#agent eva

[lemonisherelol]

The mercenaries will always be north wind in my eyes.

[cokedupblonde]

my future

[youronebraincell]

The characters and their voice actors

[james-spooky]

not much just thinking about eva graff who would do anything to get her daughter back and fought so hard for her, to the point where she lost her humanity and agent blayne who almost died and did everything he could to get back to his son alive even if that meant sacrificing himself and his freedoms, and sarah rayner who recovered from her addiction in the face of judgement and put her son first, desperate to regain custody and see him again.

[eva5647-art]

neo agent 3 Khoya and their "lil" buddy Shanks

[alexjcrowley]

So, I watched Casino Royale (2006), in my quest to rewatch all of the Daniel Craig's James Bond movies and answer the question: "Do I really hate James Bond movies? Or was I just a kid when some of them came out and I didn't care for spy movies?"

I'll start by saying that I liked Casino Royale much, much more than I had expected. It's 2 hours and a half long, which today is the standard running time for any blockbuster, but lately I had managed to convince myself that, during my childhood, blockbusters were shorter and didn't kidnap an audience in a movie theatre for almost 3 hours. I was wrong.

(Now, SPOILERS ahead)

Starting with what I liked.

First thing first: James Bond. I was never fond of Bond's character, I have always thought him boring instead of serious, slimy instead of charming, and generally very annoying with the whole "I'm the man" demeneanor. I was also wrong. I really liked Daniel Craig in this first movie. We see Bond at the very start of his career, he has just been promoted 00 status and he has a lot to learn. He takes almost as many punches as he gives, he is too instinctive and his ego often gets his own way. He is far from perfect and many people give him shit for that, especially women. Casino Royale holds his main character accountable for most of the bullshit he does and that was a welcome surprise.

The plot. I am proud to say I think I understood the entire plot of the movie. I know it might not seem much a of a brag and I swear I can usually understand the plot of a movie- but James Bond's ones are often too convoluted for me. I feel like Casino Royale, partly thanks to chunk of explaination given by M, was fairly easy to follow. There were also many predictable twists- not necesserily a bad thing though, because they did make sense. I really liked how Mads Mikkelsen- brilliant as always in the role of the main villain Le Chiffre- was being hunted both by Bond and by far more dangerous people he owed money to. I think the movie lost itself a little bit in a the last part, but I'll discuss that later.

Vesper Lynd. I have no idea what the press conferences around Casino Royale were like, but I wouldn't be surprised if a lot of them focused on a better treatment of female characters in the Bond's franchise. I was expecting to be bored to death by the umpeteenth only apparently hard-to-get woman falling for Bond's charms, and I am happy to say it was nothing like that. First of all, and I mean it as a compliment, the Bond and Vesper banter is ao3-tier. The chemistry is there, there's equal teasing on both sides, which makes it looks they just work very well as a couple. But the scene I liked the most is right after James Bond loses a really important game of poker. He goes out on the balcony, Vesper follows him and James asks her to give him more money, because he thinks he can win the next game. Vesper says no. James insists, in what you could call the classical "all or nothing" scene of a movie. The one in which the protagonist is like "you have to believe in me, I can do this, look into my eyes, trust me one more time and I'll prove it to you", sprinkled with a little more "If you don't do this, all that money" that he lost "will be in the villain's hands" and grasping Vesper's arm very tightly. And Vesper's response is not "Okay, I will give you the money to save the world, but don't let me regret this, James". The first thing Vesper tells him is get his hand off of her. The second is that she is not going to give him more money, because he lost that game due to his ego (a motif that had already been introduced at the beginning of the movie) and if he keeps playing now, he is going to keep losing. And then she leaves. This, and the dialogue in which she basically asks if she has to worry about Bond's breaking into her room and trying to force himself on her with Bond reassuring her he won't, were moments I really appreciated. The James Bond saga is not exactly well known to be fair to female characters and, especially, James Bond's love interests are often poorly written. They could have gone the easy route, they could have had Vesper trusting James blindly because he is the main character, but, instead, she stood up to him. I really, really like this decision. As James Bond has been cemented as an icon of masculinity, it is shown that not only even he can be wrong, but also that this is rightly pointed out by a woman. In this occasion, he's being emotional and illogical, while she is being the reasonable one. And I feel this is as relevant today as it was in 2006.

Favourite scene: the torture. I am not really crazy about torture scenes usually, but I really loved the one between James Bond and Le Chiffre. It's not just that the acting- especially on Daniel Craig's part- is phenomenal, it's what that scene means. According to my interpretation, based purely on how Craig played the character, that seems to be the first time James Bond has ever been tortured and you can see he's fucking terrified. And you see him going from terrified back to that mask of neutrality, even though it is now dented. There are moments in which pain slowly morphs into an exasperated laughter and James is turning to crude humour to deal with the situation because he has already made his decision- he won't give up the code, so he's gonna die there, if he is lucky. If he's not, many hours, if not days, of torture await him. It's a momumental test of an actor for Craig.

So, yeah, lots to love. Let's now move to what I didn't like.

The action. Not all the action in Casino Royale is bad, on the contrary, but a couple of things were simply goofy. Like the first bomber being a parkour God, especially compared to James Bond's clusmy ass? Top-tier comedy, maybe intentionally, maybe not. I know for a fact the dramatic zooms were not intentionally comedic, but alas. And I gotta ask, other than being the easiest way to kill off Vesper, what was the point of that last Venice action sequence? To me, that was really overdrawn and forgetful.

The wife of the first villain. Her dialogue about liking bad guys is very cringe and I don't know who directed Daniel Craig in the scene in which reacts to her death, but holy shit that's one of the worst sequence of the movie. At first he seems indifferent to her being tortured and killed, then M goes on her whole tirade about Le Chiffre, and then, suddenly, when she asks if James Bond can handle the mission, Daniel Craig is looking at dead body of the villain's wife doing the most exaggrated heavy breathing since the stuff you could find of Looney Tunes. And then says "no" in a completely neutral, and accidentally comedic, tone. Jesus Christ. What a shit show.

James Bond's character arc, a.k.a. the romcom act. Yeah, I know, I said I liked James Bond before. But I have beef with the way the character evolved. I would say I pretty much like what we see in 2/3 of the movie. The problem for me arrives post torture, when we are made believe we have finally reached a happy ending. Vesper and Bond declare their love to each other, great, it was to be expected. But the fact that a few days after that- at least it looks like a few days- James Bond is like "Yeah, no, I'm in love with you, I wanna quit my job and spend the rest of my life with you" feels very rushed to me. Sure, near death experiences really bond people together, but let's recap the events of this movie. At the beginning of the movie, James Bond has just become 007. If I am not wrong, Casino Royale is James Bond's first mission as a 00 agent. We don't know how much time he has spent hunting down the parkour-bomber of the beginning of the movie, but we know that something like 2 days later he is sent to the Bahamas, then goes to Miami, all in the span of 2 days, and then he gets sent to Montenegro for something like 3 or 4 days. At the end of the Montenegro section, there's the torture scene, so all we know is that he ends up in a hospital and stays there for an unspecified while (which he spends mostly unconscious) and it's at that point, after declaring his love to Vesper, that he goes "Yeah I don't want to be a spy anymore". Bitch, you have been a spy for less than a month and you have known this woman for 2 weeks at best, and I am counting the time you were unconscious. Am I the only one who feels this is rushed? Especially because, during a game of deduction he and Vesper played, Vesper seemed to rightly deduce James wanted to be a spy because he had a chip on his shoulder about proving is worth- did that just go away? Wow, James, you gotta teach me how to solve self-worth related issues that fast. And the canonical reason why James wants to leave the job is because it's "eating his soul away" or some shit like that, and he wants to leave with that little bit of soul he still got. Once again, bitch, please. You have not been on the job for one month, what the fuck are you talking about. Maybe it's because you're not used to have a job, Mr Bond, but every single job eats your soul away and you live with that, because otherwise you won't be able to pay the bills. Just to be clear, I'm not mad at the idea that James Bond wants to leave his job. I think it feels rushed and I think it's a little bit too obvious something will happen to Vesper at this point because there's no way James Bond is quitting the job in his first movie, but I would have accepted this change of heart from Bond if I had been given a good reason for it. For example, the fact that he has been tortured. To me, it would have made much more sense if James Bond would have been like "You know what? Being tortured is fucking terrifying, much more than I thought during my spy training, I don't think I can handle that again", I would have believed that. But instead, we got some bullshit on the soul. James Bond screenwriters, being afraid of torture doesn't make you any less of a man, I swear. All in all, James Bond deciding to change his entire life goals just because he fell in love seems the kind of shit writing the female lead would get in a shitty romance movie, not the one of the main (male) character of a spy movie. Maybe it's poetic justice, but I think James Bond somehow found himself a victim of what is usually regarded as misogynistic writing. He then regresses to the emotional maturity of a teenage boy who spends too much time on reddit when he feels betrayed by Vesper, while M has to explain as you would to a 5-year-old that Vesper, if anything, tried to save Bond. A very undignified main character arc, if you ask me.

Vesper's death. Why did Vesper basically kill herself? I genuinely thought her death was a Jack and Rose situation- they both could fit on the door! I think James would have been able to save Vesper if she only didn't lock herself in the elevator. The only explaination that I can give myself to that decision is that Vesper didn't want to live with the guilt of condemning her past lover to death in saving James.

I am not good at giving grades to movies, instead I will say this: it's definitely worth a watch if you're into spy movies and the bisexual panic induced by Eva Green and Daniel Craig will not leave you for a good while. If you're willing to be forgiving of a few sequences, it's a very enjoyable action flick.

Onto the last part: my quest to prove James Bond is aro and/or ace.

Why do I want to prove that? I guess if there were more aromantic characters I could just turn to them for representation, but I have to do everything by myself around here.

My reasons to believe James Bond is aro: as someone who, for the moment, identifies as aroallo, I really sympathise with characters that indulge in a lot of sex, but keep romance at an arm's lenght. I don't think they're shallow, I think maybe romance is simply not their thing, just like it's not mine.

My reasons to believe James Bond is ace: I think James Bond may have a pretty fucked up relationship with sex because of his job. His entire body basically belongs to the governemnt: it's a weapon to kill, a disposable dummy to be tortured and, in some occasions, an object of desire, used to seduce, possess and be possessed. You could pretty much say that a fraction of his job is similar to that of a sex worker. Far from implying that being a sex worker automatically fucks up your relationship with sex, I think being forced to have sex with people who you sometimes despise and who might want to hurt you or even kill you is not, like, the best thing ever. And also, while a sex worker can theoretically pick their clients, James can't. He has to seduce who is useful to seduce for the mission, regardless of how he feels about them. And, to top it all off, I like the idea of James Bond being ace because I am tired of the whole "James Bond is so cool because he fucks a lot and which man wouldn't want to fuck a lot". Maybe James Bond doesn't want to fuck a lot, or maybe he doesn't derive as much pleasure from it as people believe he does.

Okay, so. Starting with aro spectrum, even though James falls for Vesper, I think we still have good chances of him being aro, either fully aro or something like greyromantic. After all, aromantics can still, even if rarely, fall in love and I think, for the way the character of James Bond has been presented, him falling for Vesper was quite an unexpected/out of character thing for him. Him deciding ti quit his entire past life to be with Vesper...is truly just bad writing for me, but even accepting it, I don't think it makes him any less aro, because as I explained he could have had much better reasons to want to quite his job and, personally, if I fell in love with somebody after years of that just not happening for me, I wouldn't know how I would react. Maybe I would also call it a miracle and just roll with it.

About the ace spectrum, we see him seducing a villain's wife at some point, but I will be honest. That shit don't count. There is this moment in which the woman is like "I always fall for bad men😏" and James Bond immediately gets out of the sexy mood and goes "So would you say your husband is a bad man? Why? Because of his job?". He does a 180 and goes from wet dream to interrogator in less than a second. Plus, he seems to leave her without having sex with her to go chase her villain husband. Very professional of him, but also makes me think he was never that much into her as he made her believe. The whole thing felt too calculated on his part, I would definitely say he was faking the whole time. James does have very enthusiatic sex with Vesper, though. If I want to stick to what the movie implies, without going off the tracks with something like "he pretended to be enthusiatic during the whole thing but he was faking for Vesper's happiness", I may still go with the fact that he is for sure sex positive and maybe demi-sexual.

Well, if you have read until this point, I am genuinely surprised. You don't have that much to do, I guess, good for you.

Onto Quantum of Solace next, and I am already shaking: I know that movie is bad. I know about the writers strike. God help me.

[vee-lociraptor]

we’re in derelict propaganda arc and brother i am holding up agent blayne and going pspspsps at some of you. other times i am holding up dr eva graff and going pspspspsps

[evaiskindaweird]

How it feels talking to the person pissing you off's arch nemesis

[rey-0f-sunshine]

GUYS HEAR ME OUT

WHAT IF THE NEW TEASER THEY DROPPED TODAY IS AGENT D

Think about it: Eva Chase is known for her alter ego, and Agent D is also known for her many alter egos- so what if the silhouetted coach is another one of Agent D's alter egos?? (maybe named The Detective/Investigator or something)

I've seen some speculation that the map is 911 or That Boy is Mine but what if it's Criminal by Britney Spears?? (which is another song speculated to be used) Also, more speculation- the idea that Nithe Long works with/for Night Swan isn't new, but when you look at The Performer's hat, the emblem used to be much different, and it resembled that of Night Swan's emblem

This is a stretch, but piggybacking off of that, I've had the idea that Agent D works not for Night Swan but Nithe Long as one of her agents that does work behind the scenes, (like what Clementine was trying to expose) especially since we don't know who the people in suits work for (it could be Nithe, but again: speculation- we don't know)

Long Inc. is clearly pretty shady, so finding out that Eva freed the Gaga Coaches from Night Swan's Wasterra prison, that might make her fear that Eva might find her prison and do what Clementine couldn't: expose her shady work practices. And that's what Agent D's "new mission" at the end of Gimme More was: investigate and stop Eva Chase

Especially since Unstoppable could be another significant Virtualscape map AND we're getting a Nithe Long avatar for JD25

BUT WAIT THERES STILL MORE

The song Criminal?? What are the lyrics again?? Oh right, "mama I'm in love with a criminal" who's the criminal? EVA FREAKING CHASE

Agent D most likely has good intentions, especially since she's saved people on her missions before, like in Toxic, and she seems smart but even smart people can be manipulated... Agent D doesn't have that iconic "JD Villain" energy that characters like The Witch and Night Swan have, so she may not be evil and may just have been manipulated into believing Long Inc. wasn't corrupt and shady, but upon finally finding Eva, she realizes that Eva may be a criminal, but she's actually a good person, and so she finally leaves Long Inc. (or whatever organization she may work for that could possibly be bad) and works to help the greater good this time AND they fall in love along the way because lbr if it's in the song lyrics why not come on

This is SUCH a stretch, but a lot of these ideas have been marinating in my mind for a while now, and this was a shower thought that brought it all together :/ but the idea of two characters known for their alter egos coming together and having their faces smashed together like two barbie dolls is super fun to me

anyways yippee video almost done or something!!

[little-caboose-on-big-adventures]

The full suit- gotta reinforce it all, caulk the seams, heat seal the foam, clear coat it, then paint, but it’s coming along nicely!

[myceliumbean]

Cars 2 Agents AU How did Rod survive II

Featuring: Everyone suffers (but not really)

Summary: the agents were on a mission, and everything went wrong soon after they entered Russian airspace

Again, ' ' means talking through radio/speakers, " " means talking directly

Three hours into Siddeley's emergency landing and Rod Redline was bored.

Holley went straight into her work mode and didn't even complained about his words anymore, while Finn was managing his own thoughts and occupying himself just fine.

Siddeley talked, though, but there's definitely something bothering the Gulfstream V to the point that he wasn't really listening for 80% of the time.

Eventually, Rod couldn't suppress and burst out. "You guys're all acting weirdly. What's the matter?"

Finn was kind of surprised as he joint and finally focusing on the reality. Holley actually yelpped, but quickly gathered herself and gave Rod a look. Siddeley, who seemed to not paying attention, react five seconds later with a sleepy "what?".

'Siddeley?' Finn frowned at that, not liking the combination of "Siddeley feeling sleepy" and "it's bloody cold out there". 'Siddeley, can you hear me?'

'Yes… I supposed that the storm has, well, grown stronger somehow.' And again, Siddeley's sleepy response. 'Did Zil call back or something? It's a bit cold out here.'

'How much fuel is left?'

'About half of a tank.' This time, thankfully, the spy plane sounded more sober. 'I have to say, this isn't really good.'

'Then lower your cabin temperature. We can handle some cold.' Holley shot a worried look toward the speaker.

'No way. It's about minus forty degrees out here, you'll burn out your fuel before I burn out mine even if I only drop the temperature by ten degrees.'

'But you're the only one standing between us and the cold!' Finn glared at the speaker, as if this could make Siddeley feel his worry of losing someone he cared about. 'I-we can't lose you, maybe the storm will weaken and your engine will be back to normal, and we can take off and meet Zil! So save your fuel for later and take care of yourself!"

Holley and Rod held their breath as they watch Finn lost his temper.

Choking silence filled up the entire place, until the speaker cracked to live and Siddeley spoke. 'Finn… alright, I'll do it. Just, tell me if anything goes wrong, deal?'

'…deal.' Finn closed his eyes, took a few deep breath, and opened his eyes again. 'Sorry, Sid, I shouldn't have yelled at you like that.'

'Don't. I know why you're so worry, if anyone has to apologise, that's me.' Siddeley sighed, and fought to stay awake as relief brushed over his frame like a ray of sunshine. 'Well, why don't we start talking and take turns to catch some naps? It will take some times before Zil come and dig us out.'

"How about stories? Say one sentence and pass down to the next person." Holley said with a delight tone.

"Good one. Who wants to go first?" Rod chuckled as Holley swept to her left and made a resounding "ching" when she bumped into Finn on purpose. "Well, I guess it's you, Finn."

"You're always making fun of me, Mr. Redline." The Aston Martin have no choice but to start this chaotic game. "Give me a second… okay, once upon a time, there was this young kid named Sid."

'You're making stories out of US?' Siddeley almost choked himself when he heard his name. 'Use your imagination!'

"No, wait, let's just use the names we all know!" Holley was definitely into the game now. "This will be so interesting, imagine how these people will never know about this and this can be our own joke!"

"Hmm, Holley has a point." A sense of mischief grew as a board grin appeared on Rod's face. "I'll say that Finn is the mysterious old wizard living inside the deep dark forest."

"…excuse me, what?" Finn got caught off guard and could only stared at Rod with his mouth open, trying to say something back but failed completely.

Holley, despite all her admiration and respect toward the Aston Martin, bursted into laughter and knocked him with her front tire. Rod gave in just seconds later and they sat there, losing their calm after all the stress and worry in the past few hours and laughed the hell out of themselves.

Siddeley was giggling, too, and eventually, Finn joined the team and the four of them just laughed and giggled when someone bring up another piece of story with the names of their colleagues, their friends, and even their boss.

*

It went on for another hour, until Finn found himself uncontrollably drifting in and out of counsciousness, while Siddeley had fell into silence a few minutes ago. Holley was on her duty working on the radio, being too concentrated to notice any weirdness.

She didn't know that Rod had passed out even he's pressing hard onto her purple frame.

Finn blinked himself back to conscious, and drove up to carefully tap Holley with his tire. "Hey, you alright?"

"Whoa- Finn? Oh, oh yes, I'm completely fine… but you don't look good. Is the cold starting to creep in?"

"I think Siddeley had lost consciousness a few minutes ago, and Rod had just passed out." Finn shivered when he touched Rod's blue frame, and almost jumped when he accidently bumped into Holley. "Why are you so warm?"

"I got extra tank for flying and extra electricity capacitance cuz I need to strike someone." The purple jaguar shruggled and kept on typing for seconds before she stopped and turn to look at Finn. "You're cold."

"What did you ha-"

Holley just pulled Finn close until they're pressed against each other- just like Rod on the other side. "This should buy us more time. And save me from talking too loud."

Though she sounded pretty reassuring, Finn could feel Holley trembling through his frame.

"Don't worry. We'll make it." He said, with his usual calm voice.

The typing stopped for a mere second. A weak vibration indicating that Holley was smiling made Finn feel better already. "Yeah, we'll definitely be fine."

*

Thirty minutes later, Holley bit back her sobs as she felt the Aston Martin started to lay limp against her.

Come on, she checked the radio again, and prayed desperately, anyone, picked up this distress call!

*

Twenty minutes later, when Holley started to feel sleepy, something hit Siddeley's cabin door. She winced at the loud bang and tried her short range built-in radio. 'Anyone hear me?'

'Oh thank Chrysler there's someone conscious!' Came an overly cheerful voice, and another "bang" on the cabin door. 'We're SOT-76B, a rescue team on duty not far away. I'm Eva, what's your name?'

'Ho-holley, my name's Holley.'

'Good, brave Holley, my dear girl. My teammates are trying to break into your plane friend, can you get any switch to open the door from the inside? We don't want to hurt your friend more.'

'I-i'll try.' Holley looked around in the cabin. Not there, not here… wait, will that work?

Siddeley had told them whay to do when emergency evacuation was needed.

So she drove up to the button and pushed. The door made a cracked sound, and Holley could almost heard a cheer from the outside as someone dug their tines into the ice.

Thirty seconds later, four forklifts finally opened up Siddeley's cabin door and rushed in. One in red paint with yellow stripes gave Holley something hot and tasty while the others checked over her friends.

Holley could sense the tension as the forklift painted in black with white stripes whispered something fast to the one in sky-blue, and they just started typing the moment they found Siddeley's inner panels.

"Don't worry, they knew what they're doing." Said the last forklift, who just finish checking over Rod and gave both him and Finn a shot of something. "I'm Michaele, Black one's Eva, Blue one's Daniil, and this is Alyona."

The forklift in red with yellow stripes waved her tines excitingly.

"Boris is trying to wake your plane friend up." Michaele patted Holley and pointed toward the starboard windows. Holley drove up and found herself looking into maybe the biggest turbines she had ever seen in her life. "This is Boris."

"He's fine." Eva shouted behind the panel. "And the others?"

"Both slowly waking up!" Alyona jumped as Finn led out a groan and Rod blinked weakly. "You made it. Thank Chrysler, if any of you died, Zil will never forgive us."

"…wait." Holley looked at the forklifts in surprise. "You said 'Zil', I thought you're just ordinary rescue team?"

"Forgive me for not introducing ourselves properly." Daniil, with a gentle smile on his face, waved his tine toward his grinning teammates. "SOT-76B, or Special Option Team 76-Boris, at your service."

I think I'm officially into this AU now, writing them making non sense chatter while dying was… quite fun, actually.

@longjiaojiao thanks for the idea of making Finn and Rod friends! Their interaction is definitely chaotic, trying hard to write their personalities as close to the movie as I can

[james-spooky]

every time we hear the children in fathom i die inside a little

[eva5647-art]

have some more-ra aurora

[dumbblndes]

❝ NO GOOD DEED GOES UNPUNISHED ❞

evangeline hughes ( life itself ) agatha all along original character roleplay / writing blog, alternate universe ( agent vidal / agnes of westview au ) based

welcome! to harleen’s slightly freakier corner of the internet!! ( freakier than my main account that is )

hi! i'm harleen / harley! i use she / her / they / them, and i am the mastermind behind this beyond self indulgent oc and blog!

my main account is @madmaxified if vou ever wanted to follow me on there!!

and now, for just a quick bit of info on eva and and personal boundaries!!

eva, as you might’ve read, is a mostly au based oc. though the technically exists within the agatha all along show canon ( she’s the life to rio’s death ) that’s not really where most of, if any, of my portrayal of her will be focused.

eva exists in some universe where rio works for the bau ( i watch criminal minds okay? 😭😭 ) and eva is her big bambi eyed controversially young babygirl wife ( who i might make a liaison, just for jemily variants and shit and giggles )

i’m happy to do more canon based interactions, but it will be one of two ends of a spectrum, one where i do canon ! eva where she’s literally life itself and, or, two where it’s au ! eva interacting with the canon of the show as we know jt

i’m also planning to do some writing on this blog, mostly just drabbles about eva, her and rio, and probably some ( who’s kidding, LOTS ) of smut! ( minors dni!! )

as for boundaries,,

minors do not interact! this blog will most definitely contain mature and nsfw topics, i don’t care what you consume just don’t do it here

i’m fine with some romantic interaction, but, eva is a lesbian, so if ur character is a man tryna hit on her i probably won’t respond / interact. i’m also gonna be very partial to any rio blogs i come across cause that’s literally her wife??

please, no homophobia, racism, or any type of bullying or rude behaviour towards me or anyone else on my page, in character is fine, but hate the characters, not the creators. hate of any kind will not be tolerated. please dni if you support isreal

tags and meanings :

𖤓 MOD TALKS : me, harley, out of character just yapping

𖤓 EVA ANSWERS : replies to asks

𖤓 BETTING ON LOSING DOGS : interactions, roleplays, etc!

𖤓 EVA YAPS : her yapping about whatever silly thing she’s thinking about! ( reblogs, etc )

𖤓 OPEN STARTS : open starters you can interact with! not fandom specific

𖤓 HARLEEN WRITES : drabbles / any type of writing i’ve done about my silly girl eva

any interactions for any fandoms are welcome!!