#all of it meant a lot to me and to me only…

[creatingblackcharacters]

“The Ambiguously Brown Character™”- The Attachment to Eurocentric Beauty Standards

“maybe im petty but i wish people knew how to draw like different nose shapes. Sometimes I’ll see a character I like but im like that is not what their nose would look like.” @the-eldritch-it-gay

You’ve seen them before. The one character that has brown skin… And everything else about them is… an enigma. They’re not supposed to be white! You know that much… right? You can see what the designated white characters look like, so at least it’s not that. You could claim them as Black, if you want, and sometimes creators even demand that this character is Black. Depending on the quality, you’re either like “no, what the fuck is this” or you’re like “okay they’re cool, we’ll take them”. Representation is important. But… There’s a pit in your stomach that wonders… Are they really? Are they really supposed to be Black, is this really representation, or did the creators just toss a brown person in so all the Brown™ people could “have something”, so that they would look like they cared about “diversity” on their art resume?

Examples

Theseus, in my opinion, looks like a white man with a tan. Dionysus looks a little better with the similar skin tone, due to his purple hair coloration. Apparently people do think that at least Dionysus is a man of color. What’s interesting about both of these characters, is that they’re only about two desaturated browns lighter than Patroclus, a character in the game that we’re supposed to believe is Black (whom, in my opinion, also looks like a brown bucket tool character. I’m still claiming him, he’s my guy. But his design should have been more explicitly Black). Theseus and Patroclus are the two darkest-skinned dead humans in the first game. So… what was I supposed to think about these two? Was I supposed to think they are really dark white people, due to the thin textures of their hair? Are they men of color? Are Theseus and Patroclus supposed to be ashy because they’re dead, is Dionysus ashy because he’s dehydrated from wine? Why don’t the white dead people look off color? Hades was entirely too striking a game in use of color for the browns to look like… this.

Noe and Hibana are interesting. It was complete coincidence, the purple hair and eyes thing btw. Hibana is interesting because Ogun is an unambiguously Black character in Fire Force, and there are at least three other unambiguously Black characters in Soul Eater as well. So we know the mangaka knows how to draw Black people in their style! So… was this on purpose? Is this another of those ‘tanned anime girls with titties’ meant for shounen fan service? I’ve claimed Noe (Case Study of Vanitas) because Black French people exist and France has stolen so much from us already, but it is never actually specified what Noe is. He’s just the One Singular Brown Guy in this show, with regular, untextured anime hair. Are there more brown people in the manga? Is this explained? Because we know who is supposed to be white! If anyone else wants to claim Noe, they absolutely can, because we have no idea what he’s supposed to be. Hot Chocolate thinks he’s Indian, and I’m not going to argue that because… who knows! He very well could be!

My very first lesson addressed this, albeit lightly! There’s a reason that I said that if you gained nothing else from me, that’s what I want you to walk away with. Now that I’m on stronger footing with this blog, I can really get into the nitty gritty of what that really means.

Obligatory disclaimer: we are not a monolith!* As of 2015, it has been researched that African populations have the highest genetic variation on Earth*, with a lot of that genetic diversity in sub-Saharan Africa alone. This means that YES, there very well can and will be Black people with naturally thinner textures of hair, blonde, light brown, and red hair, straight, narrow noses, monotone lips, and lighter skin that comes more often with white people. There are enough genetic combinations within African peoples and of the African diaspora that I’m sure there are plenty of people that look the way people seem to want Black people in art to look, if those genes so express within them.

*as a scientist, I will say: while these papers seem fairly legit and I looked at many related articles and their sources, take Nature with a grain of salt. Though their vetting process has become much better, you can and should always do further reading on your own!

Here’s the thing: the possibility is not the issue here!

The first issue: I don’t have to teach anyone how to draw those features on Black people! It is evident, from the professional and fan art I’ve seen, y’all already know how to draw the features deemed highly by Eurocentric beauty standards. Those features are excessively focused on and promoted as part of “good art”.

The second issue here is that the average artist drawing a poorly done Black person is not considering things like genetic diversity when they draw them (and if they are, it’s usually as an excuse post-confrontation. Yes, I have seen it.) These creators are not designing these characters with the intent of them being Black with those features, they are designing “Black” people with features that they deem most aesthetic and are most comfortable with drawing.

And why do they deem those features most aesthetic? We’ve circled back to the point of this lesson!

Eurocentric Beauty Standards

Definition: beauty standards as defined through a white, western cultural lens, including but not limited to: straight, blonde hair, light eyes, pale skin, high cheekbones, narrow noses, thinness. It’s a way that white western people want other white western people to look to be considered classically attractive… and then enforced that on everyone else.

It affects people of color worldwide. Anyone that has ever had to deal with European colonization or imperialism has to deal with the interjection of Eurocentric beauty standards.

Examples

-Black women, standing at the intersection of Blackness and womanhood, especially deal with the constant pressure of Eurocentric beauty standards, being consistently told to hate ourselves due to our own ethnic features. It’s incredibly damaging to your self-esteem growing up; my mom told me that until I went natural at 17, I was determined to look ‘like a white girl’ because I thought it would make me beautiful, and it hurt her. And as for me, it was a stunning realization that at 17 that I had never really seen my own natural curl pattern before. My hair was in ponytails and such as a child, but as a teenager, growing into my identity, I had always wanted straight hair. I was in love with my coily texture, I couldn’t believe that I’d never seen it. An entire part of my own body, gone unknown, because I wanted to fit a beauty standard I would never reach.

-Kenneth and Mamie Clark: The “Doll” Studies: Black children- age 3-7 were shown white and Black doll babies, and were asked a series of ‘positive’ and ‘negative’ identification questions. Even by that young an age, most of the Black children associated things like beauty, kindness, and positivity… with the white dolls.

-“The Golden Ratio”: a survey was done in Britain (oh boy, here we go) to determine what people felt was the ‘most beautiful’ face, and apparently it all came down to “symmetry”. “International blueprints of beauty” they claimed, were applied, as humans “naturally seek symmetry”. In 2015, according to ye olde Daily Mail, this was the most beautiful woman. You'll never guess:

(It’s not even her natural hair color!)

-Another “research study” using E-FIT (Electronic Facial Identification Technique -- a facial recognition software used to create criminal profiles based on eyewitness descriptions; no WAY that THAT could get problematic!!) to determine what 100 people thought was the “most archetypal face of beauty”.

They came up with a figure similar to Kendall Jenner as the female option.

(Guys, we’re never getting out of here at this rate.)

-We’ve spoken about discrimination against Black hair before, and how natural hairstyles will be deemed less professional or appropriate for school, regardless of the brilliant mind that sits underneath it, and even the history of Black women having to cover their hair so as to “not steal the desire of white men” and ruin the status of white women.

Appropriation:

I try to have nuance on the Kardashians, but I have never liked Kylie, and it’s not because she’s not allowed to do what she wants with her body. I watched the world claim that she was so beautiful, that her kits were why her lips looked “so good”. Everyone wanted to have “full, plump lips” like the ones Kylie BOUGHT. But Black women’s full lips have been treated horrifically since racism was invented. In 2016 I watched racists dogpile and mock Ugandan model Aamito Lagum for her naturally full lips in her MAC campaign, after saying in just 2015 that Kylie’s lips were “top fashion and everyone wants them”. And she lied (not that we didn’t all know that)! She appropriated a look, and she lied about it to move product. And people who had no right to forgive her did so, and everyone moved on to make her a billionaire. Because full lips looked good… as long as they weren’t on a Black woman. I can’t even have my own lips, but she was rewarded with an industry for appropriation. No, I’m not getting over that.

I could go on, but I won’t. So what are some ways to address the existence of Eurocentric beauty standards potentially biasing our creation?

First thing: LET’S TRASH THE IDEA THAT BROWN SKIN AUTOMATICALLY MEANS BLACK.

Black people are not stupid, and we do have expectations. Splashing brown paint on your otherwise white character does not mean I’ll automatically think they’re Black. I’m going to look. When I see brown people in real life, I can usually tell when they don’t look like me. I don’t look at a South Asian similar to or darker than my shade and say “they’re Black”. Blackness is not just skin color, it’s an entire identity and sociological construct. Yes, you can tell us apart.

Acknowledge when you’re holding a bias:

For example: “Tall, dark, and handsome.” What did you picture? You must understand that different people had different ideas of what this meant, versus who it was actually meant to be. Because on its surface, that description includes tall Black men with dark brown eyes and dark hair! We’ve talked about this in lesson 3! Whoever came up with this phrase didn’t mean skin though, they meant hair and eyes- they meant white brunettes. Even in this, it was only meant to include whiteness. And we were all supposed to assume that, be damned anything else.

Part of that is knowing what things do and don’t fall under the category. They were listed off earlier: straight and wavy hair, blonde hair, colorful eyes, thin noses, high cheekbones, double eyelid with round eyes that “show youth and innocence”. People have been going the “aquiline nose” route lately to claim more diversity in nose shape but like… even that isn’t always going to be the case. Every Black person is not going to have an aquiline nose. It is not the “middle ground” of diversity. Draw us with some round noses. We look fine.

Often ignored (in depictions of Black people): afro/coily hair and natural styles, large, round noses, full faces, brown eyes, full figures that aren’t oversexualized, body fat. One of the characters from Craig of the Creek that makes me so happy is Nicole, Craig’s mother. When I look at her design, I see my own mother. I see a Black woman that… actually looks like Black mothers I know. It made me happy and comfortable.

White folk, you even do it to yourselves! I mentioned to a friend once that a good chunk of stories in our fandom with the blonde/brunette white character dynamic read like an Aryan fantasy: the blonde character will be treated like a god on high, the most beautiful of humanity, and then you’ll get to the brunette and it’s “my meek, mousy brown hair, my dull, brown eyes like dirt, and my tanned skin with freckles; no one would ever notice someone plain, nerdy, and unimportant like me until him” lmao like excuse me? Author, you okay there pal? Do you need a hug, lmao? I can’t take it seriously anymore. If y'all are being this mean to each OTHER about not hitting Eurocentric beauty standards, y'all are certainly not being nice or respectful about people of color- who never can- in your content! (and no, exoticizing Blackness is not respectful.) You should look out for how often this happens, and catch yourself when you’re doing it.

Creating with Intent (and the lack thereof!)

(This is so important I made the header larger)

You have to actually consider and reference REAL Black people when you’re drawing Black people. That seems like such an obvious thing, and yet it must not be, because these sorts of arts/the techniques used in them still happen.

For example:

credit to my friend @devilatelier; I asked for the worst Black art ever and he heeded the call!

I abhor art like this, and art that does varying versions of this. To the pit of my soul, hatred. I will not share your work if I catch even a whiff of it. Why? Because people know that this isn’t what we look like! If you get on the computer and type in “Black man with short hair”, option A is not even remotely on the first page. You’ll get nonblack men that show up, thanks to Google’s algorithm (another conversation), but the Black men don’t look like A. If you get on the computer and type “Black man with long hair”, you’ll even get Black men with all textures and styles of hair, including straight! And they still don’t look like B. Go ahead, I’ll pause- go type it in and see what you get. Have you ever seen a Black person that looks like these images? Be honest with yourself. Why do you let them slide, if you haven’t?

Why This Matters

So it’s not about the actual Black people in their lives that they’ve seen, that makes artists draw characters like this, nor a dedication to accuracy. Because if you were looking at us at all, you wouldn’t draw this. And yet, people draw it, and post it proudly. So there must not be any shame behind it, or they at least are comfortable enough with their target audience to think it’s presentable! That begs the question- who is your target audience, and do you include Black people in it?

It’s how people like Jen Zee can have a successful career at Supergiant despite drawing dark skinned people the way she does. It’s because studios recognize when their target audiences are not perturbed by, and therefore will still buy, their product. If poorly drawn Black people does not perturb audiences enough to affect the almighty dollar- or, in fanart situations, the value of popularity- then there’s no motivation to stop doing it! Who cares about the value and the demeaning of Black fans, right?

Think about it like this. You remember how everyone bullied the Sonic studio and they scrapped their entire reel? People do not get that much up in arms in solidarity about the antiblack treatment and depiction of Black characters. It’s how you end up with Wyll Ravengard on the drop of BG3. Because Larian could have stood on business, had some integrity, and said “this is a character we are going to develop, because there will be fans that look like Wyll, and deserve to receive our best efforts at inclusion.”

But instead, Larian said “this is what our majority fanbase wants, and apparently it is not a well-developed Black character” and released that game as it was. To rousing success. That was a choice. The antiblackness of both the fans and the studio, via their lack of concern about Black gamers, was involved in making that decision. We have to let go of the idea that antiblack racism is incidental, and not a part of the process- and that includes in character design.

I cannot tell you how much it shrivels my heart inside when I see a “Black” character with wavy hair. One, because I know the artist’s first thought was not to have a Black character with wavy hair, but because they draw white people with that hair and thought it was transferrable. Two, because if you wanted the aesthetic of hair down to the back… Locs could have worked! The same shape would be there! You can style locs in any way, and it would be fine! Even if you wanted them to have thinner hair, fine, but… I can see where the intent (and the lack thereof) is. We can see when you aren’t even trying for us!

I asked Angel how he felt about creating the “white man with the brown bucket” images, curious about how he felt given that he is more than capable of drawing Black people. His response was noteworthy, and consistent with my hypothesis:

“Thinking about it, these two drawings have been the most difficult thing I’ve had to draw, period. And it’s the first time I’ve actually felt nauseous during the drawing process from start to finish. I constantly felt like I was fighting off the part of myself that knew better, telling me that this is wrong. It felt like a betrayal, knowing what Black people actually look like and still choosing to be disrespectful. Especially because I worked on the first two and immersed myself in references and also Black youtubers, researching Black hairstyles. It felt like a betrayal to all of that to call these two (deliberately poorly drawn) characters Black, because they’re not. None of the Black people I found during my research (both photo references and videos) looked like these. at all. It felt cheap, it felt lazy. Creatively lazy in the way that you just take a white person and paint-bucket them brown and call it a day. In the way it makes you feel no pull to change what you do, or learn something new. Kinda like a thought terminating cliche. Unlike the first two, I used no references for them, but I mostly based them off of actual designs I’ve seen in fandoms, both fanmade and not.”

Conclusion

So what I want us to consider for now is: if we know that’s not what Black people look like, but so many people are willing to do and/or accept it without any mental dissonance… how much do they care? Why is this allowed to ‘pass’, if we recognize that it is not accurate, unless we think what we are being presented with is acceptable? Or at least, not worth fighting over? Why not? Why do you not think that this Black character deserves to be unambiguously Black? And why does that ‘better’ way to exist always come back to whiteness?

We’re going to get into this, as well as more into the other, more overt and equally harmful manifestation of these beliefs in the next lesson on Whitewashing! But I want you to simmer on this part, first.

When you draw a character that you want to be Black, not only should you keep in mind your intent of how you’re going to draw them, but it also means putting in the work to make sure you’re doing so. You do not put pen to paper and “accidentally” draw a white man lol, it came from somewhere- let’s shatter that connection that views white features as superior, as 'ideal for attention grabbing', so we can create better. Because remember, it is the thought that counts, but the action that delivers!

[ellecdc]

About the onde bed trope… since there aren’t a lot of those, I was wondering if you could write one with reader and wolfstar? Maybe a smut or just something fluff

hi babes! so I got this request right after someone had asked for recommendations for one-bed tropes, which I had only ever read one and shared it. SO, I wanted to remind everyone of the cute wolfstar x reader one bed fic I read by @longlivedelusion, and know that while I'm happy to contribute to this super fun trope with our lovely wolfstar, that it was more than likely inspired by their awesome work linked above!

poly!wolfstar x Potter!reader who have to share a bed [2.8k words]

CW: mutual pining, feelings of 3rd wheeling, fluff, potter family

The hotel was bustling with what appeared to be just as many staff as there were patrons waiting in the lobby.

Bags were being whisked away, key cards were being handed to waiting hands, and nearly every second person was wearing a Manchester United jersey. 

James was positively giddy and practically vibrating with excitement, Lily and Regulus had their faces shoved into Lily’s phone as they (re)read the itinerary they had planned for James’ birthday trip, Remus arched his shoulders as he let his duffle fall to the ground and Sirius murmured promises of a back massage when they got to their room, and you people watched. 

Your parents had given James (and all of his friends) tickets to the Manchester home game and a few nights stay at a posh hotel close to the stadium.

Lily and Regulus, being James’ dutiful partners, planned other things for the lot of you to do while you were here, too.

Right now, however, you wanted nothing more than to get to your room, take a shower to wash the train off of your being, and go to sleep.

Mercifully the check in counter cleared and your group stepped up to the waiting concierge. 

“Hi there! We’re checking in for Potter; group of six.” Lily offered primly as she handed the man a copy of the booking number. 

“Right! Okay, so Potter, two rooms, each with a king, for three nights.” The man read from the screen, looking over in concern when six varied protests sounded from the group.

“No, I’m quite sure it’s meant to be three rooms.” Lily corrected quickly, offering you a worried glance before she nearly leaned over the welcome desk to peer at the computer monitor as if she was ready to take over for the concierge. 

The man hummed as he continued tapping keys and clicking his mouse and scrolling and please for the love of God don’t let there be a mix up.

It was going to be you that was the problem; not Lily and Regulus who were counting on a romantic trip to celebrate their boyfriend, and not Remus and Sirius with their long-established relationship and promises of Remus’ massage.

“The booking is only showing two rooms, uhm, let me just confirm with my manager that I’m not missing anything.” He bumbled awkwardly before standing and all but fleeing from the group of you. 

“It’s probably just a mistake.” James offered quickly as he jostled your shoulder. “With this many people here, the system is probably just lagging.”

But it wasn’t just a mistake and the system wasn’t just lagging and there was very much only two rooms booked under Potter.

“Is there any way we can book a third room? It can go on the same card.” You asked meekly, nervously glancing between the manager and the computer. 

“Unfortunately, the hotel is entirely booked.” She offered you with a pained smile, and just from your survey of the lobby while you’d been waiting in line, you knew that had to be true. 

“Do you have any cots we could have sent up to the rooms?” Lily asked hopefully, earning another grimace from the manager which was all the response you needed.

You could feel the group looking at you awkwardly and you immediately regretted even coming; you should have just left James to celebrate his birthday with his partners and best friends and stayed out of it, but instead, you were the troublesome younger sibling who your parents forced the group to bring along. Maybe you could catch a train back home? Maybe you could catch a train a town or two over and just have your own mini vacation and leave them to their celebrations.

“Don’t worry, bug!” James said as he rubbed your arm roughly before reaching over you to grab the keys to the two rooms from the concierge who was clearly now only waiting for the lot of you to bugger off so he could help the people behind you. “We’ll make this work.”

“You shouldn’t have to make it work, Jamie.” You moaned as your group moved to stand against a wall across the lobby as you all tried to problem solve this. 

“Both rooms have just one bed each, right? Do either of them have a sofa?” Regulus asked first.

“The pictures online didn’t look like it; the rooms had the bed, one grandfather chair, and a desk with a rolling desk chair.” Lily responded. 

“Okay, well, both rooms have king sized beds, we can share.” Sirius offered simply, causing you to nearly whimper.

“I’m not going to impose on anyone’s beds.” You murmured as you stared resolutely at your feet.

“You can share with me! It’ll be like the old days when we’d have a “sleepover” in the living room!” James offered excitedly, and you had to hand it to him for his sense of adventure and enthusiasm, but you couldn’t help but notice the quick glance Lily and Regulus shared.

“It’s your birthday weekend, Jamie, you should get to spend it with your partners.”

“Okayyyy, uhm, what about the girls room together and boys room together?” He offered instead, causing Lily to furrow her brows at him.

“But then two of us will be sharing while four of you will be sharing.” She countered, followed up quickly by Regulus who stated he would not, under any circumstances, be sharing a bed with his brother. 

“No, you’re right, erm, well… Me, Pads, and Moony could share-”

“James, I love you, but you’re terrible at this.” Sirius interrupted before turning his gaze to you. “You should just stay with me and Moons; leave these three to their…canoodling.” He said around a theatrical gag. 

“You guys were probably looking forward to a romantic stay too.” You muttered somewhat petulantly, and that was what nearly brought you to the brink of tears.

Not that you were the figurative sixth wheel, not that you were left without a room and imposing on two relationships, and not even that you felt particularly out of place.

No, the thing that nearly brought you to tears was the fact that you were acting so petulant on your brother's birthday which he had been so incredibly excited for.

You would not ruin this for him, for any of them. 

“No, you know what, sorry, you’re right, Sirius. I’ll pile the extra bedding they keep in the closets and make myself a little nest on the floor, it’ll be like camping!” You decided, pasting on the widest smile you could muster. 

You swore you saw Sirius’ face fall slightly but powered on when James was back to clapping his hands together excitedly. “Brilliant! This will be so fun, and so worth it, bug. Don’t you worry.”

And you were worried, but he didn’t need to know that. 

ʚ ═══·୨ ꕤ ୧·═══ ɞ

“You’re not actually going to sleep on the floor, right doll?” Sirius asked after the hotel door shut with a click behind him as he glanced around the room. 

It was perhaps a bit tight, but if you set up your little nest underneath the window, neither boy should trip over you in the middle of the night should they need to use the loo.

“Oh it’ll be fine.” You offered in what you hoped was convincing nonchalance. 

“I really think the bed is big enough, dove. And Sirius usually latches onto me in the night so you shouldn’t even notice we’re there.” Remus offered gently, watching as you flung the closet doors open to procure the extra bedding. 

“S’not my fault, moons.” Sirius countered as he trailed right on your heels to where you were trying to make your ‘nest’. “You keep the thermostat so sodding low, I’d simply freeze to death if you didn’t share your body heat.”

He ignored your indignant “oi!” as he immediately plucked your pillows and blankets off the floor from where you’d placed them and moved them to the end of the bed. “And, I think you do that on purpose; you like cuddling.” He continued, gently swatting at your hands as you tried to reclaim your makeshift bed. 

“Oh, I love cuddling.” Remus agreed readily, clearly ignoring the fact that you and Sirius were currently in a petty squabble over linens. “What I don’t like is being jolted awake to your ice cold feet being shoved under my thighs at three o'clock in the morning- dove.” He gave you a pointed look with one arched eyebrow as you huffed petulantly and crossed your arms. 

“You are not sleeping on the floor, doll. Your parents paid for the sodding rooms.” Sirius claimed resolutely. 

“They were meant to pay for three rooms so that you two would have some privacy.” You argued.

“You’re really the only one upset about this, babes.” He stated, face softening when you nervously pulled your lip between your teeth. “If you’re worried about space, I’ll take the floor.”

“I don’t want you to take the floor.”

“Then I’ll take-” Remus started, but was interrupted when both you and Sirius spat “you’re not sleeping on the floor, Remus” and “like fuck you’re sleeping on the floor, don’t be ridiculous”, respectively. 

“So those are your choices, sweetheart; I take the floor or we share the bed.” 

After this many years of knowing each other, you knew when Sirius was bluffing, and you knew when it was better to fold; with the no nonsense look that currently adorned his face, you knew that those were, indeed, your only options.

You looked over at the bed wearily; it really was quite large…and you could use your own blanket so that you weren’t encroaching on their space or stealing their blankets. 

The problem was that the bed wasn’t the only problem. It also was very much the fact that you were pretty well completely gone for two of your brothers best friends.

Two of your brothers best friends who were very much dating each other. 

Two of your brothers best friends who were dating each other that you were completely gone for and now forced to share a bed with them. 

Awesome. 

ʚ ═══·୨ ꕤ ୧·═══ ɞ

Sirius just about died when you stepped out of the bathroom with wet hair leaving damp patches on your sleep shirt and your legs on full display thanks to the matching shorts.

He just about died again when you caught him staring at you.

He nearly died a third time when Remus’ pointed clearing of his throat was what finally broke him from the trance you had on him; both he and Remus now red in the face while you looked to be fairing little better as you hid behind your wet hair and fussed with your toiletries instead of looking at either of them.

Sirius felt horribly pathetic - years of living with the Potter’s did absolutely nothing to dim the flame he held for you, nor did the physical space that living with Remus in their own flat for the past few years offered him.

The only thing that made his infatuation slightly less embarrassing was the fact that Remus held a similar flame for you, too. 

So while this was sort of everything he’d ever wanted - spending the night in a bed with two people he was absolutely crazy about - he was equally afraid of making you horribly uncomfortable. 

“Smooth.” Remus muttered as he came up behind Sirius only after you’d gone back into the bathroom to brush your teeth.

Sirius wanted to turn and sneer at his boyfriend. “I know I am” danced on the tip of his tongue; his usual suave blaseness in all its glory rearing its head at the insinuation that Sirius was anything but a certified charmer.

But all that managed to leave Sirius’ lips was a breathy “fuck” as he stared decisively at the space you’d been standing previously.

But before Sirius could spend any (more) time spiralling or Remus could offer words of encouragement (or commiseration), you were tentatively sliding into what the three of you had agreed would be your side.

Your side. 

The sentiment made Sirius stomach dip; after all these years he was finally getting a taste of what he’d always wanted.

Yet it wasn’t enough.

The lights were off and Sirius’ back was pressed into Remus’ chest as they both watched the steady rise and fall of your shoulders as you slept. They’d both felt so tired on the train ride here, yet neither of them could bring themselves to close their eyes when the alternative was getting to see you rest in their bed.

“Is this really happening?” Remus whispered quietly then, causing Sirius to snuggle impossibly further into him.

“Feels like a dream.” Sirius whispered back; his hand itching to reach out and twirl a lock of your drying hair around his finger, to encourage you to roll over so that they could see your pretty face, to pull you into him and hold you close. 

Remus tightened his hold around Sirius and pushed his nose into his shoulder. “We should tell her; need to tell her… this weekend.” 

Sirius shook his head, but it wasn’t in disagreement. Rather, it was in exasperation.

“I can’t believe she can’t tell how crazy we are about her.” 

And Sirius nearly died a fourth time in one night when you seemingly shot up out of a dead sleep and spun to face them. 

“You’re what?” You asked; no hints of sleep in your tone (nor your wild eyes) as you stared at them incredulously. 

“Fuck.” Sirius repeated eloquently as he and Remus both sat up, the latter leaning over to turn on a lamp causing both you and Sirius to wince as your eyes adjusted.

“I thought you were asleep?” Sirius accused then, but you didn’t take the bait. 

“You’re…what about me?” You whispered carefully.

“Crazy.” Remus responded quickly; whether he was braver than Sirius or opting to rip the bandaid off, Sirius didn’t know. “We’re crazy about you.”

You made a breathy sound, almost as if you were going to ask “what” or “why” or “when” before the question died on your lips. 

Sirius stared at you in wait; he didn’t know whether you were about to cry, whether you were going to demand they let you build a ‘nest’ on the floor so you could escape them, or whether you were going to call your folks and ask them to pick you up.

So when your face broke out into a slow, still disbelieving but equally relieved grin, well…he’d be damned. 

“Yeah?” You asked hopefully, eyes swimming with unshed tears as you nervously looked between the two of them. 

“Yeah…” Sirius let out with a breath, daring to reach across the expanse of the bed that the three of you had clearly decided would be a no-man zone and delighting when you eagerly accepted his hand in yours.

“We thought you were asleep, dove.” Remus offered gently, and a shy smile crept across your face as you shook your head, a lone tear trailing down your cheek that your free hand was quick to wipe away.

“Couldn’t.”

“Why not?” Sirius cooed pathetically, rubbing along your knuckles with his thumb as he took your inability to sleep to be a personal offence. 

“Was too busy thinking about how crazy I am about the two of you, too.” You admitted in a whisper, and Sirius wondered if he had even frozen long enough to share more than a 0.35 second glance with Remus before he bodily launched himself and tackled you to the bed before peppering your face with kisses as you squealed.

“You mean-” kisses “to tell me-” more kisses as you giggled “that we could have been doing this” you squealed as he nipped at your collar bone “this whole sodding time!?” 

“Oi!” Remus chided teasingly. “Don’t maul her!” Though his statement was severely undermined when he all but pulled you into his lap to press his own rough kiss to the side of your face. 

“Oh, I’m just getting started.” Sirius threatened with a beaming smile as you looked at him breathlessly; eyes bright, smile wide, and heart full. “We have lost time to make up for.” 

ʚ ═══·୨ ꕤ ୧·═══ ɞ

Enough was enough, quite frankly. The tiptoeing, the dancing, the shy glances, the longing looks - it was all too much.

Something simply needed to be done.

Was it temerarious? Perhaps. Was it conniving? More than slightly. But was it also necessary? Most definitely.

She only hoped that she hadn’t gone too far, is all.

But any worries that Euphemia Potter may have had vanished entirely the second that her phone buzzed with a text from James the next morning that simply read: it worked.

[bweirdart]

nearly oc-tober time again - time for some prompts for 2024

F.A.Q

do i have to draw? not at all! you are free to participate with any medium that suits you... writing, artwork, free bases and templates, simple text posts, in-character-as-your-oc roleplay, whatever! (just no stealing or AI)

do i have to make new content? nope! re-uploading old stuff that fits the prompts is allowed (and encouraged) ... old art that didn't get the appreciation it needed always deserves a chance to be shared again, it's a fun throwback!

do i have to post every day? nope! only 10 days are mandatory (the ones in red with a star symbol) and everything else (yellow) is 100% optional! if you're busy or tired, please skip as many as you want

can i start early? you can prep your posts in advance if you need to ... but please wait until the right day in october to share them!

can i re-upload your prompt list to another site? i would prefer if you dont - i have accounts on most sites, so just reblog/retweet/share from me!

event tag? #bweirdOCtober

have fun!

image desc/text version ↓under the cut↓ or on bweird.art/october

prompts:

WEEK 1: OC INTRODUCTIONS

⭐ 1: FAV OC what makes them your fav? 2: NEW OC how recently did you make them? 3: OLD OC how long ago did you make them? ⭐ 4: UNDER-APPRECIATED OC an oc you feel like you don't talk about enough, or you haven't fleshed out as much as you would like 5: RE-DESIGNED OC an oc who has changed a lot (what changed about them?) or, if you haven't redesigned an oc: is there anything you might want to change about an existing oc?

WEEK 2: BUILDING BACKSTORY

⭐ 6: PAST where is your oc from? what did they look like as a child? 7: LIKES what do they like (and why?) 8: DISLIKES what don't they like (and why?) ⭐ 9: RELATIONSHIPS doesn't have to be romantic! can any kind of relationship (frienship, family, rivalry etc) 10: PERSONALITY what are your oc's main personality traits 11: SYMBOLISM/THEMES what represents your oc? is there a specific colour you associate them with, or a specific animal? 12: FUTURE what will your oc look like in the future? do they have any plans or goals?

WEEK 3: FUN + GAMES

⭐13: MEMES do any memes remind you of your oc? are there memes your oc would find funny? maybe you want to redraw your oc as one? 14: WHO/WHAT INSPIRED YOUR OC are there existing characters that your oc looks like? was your oc based on yourself? is your oc originally from a specific fandom? 15: MUSIC share a character playlist, write a songfic, post lyrics that remind you of them, etc ⭐16: EYES CLOSED or NON DOMINANT HAND draw a picture of your oc with your eyes closed or with your non domminant hand, write or type a paragraph about them without your eyes closed, etc ... have fun, and don't worry about it looking "bad" -it's meant to!! 17: DnD ALIGNMENT CHART put all your ocs into a DnD alignment chart, or any other similar chart if you prefer i've compiled a few templates on my site, but you can find more easily if you google "oc alignment chart" ⭐18: SWAP swap something between your ocs - their role in the story, hairstyles, personalities, fashion taste, species ... whatever you want! how would this difference change them? 19: PALETTE CHALLENGES draw your ocs with as many of these colour palettes as you want (or just skip if you don't draw/don't like doing these!)

hex codes for the colours: palette 1 - #3C1E81 #6D1EA2 #B059E8 #FE0876 #FE5284 #FE7C96 #E0CFE3 #FFD5C3 palette 2 - #352823 #673F28 #AB541C #BA8233 #897128 #A68B2F #F7BF6A #DAC3A4 palette 3 - #A42E25 #D7412B #E47C29 #F7A233 #FCC02D #FCE4A6 #486548 #FEFDE8 palette 4 - #2F4769 #39597E #53779C #94D1E7 #AADDE7 #D48DB7 #D498B5 #D2BABA

WEEK 4: COMMUNITY

20-26: A WHOLE WEEK OF SOCIAL STUFF if you don't have the time/energy to do every day this week, ⭐ day 23 is the only one marked as mandatory! you can skip the rest!

some ideas for what you could do: talk about a friend's oc you like, make gift art/writing of them, collabs, trades, reblog/appreciate ocs in the event tag, make interactions between your ocs and other people's

WEEK 5: HALLOWEEN

⭐27: FEARS is your oc scared of anything? do they have any phobias? are they startled easily? would any of your ocs try to scare ppl on purpose? 28: MONSTER what would your oc be if they were a monster (eg: werewolf, vampire, eldritch beast.. whatever) or, do you have an oc who is already a monster? 29: PUMPKIN CARVING your ocs carving pumpkins, a drawing of a pumpkin carved to look like your oc ... or even carve it in real life! 30: GHOST this can be literally a ghost, or a concept that haunts your oc! up to you! ⭐ 31: COSTUMES what are your ocs wearing for halloween?

[bamfkeeper]

Winter Coat.

RQ: 'Saw your requests were open and I've gone through like 99% of your works so I just HAD to toss in a request (which, absolutely take your time on btw, I completely understand the burnout that can happen at the drop of a dime). I'm so impatient when it comes to weather and seasons that I desperately need it to be chilly autumn already. I'm sure you seen it but that one post about Kurt getting fluffier during autumn/winter got my gears turning. What do you think his reaction would be to a GN reader warming their hands in his fur? (Bonus prompt if reader can somehow get past all that lovely fur and touch his skin with freezing fingers ∩ω∩)' - @casualeylee

Pairing: Kurt Wagner x GN!reader // Warnings: Slightly suggestive themes

A/N: I love the idea of him growing longer fur so I enjoyed this a lot. Quick little drabble for the upcoming cool months! I have a few requests for his fur, which was sweet to see, I adore him fuzzy. I hope you enjoy <3 WC: 1.3k

"Mein Gott, your hands are freezing, liebling," Kurt remarked with concern, his gaze settling on your hand as it awkwardly intertwined with his own. You sighed contentedly, leaning closer to him for warmth as the two of you strolled leisurely around the dying garden of the mansion. The once vibrant blooms were now succumbing to the colder weather, which was taking its toll on the plants. Yet, despite the garden's current state, you found yourself looking forward to the cold months ahead and the festive holidays they would bring.

"I know, I'm sorry," you admitted sheepishly, glancing up at him with a hint of regret. "I should've worn the mittens you told me to put on before we left..." You pouted slightly, chastising yourself for being so stubborn earlier. Kurt chuckled softly at your demeanor, his little smirk spreading warmth through you and making you shiver, though not from the cold. His amusement was infectious, and you couldn't help but smile back.

Kurt's tail gently ran under your shirt and wrapped around your waist, holding you even closer as you walked together through the chilly evening air. You couldn't help but notice how his tail felt slightly more fuzzy than usual, prompting your free hand to naturally reach out and stroke the soft fur. "Are you getting fuzzier?" you questioned with curiosity, suddenly eying his face and observing that his jaw seemed to have longer fur too, as if preparing for the colder months ahead.

"Ja, I get a thicker coat when it gets cold...you complain about my fuzz now, just wait until I have a full-on winter coat and I am shedding all over your favorite sweaters!" he laughed softly, his eyes twinkling with amusement at the thought of you dealing with a living room filled with his fur. The idea of him shedding more fur made you smile, envisioning the playful challenge it might bring. Even if it meant a bit of extra cleaning during the winter season.

"Your hand still feels cold, liebe," Kurt observed with concern, his eyes filled with the usual warmth as he looked down at you. Gently, he pulled you closer to him, wrapping his arms around you protectively. "I think our walk is done...you are going to freeze out here if we stay any longer," he stated with a hint of urgency in his voice. Not wanting you to endure the cold any further, he effortlessly teleported you both inside the expansive mansion, determined to stop your shivering.

Now, you found yourself comfortably seated on the plush couch in your shared bedroom. The luxurious room was spacious, adorned with elegant furnishings, and boasted a charming small fireplace that crackled softly. Only the older X-Men were privileged enough to have a room this nice, making you feel incredibly lucky, especially when you were currently shaking off the cold. As you sat in front of the gently flickering fire, its warmth slowly seeping into your chilled bones, you couldn't help but feel a deep sense of happiness.

Kurt teleported back into the room with a soft purple haze enveloping him, his tail flicked away any remaining cloud as he walked over to you. He gently sat down beside you on the couch, causing the blanket that was draped around your shoulders to slip slightly as he made himself comfortable. He placed a steaming cup of hot chocolate on the small table beside the couch, its warmth and aroma inviting. “I made it just how you like.” Kurt noted and left it to cool off for a minute. You gave him a soft smile at the gesture, he always knew what to do to make you feel loved. He always went above what he needed to do, and that was one of the things you loved about him.

Kurt leaned back and went to wrap his arm around you, intending on pulling you closer to him to offer extra warmth to you before he paused. "Oh," he remarked thoughtfully, humming to himself and leaning back a bit to look at you, "Skin on fur might help..." With a slight shuffle, he began to remove his top, revealing his abdomen and chest. As he did so, you noticed that his skin had also grown more fuzzy.

You swallowed hard, feeling a mix of curiosity and admiration as you couldn't help yourself from eying his chest and abdomen. He stood before you, his attractive physique lean and toned, each muscle defined under the light from the fireplace. The fur that covered his body looked incredibly soft, inviting, you needed to have your hands on him. It was impossible to ignore the magnetic pull you felt towards his body at that moment. “Ah…you are growing a lot more already,” you rasped, your voice barely above a whisper, laced with an undertone of need. With a sense of awe and hesitancy, you reached out, your fingers trembling slightly as they made contact with his warm skin. Slowly, you let your hand trail up, starting from his belly button and moving upwards to his chest.

You swallowed nervously, feeling the firm and defined muscles beneath his soft fur, and as you did, you began to have some difficulty controlling your thoughts, which started to wander in unexpected directions. Kurt laid his hand gently over yours as you felt the warmth of his chest, his intense yellow eyes fixed on you with a playful grin. “Naughty…I know what you’re thinking. You always get this look in your eye…sinner,” he said with a teasing tone, his voice low and playful. His words and the cheeky way he spoke made your face heat up even more, feeling more flustered since you were practically feeling him up.

"Shut up...your fur is really warm on my hands...that's all." You muttered embarrassingly, feeling the heat rise to your cheeks, your hands continuing to slowly rub his chest and feel the fur there. It was so incredibly soft, the longer bits curled around your skin, inviting your nosy fingertips to dig even farther into his fur, seeking more warmth and comfort in every stroke.

"Enjoying yourself?" He asked with a slight smirk, sitting still as you explored him with that stupid grin, allowing you to continue your gentle exploration. He opened his mouth for another teasing comment, but his breath hitched quickly as your freezing fingers unexpectedly found their way to his skin. "Ach...- Liebling..." he murmured, his voice tinged with a mix of surprise and endearment.

"What? Did I find something?" you asked with a mischievous grin, your turn to be cheeky now. You intentionally let your fingers wander over his skin, which was so incredibly, so wonderfully warm. With a playful determination, you weaseled your hands against his skin, feeling the contrast of your cool touch against his heat. Snuggling even closer to him, you couldn't help but smile as Kurt laughed and squirmed a little from the unexpected cold sensation of your fingers dancing across his body.

"The things I let you do to me..." he huffed, though there was a fondness in his voice, as he held you even closer to him. His arms and tail wrapped securely around your body, pulling you into a protective and affectionate embrace. While he often teases you relentlessly, it's always in good fun, because at the end of the day, he truly loves you. He is more than willing to suffer through the icy touch of your fingertips against his warm, sensitive, ticklish skin, as long as it brings a smile to your face and you enjoy every moment of it.

"Ach! Liebe!" he exclaimed, jerking up slightly in surprise as you playfully moved your fingertips to the sensitive sides of his ribcage. His reaction was both amusing and endearing, and you couldn't help but giggle at how it caught him off guard.

He looked down with a soft, affectionate smile, acknowledging your mischievousness with a twinkle in his eyes. "Cheeky thing..."

Thanks for reading.

*BAMF*

Dividers by @/adornedwithlight

Cover image: Nick Robles art credit, other images Pinterest.

[love4myg]

early mornings

summary. when time seems to bend every morning and love speaks through tender touches and quiet reassurances.

────

pairing: yoongi x reader

genre: established relationship au, tooth-rotting fluff

word count: 1k

content: yoongi and oc wake up in each others arms / they love each other a bit too much and they make it pretty clear / they kiss a lot :3

warnings: fear of abandonment (kind of? if you squint??), allusions to sex

notes: idk why i'm procrastinating the third part of 'stumble into you' so bad, but this is a result of me still wanting to write something. also, ignore the images at the top if they don’t go well together, i’m too lazy to actually put in effort today 😭 likes, reblogs, comments, and asks are all greatly appreciated!! i love you guys and i hope you enjoy <33333

main masterlist

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Amber rays spill across the room, seeping between the gaps in the curtains and kissing your bare skin with its golden warmth.

Yoongi stirs under the sheets, attempting to untangle his limbs from you, who lay beside him. But your arms only tighten around him, and he quickly gives in to the comforts of your touch.

With your head on his chest and his arm secure under your head, he can't help the lazy smile that draws across his lips.

He's always loved early mornings with you; when neither of you have to think about anything else but each other; when time feels like it ceases to exist; when nothing else mattered, because why would it when you had each other?

You were his home; his universe; his first thought in the morning and the most frequent visitor of his dreams. Everything reminded him of you, and it was maddening. But he welcomed the longing with open arms, because he was a fool.

Because he knew that it was worth being foolish if it meant having you.

Yoongi places a kiss on your forehead, his lips pressing against a few strands of hair that lay messily across your face. The scent of your skin, faintly sweet like the lavender soap you use, lingers in the air as Yoongi buries his nose in your hair, taking in the quiet of the morning, broken only by the soft hum of your breathing. He moves his hand to rest over yours, running the pad of his thumb over your knuckles.

He doesn't expect the gentle action to wake you, but your eyes flutter open. You hum, the sound quiet and laced with exhaustion as you stretch out your body.

Your eyes light up when you meet his gaze and the butterflies in his stomach erupt, fluttering around wildly.

"Morning," you whisper. You peck his lips with a soft kiss.

"Morning," Yoongi echoes. A faint blush paints his features, and a giggle tumbles from your mouth. Yoongi catches the sound with another kiss; then a third one that lingers for a few seconds longer than the others.

It is almost embarrassing to admit the effect you had on him. You've been together for years, and known each other for even more. He knows every dip and curve of your body and you have seen him through all of his highs and lows. Yet, a kiss from you still has him blushing.

"Missed me?" you tease, and he hums in agreement.

"A lot." He kisses corner of your lips and the curve of your jaw. "You're so pretty."

You laugh; a soft sound that rings through the air. It has always been Yoongi's favourite melody-the one sound that made his heart swell and his eyes crinkle into crescent moons to accommodate his growing smile.

He tucks a few strands of your hair behind your ear, letting his hand stay to cup your cheek so that he can bring his lips to yours again. He’s addicted to the way your lips fit perfectly with his, and no matter how often he kisses you, it’s never enough

And you can't stop smiling.

The feeling that courses under your skin is almost overwhelming. It still feels surreal—that kind of love, where just being with him made the world right

The possibility of losing Yoongi terrifies you, but it's a fear that follows you everyday. Sometimes, you expect to wake up one day only to realise that this is all a cruel dream, or to find the house suddenly void of his belongings and his presence.

Sometimes, the fear creeps in before you can stop it, a quiet panic that gripped you in the space between sleep and waking. You’d reach out, half-afraid to find the bed cold and empty. But then, your hand would meet the warmth of his skin, and the fear dissolved into nothing. Because every morning, he's here. Solid, warm, and real, wrapped up in the sheets beside you. His sleepy eyes, the soft curve of his lips, the way he pulls you closer as if you’re his anchor—it’s all so undeniably Yoongi, and it makes your heart flutter with a mixture of disbelief and gratitude.

You press your forehead to his, noses brushing, as if the closer you hold him, the more real this will become. Yoongi's fingers trail lightly over your skin, tracing invisible patterns that make you shiver.

“You’re thinking too much,” he murmurs, voice raspy but tender, like he's always known your thoughts even before you speak them.

You let out a soft sigh, trying to find the words, but they dissolve on your tongue when his hand glides over your waist, settling at the small of your back.

“You’re here,” you whisper, more to yourself than him. It's a quiet confession of the relief that washes over you each time you wake up to find him still beside you. He smiles against your skin, a low hum of agreement in his throat. "I don't know what I'd do if you weren't here."

“I’m not going anywhere,” he promises, his voice carrying the weight of every unspoken assurance. "You know that I'll always be right here-right beside you, whenever you need me."

For a moment, the world falls away. There’s no fear of loss, no dread of waking up alone. It’s just him, his presence grounding you, his breath steady and warm against your neck. The intimacy of the moment swells between you, a shared heartbeat that drowns out the rest of the world.

Your legs tangle beneath the sheets as he pulls you even closer, his hand finding yours under the covers. His touch is gentle, tender, as if he’s memorizing every inch of you, and in the glow of the early morning, you feel more connected to him than ever.

You close your eyes, letting the warmth of his skin seep into yours, feeling utterly safe in his embrace.

And in that moment, you know—this is home.

[mayapapaya33]

I had sort of hoped Keyleth would have matured and grown past her anger at the Matron over the past 33 years but I suppose it's in character that she hasn't fully dealt with her grief yet. And the Vorb probably isn't helping her issues either. It just sucks because I think a lot of the fandom take Vox Machina's grief fueled blame and fully accept it as fact when the reality is that Vax's situation is almost entirely his own responsibility. The only other person with any remote culpability is Percy. And even Percy is only really to blame for accidentally Killing Vex, not for Vax's choices. But even if you want to hold Percy accountable for Vax's choice in the tomb as well, that still doesn't make him responsible for Vax's death. Vax could have lived a long full life as the Matron's Champion, as shown by the Delightful Purvan Suul and his companion Galdric.

Vax was a borderline suicidal, self-sacrificing character from day one. He always threw himself into danger headfirst regardless of the cost to himself. Between Percy accidentally setting off the trap creating the circumstances for Vax trading himself to the matron during Vex's resurrection, all the way up to Vax CHOSING to come back as a revenant after being disintegrated in order to help defeat Vecna, the choices have always been his. Especially him, fate touched as he is. Ultimately, Vecna killed Vax and Vax killed Vax. I think it's easier to blame the Matron than to be angry with Vax for being who he was.

The Matron maintains the balance of life and death. She accepted Vax's offers both times, do you think she should have refused? The first refusal would have meant Vex's death, and the second refusal would have meant Vax possibly just staying dead after being disintegrated, and not being there to fight against Vecna, which was truly an all hands on deck situation. There was no time to fuck around with a resurrection ritual that might not even work, the whole world was in danger. One life, a life that was already lost, is a small price to pay to save the world. I'm pretty sure Vax would agree with me!

Frankly, Vox Machina were super lucky and privileged to have so many successful resurrections between them. I think they got a little spoilt and entitled about it honestly. Most people have never even met someone who's been resurrected before, they did it like 20 times! Vax was disintegrated, he chose to come back as a revenant to fight Vecna, protect the world, and help his family. An opportunity he was only given due to his allegiance to the Matron. She gave Vox Machina and Vax extra time together and a chance to help save the world.

For those of you shouting "what about true resurrection!?! I hear you, and Matt said it's complicated and didn't elaborate lol. Personally, I think the Matron has quite the special a barrier of entry to true resurrection, if the spell even works at all in Exandria. I think they touched on it briefly in Calamity but I've forgotten. I can only imagine what insane ritual Matt concocted years ago that he's had plenty of time to work on since. Part of the Matron's whole thing is that everyone must eventually go into death, sure they can avoid it for a while, so some resurrection is fine (the DC gets higher every time), but eventually enough is enough and it's time to go. Hence why necromancers and liches are her enemies.

At any rate, I'm really proud of Keyleth for going to therapy and I hope she goes back when all of this moon business is over because she still needs it and that turtle lady in the frog seemed great lol.

[emilys-bangs]

The last thing you reblogged gave me an idea !

Touch starved Emily who is friends with you but would never dare ask you for unnecessary hugs etc., you two are close but she doesn’t want to cross that bridge since she definitely likes you a lot more than just a friend and also she’s scared of being so open and vulnerable that she admits she needs a hug and a cuddle.

You two are on a case once again, end up rooming together and there’s only one bed. You both don't really mind and go to sleep, each one on their respective side of the bed - except when you wake up in the middle of the night, Emily is cuddled around you, having subconsciously seeked your touch while she’s asleep.

You can decide how to go from there if this idea is any good to you, no worries if not and I hope you have a great week 😘😘

Tysm for requesting, I hope you have a great week as well! I sincerely thank that one post about touch starved Emily that made us all go insane <3

----

Midas touch | emily prentiss x reader

Tags: touch starved Emily, room sharing, bed sharing, fluff, a ridiculous amount of yearning

Word count: 2.5k

You’d have to be blind not to notice Emily’s affinity for touch.

It’s something you’ve picked up on after a mere week in the BAU, and honestly, you’ve never seen anything like it. It’s like she craves touch, physically needs the added comfort of hands wrapping around elbows, arms slung across shoulders and casual side-hugs. In the more lax confines of Rossi’s living room or o’keefe’s, it’s not unusual to see her wrapped around somebody, or at least closely sharing what’s meant to be personal space. 

At work, however, it’s different; a bit more subtle, but still palpably flowing with love—the way she sneaks behind Garcia’s chair and wraps her arms around her neck in hello, Emily’s cheek pressing against the analyst’s. How she runs her fingers through Spencer’s messy curls, and how—despite his protests—he lets her, almost imperceptibly leaning into her hand before she pulls away. Her hip is frequently attached to JJ’s, their temples touching as she slides her palm into the back pocket of JJ’s jeans. Rossi is given paternal kisses on the cheek, Morgan dragged around with his hand in hers, their fingers interlocking in a weave of pale and dark. Even Hotch gets his fair share of physical affection from her, though more subtle but no less loving; a tugging at his belt loops, a nimble fixing of his tie, the brush of her fingers along his elbow.

Everyone gets a piece of Emily’s attention. 

Everyone except you.

It upsets you in ways you can’t fully explain—at least not without admitting to yourself that you’re falling deeply and helplessly in love with her. None of it remotely makes sense; despite her very deliberately withholding her touch from you, she’s been nothing but lovely, always having your back and gently correcting you when you slip up. 

But still, when an overbooked hotel forces Hotch to relay the unfortunate news of doubling up and she turns to you, surprise renders you silent. 

“Me and you?” Emily asks, paying no mind to JJ next to her.

You speak through your dry throat, “Um—yeah, sure.”

Hotch places the key in your hand, glad to have one pair down. You dig it into the flesh of your palm.

“I’ll take that one, thank you.” Rossi plucks a key from Hotch’s hand and turns away, leisurely walking to the elevator as protests rise behind him.

Hotch shakes his head, exasperated. You almost feel sorry for him. “Morgan?” He says, looking at him. Morgan nods, which leaves JJ with Reid.

Reid looks pleased; JJ less so, but she doesn’t protest as she takes the key from Hotch.

“Aww, good luck, pretty girl.” Emily coos, cupping JJ’s cheek and tapping it playfully. Jealousy stirs in your stomach, hot and acidic as JJ shrugs off her hand with an eye roll, a small smile lifting the corners of her mouth.

The key is in your hand so you turn on your heel, a bad taste in your mouth as Reid starts to protest, the sound getting lost somewhere between Emily’s soft laughs.

She knows them longer than she knows you, you think as you take the stairs two at a time, trying to outrun the beating of your heart. Your somewhat blurry eyes pick out the door with the matching number on your key. Your legs take you to it, almost on autopilot.

“Hey, wait up,” Emily’s voice carries, reaching you in a cloud of spun silk. There’s a rush of air behind you and you feel her creeping over your shoulder, the scent of her perfume choking you sweetly. “You don’t want me to sleep in the hall, do you?”

You can’t bring yourself to rise to the teasing in her voice. Fitting the key in the lock with unsteady fingers, you mumble, “Would’a let you in if you’d knocked.”

But trying to keep your distance doesn’t work, because the one bed in the room glares at you as soon as you push the door open.

Your throat goes dry. 

Emily hovers impatiently at your back and you swallow as you take a step into the threshold of the room, wondering how the hell she’d share a bed with you when she seems reluctant to touch you in the first place.

Panicked, you take your bag and head into the bathroom before Emily can say anything, desperately needing a moment to compose yourself. It’s safe to say you spend more time in there than you usually would, lengthening your short routine to busy yourself.

Only when you’ve semi-calmed down do you go out, finding her perched on the edge of the large—king sized, at least—bed.

“Hey. Are you okay with this?” Emily’s eyes are wide and dark, shining with concern. 

There’s no place for you to sleep anyway if you said no, but somehow you get the feeling she’d make it work if you were uncomfortable. A confused rush of emotion runs hot under your skin; lingering jealousy and ever present bitterness and confusing pleasure at her concern.

God, you need to go to bed.

“I’m fine with it,” you force a smile. It must not be very convincing, because Emily frowns, a delicate pull drawing her brows together. Just before she says something, you speak. “Are you okay with it?”

That snaps her out of it. “Yeah,” Emily murmurs, a dimple winking at you as she gives you a small smile, “as long as you don’t kick.”

You didn’t expect her to agree so easily. Some part of you wonders if she’s lying, but you can’t look at her eyes long enough to decipher that—you’re mildly afraid if you sunk into their depths you’d never be able to claw your way out.

“I haven’t had any complaints,” you try to shrug casually. “Do you prefer a side?”

“No, go ahead. It doesn’t matter what side I sleep on, I always somehow find my way in the middle.”

That makes you crack a smile.

The bathroom door clicks shut behind her and you press your knuckles into your eyes, wondering if you can possibly get through this night without losing your already delicate composure.

It’s just a bed, you tell yourself as you take out a pair of sweatpants to serve as pajamas. And it’s just for one night. It’s fine.

It’s fine. Sure it is.

You’re already in bed and beneath the sheets when Emily walks out of the bathroom. It’s a mistake to look at her, because you think you’ve just fallen deeper in love.

She’s shaking her hair out from the confines of its ponytail and it falls in soft waves around her shoulders, curling at the ends where the water sprayed it. A cotton tank top gently hugs her body, and pale blue shorts skim the tops of her thighs.

She’s not wearing a bra.

You’re staring.

“Sorry, I wasn’t expecting to share tonight,” Emily smiles sheepishly as she lifts the covers and climbs into the bed. A lump is lodged in your throat at the sight of her bare legs slipping through the sheets, shimmering softly from her lotion. It smells sweet, she smells sweet—like warm cocoa butter—and it takes everything in you not to inhale deeply like a creep.

“Neither was I.” You croak. Emily settles her head on her pillow and you try not to stare at her lashes, so naturally long and thick even without her usual mascara.

She’s literally going to be the death of you.

“G’night,” you mumble and turn away before she can answer. The heat in your cheeks burns, and you dig them into the pillow in hopes of cooling them down.

“Night,” Emily whispers back. The sheets rustle as she presumably turns, too.

Needless to say, it takes a while for you to fall asleep. 

It must happen at some point, though, because something wakes you. You open your eyes to the darkness of the room, unsure what it is. You just know that you’re abnormally warm and trapped beneath something smelling like cocoa butter.

Emily.

Your sluggish brain slowly puts the pieces together. Her arm is around your neck, cutting across your chest; her thigh is hitched over your hip. Cold fingertips are hooked into the collar of your t-shirt and you shiver despite the warmth of your own body. Slow breaths puff across your neck, warm and even.

Briefly, you think you’re dreaming, but just as quickly that thought dissipates. She’s too real, too warm—and anyway your imagination could never come up with something as divine as this.

You’re not completely innocent either. Your arm is hooked around her waist, your skin directly touching the warm skin of her waist. Her tank top has risen up and your blurry eyes catch a tattoo on her hipbone; a faded butterfly.

You should let her go. 

It’s an internal battle, because she fits there, perfectly, and even though you know it’s wrong, you close your eyes and continue holding her. 

It’s wrong, it’s so wrong. She doesn’t want your touch. She’s made that perfectly clear, but her warm body, the soft tickle of her hair, they cloud your senses, fog your brain and hide all traces of reason or sensibility.

But still, half asleep or not, you can’t betray her trust like this.

You’re just about to force yourself to let go when Emily snuggles closer, a long sigh escaping through her nose. Her lashes tickle your skin, wispy and light across your neck as she nestles into your collarbone.

Fuck.

You hold still and wait for her to move again. She doesn’t, other than the steady rise and fall of her chest, so you close your eyes too. You would’ve thought it would be difficult to fall asleep with almost every inch of her body touching every inch of yours, but you’re encompassed in warmth and softness and the scent of cocoa butter. 

Really, it only takes a minute before you’re asleep again.

———

She’s still in your arms when you wake up. Your alarm didn’t ring yet—it must’ve been a combination of Emily’s warmth and your internal clock that woke you up.

Her head is now on your pillow, one of her knees slotted between yours and her arm around your waist. She’s like a clingy koala, even in her sleep, and it only makes your heart ache.

Through the blurriness in your vision you see the small freckles that dot her cheeks. They’re tiny, almost unnoticeable, scattered over the bridge of her nose and under her swooping lashes. Her fingers tighten in your shirt and again the guilt surfaces, but it’s so slow to rise in the pale morning light, when you’re sluggish with sleep.

Emily’s eyes flutter open. 

Shit, you freeze, your muscles stiffening. 

You’re caught.

Suddenly you’re staring into dark chips of obsidian, clouds of sleep swirling through them. At first Emily gives no reaction, but then her brain evidently catches up and her eyes widen, her fingers letting go of your shirt.

Just before you apologize, she does.

“I’m sorry,” she blurts. Her voice is raspy and you fight the shiver before it travels down your spine. “I get really—”

“Clingy,” you mumble. “Yeah, I know. It’s obvious.” Your voice is soft, mainly because you’re too tired to fight with your own demons so early in the morning.

“I’m really sorry,” Emily whispers again, mortified. Her cheeks flush a pretty pink as she retracts her arm and her leg, curling back into her side of the bed. The sheets she leaves behind are warm, and you fight the urge to place your hand where she once was.

“S’okay. You do it with everyone, I know that.” Then, because it’s the morning and your brain is half asleep and still fogged from holding her, you ask, “Why not with me, though?”

Her teeth chew down on her lip. “Why not you, what?” She mumbles.

“Emily,” you sigh, “it’s too early for you to mess with my head. You know what.”

Emily gives a sigh of her own. She doesn’t look at you as she fiddles with the hem of her tank top and drags it back down, hiding the exposed sliver of her torso. It doesn’t help that your eyes follow her movements, because her shorts have ridden up her thighs.

“It means…more when it’s you.” She eventually says, her voice quiet. Your breath hitches and she continues looking down, frowning at the hem of her tank top. “Everything does. Can’t touch you like that and pretend it means nothing.”

The slight slur to her voice makes her confession all the more intimate. As does her bed head, the red sleep lines on the underside of her arm. This is a soft Emily, a vulnerable one, and she’s laying herself bare for you in the morning light while sleep still lingers in both your eyes.

It only confirms your love for her.

Your relief is palpable; it quickly shifts to affection, something flowery crowding the back of your throat and making it hard to swallow. She doesn’t hate you, she doesn’t think you’re disgusting or repulsive. 

She couldn’t touch you because it would give her away. Because it’s the most genuine aspect of her, one she can’t dampen or hide any more than she can stop her heart from beating.

It seems almost too big a revelation for this small hotel room bathed in morning light. Still, your hand reaches for hers. You wrap your fingers around her own, both of them now resting gently on her stomach.

“It doesn’t have to mean nothing.” You whisper.

Emily’s eyes snap to yours. They’re like the black, bitter coffee you have no choice but knock back in precincts all over the country. They make your heart race, because they come closer—she comes closer—until both your heads are resting on the same pillow again. Emily cups your joint hands with her free one, reverently protecting the tenderness of your touch.

“You’re…” Her breath hitches and she falters, then sucks in a breath, “You’re telling me you want this?”

You squeeze her fingers. “More than anything.”

Emily blows out a low sigh. You bring your free hand up to trace the curve of her brow; she leans into it. “I do, too.” She confesses. “More than anything.”

Your thumb travels down to the corner of her mouth. “Then there’s nothing stopping us. Is there?” You ask gently.

“No.” Emily sighs. “Nothing.”

She tilts her head, lets you continue exploring her face with your fingertips. Her features are gently traced; the bridge of her nose and the outline of her lips and the shape of her brows. Slowly, her knee worms its way between both of yours.

You smile and Emily smiles back, a shy dimple in her cheek. 

“Be clingy. With me,” you murmur, keeping your voice low because you’re afraid love already spills from it, “I want you to be.”

Her nose nuzzles into your cheek. “You’ll soon regret saying that.” Emily mumbles, the vibration of her voice reverberating through your skin. It fills you with strange peace.

“Never.” You whisper.

Until the alarm rings, the two of you spend your time erasing away the boundaries, learning the lines of each other’s bodies with your fingertips with slow confidence.

Because now, you have all the time in the world.

taglist: @suckerforcate @sickoherd @lextism

[cosmicdahlias]

What You Deserve

a ford x reader fic

MINORS DNI

warnings: HEAVY NONCON, smut, possession

i really went wild on this one i hope y’all enjoy

Ford has been worrying you lately. His sleep schedule is erratic, he barely eats, and it seems like he’s always talking to someone that isn’t there. But there is someone, you’ve come to know him as Bill.

In Ford’s words Bill is his muse, his inspiration. You hadn’t questioned it at first, it kept him so driven. But now things were different, Ford wasn’t quite the same as when you first met him.

You’ve never spoken directly to Bill, only when he speaks through Ford via possession. You never let Ford know but it terrifies you to see Ford so unlike himself. He turns wild, dangerous, unpredictable. Sometimes disappearing for days at a time and returning with no recollection of what transpired. One time coming back sporting a tattoo of a star on his neck that he had no memory of getting, but a tattoo was the least of your worries.

You’ve started to hate Bill for what he’s done to your partner. You fear the day that you turn on the news and see that the local mysterious scientist in the woods has turned up dead.

You secretly love him too. He captivated you, perhaps that’s why you cared so much. If he was just your coworker it wouldn’t keep you up as often as it did. You wanted to take him away from all of this, to just kiss him and tell him that there was more to life than being Bill’s puppet.

These thoughts consumed your mind as you sat at your desk going over your research notes. You were so in your head that you didn’t sense the looming presence behind you.

A hand grasped your shoulder, you jumped nearly a foot out of your chair. It was Ford.

“JESUS Christ, Ford. A little warning next time?” You gasped.

He released his hand. “Oh dear I’m sorry I hadn’t realized I’d scare you like that, you just looked so wrapped up in your own thoughts. I wanted to make sure you were okay.”

You huffed. “Yeah, it’s just… I have a lot on my mind right now.”

“Oh? Perhaps I can take your mind off things.”

“How so?” You asked.

“Well for starters sweetheart I can rip off those clothes.” He cooed.

“What?” You stammered.

“You heard me.”

You blushed, this was so unlike him. “Ford are you feeling okay?”

“Are you kidding? I’ve never felt more like myself.”

It was then you noticed his eyes, the yellow tint and catlike pupils. Your heart sank. Bill.

“I know it’s you Bill. What do you want?” You spat through gritted teeth.

“I’m just doing old sixer here a favor. I’ve seen inside his mind and I know what he thinks about you. Thing is, he’s too damn shy to just go for it. So I figured, why not do it for him?”

You felt like a rock just sank to the pit of your stomach, you knew what that meant. Your thoughts quickly screamed at you to defend yourself. You knew you had a small knife in the drawer of your desk, but could you grab it before Ford, rather, Bill reached you?

You decided to take the risk, you shot up and darted your hand to the drawer, pulling it open. You quickly grabbed the knife and held it out in front of you. Your hands trembled.

Bill laughed coldly “That’s cute of you, but here’s the thing, you try hurting me and you’re just gonna kill Fordsy. And we wouldn’t want that now would we?”

Before you could say anything Ford descended on you, coming up behind you his hands gripping your wrists and wrestling the knife out of your grasp.

“Now listen to me toots, we’re gonna have some fun on behalf of my good old pal here. You can struggle all you want, but I think you and I both know he’s a lot bigger and stronger than you.” He said, running the knife against your throat.

You felt his teeth sink into your neck, rough kisses left at every bite mark, his hands traveling up and down your body. He hooked the knife underneath your clothes and began to tear away at the fabric, leaving your top half exposed.

You wanted to run, to scream, to cry, but you knew it would be in vain. Where would you run? To whom would you scream or cry to? You were all alone in a shack in the middle of the woods with a man possessed by a twisted demon.

The knife slowly cut away at your skirt, next your bra and panties. Ford kept a hand on your waist, the other still holding a knife to your throat.

“Now,” he said, his fingers massaging your breasts “I’m going to have my way with you.” His voice sent a cold chill down your spine.

In one quick motion Ford spun you around and forced you to the floor, hands holding down your wrists.

“But first, I think Ford deserves a good look at my work, don’t you?”

As you looked up at Ford you saw his eyes return to their normal whites and rounded pupils. He looked down at you, confused, then the horror set in.

“Y/n, what are you- oh god no, Bill what have you done?”

Before he could even remove his hands from your wrists his head snapped back violently, when he returned his gaze to you it was with the same terrifying look, Bill had retaken control.

Keeping a hand on your wrist he began to wrestle with his belt.

“I’ll never understand you humans and your complicated clothing.”

He slipped his pants low enough to reveal his cock, which was dripping with precum. You tried hard to fight against him but your efforts were in vain, Bill was right, Ford was stronger.

Sharply and violently he slid himself into you all the way to the base. You screamed from the pain and Ford let out a loud groan. He began to thrust hard and fast, growling and breathing heavily into the crook of your neck.

“Ah fuck, now I see why sixer wanted this so bad.” He hissed.

You felt your will begin to fade, you were stuck like this, there was nothing you could do, no one was coming to save you.

“I think Ford should feel this too, I never know if he feels anything I’m doing.”

His eyes reverted again, they widened.

“No no no, dear god, make it stop. I’m so sorry, y/n.”

Ford tried to fight it, he struggled to get himself off of you but Bill began to take hold again.

“Fordsy might be sorry, but I’m not. Quite frankly I always feel like you’re getting in the way of things, perhaps this will teach you to stay away.”

He resumed his brutal pace, the loud slapping echoing through the lab accompanied by his grunts and your whimpers. All you could see was his yellow eyes and wicked smile. This was pure hell, you wanted Ford, but not like this, never like this.

He could feel himself getting close, he grabbed your legs and hooked them over his shoulders. His nails dug into the soft flesh of your calves.

“Hahhh, hahhhh. I’m going to… make you regret ever agreeing to work with Ford. You’re gonna… keep your distance. You hear me?”

Tears began to stream down your face, you started to hope that Bill would just kill you after he was done.

Ford was fucking you at a punishing speed, as he forced a hand to your throat Bill released him right as he began to cum. Ford let out a deafening moan and his whole body shook. Everything went white for a few seconds, when his vision returned he was greeted with a frightening visual beneath him.

Ford let you go and backed up against the wall, he had to focus all of his attention on not vomiting.

“Y/n, I’m sorry. I’m so sorry.”

All you could do was lay on the floor, nothing felt real. Ford took off his trench coat and wrapped you in it. Tears began to fall down his face.

“I’m so sorry, y/n. I never meant to hurt you.”

[innuendostudios]

New Alt-Right Playbook! This one's on spurious claims and how they don't even need to be ARTICULATED to follow you around.

If you wanna keep this series coming out (and maybe help it come out a little faster) do please consider backing me on Patreon or subscribing to me on Nebula.

Transcript below the cut.

Say, for the sake of argument, you are the kind of progressive leftist with a platform who gets a share of harassment - seasonal or perennial - from reactionaries. In this situation, you will, inevitably, hear one who positions themself as a reasonable moderate ask, “Why Don’t You Respond To Criticism?”

There’s a lot going on in that question, more than is obvious, and it’s worth understanding.

First is that the question is not only directed at you. It exists as a marker, showing up in your Q&A’s, comment sections, or Twitter threads, to imply to anyone paying attention to you that there is some wealth of legitimate criticism you have long ignored. There may well be a specific point this person is referring to, but it’s often left unspecified or generalized, so that the content - and the quantity - of the criticism is left to audience imagination. It is meant to publicly undermine your legitimacy.

Second, it’s meant to make you question whether there is some legitimate criticism out there in the din of people screaming at you. You’re not perfect, and a knock-on effect of being harassed is you get numbed out, unable to discern good faith from bad, often removing yourself from the streams through which your peers used to correct you because of the endless flow of garbage coming through those channels now. But the only way to verify the ambiguous claim that there is criticism worth responding to is to once again strap on waders and climb in, which is often what your critic really wants.

Third, the question isn’t really “why don’t you respond to criticism?” Odds are, you do respond to some criticism. People in your position are often addressing or pre-empting criticism all the time, arguably too much. No, what this nonspecific question is really asking is, “Why don’t you respond to my criticism?” They’ll let it sound like you’ve been ignoring everyone, but they mean “why are you ignoring me?” They are going to insist you owe them a response, that their critique, regardless of your opinion of it, is valid, and demands immediate attention. Odds are there are dozens of people saying the same, all at once.

Fourth, odds are good that you have, in fact, addressed their specific complaint, but not in a manner they will accept. This one person’s criticism is likely not unique, you may have covered it somewhere in your output purely because you know what kind of arguments are getting thrown at you and you want to cover your bases. There’s a decent chance your critic doesn’t actually consume enough of your work to have seen it. But it’s maybe even more likely that they are aware of your counter-argument - possibly one of your fans directed them to it - but don’t consider a response legitimate unless it is directed at the critic. Covering it in a different context or on a different platform doesn’t count. They are owed a statement they can respond to directly, because they want the argument to continue. Really, the question is, “Why don’t you respond to my criticism on my terms?”

Finally, even if you did respond to them by name, it’s likely your response would still be disqualified. If you were to summarize their argument in any way, they would claim you are building a straw man. If you isolated any specific critique, or pointed to the cruelty that accompanied it, they would claim you’re cherry-picking. You must, it seems, first present the criticism, full and unabridged, before you may respond to it. Which is to say: the only “correct” way to respond to criticism is to platform the critic.

And there are dozens who expect this of you. Who will tear into you for not addressing, in meticulous detail, every single critique they’ve ever tossed your way, and, in the same breath, make fun of you for talking too much. Because they don’t want to move on from “Why Don’t You Respond to Criticism?” As a rhetorical tactic, it’s pretty ace. To announce, before the argument is even stated, that it is thus far undefeated? ::chef’s kiss:: Because any response you make will keep the focus on you and not their argument. “It’s not worth responding to.” “Well why should The Accused get to decide what is and isn’t worth responding to?” “I have responded, repeatedly.” “Well why didn’t you respond in this particular way?” None of this looks at whether the argument had any credibility to begin with, only at whether your rebuttal is following procedure.

Take, for example, the hypothetical criticism that you should not listen to me because I am just four eels in a trenchcoat. How would I respond to that? What can I say that isn’t exactly what four eels in a trenchcoat would say? “I’m not even wearing a trenchcoat”? Well, the first thing four eels would do when people start to catch on is wear hoodies. Show my birth certificate, saying I was born a single entity to a human mother at a weight four newborn eels wouldn’t add up to? Well, did that work for Obama? Or did the guy saying the birth certificate was fake get elected President? And, of course, anything I have to say about how fascism has evolved on the social internet is suspect if I can’t even prove I’m human. What do fish know?? We stayed at war with Iraq for seven years after the government announced the Weapons of Mass Destruction we were looking for never existed, and some people, to this day, still think we found them. What hope would I - a warm-blooded mammal who would make very mediocre sushi - stand in the face of that? [bell chime]

So, if you ever see this claim out in the wild, “why haven’t you responded to _____,” ask: do you know what _____ is, do you yourself agree it’s a valid question, and are you sure it hasn’t already been answered? And don’t repeat the question unless you’ve got three yesses.

[monstersflashlight]

do you have anything about some sort of reptile-based monster that involves hemipenes? i think it’s a very cool way to do double penetration with only one top

A/N: First part of this was one of the stories in the 10k followers event (find it here). Enjoy!

Lizard-brain: the research

Lizardman x fem!reader || double penetration, hemi-peens, tail play, light choking, exhibitionism, dirty talk (low key)

When he pulled out, you felt your holes twitching at the same time a mechanical voice said from the speakers: “You did well, researcher, very interesting data was recorded.” Shit, you forgot there were people watching and probably saw you get fucked within an inch of your life. All your coworkers just watched you getting double creampied by a giant lizard-man. Great.

You were allowed to go home after that, your boss telling you to go clean yourself and the next day you could go over the data with them. Your lizard mate wasn’t happy about it, but he complied knowing he could see you the next day. You felt many emotions when you left the place, not ready to name any of them, you only showered and went to sleep, your body sore in the best way possible.

You arrived to the facility next day, and the first thing your boss said was: “We need you to do it again,” you looked at them confused, what the fuck did they mean.

“What?” You asked, looking at the monitors in the wall to try catch a sight of your mate.

He explained some of the data they collected, but how it was still very early in the research to know for sure, that’s why they said: “We need more data, and you are his mate after all.” You looked at him with understanding, your scientific brain already working all the possible conclusions of all the data collected so far and how much more you could know if you kept it. But also...

“I need to talk to him about this,” you told them. You had feelings for a big monster, and he considered you his mate, there was a lot of possible ethical problems there.

“Oh yes, it talks. True.” They said, but like it didn’t matter at all.

That infuriated you, but you swallowed your complaints, trying to understand why you felt so protective over him. And then it clicked, mate bonds weren’t only one way, he felt the mate bond, but you felt it back. You cemented your bond with sex and now you felt tied to him the same way he was tied to you. That realization should have scared you, but only made your stomach flip with butterflies. You had a mate. And that came with a new goal in mind: demonstrate that lizard-people could go outside and live like equals to humans. That started with proving your mate bond was true and necessary, scientifically. And if that meant to be fucked in front of some researcher, so be it.

The talk with your mate went as well as expected. He was more than okay with the idea of fucking you again, but not so keen on the idea of other people being there. But the head researcher insisted it was important for somebody to be in the room with you to catalog fine movements and reactions that cameras couldn’t capture. You agreed with them on that, that’s the only reason you accepted (nothing to do with the fact that you might or might not have a bit of an exhibitionist kink).

And that’s why you were naked over a medical bed with your lizard-man mate over your body and a researcher standing a few meters away. Your pussy was already wet, needy and desperate to be filled to the brim again. Your lizard mate was looking at you intensely, caressing your body with one hand as he jerked his upper dick with the other. You knew this position meant big dick downstairs, and you were already anticipating the stretch.

He approached you and rubbed his small upper dick against your entrance. “Good job, keep going,” the researcher instructed. “Touch her pussy.”

Your lizard stopped and turned to look at them. “Don’t tell me what to do with my mate,” he growled, making the researcher step back and cover their mouth. “You are here because she wanted it, but I will kill you if you say more,” the danger in his tone indicated he wasn’t kidding. And it made your clit tingle.

You reached up to touch his face and redirect his attention to you, rolling your hips to feel his dick against your needy pussy. He pushed his dick slowly, breathing hard over you, his eyes never leaving yours. You could hear his tail thrashing behind him as you caressed his head with your short nails. He purred, making you giggle as he pushed his upper dick a bit further inside your pussy. The groan he got in response made him chuckle as you felt his claws probing your asshole.

“Are you going to be a good mate today, too?” His question was filled with hope, and you could only nod, trusting him and his magic precum to make it possible. Seeing as you woke up without any pain, you guessed the magic was more than great and would help you out this time around, too. “Such a good mate for me, your holes are so perfect,” he was talking to you but not really. He seemed far away, like your pussy was transporting him into another dimension.

He started rubbing his big dick against your asshole, and you instantly felt the calmness and relaxation of his precum, allowing him to push the tip inside. You cried out, way too big. There was no pain, but the stretch was noticeable as he kept going, and going, and going… By the time he was fully inside you were breathing hard and he had crazed eyes. It was intoxicating.

“How is he doing that?” The researcher asked out loud, stepping a bit closer and earning themselves a warning growl.

“Ssssshut up!” Your lizard mate hissed in their direction, his pace fluttering at the distraction.

“But I-” The researcher tried again.

You looked over at them, trying to move your hips to get your mate to move again. “I will fill a report later,” you told them between pants.

“But I-,” they insisted.

It was enough. “SHUT UP!” You yelled at them as your lizard man stopped moving completely to glare at you, surprised. “Shut the fuck up and I will answer the questions, but you won’t be able to get any responses if you don’t shut up and let my mate fuck me senseless,” you let out between your teeth.

Said mate liked your outburst very much, soon grabbing your face forcefully to look at you. He started fucking you with intent then, the combination of his dicks inside of you driving you insane in a matter of seconds. He reached you neck and squeezed, feeling the vibrations of your moans against his hand and increasing his thrusts to make you lose your mind.

You felt something different this time, the tip of his scaled tail reaching around his body to rub against your clit. The textured surface made you see stars and the universe as he played with you in every way, taking your pleasure to the next level. It was exhilarating, your mouth open and your head thrown back as he fucked you like a machine.

He lowered his body, whispering against your ear: “Come for me, my mate, let me feel your holes milking me.” And like a good girl, you exploded into a million pieces as he growled over you and painted your insides with his cum.

This time around he didn’t stop, though. He kept fucking you for what felt like hours, probably were. You forgot everything about research and people watching, you forgot everything about your boss and the world. You could only focus on his dicks inside of you and his tail rubbing your clit until you came so many times that you had to ask for mercy, which he sweetly complied. He kissed your forehead and pulled out, leaving you messy and exhausted.

Once again you found yourself creampied in front of all your colleagues. Your job was suddenly a lot more interesting than two days ago.

[simstationdance]

HAPPY BIRTHIVERSARY part 2 - Crop Tops & Punk Skirts

FUN FACT: The Sims 2 (2004) was released 3 days before the date upon which I was released from my mother's womb, therefore making me younger than The Sims 2 by 3 days as of September 14th 2024, but objectively older by 6 years as of September 17th 2024. As of this post, it is now my birthday. I can feel the hands of time slowly pulling me into the earth. Let's celebrate!

Today's Very Special Birthiversary post includes a set of stylish, vaguely Scene-inspired clothes for ladies: 24 recolors of the Urban Primitive skirt, separated from the Maxis outfit by Skell, and 5 Goth themed patterned recolors and 5 bright solid recolors of the 4t2 Bow Crop Top by MDPthatsme, with black tank top undershirts attached using textures by DeeDee. The clothes are for AF and TF, with Standalone and Repositoried options for TF, and they come with all morphs.

All meshes are included and special characters that would make the game load slower (specifically hyphens) have been removed from the filenames. Since the skirt is from the ever popular Maxis Match Repository Project, you probably have the mesh for the skirt lying around in your Downloads somewhere, so make sure you don't have duplicates.

For the skirts, there are two versions with tights - one of which is a mashup of fishnets by Io (colored red and black) and the Maxis black and white stockings, and the other is the Maxis shorts+fishnets texture because I liked it - and one version with bare legs, which can be used with @themeasureofasim's stockings accessory boxes. (actually only a handful work, see under the cut)

The crop tops and the skirts are 'meant' to be paired together but, being separates, you can mix and match with any other top or bottom you want.

CROP TOPS SWATCH | PUNK SKIRTS SWATCH

See under the cut for more (not very important) information.

DOWNLOAD (sfs)

Mesh credits: @mdpthatsme, Yuichen, @deedee-sims, Skell Texture and alpha credits: DeeDee, Ghanima Atreides, Creesims, Io, and Maxis Pattern credits: andrea_lauren, nerd-and-vine, ophelia_payne (@ Spoonflower), Blue Moth Fabrics, and VictoriaBat.

I have done my best to credit everyone who's resources I used. If I have misattributed or missed anybody, or if I have broken a rule in someone's TOU somewhere, please let me know.

Secondly, this is my first time 'retexturing' clothing instead of just recoloring it, as well as the first time I've done anything clothes-related in a very long time, so please be gentle to me with your criticisms and let me know if anything needs fixing <3

I wanted to recreate this outfit using only textures, because I know nothing about meshing and Milkshape scares me. As you can probably tell, I got a little carried away from the original goal.

I mashed a bunch of patterns, textures, and colors together on top of the crop top and skirt in an effort to learn 'advanced' recoloring of clothes in GIMP, as the most I've ever done before was just recoloring using pre-made PSDs. it was a bit of a disorganized disaster and there was quite a bit of blood, sweat, and tears. But the end results look... mostly nice, I think.

The arm warmers and fishnet gloves shown in the preview are a pair of accessories created by katsurinssims that I used to try to 'complete' the look, and are not included in this download.

Edit: im very sorry, I only tested a handful of the accessory stockings on the bare legs skirts, because I was very tired and there are A Lot of them, and assumed they would all work. But after a bit more testing, some of them have small gaps or poke through the boots, and the ones that are supposed to go over the crotch area end up looking like over the knee socks. Other than that, most of the knee high socks and tights work, but only on AF. I don't consider this a huge problem though, because a good amount of the tights work and the ones with gaps are barely noticeable.

There's a shoe swap that makes all of the boxes work with these skirts and I'll make another versIon of them with that mesh later.

[wilcze-kudly]

Katara and the fear of loss (aka why she waited)

I think one aspect of Katara's storyline I don't see explored nearly enough the fact that she is terrified of losing others, especially those whom she cares for. This makes sense, especially looking to her background, how the death of her mother affected her and the fact that war has been a very large part of her life since she was a small child. Not to mention, she is actively a huge part of said war, along with her brother and friends, at the tender age of 14.

Now, some of you may ask "quill what the hell does Aang have to do with Katara's mother?"

Yes, on the surface, there isn't that much connecting Katara's dead, grown ass mother to Katara's alive 12 year old goofball bf but the parallels between Kya and Aang are planted even at the beginning of the show, in the first few episodes.

When Zuko and the Fire Nation attack the Southern Watertribe, they are looking for Aang, the last airbender, not dissimilar to the Southern Raiders looking for the last Southern waterbender. Furthermore, both Kya and Aang willingly give themselves up to the Fire Nation in order to protect the village, particularly Katara.

Throughout the show, we see Katara's interest and endearment towards Aang grow, and we see them create a genuine friendship. But I'd argue that Aang being the Avatar is, to some degree, a problem to their relationship. Aang's duty as the Avatar, and the risks and decisions he is faced with due to it, often create a rift between him and Katara.

Be it due to Aang's responsibilities leading him to make decisions she doesn't agree with, like in the Avatar State, where Aang feels the pressure to force the Avatar State due to the suffering of the soldiers he feels responsible for.

Or, more poignantly, in the Awakening, where Aang is once again compared to one of the parents Katara lost due to the war, though Hakoda's 'loss' was not due to death, but a need to fight. I think this also shows how much Katara values Aang not just as the Avatar, but as a person.

Katara: Aang. He just took his glider and disappeared. He has this ridiculous notion that he has to save the world alone, that it's all his responsibility. Hakoda : Maybe that's his way of being brave. Katara: It's not brave; it's selfish and stupid! We could be helping him, and I know the world needs him, but doesn't he know how much we need him, too? How can he just leave us behind? Hakoda : You're talking about me too, aren't you?

This is twice Aang has been directly paralleled to one of Katara's parents, whose repsective losses have clearly affected her greatly. This is also extremely poignant, since we've been explicitly told that Aang's love for his own lost family, the Air Nomads, was reborn into Katara. For Aang and Katara, the ways they deal with their losses influences how they pursue each other romantically.

Of course, there's also the ✨️ immediate threat of death and physical injury✨️. Aang and the rest of the Gaang, but particularly Aang is constantly being chased and tracked and endangered by the Fire Nation and he is meant to face the Firelord and defeat him. There are a lot of possibilities for something to go horrifically wrong here.

From Aang being half dead when Katara found him, then almost immediately getting kidnapped by the prince of the goddamn Fire Nation, to almost every villain of the week shenanigan, Katara already has good reason to worry for Aang.

But then the reach Ba Sing Se and things get even worse. Jet, Katara's only other canonically confirmed love interest dies, and Katara is helpless to do anything about it. This is already enough to make someone reconsider future romantic endeavours, but surely it can't get any worse, right?

Oh yeah, Aang FUCKING DIES

He gets blasted in the back with lighting, right as he enters the avatar state, right before Katara's eyes. The saviour of the world, but more importantly, her dear friend, brutally cut down before her very eyes. And Katara, a child, is the only person with even a sliver of hope of bringing him back.

So is it really any surprise that Katara, having experienced loss before multiple times over, and almosf having lost Aang himself, would be hesitant to enter a romantic relationship with someone being actively hunted by the greatest military in the world, someone obligated to take on the leader of said military?

Katara is afraid. She's afraid of opening her heart up to loving Aang and then losing him after that. This is the main reason why she hesitates in initiating her and Aang's relationship. Whenever Aang tries to brooch the subject, she brings up the war and the Firelord, but due to being a child, she struggles in communicating her exact feelings, which leaves Aang confused and of kilter. Katara often gives Aang romantic attention, and clearly feels rather possessive of him, however, she is not ready to enter a romantic relationship due to the threat of the war looming above their heads. But due to being 14, she doesn't know how to explain these feelings, which is what leads to the minor conflict between her and Aang. Because, you know, they're both children in a situation that children aren't built to deal with.

Katara : Aang, I don't know. Aang: Why don't you know? Katara : Because, we're in the middle of a war, and, we have other things to worry about. This isn't the right time.

It's important to note that Aang isn't exactly a bad person for wanting this relationship to be made tangible. He does push boundaries, and kissing Katara without her consent in the Ember Island episode is obviously a horrendous misstep (which he acknowledged), but I think you can at least understand his motives. He may soon die, after all, and he wants to love Katara and wants to express that love before he possibly loses his entire goddamn life. I think this can also be traced back to how Aang deals with the genocide of the Air Nomads and vs how Katara deals with the death of her mother.

Aang certainly blames himself for the death of the Air Nomads, although this guilt is unfounded. Perhaps part of him believes that if he'd just stayed with them, spent a little more time with Gyatso, he could've helped them. It wouldn't be a leap to imagine that Aang wanting to spend more time with those he loves, including Katara is a coping mechanism surrpunding that loss.

Now juxtapose this to Katara, who's entire encounter with Yon Rha is permeated by helplessness and fear, an 8 year old Katara being unable to do anything but run away and try to get help, sadly not in time for Kya to survive. So Katara trying to assert some control over her relationships, maintaining a certain distance to Aang while the war that robbed her of her mother is still in full swing isn't an improbable concept. She's trying to not feel that helplessness again.

(Katara probably blames herself for her mother's death too, but it has less to do with Katara's actions and more to fo with what Katara was; a waterbender, something she hasno bearing on)

This is why she initiates the kiss with Aang at the end of the show. Not because she feels the need to give in to his advances due to him being the hero of the world. Not because she's caving to his insistence or because she's pressured. But because the possibility of Aang getting fucking murked by glorified pyromancers are significantly lower than they were during the war.

This is not a 'taking one for the team bcs I feel like I have to due to Aang saving the world' type of smooch. This is a 'finally I feel safe to express my feelings' type of smooch.

To be completely honest, I don't like how Kataang was handled post day of black sun, I think it was an unnecessary addition of a redundant "will they, won't they?" aspect to the relationship. Teasing Zutara in the last few episodes was also just unnecessary, because it was obviously never a viable endgame relationship and it only served to give kid zutara shippers false hope. This is especially fucked up looking at how the same zutara fans were later mocked by the creators, which, no matter what you think if the ship, is a horrible thing to do to a bunch of teenage girls and I think has contributed to those teenage girls growing into bitter, aggressive adult zutara shippers.

But, as much as I dislike this storyline, it does make sense for Katara's character and is an interesting and touching 'silent arc' for her to have. We often see characters fall in love in the midst of a conflict, but we aren't always shown how that conflict would affect the way they look at their relationship, so I appreciate this storyline for what it was.

[swinging-stars-from-satellites]

.

[reonnex]

The infantilization of book!Wylan and show!Wylan really needs to be looked at.

This isnt a call out, or trying to hate on anyone, just an overall thing I've seen throughout being in this fandom

In the books while Wylan is a child he is also 16. People underestimate him into innocent and even younger. And while he is naive, this does not make him innocent. He has his own morals, own judgment that havent been ripped away from him yet. He is just trying to survive.

People use the "we could wake them up line" a lot snd I agree! But to also look at the full lines as well

Wylan gestured to the guards. "Is it safe to leave them, you know-"

"Alive? I'm not big on killing unconscious men."

"We could wake them up."

"Pretty ruthless, merchling. Have you ever killed anyone?"

"I'd never even seen a dead body before I came to the Barrel." Wylan admitted.

"It's not something to be embarrassed about," Jesper said, surprising himself a little. But he meant it. Wylan needed to learn to take care of himself, but it would be nice if he could do it without getting on friendly terms with death."Make sure the gags are tight."

This isnt him being ruthless. Its him being logical. He is taking what Jesper says to heart. Wake them instead of killing them unconscious. Which they do end up tying the soldiers to the pole and leaving. Him having morals shouldn't contribute to claims of him being innocent.

Wylan is worried about hurting people but will do so if nessecasry to save his friends. We can see this in the show and books. In the show he does not want to make bombs for Kaz, but does so in the end because he acknowledges he has to survive. He is worried about Alby, but goes along with the plan still.

All these are what makes Wylan, wylan. It is his fundamentals, his morals and idels. They are not however claims to see how sweet and innocent he is and how he was corrupted.

Ontop of this, while it is never y it is hevaily implied that Wylan is also autistic. (Also, correct me if im wrong please, but im pretty sure Jack did talk about this.) Autistic people get infantilizated already, and I've had my own fair share of this as well. ( I am autistic and have a learning disabilitiy, as well a speech impedament that I still struggle with.) I have to work harder to make sure people treat me as a twenty year old. Because that is my age, and there is a significant difference in attitude in how people treat me when they know im autistic, and when they don't.

And for Wylan, I feel like its the same issue. While it may not be intentional, ive been people coo over the fact Wylan has done simple tasks or teen experiences. Him having Jesper read to him, getting flustered when talking to him, Wylan not understanding social cues as well as others and taking things to face value.

You can be excited for him and think it's sweet, but to also acknowledge that there is a line between "Thats adorable" and "He's adorable." Wylan is someone who is neurodivergent. He was extrmetly sheltred as a child and was never given the proper tools to help his dyslexia, due to this he has struggles that shouldn't be overlooked or seen as "cute" when he experiences outcomes due to the situation he was in. Whenever he doesn't understand social cues, i.e., "Whos mark." People giggling and saying it's silly or cute when he doesn't understand the cues. That's infantilizating! You are viewing things he struggles with in the lens of watching a child understanding the world. Which Wylan isn't. He is a teenager, no matter the circumstances. His age should be understood.

This infantilization also effects wesper in how people view the two of them. Many people view black people as "older, the man in the relationship, rugged" while the white person is seen as the "women, younger, more innocent."

Infact, I think the show only worsned it for Wylan. As now there are faces to names.

Jack does have a youthful face, but still looks his age. I have a babyface and even now at 20 I look much older then I did at 16. The same goes for Jack. He cant control how he looks but because of his youthful features people only push for this racially hetaronormative mindset more between Wylan and Jesper (Even if its untitional).

Even Kit looks his age as well and has a baby face. He's 29 right now but was in his mid twenties during filming. Season 1 was filmed back in 2019 but due to covid post production got set back, and season 2 was filmed in the beginning of 2022. But why is it only Wylan who is infantilizated? Jesper struggles just as much with his ADHD and trauma as Wylan does.

Jack and Kit are only one year apart, the same in the books but still ive been Wylan be portrayed as the "poor innocent child who was abused." and Jesper as the "he needs to get over his addiction hes a grown man/ he's too mean to Wylan."

In society now so many black teens are seen as adults and treated as such, while white teens are seen as younger and not pushed so hard. The same can be seen for wesper.

Ive even seen people on Tiktok and other socials claim that Jesper was rude to Wylan and abusive. (WHERE???). Both Wylan and Jesper have said things that hurt the other, and they both apologized for it, and get grilled as well. In the show and books they learn and grow. The infantilization of Wylan doesnt hurt just him but plays into racial stereotypes and also microagressions. Why is it that when the white character is calling someone out its "deserved" but when the black character (who might I add had no idea) makes a side comment he is labled as cruel and abusive?

In so many shows and books the black character is usually portrayed as the joker character. Six Of Crows does this as well, which is something important to not ingore. Jesper is seen as the flirty joke character. However the only difference is soc also show more sides to his character by letting him be vulnerable. Letting Jesper show his struggles to the audience as well, how his neurodivergece effects him, letting him dress in skirts and bold colors that step away from the gender norm. So many times in media the black character is just there for shits and giggles, or is used as the villan/antagonist.

It believe its really important to understand this, and to acknowledge if your infantilizating him, or even using microagressions on Jesper unintentionally, then to learn to understand why and to grow from them.

[theophagie]

The thing that lots of people somehow seem to miss about the whole "you knew someone was trying to assassinate me?" thing is that - whether you think that back in THMF Stolas noticed Stella or not - he still wouldn't have known about Striker's first attempt on his life due to. y'know. the nature of phone calls. Because the only thing that he could have heard is that Stella wants him dead*, not that Striker already tried to kill him once, and failed. Very obviously hence

*And like. Maybe he didn't take it seriously at the time, but I feel that the way he instantly looked at her in WE (with her looking back at him) after Striker directly attacked him was an indicator of him going "oh, you were serious". But whateverrr (that was the first attempt to him!!!!)

("I don't think you meant to hurt me, 'cause I don't think it meant I thing at all to you" was prompted by this. By Blitz's reticent ass. in denial ass. "I'm scared of Stolas being hurt, by others and by me. but that can't happen. surely it couldn't. look at him and at what he is. it's not a possibility if I don't consider it or mention it or think about it" ass. But Stolas doesn't know that, so what he inevitably gets out of this exchange is "oh, so Blitz thinks low of me and my wellbeing is inconsequential to him". And they make it a point to make it pretty noticeable that this is the point where Stolas starts pulling back, because it's here that he stops hearing Blitz and his fumbled attempts at explaining himself and his actions. His reaction would have been the same even if he had learnt about the first attempt on his life through other means, because the point would have still been the same: Blitz did not tell him anything)

[stars-obsession-pit]

I feel like the potential of different methods of treatment of Jason’s Lazarus Pit side effects in DPxDC fics is often underutilized.

Like, yeah, the crossover brings in more ghostly stuff that could help, but it’s contamination on his literal mind/soul (definitely soul in a DPxDC context, idk about in DC canon) brought on by an unnatural resurrection. At least to me, that feels like it should be significant.

Having Danny just reach in and pull it out or Frostbite treat it in a basic procedure feels almost… cheap?

Like, there’s absolutely nothing wrong with it being easy. Stories don’t need to go deeply into the soul healing process; if it’s not meant to be major plot point, it can absolutely be just a quick thing! I’m not trying to insult those stories at all!!

But I feel like there’s a lot of room for more complex or esoteric stuff in there to be explored!

Some ideas for such unique condition things under the readmore:

What if his “revenant” thing some fics use comes into play and the only way to remove it is to fully achieve his revenge? And if that’s the case, what if someone/something else kills the target of the revenge without his influence? Yeah, the person is dead now, he’s technically avenged, but he wasn’t the one to get the revenge. So does it still go away, or is he stuck with it? If he still has it, is it just permanent now or can he just find some other revenge method (ruining their legacy or etc) to break it?

Or oppositely, what if he literally can’t achieve that revenge or his body will die again, its mission complete. Thus, his only way to survive and remove the side effects is to smother all those vengeful urges until they fall silent. Which could make that “someone else kills the target unrelated to him” thing from the previous idea now the good ending - basically guaranteeing his survival since he can’t achieve the vengeance as easily now and can move on. Or maybe it’d be even worse as it forces him to move on regardless, dying randomly when the target of his revenge meets their comeuppance.

What if cycling out the corrupted ectoplasm is a long-term process of meditation (and/or emotional control) - something that takes up significant space in his life and forces him to plan/work around until it’s complete (reduced work hours, avoiding certain situations that might cloud his thoughts, etc)

What if he needs to obtain some sorts of special items/materials (either connected to his own life or more general ghost stuff) for a cleansing ritual, forcing him to go on some sort of quest(s) before he can perform it and recover

What if the tainted spots on his soul can’t be fixed, only excised, leaving other types of consequences for his mind/soul (some that will gradually disappear as the “incisions” heal, others that persist in the scars left behind)

What if the healing process requires him to go over his memories and smooth out the jagged emotional edges left by the Pit, and he isn’t experienced enough with ghostly matters to do on his own, so it forces him to get help from another ghost (and thus bare all his secrets to them)

What if the Pit Rage has to be fully pulled to the front - leaving him completely consumed by its control - before it can be literally fought back and suppressed

What if it can be healed only by taking pieces of healthy ghosts to patch him up - which’d require a lot of smaller ghosts (e.g. blob ghosts) or could potentially only need a couple if he’s willing to harm more intelligent ghosts for it (which Jason likely wouldn’t do, but he’s hardly the only person who’s been revived by the Pits…)