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anhed-nia · 11 months

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BLOGTOBER 10/22-23/2023: SMILE (2022) and BARBARIAN (2022) - In Defense of the Tall Gangly Old Lady Monster

I've heard a lot of complaints lately (haven't we all) about the recent emergence of a new horror archetype--the tall, gangly, old lady monster--and I always get the feeling that the plaintiffs are willfully ignoring the context of this apparition. I mean sure, if you feel annoyed with the rapid proliferation of a prematurely tired cliche, that's fair; personally I'm pretty sick of scary clowns, even though some of them are still effective, if your main proposal is a scary clown then you're going to have to work harder than usual to get my attention. But vis a vis the tall scary old lady discourse, as far as I've seen, the objection is almost always the same: This monster is an expression of disdain for elderly people, and a reinforcement of the idea that women are worthy so long as they are considered sexually viable, after which point they deserve only disgust and rejection. And like there will surely be boring, misogynistic representations of this monster that are fair to roll one's eyes at, but the most visible targets of this criticism have been SMILE and BARBARIAN, and I would argue that both films are full of ambivalence and irony, and the specific morphology of the monster is thoughtful and deliberate.

I think that any time you hear a complaint that is based on the assumption that a movie is promoting real-life ideals and ethics, you need to double check that. This is the propaganda model of media analysis, and while nothing is created in a vacuum, not everything has didactic, propagandistic motivations. Certainly some movies ARE doing just that; I see quite a lot of chauvinism and bigotry in action movies, comedies, and (perhaps most of all) romantic comedies, whose content is clearly presented as aspirational. Low-hanging fruit of this kind is found in movies like SWEET HOME ALABAMA, which says that self-made independent career women are just fooling themselves and should stay home and serve whoever gets them pregnant first, or the similarly retrogressive JUNO in which a girl who gets knocked up during high school is universally worshiped and supported by everybody and truly loved by the knocker-upper and there is almost nothing really perilous or concerning about the whole situation, it's all very cute and desirable. Horror movies require a little more investigation. Sometimes the monster does embody some kind of moral mandate, or an unjust injunction against a certain demographic. Hitchcock and De Palma have been accused of transphobia, for instance, and while I don't think we should throw out their movies (which you should never have to do unless you're incapable of critical thought), the charges are fair. But other times, the monster embodies unfinished business, ambivalence, irony, insecurity. It exists not as a symbol of universal evil, but as a foil to the hero. And sometimes the hero is not a hero at all.

All of the following is extensively spoilery, so proceed with whatever caution is appropriate: Zach Cregger's BARBARIAN is a delightfully twisty, prismatic reflection on misogynistic violence and its consequences. It begins with a simple-seeming situation that prods the viewer to guess what protagonist Georgina Campbell should do about the problem of an unplanned male roommate in her Airbnb. Bill Skarsgård is sketchy and intrusive, but charming enough to create a dilemma for the savvy young woman--a dilemma which ends abruptly with the discovery of a monster in the basement. The building itself has its own polar identity: It offers appealing lodging for hip Detroit tourists in a once-desirable neighborhood devastated by racist, capitalist forces. The home's previous owner was a serial killer (the great Richard Brake!) with a penchant for forcibly breeding his female victims, and it is now the possession of Justin Long, a hot shot actor who is so poisoned by his own witless misogyny that he seems genuinely unaware of what constitutes rape. Lurking in the labyrinthine foundations of his investment property is one of Brake's victims: A tall, powerful, barely-human female who has been warped into believing that her captives are actually her babies. While BARBARIAN is willfully disorienting, and that is part of its charm, a bird's eye view shows its careful orchestration of clear spectrum of forms of abuse--from the institutional, to the constitutional, to the unconscious--alongside a polar pair of potential survivors, one final girl and one twisted victim.

Much has been made of the scene in which Justin Long is forced to suckle on the pendulous teat of the maternal morlock. The common assumption seems to be that we're supposed to share Long's disgust and pity his violation. I would question any impulse to side with Long as an innocent victim; certainly you're supposed to fear the monster, but that doesn't mean you can't share in the cathartic delight of a selfish, greedy, destructive, gentrifying rapist getting his comeuppance in the form of unwanted carnal contact with a female who shatters all of his fascist beauty standards. Yes, she is meant to be terrifying, but the all-important question is WHY, on what principle? On any close inspection, the motivation of BARBARIAN does not seem to involve reinforcing ageist, ableist, misogynistic values. And one might add that, in general, it doesn't get us very far culturally or artistically to insist that all oppressed-minority characters are always presented unambiguously as heroes or tragic victims. Sometimes we don't mind grossing you out, as long as we get our revenge.

Much like the dark mother in BARBARIAN, the monstrosity in Parker Finn's SMILE embodies the protagonist's neurotic phobias, rather than making a statement about objective good and evil. Sosie Bacon plays a therapist in an emergency psychiatric unit who makes the unfortunate acquaintance of a transient entity that perpetuates its existence by possessing the witnesses of violent suicides. As the traumatized target begins to perceive the leering entity everywhere, she descends into a self-destructive spiral that will end with her own inevitable death. Bacon makes an especially good victim because, aside from the immediate impact of the horrifying suicide she witnesses in her ward, she is haunted by the childhood memory of having passively allowed her mentally ill, substance-dependent mother to die. As an adult, Bacon has eschewed the challenge of deeper connections in favor of shallow, conditional relationships with people who will not forgive her flaws when they are exposed. The demon exploits her refusal to face herself by incarnating as a version of her mother that is at first pitiful and accusative, then powerful and terrifying. Once again, the dark mother is not here to encourage the audience's prejudices against women who are dysfunctional or physically past their supposed prime; in SMILE she is an avenging spirit who forces the protagonist, and the audience, into a direct confrontation with all that we ignore and avoid.

There is a lot more I would like to say about SMILE, and I kind of feel like I'm stealing from future me by including it in this abbreviated review! But as I have previously stated, I didn't know this was going to be a speed run of Blogtober until I was completely overwhelmed by life and it was too late to curate accordingly. To be honest, I liked BARBARIAN a lot and I think it's sort of deep in spite of itself, but SMILE scared the absolute shit out of me both times that I saw it. I probably found it even more effective the second time. It is unpredictable and beautifully articulated, with a strong visual personality that perfectly serves its psychological purposes. And like, if you happen to be a high-anxiety person with social problems who withers under too much attention or eye contact, and you have a basic daily fear that you don't really know who people are behind their er um uh smiles, THIS IS THE HORROR MOVIE FOR YOU. I got scared again just picking out images for my blog post! So, I reserve the right to revisit both of these movies on future Blogtobers. There is certainly a lot to say just about the emerging horror archetype of the giantess/ogress--other examples that immediately spring to mind include the vampire from Resident Evil: Village and the final (TERRIFYING!) monster in the original [REC], and I'm sure there are more, and I'm also pretty sure some real-deal academic will scoop me on this! Actually, I hope they do. Please holler at me when you inevitably see the relevant think piece.

#blogtober #2023 #horror #supernatural #slasher #mystery #smile #2022 #barbarian #zach cregger #parker finn #georgina campbell #justin long #richard brake #sosie bacon #horror comedy #misogyny #psychological horror

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apenitentialprayer · 1 month

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Crack. On that 1916 winter day in Alabama, Plinky’s blister burned. She was so close. Just a few more targets, and she would beat the 965-pigeon record she’d been chasing for eight years. Crack. Crack. Crack. Plinky’s shoulder ached, her hand was on fire, her ears rang—but before long, a cheer went up. She had done it. Of 1,000 clay targets, she’d hit 975. A doctor came over and bandaged Plinky’s hand. But her eyes were on the trap machine. No man or woman had ever shot at two thousand traps in a regulation setting. She was already halfway there. Why not keep going? So Plinky shouldered her Winchester Model 97 again. Six shots in, she ripped off the bandage—it was interfering with her grip. As Plinky worked her way through sets of 100, the blister opened. Blood smeared onto the hot barrel of the gun. She kept shooting. Finally, after a total of five hours and twenty minutes, Plinky had hit 1,952 of 2,000 targets. She did even better in her second 1,000 than her first, shattering 977 clays.

#figures of note

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donnerpartyofone · 2 years

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In Praise of Unlikable Women

I saw the sharp, funny, inventive M3GAN twice in theaters (mild spoiler ahead), and when I realized that it was directed by Gerard Johnstone of HOUSEBOUND fame, it occurred to me that he might have a knack for realizing difficult female characters. HOUSEBOUND tells the story of Kylie, a petty crook on house arrest at the home of her awful mother Miriam, who insists that the place is haunted. Miriam is ignorant, intrusive, and attention-seeking, while Kylie is a bit of a psychopath; their misadventures in the house are highly entertaining, but this was a tough experience when it was on The Last Drive-In with Joe Bob Briggs. Anybody following along on Twitter may remember many, many viewers expressing the sentiment that "Kylie is a fucking bitch and if I were her mom I'd slap the shit out of her" etc. I thought...sure she's a fucking bitch, but why does that have to be such a big problem for us non-fictional humans? If we only tell stories about characters who everyone would want for a best friend, doesn't that severely limit what kinds of stories we can tell? Besides which, I also think it should be possible to like people who don't meet your criteria for civilized perfection. Sure, Kylie has all the moral fiber of a feral tomcat, but she's also assertive, independent, funny, and charming in her own amoral way. ...Isn't she?

I may be fairly accused of falling for female characters who don't present as dutiful wives and caregivers. M3GAN (whose savvy script is by Akela Cooper) offers a model of the type in Gemma, a hardbitten careerist whose busy schedule of being alone is interrupted when her estranged sister dies, forcing her to foster her traumatized niece. In a way, M3GAN features no less (and possibly more!) than three difficult women: nerdy loner Gemma, angry little Cady, and M3gan herself, a high tech educational toy whose very existence tests Gemma's underdeveloped ideas about socialization. Mercifully, the movie does not conclude that Gemma should give in to the prime directive and just admit that women can only fulfill themselves through motherhood; rather, Gemma evolves by learning to empathize with Cady's hardships. Sure, the implication is that Gemma will raise Cady herself, but the conversation is not about maternity, so much as it is about respect. M3GAN ain't no SWEET HOME ALABAMA, and Gemma doesn't have to give up who she is in order to acquire the new skill of acknowledging other people. I don't know if I've ever been so grateful that a movie has no love interest in it.

For me, the success of M3GAN is largely dependent on the fact that Gemma is likeable and interesting as an antisocial workaholic, before she ever has to grapple with child care. I suppose there will be viewers who feel otherwise, that Gemma is a cold unfeeling asshole (sorry if that's a little vivid), and she only becomes worthy by transforming into Cady's full time carer. I'd rather avoid such people, but I know they're out there. Apparently there is even a recent New York Times review of TÁR that accuses the film of condoning the predatory behavior of its eponymous antihero. I haven't read the review...and I don't wanna! This attitude is all too familiar to me from the censorious, moralizing atmosphere that has settled over public media dialog recently, which treats every movie as if it were proposing a Constitutional amendment based on its own content.

That state of affairs has made me intensely aware of my own unusual flexibility regarding what I think makes a character likeable and interesting. For the last couple of years I've been collaborating on a very-TBA fiction project, and I came up against some unexpected opposition to the way I had written a certain woman. My colleagues felt that I'd cast her as too harsh, cold, and adversarial, and I received a mandate to soften her up. The criticism wasn't wrong, or dumb, but I was still disappointed that I had to dial back what I liked so much about the character. She was an outlet for my own proud antisociality, and a screen onto which I projected my desire to be even more pragmatic and cutthroat than I'm capable of being in real life. I liked her the way I wrote her, but I needed to heed the warning that not all audiences will relate. Conversely, I've been commissioned to write a novelization of an older movie (also TBA and no I won't tell you if you guessed it right) featuring a female character who I think was originally written in sort of a misogynistic way: someone whose aversion to motherhood is supposed to be kind of a red flag, something that lays the groundwork for bad things to come. Separating myself from what I perceive to be the filmmaker's intentions, I really like this character. I think it's not hard to see depth in her, and to imagine what made her the way she is. I dig her antisociality, her lack of maternality, her withholdingness, and her amoral devotion to her career. I'm doubling down on that stuff and writing her in a way that I personally think makes her sympathetic and intriguing, rather than making her even more repulsive and culpable...but what the hell do I know! Someone will tell me if I'm doing it wrong, hopefully. And in the meantime, I can study the work of Gerard Johnstone. It seems like the rest of his filmography holds even more of that bad girl shit I crave.

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leaves-lilies-and-esther · 1 year

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Reasons we still need feminism (in the US!)

Because out of every 1,000 sexual assaults, only 25 perpetrators will be incarcerated (RAINN)

Because our politicians feel comfortable saying that "if it's inevitable, just enjoy it" (Clayton Williams) and "when you're a star, they let you do it" (Donald Trump)

Because female survivors are routinely accused of lying, even though only 6% of rape accusations are false (meaning that 9/10 are true) (Lisak et al 2010).

Because the US is one of the only countries in the world without maternity leave

Because Alabama, Georgia, Kentucky, Louisiana, Missouri, North Dakota, South Carolina, and Texas all have abortion restrictions modeled on the scientifically inaccurate heartbeat bill (Scientific American)

Because women are already being prosecuted for miscarriages as a result of these rules- even when experts can't prove that their actions caused the stillbirth (google Marshae Jones, Brittney Poolaw)

Because in Arizona, Arkansas, Missouri, Florida, and Texas, you cannot get divorced while pregnant. Meanwhile, the leading cause of death for pregnant women is homicide because of domestic violence (Healthline).

Because women are frequently blocked from getting their tubes tied because they're young/haven't had enough children/ are unmarried. Men never share similar stories

Because people are already advocating against contraception. Idaho's No Public Funds for Abortion Act includes Plan B. Missouri Republicans tried to ban public funding for IUDs and contraception (along with many other examples from Slate)

Because women's pain is not taken as seriously by doctors- 25% less likely to be prescribed opioids for acute abdominal pain, and 2x more likely to be diagnosed as 'mentally ill' for complaining of heart disease (Washington Post)

Because the "husband stitch" is a thing

Because women are routinely under-represented in clinical trials for medication, and get less effective healthcare as a result (The Guardian).

Because pads/tampons are taxed like luxuries

Because roughly 58% of Americans have viewed porn (Institute for Family Studies). We know this fuels sex trafficking. Moreover, exposure to violent pornography makes boys 2-3 times likelier to commit sexual assault (Rostad et al 19).

Because attending strip clubs and similar establishments is still relatively normalized, even though 90% of sex workers want to leave immediately but are unable to (National Organization for Men Against Sexism). Because sex workers are more likely to be homeless, are frequently assaulted, etc.

Because women aren't educated about their bodies to the extent that only half were told about birth control (Forbes). Because my health classes never discussed pelvic exams or breast self-exams. I bet yours didn't either.

Because magazine images are photoshopped until the models don't even look like the models.

Because women are sold a false image of their bodies to the extent that they feel uncomfortable leaving the house without makeup, and 46% of girls worry regularly about their appearance as compared to 25% of boys (Mental Health Foundation).

Because we're told that over-sexualizing yourself at a young age is 'empowering', even though it has outcomes such as depression, disordered eating, and reduced productivity (New York University).

Because we're more likely to encourage our daughters to break gender norms than we are to encourage boys. We still view the feminine as inferior.

Because in 78% of films, the main character was male. And even when the movie is about women, the majority of the dialogue goes to men (Vox).

Because women are 28.7% of the house of representatives in 2023 (Wikipedia) despite being like 51.1% of the population. Because the US has never had a female president.

Reblog and add your own.

#Feminism #patriarchy #sexualization #tw assault #abortion #politics #US politics #long post #women's rights

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chcrrybcmbs · 1 year

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✼ ʾ 𝑎𝑐𝑡. 𝒊 , the bits & bobs .

FULL NAME: alabama alannis levington. ALIAS(ES): bama , big al , the alabama slamma ( by fans / nascar , early in her career ) , duchess of the tracks ( by fans / nascar ). BIRTH DATE: june ninteenth. BIRTH PLACE: los angeles , california. AGE: twenty six years old. PRONOUN(S): she , her. GENDER: cis female. ORIENTATION: heterosexual , hetromantic. RELATIONSHIP STATUS: single. EDUCATION: graduated from a private high school. OCCUPATION: race car driver , model. CAREER DETAILS: click here.

NATIONALITY: american. ETHNICITY: dutch , palestinian. LANGUAGES SPOKEN: english. FINANCIAL STATUS: upper class. FATHER: tyler levington. NATIONALITY: american. OCCUPATION: hollywood filmmaker. MOTHER: noelle levington nee tba. NATIONALITY: american. OCCUPATION: tba. SISTER: aracely levington. NATIONALITY: american. OCCUPATION: tba. PETS: tan and white cavalier king charles spaniel named jill , black and white siberian husky named cersi. PAST RELATIONSHIPS: ford anderson ( tba ).

HEIGHT: 5 foot 11 inches. WEIGHT: 127 pounds. HAIR COLOR: naturally dirty blonde. EYE COLOR: blue - green. TRAITS: loyal , honest , charming , adaptable , cynical , unforgiving , deceptive , cruel. ZODIAC: gemini. HOBBIES: tba. CHARACTER INSPO: naomi clark , regina george , beth dutton , santana lopez.

✼ ʾ 𝑎𝑐𝑡. 𝒊𝒊 , the story so far .

the levington’s , a prominent hollywood couple who were sure they’d never be able to have children of their own at the time , wanted to start a family . the second they came across the little girl , they fell absolutely in love and the adoption process started from there . changing her name to the name at the top of mrs. levington’s dream board , they made a point to include a part of her given name at birth as her middle name though , a thanks to her biological parents for giving them their baby girl in a way .

the eldest of what would become known as the levington clan , life for alabama was picture perfect . a close ( enough ) bond with all of her siblings and two loving parents . not to mention the money and fame that came with her last name , there wasn’t much for the young girl to really ask for but that didn’t stop her from doing so . known to never really be satisfied , she’s always thought there was something bigger and better around the corner and can’t seem to stomach the idea of anyone getting such a thing over her . call it entitlement , if you’d like .

growing up in los angeles didn’t do her any favors , submerged in a world were who you are and what you look like was all that really mattered . her mother was the first to jump on any chance to make her precious little girl the absolute best . taught at a young age to always step out of the house like you were walking the catwalk . you’d catch alabama dead before you ever caught her out and about in sweatpants ( to be honest , i don’t even think she owns a pair of sweatpants ) . the world really got a glimpse into how image obsessed the young girl was when she got a nose job for her sixteenth birthday . truthfully it was like some sort of right of passage among her high school friends back then . a group of private school girls who were more cliquey than anyone could really stomach .

for as long as anyone could remember she was the most pristine of her siblings , the one who always put her best foot forward . that all changed at sixteen though after a more public break up took place , she was left distraught . the only way she knew to numb her feelings was to fall into the party scene . she drank more than her body could handle , sobered up with lines , and didn’t get home until the sun was coming up . it was a rather dark point in her life . the only silver lining being she could stop whenever she wanted to ( no , seriously ) , she just didn’t want to at that time . her parents only taking it seriously when she was arrested at school for possession of drugs ( truth is , the drugs weren’t even hers she was just taking the fall for a friend but that’s something that’s never gone public ) . once they bailed her out , they almost immediately shipped her off to some rehab facility in malibu . the doctors there quickly realizing they weren’t dealing with an addict by any means just a teenage girl who was upset and lashing out . it’s unfortunately a trait no one has been able to help her unlearn , to this day she’s known to be rather difficult , especially when she feels she has been done wrong . she will lash out - violently , verbally , you never really know if venomous words or a shockingly chin rocking hit are going to come from her .

after her stint in rehab , she switched high schools ( due to being expelled ) and being her quickly found herself a new group of friends at the top of the food chain , she’s a natural social climber and doesn’t really need to put too much effort into doing so . soon enough she graduated and let’s be real her grades were good enough to get her a diploma but that’s about it . college had never been in her plans and thankfully she already had a career lined up for herself in race car driving which she’d picked up around the age of thirteen when she started kart racing . it started off as her chasing an adrenaline rush but quickly turned into so much more , after her first major competition as a teenager people around her began making claims she could break records for women in the world of racing . she has gone on to proving them all right with her career breaking barriers and winning races no woman before her ever has . alabama is the first to say the way she carries herself on the tracks is much like the way she carries herself throughout life . a women in a male dominated environment who refuses to take on the spot as anything less than just as dominating as her male counterparts , unafraid of whether that makes her too much in anyone’s eyes or not .

the tabloids often have alot to say about her and her antics but one thing that can never be said about this nepotism baby is that she doesn’t hold loyalty and honesty in the highest regard . a true rarity in the world she lives in but alabama will fall on a sword for those closest to her ( i.e her arrest back in highschool ) , she may have a cool hard shell covering her at all times but she cares immensely about her family and those she deems her friends . she’s the girl who is still close with most of her childhood friends just simply because you never turn your back on someone ( unless they give you reason to ) .

known for having a terrible track record when it comes to the men in her life , leaving her to be deemed a scorn women by many tabloids at just the age of twenty - six . her bad luck started at seventeen and has recently been topped off with her rather distasteful split with ford , in which the whole world watched him cheat on her . to say she is the leading champion of the men suck club would be an understatement . she doesn’t trust men to save a life and frankly she feels she’s entitled to those feelings .

✼ ʾ 𝑎𝑐𝑡. 𝒊𝒊𝒊 , the inner circle .

coming soon !

#hillzintro #ㅤ۪ㅤ۫ㅤ੭ ᵃˡᵃᵇᵃᵐᵃ 𝐥𝐞𝐯𝐢𝐧𝐠𝐭𝐨𝐧 : ❪ ⠀ ⠀ analysis ⠀ ⠀ ❫#ㅤ۪ㅤ۫ㅤ੭ ᵃˡᵃᵇᵃᵐᵃ 𝐥𝐞𝐯𝐢𝐧𝐠𝐭𝐨𝐧 : ❪ ⠀ ⠀ muse ⠀ ⠀ ❫

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shesholy · 1 year

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𝖑𝖆𝖞𝖊𝖗 𝖔𝖓𝖊 . initial .

full name: alabama kara levington . nicknames, aliases:

karawek rattanakosin . ( name at birth : before adoption )

bama .

big al .

duchess of the tracks . ( by fans / nascar )

the alabama slamma . ( by fans / nascar , early in her career )

age: twenty - six . date of birth: june nineteenth . place of birth: pattaya city , thailand . hometown: los angeles , california . nationality: american . languages spoken: english , some thai ( started learning recently ) .

zodiac sign: gemini . hogwarts house: slytherin . myers - briggs: esfp - t .

occupation: supermodel and race car driver . notable career details:

race car driving : first elite tier race was the 2016 indy 500 where she placed 20th .

became the first women to win the daytona 500 in 2020 .

became the first women to earn more than five pole positions in 2021 , currently has seven .

has been voted the most popular driver in a single race eleven times .

currently holds the most wins by a women with thirty - six wins to date .

currently drives #13 ford mustang gt for nascar cup series and #20 chevrolet silverado for nascar craftsman truck series .

most recent race was the xfinity 500 in october of 2022 , where she placed 5th .

modeling : did her first vogue cover at the age of eighteen , has been on the cover of sports illustrated three times since 2014 , became a victoria secrets angel in 2016 , has walked for ralph lauren , givency , chanel , balenciaga , tom ford , prada , and more , currently the face of chanel n. 5 .

height: five foot seven . weight: 120 lbs . tattoos, piercings: same as faceclaim .

adoptive father: tba levington ( tba ) , tba . relationship : she is her father’s daughter , that doesn’t mean she agrees with everything he’s done but she will always back him and the same can be said for how he feels about her . she considers him her best friend even if they don’t talk everyday . adoptive mother: tba levington - tba ( tba ) , tba . relationship : they’ve always gotten along very well , they’ve always been more like friends than mother and daughter though and sometimes alabama feels a little bit of resentment for that . biological parents: fah tanchanok ( mother , unknown ) , mick rattanakosin ( father , deceased ) . relationship : she doesn’t know the woman who gave birth to her and neither one has ever reached out to each other ; she did meet mick toward the end of his life and got to know him and spent his last days with him but that was all . siblings: aracely levington ( 21 ) relationship : tba . pets: jill ( rottweiler , seven years old ) , cersi ( rottweiler , six years old )

gender: cis female . pronouns: she / her . orientation: heterosexual . status: single . past relationships:

tobias forester ( d. 2014 - 2018 )

ford anderson ( d. tbd )

𝖑𝖆𝖞𝖊𝖗 𝖙𝖜𝖔 . background .

inspo : maddy perez ( euphoria ) , naomi clark ( 90210 ) , danica patrick ( race car driver ) .

alabama , born karawek at birth , was born to a thai politician and his mistress . naturally , the last thing he wanted was for it to get out that he’d been unfaithful to his wife and so when his mistress turned up pregnant he sent her off on her way with a bundle of cash ( expecting she’d end the pregnancy ) and the issue would be settled . she did no such thing though , wanting to capitalize on having the child of a prominent figure . her plans quickly fell by the wayside though when she realized she simply was not cut out for motherhood , no amount of money could make her even slightly decent at it . despite that she wanted the best for her daughter , even if she couldn’t give her that . at just under six months , she put her daughter up for closed adoption . the levington’s , a prominent hollywood couple who were sure they’d never be able to have children of their own at the time , wanted to start a family . the second they came across the little girl , they fell absolutely in love and the adoption process started from there . changing her name to the name at the top of mrs. levington’s dream board , they made a point to include a part of her given name at birth as her middle name though , a thanks to her biological parents for giving them their baby girl in a way .

growing up in los angeles didn’t do her any favors , submerged in a world were who you are and what you look like was all that really mattered . her mother was the first to jump on any chance to make her precious little girl the absolute best . taught at a young age to always step out of the house like you were walking the catwalk . you’d catch alabama dead before you ever caught her out and about in sweatpants ( to be honest , i don’t even think she owns a pair of sweatpants ) . the world really got a glimpse into how image obsessed the young girl was when she got a nose job for her sixteenth birthday . truthfully it was like some sort of right of passage among her highschool friends back then . a group of private school girls who were more cliquey than anyone could really stomach .

for as long as anyone could remember she was the most pristine of her siblings , the one who always put her best foot forward . that all changed at seventeen though after a more public break up took place , she was left distraught . the only way she knew to numb her feelings was to fall into the party scene . she drank more than her body could handle , sobered up with lines , and didn’t get home until the sun was coming up . it was a rather dark point in her life . the only silver lining being she could stop when she wanted to ( no , seriously ) , she just didn’t want to at that time . her parents only taking it seriously when she was arrested at school for possession of drugs ( truth is , the drugs weren’t even hers she was just taking the fall for a friend but that’s something that’s never gone public ) . once they bailed her out , they almost immediately shipped her off to some rehab facility in malibu . the doctors there quickly realizing they weren’t dealing with an addict by any means just a teenage girl who was upset and lashing out . it’s unfortunately a trait no one has been able to help her unlearn , to this day she’s known to be rather difficult , especially when she feels she has been done wrong . she will lash out - violently , verbally , you never really know if venomous words or a shockingly chin rocking hit are going to come from her .

after her stint in rehab , she switched highschools ( due to being expelled ) and being her quickly found herself a new group of friends at the top of the food chain , she’s a natural social climber and doesn’t really need to put too much effort into doing so . soon enough she graduated and let’s be real her grades were good enough to get her a diploma but that’s about it . college had never been in her plans and thankfully she already had a career lined up for herself in race car driving which she’d picked up around the age of thirteen when she started kart racing . it started off as her chasing an adrenaline rush but quickly turned into so much more , after her first major competition as a teenager people around her began making claims she could break records for women in the world of racing . she has gone on to proving them all right with her career breaking barriers and winning races no woman before her ever has . alabama is the first to say the way she carries herself on the tracks is much like the way she carries herself throughout life . a women in a male dominated environment who refuses to take on the spot as anything less than just as dominating as her male counterparts , unafraid of whether that makes her too much in anyone’s eyes or not .

sometime in 2017 , she was reached out to by a man who claimed to be her biological father . a shock to her system , not because she didn’t know she was adopted ( that much was clear to her ; and her parents had been rather upfront about it ) but because she knew it was a closed adoption . convinced her whole life they wanted nothing to do with her and by that point in her life she’d come to terms with that . he had disclosed that he only had so much longer on the earth ( he was very sick ) and wanted to meet the daughter that he never got to know . initially she ignored him entirely . it was her turn to shun him from her life -- she couldn’t miss someone she never knew and she refused to be disloyal to her parents , the two people in the world who chose her and loved her . after a few months though her dad explained to her that he thought it’d be best for her to meet her biological father . she sat on the idea for a couple weeks before deciding to reach out . a few days later she was on a flight to thailand . what was only supposed to be a weekend trip turned out to be a month and a half long . she connected with him and a piece of her wanted to be there for him in his last days . soon after his funeral she returned back to the states . going back to life as she knew it pretty much without a bat of her eyes . given a sort of closure she never realized she needed in her time in thailand ( even though her biological mother has never reached out , although before he passed he did give alabama the woman’s name ) .

the tabloids often have alot to say about her and her antics but one that can never be said about this nepotism baby is that she doesn’t hold loyalty and honesty in the highest regard . a true rarity in the world she lives in but alabama will fall on a sword for those closest to her ( i.e her arrest back in highschool ) , she may have a cool hard shell covering her at all times but she cares immensely about her family and those she deems her friends . she’s the girl who is still close with most of her childhood friends just simply because you never turn your back on someone ( unless they give you reason to ) .

#hillzhqsintro #ㅤ۪ㅤ۫ㅤ੭ ᵃˡᵃᵇᵃᵐᵃ 𝐥𝐞𝐯𝐢𝐧𝐠𝐭𝐨𝐧 : ❪ ⠀ ⠀ muse. ⠀ ⠀ ❫#ㅤ۪ㅤ۫ㅤ੭ ᵃˡᵃᵇᵃᵐᵃ 𝐥𝐞𝐯𝐢𝐧𝐠𝐭𝐨𝐧 : ❪ ⠀ ⠀ about. ⠀ ⠀ ❫#tw: drug mention #tw: parental death

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usalatestwebstories · 3 months

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Concerning Video of Former Alabama LB Surfaces

A concerning video has surfaced allegedly featuring former Alabama linebacker Terrell Lewis. On Saturday, OnlyFans model MIA💞 on X posted an explicit video of a female chasing a male down a hallway in a hotel. The video includes a naked woman chasing after a man she alleges to be Lewis with the caption “We got a runner”. If you choose to view the video, you can watch it here on her X account. In…

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irishfederalreconnaissance · 5 months

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The Family Support of the Vietnam War

Pasha (Charlebois):

Diane: MI-6 airways, out of Amsterdam; support through D-Company, into Thailand, out of Bengal.

Michael: Raytheon NFL, out of Attleboro; the jeweler's industry, as fomenting the Jets-Patriots rivalry, to prevent MI-6 from favoring the Steelers as the league chaplins, MI-6, instead of the Jets as league stewards, NYPD.

Steven: Vatican CIA, out of California; the saviorship, of Chinatown, as an anti-rape movie, and with it, the other films, the Vietnam War veteran support of female roles for male rapists, out of the frame of Roman Polanski, as police lieutenant Charles Manson, and the switch of identities.

Ellen: DC Comics African Poverty Fund, and the saviorship of the Batman title, outside of Mossad holding, and instead inside British calumny, the Wayne Family written as the Falcones, the Charleboises.

Sullivan (O'Neill):

Gene: The support of the Sino-Soviet Split, through President Nixon, and the sales of the Stretch Armstrong figure, to Cambodia.

Marie: The study of rare autists, produced by Japan, "The Greys", and the prevention of the MI-6 myth of alien invasion, through MUFON.

Roberta: The NSA housing fund, for irregular soldiers, as engineers, to counter any infiltrator in an unit, as requesting alcohol and liquor, otherwise murdering the failure to violate Alcoholics Anonymous and Narcotics Anonymous protocols; such protocols, being Saudi and Malay.

Evelyn: The trans-axis between Texas, and Tennessee, through Alabama. The State Police office, in rare insects, "bugs", to be hunted by arachnids.

Danny: The formation of "The Cult of Subgenius", to hunt Che Guevera and library cops, those police officers and operatives working out of factories and warehouses, seeking prisoner inmate labor as slaves, to train transgender surgeons for male republics out of France.

Timmy Jr.: The practice of maps and trails finding, in Vietnam, to counter Nixon's attempt at killing the police services, with sperm steals and game theory modeling, through primitive video games, later film and tobacco reference inside Nintendo Systems.

Jimmy: The chaplin stewardship, of Indochina, into the Boston prostitution scene, dominatrixes and dominants, the latter gay, to women, female submissives; spread to Indochina, with trail shootings of Catholic ARVN priests, for Australian MI-6; infiltrated inside the Marine Corps.

Francis: The use of ultraviolet spectroscopes, to analyze schizophrenic birth defects, from police officer marriages, outside of the actual parents; the loss of the "childhood sweetheart" policy, of the Freemasons, to philosophy texts; the modification of "Awake" magazine, "The Watchtower", to "Dr. Spock", the falsely marked Gadze child, a politician with no bearing for being German Homesteader.

Alice: The SIS MI-6 sniper's corps; DEA, on a five person team, lead by Sanjay Gupta, interdicting IDF cocaine dealers out of Colombia; service to the Colombian Army, against sweatshop labor, in garments districts.

#hard candy

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