#Hindi Songs of 1983

[odnewsin]

'Naino Mein Sapna...' Jeetendra recreates iconic steps with Rakesh Roshan on 50th wedding anniversary; watch

Bollywood’s veteran actor Jeetendra needs no introduction. He carved a niche for himself with his acting, style and dance. For his energetic dance in Farz, he earned the sobriquet of ‘Jumping Jack’. Among many songs, ‘Naino Mein Sapna, Sapnon Mein Sajna…’ from the 1983 Hindi film Himmatwala remains a favourite of fans to date. This hit chartbuster of the era featuring Jeetendra and Sridevi still…

[musicverse11]

Bappi Lahiri’s Collaborations: A Melodic Journey with Legends

Bappi Lahiri, often referred to as the “Disco King” of India, holds a special place in the hearts of music lovers across the globe. A pioneer in introducing disco music to Bollywood, Bappi Lahiri’s unique style redefined the Indian music scene in the 1970s and 1980s. Known for his peppy beats, iconic melodies, and vibrant persona, he left an indelible mark on Indian cinema and music. This article explores his journey, his contributions to the world of music, and the legacy he has left behind.

Early Life and Musical Beginnings

Born Alokesh Lahiri on November 27, 1952, in Jalpaiguri, West Bengal, Bappi Lahiri grew up in a musically enriched family. His father, Aparesh Lahiri, was a renowned Bengali classical singer, while his mother, Bansari Lahiri, was well-versed in classical music and Shyama Sangeet. Surrounded by music, Bappi started learning the tabla at the tender age of three, showcasing a natural flair for rhythm and melody. It was clear early on that he was destined for a life immersed in music.

Bappi drew inspiration from global music trends, particularly Western pop and disco, which were gaining popularity during his youth. This influence would later define his career and establish him as a trailblazer in Bollywood music.

Rise to Stardom in Bollywood

Bappi Lahiri’s Bollywood journey began in the early 1970s when he composed music for the Bengali film Daadu in 1972. He soon transitioned to Hindi cinema, making his debut as a music director in the film Nanha Shikari (1973). However, his breakthrough came with the 1975 movie Zakhmee, where he not only composed the music but also lent his voice to a few tracks. The songs from this movie became instant hits, showcasing his ability to create memorable melodies.

It was during the late 1970s and early 1980s that Bappi Lahiri truly rose to prominence. Films like Chalte Chalte (1976) and Disco Dancer (1982) cemented his reputation as a hitmaker. The song “Chalte Chalte Mere Yeh Geet Yaad Rakhna” became a timeless classic, while “I Am a Disco Dancer” became an anthem for a generation. His ability to infuse Indian melodies with Western disco beats created a distinct sound that was both innovative and appealing.

The Disco Era and Iconic Contributions

Bappi Lahiri is best remembered for ushering in the disco revolution in India. During the late 1970s and early 1980s, he introduced the high-energy, danceable beats of disco to Bollywood, making the genre a household name. His soundtracks for movies like Namak Halaal (1982), Sharaabi (1984), and Himmatwala (1983) were filled with catchy tunes that quickly climbed the music charts.

Songs like “Pag Ghunghroo Bandh,” “Yaar Bina Chain Kahan Re,” and “Jimmy Jimmy Aaja Aaja” became instant classics. His innovative use of synthesizers, drum machines, and electronic instruments gave his compositions a modern edge. These tracks weren’t just songs; they were cultural phenomena that defined an era in Indian cinema.

Collaborations and Versatility

While Bappi Lahiri is often celebrated as the Disco King, his musical repertoire extended far beyond disco. He was a versatile composer who collaborated with legendary singers like Kishore Kumar, Mohammed Rafi, Lata Mangeshkar, and Asha Bhosle. Each collaboration brought out a different facet of his musical genius.

One of his most memorable collaborations was with Kishore Kumar, with whom he created evergreen hits like “Chalte Chalte” and “Pag Ghunghroo Bandh.” Bappi Lahiri’s ability to blend Western influences with traditional Indian music showcased his range as a composer.

Achievements and Global Recognition

Bappi Lahiri’s contributions to music earned him recognition not just in India but globally. In 1986, he set a Guinness World Record for recording more than 180 songs in a single year, a testament to his prolific output. His song “Jimmy Jimmy Aaja Aaja” gained international acclaim, becoming a hit in countries like Russia and China and even being featured in Hollywood productions.

His work transcended linguistic and cultural boundaries, making him one of India’s first music directors to gain a global audience. Bappi Lahiri also contributed to the soundtracks of several international films, further cementing his status as a global music icon.

The Man Behind the Music

Beyond his music, Bappi Lahiri was known for his larger-than-life persona. His love for gold jewelry, flashy outfits, and sunglasses became his signature look, making him a style icon of his time. This flamboyant image complemented his vibrant music and endeared him to fans worldwide.

Despite his fame, Bappi remained a humble and dedicated musician, always striving to push the boundaries of his craft. His passion for music was evident in every composition, and his ability to adapt to changing trends kept him relevant over the decades.

Legacy and Influence

Bappi Lahiri’s impact on Indian music is undeniable. His innovative approach to music paved the way for future generations of composers to experiment with new sounds and genres. Many contemporary music directors credit Bappi Lahiri as an inspiration for their work.

Even after his passing in February 2022, his music continues to resonate with audiences. His timeless melodies, infectious beats, and groundbreaking innovations have left a legacy that will be cherished for generations to come.

Conclusion

Bappi Lahiri journey from a young tabla player in West Bengal to the Disco King of Bollywood is a story of passion, innovation, and relentless dedication to his craft. His ability to create music that transcended genres, languages, and generations is a testament to his genius. As we celebrate his life and legacy, it is clear that Bappi Lahiri will forever remain an integral part of India’s musical heritage.

[atplblog]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] Record Details Title - Dipankar Sen Gupta – Hindi Film Songs On Hawaiian Guitar – 2393 932 Artist - Dipankar Sen Gupta, Abhijit Paul, Ashis Gupta, Sumanta Dutta, Amar Laha, Asit Dey, Debkumar Goswami, Biddyut Roy, Tapan Roy, Pradip Majumder, Prosnata Das Instrument - Strings, Bass, Keyboard, Synthesizer, Drum & Percussion Music - Rahul Dev Burman, Bappi Lahiri & Ravi Album Releasing Year - 1983 Manufacturing Year - 1983 Side One · Bachke Rahena Re Baba (Pukar) · Tujhse Naraz Nahin (Masoom) · Na Jane Maine Kya Kaha (Love In Goa) · Aeri Pawan (Bemisal) · Goron Ki Na Kalon Ki (Disco Dancer) · Dil Ke Arman (Nikaah) Side Two · Wah Wah Khel Shuru (Himmatwala) · Fever (Love In Goa) · Kahi Na Ja (Bade Dilwala) · Maine Tujhe Kabhi Kutch (Yeh Wada Raha) · Ava Ava (Disco Dancer) · Mohabbat Karnewalon Ko (Lover’s) ASIN ‏ : ‎ B0CCSB3YT8 Country of Origin ‏ : ‎ India Net Quantity ‏ : ‎ 1.00 count [ad_2]

[nsfwhiphop]

Incoming Text for @priyankachopra :

Hey Priyanka,

Fun fact—I was born in Somalia in 1981 but spent my early childhood in Pune, India. At the age of three, I was sent there for kindergarten and stayed for the first ten years of my life. I spoke the Indian language, I picked up Hindi and learned English during my time in Pune, specifically at Pinewoods International High School & Junior College in Panchgani, Maharashtra. It's a boarding school run by the Mahatma Laxmanji Arya Educational Public Charitable Trust, established in 1986 and accredited by various educational boards.

Click on this link: https://www.mypaathshala.in/school/pinewoods-international-high-school-junior-college/

If you ever get the chance, you should contact them. Maybe they'll even have photos of me and my little brother from back then! They used to teach us Karate lessons in the schoolyard on Sundays—a memory I cherish deeply. Pune and Panchgani hold a special place in my heart for those formative years.

I repeat, I said call them:

If you ever get the chance, you should contact Pinewoods International High School & Junior College in Panchgani. Ask them to show you the records of Somali children who studied there in the 80s. Who knows, maybe you'll find some information and, with luck, even a few pictures!

Here are pictures of the Sydney point in Panchgani, take a look, click on the link:

https://www.tripadvisor.in/Attraction_Review-g297653-d3726656-Reviews-Sydney_Point-Panchgani_Satara_District_Maharashtra.html

I have more memories to share! As a kid, our school teachers used to take us on walks in a long line, all of us trailing behind them, to a mountain Sydney Point in Panchgani. It was our chance to breathe in some fresh air and take in the beautiful surroundings.

Another interesting tidbit I remember is when there was a movie shoot in Panchgani. It was Bollywood actor Govinda filming scenes for a new movie. I was quite young at the time, so I don't recall the movie itself, but I'll never forget Govinda's name and seeing a movie being made in those scenic Panchgani mountains.

Being at a boarding school, I have countless fond memories from my childhood there. Panchgani holds a special place in my heart for all those fun times.

Speaking of songs and music from my childhood, "Jooma Chumma De De" by Amitabh Bachchan was a big hit back in 1992 when I was in Bombay, India. I remember singing along to that catchy tune—it was quite popular at the time.

Around that same period, Michael Jackson's album "Dangerous" was released, and one of the memorable music videos was "Black or White." It made quite an impact on me.

Those were definitely vibrant times in the Indian music scene!

Here's another fun fact: Guess where I watched the movie 'Coming to America' with Eddie Murphy when it was released in theaters in 1988? It was in Bombay! I was 7 years old at the time and I still remember that day vividly, like it was yesterday. Pune and Panchgani were filled with such memorable experiences during my formative years.

Alright, I'm off to catch some sleep now. I'm feeling tired.

Angelo.

P.S.:

Here is another Fun Fact: The timeline of my life:

1981 born in Mogadishu, Somalia.

1983 lived in Saudi-Arabia.

1985 lived in India, Pune, Bombay and Panchgani.

until July 1992 I left India for good.

1992 December I landed in Strasbourg, Alsace, France.

I've been hiding in Alsace since December 1992. My life is fun.

And they all wonder why I'm the Ungoogleable man.

Also, I censored the episodes with AREA 51, trust me, you don't wanna know, it's a long story.

Okay, night, night!

[shayreesarkarofficial]

Jeevan Ke Din Chhote Sahi (जीवन के दिन छोटे सही) - Shayree Sarkar | Hindi Movie Song Cover Full Song Link: https://www.youtube.com/watch?v=NdyE2nW1Gkg

Cover Credits: Song Name: Jeevan Ke Din Chhote Sahi(जीवन के दिन छोटे सही) Singer & Feature: Shayree Sarkar Re-arrangement and Programming: Sagar Dasgupta Sound Engineer: Tarun Das Recorded, Mixed & Mastered: Studio Violina Category: Movie Song Language: Hindi Camera & Edit: Mrinmoy Chowdhury(Fashion Photography) Best Acknowledge: Father: Dipayan Sarkar Partha Mother: Sarmistha Sarkar Digital Advisor: Sanjay Sen Label: Shayree Sarkar Official

Original Credits: Song Name: Jeevan Ke Din Chhote Sahi Singer: Kishore Kumar Lyrics: Majrooh Sultanpuri Composer: R.D.Burman Movie Name: Bade Dilwala(1983) Label: Saregama India Ltd.

️⃣ Hashtag:

shayreesarkar #coversong #hindi #song #kishorekumarsong #rdburman #bollywoodcover

[brookston]

Holidays 1.10

Holidays

Aerial Photography Day

Bangabandhu Homecoming Day (Bangladesh)

Common Sense Day

Cross the Rubicon Day

Dawn Appreciation Day

Dial 110 Day (Japan)

Fête du Vodoun (Benin)

45 Record Adapter Day (a.k.a. 45 RPM Day)

Gypsum Day (French Republic)

Houseplant Appreciation Day

Inner Wheel Day

International Take the High Road Day

International Tintin Day

Laughing Day

League of Nations Day

London Underground Day (UK)

Margaret Thatcher Day (Falkland Islands)

Martyrs’ Day (Panama)

National Cut Your Energy Costs Day

National Day of Loneliness

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National Prank Day

National Shareholders Day

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Peculiar People Day

Rasputin Day

Recorder Day (Germany)

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Save the Eagles Day

Sinulog begins (Philippines) [Through 20th]

Sluzzle Tag (from “Gumball”)

Speck Day

Sturdy Flat-Heeled Shoes Appreciation Day

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Working Journalists’ Day (Turkey)

Food & Drink Celebrations

Bittersweet Chocolate Day

Champagne and Fries Day

Fritkot Day

Indian Tea Day (UK)

National Booch (Kombucha) Day

National Oysters Rockefeller Day

Where's the Beef Day

2nd Wednesday in January

National Take the Stairs Day [2nd Wednesday]

Independence & Related Days

Hanseatic and Confederate States of Achsen (Declared; 2020) [unrecognized]

Majority Rule Day (Bahamas)

MYCUS Republic (Declared; 2018, Dissolved 2019) [unrecognized]

Thomaland (Declared; 2018) [unrecognized]

Festivals Beginning January 10, 2024

Michigan’s Great Beer State Conference & Trade Show (Kalamazoo, Michigan) [thru 1.12]

Potato Expo (Austin, Texas) [thru 1.11]

Feast Days

Agatho, Pope (Roman Catholic)

Behnam, Sarah, and the Forty Martyrs (Armenian Apostolic Church)

Bodhi Day (Buddhism; China) [8th Day of 12th Lunar Month]

Doge of Venice (Christian; Saint)

Eldzier Cortor (Artology)

The Fairy Lunch (Shamanism)

Geraint of Dumnonia Feast Day (Wales)

Gonzalvo (Christian; Saint)

Gregory of Nyssa (Christian; Saint)

Heinrich Zille (Artology)

The Hungry Family (Muppetism)

Ilithyia’s Day of the Midwives (Pagan)

Johannes Zick (Artology)

Leonie Aviat (Christian; Saint)

Mao Tse Tung Day (Church of the SubGenius; Saint)

Menu (Positivist; Saint)

Mid-Winter Festival (Ancient Rome)

Obadiah (Coptic Church)

Peculiar People Day (Pastafarian)

Peter Orseolo (Christian; Saint)

Pope Agatho (Roman Catholic)

Sacred Bath (Starza Pagan Book of Days)

Vaudoun Day (Vodoo Festival; Benin)

William Laud (Anglican Communion)

William of Donjeon (Christian; Saint)

World Hindi Day

Hebrew Calendar Holidays [Begins at Sundown Day Before]

Rosh Chodesh Sh’vat [29 Teveth-1 Shevat]

Lucky & Unlucky Days

Binary Day [101] (2 of 9)

Perilous Day (13th Century England) [6 of 32]

Sakimake (先負 Japan) [Bad luck in the morning, good luck in the afternoon.]

Very Unlucky Day (Grafton’s Manual of 1565) [5 of 60]

Premieres

Alice the Golf Bug (Disney Cartoon; 1927)

Arsenic and Old Lace, by Joseph Kesselring (Play; 1941)

The Back-Seat Drivers or Mashed Landing (Rocky & Bullwinkle Cartoon, S1, Ep. 13; 1960)

Baton Bunny (WB LT Cartoon; 1959)

Bullwinkle’s Water Follies or Antlers Aweigh (Rocky & Bullwinkle Cartoon, S1, Ep. 14; 1960)

The City and the Pillar, by Gore Vidal (Novel; 1948)

Common Sense, by Thomas Paine (Pamphlet; 1776)

Crying Wolf (Terrytoons Mighty Mouse Cartoon; 1947)

Evangelion 3.0: You Can (Not) Redo (Animated Film; 2014)

Far From Heaven (Film; 2003)

The Feud (Terrytoons Cartoon; 1936)

Fraggle Rock (TV Series; 1983)

The Greatest Show on Earth (Film; 1952)

The Hand That Rocks the Cradle (Film; 1992)

Her (Film; 2014)

Inherit the Wind, by Jerome Lawrence (Play; 1955)

Introducing… The Beatles (Album; 1964)

The Lamp Lighter (Oswald the Lucky Rabbit Cartoon; 1938)

Man and His Symbols, by C.G. Jung (Science Book; 1963)

Metropolis (Film; 1927)

The Missing Mouse (Tom & Jerry Cartoon; 1953)

1917 (Film; 2020)

Paradise City, by Guns ’N’ Roses (Song; 1989)

Problem Pappy (Fleischer Popeye Cartoon; 1941)

Recess: School’s Out (Animated Film; 2001)

Silly Symphony (Newspaper Comic Strip; 1932)

Silvertone, by Chris Isaak (Album; 1985)

The Snowy Day, by Ezra Jack Keats (Children’s Book; 1962)

The Sopranos (TV Series; 1999)

Timber (Disney Cartoon; 1941)

Tintin in the Land of the Soviets, by Hergé (Graphic Novel; 1929) [Tintin #1]

Underwater (Film; 2020)

The Villain’s Curse (Terrytoons Cartoon; 1932)

What a Little Sneeze Will Do (Terrytoons Cartoon; 1941)

Today’s Name Days

Leonie, Paulus (Austria)

Agaton, Aldo, Dobriša, Dobroslav (Croatia)

Břetislav (Czech Republic)

Paul (Denmark)

Talva, Talve, Talvi (Estonia)

Nyyrikki (Finland)

Guillaume (France)

Leonie, Paul (Germany)

Melánia (Hungary)

Aldo (Italy)

Dorisa, Karmena, Tatjana (Latvia)

Agatonas, Ginvilas, Ginvilė, Palemonas, Vilhelmas (Lithuania)

Sigmund, Sigrun (Norway)

Agaton, Dobrosław, Jan, Nikanor, Paweł, Wilhelm (Poland)

Antipa, Grigorie (Romania)

Dáša (Slovakia)

Gonzalo, Nicanor (Spain)

Sigbritt, Sigurd (Sweden)

Bethany, Darby, Derby, Dermot, Kermit, Kermore, Rhett (USA)

Today is Also…

Day of Year: Day 10 of 2024; 356 days remaining in the year

ISO: Day 3 of week 2 of 2024

Celtic Tree Calendar: Beth (Birch) [Day 16 of 28]

Chinese: Month 12 (Jia-Zi), Day 29 (Gui-You)

Chinese Year of the: Rabbit 4721 (until February 10, 2024)

Hebrew: 29 Teveth 5784

Islamic: 28 Jumada II 1445

J Cal: 10 White; Threesday [10 of 30]

Julian: 28 December 2023

Moon: 0%: New Moon

Positivist: 10 Moses (1st Month) [Menu]

Runic Half Month: Peorth (Womb, Dice Cup) [Day 1 of 15]

Season: Winter (Day 21 of 89)

Zodiac: Capricorn (Day 20 of 31)

Calendar Changes

Peorth (Womb, Dice Cup) [Half-Month 2 of 24; Runic Half-Months] (thru 1.24)

[brookstonalmanac]

Holidays 1.10

Holidays

Aerial Photography Day

Bangabandhu Homecoming Day (Bangladesh)

Common Sense Day

Cross the Rubicon Day

Dawn Appreciation Day

Dial 110 Day (Japan)

Fête du Vodoun (Benin)

45 Record Adapter Day (a.k.a. 45 RPM Day)

Gypsum Day (French Republic)

Houseplant Appreciation Day

Inner Wheel Day

International Take the High Road Day

International Tintin Day

Laughing Day

League of Nations Day

London Underground Day (UK)

Margaret Thatcher Day (Falkland Islands)

Martyrs’ Day (Panama)

National Cut Your Energy Costs Day

National Day of Loneliness

National Guard Day (Kazakhstan)

National Police Day (China)

National Prank Day

National Shareholders Day

National Voodoo Day (Benin)

Peculiar People Day

Rasputin Day

Recorder Day (Germany)

Rubicon Day

Save the Eagles Day

Sinulog begins (Philippines) [Through 20th]

Sluzzle Tag (from “Gumball”)

Speck Day

Sturdy Flat-Heeled Shoes Appreciation Day

Unicycle Day

Working Journalists’ Day (Turkey)

Food & Drink Celebrations

Bittersweet Chocolate Day

Champagne and Fries Day

Fritkot Day

Indian Tea Day (UK)

National Booch (Kombucha) Day

National Oysters Rockefeller Day

Where's the Beef Day

2nd Wednesday in January

National Take the Stairs Day [2nd Wednesday]

Independence & Related Days

Hanseatic and Confederate States of Achsen (Declared; 2020) [unrecognized]

Majority Rule Day (Bahamas)

MYCUS Republic (Declared; 2018, Dissolved 2019) [unrecognized]

Thomaland (Declared; 2018) [unrecognized]

Festivals Beginning January 10, 2024

Michigan’s Great Beer State Conference & Trade Show (Kalamazoo, Michigan) [thru 1.12]

Potato Expo (Austin, Texas) [thru 1.11]

Feast Days

Agatho, Pope (Roman Catholic)

Behnam, Sarah, and the Forty Martyrs (Armenian Apostolic Church)

Bodhi Day (Buddhism; China) [8th Day of 12th Lunar Month]

Doge of Venice (Christian; Saint)

Eldzier Cortor (Artology)

The Fairy Lunch (Shamanism)

Geraint of Dumnonia Feast Day (Wales)

Gonzalvo (Christian; Saint)

Gregory of Nyssa (Christian; Saint)

Heinrich Zille (Artology)

The Hungry Family (Muppetism)

Ilithyia’s Day of the Midwives (Pagan)

Johannes Zick (Artology)

Leonie Aviat (Christian; Saint)

Mao Tse Tung Day (Church of the SubGenius; Saint)

Menu (Positivist; Saint)

Mid-Winter Festival (Ancient Rome)

Obadiah (Coptic Church)

Peculiar People Day (Pastafarian)

Peter Orseolo (Christian; Saint)

Pope Agatho (Roman Catholic)

Sacred Bath (Starza Pagan Book of Days)

Vaudoun Day (Vodoo Festival; Benin)

William Laud (Anglican Communion)

William of Donjeon (Christian; Saint)

World Hindi Day

Hebrew Calendar Holidays [Begins at Sundown Day Before]

Rosh Chodesh Sh’vat [29 Teveth-1 Shevat]

Lucky & Unlucky Days

Binary Day [101] (2 of 9)

Perilous Day (13th Century England) [6 of 32]

Sakimake (先負 Japan) [Bad luck in the morning, good luck in the afternoon.]

Very Unlucky Day (Grafton’s Manual of 1565) [5 of 60]

Premieres

Alice the Golf Bug (Disney Cartoon; 1927)

Arsenic and Old Lace, by Joseph Kesselring (Play; 1941)

The Back-Seat Drivers or Mashed Landing (Rocky & Bullwinkle Cartoon, S1, Ep. 13; 1960)

Baton Bunny (WB LT Cartoon; 1959)

Bullwinkle’s Water Follies or Antlers Aweigh (Rocky & Bullwinkle Cartoon, S1, Ep. 14; 1960)

The City and the Pillar, by Gore Vidal (Novel; 1948)

Common Sense, by Thomas Paine (Pamphlet; 1776)

Crying Wolf (Terrytoons Mighty Mouse Cartoon; 1947)

Evangelion 3.0: You Can (Not) Redo (Animated Film; 2014)

Far From Heaven (Film; 2003)

The Feud (Terrytoons Cartoon; 1936)

Fraggle Rock (TV Series; 1983)

The Greatest Show on Earth (Film; 1952)

The Hand That Rocks the Cradle (Film; 1992)

Her (Film; 2014)

Inherit the Wind, by Jerome Lawrence (Play; 1955)

Introducing… The Beatles (Album; 1964)

The Lamp Lighter (Oswald the Lucky Rabbit Cartoon; 1938)

Man and His Symbols, by C.G. Jung (Science Book; 1963)

Metropolis (Film; 1927)

The Missing Mouse (Tom & Jerry Cartoon; 1953)

1917 (Film; 2020)

Paradise City, by Guns ’N’ Roses (Song; 1989)

Problem Pappy (Fleischer Popeye Cartoon; 1941)

Recess: School’s Out (Animated Film; 2001)

Silly Symphony (Newspaper Comic Strip; 1932)

Silvertone, by Chris Isaak (Album; 1985)

The Snowy Day, by Ezra Jack Keats (Children’s Book; 1962)

The Sopranos (TV Series; 1999)

Timber (Disney Cartoon; 1941)

Tintin in the Land of the Soviets, by Hergé (Graphic Novel; 1929) [Tintin #1]

Underwater (Film; 2020)

The Villain’s Curse (Terrytoons Cartoon; 1932)

What a Little Sneeze Will Do (Terrytoons Cartoon; 1941)

Today’s Name Days

Leonie, Paulus (Austria)

Agaton, Aldo, Dobriša, Dobroslav (Croatia)

Břetislav (Czech Republic)

Paul (Denmark)

Talva, Talve, Talvi (Estonia)

Nyyrikki (Finland)

Guillaume (France)

Leonie, Paul (Germany)

Melánia (Hungary)

Aldo (Italy)

Dorisa, Karmena, Tatjana (Latvia)

Agatonas, Ginvilas, Ginvilė, Palemonas, Vilhelmas (Lithuania)

Sigmund, Sigrun (Norway)

Agaton, Dobrosław, Jan, Nikanor, Paweł, Wilhelm (Poland)

Antipa, Grigorie (Romania)

Dáša (Slovakia)

Gonzalo, Nicanor (Spain)

Sigbritt, Sigurd (Sweden)

Bethany, Darby, Derby, Dermot, Kermit, Kermore, Rhett (USA)

Today is Also…

Day of Year: Day 10 of 2024; 356 days remaining in the year

ISO: Day 3 of week 2 of 2024

Celtic Tree Calendar: Beth (Birch) [Day 16 of 28]

Chinese: Month 12 (Jia-Zi), Day 29 (Gui-You)

Chinese Year of the: Rabbit 4721 (until February 10, 2024)

Hebrew: 29 Teveth 5784

Islamic: 28 Jumada II 1445

J Cal: 10 White; Threesday [10 of 30]

Julian: 28 December 2023

Moon: 0%: New Moon

Positivist: 10 Moses (1st Month) [Menu]

Runic Half Month: Peorth (Womb, Dice Cup) [Day 1 of 15]

Season: Winter (Day 21 of 89)

Zodiac: Capricorn (Day 20 of 31)

Calendar Changes

Peorth (Womb, Dice Cup) [Half-Month 2 of 24; Runic Half-Months] (thru 1.24)

[mpnewsmp]

Katrina Kaif Bollywood Journey

Katrina Kaif: A Journey Through Bollywood Stardom

Katrina Kaif, born on July 16, 1983, in Hong Kong, is a British-Indian actress who has carved a niche for herself in the vibrant world of Bollywood. Her journey from being a model to one of the leading actresses in the Indian film industry is nothing short of remarkable.

Early Life and Entry into Bollywood

Katrina's entry into the entertainment industry began with modeling at a young age. Her first foray into Bollywood was marked by the film "Boom" in 2003, but it was her role in "Maine Pyaar Kyun Kiya?" (2005) that garnered attention. Despite initial struggles with the Hindi language, Katrina's beauty and screen presence started capturing hearts.

Breakthrough with "Namastey London"

Katrina Kaif's breakthrough moment arrived with the romantic drama "Namastey London" (2007). Paired opposite Akshay Kumar, the film not only showcased her acting prowess but also established her as a bankable leading lady. Her portrayal of Jasmeet Malhotra, a London-bred Punjabi girl, earned her accolades and marked the beginning of her ascent in Bollywood.

Versatility in Film Choices

One of Katrina's strengths is her ability to adapt to diverse roles. Whether it's the action-packed "Dhoom 3" (2013), the romantic drama "Jab Tak Hai Jaan" (2012), or the comedy "Welcome" (2007), she has demonstrated versatility across genres. Her collaborations with top directors and actors have further solidified her position in the industry.

Blockbuster Successes and Critical Acclaim

Katrina Kaif's filmography is studded with blockbuster hits. Movies like "Ek Tha Tiger" (2012), "Dhoom 3" (2013), and "Tiger Zinda Hai" (2017) not only set the box office on fire but also showcased her as a leading lady capable of delivering commercially successful films. Her performance in "Raajneeti" (2010) and "Zero" (2018) earned her critical acclaim, proving her mettle as an actress beyond the realm of commercial cinema.

Dancing Diva

Apart from her acting skills, Katrina is renowned for her exceptional dance moves. Whether it's the high-energy numbers or soulful choreography, she has become a dance icon in Bollywood. Her dance performances in songs like "Sheila Ki Jawani" and "Chikni Chameli" have become cultural phenomena.

Philanthropy and Brand Endorsements

Beyond the silver screen, Katrina is actively involved in philanthropy. She supports various charitable causes, including education and disaster relief. Her popularity extends to the world of endorsements, where she has been associated with several top brands, making her one of the most sought-after celebrities in the advertising industry.

Personal Life and Professional Evolution

While Katrina Kaif's personal life has often been under the media spotlight, she has managed to keep a balance between her personal and professional spheres. Her evolving style, fitness regime, and commitment to her craft have kept her in the limelight, making her a role model for many aspiring actors.

In conclusion, Katrina Kaif's journey in Bollywood is a testament to her resilience, talent, and ability to connect with audiences. From a newcomer with limited knowledge of Hindi to one of the industry's leading actresses, she has left an indelible mark on the cinematic landscape, and her future endeavors are eagerly awaited by fans and critics alike.

Katrina Kaif, born on July 16, 1983, in Hong Kong, is a British-Indian actress who has carved a niche for herself in the vibrant world of Bollywood. Her journey from being a model to one of the leading actresses in the Indian film industry is nothing short of remarkable.### Early Life and Entry into BollywoodKatrina's entry into the entertainment industry began with modeling at a young age. Her first foray into Bollywood was marked by the film "Boom" in 2003, but it was her role in "Maine Pyaar Kyun Kiya?" (2005) that garnered attention. Despite initial struggles with the Hindi language, Katrina's beauty and screen presence started capturing hearts.### Breakthrough with "Namastey London"Katrina Kaif's breakthrough moment arrived with the romantic drama "Namastey London" (2007). Paired opposite Akshay Kumar, the film not only showcased her acting prowess but also established her as a bankable leading lady. Her portrayal of Jasmeet Malhotra, a London-bred Punjabi girl, earned her accolades and marked the beginning of her ascent in Bollywood.### Versatility in Film ChoicesOne of Katrina's strengths is her ability to adapt to diverse roles. Whether it's the action-packed "Dhoom 3" (2013), the romantic drama "Jab Tak Hai Jaan" (2012), or the comedy "Welcome" (2007), she has demonstrated versatility across genres. Her collaborations with top directors and actors have further solidified her position in the industry.### Blockbuster Successes and Critical AcclaimKatrina Kaif's filmography is studded with blockbuster hits. Movies like "Ek Tha Tiger" (2012), "Dhoom 3" (2013), and "Tiger Zinda Hai" (2017) not only set the box office on fire but also showcased her as a leading lady capable of delivering commercially successful films. Her performance in "Raajneeti" (2010) and "Zero" (2018) earned her critical acclaim, proving her mettle as an actress beyond the realm of commercial cinema.### Dancing DivaApart from her acting skills, Katrina is renowned for her exceptional dance moves. Whether it's the high-energy numbers or soulful choreography, she has become a dance icon in Bollywood. Her dance performances in songs like "Sheila Ki Jawani" and "Chikni Chameli" have become cultural phenomena.### Philanthropy and Brand EndorsementsBeyond the silver screen, Katrina is actively involved in philanthropy. She supports various charitable causes, including education and disaster relief. Her popularity extends to the world of endorsements, where she has been associated with several top brands, making her one of the most sought-after celebrities in the advertising industry.### Personal Life and Professional EvolutionWhile Katrina Kaif's personal life has often been under the media spotlight, she has managed to keep a balance between her personal and professional spheres. Her evolving style, fitness regime, and commitment to her craft have kept her in the limelight, making her a role model for many aspiring actors.In conclusion, Katrina Kaif's journey in Bollywood is a testament to her resilience, talent, and ability to connect with audiences. From a newcomer with limited knowledge of Hindi to one of the industry's leading actresses, she has left an indelible mark on the cinematic landscape, and her future endeavors are eagerly awaited by fans and critics alike.

[influencermagazineuk]

Sridevi: Remembering the Iconic Bollywood Actress

Sridevi, an epitome of grace, talent, and beauty, remains one of the most celebrated and beloved actresses in the history of Indian cinema. Born on August 13, 1963, in Sivakasi, Tamil Nadu, she began her acting career at a young age and soon became a prominent figure in the Indian film industry. Her journey in the film world started as a child artist, and she made her debut in lead roles with the Tamil film "Moondru Mudichu" in 1976. Her natural acting prowess and charismatic screen presence quickly garnered attention, leading to roles in various Tamil, Telugu, and Malayalam films. However, it was her foray into Bollywood that catapulted Sridevi to superstardom. Her performance in the 1983 film "Himmatwala" opposite Jeetendra marked her Bollywood debut and initiated her journey towards becoming an iconic figure in Indian cinema. The success of the film established her as a bankable leading lady and paved the way for her subsequent blockbuster films. Sridevi's ability to seamlessly transition between various genres and portray diverse characters set her apart. From romantic dramas like "Chandni" to intense roles in films like "Sadma," she showcased her versatility and left an indelible impact on the audience. Her pairing with leading actors of the time, including Amitabh Bachchan and Anil Kapoor, resulted in several memorable on-screen moments. The '80s and '90s were dominated by Sridevi's performances that left a lasting impression. She charmed audiences with her comic timing in films like "Mr. India" and "ChaalBaaz." Her dance moves, especially in the iconic song "Hawa Hawai," became a cultural phenomenon and added to her immense popularity. Sridevi's contributions to Indian cinema were not limited to Hindi films. She continued to excel in regional cinema, garnering critical acclaim for her roles in Tamil, Telugu, and Malayalam movies. Her dedication to her craft and her ability to connect with audiences across language barriers solidified her status as a pan-Indian star. After a brief hiatus, Sridevi made a triumphant return to the silver screen with the critically acclaimed film "English Vinglish" in 2012. Her portrayal of a middle-aged woman's journey of self-discovery resonated with audiences and critics alike, reaffirming her unparalleled acting prowess. Tragically, Sridevi's life was cut short when she passed away on February 24, 2018, leaving behind a legacy that continues to shine brightly. Her sudden demise was met with shock and grief from fans, fellow actors, and the entire film fraternity. Sridevi's impact on Bollywood and the larger entertainment industry remains unmatched. Her body of work, spanning over four decades, showcases her ability to embody a wide range of characters and emotions. She received numerous awards for her contributions, including several Filmfare Awards, and was posthumously honored with the National Film Award for Best Actress for her role in "Mom." As fans and admirers remember Sridevi, her films, songs, and memorable moments continue to be cherished. Her legacy serves as an inspiration for aspiring actors and artists, reminding us of her extraordinary journey from a child artist to an eternal screen legend. Read the full article

[saumya6969]

Lyrics Agar Tum Na Hote

"Agar Tum Na Hote" is a romantic Hindi song from the 1983 Bollywood film with the same name, directed by Lekh Tandon and starring Rajesh Khanna and Rekha. The song is composed by legendary music director R.D. Burman and written by Gulshan Bawra. The song is a heartfelt expression of love and longing, with the singer wishing that their beloved was with them all the time.

https://www.lyricshindisp.in/2023/02/Lyrics-Agar-Tum-Na-Hote.html

[bollywoodproduct]

Lyrics Ye Din To Aata Hai Ik Din Jawaani Me

Lyrics Ye Din To Aata Hai Ik Din Jawaani Me

Lyrics in Hindi | Ye Din To Aata Hai Ik Din Jawaani Me | Mahaan-1983 | Amitabh Bachchan, Parveen Babi Ye Din To Aata HaiIk Din Jawaani MeAankhen Mile To LageAag Paani MeDil Ko To Khona HaiKhona Hai Kho JaayeAage Jo Hona HaiHona Hai Ho Jaaye Are Ye Din To Aata HaiIk Din Jawaani MeAankhen Mile To LageAag Paani MeDil Ko To Khona HaiKhona Hai Kho JaayeAage Jo Hona HaiHona Hai Ho JaayeYe Din To Aata…

[musicverse11]

Suresh Wadkar and Bollywood: Iconic Pairings With Music Legends

Suresh Wadkar, a name synonymous with soulful melodies, has been a cornerstone of Indian playback singing for over four decades. With a voice that transcends time, his songs resonate deeply with audiences, evoking emotions and memories. From his humble beginnings in a small town to becoming a celebrated figure in Indian music, Wadkar’s journey is as inspiring as it is melodious.

Early Life and Musical Training

Born on August 7, 1955, in Kolhapur, Maharashtra, Suresh Wadkar was drawn to music from a young age. Recognizing his potential, his parents encouraged him to pursue formal training in classical music. Wadkar honed his skills under the guidance of the legendary Pandit Jialal Vasant, who saw immense promise in his voice. It was under this tutelage that Wadkar developed his foundation in Hindustani classical music, a skill that would later define his playback career.

Wadkar’s dedication to music was evident early on. He earned the prestigious “Prabhakar” degree from Prayag Sangeet Samiti, which is equivalent to a Bachelor of Education in music. This strong academic grounding laid the foundation for his foray into playback singing. He also began teaching music at Arya Vidya Mandir in Mumbai, balancing his passion for singing with his role as an educator.

The Breakthrough Moment

Suresh Wadkar’s journey to stardom began with his participation in the Sur-Singar competition in 1976. His exceptional performance not only won him accolades but also caught the attention of legendary music director Jaidev. This pivotal moment marked the beginning of Wadkar’s playback career, as Jaidev offered him the opportunity to sing “Sona Kare Jhilmil Jhilmil” for the film Paheli (1977).

The song became an instant hit, showcasing Wadkar’s ability to blend classical nuances with mainstream appeal. This debut opened doors to the Bollywood music industry, where Wadkar’s unique voice was quickly recognized as a perfect fit for emotionally rich and melodious compositions.

Collaborations and Iconic Songs

Wadkar’s rise to prominence was marked by collaborations with some of the most iconic composers in Indian cinema. From Ravindra Jain to Laxmikant–Pyarelal, he worked with the best in the industry, delivering memorable performances in films like Chitchor (1976) and Prem Rog (1982).

One of his early masterpieces, “Seene Mein Jalan” from the film Gaman (1978), is a testament to his ability to convey profound emotions through his voice. His rendition of the haunting melody captured the pain and longing of the character, earning him widespread acclaim. Another milestone was his performance in Raj Kapoor’s Prem Rog, where songs like “Bhanware Ne Khilaya Phool” and “Yeh Galiyan Yeh Chaubara” became instant classics.

Throughout the 1980s and 1990s, Suresh Wadkar continued to deliver chart-topping hits, including “Tum Se Milke” from Parinda (1989) and “Aye Zindagi Gale Laga Le” from Sadma (1983). His versatility allowed him to adapt to various genres, from romantic ballads to devotional songs, further cementing his status as a playback legend.

Versatility Across Languages

While Wadkar is best known for his contributions to Hindi cinema, his influence extends beyond Bollywood. He has sung extensively in Marathi, Tamil, and Bengali films, showcasing his linguistic versatility and ability to connect with diverse audiences. His Marathi songs, in particular, hold a special place in the hearts of regional music lovers, with tracks like “Savar Re” and “Aikata Ani Ughadat” becoming enduring hits.

In Tamil cinema, Wadkar lent his voice to soulful tracks like “Naan Mozhi Arindhaen” in Kanden Kadhalai (2009), proving his adaptability to different musical styles and traditions.

Awards and Recognition

Suresh Wadkar’s contributions to Indian music have been recognized with numerous awards. He received the Sangeet Natak Akademi Award for Sugam Sangeet in 2018 and the prestigious Padma Shri in 2020. These accolades are a testament to his unparalleled dedication to the art of singing and his ability to touch hearts across generations.

Legacy and Influence

Beyond playback singing, Suresh Wadkar has made significant contributions as a mentor and teacher. His music academy, Ajivasan, has nurtured countless aspiring musicians, passing on his rich legacy to the next generation. The launch of SWAMA (Suresh Wadkar Ajivasan Music Academy) as an online platform has further expanded his reach, making quality music education accessible worldwide.

Wadkar’s humility and commitment to his craft have inspired countless artists, and his influence can be seen in the works of contemporary singers who cite him as a role model. His ability to balance a thriving career with a dedication to teaching is a rare combination that speaks volumes about his character.

Conclusion

Suresh Wadkar journey from a music teacher to one of India’s most revered playback singers is a story of passion, perseverance, and extraordinary talent. His melodious voice has become a part of India’s cultural fabric, offering solace, joy, and inspiration to millions. Whether through his timeless Bollywood classics, his regional hits, or his work as an educator, Wadkar’s impact on Indian music is undeniable.

As audiences continue to discover and cherish his songs, Suresh Wadkar remains a shining beacon of musical excellence. His legacy is a reminder of the enduring power of melody and the timeless appeal of a voice that speaks directly to the soul.

[ambar-pe-milte-hain]

"Yeh jo bas mein kadam nahi tere, main sambhaaloongi, tu aa sang mere Tere dil ki manzil hai yahaan..." "Meri raahon ka diya teri aankhein, mere gham ki dawaa teri baatein... Toh phir aur jaana hai kahaan?" "Kahin na jaa, aaj kahin mat jaa phir mile na mile yeh pal, yeh samaa... Baahon mein aajaa..."

[lyricsbest]

Zindagi Pyar Ka Geet Hai Lyrics in Hindi | ज़िन्दगी प्यार का गीत है

Zindagi Pyar Ka Geet Hai Lyrics in Hindi | ज़िन्दगी प्यार का गीत है

Presenting the song Zindagi Pyar Ka Geet Hai Lyrics in Hindi from the Bollywood movie Souten (1983). This song is sung by Lata Mangeshkar for female version and Kishore Kumar for male version. Lyrics of the song is written by Saawan Kumar and Music composed by Usha Khanna. Starring Rajesh Khanna, Padmini Kolhapure, Tina Munim, Shreeram Lagoo and others in lead roles. Zindagi Pyar Ka Geet Hai…

[welldonekhushi]

Call of Duty OC: Arjun K. Dhingra 🏹

Hey guys! I'll be introducing you all to an another new OC from the Call of Duty universe. The interesting thing is, that this character is from my ethnicity, and it's the first time I've ever created something like that.

So, hope you like it! Information about this character is under the cut! <3

GENERAL:

Name: Arjun

Full name: Arjun Kumar Dhingra

Codename: "Dhanush"

Age: [REDACTED]

Gender: Male

Nationality: Indian

Languages spoken: Hindi, Marathi, Punjabi with other regional languages of India, English

Date of Birth: February 16, 1983

Place of Birth: Ratnagiri, Maharashtra

Sexuality: Heterosexual

Marital Status: Married (to Kavya Parikar)

Occupation: PARA SF (Parachute Special Forces), member of Task Force 141 (currently, debriefed for Operation Kingfish)

Status: Active

Rank: Captain

Affiliation: 9 PARA (SF), Task Force 141

Universe: Original timeline (2011-2017), reboot (alternative AU)

Faceclaim: John Abraham

Song: "Zinda" by Shankar-Ehsaan-Loy

Biography: Arjun's deep aspiration was to join the defense, and grew up to be a commando of the Para Special Forces of the Indian Army. His leadership is what motivates the other soldiers in his unit to go through every single challenge in their way. Brave, strong-willed and very strategic in decisions on how the plan should proceed, these special traits made General Shepherd recruit him in the Task Force 141.

AFFILIATIONS:

PARA SF (Shatrujeet Unit)

Sergeant Aditya Tripathi

Staff Sergeant Yuvraj Chaudhary

Lieutenant Venkateshwar Subramanian

Major Shaurya Kulshrestha

Task Force 141

Captain Price

John "Soap" MacTavish

Kyle "Gaz" Garrick

Simon "Ghost" Riley

Sergeant Annabelle "Kit" Pham (@applbottmjeens)

Hannah "Sparrow" Clayton (@revnah1406)

2nd Commando Regiment (@kaitaiga)

Sergeant Damien Whitlock

Captain Lachlan Jones

Los Vaqueros

Colonel Alejandro Vargas

Rodolfo "Rudy" Parra

Alyssa "Aly" Martinez (@alypink)

SKILLS AND ABILITIES:

Weapon induced: M4 Carbine, Dragunov, IWI Tavor TAR-21, Glock 17

Fighting style: Hand-to-hand combat, martial arts

Special skills: Has good reflexes and speed in stunning or killing an enemy. Knows a better knowledge in stealth.

Talents: With the help of his reflexes and calculations, he can easily identify upcoming threats and warnings.

Shortcomings: Has a bit of trauma from his past, which can make him severely stable for a while.

PERSONALITY:

Myers-Briggs Type: ISTJ (The Logistician)

Stern, and firm in looks: Arjun often doesn't smile much when he's on duty. He is expert in hiding his emotions in front of everyone, except to a few people who he can mostly rely upon. The ones who he can fully trust i.e his family, his closest teammates and mostly — his wife.

Has great intellectual experience: He is very quick in solving a problem or issue in a matter of seconds. A con is that if he's too distraught or lost, he can lose all focus.

"Looks like he can kill you, but is a cinnamon roll": Yes, the title says so. Arjun is not that mean all the time, but he does show a soft spot for others on the other side. He is very kind, gentle, encouraging and generous for those who need help.

Doesn't give a shit, keeps on moving: As a Para commando, Arjun's motto is always about destroying the enemy without thinking twice. When it comes to the nation's safety, he's ready to go to any extent.

TRIVIA:

— Arjun's name is derived from one of the Pandava brothers, namely Arjuna in the ancient epic, Mahabharata. Arjun in translation means "lustrous, shiny white".

— His favorite sport is basketball and tug of war.

— He is a health buff, always conscious about his well-being, but sometimes he's alright to give his diet a break when it's a party or a celebration.

— He is a dog person! His favorite breed is a German Shepherd or Golden Retriever. (he secretly likes cats as well, but doesn't tell anybody)

— Arjun loves puzzle games, he finds it refreshing to excercise his mind.

꘎♡━━━━━━━━━━━━━━━♡꘎

That's all about Arjun! Hope you got to know much about my new character! I'll be sooner drawing his other teammates, so stay tuned! ;)

Thank you and, I hope you like it! <3

[mainlagtihoonsridevi]

Devi... Sridevi...

" A Madras boy remembers the actress, the star who could do everything every kind of director wanted her to do"

Growing up in the seventies and eighties, in Madras, meant you grew up with Sridevi. Actors and actresses, those days, made a ton of movies a year, working in multiple shifts, across multiple languages. So Sridevi was everywhere in Tamil and Telugu cinema. There wasn’t a number system those days. At least in the south Indian press, titles like “Queen Bee” or “Numero Uno” did not exist. In the sixties, Saroja Devi was a top actress, and so were Savithri and Jayalalitha. In the seventies, Sridevi was popular, and so was Sripriya. “Popular,” those days, meant they starred in many films with up-and-comer young stars like Kamalahasan (the spelling change to “Kamal Haasan” was a while away) and Rajinikanth.

But Sridevi was special. It was a time Tamil cinema was changing. Directors like P. Bharathiraja, J. Mahendran and Balu Mahendra — even K Balachander, whose seventies’ style is markedly more “cinematic” than what he did in the preceding decade — were finding ways of expression that were different from those of melodrama monarchs like P Bhimsingh. And Sridevi fit into that mould as well. She fit into every mould, really. In Hindi cinema, they called her the ultimate “switch-on, switch-off” actress. That must have been true, for she certainly did not have a great deal of life experience to draw from, having grown up in the studios, in front of the cameras from when she was a child.

In Hindi cinema, they called her the ultimate “switch-on, switch-off” actress. That must have been true, for she certainly did not have a great deal of life experience to draw from, having grown up in the studios, in front of the cameras from when she was a child.

Perhaps her greatest gift was that she gave each director what they wanted. If Bharathiraja, in 16 Vayathinile (1977), wanted her to do nothing more than stand still, conveying sadness through her eyes (they were big, beautiful eyes) as his camera zoomed in, she did that. If Balachander, in Varumayin Niram Sivappu (1980), wanted her to mimic S Janaki’s wordless musical phrases in the Sippi irukkuthu song sequence, she did that — she was a marvellous “song performer,” which is its own kind of acting. And she did what S.P. Muthuraman asked of her in Adutha Varisu (1983), where Rajinikanth tries to pass her off as the heiress to a province. The sceptical queen quizzes her about the state symbol. She throws her head back and laughs exaggeratedly (she’s saying, through that laugh, “Surely you don’t expect me to not know the answer to this!”), buying time till Rajinikanth gestures to the lion carving above the queen’s throne. She collects herself and gives the right answer.

GIF Source : Manmarziyan

It’s not easy, this kind of acting. The passing of Sridevi is a good time to dwell on “Indian commercial film acting.” It’s dying out in the north because everyone wants to make real films, with naturalistic performances that seem to be the only kind that get appreciated anymore, and it’s dying out in the south because mainstream Tamil and Telugu cinema is filled with actresses who don’t speak the language and are required to do very little. This kind of performance has less to do with Stanislavsky than the Natyashastra, the navarasas — which may explain why so many actresses of that era were such good dancers as well. There was a touch of the gestural, the performative. Nothing was internalised, or even if it was, there had to be something declarative, something the audience could not just feel but also see — say, a tiny twitch of the lip.

Trained actors cannot do this kind of acting, which is a direct (a trained actor may call it “shameless”) appeal to the audience’s emotions. Yes, some of this has to be seen in the context of the films that were being made, and their style, but that is why Kamal Haasan called Sridevi an excellent bag of tricks. She had a bottomless bag, apparently, and she could pull out whatever “trick” whichever director wanted. One cannot speak of Sridevi without speaking about Kamal. Like the tagline in the Wills ads, they were Made for Each Other, one bag of tricks constantly up against the other. If he did that Methody, mumbly thing he began to do from around the time he made Kokila(1977), she threw something actorly right back at him. Theirs wasn’t chemistry. It was electricity.

Oh, the songs they made together. Ilankiliye from Shankarlal (1981). Devi Sridevi from Vaazhve Maayam (1982). Look at Radha Radha nee enge from Meendum Kokila (1981). He’s goofing around, a Krishna in a silver jacket and a fedora from which a peacock feather sticks out. She matches him step for step. It isn’t easy matching Kamal Haasan step for step. Vadivelan manasu vechan from Thai Illamal Naanillai (1979). Seen today, perhaps some of these songs come with a “you had to have been there” warning label, but I’m talking about a certain kind of unembarrassed commitment to the goings on, where the actor says, “Okay, so this is what I have to do, and maybe it’s something I personally wouldn’t do, but I’m going to do my darndest to make everyone believe that this really is me.” Acting, in other words.

Then, she went to Bombay, where the press was more ready with labels. She was anointed “Numero Uno.” But something seemed different to those of us from the south. Here, she was cute. There, she was “cute.” There’s a difference. She seemed to be more plasticky, the nose looked different, the voice was squeaky and didn’t fit. None of this is to say she still wasn’t great. She was just great in a very different way. The films relied more on her glamour, her outsize-ness — and again, she dug into that bag of tricks and gave exactly what her directors wanted. Sometimes, like in Mr. India (1987), magic happened. I admit this may be a very “southern” reaction, rising from a sense of ours becoming theirs. Tamil and Telugu cinema still needed her. What was she doing jumping around with Jeetendra? But her mind was made. When she did return, for the one-off Naan Adimai Illai (1986) with Rajinikanth, it wasn’t like a homecoming. It was like a queen on a state visit.

She went on to become the next in a line of south Indian actresses who became the leading heroine in Hindi cinema. Her most memorable role? I’d still pick Moondram Pirai (1982), and my favourite scene is the one where Kamal gives her a sari and drifts off into a reverie, expecting this amnesiac with the mental faculties of a little girl to have magically transformed into a woman. Ilayaraja sets up the mood with a languorous piano duetting with violins. Sridevi steps out of the room, the sari perfectly draped. She does everything Kamal wants her to. She’s sophisticated. She’s romantic. She’s in control. She’s even motherlike, drawing his head to her bosom, giving him milk from a glass. Then he snaps out of it, and sees that she’s tied the sari all wrong. She’s still the little-girl amnesiac. The scene showcases everything Sridevi was, the child-woman, the aloof and unattainable beauty, the seductress, the idealised (and idolised) star.

Bhardwaj Rangan, Critic of Film Companion South, 2018