#afghanistan music

[musicoahang]

آهنگ دلبری دل میبری

" با صدای جمال مبارز یک اثر هنری استثنایی است که در دل هر شنونده‌ای اثرات قوی و عمیقی ایجاد می‌کند. این اثر به لحن‌ها و کلام زیبا، توانسته است احساسات مختلف را به تصویر بکشد.

صدای جمال مبارز با شفافیت و احساس، ابعاد مختلف این آهنگ را به تدریج به گوش شنونده انتقال می‌دهد. ملودی دلنشین این اثر باعث می‌شود که گوش دادن به آن یک تجربه لذت‌بخش و ارتباط عمیق با مضمون آهنگ باشد.

کلام شاعرانه و شیوه خوانندگی جمال مبارز، این آهنگ را به یک شاهکار موسیقی افغانی تبدیل کرده است. واژه‌های انتخاب شده و نحوه اجرا، حس دلی و عاطفی آهنگ را تداعی می‌کند و به شنونده اجازه می‌دهد تا با دل خود در این داستان عشق غرق شود.

گلچین آهنگ های شاد افغانی را در این سایت بیابید

"دلبری دل میبری" نه تنها یک آهنگ افغانی است بلکه یک اثر هنری است که مراتب عمق و توانایی هنرمندانه جمال مبارز را نشان می‌دهد. این آهنگ با قدرت خود، توانسته است در صداقت و اصالت خود، جایگاه خاصی در صحنه موسیقی افغانستان پیدا کند.

"دلبری دل میبری" با تمامی اجزایش، یک سفر عاطفی بی‌نظیر است. ترکیب موسیقی سنتی افغانی با الهام از عناصر مدرن، این اثر را به یک تجربه موسیقی چندبعدی تبدیل کرده است. وقوع این تلفیق، مخاطب را به دنیایی از زیبایی‌ها و احساسات متنوع می‌برد.

صدای جمال مبارز، از جذابیت خاصی برخوردار است. توانایی او در انتقال احساسات عمیق و عشق بی‌پایان، گوش دهنده را در شعف و شور این آهنگ مشغول به گوش دادن می‌کند. آهنگسازی آهنگ نیز با استفاده از سازهای سنتی افغانی، یک حالت اصالت و فرهنگ محسوس ایجاد می‌کند.

در "دلبری دل میبری"، هر واژه، هر لحظه موسیقی، و هر انتخاب صدا، یک داستان عاطفی جدید را شکل می‌دهد. این اثر هنری نه تنها یک آهنگ است، بلکه یک سفر حسی است که شما را به عمق احساسات وجودی می‌کشاند.

آهنگ "دلبری دل میبری" نمونه‌ای است از اینکه موسیقی چگونه می‌تواند زبانی جهانی را بدون کلام به وجود آورده و در دل هر فرد، موج‌زنی از احساسات ایجاد کند. این اثر به عنوان یک گوهر موسیقی افغانی باقی‌مانده و با گذشت زمان، همچنان اثری زنده و خاص باقی خواهد ماند.

[henk-heijmans]

Children taking lessons in a music school, Afghanistan, 1963 - by Paul Almasy (1906 - 2003), Hungarian/French

[molkolsdal]

Afghan students attending Afghan National Institute of Music receive a full academic curriculum while immersed in the study of traditional Afghan musical instruments and training in modern orchestral performance.

Robert Nickelsberg

[clemsfilmdiary]

The Living Daylights (1987, John Glen)

7/26/24

[nebul43kr4ken]

Hello, I hope my message finds you well Can you help me amplify my desperate plea to survive? I wish everyone who can support my family with $5, $10 or any amount they can donate or at least reblog My pinned blog 🙏🏻

My family needs you and depends on you to survive 🍉🍉

My pinned blog link

Thanks a lot 🌹🌹

Please donate if you can, and reblog and share if you can’t! 🇵🇸🇵🇸🇵🇸

[federer7]

Music school in Kabul, founded by the Viennese Music Academy. Violin lesson given by Austrian teacher Frau Wenzlitzka. 1963

Music is rejected and forbidden by the Taliban today

Photo: Paul Almasy

[gregor-samsung]

Limbo (Ben Sharrock - 2020)

[schlorian]

[wokeuplaughing]

running off of 3 hours of sleep and they keep playing songs you can pick up as tapes in mgsv over the work radio I'm going to form a fucking tulpa at this rate

[khaperai]

Patriotic Song from Democratic Republic of Afghanistan- Ay Watan/O my homeland

[the-railroad-earth]

record store find <3 lyrichord

[mywifeleftme]

294: Nashenas // Life is a Heavy Burden

Life is a Heavy Burden Nashenas 2022, Strut (Bandcamp)

Nashenas is one of Afghanistan’s most beloved twentieth century singers. Born in Kandahar in 1935, he was raised in Karachi, British India (now Pakistan) before his family returned to Afghanistan during his adolescence. By his early 20s he had become a popular vocalist, with a weekly national radio slot singing traditional poetry, adaptations of popular Bollywood songs, and (with increasing frequency) his own compositions in Dari and Pashto.

Most of his work is in the ghazal tradition, a form of Arabo-Persian poetic ode (classically a simultaneous address to an absent lover and to God) that has remained popular in the East for nearly 1,500 years. The songs have a meditative consistency of rhythm, his vocals carrying the melody as he accompanies himself with drones on the harmonium while a tabla player supplies percussion, verses broken by instrumental refrains that answer the vocal melody. Nashenas has a panged yet resigned style suitable to the form, never leaning into cheap emotional theatrics. He spools out his words patiently, great feeling leavened by enlightened reservation. I picture him with his eyes closed, sitting cross-legged as he hums and croons the words that billow from the incense burning within him till the room has filled with it. Despite the focus on his voice though, this is quite dynamic music: the drumming on songs like “Life is a Heavy Burden” provides a raw, intense counterpoint to Nashenas’s steady vocal, while the blissful harmonium drone of “I Am Happy Alone” finds a common note with the primary colours of music made by children, outsider folkies, and the untrained.

Physical media wasn’t common in Afghanistan when Nashenas was establishing himself, and radio broadcasts were the primary outlet for performers. What recordings he did make were largely for radio archives, and many of these were apparently destroyed in the wars that have ravaged the region for decades. As a result, little of Nashenas’s prime is well-documented, and prior to this compilation virtually none of what does exist had been released in the West. Life is a Heavy Burden: The Songs and Poetry of Nashenas collects highlights from a brief run of Iranian 45 pressings of Radio Afghanistan recordings from the late ‘50s. The liners elaborate:

Although hard to fully confirm, it appeared these records were part of an arrangement between someone in Radio Afghanistan and Royal, one of the major labels in Iran. …Recordings were presumably supplied to the pressing plant in Tehran to be manufactured and then sold to the Afghan diaspora in the country, or exported back to Afghanistan. It was ultimately unsuccessful, with a few singles released by Nashenas, Zaland, his wife Sara, and others such as Ustad Mahwash, Ghulam Dastagir Shaida, and Ahmad Wali. Whoever arranged it apparently did not inform the artists themselves!

You’d never know how screamingly rare these pieces are, or that they were not sourced from masters, from the job Strut Records has done with Life is a Heavy Burden. The fidelity is brilliant, clearly of another epoch in terms of technology but unmarred by the dust and rough handling endured by near-70-year-old second-hand discs. I’d recommend this one to anyone with an interest in mid-century music from the Middle East and South Asia, or its influence on Western pop and experimental music from the ‘60s onward.

294/365

[robbinnnnn]

Had the pleasure of performing with an afghan poet (cool) in front of german charity ladies (not so cool) today. Charity ladies: You need to stop fooling yourselves. You are watching us, like your old husband is watching porn while you're away: self-serving, with the expactation of sweet old release (tears in your eyes). No sane person participates in these projects, unless they are paid well or lack experience/other opportunities to perform. Under the charity gaze, performers have two options: Tell their life as a sob story, or tell their life as an inspirational tale. I've seen this play out from behind the scenes now and frankly, I'm disgusted.

[ekhtar]

[ DEL / دل ]

; Offical Music  Out Now.📌

Artists : @ekhtarmc @fazaei1

Producer @iabbasmi

Are work : ali

Production&Publisher :@lightecompany

Bagrambeats & Light Company Production

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.https://youtu.be/o8f3IVaQtao

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#rapdari #darirap #afghanrap  #hiphop #rap #fazaei #afg #abbasmi #lightcompany  #bagrambeats

[mayapurimagazine]

Satish Shah ने फिल्म 'मैं हूं ना' में Shahrukh Khan को इस वजह से था डांटा

[nebul43kr4ken]

My name is naeeme from Gaza, and I have a beautiful family. Our house was destroyed due to the bombing, and now we are living in a small tent that barely fits us. My siblings and I lost our jobs and education, and my father lost his job as well. Everything was destroyed because of this war.

I lost 18 members of my family.

A donation, even just one dollar, would mean so much to me and my family.

https://www.gofundme.com/f/support-the-awad-familys-journey-to-safety

I am terribly sorry for your loss. Please, free Palestine. 🇵🇸