#alice is so done

[m0thya]

[kcrra]

it makes me literally sick to think about alicent's relationship to her children. like. they are all she has. she loves them more than anything and hates them just as much. each of them is a shackle around her neck. they are her babies even though she was a baby herself, forced to be their mother. she'll pick up a knife for them. they are her living prison. everything she ever does is for them. their very existence makes her sick. she understands them and yet doesn't know them at all. they are her future. they stole her past.

she was 15 years old tethered to a rotting body of a man entirely against her will, watching each of her children invade her body as a result of martial rape. how were they ever supposed to have a normal relationship!!!!!!!

[itsumonandodemo]

a menace to society (affectionate)

[theghooligan]

alicent *externally*: i’m fine, i promise—

alicent *internally*:

[nonbinarylesbianherb]

[cult-of-the-eye]

pov alice dyer listening to tma:

she has proclaimed to do sexual favours for Joshua Gillespie

she does not understand the hype behind Jane Prentiss but supports the bug fuckers

she DESPISES martin but in a "two sides of the same coin" way

she did proclaim to do sexual favours for Jonathan Sims until she found out he was ace, now she talks about feeding him soup and tucking him into bed

she creates entirely new swears to describe Elias e.g. shitweasel

she has learned the leitner rant off by heart

after every episode with tim after the end of season two, she has to go punch something

[dulcewrites]

I think the thing that shocks me the most about the discourse, if you can even call it that, around book Alicent vs show Alicent, is the idea that people think book Alicent had full autonomy over all her choices and she wasn’t a “victim” like show Alicent.

Now first, I put victim in quotations bc the way people who do not like her have almost bastardized that word. Alicent is a victim, and those things (rape, abuse, neglect) were done to her. That says everything about the men who did that do her and nothing about her. But people are hellbent on throwing Alicent, a woman in a violently patriarchal environment, being victimized back at people as if it is moral flaw of hers. Which is just terribly ironic bc the same folks who say Alicent “did it to herself” or “deserves what she is getting” also seem to think the crux of the story isn’t about generational trauma catching up with itself, how far people will go for power, or even how all girls and women are harmed - albeit to different degrees. But more the fact that Rhaenyra is the only woman to be harmed - and the only harm done is not getting the throne easily. Those same people wouldn’t be caught dead admitting that Rhaenyra is also a victim in the way they shit on Alicent for being. From the father who sets her up fail, to the baby daddy that’s been eyeing her since she was barely 18, to the uncle that grooms her. It takes away from the fantasy projected onto Rhaenyra if she too is surrounded by men that use her and she never escapes that.

Second, it’s funny how F&B gets heralded by some as this exploration of how history is skewed depending on who is telling it. But people can’t read between the lines (you honestly don’t even have to do that much work) with book Alicent. Showing 14 year old Alicent being preyed on, 16 year old Alicent being pregnant with her second child, and 18 year old Alicent being raped is somehow the show needlessly making Alicent a victim. But reading about a 13 year old bathing, dressing, and taking care of a king who mistakes her for the daughter he abused and neglected, and then that same girl, at 18, marrying another king that killed his previous child bride is just girl bossism on book Alicent’s part?

People hate conceptualizing the idea that (even book) Alicent is caught in patriarchal trappings bc to some that takes away from Rhaenyra’s plight…. Bc they can’t wrap their heads around several women *gasp* all going through hardships, and that ultimately people will respond to trauma differently depending on tools/knowledge they have at their disposal. Alicent neither being gleefully evil nor picking herself up by her bootstraps to somehow end years of patriarchal violence is not the neat box they want for her.

[soupy-sez]

ALICE [Něco z Alenky] (1988) dir. Jan Švankmajer

[notyoinara]

[chipthekeeper]

ALICENT + RHAENYRA - duty and desire, season one vs. season two

[vexedandperplexed]

bright falls alumni of 2023

[anyatomy]

fanart of @realkeylogger s gerry and alice designs

[bblookyyy]

some doodles! was doodling deltarune, then went to listen to old undertale animatics/fansongs then landed onto cuphead and batim 2017 era fansongs too (I was in every one of these fandoms… cupsona and toon-sona eras :)

[cruelempire]

since rhaenyra is now a confirmed bi icon i’ve been thinking she will never actually find true comfort in a man whoever he is bc not a single woman in westeros can claim more power than hers since she is the first ever female ruler

whoever she marries/stays by his side perhaps not everyone but at least some will see him as the one in charge and i’m afraid if jace got to grow up he could be seen more of a ruler than his mother (although he himself wouldn’t question her authority) it would actually be so fucking hard for her to be straight

so yes girl go on with cheating-on-your-situationship-making-everything-more-complicated kind of stuff it’s quite a relief to see her receiving a tiny bit of comfort (bc i believe the true and whole could be found only in alicent’s sincere embrace which seems almost impossible at this point)

[jacks-the-flower]

can we just talk about how heartbreaking sharon's, alice's, and lilia's deaths are knowing that it's just all billy's illusion. especially lilia- that episode fucking kills you on its own, but then ADD ON the fact that her sacrifice was for so much less than she believes; like she thought she was not only saving their lives, but their grand mission past the desperation of a hopeless situation. the fact that it was all created and perpetuated by the very people she saved just twists the knife doesn't it. like her whole life revolved around a singular day's worth of a magicked-up acid trip.

oh and alice, oh alice. at least the show captured the impact of her abrupt conclusion- to finally break free from your generational curse that destroyed your family for so long, just to be conned into dying not even a few hours later. her life just started and then it was over.

[mswyrr]

the Sept scene was fully in character for Rhaenyra & Alicent

I've seen fans--even Rhaenicent fans!--saying it was ooc or "fanfic." It wasn't. The original scene was much shorter: Emma and Olivia, two very talented actors who know their characters well, expanded it. They weren't just wasting time or suddenly lacking in talent and insight. They knew what they were doing and it connects all the way back.

So let's go all the way back! Where do we begin? Episode 1x01, King Viserys wants a son and male heir; he has wanted a son for so long that Rhaenyra, his 14-year-old daughter says (ep 1x01) "For as long as I can recall, it’s all he’s wanted." What has this done to her? Well, for one thing, it has made her mother, who has difficult pregnancies, in ill health for most of her life. This ill health means that Aemma did a lot of lecturing (and trying to keep Rhaenyra from flying and doing other risky things while she was sick) and not a lot of getting to spend quality time with her daughter. A distracted father, ruling the realm, and a mother sick with trying to give him the male heir he prioritizes above his wife and daughter.

Who has been there for Rhaenyra? Alicent. Alicent was hers. When Rhaenyra flies on her dragon, experiencing freedom from all her worries and power and joy, she wants ALICENT to be there with her, high above the sea, looking out over the city:

[source: 1x01 script]

When Rhaenyra had to have a difficult conversation with her mother, it was Alicent she looked to for comfort and emotional support -- in an act a cut scene from the script *explicitly calls "flirting"*. Rhaenyra relies on and longs for that "disarming kindness" she says Alicent has.

And it was Alicent's lap that Rhaenyra flirts about loving to lie upon. Alicent is so much to Rhaenyra that she dreams of running away together, just the two of them and Rhaenyra's bonded dragon Syrax.

Alicent was her cherished girl, her comfort and her chief supporter and advisor. She was Rhaenyra's heart's rest. And, yes - it was a friendship blossoming into flirtation and desire as the two matured. They were on the cusp of something. They were the world to each other.

[source]

Emma and Olivia get it and have always gotten it. Rhaenyra has this gorgeous yang or solar energy that finds balance with Alicent's yin or lunar energy. They're a sun and moon couple, balancing each other's strengths and weaknesses. With Alicent, the sword of Rhaenyra's intense energy has a sheath. A resting place. Her fire has a hearth. And Alicent isn't drained by people (like Viserys would later do...) who just take and take and take -- hurting her and draining that "disarming kindness" of hers until she's broken and ruined inside. Rhaenyra gives and cherishes in a way that made Alicent feel whole and appreciated.

Rhaenyra goes from being angry (angry the way a jilted lover would be - calling Alicent a "whore" for what she felt emotionally imo as Alicent cheating on Rhaenyra with her father) to instantly deeply protective and possessive once she learns more. See the cut scene after Viserys reveals his engagement to Alicent:

[script pages source] [photo source]

Rhaenyra is ready to take on the whole Seven Kingdoms to protect her girl!

Rhaenyra liked being the focus of Alicent playing the "lady beloved" role - reading soothingly to her, supporting and encouraging and admiring her, teasing her for being naughty, advising her about her political situation. She found rest and comfort there - and then Viserys took her mother, cutting her open to get his precious son out. And then, in his remorse and grief, he took comfort in Rhaenyra's girl (who was forced to give him that precious kindness of hers by her father) and her father *stole her girl too*. Not only did he steal her girl, he put her own status as heir into question by having a firstborn son with her - after wounding Rhaenyra deeply by chasing a son as far back as she could remember!

All the "she should be over it" stuff about Alicent... if Rhaenyra were a male character people would recognize the wound of having his crush stolen out from under him by his old man at the same time his old man refuses to fully back his status as heir - it's archetypal! It's gd Greek. Your old man trying to keep you from the girl you want, from your desires and destiny as an adult.

Rhaenyra makes total sense in the Sept scene - she has the primal wound of a girl who is an HEIR - who wanted to have things and act and possess and stand tall and be the lover to a girl's beloved in a way only boys are allowed in this society... and whose father took her girl away from her as well as making her feel uncertain of her status in a deeply wounding way. Rhaenyra correctly locates, emotionally, her rupture from Alicent as where it all went wrong. The Sept scene is about all of that emotionally and it makes total sense. It is also about Rhaenyra's sheer desperation and comprehension of the horror coming... and the most heartbreaking longing to return to a time when Alicent's heart was her home.

Alicent's heart was Rhaenyra's home. And her father stole the girl she loved. He took her and savaged and used and broke her and made her give birth to children she didn't want (at least not with him) from decades of sex she did. not. want. because even men who think they're nice in this society are allowed that - to cut a wife open for a son, to use a girl young enough to be his daughter. He vacillated between wounding and affirming Rhaenyra, never fully able to honor her as his heir because she was not a boy. And he couldn't even conceive of her feelings for Alicent because this is a deeply homophobic society - but he was also, even seeing it in a platonic light, selfish and inconsiderate of her feelings for her best friend.

He kept putting his feelings and needs first, over his wife, over his daughter, over her best friend.

I don't care if nobody else gets it - the way Emma plays it? They get it. They're an extremely talented actor who wasn't going "ooc" in the Sept - they were playing *that*. My father inflicted these primal wounds on me because my coming of age was more like a boy's--like things that should be allowed girls but are denied them-- and he thwarted me and yet I love him. And I love Alicent and I long for her heart, though it's full of poison and broken things now. Why does it all have to be like this? Why does it have to hurt so much?

The Sept scene is entirely in character for both of them. It is not "fanfic." It is not OOC. It is the broken heart of this tragedy bleeding before our eyes.