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cere-mon-ials · 2 years ago

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2022 in kdramas

*that I finished

I spent my January nursing all that The Red Sleeve broke (my heart), nourishing what it gave me (provocation to write, notes here), cursing what it did for my overall k-drama viewing expectations. I am still mad that Lee Se-young wasn’t recognised for what she did in TRS, a show that belongs to Deok-im and her alone. I had finished Good Manager a day before, a long-winded bromance between Namkoong Min and Lee Jun-ho. I didn’t think much and truth be told, I don’t remember much either. Happiness fell flat after three episodes; stayed for the remaining episodes because of the excellent chemistry between the main characters. I evidently watched Coffee Prince many years too late but I saw every reason why I might have never finished school if I had seen it earlier.

Run On kept me thrilled on occasion, became white noise otherwise. I loved seeing my two joys, running and translation, woven into the show, loved the miracle of found friendships and homes, and a defiant writing philosophy that healthy relationships are worthy of being probed. Despite how unbearable Our Beloved Summer was about Ji-woong’s unrequited love, I could see the good-naturedness of the story writer-nim was trying to tell. I loved watching why the two leads fell apart and what brought them together. I loved that this had something to do with communication but I loved even more, that it just had to do with having grown up and realising you can love something you’re not and that’s one way to experience life. Kairos is the most underappreciated show that tackles time-travel. Great writing with exceptional attention to detail.

February was spent with the duology of the Ahn Pan-seok—Kim Eun—Jung Hae-in universe, the k-drama equivalent of Austenian bliss. Both shows benefit from Kim Eun’s thesis that romance may be intimate but love, in a patriarchy, demands a public that must accept it. Ahn Pan-seok is the finest orchestrator of moments that feel like the time lapse that falling in love is, that thing that people often reduce to soulmatism or violins at first glance. In One Spring Night, it works. In Something in the Rain, it fails because Kim Eun was still finding her voice as a writer who is stumped by what makes for the ‘right’ kind of conflicts in a 16-episode arc. I don’t think that’s the only problem with SITR but it’s the one she solved with marvelous elegance in OSN. In both shows, the main leads are charmingly, refreshingly communicative with each other. But it is in OSN, where Kim Eun figures out that being vulnerable is not the same as talking about vulnerable things, and how to make it count for all relationships that matter. Son Ye-jin and Han Ji-min, I love you both equally.

In March, I began paying an honorarium to the guard of my Jang Hyuk horny jail. Deep-rooted Tree made me cry in at least 14/24 episodes. A Joseon murder mystery wrapped in a drama about accessible language as the beginning to breaking down class barriers and nation-building, with nerdy love for character interiority? I ate that up. Han Seok-kyu is the only reel King Sejong ever. Just like Jang Hyuk is the only reel Bang Won ever. My Country: The New Age is a shallow show with hilarously lofty dialogues and masterful action sequences. In my most generous reading, MCTNA attempted to ask if Bang Won’s modernity could have come at a lesser price; is modernity not equivalent to audacity? Woo Do-hwan is almost as good at portraying audacity as Jang Hyuk.

Having Park Eun-bin and Kim Min-jae play Brahms in a riveting duet is exactly what Do You Like Brahms? set out to do. Introverts are rarely done well on the screen and getting it right with not one, but two leads is an achievement too. If you are a person fuelled by that mystical "passion," the creative arts industry can be a cruel place. Chae Song-ah is, by all accounts, not as talented as the others around her, and this is not a story of stick-with-it-till-you-rise-from-the-ashes. Even the hope that it might be is wonderful writing because Song-ah is far more assertive than anybody gives her credit for, like a baby who holds onto your finger with shocking strength. In classical music especially, there is no such thing: you are good or you are out. Park Joon-young is great and yet, he is begging for an out, because being good is just the beginning. These two and the other characters are deeply in love with music and they want to protect that love. They all find out that in the end that love needs sustenance, not protection.

I binged Fated to Love You in April, in a private experiment to see how much Jang Hyuk brainrot I can take. (Let’s remember this is a summary of the shows I finished.) I came out of it with brainrot for one more Jang. Outrageous show, outrageous star power. Soundtrack No. 1 was a forgettable experience save for the fact that I am now a person who looks up Park Hyung-sik’s MDL page on the reg. I think everybody is right about Twenty-Five Twenty-One: (a) Baek Ye-jin and Na Hee-do were always going to break up (b) It was a terribly-conceived finale. Two other opinions I am going to leave here: (c) Ji Seung-wan, darling of my heart, should have been the lead for the show that writer-nim actually wanted to do. (d) More people would see this, and also may have responded with thoughts beyond ship discourse, if Na Hee-do was played by anyone other than Kim Tae-ri.

I think people were right about criticising Lee Soo-yeon’s Grid too. The science of time-travel took some leniency. I get why the finale would have been unsatisfying, even as a setup for a potential second season. But I offer that the thesis of LSY’s shows is never in how they end, because they are not moral science lessons for the future. Grid’s deeply introspective themes of time-travel and the greater good begins with the the sun, the most reliable force in a human's life, turning against mankind. This immediately takes away a human as ultimate antagonist, when it easily could have been. For LSY, the future is the darkest place with unknowable power and we have the task of paving a path of light towards it. Time-travel is not the science-fiction component with which to imagine our behaviour in an unrecognisable, but possible, place. It’s the fucking fantasy. Even if we got the chance to change the past, we really couldn't. The future is what we have got to change and the present to make the first move. Those dreams of going back, repenting hard enough, flirting with what ifs? Not going to cut it. LSY's meta elegance is in bringing the intensely personal version of this theme in parallel to the big one: divorce. FWIW, she had all these threads tie together by Episode 7. I get why she said Grid is the next iteration of her life's work—an exceptional mind.

Park Min-young could have chemistry with a rock, and thank god, Seo Kang-joon isn’t one. When The Weather Is Fine is the rightest show about life in the countryside. It nails the fine line of a tight-knit community that shows up for you and also, how easily they can be the first source of judgement, as people who know your secrets. Best book club in a k-drama. Very well done pining. Imo is my favourite character and she should publish that novel because “Hey. Who do you think killed my brother-in-law?” is a banger opening line. I first saw Lee Jae-wook in this show.

During the weekends of April and May, there was My Liberation Notes. I watched it like a scheduled therapy session, although I do not think Park Hae-young is aiming for catharsis with her works (despite it seeming like the most common outcome). I didn’t have the word “healing” in my everyday vocabulary so often before k-dramas. It’s a genre of k-drama that is meant to be comforting, to inject slowness into everyday life as an antidote for the ills of modern society. Bullshit. There are multiple wide shots of the Yeom family tending their farms, eating in peace amid the greenery, and they are claustrophobic. It might feel like complaints, and you’re free to think that. But PHY knows, as most people my generation do, finding an escape is actually really easy. That’s not the point. The point is to be less sad about being who you are; to know that who you are is enough to make a living, find love if you want it, make peace with your family. This show is about siblings as the real loves of your lives.

I don’t remember what I was doing in June.

Pachinko is not a k-drama strictly speaking, but let’s do it. I adore Min Jin Lee and I am afraid to admit how emotionally attached I am to the world of Kogonada’s eyes. In MJL's book, the linear structure is meant to make you feel like the history of a family can also be a history of the other themes that consume intellectual space. In the show, there is no such thing as a past, or a history. Nothing is done, nothing is over and under the rug. You see Sun-ja’s and Solomon’s stories at the same time because there's no distance that makes what happened then far enough from what's happening now. For this alone, Pachinko is a superior adaptation. I have a shrine for every woman in this show. Watching Yumi’s Cells 2 has been among the happiest experiences of my TV viewing life. Bloody Heart could have been bloodier. I respected that it reached a conclusion without feeling the need to give a neat answer to its central question of assertive power as driver of both unity and chaos—there’s humility in realising that the answer need not be determined in one generation. Jang Hyuk thirst got me into the show, Kang Hanna’s outstanding face and smarts kept me there. Lee Joon’s Lee Tae nearly made me quit. Park Ji-yeon, muah. I watched the back half of Signal in July. It is no fault of the show that I was zapped out of will to see women being killed. There were two scenes of Kim Hye-soo’s that wrecked me bad, I had to quit watching for couple of days. Thank you to the makers for giving a genre-defining template. (Kairos did do it better.)

Alchemy of Souls was super fun as a weekly watch. Daeho is boring to me as a setting and the plot ventures into territories worthy of critical thought once in a blue moon. But I admire the ambition, and the storytelling does have its moments. Lee Jae-wook is a menace. Inhaled Rookie Historian Goo Hae-ryung over four days; I enjoyed it. Extraordinary Attorney Woo tried. I also binged Reply 1997. Reply 1988 is always going to be my favourite and I am not going to watch R1994 for a conclusive test of veracity.

Between these shows, their endearing efforts at being fulfilling shows about love of different kinds, I nibbled on episodes of My Mister. I couldn’t watch two episodes together; it was so potent, so unbelievably demanding of my attention in every way imaginable, and I gave it willingly. I wrote about the show here.

October brought the best mystery/thriller show of the year: May It Please The Court. It was written with a clear idea of how much to bite, knew how to chew on it, and that’s why it also landed the best conclusion of the year. The show is astute about forgiveness and justice, and well, forgiveness in justice. I think the show’s success is in how it trusted both its characters and the audience to process what this means to them. Jung Ryeo-won and Lee Kyu-hyung have impeccable married energy from first scene. Lee Sang-hee is the best, the hottest, the finest.

Little Women is the mystery/thriller show with the most potential of the year. It wasn’t until episode 11 that the show lost me but I do think the flaws began revealing themselves a lot earlier. I didn’t appreciate the show’s insistence that the central crime of the show was Sang-ah’s murders and not the patriarchal cult that pretends to be a meritocracy. I thought the Vietnam War references were in conversation for a whole different reason: I viewed it as a nod to the first war where losing means more than winning. That war is the blueprint for the 21st century exertion of control for the right to capital and target audience, rather than mere territory and pride. But this symbolism wasn’t what came through and I understand those who pushed back on how the war's references, along with an exotic flower, rang hollow. LW did get characterisation right, particularly the way poverty alters how intelligence is perceived and valued. It’s ambitious premise—that Louisa May Alcott was wrong in deciding these sisters would taper their poverty with unusual politeness—is radical.

I will rewatch the first 11 episodes of May I Help You in several trying days of my future. Baek Dong-joo and Kim Tae-hee, butlers to the dead and the alive respectively, are companions, friends and lovers, in that order. What's not to love? The acts asked of them are rarely grand but they are delivered with emotional heft. I forgive all the detours taken from episode 12. I tend to find it dull when everybody and everything is connected to each other. In this one's ending, it's quite lovely. I see the vision in saying that we only know Dong-joo’s story because that’s the story we have tuned into. The miracles could be happening to anyone at all. I wish writer-nim wasn’t so Christian throughout—the throwaway line about suicide put me off. Best piggy-backing scenes in a rom-com and also, favourite kiss, I am going to say.

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elderflowergin · 1 year ago

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Hey hey! I don't know if can articulate it as well as you. But, My Dearest has endeared me to him quite a bit(a lot). I am in the rabbit hole at this point, currently on episode 12 of Hot Stove League, and it is so weird to see him so demure(?) compared to his other roles where he does use his full body quite a lot to express himself. Here, he gets shoved around and startled, and it's a far cry from the sword wielding warrior he is in My Dearest. But he does it so well, I kinda want to cradle his face in my hands and until he sees himself the way I see him, which is 😍😍( when he held a baby for the first time). I also stopped One Dollar Lawyer for similar reasons and The Veil. However, I did spend some time on Falsify(a hidden gem, truly). Him and Oh Junge Se are brothers, journalists, and it delves into the world of journalism and the responsibility of media in shaping public opinion etc, I haven't finished but he's so good at, I don't what to call him, to put it simply, a man who is angry at what has been 'done' to his brother and by extension him. By the way, any hopes or expectations for the 2nd part of My Dearest, for the characters and the story? I kinda don't want to create any illusions of what is to come, and just enjoy the story for it is but ahh, the situation looks so dire. Thanks for welcoming me into your inbox.

Hi again Anon! I completely get you. I loved how different he was in Hot Stove League - it’s such a restrained performance. The character of Baek Seung-soo is interesting to me because he feels like a cold and distant person when you see him, and you realise how principled and generous he is only through his actions. It’s a challenge for any actor, and I love that he did it well and was such a good foil for both Park Eun-bin and Oh Jung-se. I don’t wish to cradle his face (I’m afraid I’d break it) but I did want to put him in my pocket and carry him everywhere.

Sadly Falsify doesn’t seem to be on any of my services, so I will have to wait until the coming Namgoong Minaissance encourages someone to carry it. I didn’t check it out so I didn’t know he plays Oh Jung-se’s brother, which is fascinating to me since I loved their arc in Hot Stove League. Thank you for telling me more about this show!

As for Namgoong Min in My Dearest: he is so expressive and I absolutely love that about watching him.

I could go on and on (and I will!) but I’ll talk about one scene in particular: the one where he carries Ahn Eun-jin across the riverbed which rewired my brain. She’s being carried by him, which must be a novel sensation, since she’s alive to his body in a way the other girls were not. She sees the perspiration on his face, and you can see how it makes her feel, how she’s overwhelmed by — not handsomeness, really, but pure attraction and want. She’s almost entranced, and she touches his face, his sweat, which is, yes, gross, but deeply intimate, like blood. And he notices; how can he not when she touches his temple? He could probably feel her gaze from a mile away, let alone a physical touch. And so he turns and looks at her, and that face says so much, reflecting so much possession, want and banked desire.

Both actors are so subtle and wonderful, and yet convey the undeniable attraction between the characters. For two people who talk nonstop at each other and deny their feelings throughout it all, their true feelings reveal themselves with surprising ease in other ways. I love that so much.)

As for season 2: I didn’t like how their arc ended at the last episode of part 1, but I don’t think it was inconsistent with Jang Hyeon’s character or bad writing necessarily. I’m ultimately glad Gil-Chae stayed with her family. I hope Gil-chae and Ryang Eum become besties. I hope Gil-chae continues to be the successful businesswoman that she is. I hope her friends remain by her side. I think Jang Hyeon has a lot of work and growing up to do. I get that the storyline needs them back together, so for what it’s worth I hope he grovels and begs and is a repentant, changed man when he returns to her.

(I understand that this isn’t a prevalent opinion about them as a couple, and I’m fine with that! I also get that all of this is unlikely to happen, so I’m not resting my hopes on it :’().

Thank you Anon for letting me go on and on about this. Happy watching Namgoong Min and I hope Oct 13th gets here soon! ❤️

#of all the gin joints in the world #gin text post #mbc my dearest #namgoong min

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odanurr87 · 1 year ago

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Alchemy of Completed 2022 Kdramas - Part 1

Last year I watched a bunch of kdramas, too many for me to properly review at the rate I write about them. As a result, I'm gonna try something different and quickly review those dramas that released in 2022 that I watched, and maybe recommend a few alternatives here and there in those cases where the show didn't live up to the task. Considering it's been a while since I watched some of these dramas, I binged a couple of them again to better inform my commentary. If you're short on time, or just want to add kdramas to your ever-increasing watchlist, you'll find a ⭐ next to the titles I wholeheartedly recommend, and a 💀 next to those I feel should best be avoided, but you do you. If you still haven't watched some of these shows, this list will hopefully give you some idea of whether you'll enjoy watching them (or not).

A brief note on my rating system before we begin. I use bins for my 1-10 scale in the following way:

Anything between 5 and 6 is considered average

Shows between 7 and 8 are considered above average

Shows in the 9 to 10 range are the cream of the crop

Anything between 1 to 4 is considered below average, with the 1-2 range reserved for the worst offenders.

Thus, I have two possible scores for the average, above average, and cream of the crop categories, what I believe makes my life a little easier when rating shows. I have occasionally given half point ratings (e.g. 7.5) to certain shows when I feel they're halfway to a better grade, but that has been the exception rather than the rule.

So without further ado, welcome to my Alchemy of Completed 2022 Kdramas - Part 1!

A Business Proposal⭐

Episode count: 12

Where to watch: Netflix

Rating: 8/10

Verdict: "You know I'm good at a lot of different things, right?"

We start with one of my favourites and the best short romcom of 2022. Based on the manhwa of the same name by Haehwa (original story) and NARAK (art), Taemu Kang (Ahn Hyeo Seop) plays the 'perfect CEO' stereotype who ain't got no time for love so, after several hilarious events, he eventually hires Hari Shin (Kim Se Jeong) to play the part of his girlfriend to fool grandpa. Unbeknownst to him though, Hari is his employee. Will their fake relationship turn into a real one? You bet your ass!

The show ticks almost all of the required tropes, subverts some -what was a pleasant surprise- and entertains throughout, making perfect use of its runtime. The second lead couple, played by Kim Min Gue and Seol In Ah, also turned several heads, not to mention the latter had great BFF chemistry with Kim Se Jeong. Week after week, I was looking forward to every episode of this show, especially considering how disappointing another romcom that aired around the same time turned out to be, and that you may or may not find in this list. You could say this show aired just in time for Samantha and Rachel to cure my FLAWless disappointment.

Again My Life⭐

Episode count: 16

Where to watch: Viki

Rating: 8/10

Verdict: Lawful Lawyer is back!

The better Lawless Lawyer of 2022. Kim Hee Woo (Lee Joon Gi) is a prosecutor who travels back in time to put the people who murdered him behind bars while the audience wonders which female lead he should date. And between Kim Ji Eun, Hong Bi Ra, and Veronica Park Kim Jae Kyung, well, he's definitely not lacking in choices. Fortunately, time travel is merely used as a trigger to tell the story (similar to 365: Repeat the Year in this respect), so we don't have to worry about kdramas' rather abysmal track record with sci-fi. The show keeps you hooked episode after episode, finding a good balance between the scheming, putting people behind bars, throwing some punches (has those trademark LJG action sequences!), all the while going after the next big fish. Last, but not least, it does an incredibly good job at managing an ensemble cast of characters, and there are a lot of them! If you're a fan of Lawless Lawyer or Lee Joon Gi, you can't go wrong with this one.

Alchemy of Souls - Part 1

Episode count: 20

Where to watch: Netflix

Rating: 6/10

Verdict: Watch a fantasy cdrama instead

Alternatives: Fights Break Sphere, Fighter of the Destiny

When I watched the character promos for this show I thought this could be Korea's answer to some of China's fantasy dramas, possibly Xuanhuan dramas, and I was all for it! I liked the male actor, Lee Jae Wook, in other dramas I'd watched with him (he was great in When the Weather is Fine and Search: WWW), and Jung So Min playing a master assassin and mentor in a fantasy drama was quite appealing. Of course, I was a bit worried when the teaser dropped, with its emphasis on some weak comedy, but I decided to give the show the benefit of the doubt. Sadly, Part 1 didn't live up to the task. It meandered a lot, definitely under-using its 20-episode order, focusing on every romantic relationship under the sun and then some, ultimately delivering an unsatisfactory hero's journey for the ML, while the antagonists played ping-pong with the alchemy of souls. At times, I was reminded of Hwarang, a show I have reviewed very poorly and that seems to have relied on the idol factor to garner popular appeal.

I've previously compared Jang Uk's journey to that of Xiao Yan from the cdrama Fights Break Sphere, in that I expected the former, from the previews, to undergo a similar rise to power as the latter, rigorously training under his master, slowly climbing his way back to power, but with the additional appeal of developing that romantic relationship between Jung So Min's character and Lee Jae Wook's, what would've made for a more rewarding journey for both the character and the audience. This is a tried-and-true formula, also used by the popular anime The Rising of the Shield Hero, to mention but one other example. Unfortunately for us, Jang Uk can hardly be bothered to train (supposedly, he "trained" with twelve masters for years and didn't learn a damn), except at the very specific, and limited, times that the script dictates, instead relying on luck and plot contrivances to "skip ahead" his way to power, what makes for far less memorable scenes. Additionally, the cdrama nails the master-student relationship thanks to the great rapport between Baron Chen's Yao Chen and Leo Wu's Xiao Yan, but there's hardly such a bond between Mu Deok and Jang Uk.

In the end, Part 1 of Alchemy of Souls should've been about Jang Uk's rise to power under the guidance of his master, and later love interest, Mu Deok, but it's too unfocused, its attention constantly diverted by comedy, love polygons, or caricaturesque villains doing dumb things under everyone's noses. Perhaps its only saving grace was the character of the Crown Prince, brilliantly played by Shin Seung Ho, who was able to nail both the comedy and the drama when called for. However, if you're looking for a good fantasy drama with a more traditional (or any) hero's journey, watch Fights Break Sphere instead, with the caveat only the first season has been released, and it's doubtful there'll be a second. I'd also recommend Fighter of the Destiny, with Lu Han. It probably doesn't have as good CGI or sets, but it has a better grip on the hero's journey than Alchemy and nails the camaraderie aspects.

Alchemy of Souls - Part 2

Episode count: 10

Where to watch: Netflix

Rating: 7/10

Verdict: Works better as a standalone watch

I should've probably left Part 2 of the show for Part 2 of my list, but I'm going in alphabetical order so that's that. This is one of the shows I decided to rewatch to refresh my memory and, to my surprise, it fared much better the second time around. Why's that? Read on to find out!

Part 2 of Alchemy of Souls starts strong, much stronger than Part 1 did, something many were doubting when the news hit that Jung So Min wouldn't return for Part 2, instead being replaced by the original Naksu actress, Go Youn Jung. Fortunately, she does an excellent job throughout, but especially in the beginning of Part 2, which comes across as more of a fairy tale (Rapunzel's), and where the show decides to embrace some of the typical marriage contact tropes, as Young Jung's character fake-marries the now uber-powerful Jang Uk in order to escape from her mother's tight grasp. Honestly, I wish the show had started with Part 2, in media res, and used the material from Part 1 for flashback storytelling, in a similar vein to how The Untamed did it. God, that would've been so good! Precisely because Jang Uk has become sort of a demigod he can boss around all of the useless supporting characters from Part 1 (I'm looking at you, Pathetic Assembly of Evil), and pretty much do whatever he wants, so it's quite commendable to see him return smarter and more measured in his decision-making.

As someone who watched Part 2 live back then, it started to lose its initial glimmer when an inevitable reveal kept being delayed episode after episode, hinting that it would obviously occur the next one. Of course, this never happened, but what made matters worse was the fact that the ML was kept oblivious while everyone around him found out and chose not to tell him because... reasons? I can understand one person keeping the secret for his own agenda, maybe a couple, but I find it astonishing that even Jang Uk's friends and family shared this same agenda, as they also kept the truth from him. Additionally, the more this delay continued the further the narrative possibilities were constrained and, thusly, certain scenarios conjured up by fans never came to pass. However, this will not be much of an issue for people coming in blind to Part 2 (or with a healthy distance from Part 1). Perhaps even the fact that the noble idiocy card is played, or that the main antagonist is obstinately preserved by the writers until the very last episode to little effect (when he shouldn't have made it past Part 1), won't present much of an issue to newcomers.

Having said this, I still feel the final battle for the fate of the world remains rather underwhelming and anticlimactic, not helped by the fact that certain characters are resurrected right before said battle. After all, if the show outright establishes death is not permanent, minutes before "the end of the world," why should I fear for any of the characters? Even Jang Uk himself, during this final battle, doesn't show an ounce of worry that maybe this time he will not make it out alive, regardless of his powers, making the fight seem entirely mechanical and perfunctory. The writers even throw in some half-baked plot device about the King's Star being powered by seven other stars, and since it had never been explained throughout the show a character has to exposition-dump it on our laps (there's quite a lot of exposition dump going around in Part 2, what helps newcomers to the show). It's a plot device prominently featured in the cdrama Fighter of the Destiny, which I previously recommended, so maybe it was inspired by it?

In the end, if you still want to get a taste of the Alchemy experience, I wholeheartedly suggest you treat Part 2 as the original show, with Part 1 being the prequel made to cash in on the show's success that, ultimately, you may not even need. Thus, as a standalone, I'm revising my original rating for Part 2 from a 6/10 to a 7/10, bumping it into my above average bin.

Extraordinary Attorney Woo

Episode count: 16

Where to watch: Netflix

Rating: 6/10

Verdict: Better luck in S2

Alternatives: Good Doctor, Again My Life

Woo to the Young to the Woo started off with a bang and had me sold after binging its first four episodes (I had a bit of an offset), making me hopeful this could be one of my favourites from 2022. Sadly, it was thereabouts that the quality of the writing slowly started going downhill for me. Woo lost me on two fronts: the weak framing and execution of the legal cases, and the underdeveloped cast of supporting characters, who were mostly neglected in favour of Park Eun Bin's Young Woo. Don't get me wrong, Park Eun Bin nailed the character, and her conversation with her mom in Episode 8 was particularly poignant and well executed, but it wouldn't have hurt to give characters like Min Woo or Jun-ho a case that resonated with them, like "The Strife of the Three Brothers," which was relevant to Young Woo's BFF Geu Ra-mi.

I'll take Min Woo as an example because, out of the whole cast of supporting characters, he showed the most promise. The show mentions in passing that Min Woo is his family's sole breadwinner, what could explain why he's so competitive and regards Young Woo as a threat rather than a boon, but the show never tries to explore this when it has the perfect medium to do so in the form of the legal cases. So why not give him a case that echoes some of his struggles trying to support his family while making headway into the competitive legal world, thus allowing us and his teammates to get to know him a little better? In essence, show us, don't just tell us. How am I then supposed to buy his sudden change-of-heart in "The Blue Night of Jeju" when you've given me nothing to support the fact he's bonded with anyone in the team? (besides Jun-ho who was already his flatmate) Perhaps not surprisingly, this particular episode throws a bunch of arcs left and right for the supporting characters to try and grab hold of, but too little too late.

As a procedural, I feel Extraordinary Attorney Woo is pretty average. It either didn't know how or never intended to handle its supporting cast of characters and successfully integrate them into the narrative, similarly to how a show like Again My Life did. To draw a curious parallel, the final episode of Again My Life gathers all of "the good guys" at the restaurant of Hee Woo's parents. There are 14 of them in total, not counting Hee Woo and his parents, and I feel like they've truly become one big extended family by show's end. Extraordinary Attorney Woo has a similar scene, gathering everyone at Min Shik's place that is meant to convey the same feeling, but they don't quite feel like a team yet, let alone a family. Maybe in Season 2?

If you're looking for a show featuring another savant autistic lead, but with a better grasp on developing an ensemble cast of characters, as well as a romantic relationship between the leads, then Good Doctor is the show for you. On the other hand, if you're looking for a kickass lawyer, well, you probably already know who I'm talking about.

Fanletter, Please⭐

Episode count: 4

Where to watch: Viki

Rating: 8/10

Verdict: A lot of heart in a small package

The first among three shows in these lists that feature Choi Soo Young and Yoon Park as either main or supporting leads. I'd only previously watched Choi Soo Young in So I Married an Anti-Fan, a show not without its share of issues, but her as the female lead wasn't one. Indeed, she was one of the highlights and I was looking forward to seeing more of her work. As such, I was looking forward to this mini-series, more so when I realised Yoon Park would play the role of a father willing to move heaven and earth for his daughter, what is not a typical setup in kdramas (in my watching experience, mind you). Off the top of my head, I can only think of Marriage Contract and Lie After Lie as similar shows, in terms of how much of a protagonist the child actor is. Both are shows I would wholeheartedly recommend.

As for Fanletter, Please, I was positively pleased by how much content and social commentary this show was able to fit into its 4-hour runtime without harming the storytelling, something that even full-length kdramas struggle to achieve. Having said that, I would've welcomed one or two more episodes to let it breathe a little bit more and, of course, to watch some cute family moments! This is definitely a case of so good you want more of it. Still, Choi Soo Young and Yoon Park make it work within the available runtime, what's a credit to them and the script. CSY was on a roll last year (as you'll find out in Part 2!) so I'll have to keep an eye out for more of her dramas, and it was very welcome to see Yoon Park play this devoted father character after the disappointing Forecasting Love & Weather (though he was pretty good in it). Give me more short dramas!

Forecasting Love and Weather

Episode count: 16

Where to watch: Viki, Netflix

Rating: 6/10

Verdict: Couldn't forecast love and I have my doubts about the weather

Alternatives: She Would Never Know, The Rational Life

I have a soft spot for Park Min Young, having watched romcoms like What's Wrong With Secretary Kim? and Her Private Life, or even melodramas like When the Weather is Fine. And who can forget Healer, where she played the part of Lois Lane to Ji Chang Wook's Clark Kent (watch it, it's a classic). I couldn't remember a drama with her that I didn't enjoy watching, so it broke my heart a little to see what a disappointing mess Forecasting Love and Weather turned out to be. I should've heeded a friend's advice to steer clear of Song Kang dramas, even though the script was clearly the worse offender by far.

The show hooked us in with the initial romcom elements, and then decided to veer into slife/melo territory, as the relationships between the different couples started to fray, with conflict being driven at an accelerated pace by the issues that arose from poor communication, or an outright absence of it, and how the different couples handled (they often didn't) the results of their miscommunication. I didn't much mind at the time because I felt they were being somewhat mature about it without overplaying their hand, and because my weekly romcom fix was being delivered by A Business Proposal, but they were treading a fine line... that got utterly ground into dust in the last six episodes. At this point in the show, the nonsensical drama was amped considerably, to the point it could've given Young Lady & Gentleman a run for their money, setting us up for the inevitable breakup. Why? Because the kdrama gods have written that a breakup must inevitably occur in Episode 14 or thereabouts, and this show is not about to subvert that trope!

Like Extraordinary Attorney Woo, Forecasting Love and Weather failed at properly handling its ensemble cast of characters, trying to juggle five relationships to some very mixed results, when it would've been better off simply focusing on the main and secondary couples. As a result, by show's end I could've cared less what happened to the main couple, and was actually a bit more invested in the secondary one, played by Yoon Park and Yura, possibly because they at least tried to talk to each other and work things out. Honestly, Yoon Park's Ki Jun got the better deal out of all the characters in the show. How do you make Ki Jun, the guy who cheated on his fiancée with Si Woo's girlfriend, a more likable, or at least interesting, character than everyone else? You have him grow from an immature baby into a more or less responsible adult. You could argue that the main leads experience growth of their own, but it struck me as a bit aimless, a bit hollow. I mean, 16 episodes for Ha Kyung's boss to tell her you learn more from your mistakes than you do your successes? Seriously? Just go to r/GetMotivated for that.

Would I recommend this show? Unless you want to learn a little about what goes on behind the scenes of a weather forecast, not really, but maybe it's my fault for having high expectations due to PMY. It's not a bad show though, just average. If you want far better executed takes on this concept, check She Would Never Know on the kdrama side, and The Rational Life on the cdrama side.

Glitch💀

Episode count: 10

Where to watch: Netflix

Rating: 3/10

Verdict: Watching an episode of Ancient Aliens on the History Channel would've been more exciting and a lot shorter too

Alternatives: Circle

Can I get away simply by saying watching this show was a glitch? No? Dammit. I should've known better than to watch a Netflix-produced kdrama, even if it does star Nana, 'cause they've all been a bust for me, but Glitch was one of the privileged few shows I watched in 2022 that made me feel I had utterly wasted my time, with no redeeming qualities about it. 500 minutes to tell a story that lacks focus and is all over the place, perhaps stretched thin to meet a Netflix episode quota, with a FL that is not particularly interesting to follow, as she goes through a midlife crisis and teams up with Nana to investigate a UFO cult that may or may not have kidnapped her ex to sell his kidneys. Okay, maybe I made up that last bit about the kidneys.

The comedy doesn't land, the mystery doesn't land, the drama doesn't land, and the UFO doesn't land either. Undoubtedly, the finale is the better episode of the show, not least of why because it marked the ending, but also because the show didn't have any more time to dawdle as it had been doing for the past nine episodes, what gave it some much needed focus. To make matters worse, the surprises and twists at the end of each episode just weren't good enough to keep you hooked, nor, I'm afraid, were the leads. I was tempted at the time to give this show my first ever 1/10 for the way it wasted my time over the span of those 500 minutes, with a story that was infuriatingly inconsistent and lacked a lot of common sense, but it's probably not that bad. Still, I would only recommend watching it to my enemies, probably alongside something like Sisyphus.

Good Job

Episode count: 12

Where to watch: Viki

Rating: 7/10

Verdict: Good fun

Alternatives: Secret Royal Inspector

Another ENA network show, like Extraordinary Attorney Woo, but shorter and more entertaining, as we follow the crazy antics of Eun Soon Woo (Jung Il Woo), a chaebol CEO who doubles as a private detective (think Bruce Wayne/Batman), and Don Se Ra (Kwon Yu Ri), his newly-recruited superpowered assistant, as they aim to solve a 20-year-old cold case while uncovering other, smaller, cases, helping people and rectifying injustices along the way.

Good Job is just a fun ride overall, even if the comedy can be a little hit-or-miss sometimes, especially when it drags on for too long or tries the Marvel route of undermining certain scenes. The writing too could've benefited from another revision, as some events feel gratuitously delayed, like when a character refuses to reveal a certain name only to do so a few minutes later, while others are forced to a head, like Se Ra discovering Soon Woo's batcave. Oh, yeah, he has a batcave, of sorts, and even an Alfred, in the form of Lee Joon Hyuk's Director Hong, whom you may recall from Mystic Pop-Up Bar. He also has a talented sidekick and comedic support, Jin Mo (Eum Moon Suk), both a lawyer and a hacker, who also gets into a romantic entanglement of his own with Se Ra's best friend, Na Hee (Song Sang Eun). This is the mini-Justice League you'll see play dress-up (these scenes are so over-the-top fun!) from episode to episode, as they go undercover to solve cases and get one step closer to their goal. In this sense, this show could be compared to something like Taxi Driver, but, unlike the latter, Good Job doesn't take itself too seriously and neither should you for maximum enjoyment.

While the resolution of the final case felt a bit underwhelming, and perhaps a tad perfunctory (I did appreciate the brief redemption arc for one of the antagonists though), Good Job achieves in 12 episodes what Extraordinary Attorney Woo could not in 16, making its cast of characters grow into a team, one I would not mind accompanying in more adventures in future seasons. Will that happen? Probably not, so if you're looking for more fun adventures of the sort, and don't mind traveling to the past, I would not hesitate to recommend Secret Royal Inspector, with Kim Myung Soo and Kwon Na Ra.

Grid💀

Episode count: 10

Where to watch: Disney+

Rating: 4/10

Verdict: Another nail in the kdrama sci-fi coffin

Alternatives: 365: Repeat the Year, Reset, Circle

Sci-fi is one of my favourite genres, but kdramas have had a rather lousy track record at delivering good quality sci-fi and, sadly, Grid does nothing to change that. Our story starts in 1997, when a mysterious time traveler known as "the Ghost" laves a program for an energy grid to replace Earth's failing magnetic fields. This Grid is now managed by the Administration Bureau who intend to track down the Ghost and unlock the secrets of time travel... eventually. The show's comprised of only ten episodes, yet the pacing of the first half is slower than it has any right to be given the events depicted (hint: they aren't that exciting) and the dialogue isn't stimulating enough to sustain such a slow burner. This "season" could've been compressed into 5 or 6 episodes and it would've been stronger for it. Of course, then it would hardly qualify as a "season" (though Netflix seems to think it does).

The main plot line focuses around this serial killer and the fact that the Ghost is helping him evade capture. Why is this time traveler aiding and abetting a criminal? Honestly, this question was never interesting enough to fuel ten weeks of watching (the pain!) and it shows. Additionally, it is not answered conclusively, although there are some bread crumbs for the viewer to put the pieces together. In fact, this statement captures the show in a nutshell; it raises questions, but never provides any conclusive or satisfying answers, playing on the viewer's knowledge of other (better) time travel stories so they can come up with their own. Perhaps the worst example of this is the season finale, which is only meant to set up events for a possible S2 (in your dreams, or nightmares), thereby raising even more questions.

The writer behind this, Lee Soon Yeon, is apparently quite good, having written for Stranger and Stranger 2. I haven't watched either show so I can't comment on them, but time travel stories aren't for everyone. Having said that, the "mysteries" that are supposed to keep viewers hooked were also underwhelming. I remember reading an article that recommended Grid as a show that keeps you on the edge of your seat. I suppose it's possible to fall off your seat while asleep, right? If you want a show that uses time travel well, though in very limited fashion, merely as a trigger for the plot to unfold, watch 365: Repeat the Year. The cdrama Reset is a great exponent of using a time loop and one of my favourites from 2022. If you want kdrama's best exponent of sci-fi to date, watch Circle (review on the way).

If You Wish Upon Me⭐

Episode count: 16

Where to watch: Viki

Rating: 8/10

Verdict: The genie from Aladdin would be proud

First things first, there is a better version of this show if you take out the gangster storyline, which was entirely superfluous, and better integrate the sister storyline into the main plot. You can also drop the jealous doctor who added surprisingly little beyond being jealous at the required times (what a waste of a perfectly good character). Repackage it all into a shorter, 12-episode, season and this show could've reached 9-10 territory for me. Those are pretty much the weakest aspects of the show.

With that out of the way, it's a very good show. People have compared it to Chocolate given that it takes place in a hospice ward but, for my part, I dropped that show after 5 or 6 episodes, partly because of the ML. No such problem with Ji Chang Wook's character here, an orphan and ex-con with a heart of gold, and a cute dog he's named "Son." Despite all the abuse he's been subjected to throughout his life, he slowly starts to open up as he does community service at the hospice. Paired with Choi Soo Young's flirty Nurse Seo (love her!), these two alone make a powerful case for watching this show. Sung Dong Il also delivers a great performance and has some wonderful exchanges with Ji Chang Wook's character.

The show follows the "case of the week" formula for the most part, certainly during the first half of the drama, as Team Genie tries to fulfill the final wishes of the hospice's patients and often positively impact other people's lives in so doing. Be prepared and have tissues at hand. Beyond the gangster detour that wasted our time towards the end, and drew dangerously close to upending all the good will the show had garnered throughout its run, the final episode really brings it home, coming full circle and delivering a really satisfying conclusion to our story, one final surprise as Team Genie brings down the curtain on their show and bids us goodbye.

In short, yes, it could've been better with a tighter focus but, as it stands, it's one of the better shows to have come out in 2022, and perhaps Ji Chang Wook's best work since Healer (with the caveat that I have not yet watched Suspicious Partner nor Lovestruck in the City). And Choi Soo Young is now 2 for 2! (this girl's on 🔥🔥)

Jinxed at First💀

Episode count: 16

Where to watch: Viki

Rating: 4/10

Verdict: Oh, it's jinxed alright

Alternatives: My Girlfriend is a Gumiho, Goblin, Scripting Your Destiny

I had measured expectations for this drama. Na In Woo had previously worked with the same director in 2021's River Where the Moon Rises, a show I enjoyed a great deal, though mostly because it was the first time I delved deep into the history behind the drama, namely the tale of Princess Pyeonggang and On Dal the Fool, and the history of the Three Kingdoms' period. He was brought in late, with production underway, to replace Ji Soo; he barely slept, had to adlib a lot of his scenes, and still managed to have great chemistry with Kim So Hyun and, to my mind, had the better grasp on the character of On Dal. I'd hoped Jinxed at First would give him another opportunity to shine, but, alas, that was not the case.

The first episode alone is a hectic storytelling mess (and, incidentally, River Where the Moon Rises alumni reunion), rushing through a lot of backstory and setup for the rest of the season. We're introduced to Soo Gwang, a bright student with a promising future and powerful friends, whose life takes a turn for the worse when he meets Seul Bi (Seo Hyun), a woman imprisoned since birth by his best friend's dad because of her strange ability to see a person's future through a single touch. Cut to a year later, where we find Soo Gwang working as a fishmonger under a different name, only for Seul Bi to track him down again, determined to remain by his side.

Honestly, I'm not sure what genre this show wanted to be, but I'm pretty sure it failed at most of them. For the first 6 or 7 episodes it tried to resemble something like My Girlfriend is a Gumiho, as Seul Bi is just as innocent and naïve as Miho was (even if Miho sold it better than Seul Bi did, to my mind), and both male leads were resolved to get rid of her. This is perhaps the strongest portion of the show, as Seul Bi adapts to her new environment and neighbors, making new friends while at the same time helping Soo Gwang get rid of his (never explained) bad luck. I even enjoyed some of the comedy. However, unlike My Girlfriend is a Gumiho, there is not enough chemistry between the leads to have them fall in love with each other over the course of 6 or 7 episodes. Well, not in Soo Gwang's case at any rate, as Seul Bi has been infatuated with him for years. Upon falling in love, the trope that naturally follows is a break-up, after which point the show starts to resemble more of a makjang, turning to corporate and chaebol intrigue and infighting. This is also around the time Soo Gwang's best friend, Min Joon (played by Ki Do Hoon, from Scripting Your Destiny), decides he's in love with Seul Bi (what?), something even more out of left field, especially when he's already engaged to Lee Ho Jung's (Soljiwan!!!) charming character, Ja Kyung, who effortlessly stole every scene she was in. Min Joon, if you don't want her, I'll gladly take her off your hands!

Seemingly having exhausted the depth of its narrative well, the show dragged its feet for several episodes, eventually deciding the story was better served by turning a character into a psychopath, who also wanted Seul Bi for himself and was willing to kill anyone in the process, an eye-rolling set of circumstances eventually resolved thanks to Seul Bi's expansive (aka nonsensical) repertoire of supernatural powers. And, of course, in a show of this caliber, the amnesia trope could not be absent, a card that is dealt in the very last episode and resolved at the very last minute. What a payoff.

When I first learned of this drama I recall reading an outline that went something along the lines of, "Unlucky man meets a goddess of luck." Would it have been too much to ask for a show fitting that description, but in the vein of the excellent Goblin instead? Or maybe something like Scripting Your Destiny, which is certainly not as good as Goblin, but is still way better than this, and much shorter too. If you want to watch a show that features a romantic relationship between a god and a human, I encourage you to give those a try instead, as well as the aforementioned My Girlfriend is a Gumiho.

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theadusa · 9 months ago

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Everything I watch in Jan 2024

I was going to post my annual everything I watched in 2023 post but I feel like I missed my opportunity, so here is my everything I watched in January 2024... (Be Warned there are some spoilers, I do try to mark them throughout the review)

My Lovely Boxer (2023, Kim Min-joo)

Main leads: Lee Sang-yeob, Kim So-hye, Park Ji-hwan, Kim Hyung-mook, Kim Jin-woo, Ha Seung-ri, Chae Won-bin

Country: S. Korea

Run: August 21 to Oct 2, 2023 (KBS2, Monday and Tuesday @21:45 (KST))

Episodes: 12, 70 min

Thoughts: Lee Kwon-sook (Kim So-hye) is a boxer who is forcibly thrown back into the world boxing that she has retired from by a sports agent Kim Tae-young (Lee Sang-yeob). I really liked how they balanced the characters. Lee Kwon-sook is a cheerful girl who is constantly haunted by her past. And she is allowed agency to do what she can do, despite the efforts of others. And the relationship between Lee Kwon-sook and Kim Tae-young, though slightly toxic, works in an odd way. I did have problems with how they reconnected her with her father.I personally wouldn’t have forgiven him. However, I loved the relationship with Han Ah-reum, and just how that story ends. I thought it was done very well. Overall I have really enjoyed this drama. Rating:

Unlock My Boss (2022-2023, Kim Hyung-min)

Main leads: Chae Jong-hyeop, Seo Eun-soo, Park Sung-woong

Country: S. Korea

Run: Dec 7, 2022 to Jan 12, 2023 (ENA, Wednesday and Thursday @21:00 (KST))

Episodes: 12, 60 min

Thoughts: Oh wow, this is more enjoyable than I imagined. Chase Jong-hyeop as Park In-seong is so fun. He is adorable, down to earth but capable. Jun Se-yeon (Seo Eun-soo) was amazing and I loved her complexities as a character. And the trio of Kim Seon-joo (Park Sung-woong), Park In-seong, and Jun Se-yeon, was so fun and I loved the little family they formed. I literally cried so much during this show for no reason. Like the zoom into the phone literally made me sob each time for no reason. Rating: Who knew electronics can have that much range?

Night Has Come (2023, Kang Min-Ji)

Main leads: Lee Jae-In, Kim Woo-Seok, Choi Ye-Bin, Cha Woo-Min, Ahn Ji-Ho, Jung So-Ri

Country: S. Korea

Run: Dec 4,, 2023 ( U+mobiletv)

Episodes: 12, 35 to 40 min

Thoughts: This started off really good. A class gets thrust into a mafia game to the death. You along with the characters are wondering who is the mafia among the students and who is forcing this game. It is really interesting, but the episodes follow the same pattern. The end you find everything out, and it's kind of stupied. They had a classmate who committed sucide due to a badly edited image of herself on a skimply clad woman’s body. Which is yeah bad. Then her parents take revenge on the whole class. They are placed in this mafia simulator to repeat the game over and over again. It ends with Lee Yoon-seo able to remember everything, but still trapped in the simulator. Like where their parents are. People must be concerned right. Rating: Sisphyus boulder, I guess…

The Story of Park’s Marriage Contract (2023-2024, Go Nam-jeong)

Main leads: Lee Se-young, Bae In-hyuk, Joo Hyun-young, Yoo Seon-ho, Jo Bok-rae

Country: S. Korea

Run: Nov 24, 2023 to Jan 6, 2024 (MBC TV Friday and Saturday @21:50 (KST))

Episodes: 12, 70 min

Thoughts: This was a cute drama. It starts off with a cute romance between a progressive woman in Joseon and a sick scholar. However, it quickly becomes a tragedy and she is sent to the year 2023 with her hand maid Sa-wol (Joo Hyun-young). It quickly becomes a fish out of water for Park Yeon-woo (Lee Se-young), but luckly she meets the recacrante of her late husband Kang Tae-ha (Bae In-hyuk) and they make a deal. It is a cute drama and I loved the cast of characters. Yeon-woo is easy to root for. Sa-wol is adorable, and adapts quickly. Kang Tae-ha is prickly but has a heart of gold. It's dramatic and fun. It's nothing special, but oh is it so good. My favorite part is Yeon-woo and Sa-wol’s relationship. Literally there is a scene with those two that reflects a romantic scene in Perfect Marriage Revenage (2023) which I can’t stop thinking about. Overall I just really enjoyed my time. Rating: butterflies everytime I think about you…

Joseon Attorney: A Morality (2023,Choi Jin-young)

Main leads: Woo Do-hwan, Bona, Cha Hak-yeon

Country: S. Korea

Run: March 31 to May 5, 2023 (MBC TV Friday and Saturday @21:50 (KST))

Episodes: 16, 70 min

Thoughts: This was a lot like Taxi Driver. In the way you have an episodic feel with a charismatic male lead seeking revenge and helping people. I had a lot of fun with this show, and I don’t use the comparison lightly either. I really had fun with it. The romance was okay, but I liked the different stories, and the main revenge plot was easy to follow along with. Woo Do-hwan is a great actor and meant to be a leading man. It's definitely not my favorite and there are a few things that needed changing but it was fun overall! Rating: Who do you call?... Joseon Attorney!!!

KBS Drama Special 14 (2023, Choi Ja-won, Yun Tae-woo, Cho Il-yeon, Choi Yi-kyung, Wi Jae-hwa, Kwon Oh-joo,Park Eun-seo, Jo Soo-yeong, Kim Ik-hyun)

Main leads: Lee Jae-won, Choi Seong-won, and Kim Kang-hyeon, Kim Won-hae, Min Ji-ah, Ahn Se-bin and Park Ji-ah, Lee Min-jae, Kim Hyun-soo, and Kang Na-eon, Moon Woo-jin, Park Seo-kyung, Park Ha-sun, Kim Joo-heon, Kim Do-hoon, Chae Won-bin, Kim Dong-hwi, Jo A-ram, Shim Yi-young, Joo Seok-tae, Ren, Park Sang-nam, Hong Seung-hee, Hahm Eun-jung, Kim Kang-min, Yoon San-ha, Baek Sung-hyun

Country: S. Korea

Run: OCT 14 to Dec 16, 2023 (KBS, Saturday 21:50 to 22:50 (KST))

Episodes: 10, 60 to 80 min

Thoughts: This is a yearly anthogolgy series that follows various characters in various time periods with various goals. I thought a lot of them were really cool and interesting. “Love Attack” was by far one of my favorites, but I also really liked “The True Love of Madam” which was shocking for me. It was also hard to find any subs for “Overlap, Knife, Knife” so I had to rely on visual cues and the small amount of Korean I know. But I thought this was a fun anthrologie series, and the stories are fun and fresh. Rating: I love getting short and quick stories like this, its the reason I love short films so much.

A Good Day to Be a Dog (2023-2024, Baek In-ah)

Main leads: Park Gyu-young, Cha Eun-woo, Lee Hyun-woo

Country: S. Korea

Run: Oct 11, 2023 to Jan 10, 2024 (MBC, Wednesday 21:00 (KST))

Episodes: 14, 70 min

Thoughts: Apparently it is very different from the webtoon ( which I have never read), but I found it entertaining. It is cute and lighthearted. I always like when its past lives, I think it adds a fun element to romances. Though I do think the schedule of the show hindered my enjoyment, because it would be so long between episodes. They also lost me at the end, I can not lie. Rating/Spoiler: Also I would be so angery if I found out my family curse passed down for generations was over a misunderstanding. I would want an apology, reparations, and revenge. On another note, I would also be so pissed if I killed myself to save my servant's baby; then my boyfriend finished off the dying father, then cursed the child and its offspring. I would be pissed, like my scarfice was for not. Go off mountain spirit I guess…

My 20th Twenty (2023, N/A)

Main leads: Choi Yu Ju , Jung Su Bin

Country: S. Korea

Run: April 21 to may 27, 2023 (Wavve, Friday and Saturday)

Episodes: 12, 15 min

Thoughts: This show was good for what it was. It has the vibe of a college student film with a mix of those youtube series made by middle schoolers back in 2009. And I mean that with the highest praise. The sound mixing was off, they had limited cast (background actors is what you are looking for), no interesting lighting (but very well light- i.e the student film vibes), and the actors new to the scene. I loved every motherfucking moment. It was so cheesy, the script was bad, and nothing made sense. But I knew that it was made with passion. Rating: It would be horrifying being 20 forever

Taxi Driver Season 2 (2023, Oh Sang-ho)

Main leads: Lee Je-hoon, Kim Eui-sung, Pyo Ye-jin, Jang Hyuk-jin, Bae Yoo-ram, Shin Jae-ha

Country: S. Korea

Run: Feb 17 to April 15, 2023 (SBS, TV Friday and Saturday @22:00 (KST))

Episodes: 16, 70 min

Thoughts: Back in action the second season is so much fun and entertaining. I actually like it better than the first. And I said this once and I’ll say it again Lee Je-hoon is made to be an action star. He’s as great as Kim Do-gi. I also liked that Ahn Go-eun (Pyo Ye-jin) had a larger role this season. I also just love the friendship in the Rainbow Taxi service. Just so fun. Rating: imagine being taken down by a taxi service…

Taxi Driver Special (2023, SBS)

Main leads: Lee Je-hoon, Kim Eui-sung, Pyo Ye-jin, Jang Hyuk-jin, Bae Yoo-ram, Shin Jae-ha

Country: S. Korea

Run: Feb 16 to March 4, 2023 ( KBS)

Episodes: 2, 60 -120 min

Thoughts: This was fun seeing the cast reflect on the episodes and their characters. Its also cool just seeing a reply of everything that happened. You could tell how much Lee Je-hoon loves playing Kim Do-gi. Rating: I am excited for the 3rd season…

Brain Works (2023, Park Kyung-seon)

Main leads: Jung Yong-hwa, Cha Tae-hyun, Kwak Sun-young, Ye Ji-won

Country: S. Korea

Run: Jan 2 to Fe 28, 2023 (KBS2 Monday and Tuesday @21:50 (KST))

Episodes: 16, 75 min

Thoughts:This show is weird. I think most cop shows are weird but this one especially. I did like the bromance in this, between Shin Ha-ru (Jung Yong-hwa) and Geum Myung-se (Ch Tae-hyun). I did think neuroscience was weird and defies logic. The only good thing about it was when they didn’t completely vilify Pyschopaths, because it tends to be more complicated than the mainstream likes to show. It still left a lot to be desired but it was there. Also when he lowkey kidnapped and torture that kid, oh my god, like he was a little punk and deserved to go to trail but my god. Rating: This is lowkey giving Minority Report tbh…

My Cuteness is about to expire!? (2022, Tanabe Shigenori)

Main leads: Yamada Ryosuke, Yoshine Kyoko

Country: Japan

Run: April 16 to June 11, 2022 (TV Asahi, Saturday 23:30)

Episodes: 9, 23 to 47 min

Thoughts: Maruya is your typical male narcissist who works in sales. He uses his cuteness to stake by in life, to make up for his average skills. One day he is visited by his future self, whom he deems ugly, tells him that his cuteness is going to expire. He decides, after relizing his crush, the only way to prevent this is to date Sanada, a robotic newbie to the sales team. It is cute and Maruya and Sanada are fun as a couple, plus if you have the time you could watch this in a day. Rating: I’m Ichinose calling every single person every 10 seconds sobbing…

My Dearest Pt 1 (2023, Hwang Jin-young)

Main leads: Namkoong Min, Ahn Eun-jin, Lee Hak-joo, Lee Da-in, Kim Yoon-woo, Lee Chung-ah

Country: S. Korea

Run: August 4 to Sept 2, 2023 (MBC TV, Friday and Saturday 21:50 (KST))

Episodes: 10, 60 to 90 min

Thoughts: I was not expecting to like this more than I did. The angst in every episode is so insane. Episode 10 was actually unbearable. I also want to take a moment and appreciate Yoo Gil-chae (Ahn Eun-jin), she is such a complicated character. She would do anything for her friends, she is willing to do the things that no other women (noble) are willing to do even during times of war. She will stab the man assualting her friend and cover it up. She would cut the amicable cord, she would stab the mother’s hand. She isn’t pure of heart, she neveer claimed to be. I love her so much. And her relationship with Lee Jang-hyun. The ending of episode 10. I was sobbing. Rating: I am trying to hype myself up to watch the next 11 episodes, people had to wait inbetween…

The Escape of the Seven (2023, Kim Soon-ok)

Main leads: Um Ki-joon, Hwang Jung-eum, Lee Joon, Lee Yu-bi, Shin Eun-kyung, Yoon Jong-hoon, Jo Yoon-hee, Jo Jae-yoon

Country: S. Korea

Run: Sept 15 to Nov 17, 2023 (SBS TV Friday and Saturday 22:00 (KST))

Episodes: 17, 70 to 80 min

Thoughts: This was an insane ride. Literally no one in this likeable except for a few, like I didn’t think Min Do-hyuk (Lee Joon) was as bad as the others but oh lordy. It is so melodramatic, which took me off graud for some reason. Going into it I thought it was going to be a serious thriller, but oh boy was I wrong. It was Makjang. Which is fine, and also coming back in style apparently. I’m sat for season 2, but not with much hope. Rating: I actually don’t know the timeline of any of these events, does it expand years months, idk…

My Demon (2023-2024, Choi Ah-il)

Main leads: Kim Yoo-jung, Song Kang, Lee Sang-yi, Kim Hae-sook

Country: S. Korea

Run: Nov 24, 2023 to Jan 20, 2024 (SBS TV, Friday and Saturday @22:00 (KST))

Episodes: 16, 70 min

Thoughts: I was excited for this drama. I really liked Doom at Your Service which promised to have a similar vibe. Which it did to an extent. I actually hate Song Kang in romances and only really like him in nonromance shows. However I think he did really well as Jeong Gu-won. I liked the overall Romance in the show. But I did think the revenge plot got uninteresting and confusing after a while. I do like the ending, I was pretty satisfied with where everyone ended up, which has been a long time since I’ve been this satisfied.

Welcome to Samdal-ri (2023-2024, Kwon Hye-joo)

Main leads: Ji Chang-wook, Shin Hye-sun

Country: S. Korea

Run: Dec 2, 2023 ti Jan 21, 2024 (JTBC, Saturday and Sunday 22:30 (KST))

Episodes: 16, 70 min

Thoughts: This was cute and was far above my expectations. I am always uneasy with Ji Chang Wook, I can’t forgive him for the Melting My Heart drama a few years back, but I would do anything for Shin Hye-sun. So I gave this drama a go, and I liked it. I loved the vibes, and I didn’t mind that revenge wasn’t the main plot. It's like the one line “my enemies will take themselves out before you get a chance to swing.” It was heartwarming and I’m glad that Cho Sam-dal was able to find peace in her hometown. I loved the feel of community. I loved all the Friendships. It was very lovely. And I’m happy at the ending. I will also give my entire heart to Cho Hae-dal and Cha Ha-yul. I loved their mother-daughter relationship. I wanted more screen time for both. Rating: I’m glad there is a little piece of heaven…

Game of Witches ( 2022-2023, Lee Do-Hyun)

Main leads: Jang Seo-Hee, Kim Kyu-Seon, Lee Hyun-Seok, Oh Chang-Suk. Han Ji-Wan, Ban Hyo-Jung

Country: S. Korea

Run: Oct 11, 2022 to April 14, 2023 (MBC, Monday to Friday 19:15 (KST))

Episodes: 119, 25 to 28 min

Thoughts: *Major Spoilers+ Rant ahead.* This show makes me unneccsarly angery. It is a daily drama and a Makjang to boot, so literally put any and all expectations in the gutter. Everything is nonsensical, and drawn out to reach the 119 mark. Storylines get dropped or move way too fast. It has a strange family tree and for a moment every single person was supposbly related. They have so much evidence agsaint the scheming Kang Ji-ho (Oh Chang-suk) and Joo Se-young (Han Ji-wan) but it goes nowhere. Speaking of Kang Ji-ho, he was just straight up dispicable. I would say more than Se-ypung of Ma Hyun-Deok (Ban Hyo-Jung). He was a terrible partner and father from the start. He literally tossed his entire family out the door for Se-young and eventual power. He only paid attention to his daughter Kang Han-Byeol (Kwon Dan-A) when she was able to benefit him. He was at best neglectful and at worst abusive towards her. Han-byeol was the true victim. Hye-soo (Kim Kyu-Seon) actually had a motive in the beginning. She was just pathetic and weak but once she returned they weirdly sidelined her. Also I don’t know why Kang Ji-ho never got prosecuted for trying to kill Hye-soo. Like I find that to be one of his more egregious crimes. Like that is the mother of your child. You gave your child so much trauma, for what? Power? Like when they tried to redeem him at the end I was just fed up. You can’t make hime out to be the big bad guy for 118 episodes, and then have him do one good thing. He is a bad father, and when Han Byeol grows up she will resent him. Rating: Fuck this show, like actually.

My Dearest Part 2(2023, Hwang Jin-young)

Main leads: Namkoong Min, Ahn Eun-jin, Lee Hak-joo, Lee Da-in, Kim Yoon-woo, Lee Chung-ah

Country: S. Korea

Run: Oct 13 to Nov 18, 2023 (MBC TV, Friday and Saturday 21:50 (KST))

Episodes: 11, 60 to 90 min

Thoughts: More devastating than the first part. Gil-chae is probably my favorite character I have watched. Her journey in this part is absolutely devastating but she survives. I enjoyed the refutement from blame, that people who experienced the worst horrors known are somehow blamed. Gil Chae pushes back on this sentiment herself. This entire time I just wanted Jang-hyun and Gil Chea together. Which took the entire part for them to finally be happy. I do think the ending was kind of wobbly, and they only really needed 10 episodes not the 11. But who am I to say? Anyways I enjoyed the show overall. Rating: My Dear Husband…

Kokdu: Season of Diety (2023, Kang Yi-heon, Heo Jun-woo)

Main leads: Kim Jung-hyun, Im Soo-hyang, Kim Da-som, Ahn Woo-yeon, Kim In-kwon, Cha Chung-hwa

Country: S. Korea

Run: Jan 27 to March 24, 2023 (MBC TV Fridays and Saturdays @21:50 (KST))

Episodes: 16, 70 min

Thoughts: You must be wondering why did you watch this? It only has bad reviews- which is a lie, it is actually a polarizing show. And I can understand. If you go into this show with the lowest expectations imaginable and it might be fun. The scenery is pretty and they make decent use of it. Main Romance is actually not good, I felt no chemistry between Kim Jung-Hyun and Im Soo-hyang. I did like the romance between Tae Jeong-won (Kim Da-som) and Han Cheol (Ahn Woo-yeon) other than that The show overall fell flat. I did like the scenery and the setting. I thought it was fun. Also episode 16 was the most enjoyable episode, which is good for an ending. Rating: I would skip…

I am currently watching:

Marry My Husband

Doctor Slump

Because of Love

Do You Like Brahms?

The Real Has Come!

If you have any kdrama recommendations, please let me know!

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