#all asha & kumar songs

[desifleabag]

Hello beautiful people out here!

I am Deepali. I am from Pune, Maharashtra. I am 21 years old (shaadi ki umar)

Desi fleabag? Because I relate the most with that specific character. Horny, messy, vulnerable, and crazy all the time but also considerate, expressive, and kind. I am a desi version of her.

🎀What I like? I like to dance, sing, journal, write poems and stories, and doom scroll all the time

📍Professional side of me

I did my bachelor's in philosophy. I have been working in an organization for quite a long time. I am a content writer. I am a writer/poet. I am an open mic performer. I have performed at esteemed platforms like tapeatale, poemsindia, kommune, and many more. I am a psychology and sociology student too. I am a co-facilitator and youth lead in different schools through my organization. I have worked on poetry anthology books.

The most important part of my life is being a poet or a writer. It's been a decade since I started writing, and professionally, it's been two years. My poetry and stories revolve around different and unique topics like mental health, family dynamics, feminism, societal norms and culture, romance, life intricacies, friendship, etc. I love being a poet and telling people stories about me and the world because I believe poetry is everywhere. I have a blog called Sip and Sofa Stories where I share the most wholesome blogs and fun-to-read stories.

Not much of a reader, but I like reading poetry by Sylvia Plath and more female writers.

💌 Movies and songs? I am a die-hard fan of Bollywood. I listen to 2000s Bollywood and retro songs. No one can challenge me the way I vibe on these songs and dance. My childhood is memorable because of Sunidhi Chauhan, Lata Mangeshkar, Kishore Kumar, RD Burman, Asha Bhosle, Sonu Nigam, Shaan, Arijit Singh, and many more artists. I also listen to Kpop, pop, indie type of music on days when I am dissociating at the fullest. Hold my clutcher, I am a Swiftie and Lana Del Rey fan too, bitch.

I love Bollywood movies, and I am yet to discover more Western movies. I have a bunch of comfort movies like Ye Jawani Hai Dewaani, Piku, Om Shaanti Om, etc.

🪕 My aesthetic type? A combination of Geet and Piku and a little bit of Poo vibe sometimes. But I love desi clothes. Kurti, jhumkas, bindi, bangles, oh god I love being a woman.

Interesting facts about me :

🌸I have three tattoos on my body (Crescent moon, "you're on your own kid" title, "grateful"). I love getting tattoos!!

🥃Loneliness who? I go to bars, cafes, and parks alone because why not. I fear no god.

💛I never was in a relationship, just some hardcore crushes who crushed my soul.

❤️‍🩹I have been in therapy for almost three years and on and off on meds. GAD (generalized anxiety disorder) gang assemble!

😶‍🌫️I love and hate spending time on LinkedIn. Girl boss era.

💬I write poetry about my crushes and defame my ex-friends. They know it very well! Lol.

I am a hopeless romantic and a professional delusional person. I will cook the best scenarios in my head and write about them. I romanticize life on another level though there are 156 rupees in my bank account by going to aesthetic cafes.

:¨ ·.· ¨:

`· . ୨୧⭒๋࣭ ⭑ 𝛢𝑛𝑑 𝑤ℎ𝘰'𝑠 𝑔𝘰𝑛𝑛𝑎 𝑘𝑖𝑠𝑠 𝘵ℎ𝑒 𝑏𝑟𝘰𝑤𝑛 ℎ𝑎𝑖𝑟𝑒𝑑 𝑔𝑖𝑟𝑙𝑠,𝑊ℎ𝘰'𝑠 𝑔𝘰𝑛𝑛𝑎 𝑤𝑖𝑝𝑒 𝑎𝑤𝑎𝑦 𝘵ℎ𝑒𝑖𝑟 𝘵𝑒𝑎𝑟𝑠? ⊹ ‧₊˚

🖇To connect with me

𖹭 kavitavali.deepali to read my poems and stories on instagram

𖹭 sip and sofa stories blog. I write monthly blogs

Thankyou for reading my long ass introduction! Flying kiss tumhai💋

[miss-conjayniality]

sitarist jay (drabble)

genre: fluff

pairing: jay x gn south asian!reader

word count: 610

warnings: none

A/N: in honor of all the holidays coming up (holi, vaisakhi, ramadan/eid, etc.), AND also my srk x jay post that sparked desi enha discourse, this one goes out to all my desi engenes!!!! 🫶🏼 happy holi!!!! happy vaisakhi a month in advance. and a ramadan mubarak to those who celebrate.

soft desi engene hours. could u just IMAGINE sitarist!jay and dholi!you!?!??? 🥺

jay is grateful to have a lover who hails from such a gorgeous, rich culture that spans millennia. and as any connoisseur of culture would say - music isn’t just part of culture….it is culture. he’s been playing guitar for many years now. and he wants to venture out into other stringed instruments. and what better way than learning the sitar?

jay enjoys the calming, soulful, and twangy sound of the sitar. it sends him into a trance and he feels completely immersed in a different world. despite it being “different” from what he’s done before, he believes that the language of music is universal - one felt within the heart first and foremost.

he holds a deep reverence for south asian music. be it nusrat fateh ali khan, kishore kumar, mohammed rafi, noor jehan, or asha bhosle, he feels the timeless, evergreen spirit of such compositions pulse within his soul.

watching him learn the sitar is an endearing sight. ethereal even! seeing the level of dedication he has towards mastering such an art form warms your heart. he wants to learn bhajans, shabads, and ghazals for you. all he wants in life is to express his love for you through music. just chillin’ in his kurtas with the sleeves rolled up and his sitar by his side, showing you the ravi shankar songs he’s learned so far.

on the other hand, he too admires you for your passion for percussion. jay loves your appreciation towards the different types of dhol. he fawns over the euphoric feeling you get when hitting every thappi and tiparu and the way you chant your DHAs and DHINs while doing so. jay also appreciates the way you treat your dagga and tilli sticks like they’re your babies. he loves the swingy sound of dhol beats and the swagger you exude while you play.

jay sometimes gets annoyed when you pester him with the sound of your loud ass dhol while he’s peacefully and calmly practicing his sitar. but he knows it’s out of love and good fun. it’s the desi equivalent of the percussionist kids in band disrupting the ones who play the wind and brass instruments. antics aside, jay appreciates the lively spirit and camaraderie that comes with these musical clashes, cherishing the shared moments of cultural exchange and musical banter.

in the end, these musical escapades become cherished memories, shaping jay’s musical journey with a touch of spontaneity and joy. the blend of dhol and sitar, once seemingly contrasting, transforms into a celebration of diversity within your shared love for music. as the two of you continue your artistic pursuits, jay realizes that the moments of lighthearted banter and cultural exchange have added a special rhythm to the soundtrack of your relationship - one of seismic adoration.

with each note played and every shared laugh echoing in the air, jay acknowledges that your artistic pursuits have not only strengthened your musical connection with each other, but have also deepened your bond with him. the rhythm of seismic adoration encompasses the highs and lows, much like the crescendos and decrescendos in your collaborative performances. through the language of music, your relationship thrives, creating a symphony of understanding, support, and shared passion that resonates far beyond the notes of your instruments.

[thecrazyinktrovert]

Love English music all you want, but NOTHING, I repeat NOTHING, hits harder than desi music. Like every single singer has their own trademark genre which they can execute PERFECTLY?? 

Can we talk about Arijit’s Mai gehra tamas tu sunehra sawera main tera in Kalank? 

or his Tum sath ho ya na ho kya fark hai, bedard thi zindagi bedard hai in Agar tum sath ho? 

or Tujh sang sukhi roti bhaye in Mast Magan? Ok leave that. 

Lets talk about Atif’s Khayalon me lakho baaten yun toh keh gaya, bola kuch na tere saamne in Tu jaane na?

or Rafta rafta tera hua, tere bin mai hu benishan in Tera hua?

or Tenu lakhan ton chhupa ke rakhaan akkhaan te sajaa ke tu ae meri wafaa, rakh apna bana ke main tere layi aan yaara in Dil Diyan Gallan? Ok leave that

Let's talk about KK's Chaand Teri roshni ka halka sa ek saaya hai in Ajab Si?

Or dil kyun yeh mera shor kare, idhar nahi udhar nahi teri orr chale in Dil Kyu Yeh Mera?

Or lut Gaye hum teri mohabbat me in Tadap Tadap? Ok leave that.

Let's talk about Jubin Nautiyal's tum se jo mil gaye, Mausam khil gaye, khudse ladne Lage hum sawarne lage in sawarne lage?

Or Mausam mohabbaton ke, lamhe ye chahaton ke apne liya bane hai maan le in Gazab ka hai din?

Or tere bina main na rahu mere bina tu in raatan lambiyan? Fine, leave that as well. 

Lets talk about Shreya Ghoshal's kaise huzurji ye lab dikhlaaye, chuppi lagake bhi gazab hai yeh dhaye in saibo.

Or Ye ishq haaye baithe bithaaye jannat dikhaye hain in ye ishq?

Or Dil bharta nahi, aankhen rajjti nahi, chaahe kitna bhi dekhti jaaun, waqt jaaye main rok na paaun in Thodi Der?

And DO NOT get me started on Mohammad Rafi, Kishore Kumar, Lata Ji, Asha ji and Sonu Nigam. Desi songs are peak lyrics, romance, emotion and vocals. You're straight up wrong if you think ANYTHING can beat that. I love Taylor, 1D and all, but Hindi songs? Absolutely unmatched!

Comment/reblog you favourite lyrics below!

[orgasming-caterpillar]

DOYH: Music Taste

Ranveer Kashyap

classical music is life (both Hindustani and Carnatic)

Lata Mangeshkar, Muhammad Rafi and Kishore Kumar fanboy to the core

will occasionally turn on a qawwali (doesnt want to admit that he's obsessed)

is very picky in english songs, but likes Hozier, Sleeping At Last, and Frank Sinatra

Raghav Patil

knows how to play acoustic and electric guitar

had a rock/punk phase in high school (only with music tho) and still likes them

boy's got Arctic Monkeys and Mother Mother in his blood

fell in love with retro bollywood music after he plugged into one of ranveer's playlists

he is… SO DRAMATIC. Like,, Rahat Fateh Ali Khan level of dramatic. Played Zaroori Tha in his head while crying in chapter 17

Madhuri Gaikwad

oh she's THAT girl

has a beautiful voice, wants to be like her favorite (Asha Bhosle)

can recite every hindi item song by heart, especially old bollywood ones. Chikni chameli? Ek do teen? Badi mushkil? Chane ke khet mein? She knows them all.

surprisingly, she also knows a lot of aartiyaan and mantras, catch her singing Madhurashtakam at any time of the day.

Manorama Shankar

MARWADI SONGS

is lowkey embarrassed by them usually, but push her onto the dance floor in a rajasthani wedding, and she's killing it on every single beat.

has a gym playlist

has a whole playlist of bollywood loverboy songs for madhuri, sings them at random times to make her blush

Shrishti Kaur

HOZIER LESBIAN

mitski too

hates mainstream bollywood songs

likes hard vocals, more for practicing than for listening because she likes pushing her limits

[nyctophile-moi]

intro post:

(dividers by the incredible @saradika)

★nyc ★(she/her) ★19 ★bookworm ★love enthusiast

✰got lovesick all over my bed✰

hello hello hello! welcome to my little corner of the internet on this hell site (said with all the love i swear <33). this blog is essentially a dumping ground for all my scattered thoughts and rambles, along with things I find relatable. well, it's mostly about things i find relatable tbh. i'm very sentimental and a little bit mentally unstable so.. okay who am i kidding? very mentally unstable so some breakdowns might be in order. also f**k jkr!!

➟ basic info :

•asian •19 •bilingual •funny (please let me have this) •scorpio (still skeptical with my belief) •"love" lover •adhd haver(?) •anxious always •oversharer •flirt •coffee addict •eldest daughter •gifted kid burnout •trying to be a woman in STEM •overthinker (just give me a degree in that atp) •sarcastic af •you'll be surprised to know how much stuff i have not watched •will read anything except non-fiction •queer •cannot deal with confrontation •may oftentimes make inappropriate jokes •procrastinator (another degree right there) •easy to please •gets obsessed with things pretty easily •will shit talk with you all you want •overanalyser •pinch of grammar nazi sometimes •pathological people pleaser who doesn't want anyone to see her •may get over shit quite fast •has a new crush everyday •23 wives and counting •if we're mutuals we're besties already

➟ interests :

•people •music •books •playing guitar •making people listen to songs i like •ranting about anything and everything •making my own theories about stuff •character analysis •poetry •classics especially •rewatching the same four shows over and over again •keysmashing •eating food •making playlists •scrolling on pinterest/tumblr •sleeping •researching random shit on the internet •maths •computer science •hating physics (i'm sorry it sucks) •plotting revenge (which i'll never be following through with) •spending a tonne of my time looking at expensive aesthetic clothes that i can never afford •looking at pictures of renee rapp and asking them (read: her) to marry me over and over •collecting wives (okay i'm sorry wifeys that sounds very objectifying ilysm) •going over conversations that have already happened in my head and making myself sound better •yearning

➟stuff i love :

»music

•taylor swift •maisie peters •lana del rey •gracie abrams •niall horan •julien baker •phoebe bridgers •lucy dacus •boygenius •the 1975 •olivia rodrigo •renee rapp •arctic monkeys •lizzy mcalpine •hozier •chappell roan •ed sheeran •the neighbourhood •cigarettes after sex •billie eilish •the national •bon iver •sabrina carpenter •girl in red •lorde •ariana grande •5 seconds of summer •conan gray •ricky montgomery •the lumineers •bleachers •shreya ghoshal •arijit singh •ar rahman •shankar-ehsaan-loy •mohit chauhan •sanam •md rafi •kishore kumar •lata mangeshkar •asha bhosle •mukesh •pankaj udhas •jagjit singh •pritam

»books

•book lovers •beach read •happy place •people we meet on vacation •the picture of dorian gray •pride and prejudice •emma •sense and sensibility •wuthering heights •the diary of a young girl •the murder of roger ackroyd •and then there were none •the fault in our stars •i fell in love with hope •the harry potter series •the seven husbands of evelyn hugo •heartstopper •boyfriend material •murder on the orient express •the mysterious affair at styles •the kiss quotient etc. etc.

(can you tell i have a versatile taste? also, emily henry is my auto-buy author and agatha christie is the queen of crime. hercule poirot is the better detective. argue with the wall pls.)

»movies/shows

•brooklyn nine-nine •friends •never have i ever •love, victor •fleabag •dead poets society •the theory of everything •bridgerton •poor things •derry girls •barbie •la la land •harry potter movies •red, white and royal blue •enola holmes •mean girls •legally blonde •the princess diaries •emma •pride and prejudice •heartstopper •little women •k3g •any srk movie basically •badhai do •shubh mangal zyada savdhan etc. etc.

➟DNI - racists, ableists, ED-promoting blogs, pedophiles, people younger than 13, empty/untitled blogs (y'all might be bots idk), jkr supporters/anyone affiliated with jkr, haters, zoophiles, anti-palestinians, misogynists/misandrists, fatphobes, homophobic people, transphobes, xenophobes etc. and anyone else who fits into that majority!!

(thankyou for reading all of that, can't believe i wrote it <33)

[desicinema20]

"The Magic of Music in Desi Cinema: How Songs Define the Soul of Indian Films"

Introduction: No other film industry in the world celebrates music as much as Desi Cinema. Whether it's the grand, orchestrated musical numbers of Bollywood or the soulful ballads in regional films, music is the heartbeat of Indian cinema. In this post, we'll take a deep dive into how music has shaped and defined desicinema, from its early beginnings to modern-day hits.

The Role of Music in the Golden Age:

The 1950s and 1960s were a defining period for Indian film music. Music directors like S.D. Burman, Shankar Jaikishan, and Naushad composed melodies that became immortal. Songs from films like Mughal-e-Azam (1960), Awaara (1951), and Pyaasa (1957) didn’t just complement the narrative but enhanced the emotional depth of the story.

The early Bollywood musicals were often built around the songs themselves. Bollywood songs became a language in their own right, often conveying emotions too complex to be expressed through dialogue. Lata Mangeshkar and Kishore Kumar, the voices of the era, gave life to these songs, making them iconic.

The '70s and '80s: The Rise of Disco & Playback Singing:

The 1970s and 1980s saw an interesting shift in Bollywood’s musical landscape. Disco music entered the scene with tracks like I’m Your Baby Tonight from The Burning Train (1980) and Disco Dancer (1982), marking a more international sound. Meanwhile, playback singers like Kishore Kumar, Mohammad Rafi, and Asha Bhosle dominated the scene, creating songs that were as iconic as the films themselves.

In the 1980s, films like Sholay (1975), Amar Akbar Anthony (1977), and Qurbani (1980) brought forward energetic numbers that resonated with the masses, giving Bollywood a new sound. But it wasn’t just the music; the choreography, the costumes, and the setting also came to define the genre. The popularity of the "item number" emerged around this time, a tradition that continues to define Bollywood today.

The '90s: The Era of Romance and Soundtracks:

The 1990s were marked by an explosion of musical blockbusters. The classic pairing of melodious love songs with visual grandeur became a hallmark of Bollywood during this period. Composers like Jatin-Lalit, Nadeem-Shravan, and A.R. Rahman introduced a range of sounds, from the soulful romantic ballads of Dilwale Dulhania Le Jayenge (1995) to the more contemporary pop-infused melodies of Dil Se (1998).

A.R. Rahman, in particular, revolutionized the industry with his fusion of Western and Indian music, creating scores that broke conventional barriers. His iconic work in Roja (1992) and Taal (1999) not only changed the music industry but also brought a new era of musical experimentation in Indian films.

Modern Day: The Fusion of Genres and Global Influence:

Today, Desi Cinema is characterized by a mix of traditional music with international styles. Composers like Pritam, Amit Trivedi, and A.R. Rahman continue to dominate the soundscape, but the influence of global genres like hip-hop, rap, electronic dance music (EDM), and even reggaeton can be felt in contemporary tracks. Bollywood soundtracks now embrace a wider range of genres, reflecting the evolving tastes of global audiences.

The rise of digital music platforms like Spotify and YouTube has made desicinemas film music more accessible than ever before, allowing audiences to discover and enjoy songs from all over India. In the past decade, regional cinema has seen a rise in musical experimentation as well, with composers like Ilaiyaraaja (Tamil).

Conclusion:

Music is the lifeblood of Desi Cinema. It’s what makes us laugh, cry, and dream alongside our favorite characters. From the majestic orchestral compositions of the 50s to the pulsating beats of today, the role of music in Indian cinema cannot be overstated. In Desi films, music is not just a background element—it’s an essential part of the narrative, blending seamlessly with the story to create an experience that is distinctly Indian, yet universally relatable. Whether you're humming a tune from a Bollywood blockbuster or tapping your feet to a Tamil chartbuster, music continues to be the soul of Indian cinema.

[86kime]

From the enchanting melodies of the 1950s to the soulful tunes of the 1990s, our collection of a to z mp3 old hindi songs free download offers a nostalgic journey through India's cinematic history. Relive the golden era of Bollywood with timeless classics by legendary artists like Lata Mangeshkar, Kishore Kumar, Mohammed Rafi, and Asha Bhosle. Indulge in the romantic ballads, peppy dance numbers, and poignant gazals that have stood the test of time. Immerse yourself in the rich cultural tapestry of India with our curated selection, all available for free download. Experience the magic of vintage Bollywood music like never before.

[waheedawolf]

Lata Mangeshkar was one of the most important musicians in modern (i.e. post-independence) India, and I'm saying this as a kind of non-fan (there rlly is no way to completely be a disliker of her music or disinterested in her work at all for a majority of Indians). She and her family were the most prominent musician family in Marathi and Hindi cinema up till a decade and a half ago. This woman near completely defined the sound of cinema for multiple generations of people throughout the Indian subcontinent and the *world*. She was in the Guinness Book of World records before being replaced by her sister Asha Bhosle, as the most recorded artist in history. She recorded like 50,000 songs in FOURTEEN different languages AND was an occasional music composer along with being the most celebrated female playback singer of her time. She and her sisters were singing playback for actresses decades younger than them up till her death. Here are a few of my favourite songs and music videos featuring her!

(👆🏼in Marathi)

(👆🏼in Hindustani)

Brigitte Bardot (1934-) solo - primarily an actress Songs: "La fille de paille," "Soleil de ma vie" Propaganda: "She did one song of questionable quality, but we're not here to talk music, we're here to talk hotness and she was a sex symbol for a reason!"

Lata Mangeshkar (1929-2022) solo Songs: "Aayega Aanewaala," "Dil Mera Toda, Mujhe Kahin Ka Na Chhora" Propaganda: "She was absolutely stunning in her youth" "She's a really important musician in India!"

Visual Propaganda for Brigitte Bardot:

Visual Propaganda for Lata Mangeshkar:

[shankarjaikishanfansassnintl]

Remembering screenplay writer/ lyricist Vrajendra Gaur on his death anniversary.

Shankar Jaikishan and Vrajendra Gaur, a Very Good Association

The extremely successful Shankar Jaikishan and the prolific dialogue and screenplay writer, lyricist, Vrajendra Gaur came together in 1960 and worked for seven movies in fifteen years. Everyone of the movies had very good screenplay and dialogues with excellent music.

Singapore (1960): Produced by F. C. Mehra, the movie was directed by Shakti Samanta. Vrajendra Gaur wrote the dialogues. Shammi Kapoor and Padmini acted in the lead with the title song filmed on the Malay Beauty Queen, Maria Menado. There are eight songs in the album. Shailendra and Hasrat wrote four songs each. Lata sang three solos and three duets with Rafi, with Mukesh singing one solo. The movie had a successful run.

Pyar Mohabbat (1966): The movie was produced and directed by Shankar Mukherjee. Vrajendra Gaur wrote the dialogues. Dev Anand was cast opposite Saira Banu. There are nine songs in the album. Shailendra wrote five songs and Hasrat four. Rafi sang two solos and two duets, one with Asha and the other with Manna Dey. Sharda sang two solos with Lata and Asha singing a solo each. The latter also sang two duets, one with Rafi and the other with Usha Mangeshkar. Although the music was very good, sadly, the movie did not fare well at the box office.

Duniya (1968): The romantic thriller was produced by Amarjeet. Vrajendra Gaur and K. A. Narayan wrote the screenplay. It was directed by T. Prakasa Rao. Dev Anand and Vyjayantimala were cast in the lead. There are six songs in the album. Hasrat wrote three songs while ashailendra, Neeraj and S. H. Bihari wrote a song each. Rafi sang three solos, Asha sang a solo and a duet with Kishore Kumar. Mukesh and Sharda sang a duet. It had a good run at the box office.

Lal Patthar (1971): F. C. Mehra produced the movie, a remake of a Bengali movie by the same name. The dialogues are by Vrajendra Gaur. It was directed by Sushil Majumdar. Raj Kumar, Hema Malini, Vinod Mehra and Raakhee played the key roles. There are six songs in the album. Neeraj wrote three songs, Hasrat two and Dev Kohli wrote one. Asha sang three solos and a duet with Manna Dey, with Rafi and Kishore Kumar singing one solo each.

Jaane Anjane (1971): The movie was produced and directed by Shakti Samanta. Vrajendra Gaur wrote the dialogues. Shammi Kapoor and Leena Chandavarkar are cast in the lead. There are seven songs in the album. There are seven songs in the album. Hasrat wrote four songs, S. H. Bihari two and Gulshan Bawra wrote one. Lata sang a solo and a duet with Rafi. Asha, Kishore Kumar and Sharda sang a solo each, while Suman Kalyanpur sang a duet with Manna Dey. The movie did reasonably well at the box office.

Jangal Mein Mangal (1972): The movie was produced and directed by Rajendra Bhatia. Vrajendra Gaur wrote the dialogues. Kiran Kumar and Reena Roy played the lead roles. There are seven songs in the album. Hasrat and Neeraj wrote all the songs together. Asha sang three solos and a duet with Usha.Kishore Kumar sang two solos and a duet with Rafi.

Resham Ki Dori (1974): T. C. Dhawan produced the movie and Atmaram directed it. The dialogues were by Vrajendra Gaur. Dharmendra was cast opposite Saira Banu. There are six songs in the album. Indivar wrote three songs, Neeraj two and Hasrat wrote one. Asha sang two songs, a solo and another with a chorus. Rafi, Manna Dey, Suman Kalyanpur and Kishore Kumar sang one solo each. Indivar, Shankar Jaikishan and Suman Kalyanpur received Filmfare Award nominations for Best Lyricist, Best Music Director/s and Best Female Playback Singer. The movie ran well at the box.

Although their movies together did very well, Shankar Jaikishan and Vrajendra Gaur parted their ways.

Seen in the picture below are (L-R): Shankar, Shanker Mukherjee, Vrajendra Gaur and Shailendra at the recording of a song for Pyar Mohabbat.

Photo courtesy: Suneel Gaur

[theechudar]

Saregama: Saregama launches LP vinyl record collection of legendary artists

Saregama has brought the nostalgia of the golden era of Bollywood music with the launch of its LP vinyl record collection. Featuring iconic songs by legendary artists such as Lata Mangeshkar, Kishore Kumar, Mohammed Rafi, and Asha Bhosle, these vinyl records are a treat for music enthusiasts of all generations. The music of these legends has made an immense contribution to Indian music and…

[anantradingpvtltd]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] GEETMALA began as a half hour radio show in December, 1952. Seven outstanding film songs were randomly selected and featured in a competition format, with a jackpot of Rs. 100/- each week.Ameen Sayani, who presented "Geetemala" for all its 45 years on radio, has narrated the story of the programme's phenomenal success in Volumes 1 to 5 of this unusual CD and Cassette series: "Geetmala Ki Chhaon Mein". Volumes 6 to 10 take the story of "Geetmala" forward in an unusual format, peppered with amusing anecdotes, heart-warming nostalgia and immortal songs- particularly the beautiful numbers that trailed somewhat behind the chart-toppers.Ameen has also added to each volume some interestingly relevant interview snatches of popular filmstars, hit directors and top-notch music personalities.Volume 6 features Ameen's first visit to the fascinating radio ceylon in Colombo, where "GEETMALA" began in 1952. Vol 6 also covers the music of 1956, and includes the voices of B.R.Chopra, Pran, Begum Akhtar, Vasant Desai and Raj Khosla.Volumes 7 and 8 bring you the memorable melodies of 1957 and an exciting report of the grand stage function where volumes 1 to 5 were released. And the "Stars": Raj Kapoor, Waheeda Rehmaan, Ajit, Naushad, Madan Mohan, Kishore Kumar, Asha Bhosle and Mohan Sehgal.Volumes 9 and 10 bring back the "smash hits" and "golden misses" of 1958. Also, Vol. 9 features Ameen Sayani's own love story, linked with the songs you've loved! Vol. 10 has some interesting feedback, too. Also meet: Sunil Dutt, Mehmood, Ameeta, Jagdeep - and Shakti Samanta, Sohrab Modi, Majrooh, Gulzar.Listen to each volume right through- it will sound like a scintillating episode of the legendary "Geetmala" radio show! Is Discontinued By Manufacturer ‏ : ‎ No Package Dimensions ‏ : ‎ 19.81 x 13.72 x 3.05 cm; 200 Grams Manufacturer ‏ : ‎ Saregama, Sony Dadc Studio ‏ : ‎ Saregama ASIN ‏ : ‎ B002TLWV0A Country of Origin ‏ : ‎ India Number of discs ‏ : ‎ 5 Item Weight ‏ : ‎ 200 g [ad_2]

[digitalindianewschannel]

MV INTERNATIONAL CELEBRATES ANNUAL DAY

MV International School celebrated its 16th Annual Function “Zest-2022” with phenomenal enthusiasm and zeal at General Zorawar Singh Auditorium, University of Jammu today. Dr. Ravi Shanker Sharma, KAS-Director School Education Jammu presided over the function as Chief Guest. Sh. Keshav Dutt Sharma, Chairperson DDC Samba was the Guest of Honour; DDC members of District Samba namely Sh. Balwan Singh, Vice Chairperson, DDC Samba; Ms. Asha Rani, DDC member - Bari Brahmana - A; Ms. Sureiya Begum, DDC Member - Bari Brahmana - B; Sh. Suresh Kumar, DDC Member - Ghagwal; Sh. Kartar Chand, DDC Member - Nud; Sh. Avtar Singh, DDC Member - Purmandal; Ms. Asha Rani, DDC Member - Rajpura; Sh. Sarbjit Singh Johal, DDC Member - Ramgarh - B; Ms. Anita Choudhary, DDC Member - Ramgarh - C; Sh. Romesh Chander, DDC Member - Samba - A; Sh. Subash Chander, DDC Member - Samba - B; Sh. Sudershan Singh, DDC Member - Vijaypur - A; Ms. Shilpa Dubey, DDC Member - Vijaypur - B were also present during the august celebration as the Special Guests. Sh Hira Lal Abrol, Chairman; Smt Savita Abrol, Vice Chairperson; Directors Mr Gourav Abrol & Mrs Aakriti Abrol and Mr Kundan Lal Dogra, Principal of the school along with parents of the students graced the occasion by their presence. Awards worth Rupees Seven Lakh (₹7,00,000/-) were presented to the merit performers in academics and co-curricular activities. Seven (7) Asus Laptops were presented to meritorious students of class 12th who scored above 95% marks in CBSE examinations. Fifty Three (53) Smart Watches were presented to 90% and above scorers in CBSE results of classes 10th & 12th.

The cultural program commenced with ‘Lighting of Ceremonial Lamp’ and divine invocation of Lord Hanuman by students from class 8th. Parishek Mahajan-Head Boy & Haridhika Chadgal-Head Girl welcomed the guests. Mr Gourav Abrol Director, MVIS shared the glorious journey of MV International School and thanked the guests and parents for their whole-hearted support in all endeavours of the school. Chairman of school Sh. Hira Lal Abrol shared his message to inculcate moral values and respect for elders, he appreciated the hard work of students and staff in creating the success story of the school. The cultural program ZEST-2022, suitably celebrated all shades of Indian culture. Stage was set into action by chauvinistic vigour by students of class 7th to pay ‘Tribute to Defence Forces’; LKG & UKG students brought the glimpse of ‘Super Heroes for the Avengers’ on the stage. Super highlight of the event was a heartwarming performance by the students and their mothers from-Pre Nursery to LKG who stunned the audience by their synchronised dance on the song ‘Dil hai Chota Sa’. Diversity of Indian Culture was depicted by classes 5th & 6th in the event ‘Incredible India’. Dance by specialist students from class 8th in the glow of UV lights attracted everybody's attention; foot-tapping ceaseless ecstasy by classes 1st & 2nd was displayed to connect the Bollywood to Hollywood; indomitable MVEANS from class 4th shared physical fitness mantra through sports, yoga and self defence; ingenious artists of the school created a speed painting by their group performance in a thrilling speed. Music studio presented a fusion of Dogri, Sanskrit, Classical & Western music which was followed by message on cleanliness by class 3rd; grand finale of the presentation was a ‘Tribute to Sidhu Moosewala’ by classes 9th & 11th by their ‘Bhangra Dominion’.

School Principal, presented the Annual Report and shared achievements and successes in academics and co-curricular activities. Special felicitation ceremony was organized to felicitate fourteen (14) passed out students who have taken up admission in IITs, BITS Pillani, AIIMS, Delhi University and Honours/Integrated courses after clearing the prestigious entrance exams for higher studies. Another set of twenty (20) achievers of International / National level sports and co-curricular activities were felicitated during the ceremony. The Maestros House lifted Rolling Trophy for being the Best House in CCA and The Victors Best House won the Rolling Trophy for being the Best House in Sports for the session 2022-23.

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Chief Guest and the Guest of Honour gave away the prizes to the meritorious performers. Dr. Ravi Shanker Sharma in his address complimented the school for putting up such a spectacular show, he made a special mention of the mother’s dance performance which they presented along with their children. He expressed his satisfaction over the cultural diversity presented by the students during the program. He added that the program was a display of the holistic development that every school system should provide, he lauded the school management for setting up a fine institution in his own home town Samba. Guest of Honour Sh. Sh. Keshav Dutt Sharma appreciated the efforts of MVEANS for grand display of skills and praised the school for extraordinary work that they are doing to raise the education standard of Samba district, he thanked the parents for coming in large numbers.

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Lyrics Pyar Me Dil Pe Maar De Goli

Lyrics Pyar Me Dil Pe Maar De Goli

Lyrics in Hindi | Pyar Me Dil Pe Maar De Goli | Mahaan-1983 | Amitabh Bachchan, Zeenat Aman Pyar Me Dil PeMaar De GoliLe Le Meri JaanPyar Me Dil PeMaar De GoliLe Le Meri JaanO Jaan-E-JahaanMar Kar Bhi YahaanTera Peechha ChhodoonNa (5) HoPyar Me Dil PeMaar De GoliLe Le Meri JaanO Jaan-E-JahaanMar Kar Bhi YahanTera Peechha ChhodoonNa (5)Pyar Me Dil PeMaar De GoliLe Le Meri Jaan………….. Antakshari…

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WATCH DEFINITELY - KHAIKE PAAN BANARAS WALA - KISHORE KUMAR SONG COVER- ICONIC SONG OF AMITABH BACHCHAN- SMITA S

WATCH DEFINITELY – KHAIKE PAAN BANARAS WALA – KISHORE KUMAR SONG COVER- ICONIC SONG OF AMITABH BACHCHAN- SMITA S

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Just as the fragrance of a flower has no colour, just as flowing water or a breeze have no boundaries, and just as the rays of a rising sun or a smile of an innocent child has no religious divide, so is the voice of Lata Mangeshkar - a true miracle of nature.

- Dilip Kumar

Lata Mangeshkar passed away on 6 February 2022.

Lata Mangeshkar, also known as the 'Nightingale of India', was one of the most versatile singers in the Indian film industry. Lata was born on September 28, 1929, to classical singer and theatre artist Pandit Deenanath Mangeshkar and Shevanti in Indore, Madhya Pradesh. Her father started teaching her music at an early age. By the time she was five, Lata was seen participating as an actress in plays written by her father. Her siblings  - Meena, Asha, Usha, and Hridaynath - are all accomplished singers and musicians. In a career spanning nearly eight decades,

Lata Mangeshkar was the singing voice for a bevy of Bollywood leading ladies. She lent her voice to over 5,000 songs in over a thousand Hindi and 36 regional films. She had an unprecedented impact on Indian film music. Since 1942, Lata pushed back the boundaries of music with her mind-boggling skills. Over the years, Lata had sung for actresses from Madhubala to Priyanka Chopra. Best known for her versatile voice quality, she recorded albums of all kinds (ghazals, pop, etc). When I was growing up in India as a child I listened to her songs a lot. Because she could be heard everywhere - on the buses, on the taxis, and on the streets - she was hard to ignore. All my Indian school friends and I would listen to her latest songs even if we would quickly forget from which Bollywood movie it came from. She was the voice of the whole of the Indian subcontinent. They may fight each other for political reasons but all South Asians were united in their appreciation of her songs which invoked feelings across the emotional spectrum from sadness to joy.

RIP Lata Mangeshkar (1929-2022)