#aka brownie

[rushingexpress]

TTTEblr (artists or not) I need you all to listen for one second,,

CAN YOU ALL SEE MY VISION?? THE HUMANISED ENGINES WEARING THIS??

[romance-rambles]

do you think...would luke feel weird about emma marrying gilbert? they're supposed to be close in age, while gilbert is probably the closest thing he has to a father figure, despite having maybe a max of a decade between them?

then there's also, uh, the elephant in the room

anyways, i can see some angst about where exactly luke slots into this mess of a family. to their kids, is he uncle luke? big brother luke? but, like, it's emma so he probably has to concede that she's good for him, right? idk i feel like that probably makes him feel worse.

[i haven't read gil's route yet]

[shmorp-mcdurgen]

It’s that day again how wacky

[vivigoesinsaneagain]

I WANT TO BAKE BUT I MUSTN'T. I ALREADY HAD A SWEET TREAT THIS WEEK.

[one-shitpost-a-day]

i want a very large Cube of brownie that i can just munch my way through like the protagonists did with the strawberry cheesecake mountain featured in the screenplay i wrote for a workshop in fifth grade

[belladonnaprice]

.

[notjosieyouremy]

real recipe i saw on pinterest

[heaven-sent-hell-bent]

that's it I'm in a silly mood so I'm writing a high Jekyll fic cause.... why not honestly????

[dr-lizortecho]

Unpopular opinion: I prefer to top brownies with Oreo/cookie dough ice cream rather than vanilla

strongly agree | agree | neutral | disagree | strongly disagree

[cinnabon-sweetroll-tiramisu]

Calico cats are so feckin cute. So are torties. Such babby cats, I love them.

Wait, let me find a pic of brownie aka brongi as my dad calls the cat. Brongi is a tortie.

Here is Brongi.

Stray cat, always wants pats lol

[orcelito]

The struggle of being at work early and trying to decide between getting an extra hour of pay or getting an hour to just be a sleepy lump on the couch

Difficult choices...

[milktoast-femboy]

Merry Beastsmas, tumbler! i made some Treats!

[estrategiaycreaciondecontenidos]

Blonde Brownies aka Blondies

[dorianmathay]

Grunt Machine - SoundCloud

Listen to Grunt Machine by The Dead C on #SoundCloud

After a wee sabbatical spree of nonsensicalness, the mighty Dead C rises from its ashtray like snipes and Rizla+'s, flame included!

[7s3ven]

Was literally just making lemonade and I thought to myself “this would be a cute plot for TF 141”.

Like they finally have a well-deserved break and they settle in a little neighborhood to literally just rest. And someone rings the doorbell but all that’s there is a plate of cookies on the porch.

You, their neighbour, eventually approach them and they immediately grow attached because you’re kind and soft and gentle, everything they aren’t.

You make them homemade lemonade and sweets and treat them the way a housewife would, aka a way they’ve never been treated before. And even when they go back to their jobs, they still get gifts from you. And they literally refer to you as their wife or misses.

“Oh, yeah, just a gift from the misses.” Ghost gruffly grumbles to the recruit who asked about the container of brownies.

“I didn’t know you were married.”

“I’m not.”

[natamouche-art]

some favourite shots I did for episode 6... it was so fun crafting the final bridge scene from Travis' script, and seriously all the credit for the amazing opening seq goes to our EP Aaron for taking the emotion in Yaz's exposure therapy to the next level!

Inspo for this ep mainly came from the Alebrijes attack and car chase boards from the Coco blu-ray deleted scenes. Seriously yall, if you're an aspiring board artist, go watch those, they're all masterclasses in camera, framing, and acting.

Some thoughts below about these boards if yall are interested...

Becklespinaxes - there was a LOT of research that went into becklespinaxes (aka altispinaxes) to make this bridge scene happen. In the original script, there was the idea that Blondie (the yellow becklespinax) would be ramming and spinning the side of the van all over the bridge from the beginning, all while ben was still driving forward and Sammy was trying to climb the side latter of the van and into Yaz's window. - I think in writing it made for a really rad scene, but there were some concerns that the physics of all of that, as well as some staging issues, so I dove into becklespinax research to see if some of these problems could be fixed by grounding the conflict in the dino's hunting/attack styles - From what I can remember, as a mid-sized theropod, the becklespinax would've hunted small sauropods and the like, not van-sized dinos, so having her ramming the side of the van was out. Instead, I theorized the becklespinax would more likely be interested in rooting out the tastey treats inside, like a bird fishing out grubs from inside a tree or log. Thus, Blondie jamming her head into the window was born - From there on I tried to keep the van-and-dino physics and behaviours as grounded as possible, but i'll be the first to admit that physics was never my strong suit and sometimes the plot's just gotta come first over science

One detail I loved that unfortunately seemed to get passed over in animation was the way the second becklespinax, Brownie, entered the shot from behind the camera, and covered up the "NOW LEAVING DINOSAUR FREE ZONE" to just be "NOW DINOSAUR ZONE". Corny, I know! But it felt right and I was heartbroken to see that it wasn't caught in time to be able to go back and change it

Also no heart by sammy's name on yaz's phone :( idk why, sorry gang

About boards, an interesting thing to keep in mind was that even though this bridge may seem like a pretty isolated and simple set, there were actually several moments/shots that I didn't end up using because they revealed too much of the background, specifically the exterior island set and the exterior mainland sets that connected to the bridge! That's right, in the actual set models, those parts are just the cliff ledges and a bit on the sides, everything else would have to be what's called a paintover. That's something for aspiring storyboard artists to keep in mind about working on 3D TV shows: the sets come before storyboards in the pipeline, so often you have to make what you want to do work to the set, and not the other way around like in feature!