#all of them a variation of

[luxshine]

Chapters: 13/? Fandom: RRR (2022), Yamadonga, మగధీర | Magadheera (2009), జై లవకుశ | Jai Lava Kusa (2017), రంగస్థలం | Rangasthalam (2018), ధృవ | Dhruva (2016), Janatha's Garage, Nayaak, Bruce Lee - The Fighter, టెంపర్ | Temper (Movie 2015), Rahki Rating: Not Rated Warnings: No Archive Warnings Apply Relationships: Chelluboina Chitti Babu/Anand, Alluri Sitarama Raju/Komaram Bheem, Kala Bhairava | Harsha/Raja (Yamadonga), Charan "Cherry" (Nayaak)/Lava Kumar, Siddarth "Sidduh" Nayaak/Kusa Kumar, Daya/K. Dhruva Characters: Chelluboina Chitti Babu, Anand (Janatha's Garage), K. Dhruva, Alluri Sitarama Raju, Komaram Bheem, Venkateswarulu (RRR 2022), Raja (Yamadonga), Lava Kumar, Kusa Kumar, Kala Bhairava | Harsha, Daya (Temper), Gautham (Dhruva), Charan "Cherry" (Nayaak), Siddarth "Sidduh" Nayaak, Karthik (Bruce Lee - The Fighter) Additional Tags: Clones, Conspiracy, Angst, Reincarnation, Enemies to Lovers, Mistaken Identity, Sleeper Agents, Love at First Sight, Lust at First Sight Series: Part 2 of Clone!Verse Summary:

They say that there are seven people in the world with the same face, even if they're completely unrelated. But what if seven were related, and didn't know it. And what happens when they meet, and they realize that the men they love, they all share a face too.

Why is this happening, and what does it have to do with the freedom fighters, Alluri Rama Raju and Komuram Bheem, who killed Governor Scott in 1920?

[secondbeatsongs]

as a bi person, the bisexual flag brings me infinite joy and always puts a smile on my face, however as a person who has a Passion for Graphic Design, that undersaturated shade of purple infuriates me when it's used digitally

like, on an actual flag - which was its original purpose - it looks great!

those look fine! lovely, even! with the semi-transparent fabric, the way it catches the sunlight, it looks beautiful!

but now look at how it looks digitally

the pink and blue are so vibrant compared to the sad, lonely lavender!

and let's look at this statement from Michael Page, the creator of the bi flag:

(sidenote: he created this flag in 1998, so if his takes on bisexuality is different from yours, it's okay to notice that! a lot has changed since the 90s when it comes to lived experiences and the way we describe them. but, it's also important to respect his thoughts about this and the way he presented them, even if today, we'd probably not say that bi people "blend unnoticeably into both the gay/lesbian and straight communities.")

so in pantone colors, the pink is 226 C, the blue is 286 C, and the purple of the flag is 258 C.

but...here's the deal

Michael talks here about how the key to understanding the symbolism is to know that the purple blends into both the pink and blue. and on a physical flag, I think you can see that!

but digitally, it absolutely does not blend. it clashes badly, and looks oddly separate from the other two colors.

which got me wondering...what purple do you get if you actually blend 226 C and 286 C?

oh! oh, my god.

look at that! look at how nicely it fits between those colors!

look at it next to the original color scheme! look at how much more vibrant the purple is!

and friends. this is just blending through rgb! you get even more purple variations when you use other color spaces!

let's compare all of them:

(top: original, lab. middle: lrgb, lch. bottom: rgb, hsl)

look at all of the different purple options you can get just by combining these two colors!

if you want almost too-vibrant saturation, you can go hsl, if you want something more relaxed that's closer to the original, you can go lab or lrgb. and if you want to split the difference, lch is bright and violet, while rgb is there with its saturated but darker purple.

anyway, I guess I don't really have a point here? this isn't so much an informational post as it is Me Getting Weird About Colors, but I think it is a useful lesson about how colors look very different on screens compared to how they look on objects in real life.

and sometimes, I think it's okay to compensate for that.

out of all of these, this is my favorite bi flag:

it's the one where the colors were blended in lab color space. for me, the lighter, softer purple is close enough to the original bi flag purple, while also feeling like a smoother blend of the blue and pink

but that's just me! and it might not even look the same to you, since every screen is different, because technology is a nightmare!

anyway, thank you for coming with me on this colorful journey! I will now retreat back to inkscape and make pained sounds about inkstitch gradients until something tangible pulls me back into reality

[sanshinexx]

The 501st boys

[nortism]

[okcassin]

i'm working on a simple banner for my socials rn! usually i just edit some old work together, but recently i've been wanting a refresh :)

[kagooleo]

the gangs all here!!!

[dailyink]

9/1/24

The past stores our memories, the present carries our actions, but the future...oh, the future could hold anything.

[lilyshear]

silence nerd

[evostrashbin]

a complete collection of all of the (mostly) FEH inspired headshot & bust doodles I've drawn so far!

[yearnerspermit]

The thing I keep coming back to about the finale is how much the writers get it

Anne Rice wrote the book because of the loss of her daughter. It grew and developed a world and life of its own in the years and decades after that, but at its core, Interview With the Vampire was born from a death. And doesn’t that just make so much sense? For vampires, where birth and death are inextricably linked?

And again, even here in adaptation, no matter how much else is changed:

Louis tells the story. He’s the perspective. It’s filtered through him, remembered imperfectly by him, shaped by him. And Louis is shaped by Lestat, there’s no denying it

But at the end of the day, the story is about Claudia. Lestat only matters here because he became her maker, Louis only matters as far as being the one who initiates that change, and the one who recounts it all

Because what story is there to even be told, without her? Without her life, and her anger? The unfairness of her existence and the unfairness of her destruction? The tragedy that at every step she could have been helped, this could have been avoided, but the only way to avoid it entirely would have been her never entering the narrative?

That truly the only way you could ever avoid the death of the one you love is if you never had them to begin with. And would that be better? For them? For you? It feels like logically the answer is yes. But emotionally? Even considering erasing someone you love from your life feels worse than being the one to kill them. I cannot say even now that I regret Claudia

Every important beat after her introduction — the good, the bad, the ugly — is motivated by messy, imperfect love for her. The story only exists for the love of Claudia, it’s only told for the love of Claudia. The story is Claudia

The tragedy is that they can’t forget her. The tragedy is they can never remember her as she was. Memory is a monster because it’s an incomplete, blurry copy of the people we love who are gone, and it can never be killed, even if you wanted to. But we never really want to, do we? So you cling to that monster, keep it, make it part of you

And at the end? Louis and Lestat, meeting again?

It’s perfect. It’s them, broken. It’s them, on the threshold of learning how not to be. It’s not about romance, its not about betrayal. It’s not about them

It’s two parent, grieving a child. It’s two parents, looking at each other, knowing how badly they failed that child, and knowing how much they loved her still. It’s two parents, embracing and crying and grieving a loss that only they will every truly understand

Because the story is about Claudia. And even when she’s gone? The story is about learning to exist without her. Her absence is still a presence, though. The space she filled, the space it left behind, matters. Because it will never go away, and it will shape them and what happens next, forever

Whatever madness and plot and love and hate spirals out from here, it started from the love of a child, and the loss of a child. And whatever happens next, that will never go away

The story will always be about Claudia

[killjoy-prince]

House M.D. but it's when a character says the name of the episode

[gingermintpepper]

Writing Apollo-as-a-young-deity is fun because sometimes it involves completely making shit up based on the loose outline of a story told through old poems, prayers and plays and other times it involves researching the totally legit and well documented ancient art of studying sheep livers to make sure your statesmen don't accidentally piss off Jupiter.

In completely unrelated news, if anyone has any recommendations for books about bird augury, that'd be wonderful.

[lazlolemurs]

Oi mistah you transgendah

Fae out of his usual anthropology professor and enjoying his ability to lift up his shirt while working out without any fear

Fae (He/Him)

[sothasil]

Two blokes slacking off at work :p

Cretan diplomats based on a painting of the tomb of Rekhmire, Luxor. I was intruigued by the leopard skirt thingy one of them is wearing and drew a more or less realistic interpretation of it! The other guy's there so he can have a buddy.

While i usually draw people looking as average as possible, it's not the case here. It's fair to assume that within the "PR" context of the painting (representing their people in front of a foreign king) these would be the ancient aegean's hottest boytoys, so I kept them snatched and smooth shaved.

Originals under the cut!

Mural with my chosen duo highlighted

Cropped closeup, leopard skirt guy on the left (and the two arms of jugs guy!)

[sumarak]