were feeling.

“Birdie?”

“Hm?”

“Her name.”

Your eyes met Elvis’s as you held your daughter. He looked down at the both of you with such admiration.

“Are you asking me what it should be?”

“No, I’m telling you.”

“Birdie’s no name for a baby, E.”

“It could be.”

You looked down at the child in your arms, her eyes squeezed shut and her hands balled into tiny fists. “How about…Lark?”

“…I like it.” Elvis kissed your temple before leaning his head against yours and looking down at his daughter. “Y’know…we’re gonna have to tell the press soon.”

“Yeah, I know,” You responded. “I’m sure they’ll be thrilled.”

“It’s no rush.”

“Of course it is. They’re probably camped outside waiting.”

You turned your head when he didn’t respond, finding a telling expression on his face. “E…they are not camped outside waiting.”

“I don’t know how they found out~”

“Why would you say anything about telling them if they already know?” Your shift in tone startled the sleeping newborn in your arms, causing her to fuss. “Oh god, take her please~”

“Hey, it’s okay.” You weren’t sure if he was consoling you or the baby as he took her and stood from the bed. “It’s okay, hunna.”

You stared in the direction of the window, unable to see out but still picturing the press crowded around the building.

“What are they saying?” You asked, looking at him. “I know you’ve heard something so don’t lie to me.”

“It doesn’t matter,” He said in a hushed tone, walking the baby over to the crib that the hospital provided. “It’s just a shock, really. Most of the reactions are good.”

You didn’t believe him but you didn’t argue. You were too tired to go back and forth any longer.

After a restless night, you were awoken by Elvis saying that you were being discharged.

“Liz is here.”

“Why?”

“We have to go through the press to get out of here.”

“Is there really no other way?”

“They want to see us.”

You went through hair and makeup, nursing Lark along the way. You handed her off quickly after she was fed.

“Doesn’t hurt to hold her sometimes, bert,” Elvis said.

“Please don’t start calling me that,” You complained tensely as Liz zipped the back of your dress. You could hardly breathe in the stiff fabric.

“You don’t like it?” He laughed.

“No,” You exclaimed. “How do you get ‘bert’ from ‘birdie?’”

“D’You hear it, Lizzie?” He asked.

Liz shrugged and muttered something about hearing where he’d gotten it from.

“I can’t hear it,” You said. “I also can’t breathe.”

“You definitely don’t look like you had a baby twenty-four hours ago,” Liz said, adding the final touches. “They’ll love it.”

You enjoyed your brief interactions with Liz. She wasn’t talkative—by nature or per Elvis’s request you didn’t know. She finished up and left.

“What’s wrong?” Elvis asked when she was gone, laying the baby down.

“I don’t want them to see me,” You confessed. “I don’t want anyone to see me.”

“Why?” He wondered. “You’re beautiful.”

Your eyes threatened to roll at the compliment. You didn’t feel beautiful. You felt sore and tired—all but beautiful.

“It’ll be quick,” Elvis said. “Like tearin off a bandaid.”

The nurses insisted that you be wheeled to the car but you politely declined. You could make it walking.

Lark was carried out in her car seat first, heavily protected on all sides before you and Elvis casually strolled out of the building. It was pure chaos outside but you tuned everything out. When you finally made it to the car Elvis let you in before following suit. It was quick, like he promised.

“Andrea?”

You were shocked to see her waiting for you in the foyer when you arrived back at Graceland. She stopped you before you grew excited.

“I came back for the baby.”

You smiled despite her cold demeanor. “I’m so happy you’re here.”

Her expression softened when Elvis entered with the car seat in tow. He sighed as he shut the front door.

“You came,” He stated.

“For the baby,” Andrea clarified again, kneeling down to peek at her in the carrier. “What’s her name?”

“Lark,” You responded. “Like the bird.”

“You named her after a bird?” Andrea asked, raising an eyebrow.

“It’s sentimental.” You shrugged. “You don’t like it?”

“I think it’s a beautiful name.”

Your head snapped instantly in the direction of Dawn’s voice. She stood off to the side watching the interaction unfold.

“Aunt Dawn,” You said delightfully. “You made it.”

“I promised I would,” She said, opening her arms and wrapping you in her familiar embrace. “I had to see this to believe it.”

You felt small in her arms, like the child you once were. “I’m glad you’re here.”

She rubbed your back as she held you. “I’m here.”

“Let’s get you to bed, little bit,” Elvis said, cutting your embrace short. “Doctor’s orders.”

Things were different around the house with the baby and Andrea. Dawn stayed for a few days but ultimately returned to her house a few minutes up the road.

You promised to bring Lark over as often as you could, and you meant it. You aimed to go over every other weekend, but that changed into whenever Elvis could make the trip. He hated for you to visit Dawn on your own. You hadn’t paid it any mind until she brought it up one evening.

“It’s like he’s afraid to leave you alone with me,” She complained. “I’m your aunt. I practically raised you.”

“It’s not like that, Aunt Dawn,” You said as you buckled Lark into her seat. “He hates for me to travel alone. That’s all. There are crazy people out there.”

“He hates for you to do anything alone. It’s concerning.”

“No, it’s sweet. And he really enjoys our visits.”

“I’m worried about you.”

“Don’t do this.”

“I hardly recognize you. You look exhausted.”

“That’s because I am exhausted.”

“Andrea and Joel seem to think~”

“Are you really going to let Joel and Andrea ruin our day? They’re the reason he hardly lets me come over anyway. Have they turned you against him too?”

“My worry for you has nothing to do with my feelings about him.”

“Don’t believe anything they say, it’s all made up.”

“Why would they make these things up?”

“Because they don’t want to see us together.”

Elvis appeared from the house then, carrying Lark’s missing pacifier.

“Where was it, baby?” You asked, ignoring the disconcerted expression on Dawn’s face.

“Under the couch,” He said. “The drive back would’ve been hell without it.”

“You two be careful,” Dawn said. “It’s getting dark soon.”

“We will be,” You said, stepping forward and hugging her. “Don’t worry about me. Please, I’m okay.”

“See you, Dawny,” Elvis said, hugging her briefly as well. “I’ll bring them by again soon.”

“I look forward to it.” She watched the two of you climb into the car and waved as you left.

“What’s got her so worried about you?”

“Hm?”

“Dawn. You told her not to worry?”

You shrugged dismissively. “She’s always like that.”

He hummed, unsatisfied with your response. “Did you say something in particular to get her like that?”

“No.”

“Are you sure?”

“I don’t know…she said I looked tired.”

Andrea was there to scoop up Lark the minute you got back. She claimed to not trust the two of you alone with her. She meant it as a joke but a part of you couldn’t help but think she was serious.

“I was about to take her upstairs,” You said. “She needs to get changed and fed.”

“I can do it,” Andrea offered as she bounced Lark in her arms. “I don’t mind.”

“That’s alright~”

“Let her do it,” Elvis said. “We’re gonna be down here anyway.”

“I was going to,” You said as he took the diaper bag from your shoulder and handed it off to Andrea. “It’ll only take a second.”

“I don’t mind,” Andrea insisted. “Go relax. I’m on baby duty.”

“Come on, bert,” Elvis said, laughing at the nickname as he guided you away.

You watched Andrea carefully climb the stairs until she was out of your view.

The scene downstairs was too chaotic and you would’ve preferred to be anywhere else. Elvis kept a heavy arm around your shoulders as you sat silently by his side amongst the group.

Despite your presence, there were still numerous women who had taken the same mundane interest in him as the hundreds (thousands, or even millions) who came before them. You couldn’t blame them, or the way they stared shamelessly—he was too beautiful to only steal a glance.

What they wanted from him was surface level, they craved his body, but his mind and soul were yours—some crude part of you wanted them to know that. You felt invisible next to him as their eyes locked on his every move.

“What?” Elvis asked when he noticed you shifting closer.

“I want to go upstairs,” You said, giving him a look and hoping he’d understand. You placed a suggestive hand on his thigh to further express your point. “Please.”

“Don’t, birdie, come on,” He scolded, moving your hand from his thigh.

“I need you,” You said. “Don’t you want me?”

His jaw twitched. “Why are you being like that in front of all these people?”

“They like watching so much, I figured we’d put on a show.”

“What?”

“A show, y’know…”

His eyes narrowed as he processed what you were saying.

“I want them to know that you’re mine,” You confessed.

“And the only way to prove that is to…?”

“Show them.”

“How?” He laughed.

“Kiss me,” You insisted. “Touch me.”

“You’re crazy,” He muttered under his breath. “I don’t know how I put up with you.”

His words hurt but in some sort of satisfying way.

He kissed your cheek and his deep voice vibrated in your ear when he whispered, “Go upstairs.”

You stood, trying not to pout as you left the room. You stopped by Lark’s nursery on your way by and you saw Andrea but you didn't make your presence known as you watched them. She was so good with her.

Elvis came up the stairs as you stood there and you immediately went to the bedroom without a word. You shut the door behind yourself, making him open it moments later.

“What? You have a problem with me?” He asked, slamming the door.

You faced him—crossing your arms.

“How can I help that they were looking at us?”

“They were looking at you, not me.”

“D’you know who I was looking at? You.”

“Do they know that?”

“Who cares what they know?”

“I do.”

“So, what, you want me to fuck you in a room full of people?”

You pushed him away when he stepped closer but even with all your strength he didn’t budge. You struggled against him when he grabbed your wrists, trying to pull away. His grip tightened and he forced you into a rough kiss. As much as you wanted to deny him you gave in quickly.

He made you straddle him when he sat on the edge of the bed, assisting your movements with a tight grip on your waist and making you grind your core against the bulge forming in his pants.

“You’re gonna finish what you were trying to start out there,” He said. “Do you understand?”

You aren’t sure what came over you in that moment, but you brought your right hand up and struck his cheek in one swift motion. He seemed as shocked by the action as you were, his head cocked to the side—frozen for a moment before acting suddenly.

He stood and shoved you onto your back, wrapping a hand around your neck.

You nodded in encouragement. “Hit me back.”

He kissed you, there was a gentleness lingering behind his touch that you wanted him to let go of. “Don’t be brutal.”

“I want it.”

“You want me to hit you?”

“Yes.”

He examined your expression for a moment before pulling away. You waited as he sat back on his heels and silently removed his shirt.

“Take off your dress,” He finally said, waiting expectantly.

You smiled and shook your head ‘no.’ He was on you immediately, forcing you onto your front before unzipping the back of your dress. He stripped you, leaving you in only your heels and panties.

“On your back,” He demanded.

You turned over but immediately lifted your foot, using the pointed end of your heel to keep him from coming closer. He grabbed your ankle and ripped the shoe from your foot before wrestling the other off.

He forced himself between your legs. You tried to push him away but he pinned your hands beside your head—he wasn’t letting up but you could feel his frustration building.

You forced a heavy moan and arched your back, playing up your pleasure and becoming pliant. He released your wrists and you put your arms around his shoulders—you let him kiss you fully before grabbing a fistful of his hair and pulling. You tugged harshly and he groaned.

“Don’t do that,” He said through clenched teeth. “Fucking let go.”

“Make me,” You challenged. “Hit me.”

“What’s that do for you?”

“It makes me feel like yours.”

You closed your eyes as he kissed you, releasing your grip on his hair.

“You are mine,” He muttered against your lips. “I don’t have to hit you to prove that, do I?”

“No,” You agreed, trying not to let your excitement show as he grabbed your jaw and made you look at him.

“You’re my girl?”

“Yes.”

“Do you know what that means?”

Your eyes widened when his ring and middle fingers suddenly pushed past your lips, forcing your tongue down. You gagged and tried to pull away but he wouldn’t let you. The rings on his fingers clanked uncomfortably against your teeth but you couldn’t avoid them.

“It means—” His face was close to yours. “—that you hold yourself together when other girls make you jealous, you don’t fall apart and turn into a desperate nag.” He only pulled away after you choked, his fingers covered in your saliva. “You should know that by now, birdie. You’re actin like an amateur.”

You hardly had a second to breathe before he was forcing you onto your back.

“You’re always asking why I never use your mouth and you can’t even handle two fingers. It’s fucking adorable.” His words must’ve had the effect he wanted them to, because he laughed when you started struggling again. “You’re just a little girl. You don’t know the first thing about what you’re getting into when you ask me to do shit like this to you.”

“You’d rather fuck one of them?”

“I probably would’ve if it weren’t for your bad attitude.”

You fought harder but he held you down under half his body weight.

“You don’t like that?” He asked knowingly, grunting as he thrusted his touch-starved erection against your core.

“No, I don’t fucking like that,” You spat. “You’re an asshole.”

“Your mouth.” He tutted, disapprovingly.

“Fuck you.”

“Say it again.”

“Fuck y~”

You were stunned by the slap that crossed your face. It didn’t hurt but it stung in an addicting way and made you throb with desperation.

“That’s what you want?” He asked, you could hear the panic reserved in his tone. He was checking in.

“Yes,” You reassured him.

“When did you get like this?” He muttered, sitting up and instructing you to remove his belt. “Come on. It’s the least you can do after being such a mean little thing.”

You sat up with him to unbuckle the belt. He took your face in his hands and kissed you, still unable to resist your lips.

“Say you love me,” He demanded, breaking the kiss. “Fucking say it.”

“I love you,” You said. “I love you, I love you, I love you~”

“Alright, shut up,” He interrupted. “You’re gonna get yourself off, d’you think you can do that?”

You followed him as he sat back against the headboard, letting him force you to straddle him. You brought your hand up in an attempt to land your revenge, but he caught your wrist before you could connect.

“Don’t try it again.” He tore your underwear from around your waist, ruining them. “Take my rings off.”

You reached for his hand and he pulled it out of your reach.

“Uh, uh,” He hummed. “Use your mouth.”

You hesitate but parted your lips anyway. He swore as you used your mouth to remove each ring, leaving his fingers glistening with your saliva.

“Last one,” He said as you spit another ring into his right palm and took his left ring finger in your mouth. He hissed as the wedding band slipped from his finger and into your mouth. He stopped you from spitting it out. “Keep it in your mouth. Don’t swallow it.”

You wanted to protest but focused your attention instead on not letting the ring slip down your throat. He kissed your chest as his wet fingers glided through your slick folds.

With his left hand occupied and his right arm wrapped around your back, you had a clear opportunity to land another sharp slap across his cheek.

He released an involuntary gasp upon contact, clenching his jaw and sighing through his nose.

“Spit,” He demanded, holding his left hand out for the ring. You let fall out of your mouth along with the pool of saliva that had collected.

He tossed the ring aside and leaned forward until you laid flat against the bed. He forced his fingers into you, curling them deep.

“It’s not enough that I married you, and gave you my child,” He said through labored breathing. “You want me to use you in a room full of people to prove a point.”

“People you would’ve had the luxury of screwing if I were nicer.”

“You know I say that kind of shit to piss you off.”

You released an accented moan as he slammed his fingers harshly into you, cutting your rebuttal short.

His hand found your throat again and applied more pressure. Your eyes widened in shock when your breathing was interrupted and you struggled to push him off.

“What?” He stopped moving. “Too soft? Harder?”

He waited another second and let go.

“Harder,” You gasped.

“Really?” His thrusts became longer and deeper—making your legs tremble as he reached that spot that made your toes curl. “But you’re crying, mama.”

He knew as well as you did that the tears in your eyes had nothing to do with you crying and everything to do with him choking you moments before. But he’d use the tears as a testimony to your pain if it made you appear frail.

“Do you want me to stop?” He asked, knowing the answer.

You wanted to tell him to keep going, but it was too much. The last thing you wanted to do was prove him right by affirming your sensitivity. Rather than appear weak, you opted for silence.

“Okay,” He whispered, kissing your lips gently. “I’ll take care of you, darlin, don’t worry.”

He sat up and silently motioned ‘come here’ with both hands—his lids heavy and his pupils blown with lust. You forced yourself to sit up, figuring it best to agree. He wrapped his arms around your torso, expecting you to wrap your legs around his waist.

“Stay,” He whispered. “What’re you gonna do?”

“…Stay.” You shivered when he entered you, relaxing into his hold and completely relinquishing your senses.

“Good girl…see? You can be a sweet girl.”

You couldn’t feel anything outside of him. You couldn’t see, hear, smell, or taste anything…only him.

“You walk around like you have so much to prove,” He said, his voice low in your ear. “I don’t know why.”

You couldn’t respond, you couldn’t form any words as that familiar knot started to form in the pit of your stomach.

“It’s like you’re jealous of a couple of strangers,” He continued, rocking his hips upward to thrust inside of you. “Do you want me to treat you like them? Like I don’t know you—like I don’t love you?”

The world fell away and for a moment you were just a body made up of electricity and burning pleasure. Your eyes rolled and you trembled. He kept going.

“Do you want me fuck you like a stranger?” He muttered, you couldn’t tell if he was talking to you anymore.

“Please,” You whispered, encouraging him. “…fuck me like a stranger.”

His hips stuttered and he came instantly, bursting inside of you like a teenager. You felt the warmth of his release pooling inside of you and seeping between your thighs.

You climbed out of his lap, leaving no time for either of you to come down or catch your breath. You tried to turn away—too woozy to get up—but he grabbed you by the arm and made you face him. You wouldn’t look at him, so he gripped your jaw.

“I love you,” He panted. “I…love you. That’s the difference. That makes all the difference.”

You met his eyes. “That makes everything okay?”

“No,” He admitted. “It doesn’t.”

You couldn’t read his expression—his lids were heavy with post-orgasmic bliss. He was still coming down from his high, not speaking for himself but from his pleasure.

“I’m sorry,” He muttered, nuzzling the crook of your neck.

You hugged him back, closing your eyes and allowing yourself to revel in his apology while he was sorry—because you knew he wouldn’t be for long.

He pulled away from the embrace after a few minutes. “Say it back.”

You smiled, you almost thought he hadn’t noticed. “I love you too.”

He smiled, content.

“You should get back out there,” You said. “Seemed like the night was just getting started.”

“I’m not finished with you just yet,” He said, smirking suggestively. “You’ve awoken something inside of me.”

“Oh no,” You said sarcastically, laughing as his hands shamefully roamed your body. “What have I done?”

“Where’s Lark?”

“With Andrea still.”

“Perfect.”

You squeaked in surprise when he rolled onto his back and pulled you onto his lap.

“Tell me what to do."

You paused. "What do you mean?"

His fingernails grazed your bare thighs as he smiled timidly. "I want you to order me around. Make me do things I wouldn’t usually do.”

You would grow to accept that there would be no final retribution or day of reckoning. No fight, no agreement, no threat, no reconciliation.

Those things didn’t matter when it came to the two of you. At the end of it all—good, bad, ugly and indifferent—you two would remain. It was an undisputed truth…wherever you went, you went together.

You could be opposites, or just alike, it’d make no difference. He could be like the sea. Open, free, abundant in what he could give. Charitable, but indulgent. Hazardous, but certain. You could be like the desert. Brutal, unforthcoming, full of life in some areas but destitute in others. Fertile, but not nurturing. Guarded, but unprotected. You could have been all those things and one simple fact would remain.

Wherever there was Elvis Presley, so too was his baby birdie.

—fin.

#elvis presley #elvis imagine #austin butler #elvis smut #black reader #elvis fluff #elvis presely smut #elvis x black reader #elvis x you #the bikeriders #60s elvis

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olderthannetfic · 1 year ago

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People going on about how they're representing this whole Greek thing are missing that that one anon had a pretty good point about how "cultural appropriation" rhetoric gets misused. People do really need to be more specific about what the issue is, or it very easily turns into basically just arguing for cultural segregation. I've seen that happen numerous times on this website over the years. I've seen people argue that it's appropriative to do something like *learn about* another culture or learn its language. I think it's really important for people to keep an eye on what are the actual issues with cultural appropriation (mostly about exploitation and colonialism) and not just the idea that cultural mixing is bad, or that being interested in a culture that isn't your own is bad. Because the truth is, whether you intend this or not, if you're just arguing that everyone should only keep to the culture of their ethnicity or their place of origin or both, then you're basically in agreement with white supremacists. It's not that cultures mixing is bad; most culture is a result of some mixture. It's when it's done in a way that's exploitative and/or disrespectful: like reducing sacred symbols like indigenous war bonnets to a fashion accessory, or incorporating the art of another culture into your own art without giving credit and without paying anyone from that culture who taught you or added to your work.

FTR, I don't think you can "appropriate" ancient mythologies. I think people are getting twisted around though because there is a genuine history of colonial exploitation of Greek artifacts by colonial powers to fill their museums, as with the Elgin marbles. I do think it's still a good idea to be properly informed about them, regardless, at the very least because those make for the more interesting retellings. For all that people (who IME, largely haven't read it, I'd love to hear if people who have read it disagree though) rag on Song of Achilles, I actually thought it was a pretty good example of a retelling because the author, who has an educational background in mythology, takes great pains to try to recreate the society and cultural norms of Greece at that time rather than sugarcoat it. Achilles may be even more of a jerk than he was in the original Iliad, tbh. It's telling to me that the author's other books that are less "shippy" don't have as negative of a reputation on here in that regard as Song of Achilles, despite being fairly similar, and it makes me wonder how much of that is because it's popular among "fujoshi fandom" so people just assume it MUST be shallow and fandomified, and I was super shocked at how much it really wasn't that at all. As well as I saw that a lot of people expecting something more like that were disappointed by all the period-accurate misogyny and so on.

Which brings me to another point: another reason I'm skeptical of a lot of this discourse is that it seems like often it's more of a high-culture, low-culture thing. A thing that is popular with M/M fanfic writers can't POSSIBLY be doing it right. A thing that is a popular video game or Tony-winning Broadway musical that is popular with the fandoms for those things, can't possibly be accurate. And I get that a lot of that is because a lot of populist things that took from Greek mythology have been inaccurate (Disney's Hercules, for instance) but if you're going to criticize the accuracy of something, I think it is worth engaging with the original work and what it actually does rather than just assuming It's Popular It Must Suck. It feels like a lot of this turns into lording that you were into it before X over others. And being aware that Tumblr Recommendations often do a poor job of actually giving you a good idea of what the work is really like.

As well as, of course, asking yourself - as we should with any sort of historical inaccuracy etc. - if the inaccuracy was deliberate or not. Sometimes people are not really telling that story in order to tell the most accurate version of something but to make a different kind of point, and so the changes might be deliberate. I would argue this is true with something like Hadestown.

That doesn't mean you can't still dislike it for that reason, of course. I know a lot of classical musicians who dislike the movie Amadeus for being so inaccurate about Mozart's and Salieri's lives. I like it despite that because I think the point it is trying to make is stronger for not sticking to the historical fact. I just wish more people did know the historical fact, though.

One would think the "Is it bad if I learn to cook Thai food?" thing was a strawman... but I've seen it in the wild far too many times.

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dresshistorynerd · 2 years ago

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kinda random question but how do you go about researching? I’ve wanted to get deeper into fashion history than just watching youtube videos, but I don’t really know where to start.

ps. thanks for making such detailed posts. they’re really interesting to read.

Thank you! I'm really glad you've found my posts interesting!

This is great since I've kinda answered this in replies couple of times, but not properly. I very much understand the struggle. Dress history is a relatively new academic field and there's not that much reliable sources available and so so much unreliable sources everywhere. Internet of course has this problem but so does a lot of books too.

I thought this would be a short one and yet, here we are again.

Disclaimer: I'm writing this from a western fashion history perspective, since that's what I know best, but especially reading up on academic research and doing primary source research applies to non-western cultures too, though often it's harder to find sources for non-western fashion.

Getting started

Imo the best place to getting started is to read a book that gives a general timeline of fashion through history. I'm not sure if that's just how my brain works, but it helped me a lot of when going deeper into one period or another to understand the broader context and what roughly came before and what after. However these books are inherently difficult to make well, because there's so much nuance and variation in every period of dress history and if you're writing about the whole timeline through thousands of years and keeping it book length, there will need to be a lot of simplification to the point of inaccuracy. There's many popular fashion history timeline books with illustrations made for the book, but I would avoid those since non-contemporary illustrations often give a distorted image of the fashion, especially when it's about earlier periods in history. I've seen some really inaccurate illustrations depicting Middle Ages and Renaissance especially.

Costume and fashion: a concise history by James Laver - I'd recommend this as the starting point. James Laver was a art historian, an important pioneer of fashion history and curator of Victoria and Albert Museum, which has one of the most extensive costume collections now. The book is therefore based on serious academic study, but being a pioneer means you'll be outdated, when the field is more established, which is partly the case with this book. There's some outdated parts, but the images are primary sources and it does give good historical background. It should be taken as a starting point, not as the end point.

A History of Fashion by J. Anderson Black and Madge Garland - This is another similar book. It's more recent, but it also suffers from some outdated parts. The writers are not academics, but it has more primary source pictures which does help (at least me) understand visually what's being said.

Books

In a given subject I'm researching I usually start with seeing if I can find a reliable book on it or related to it, if I haven't already read much on it. Often what I want to research goes deeper into details than what a book usually does, so it will work as a starting point. As said it can be hard to find these books that are actually reliable, but here's couple of reading lists to help with it.

Here's a reading list by a retired professor of dress history from Helsinki University. It's very extensive and has a wide variety of books and papers listed. There's a bit of leaning towards Finnish sources, but most are in English and about more international western fashion.

Here's a reading list by @clove-pinks, who is excellent and writes a lot about the Romantic period, especially men's fashion here on Tumblr. These are all books that can be read free on Internet Archive, which makes the list even better.

Internet sources

There's a lot of bad sources floating around in the internet, but also some excellent gems. As dress history is such a new field, there's a lot of unexplored spots and lacking research still, but some troopers in the internet have done some great legwork in going through primary sources and gathering them together. These can be excellent especially when trying to research a specific garment, since often these blog posts are by historical costumers, who are detailing their background research in reconstructing a specific garment. It's not always easy to find them, since they might not come up in the first page of the google search, but I often find them through pinterest, where the blogs are linked into the primary source images and images of the reconstructed garments. Though be sure to look with blogs like that with critical eye. The best sign that it's reliable is when each image is given a source.

There's some more general sources too that need to be taken with a grain of salt.

Fashion History Timeline - This is a page with entries to the whole timeline of fashion as well as entries of specific garments. It's very well sourced and has usually pretty good image sources too. I will say though that it often gives a pretty limited description of the period focusing on some specifics, without giving a good overall picture, especially in the Medieval sections. The medieval sections are honestly pretty useless. It's at it's best in 19th century imo (I haven't checked out the entries to 20th century since I rarely research vintage styles, but I'd assume they are pretty good too). But since it has great sourcing it is usually informative. It just shouldn't be relied upon to give full picture of a period.

Wikipedia, History of Western fashion - In some ways this is the opposite of Fashion History Timeline. Wikipedia has articles on each period. The sourcing on these articles is often quite lacking and the information shouldn't be taken at face value. Especially the terms for the garments are often used in these articles in very questionable ways. However what these articles have is pretty good primary source image collections, and what is nice is that in Medieval, Renaissance and Early Modern periods they are often divided into regions, and they often have images of working class clothing, which are for some periods really hard to find. These articles often don't either give a full picture of the period, but in someways the basic picture of the period is easier to grasp from these than from Fashion History Timeline. I use these mostly for the primary source images, and the texts of them should be taken with a bucket of salt.

Academic papers

Going deeper into something will inevitably require reading up on some academic papers. I'm lucky since I get access to a lot of academic publications through my uni, but JSTOR (my beloved) gives free access to 100 papers per month (you'll just have to make an account). Through google scholar you can search for papers on a given subject, or if you don't have access to other publications, you can just use JSTOR's search engine.

Primary sources

If some MVP hasn't already combed through primary sources to gather them on a give subject, you can do that too. It's not necessarily an easy task though. There's thankfully a perfect guide for that.

A Handbook of Costume by Janet Arnold - Janet Arnold was a legendary dress historian, who really defined the modern field. This book details the process of researching dress history and how to analyze primary sources. And it's free on Internet Archives.

I'll give some basics here though.

Extant garment

Most of us who are not academic historians don't have physical access to extant garment, but many museums have nowadays excellent digital archives of their costume collections. Here's a list of the most well known ones. MET and V&A has sometimes great descriptions of the clothing and their history, but not for every item.

MET Costume Institute

Kyoto Costume Institute

LACMA

V&A Costume Collection

Palais Galliera

Extant garments are of course the ideal sources to study, since they are the actual garments and not just representations or descriptions of them. Sometimes the collections even have pictures of the insides of the garments, giving invaluable information about their construction. However, extant garments have limitations for research, since there's a strong survivorship bias. Firstly, they heavily lean on later periods as textiles deteriorate relatively quickly. You won't find extant garments from Middle Ages, at most fragments of them. Secondly, they are mostly clothing of the upper classes. Lower classes used their clothing till they broke down, and even then often salvaged any fabric that could be salvaged for new clothing and other textiles. Upper classes didn't necessarily have to do that, so what survives is usually very expensive formal clothing that people would wear rarely and rather preserve than salvage the fabric from it.

Photography

Since camera was popularized in early Victorian era, you don't get photos before that. Photography is a great source from the times it was available, since yes it's still only representation of the clothing, but there's less artistic interpretation than in paintings and illustrations, though importantly, there still is artistic interpretation. As long as there has been photography, there has been photoediting. They of course used it for creepypasta purposes by editing them holding their own heads and editing ghosts into backgrounds, but also editing their waists smaller. Basically the exact same way photos are still edited. So no, this is not really how small the waist got in Edwardian era, since this is edited.

Another obvious limitation for early photography is that it didn't have colors, so popular colors of a given time period and given styles have to be found through other means. A great thing about photography though was that compared to painting, it was relatively cheap, and therefore a lot of lower class people were able to photograph themselves. We even get people outside in everyday situations not posing.

Photography can be found with search engines like google and pinterest, though they should be always sourced then. You sometimes come across very Victorian looking photos that are actually just modern photos that are well edited. And also it's important to date the photos, which might not be easily with photos just randomly floating in the internet. Libraries and museums sometimes have good digital collections of old photos. For example:

Digital collections of New York Public Library (NYPL) - It has a wide variety of collections including photography, fashion plates and other illustrations. I haven't found a great way to search through the collections, but the best way I've come up with is to search images within the Clothing & Dress topic, put some limiting filters, then click some right looking image and then go to the collection it was from. I bet there's an easier way but I haven't figured it out.

Paintings

A great thing about paintings and statues is that they date basically through whole history of organized civilizations. Paintings are more delicate so even with murals in antiquity, you'll get more surviving status from that time period. But because of the strong artistic interpretation inherent to these art forms, there's some tricky parts to them as sources for historical fashions.

You'll find a lot of paintings by just searching for fashion or paintings of a given period in google and pinterest, but it's sometimes tricky to source them to figure out where and when they were painted. Therefore I often check from Wikipedia a list of artists from a given time and place, and search their paintings from digital archives of museums. It also helps when you choose artists who were specialised in specific type of paintings. What kind of paintings depends on what you're researching and the time period.

Portraits are of course great sources. They depict the actual clothing an actual person wore and if the person was historically important enough you can find out who they were and gain a lot of context for the clothing. However, they are usually all rich people, though not always. Another thing to keep in mind is that sometimes portraits portray the subject in a costume. This became a pretty big trend among nobles in 18th century. They had costume parties and would have their portrait painted with their costume, but also there were trends of costume that were not even worn for parties, but only for having a portrait. Sometimes the painting would be painted like a scene and not like traditional portrait. Van Dyke costume (first picture below) in first half of 18th century paintings is one such example. It referred to mid 17th century fashion that was seen as timeless at the time. Peasant costume (second picture below) is another example of a popular costume for nobles to wear in portraits. Costume balls continued to 19th century, but after the popularization of camera they were mainly photographed. People would continue to dress up in costumes for portraits, but it wasn't as big of a trend as in 18th century.

Genre paintings were a genre of paintings that became popular first in 16th century Low Countries and then In Netherlands/Belgium area during the Dutch Golden Age (from late 16th century and thorough Baroque) and during Baroque's popularity all over Europe. Genre paintings depict normal everyday life of peasants, working class people and the bourgeois. During Baroque they often had elements of idealization, symbolism and even sexualization of the subjects, so they should be taken with a grain of salt, but they do usually depict accurately the clothes the people wore. Rococo era had a lot of these types of everyday scenes about the upper class. During the Romantic era peasants were heavily romanticized in genre paintings, but there was also a lot of genre paintings of bourgeois thorough 19th century that was wasn't as strongly romanticized. These scenes were sometimes also depicted in portrait form. Realism brought another interest into the genre and Realistic genre paintings often focused on the working class. They did the opposite of romanticism though and often exaggerated their subjects to look more wretched.

History paintings depict events and scenes that were for the time historical too. They became very popular in 19th century, when Historism was the dominant in arts, but they have existed long before. There's even some from late Medieval period, and in those earlier history paintings, the historical figures are usually depicted in contemporary clothing and there's no attempt at recreating historical styles. In later periods, especially during 19th century Historism they very much tried to recreate historical styles. This is why it's important to always source paintings. I've too often seen Victorian paintings used as images for Medieval fashions.

Religious paintings have sometimes a bit of the same issue. They were very popular during Medieval and Renaissance eras, and usually the biblical figures would be depicted in contemporary fashions, though not always, sometimes in vaguely "biblical garbs". Religious paintings also have the issue of often being highly symbolic, so sometimes the characters in them are not dressed for the situation, or a character that in the biblical canon very poor is depicted in upper class contemporary fashions.

Illuminated manuscripts

Medieval manuscripts with illustrations are invaluable sources for Medieval fashions. They are usually commissioned by royalty and detail historical narratives, so they mostly depict royalty and nobility, but some illustrated scenes depict commoners too. You often find images of the illustrations floating around in pinterest but they can be hard to source when the source is not linked (which is quite often). The illustrations can be spotted by the quite consistent style (though sometimes they are not from illuminated manuscripts but some other rarer illustrations like playing cards).

A lot of illuminated manuscripts have been digitized and British and French libraries have quite extensive online collections of them which are linked below. The manuscrips in those are mostly English and French of course but there's manuscrips from other places in Europe too, I've seen quite a lot of the German speaking area especially.

The Bibliothèque nationale de France (BnF) The British Library

Fashion plates

Fashion plates became a thing in 1780s, so they are not useful for periods before that. They are basically illustrations that show the latest trends and they were published in fashion magazines. They don't reflect the way everyone dressed, since as they did show the latest high fashion and the people who would be wearing that were mostly young rich fashionable people. However, fashion at the time had a little different meaning than today as it was linked to dress code, and to be respectable you needed to follow fashion. So everyone, even working class people, would follow the new trends to an extent. This is especially true when we get to Victorian era, when mass industrial mass production and the emerging middle class made clothing cheaper and more available to more people. They wouldn't maybe follow every new trend or with every detail and with as much extravaganza or with the most expensive fashionable materials.

While the fashion plates didn't necessarily depict specific existing clothing, they were based on existing clothing and they were often used as guides for dressmakers. Kinda like you might go to a hairdresser with a picture of a famous person's hair or hairdressers sometimes use pictures of famous person's hair to show what they might do. And the people who might not afford something as extravagant as shown in a fashion plate, might still show it as a guide and get a simpler version of it made for them. People of the middle and lower classes especially would also use them as guides to sew themselves fashionable clothing.

Fashion plates are quite easily found on the internet, but as with other things, if you don't go straight to some organized archive, it might be really hard to date them accurately. Many bigger museums and libraries have fashion plates in their online archives, for example NYPL which I mentioned earlier.

MET Fashion Plate Collection - This is a pretty extensive collection.

Regional costume illustrations

When genre paintings became popular, artists didn't necessarily have the change to go and see what peasants wore in the places they were setting their genre paintings in, but because the whole point of them was to depict authentic real life, there was a need for illustrations of regional dress around Europe. And some artists would travel and create costume collections for resource to other artists. These are really invaluable to us today, though they should always be taken with a grain of salt, because sometimes the artists who created these drew dresses for places they never had even been in. For example some of these collections include non-European dress and they should all be probably disregarded as fantasy costumes basically. You can usually assume that the closer the region which dress they depict is to their own place of origin, the more accurate and based on reality it is. It's also good to try and google the artist and see if you can find information of where they actually traveled, because sometimes we know that pretty well.

These collections can also be found in the digitized archives of big museums and libraries, again there's some in NYPL collections.

British Museum's collections by Hippolyte Lacomte from 19th century

A collection from late 16th century on BnF archives

Honorable mentions

There's many other primary sources in different periods that can be helpful, but the ones I've mentioned are the major ones and easiest to access, when you're not doing academic research with institutional resources. I thought I might mention couple of other sources that have become handy to me as examples.

Magazine and news paper ads became wide spread in the Victorian era and from that onward is a great source. They advertise specifically ready-made clothing, so clothing that was much more available to a regular person and therefore can be really helpful to understand what a regular person might wear. I don't know a great source for them though. Many libraries have digitized old papers and magazines so going through fashion magazines is perhaps the best bet, but it's definitely a lot of combing though. Some people have though gathered ads in blogs.

Satiric comics can be surprisingly helpful for researching sort of alternative styles and seeing what trends garnered backlash. For example I've long been obsessed with Aestheticism and the other counter-cultural movements related to it, and there's quite a lot of women's Aesthetic extant garments, photos and paintings available, but very little of men's Aesthetic fashion. But then I found that Punch Magazine (conservative satire magazine) loved mocking the Aesthetes and therefore drew a lot of comics with men in Aesthetic fashion. Caution should be taken though since satiric illustrations do often exaggerate for comedic effect. For example the idea that 1770s ladies made ships out of their massive hair comes from a satiric illustration mocking the large and elaborate hair of the time.

Runaway ads of slaves and indentured servants are bleak, but can be helpful source for the clothing of poor people during 18th century. This is specific to US, but because of the colonialism poor people there would often wear at least similar clothing as those in Europe, especially Britain and France, which had the most colonial presence in that region. The clothes were described in great detail in these ads for identification purposes. These runaway ads can be also found in news papers of the era, many of which are digitized in archives of bigger US libraries, but it's definitely even more combing through. Though again some people have done some of that work already and documented it in blogs.

#answers #history #fashion history #dress history #sources #research #historical research

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momo-t-daye · 11 months ago

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Momo's Snapedom AU Ask Game!

I do love how the Snapedom has folks who write extensive meta with citations and how the Snapedom has oodles of people making a delightful diversity of AUs that gnaw on the bones of the canon narrative skeleton to cook up a more satisfying story-soup! So I thought it might be fun to put together a few questions for an ask game (after all, the fun part of fandom is interacting with other fans):

Do you have a name and/or a tag and/or a master post for your AU (so I can peruse your blog and admire your creativity)?

What is the premise of your AU (one sentence summary, tropes, your big “What-if” question, etc.!)?

Can you describe your AU badly? (Because I do love hilariously misleading but not actually inaccurate descriptions of stories)

What your favorite thing about your AU? (Does it make you cackle with glee or do you break your own heart?)

What are the major divergence points in your AU?

Is there any part of the canon narrative you really like to build off of or interrogate with your AU?

Are there themes or motifs or specific concepts in your AU that you hope people will notice? (Do you want to give hints about your masterful foreshadowing or chat about your extensive world building? Should we all grab a floriography dictionary when flowers are mentioned?)

What are some key life moments in your AU!Snape’s life that differ from canon!Snape’s life?

How and why does your AU!Snape differ from the canon!Snape?

Would your AU!Snape want to trade places with canon!Snape (and vice versa!)? Why?

Do you know if Severus going to escape the gravitational pull of the canon narrative/fate in your AU?

Do you think any other characters are going to escape the gravitational pull of their canon narrative/fate in your AU? If so, can any of that extra AU!velocity be attributed to Severus’ actions?

What era does your AU primarily take place in (is it focused on part of the canon timeline? Is the canon timeline adjusted a few years one way or another? Or are you playing with a futuristic sci-fi AU or a historical AU or something else entirely? Maybe you have a 1998!Snape dealing with life in 1942 or some other combination?)

What is his childhood and/or family life like in your AU? Is it better than his canon life starting out in Cokeworth?

Does Lily exist in your AU? Are Severus and Lily friends in your AU?

Do any of the Marauders exist in your AU? What role do they play in your AU Severus’ life?

Do the Malfoys exist in your AU? How do they interact with your version of Severus?

Does Voldemort exist in your AU? Does Severus join his cause at any point in your AU?

Does Dumbledore exist in your AU? What role does he play in Severus’ life in your AU?

Does Harry Potter exist in your AU? How does he interact with Severus in your AU?

Is there another canon character that plays a major role in your AU!Snape’s life? What role do they play and how does it differ from their canon relationship with Snape?

Is an Original Character a major feature and player in your AU? Who are they? What role do they play AU!Severus’ life? How do they interact with any other canon characters in your story?

Does Severus have a significant other (or others) in your AU?

Does Severus have children in your AU?

Is Severus Snape the Hogwarts Potions Master in your AU? If not, what is he doing instead?

Does Severus have any major interests (mycology, astronomy, sci-fi, baking elaborate puff pastries, art forgery, etc.) in your AU that we never got to see canon!Snape indulge in? Do these interests play a major narrative role?

Do you have a snippet of prose (or an art piece or a list of headcanons) from your AU that you particularly enjoy and want to share?

Free space! Any other questions folks want to ask?

#Severus Snape #Snapedom #snape fandom #snape community #prosnape #ask game #My questions are going to come from the main blog because I'm not tech savvy and didn't quite grasp what a sideblog was...#Canon is a scaffold and fanon is a funhouse mirror and I'd love to see what you're reflecting on!

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girlcaelius · 8 months ago

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Hey, what was inaccurate about Domina? I want to watch it but I’m unsure on the characterizations

(oh this got quite long, sorry in advance-)

it's not that it's *super* inaccurate, it's just that (in my opinion) some of the choices made were a little, well. they could have been more interesting. guy who only ever thinks about agrippa all the time voice i am going to talk about agrippa first. i do love how they did agrippa but i also feel like his character was sort of flattened? like we see him for the most part as either a violent warmonger or then flip it entirely to this (i'm going to be mean here, but i don't care) pretty pathetic man who just kind of rolls over and does whatever gaius and livia want, and there's not really much nuance - no mention of the whole quote unquote 'exile' situation in 23, or negotiations with herod or parthia or anything like that.

(this is very much a personal thing, but the [spoilers] sort-of-but-not-really romance plot with him and livia definitely irked me. i think they did it well for what it was, but - they did come close, but when are they going to make a show where him and octavian are as insane about one another as they were historically? the emphasis on his relationship with livia over octavian lessens the effect of his death - and the whole death thing really did piss me off. they show his death, they show his funeral, they focus on how sad LIVIA is in that funeral shot (and not his, you know, childhood best friend other half of my soul etc etc) and then immediately cut to a sex scene with livia and gaius. yay. i haven't seen beyond this episode, so correct me if im wrong, but it kind of feels like people just... forget about him immediately? even gaius. there's not really a mourning or grief sort of thing. it's weird.)

the show also often skips out on events that, in my opinion, could have been more interesting than inserting some kind of weird little random subplot in instead. like - without too many spoilers, they give livia this ex best friend who's now a vestal virgin who was also in love with her as a kid which could have been really interesting! and done really well! but it's. not. it glossed over characters who's stories i think are really intriguing - like octavia adopting and raising antony's children (cleopatra selene isn't in the show at all, which i think is pretty sad) could have been interesting to focus on, but instead after a point in season 1 they just kind of reduce her to her grief over marcellus.

i think the show has a little bit of a problem with girlbossifying livia, but to the point where it sort of comes full circle and goes right back to portraying her how people like tacitus might have portrayed her. despite all the reasoning and motivation the show gives her, it still comes across like she's picking off and poisoning octavian's possible heirs one by one (because, well, she literally is) to protect her and her family's power. i think the whole 'restoring the republic' thing COULD have been really interesting! but they don't really explore *how* they'd do that or anything, they just kind of... bring it up every time there needs to be some kind of dramatic secret scene and never expand on it. i understand the show is the livia show but i think the focus on her sometimes makes the other characters (eg gaius) seem stupid or idiotic when we KNOW they weren't historically.

i am not very knowledgeable about the historical julio-claudian 'kids' (for want of a better word), so i can't really speak on a lot of their portrayals, but the whole 'bad tiberius' thing irritated me. unsure of how grounded in history this is but they give him some slightly odd butchered form of doctor-jekyll-esque did where he has an evil fucked up version who comes out and kills people sometimes. i really really love the portrayal of tiberius for the most part in the show, but this bit... eh. he also wants to kill his mum and have sex with his mum, so that's a thing.

side note but it does feel a little weird that two of the main slave characters (antigone and tycho) are both Black, especially in a setting where slavery wasn't influenced by race.

not sure if this is coherent or what you were asking at all, but here are some slightly disconnected thoughts! but despite all of this i do genuinely enjoy the show, if nothing else i think it's very fun. thanks for the ask :]

#asks #show that would be so good if it was good

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iamsosmaug · 2 years ago

Text

Miraculous Fic Recs

Recently I've been complaining a lot on the internet how sucky the recent seasons of ML have been, and how much better the old fanfics are; I'm going to prove my point by sharing my tried-and-true rec list. Here we go.

Back To Us - Written in 2017, so some things are inaccurate. Basically Marinette, as Ladybug, kills Gabriel Agreste on accident by pushing him off the Eiffel Tower and Adrien moves to Milan. Seven years later Marinette is a rising fashion designer, her long-lost partner comes back seven years later but hot, and a new Hawkmoth shows up on the very day Adrien comes back. Suspicious. INCLUDES: Antihero!Chat. Alternate superhero names for Alya, Nino + there are only seven miraculouses which honestly I like a lot better than Ladybug just busting another one out whenever she feels like it. At one point, it was the longest fic in the fandom but now it's not even close. 446k. Requires an Ao3 account to read.

Second Chances- Again, written fairly early in the fandom. Adrien is a single dad and Alya volunteers Marinette to be his daughter's nanny - the premise sounds like it could turn out really weird but I promise it's not. Adorable adorable. INCLUDES: Past ChloexAdrien and MarinettexNathanael, and Adrien never went to school. Reverse best friends (Alya + Adrien, Mari + Nino). 105k.

Whose Woods These Are (I Think I Know) - Ladrien Cinderella AU. Super well-written in a kind of fairytale style. I honestly love this fic. 105k.

Spotty Connections - Adrienette texting fic (no miraculous AU, but does incorporate LadyNoir). Tikki & Plagg are M&A's cats. One of my favorites ever. 66k.

Film It - Adrien is a youtuber! Soon all of Twitter ships #adrienette. INCLUDES: Gabriel Agreste's A+ Parenting. Endgame Adrienette. Superheroes exist, but LB & CN aren't a huge part of this. Also worthy of note: #thatfoursome and a decent amount of Twitter formatting. This has pretty much everything I want in an Adrienette fic. 56k.

Chasing The C/h/atwalk - Project Runway AU. Marinette is a designer and Adrien... is her model. Shenanigans ensue. INCLUDES: Some LadyNoir, mostly after the identity reveal. #MarinetteInDenial. 100k. I love this fic.

Lucky Us - No Miraculous email AU. See Spotty Connections: LadyNoir incorporated without the actual superheroes. Fluff with a tiny bit of angst but still happy ending. 136k.

Secret Santa - fluff. Pure fluff; classic in the fandom. A bit cheesy and very outdated but very nice. Time for a reread. It has a sequel called New Year's Ball. 52k.

Être Majeur - horror, AU, fairly short, creepy and strange but really well-written. 24k. M for horror elements.

La Pucelle Et La Coccinelle - Absolute favorite. Explores Joan of Arc (Jeanne d'Arc in this story) with the Ladybug Miraculous. INCLUDES: Actual historical references, lore for the miraculouses, and a flashforward to the future at the end with Marinette. 38k. I have it printed out, I love it so much.

Pray For the Children You Lost Along the Way - Silent Hill AU (Emilie Anderson from the arcade game is Adrien's mom). It has been on hiatus since 2019, but is still worth a read because so many things tie together in a satisfying way. 86k. Rated M b/c of Silent Hill-type things.

Under Lock and Key - Huge classic also published on Wattpad. Author/artist collab with Maerynn & EdenDaphne - Maerynn passed away while the fic was being written and ED finished it. Very nice art by ED. I view this fic as the quintessential 2017 era Adrienette fic. Very sweet and fluffy. 34k.

Tripped at Fencing - Gabriel hits Adrien. INCLUDES: Gabriel Agreste's A+ Parenting. Accidental identity reveal (Marinette finds out first). Only 5k but a classic.

The Butterfly and Her Brother series (Generations Past and Future) - written c. 2016. Gabriel is NOT Hawkmoth; Gabriel is not a villian in the least so technically OOC. First couple are set in the 1990s, then a couple in ~2016 and the latest in like 2044. I haven't read the last one in the series but WHATHGAWAATG (Europe gets taken over), featuring the next gen of Agrestes, is really good as well. Many things are outdated/false as this was written based off of s1, but I honestly like this interpretation of the Miraculous much better than how the show does it. Mama Agreste's name is Adele (again, s1) and I quite like her character. I freaking LOVE this series. I have it downloaded to my phone and I reread it when I'm feeling sad. 340k in total, but the longest work in the series is about 166k. SO many kudos.

a fight that you were born to lose - "Adrien finds out that Gabriel is Hawkmoth, and Gabriel gets to bring his long-waited plan into action." TW abuse, emotional manipulation, forced dieting. Gabriel Agreste's A+ Parenting. Fairly short for how well-rounded it is - 17k.

An Impromptu Proposal - what it says on the tin. Reverse love square kinda: Ladynoir requited love bc Adrien never went to school. Includes identity reveal and Hawkmoth!Lila takedown. 33k.

On The Prowl - Criminal CN. Also on ffn.net. Good story and TOTALLY a classic, but also uses 'ravenette' and 'sapphire orbs' unironically. The writing is okay if a little melodramatic. 53k.

Chat Noir's White French Man Hit List For Feminist Purposes - pretty much what it says on the tin. Sentimonster!Adrien. 7.8k.

i think it's time i told you (i'm a fan of your universe) - ladynoir proposal. v v nice. Just 5k. Smidge of angst.

The Ladyblog Comment Section - what it says on the tin. 27k. Hilarity and crack.

spark - Tinder AU. Lots of Marichat. Angst with a happy ending. 49k. Slow burn w/ eventual identity reveal.

all dressed up and nowhere to go - No Miraculouses modern royalty AU - human Tikki and Plagg. Mostly DJWifi but a mild amount of adrienette and a smidge of chlogami. Includes arranged marriage Adrien x Alya but they don't end up together. "Twenty-five-year-old Marinette is a wedding dress designer, business blooming in her trusty shop, Ladybug Bridal. When the engagement of Prince Adrien Agreste and Ancient Princess Alya Césaire is announced, all she expects is an influx of work. What she gets instead is... a bit different." 35k.

tangled ribbons - Ao3. ballet/dance AU (no miraculous). Adrienette with some DJWifi and human Tikki & Plagg. "Marinette is a small studio dancer who wins a scholarship to a summer long ballet intensive. Adrien is a famous ballet dancer who would rather be at home than at said intensive. The end of the summer will bring about a showcase that could make Marinette's career, if she can ignore Chloé and focus on something other than Adrien." 82k. The slowest of burns.

Where timing is kind to us - Ao3. marichat discusses quantum physics. 4.3k. This is a beautiful one-shot with a one-sided reveal.

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