#ahhhh anyways

[pawzmo]

is this moonflower

[honeycreammilkshake]

we know that fighting is sukuna's canonical "love language"....

so what is this???

the level of physicality and closeness in all their fights is making me rabid. sukuna really gives yuuji such special treatment .... not only does he spare yuuji's life so many times when he could have killed him, he also keeps fighting yuuji in close combat when he literally has a cursed technique that can slice people apart from a distance.

this is a choice he's making to get so skin-to-skin with the enemy he's supposed to hate.

also, the way he was (unnecessarily) cradling yuuji's neck almost gently as he literally beats into him, how he's grabbing onto yuuji and just manhandling him — i'm no going to lie, it's almost carnal. how is so much intimacy in all of their fights compared to everyone else sukuna clashes with?

and the way sukuna is so expressive and uncharacteristically emotional whenever he gets to face yuuji. that brat just works him up so bad—

it's especially interesting when sukuna looks almost proud or excited to see what yuuji can do.

also.... sukuna, why do you look so excited for yuuji to come beat you up? is this like a date to you???

i mean, to be fair, sukuna probably considers violent brawling a love confession so no wonder why he's always ready to take on yuuji.

even in the official art he's so obviously into it.

the way he's smirking down at yuuji, holding onto his wrist, it's like he can't stop touching him. probably misses the closeness they used to have back when the brat was his vessel tbh.

i especially love that one scene where he literally sat on yuuji

he didn't have to do that. he just wanted to pin his brat down <3

"you're mine, you're not going anywhere without my permission" kind of thing really. like a bully with a crush would do.

in conclusion, sukuna gets off on throwing his boy around and feeling him up. it's just fact.

and yuuji is more than likely into it, too....

this means they share the same kinks traits to me tbh. if sukuna really did survive, i would like to believe that they would go on fighting hard with each other, even over the stupidest things. domestic cursed husbands to me <3

[dragoncarrion]

Ahhhhh some silly templates that I had lots of fun doing 🐎 sources: x x

The drawings on the first ship chart were done by the ant I hold captive so it draws me images (@hellyeahpancakes) she also gave me the idea of putting the wolf and ant bindle teehee

[deaddriv]

Translated with permission!!

Here's the author's Twitter (achu_0u0) and the original post!

Note from author: Wouldn't it be hard for half-foots to go to the movie theater?

[what-am-i-doing-in-this-fandom]

MOREE because I actually can't stop, guys help

Anyways yeah the portal thing still happened in this universe 🙏 now they can live together for 30 years fixing it! Hooray!!

Previous!!

Next!!

First!!

[barghest-land]

i always forget to post my sketches from paleostreams, time to post lots of creatures!! some drawings are new, some old :)

[joycrispy]

One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.

I have a few different things to say about that. Let's unpack them.

As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.

Also: in the naked romanticism with which he views his stars.

We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'

...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'

Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.

Hm.

I'm also reminded of the M25.

The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.

That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.

Cumulatively gigantic, that is. Individually? Negligible.

But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.

It's some clever machinery. And he knows it, too:

The Unnamed Angel and Crowley are both proud of their ideas.

(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)

In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.

Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"

11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'

(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)

Hastur and Ligur don't get it, of course. That's also consistent.

Nobody ever knows what the hell he's talking about.

It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:

He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.

(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?

...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)

Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.

Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).

Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."

To me, at least, that suggests a level of attachment that seems to be rare for Crowley.

...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?

...Anyway.

There's also the matter of the crank handle.

This thing:

This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.

The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.

He made stars with it.

[both gifs by @fuckyeahgoodomens]

If you Google 'crank handle,' you'll get variations on this:

Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.

Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.

Stopping time. For instance.

(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)

I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.

(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)

Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?

He made stars. They didn't manage to take that from him.

Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.

Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.

...And yet.

It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.

In light of everything else I've said here, I think that's interesting.

Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?

Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?

What do we name the point to which Crowley loves Aziraphale?

...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.

[witsserviceablesubstitute]

I love doing What Pride Had Wrought with Solas because he starts gossiping about the Evanuris and it's the most suss he's ever been.

He successfully maintained his cover as a nondescript scholarly wanderer for most of the Inquisition but needs to break character completely to tell everyone that Falon'Din was a vain idiot.

[vampyfrnk]

me every day of my life.

[triona-tribblescore]

Started making Angel's birthday art, had a breakdown, Bon appetite! His birthdays before he joined the hotel probably weren't the best :<

[bougiebutchbinch]

yo.... what if wade had cachexia (cancer-induced severe wasting; cannot put on or keep on weight)? Like, zero appetite, no ability to maintain muscle mass or body fat, scary-low bmi. Man is caught at late-stage metastatic cancer, but he just cannot die.

[chiricat]

[photo added to the archives!] 🍡

[jinikaris]

/ᐠ > ˕ マ Ⳋ birthday cat ⟢ 2024 birthday stream

[velvetwyrme]

Oh! Drawing requests open! Would you mayhaps be interesting in drawing Fell Papyrus offering the human a hug in a genocide route confrontation? Just a spot of angst.

I hope you're having fun with these and staying hydrated! Sliding you a glass of water rn.

* Papyrus is sparing you.

floof comin in with the steel chair angst once again!!! ;0;!!!! anyway its up to you to decide what happens next </3

requests closed!

[breanna777]

This photo of papa is so unreal

[ruporas]

studies from the finale