#advs lore issues

[izzyizumi]

IzzyIzumi Note

(I'm going to tag that post with all appropriate tags later

but I seriously hope people here esp Adv-02 fans read that last rb this year because I'm very tired of having to repeatedly on end explain / hint all those related concepts to this fan base {when it comes to the [""real""-world] based ""02 timeline"", Lore and the like...} too.)

{I.e.: If you consider yourself a fan who writes "analysis" or the like, kind of commentary you should be acknowledging everything that post is saying when it comes to this topic and involved 'Lore's Especially If You're Xtian / actively celebrate Xtian holidays. That's All I Have To Say}

[koushirouizumi]

Hanukkah this year, 2024, in comparison, Actually will be on December 25th, beginning at sundown; but it will also last until January 2nd, at sundown!! (So, if you want to place a similar fic around 2024, where they will all be gathered at 'similar' timeframes, this year would be a good year for that timeline-wise.) {However, January 7th specifically will be on a Sunday, which is too late for Shabbat, as Shabbat ends at sundown on Saturdays.} You can still place a Shabbat meal around the 5th~6th though!

For future dates, you can check this link too! Please always check Hebrew calender dates first (and double-check to be sure!!) before attempting to write a Jewish holiday or Jewish character into any of your fic/worldbuilding universes, in order to portray us with genuine respect!!

Since Russians celebrate Christmas on January 7th, I always assumed one of the Russian Digidestined was Jewish and that dinner we saw the main three having was a Shabbat dinner, or maybe one of them had the others over for a quaint little Hanukkah dinner post Digimon crisis.

(Kenta note: According to my spellcheck Shabbat is spelled wrong, but since I don’t know otherwise, I’m leaving it as is.)

[shihalyfie]

There's something bugging me since I saw a statement from Producer Shimomura in a Spanish interview being linked to Rui's page (and consequently, the Chosen Child's page) on a wiki about a question which was "Rui is way younger than Maki and Daigo who're the first Chosen. How so?" My assumption of that question was like "the interviewer was assuming things (thanks to the fact now everyone who sees the mentioned Five Previous Chosen from Adv'99 as Maki and Daigo's team thanks to ▽) and is not well aware of the math lore",

But then... Shimomura's answer was like "Oh this is new for me too. Anyway Rui is not exactly a Chosen Child and is more likely a special and unique case" which is basically contradicted by everything 02TB-related as well -- interviews, promotional stuff, etc.

(also the interviewer misquote Rui's statements in-movie, since Rui was not even aware of that term and the ones to claim he was indeed the first there were the 02 kids.)

I've been talking with a friend about this quite recently and i'm confused now... What does that whole question even MEAN what's up with that answer!?

(I hope this is not ▽ negative tho, because i do love Maki-Daigo and i want them to coexist with Rui, i'm trying to make them WORK with the lore... Even by soft-retconning a few details of them orz)

Yeah, so about that...I apologize for the language, but this is one of those rare occasions where you just have to flat-out discard an official statement as bullshit. Shimomura's answer doesn't make sense by any kind of logic whatsoever:

In Adventure continuity, being a "Chosen Child" has an extremely loose definition (which is even acknowledged in Two-and-a-Half Year Break). The only consistent definition of a Chosen, and the one thing that distinguishes cases like Oikawa, Hiroki, and Hikari and Taichi in 1995 from kids who can actually be called Chosen, is that Chosen Children have Digivices (i.e. them being "chosen" is not for anything specific, but being formalized with a Digivice means they now have a responsibility). So by definition, as a kid who was sent a Digimon and a Digivice by some entity, Rui is a Chosen. There's no good argument for him to not be a Chosen.

And of course, even if in the movie they didn't claim that Rui was the first Chosen with that exact wording, basically every bit of promotional and advertising material and member of staff has referred to him as the first Chosen. Like this isn't a "Menoa says that Digimon disappear because they became adults" situation where the advertising would have this "they learn from Menoa that..." indirect tone about it; everyone else has been completely unambiguous about the fact Rui is meant to be taken as the first Chosen. Otherwise, why would they make such a big deal about picking that specific year for Rui to meet Ukkomon, or, hell, what's the point of naming the movie "The Beginning"? That would arguably make advertising the movie as being about the first Chosen into advertising fraud or something.

This is a response to a question asking how Himekawa and Nishijima would be Chosen if Rui was the first Chosen Child, because the contradiction makes this not make sense. But even if you take Shimomura's idea of Rui being the "first one to form a partner relationship with a Digimon", that still doesn't explain anything nor does it resolve the contradiction because Himekawa and Nishijima also clearly had partner relationships with their Digimon in their childhoods too. Like again, it's practically advertising fraud if Rui isn't the first something.

As for why Shimomura would say something like this, the whole "this is new to me too" already hints at the idea she wasn't very well-informed about this issue or series Deepest Lore (in particular, it's pretty likely she didn't know much about tri., given she was two producers ahead of it, and her article series on Digimon Partners suggests she's pretty new to Digimon production as a whole). So I doubt this answer was very well-thought through, especially since everyone else involved in the movie has been pretty clear about being timeline-precise.

The other likely reason is that, when you think about it, this question is inherently an unsolvable trap for a producer like her. If you know the actual Digimon Adventure series production timeline, tri. was unilaterally the one that went off-kilter here; Adventure lore alone dictates that you can't have Chosen before 1995, so there is a correct answer here, and it's simply that tri. messed up and that going back to original Adventure canon for Kizuna and 02TB required throwing a lot of it out. This has generally been the implicit stance that's been taken since even back during Kizuna; most glaringly, tri. was just flat-out omitted in an official timeline, which has to carry some meaning because one does not just accidentally omit a series that was advertised as an Adventure sequel and was basically the core of the franchise for five real-life years.

I don't get the impression it's "tri. isn't canon anymore" as much as it's "we have to ignore so many substantial details of tri. that it may not be correct to call it the same thing anymore," which is consistent with the way "canon" has been loosely treated in the franchise in general. But the thing is, the reason why they're being implicit about it instead of saying it all-out is that, yeah, if they say it in explicit words, that's going to piss off everyone who's going to see that as five years being tossed down the drain, let alone tri. fans who will basically see their favorite being spit on in public. (If you ask me, I don't see "messing up lore points" as having inherent ties to writing quality, and I don't think the creators do either, but lore can be Serious Business to Japanese fans, so officially saying that something violates lore can easily be taken as public shaming; even the few times they've brought up lore contradictions have gotten people mad in some way.)

So while I definitely wish she'd have given an answer that was less obviously bullshit, Shimomura did kind of have to give a bullshit answer in order to not piss someone off, since her job as a producer is less about the creative writing and more about juggling the interests of the movie as a whole. This also wouldn't be our first instance of this kind of situation; it's generally been hinted by staff members that Seki's claim of every version of Akiyama Ryou being the same character was also something she was forced to say in order to not have to say something like "yeah the WonderSwan games aren't canon actually" (which would piss off their fans and Bandai).

[digitalgate02]

Sep/2018 & Jan/2019 → July/2023

Art style evolved since 2018, and with this some design quirks on them as well. Instead of making a separate post for each of them… I will post them together, since they were planned to be a “trio of misfits”.

First rough idea was “I need to make a new character to fill the Fragment of Light” in my DigiTimeLines project. Soleil came first, as the mysterious yet suspicious vessel for “Homeostasis” – which was my trying to work with ▽ back in time until i decided this wouldn’t work with Adv/02 lore and started to just plot new ideas based on  ▽ concepts. So, this “Homeostasis” who keeps in touch with Soleil? Might not be the real one. I won’t spoil stuff in-progress sorry.

Soleil was inspired by a Kamen Rider Fourze character (you can notice it by the space naming + the “uniform”) – Sakuta Ryuusei/Kamen Rider Meteor, which is one of my favorite secondary Riders in the entire franchise. I’m not spoiling Fourze, but if you watched it you’ll notice the similarities soon. Besides Ryuusei, I also got driven back into Xros Wars Hunters arc and got some inspiration from Mogami Ryouma for his classy and smug style. I think if Soleil had a voice actor… It would probably be shared with Ryouma’s – because I like this character and enjoyed his VA in Hunters (who’s also Simon from TTGL). Ah, the Detective Ichijouji blog-and-story Soleil has aged up a little more – So he’s not a 14yo there!!

As for Lune… She came later in the same month. She was supposed to be the “psychic girl” with the Fragment of Energy and be Soleil’s ally-and-best-friend. Her design was inspired by another Fourze character, Nadeshiko/Kamen Rider Nadeshiko. Despite the appearance being quite inspired by Nadeshiko… Her personality is… not much. She could’ve gotten Amano Nene’s vibes more often – she’s a mysterious girl, yet she advocates for pacific methods and found interesting Daichi’s ways to challenge Soleil-and-”Homeo” justice. Besides that, she… She doesn’t like to cross the line, and this is why she’s the only person (besides Étoile) who can stop Soleil from going off the rails. But she has her own issues too!! She only follows what she thinks is right and correct. 

Étoile was the last, and his entire existence is a SPOILER for both projects featuring him. Despite using male pronouns, Étoile is enby and it might make sense once you learn more about him. His design is based on a Beyblade character whose name I only know by “Kenny”. He’s also paired with a Pokomon/Viximon subspecies, and its name is Renard.

Ah, the Detective Ichijouji blog-and-story Soleil has aged up a little more – So they’re not their original ages there!!

(btw their space French-like codenames are not their surnames.)

[v-for-verity]

[FxM] Cyberpunk 2077 [literate/adv literate/novella]

literate / novella / advanced literate | writing-focused | MxF preferred / rarely MxM | fandom | dead dove: do not eat | writer, artist, and enjoyer of unconventional things

✦ ۰ — hi. i am 21f and go by graves/auron. I am a writing-focused roleplayer and generally favor other writers that place emphasis on maintaining a consistent and gramatically sound style.

Whether it's angst, romance, heavy content, or mature topics, I'm pretty open to exploring all sorts of things. I'm very strongly back in my cyberpunk 2077 obsession which has been taking up a huge chunk of my few remaining braincells since release- so I'd love to get to write for it a little.

I'll go ahead and include a few more important bits regarding roleplaying with me;

✦ ۰ — I have no triggers and will never judge a partner for whatever they may bring up, so communicating with me is very much a safe space. On the other hand, i'd like to know of any topics that may make you uncomfortable.

i'm aware that i'm looking for pairings that are likely hard to find, especially some of these cases - but i can promise that i'lll try to incorporate as many of your own preferences as well so this works for the both of us. admittedly, this is very different from anything i've posted for in the past.

✦ ۰ — 3rd person / past or present tense preferred in writing.

✦ ۰ — enjoyer of ooc chatting, discussion, analysis and headcanoning.

✦ ۰ — though i have no issues with various irp content, no ooc flirting is tolerated. please respect my wishes regarding this.

The main pairings i'm currently looking for are;

[FxM]

- Johnny Silverhand x Female V (op)

I haven't quite gotten the chance to write as Fem V much, and though the chances are slim that I'll find anyone interested, i at least wanted to try.

I'd like to play V as a complex, hashed out character with her own background, quirks, and personality traits. I can promise that all my depictions have depth and will not be delivered flatly. I'll also do my best to make sure the character doesn't come off as dislikeable to you.

I've got information/lore for her, but as a very brief description;

"V" as in short for Verity. She's a conflicted nomad with a martyr complex- self-sacrificing to the core and often suffers because of it. It's a downright toxic trait that she largely cannot help- which contrasts strongly with her newly evolving traits of nihilism and cynicism brought on by Night City and even more so by Johnny's personality seeping into her own. A desire to be hopeful that often is hard to realistically maintain.

She has a slight obsession regarding old-school stuff. Ranging from tech, to media, to music. She's an avid enjoyer of punk music and rock from way before she was even born.

Part of her misses her life as a nomad, while the other part knows she doesn't truly belong there, feels that maybe she never did.

- Jackie Welles and Female V (op)

This one is a maybe. I'd be interested, but it's not at the top of my list. Everything I've said before pretty much carries over onto here. I just adore and miss Jackie a lot, so I wouldn't mind expanding on him a little.

[MxF]

- (op) Johnny Silverhand x Female V

I do have extensive experience with this specific pairing and with myself playing as Johnny. In this case though, I'd like an engaging V to play against.

I can promise canon-accuracy and complex characterization on my part as well.

✦ ۰ — anyway, ik I may sound a little intimidating or even pedantic through my posts, but I tend to be very relaxed and talkative through chat. so feel free to hit me up if you're interested in discussing a little.

[agumonger]

the 02 resources tag has digivolved into 2x2 considerations!

like it's pretty obvious that the tag itself wasn't really geared towards 02 only, but the adventureverse in general, especially regarding 02, kizuna and 02tb, because those are the most important media to have in mind for the 2x2 project.

when i finally work my ass and start to write That One Digimon 02 Fanfic, i want it to be as authentic as possible. i want to double down on research and really make it feel like it could be a new anime season, but hopefully without toei's occasionally sketchy pacing* or the limitations of having to sell bandai products of course - trimming down the fat and focusing on plot while of course giving some character moments that can make you go "yeah! that's my blorbo right there!"

like i think i managed to do that sometimes with 1000nights, when people sometimes went "YES!! this is 100% daisuke!! you got him just right!" and that gave me LIFE because i actually learned to appreciate daisuke as he is thanks to ni and shiha, VERY closely before releasing the fanfic, which in fact was going to have a different direction because i had misunderstood a bunch of things about him so i fixed them *days* before release and people loved it

i also love when people tell me "yeah! this is JUST like watching the anime! you really got the essence!" it's like yesssssss that's the stuff!!! i want to give that realness - i already kinda found my current artistic voice while writing regulus harbor, but it's fun to try and emulate the digimon anime style, like i did way back when with digimon extend

i want it to feel like this surreal fever dream that somehow "another adventure/02 season got greenlit and it's Really Good and It Addresses The Right Questions and It's Exactly What We've Been Waiting For", you know? like that "fanfic you'd write when you're 12" energy but with a revisited, more mature (mature as in level-headed and having-a-better-understanding-of-the-lore, not as in tryhard edgy) touch to it. like a fun exercise

so yeah, mainly i just want to keep my notes together. i don't want to go thru the same issues i had with digimon extend, where first i gradually discovered that tri was incompatible with it and tried to work my way around it, then i went ahead and said it was an alternate timeline. i want everything to more or less make sense

*by this i mean things like ghost game's sudden ending, evolutions that could be used anytime but aren't for some reason, or lots of episodes that go nowhere (in, say, appmon and adv2020 - not to say they're Bad, i actually enjoy every season in a different way now, but they do have a Lot of episodic stuff that just Kind Of Exists)... that stuff. i actually wouldn't say adv and 02 have many of those, as even episodes that some people might consider """filler""" say something about their characters and add something to their arcs

[beevean]

Sadly the reason I don't like The Geek Critique too much is that even when very aware of old 90s and 2000s fandom views, his own bias rooted in similar nostalgia still exudes in his opinions.

"Hey, look at all these comments in 1994 that note CD being convoluted, with 3K being a far better game"

Proceeds to act like it's the second best Classic game, despite having far worse issues than Adv 2's level design, and time travel being garbage

Same with the bias to and against Jam and 06 respectively

-Jam he's erroneously wrong on why it was made. It wasn't a love letter to unionize American and Japan canon, it was bluntly stated by Naka to be cuz Japan literally didn't know what Sonic was given absence on the Saturn, and Sonic in general not having good footing at all on Saturn. The other issue is the PC ports of CD and 3K already did that, by translating manual lore unlike Genesis release, so he accidentally discredited them, AND accidentally discredited Adventure in further unifying canon. It was just gushing praise for what is literally a game collection that barely swayed western views, instead reinforcing the shock when Sonic got green eyes because no one paid attention to his character design evolving after 1993

-06 similarly, negative biases against it fully, almost no positive mentioned. It was a 40 min rant on how Sonic's reputation died, when ironically as his notes on the fandom showed, the elitist mindset was already toxifying Sonic's rep before

He also completely missed on why fans and casuals jumped ship; the fanbase was 300% way too into a console rivalry that stopped being promoted after 1995. They also had the incorrect interpretation of Sonic being a sole lonewolf "bad dude". Noticeably Sonic 2 sold way less than 1 (7.55 vs 22.22 mil units) due to this and console packs, despite being a better game. The addition of Tails dissented them from the ad slam campaign for the public, and for those that stayed, then got lumped into Satam nostalgia as 3Ks release was split and delayed, and CD was on hard to obtain hardware. With 32x being a failure, and Saturn era not having much, these fans soon became elitist and rabid to Nintendo's successes, hung on to Sonic 1 and 2 very heavily, then also became rabid to themselves when some Weebs wanted to act superior in having exclusive stuff

Jam's compilation didn't help. They just got a compilation of stuff they already played to death, bar 3K

When Adventure came out, it did several things

-The casual public and fans not caring for Sonic 1994-1997 at all now are suddenly alienated to design, despite changing since 1993

-Satam and Archie fans now forced to accept that 1991-1993 US canon no longer mattered

-Weebs now no longer had exclusive access to unique stuff since canon was unified, localization differences aside

And finally, fans NOW had to give a cent to the game's story and character personalities

And so we ended with even more turmoil, which skyrocketed when Sega discontinued being hardware

So seeing Sonic on this killed many of the 90s/early 2000 crowd, and seeing Advance take cues from Adventure 1/2 hurt their """purist""" garbage opinions. Sprite comics dominated the web, elitist forums like Retro and Sonic Cult, even modding became elitist retro havens with this mindset

Heroes they glossed over it being made to appease them and attract newcomers, as they already made up their mind to hating new none 2D

Shadow was made to appease the gunho crowd, and failed

TCG is so very naive on how his own nostalgia affects his views, even the thumbnails progressively got more clickbaity and biased.

The fanbase ultimately will never recover, especially when Sonictubers just villify nostalgia bias, or blatant misinfo if it sounds convenient/coddles said nostalgia. Sadly no one can call him out; he's too big

TLDR: I find him mid and waddling in nostalgia

Anyway, how's your day?

I'm still processing the elections, thanks for asking 👍

It's undeniable that TGC is biased, that much is true, and he has all the hallmarks of an Adventure fan - his most recent Rush video basically starts with him complaining about the state of the franchise in 2005 lol. I can't think of a Sonic reviewer, or hell any reviewer in general, that is 100% fair and impartial. I judge how they come across with their bias :P for example, J has straight up admitted that he was one of the most influencial Youtubers in smearing the Meta era and its stories, and I can't stand Garrulous and his perpetually cynical tone as if he's forced to talk about Sonic at gunpoint, while I appreciate TGC and Implant Games for explaining themselves well and at least trying to motivate their opinions. (although apparently IG made a mess with his SA2 video, shame)

Admittedly I haven't watched all of his reviews, I skipped Heroes because I like the game enough and I skipped '06 because what else can you say about that one? And I didn't even know that he made a video about Jam lmao. Your explanation is very informative, thank you :)

I agree with your last paragraph. I think Adventure fans forgot how it was back in the 2000s when the "adults" were Classic fans and the Adventure fans were the kiddies with cringe tastes that didn't understand what Sonic was all about. So now they grew up, and it's their turn to make fun of the kiddies who like the Meta Era and don't understand what Sonic was all about. I'm tired of this "back in my day" attitude because it feels so myopic.

[noctuascion]

I'm gonna make 2 requests, because I'm greedy and a little Cryptage starved right now. Also, you write so good and you have this way of turning a phrase that makes me super jealous so here goes. 1) FAKE DATING! Just... always with the fake dating. 2) Not sure how the lore works on your au but if it's applicable, either vamp crypto accidentally exposing wolf mirage to silver or wolf mirage exposing vamp crypto to sunlight.

;; Be as greedy as you want, sweetums. I love writing your prompts and also love you so it works out. uwu

Also, anything to keep me from falling asleep lol

I'll write your second request in a different post, but it'll be a bit. I write kinda slowly chjdjw ;;

--

Elliott Witt has had a lot of things happen to him. He's had first loves, first kisses, first everythings. He's done a lot in his life, but, in all his years of living and loving, he didn't think fake dating his rival would ever make the list. It did, though, as much as both of them resented it.

One of the promotional managers had called them in for a quick meeting. Basically, he laid down that they were to start appearing in public more and that they were doing it together. At first, Elliott had been on board. Having more time in the limelight sounded amazing, but then came in Park, who was now going to be his boyfriend.

Now, he's not saying Park's disgusting or revolting or that he isn't comfortable enough with his sexuality to be able to freely hug and tell his buddies he loves them (because, well, his only friends are a lesbian and a drug addict for the most part), but he's straight, a ladies man! Sure, the kid's pretty and everything, but he's not feminine either. He has his own special type of charm that's not entirely easy to put into words. (He has nice legs, though. Elliott will give him that much.)

He's glad, though, that he's not the only one entirely against this. Park managed to miss a lot of meet 'n greets, forgoing seeing his fans and opting out of photo shoots. He's rarely seen in public, and, if he is, he looks about as shady as a drug dealer—hiding his face, oversized clothing, etc. He hates the spotlight, Elliott quickly figured out, and that was his only real issue with this whole ordeal.

And when Elliott pointed out that he seemed to be perfectly fine with dating him, he called him what he assumes are curse words and insults in his native tongue before telling him he'd sooner date Nox.

However, their word was final, and the two were now a "couple" in the eyes of the public. Their fellow competitors were allowed insight on their little "agreement," and they did what any supportive friends would do: they laughed and wished the new couple a happy life.

Today was their first official "date" as a couple, so Elliott intended for it to be at least somewhat decent for them. He was aware Park hated public places, but they wanted them to be seen in public together. He couldn't please both parties, so he decided a small, family restaurant would be their destination. There wasn't a lot of people that normally visited, but Elliott was a personal fan of the food served there. The atmosphere was warm and friendly and he's sure Park would appreciate that much.

Why am I trying so hard again…?

Shrugging, he pulled on his second nicest jacket—a nice yellow shade that went well with his white shirt and blue jeans. His hair was done up in its usual style, though he lacked the goggles he normally wore, so his hair fell in his eyes a bit. He was sure Park wasn't going to try too hard, so he didn't either. It was a casual outing, after all; no need for either to wear anything extravagant.

Well, Elliott was wrong when Park met up with him wearing a white turtleneck, a nice black blazer, and matching slacks. He suspects a turtleneck because he's at least trying to hide his cybernetic implantations without being too obvious and still looking like effort was put in. There was such a stark color difference, though—he felt like the sun next to the moon.

"Oh, h-hey, you look…" Elliott trailed off, unsure if he should give a genuine compliment or play it off like a joke—but he's already stuttered, so he may as well commit, "… good—you dress up nice."

"Paquette and Wraith helped." He huffed, stuffing his hands into his pockets. "I wouldn't have put in so much effort otherwise."

"Such a heartbreaker, Kim."

Elliott chuckled before reaching out and opening the door, gesturing for him to hop inside his car. The hacker rolled his eyes before slipping inside, the trickster shutting it before hurrying to the other side.

"Where are we going?" Park asked once Elliott was inside, turning the engine on and beginning to leave the complex.

"I know you don't like public places, and a movie is a terrible first date, so I picked out a small family restaurant that has some of the best lemon cakes I've tasted. Not to mention some people will see us, together, so it'll make the higher-ups happy, y'know?"

"Hm. You're smarter than I thought you were."

"I'm full of surprises, sugar."

"Don't push your luck with this 'dating' thing, Witt."

"Oh! That reminds me—we should probably establish some boundaries." Elliott took a right, keeping his eyes on the road but focus elsewhere. "Personally, I don't really care. So long as we don't have sex, I think I'm good otherwise. How about you?"

"No kissing, holding hands, touching in general, stupid pet names, or sex."

"… Well, you've eliminated every possible way of showing we're 'dating.' Anymore you wanna ban there, kid?" Elliott sighed, stopping at a red light and looking over to where Park was seated, glaring out the window. "This is definitely more like a friendly outing, if anything, but no one's gonna talk about us if we just seem like friends. Higher-ups will have our necks."

"I take back what I said earlier. You're an idiot if you think I care about whether or not they're happy with what I do."

"All right, fair point. Can we at least hold hands? That shouldn't be too much to ask."

Park sighed, pinching the bridge of his nose and sinking into his seat. "Fine. If it'll get them out of our business, we can do that. But only for a few seconds."

"Gotcha. Man, whoever dated you in the past must've been as touch-adv—avd—ad—ad… adverse as you."

"…"

"…"

"…"

"… Holy shit—you've never dated anybody."

"Shut up."

"No, no, that just makes this whole thing worse!" Elliott began driving again once the red light changed to green. His eyes returned to the road as well, though he was no less focused on the topic at hand. "You're experiencing a date for the first time with someone you don't even like, a-and that's not fair!"

"I—"

"No, y'know what? No, you're getting a date. Getting everything! You're getting the ol' Mirage charm, gonna get swept right off your feet."

"Witt—"

"No buts! You're being dragged out of your cave and getting screwed out of a first date with someone you're actually interested in. The least I can do is be as good to you as possible."

Park only stared at him, silent, before an amused breath left him, letting himself smile. "Okay."

—;;

Park wasn't a conversationalist, Elliott quickly found out. He was very quiet and reserved, which didn't help much either. He was, however, a great listener, and Elliott loved to talk, so, in a way, it worked out for the better.

The small restaurant they were seated in was relatively quiet, but they could hear hushed whispers about them being together, seated in a secluded booth that helped alleviate any anxiety Park might have with being seen by a bunch of people.

The holographic expert had ordered himself a steak, medium rare, with a salad on the side. He opted out for any alcohol, since he was the driver and he had no idea if Park was comfortable dealing with someone drunk, so all he ordered was some tea. Park, though, only asked for steak fries and a soda.

"Y'know," Elliott said after taking a sip of his tea, "you should get more meat in your diet. Helps build muscle, gets some meat on your bones."

"Hm…"

"C'mon! You also never join us for dinner. Or lunch—or, actually, I don't… see you eat. You eat, right?"

"Yes."

Elliott hummed in suspicion, a hand smoothing down his beard, though Park's stoic gaze didn't relent any. "All right… What do you normally eat?"

"Usually from whatever takeout menu is closer."

"… How are you even standing right now?" Elliott looked sad for a moment before shaking his head. "Let's make a quick deal here—"

"We've already made a deal."

"Let's make another. If you agree to come out of your cave for breakfast, lunch, and dinner, I'll agree to do whatever you want. Anything. Well, except really bad stuff. Like, I won't kill someone. Too far."

It was Park's turn to hum, taking a sip from his straw, before placing the glass on the table. "I benefit from this more than you do."

"I get the benefit of helping my sweet sugar plum get better, even if it's just a little bit."

Park raised a brow. "What did I say about pushing luck?"

"Ya love me. You wouldn't leave me on our date like this… Well, I hope not."

Park wanted to roll his eyes, say "I would and I will," but he didn't. He kept silent, giving Elliott a look, who seemingly took the hint and changed subject.

"So, have you ever been asked out before?"

"Isn't that a bad topic for dates?"

"Just curious. Feel free to not say. Besides, it's not a real date."

"Don't let them hear you say that." Park stirred his drink with his straw absentmindedly, watching it fizz up at his ministrations. "No, no one's ever asked me out."

"Really?"

"You sound surprised."

Elliott laughed in disbelief. "Well, yeah! I mean, you're…"

"What?"

"I dunno—gorgeous, beautiful, cool and mysterious! You'd think girls would be all over you."

"I'm not exactly pleasant to be around, Witt. I'd think you'd have figured that out by now."

The trickster waved a hand, like he was denying Park's claim. "You're rough around the edges, but you're not horrible." He shrugged, taking another sip from his drink. "I'm sure someone out there's just dying to wanna date you! Or maybe you haven't met them yet. Who knows!"

Park let another faint smile curl his lips, looking into his drink. "Who knows, indeed."

—;;

Day two of their time as a couple was during a duos match (of course it was just them), and Elliott had counted this as possibly his most unlucky match.

They had landed at Epicenter and Park landed on top of the tower, alone, and Elliott landed on the ground with two other squads, one consisting of Nox and Octavio and the other being Natalie and Ajay. Nox had trained his sights on him immediately and began chasing him down (the sadistic bastard), and he had to rush to find a gun. All he could find was a P2020, and it wasn't exactly a fair match against the scientist's Spitfire.

Neither of them had any shields, but just a couple of shots from the toxic trapper's gun was enough to down him, slipping on ice and colliding with the hard ground.

"Oh—fuck!" the trickster cursed, trying to crawl away from the man towering over him. "C-C'mon, Caustic, don't you have anyone else to shoot at?"

"No."

"That's a lie and you know it."

However, before Nox could kill him off, the sound of a Sentinel going off, following by Nox quickly being down, sent a wave of relief through his system, looking over onto the cliff to see Park perched atop it, the bolt-action sniper in his hands.

No scope. That's kinda hot.

The hacker had shot off a few more rounds, and Elliott could hear Octavio shout in pain, before he began sliding down the hill, swapping out his sniper for a Wingman. The revolver was shot off twice before Nox's death box suddenly popped up in front of him, signaling the end of that squad.

However, they still had Natalie and Ajay, though they'd been injured by Octavio. They were clinging to D.O.C.'s healing up until Park tosses a grenade where they were healing. Natalie hadn't escaped fast enough, and she ended up downed, whereas Ajay was only injured.

She put up a fight, firing off her Alternator with frightening precision, and, had Park not hit his shots, he would've been killed off.

However, the man calmly approaching his fallen teammate was enough of an indicator that he won that battle, only a few wounds and scratches indicating his prior struggle.

"Kid, if I didn't know better," he said, pausing to let out a grunt at the syringe being plunged into his chest, "I'd think you're trying to show off and steal my heart."

For a moment, Park was silent, helping Elliott back to his feet, before a smirk crossed those dashing fractures, looking up at the other with a faint sense of mirth dancing in his eyes.

"Did it work?"

For once in his life, Elliott was left stunned, mouth open, unable to formulate a response, before the surveillance expert left to loot.

He regained his senses after a moment, blinking himself back into reality, and shutting his mouth.

Kid's full of surprises.

—;;

Their third date wasn't for the public. Their third date wasn't even suggested by Elliott. Park had just grabbed Elliott by the arm, dragged him out to god-knows-where, late at night, and laid down on a small hill. He didn't say anything, didn't give any explanation, and, honestly, Elliott didn't expect anything less. He just laid down beside the other, looked up at the stars, and let out a breath.

However, as Park's own mind was clear, hands resting on his stomach and a leg bent at the knee, Elliott's own was filled with thoughts of confusion, his hands behind his head, acting as a pillow.

Park was such a strange guy. One day, he acts like he's the bane of his existence, and, the next, he's smiling and making quips that make Elliott's heart race. Elliott's been with a lot of people, and he's learned a lot from his time with them, but there's never been a time where they've made him feel like… this.

They never badger him about his gross, smelly hair spray, they never playfully banter with him, they never push him off of exploding trains, and they certainly never made him speechless, never made him feel like he lost the ability to function. They never treated him like a person. They always just treated him like… Mirage.

"Hyeon?"

"Hm?"

"I don't think I'm straight."

"Mm. What makes you say that?"

"Because I think I'm in love with you."

Park smiled, letting out a quiet laugh. "You don't even know how I feel about you."

"I don't. You're weird, and you're never forward w-with how you feel, but… I just… thought you should, y'know, know, since we're doing this whole… thing."

"Mm. The fake dating thing?"

"The fake dating thing, yeah."

"… Do you want it to be fake anymore?"

Elliott turned into his side, Park own head moving to meet his gaze. "No."

"Mm. Good." Park's head turned back to the stars, shutting his eyes. "Neither did I."

[koushirouizumi]

{DigiTwitTM getting scarily close to filling the whole thing} (If it hasn't Already)

[izzyizumi]

{Index}/{DigiAdvs}/{Head-canon[s]} The (Mis?-)Adventures of Steve & Frigimon

Since 'today' is basically Yet Another Day for me, I'm collecting a series of head-canon / reaction posts & Thoughts TM I recently made for a vastly under-acknowledged Long-Time Fav That Most People Apparently Don't Remember Exists! (even though they, too, featured briefly in 02's "World Tour" arc...)

This Series A.K.A, What It (May) Mean To Be A (Canon!)Jew In The Digital World (Yes! A Certain One Exists!) + Dealing with Certain Aspects of DigiAdv + 02 ""Lore""

Most of these I marked as 'no r.b'., but feel free to 'Like' anything involved, or refer to this index + if you also appreciate Steve & Frigimon! (of Inter-national Chosen fame!...)

Pt 1: "Gole...m"on Pt 2: "S...ephiroth"mon Pt 3: "Wizar"mon & "Witch"elny Pt 4: Meeting Daisuke Again ("Holiday"s in ..'03!) Pt 5: "Sister"mon{s} Pt 6: "Devi"mon Pt 7: {+"Belial"}"Vamde"mon? / Literally Any "Evil" 'Mon, really Pt 8: (~Totally Not Confronting~) Qinglongmon Pt 9: Meeting Jou Again & "Studying" Pt 10: "Pump"mon & "Costumes" Pt 11: "Gobli"...mon ("Let's Just...") Pt 12: Meeting Koushiro Again / Meanwhile With KouTai & Steve? Pt 13: "Snow"mons (Or ... Featuring, Frigimon! ...) Pt 14: The meaning(?) of "Becoming Adults" {Kizuna Spoiler} Pt 15: 'Meeting' Menoa {Kizuna Spoiler} ("You see, Frigimon was asking me about {MY}---") Pt 16: Lighting the Candles & "Potential" [Post-Kizuna] & an aftermath of Meanwhile With KouTai & What It May Mean to Be "Partners" (Mentioned: Tentomon) Pt 17: "Witch"mon Pt 18: "Witch"mon & "Pump"mon Pt. 19: Espimon Appears Pt. 20: Meanwhile with Steve, Frigimon, Espimon & KouTai ("You know, Espimon reminds me A LOT of...")

(If you have questions about any of these, feel free to send a respectful Ask, So long as my blogrules are followed!)

[analyzingadventure]

Incase you missed it, yesterday Hiroyuki Kakudou talked about his resignation from the new Digimon project. If you want to see the details, check WtW for Onkeikun’s translations of the tweets, but the TL:DR;

Kakudou had been invited to work on the new project

The project has been in production since last year

Kakudou has now left it and won’t be involved any further due to unknown creative differences between him and the studio

The first thing we can take from this is that since the 20th Anniversary Project has been in production since last year (aka it didn’t go into production when tri. ended) we can be sure to hear something about it in the Digimon Thanksgiving event in July. Trailer? Probably not. Concept art? Possibly.

The other thing we can take away is that while Kakudou doesn’t explicitly state it, we can be very sure that the new project is indeed going to be Adventure-related. Kakudou’s grievances with the new project and the reason he left was that something about the setting of the new project contradicts what has been previously established “in the TV series” (and the fact that the story/ideas he submitted got rejected over what Toei ended up accepting).

There is no TV series Kakudou knows better than Adventure and Zero Two; he may have been in the staff for Tamers and Frontier, but Adv+02 are his babies, it’s safe to assume Toei asked him to help because the project is Adv-related and he’s the most familiar with them.

Now... people have taken kind of an “abandon ship”-attitude over the 20th Anniversary Project after Kakudou’s tweets, and yeah, I just want everybody to calm down a bit. Kakudou leaving the project doesn’t mean it’s all already going to hell.

As much as I love Adventure, we all must admit that Adventure’s lore is not flawless without holes or that it makes perfect sense all the time. Kakudou has had a pretty damn fluid view of the Adverse’s lore, you can see it in Adventure, Zero Two, the CD Dramas and the novels. So his lack of involvement in the new project doesn’t mean the project will suck. If anything it might mean the writing could turn out more consistent even.

It is still concerning however since, yeah, Kakudou’s view of Adventure IS fluid. So the fact that he wanted to leave the project because of some kind of continuity errors is somewhat alarming to a degree. Either the something truly awful is brewing in Toei’s studio, something so out there that even Kakudou was like “aww hell naw”, or it might just be a petty fight over artistic vision.

The thing is; we have no idea where the consistency error is.

The new project could be planning on changing or retconning important events established in Adventure/Zero Two, it could be planning on changing rules we’ve come to expect as facts about the world, or a crucial part of the new project might be completely OOC for some of the characters.

The issue in the new project could be that they’re changing how evolution works. Or it could be a “Luke Skywalker tried to kill Ben Solo” situation.

We don’t know where the issue lies, and thus we don’t know how severe it is. And not all of these issues are equally bad.

Kakudou did say that he thinks some fans will be able to enjoy the new project despite the issue he sees in it. Kakudou leaving the project this early doesn’t mean it already sucks. Yes, treading with caution is for the best, but there is still hope, the 20th Anniversary Project isn’t doomed yet.

[entergamingxp]

Sakura Wars Review (PS4) — The Dream is Back

April 29, 2020 10:00 AM EST

While it has been a long wait, Sakura Wars is a satisfying blend of everything that the franchise has done well for a new generation on PS4.

Claiming that Sakura Wars (aka Sakura Taisen) is a huge franchise is an understatement. The steampunk, East meets West stylized series featuring courageous women who act as a theater revue by day and fight demons at night left a huge mark on Japanese pop culture and on anyone who encountered it. When Sega and Red Entertainment released the first Sakura Taisen game on Sega Saturn in 1996, it made history with its peculiar aforementioned mix of genres and atmospheres. Most notably, it mixed various dating simulator, tactical RPG, and adventure elements (what we commonly call visual novels in English) together. By far, it wasn’t the first game that strove to create mixes like these. Red Entertainment themselves weren’t at their first attempt, as Sakura Taisen followed in the footsteps of games such as the Galaxy Fräulein Yuna series.

Sakura Taisen, however, is the first franchise of its kind that managed to reach such mainstream stardom, at least in Japan. This is in part thanks to a very unorthodox idea back then that the franchise pulled off. The seiyuu, Japanese voice actresses and actors, of Sakura Taisen would all regularly hold “Kayou Shows”–musicals similar to the ones that players experienced in-game–that greatly contributed to establish the franchise’ cult status. Putting the seiyuu themselves in the spotlight through stage events, streams and radio shows is usual nowadays, but it was a very novel idea back then, as Sakura Taisen‘s original author Oji Hiroi recently pointed out. Today, many game and anime franchises all do their own stage play musicals in the same vein.

While the Sakura Taisen series reached a conclusion with Sakura Taisen 4 in 2002, followed by a standalone Sakura Taisen V in 2005 (the sole episode that officially left Japan), the series never truly stopped. Indeed, the mainline game part stayed dormant, but anime, manga adaptations and spinoffs, mobile games, apparitions in crossovers such as Project X Zone, and real life events such as art expositions kept it rolling around over the years. And last but not least, the Kayou Shows continued for all these years. Fan demand for a new game never relented, and Sakura Taisen is such a big piece of Sega’s (and gaming) history that culturally and business-wise, a game comeback was only a matter of time. When, and how, were the main questions. And the answer is this brand new PlayStation 4 game, titled Shin Sakura Taisen/New Sakura Wars in Japan, and simply rebranded as Sakura Wars overseas.

Sakura Wars brings back the franchise that everyone loved in a magnificent way, all while making it accessible to neophytes.

Sakura Wars, the PS4 game, is the first main game of the series in 15 years. Officially announced in March 2018 and revealed in March 2019, Sakura Wars is Sega’s attempt to fully relaunch the franchise worldwide, hence why a localization in multiple languages was announced from the get-go. The game is accompanied with its own novel, manga, and a multitude of new crossover collaborations and goods. Seeing the game is already available in Japan since December 2019, an anime sequel also started this April. A stage play was planned as well, but was sadly canceled due to COVID-19.

To be honest, as I relentlessly covered Sakura Wars news via the monthly streams that Sega organized for the game, part of myself was scared. I asked a lot of different questions to myself: “What if the game sucks? What if they only show the good parts on stream? What if I end up hating it?” I’ve rarely been this scared of being disappointed when it comes to my hobbies. It would have been incredibly painful to see the series fail its comeback and fall into oblivion. As I grabbed the game in Japanese, part of my doubts were dispelled after spending some time on it. I even attempted live translating part of the game to show my enthusiasm and spread awareness. Now with this English version, I’ve spent a considerable amount of time with the game, and I can finally affirm this now, with conviction: Sakura Wars brings back the franchise that everyone loved in a magnificent way, all while making it accessible to neophytes.

“Sakura Wars is an ADV, a pure and thorough Adventure game akin to what we call visual novels, and should be approached as such.”

Sakura Wars works both as a sequel and as a reboot. The game’s intro explains how the cast from the previous games all disappeared after a decisive battle against the demons, and introduces instead a brand new cast of main characters. Players are put in the role of Seijuro Kamiyama, a young, talented ex-marine ship captain, who’s now assigned as the captain of the Flower Division. The Flower Division is the core battle and theater unit of the Imperial Combat Revue, protecting Tokyo from demons. All big cities in the current world of Sakura Wars similarly have their own Combat Revues, and they are about to participate in a big tournament to hone their skills. However, the Imperial Combat Revue is facing both a financial and identity crisis, and it’ll be up to Kamiyama to give the Flower Division members the trust they need to overcome their issues and win the tournament, all while fighting off a new demon threat.

You might be wondering why I’ve yet to touch upon the gameplay aspect of Sakura Wars in this review, but you’ve actually been experiencing it already if you’ve read this far. Just like its predecessors, Sakura Wars is an ADV, a pure and thorough Adventure game akin to what we call visual novels, and should be approached as such. You’ll be spending the vast majority of your time in the game reading the dialogue and events unfolding as you control Kamiyama and interact with the characters.

The game reintroduces the series’ LISP system, which are short-timed dialogue choices selected with the directional stick. This aims to make the players realistically think about their words and strengthen immersion. Most of the time, players will have a clear choice between either acting in a positive and gentle way (Top Choice), in a harsh and stern way (Left Choice), or being some kind of creep or clown (Right Choice). Beyond these obvious dialogue choices, you’ll have to do your best to figure out the characters’ feelings, as always picking cliche anime lines about friendship and love won’t work. Kamiyama himself isn’t a self-insert; he has his own personality, and will choose his own words in certain crucial moments, where you’ll instead be urged to pick the intensity of said words.

“All of the concepts and mechanics unique to the Sakura Taisen series have been tirelessly thought over by the development team. They have all been improved and adapted to 3D.”

The true difference in Sakura Wars compared to its predecessors isn’t the change from a tactical RPG system to action RPG elements for its battles; I’ll get to that later. It’s the fact that the game has switched to full 3D. This is a revolution for the series, and Sega made the best out of it. The past games let you roam around the Imperial Theater, which is the Imperial Combat Revue’s base of operations, via a 2D map where characters were represented in Super-Deformed, SD style. When you triggered dialogue with other characters, the games switched to a visual novel-like style, with the characters illustrated with 2D artworks and occasional anime cutscenes. It had (and still has) its charm.

On the opposite side, Sakura Wars lets you explore its environments in full 3D. This choice wasn’t simply fueled by a desire to make the series more appealing to a new generation of players. All of the concepts and mechanics unique to the Sakura Taisen series have been tirelessly thought over by the development team. They have all been improved and adapted to 3D. Exploring the Imperial Theater and the city has never felt so rewarding and immersive. While each area barring the Imperial Theater is quite small, they are packed with small details, fun NPCs, and points of interests. Kamiyama’s own thoughts and observations when inspecting elements will evolve together with the story. Sakura Wars is full of intricate world-building, most notably thanks to the contribution of military specialist and world setting advisor genius Takaaki Suzuki. Simply heading to your next main objective pointed out on the Teletron, Kamiyama’s steam-technology powered smartphone, will probably only make you experience half of the game. You’ll end up missing a myriad of optional events, which aren’t necessarily pointed out on the map, Bromides to collect (photographic portraits of the characters), minigames, and lore.

The most striking aspect introduced thanks to 3D is how Sakura Wars handles its dialogue and events. Nearly all the dialogue is presented through in-engine cutscenes, and each one is stunning. Except during their pre-rendered cutscenes, I dare you to find any other typically Japanese game with as much camerawork, screenplay, and especially lively characters during dialogue. Be it Yakuza, Persona, the Tales series, Ni no Kuni, or any offerings from smaller independent studios like Falcom or Nippon Ichi Software, the characters will most certainly simply be standing there when chatting. Most of the time in several of those games, you will be cycling through minimal, prepared in-advance movements and expressions.

Meanwhile, Sakura Wars feels as if specific movement patterns and facial expressions were tailor-made for every single dialogue in the game. They’re always on-point with the discussion and emotions conveyed by the characters. This is so disconcerting compared to what Japanese games usually offer that I’m convinced some players will dislike how the characters in Sakura Wars are constantly in movement. In-universe it makes perfect sense, as the members of the Combat Revues are all used to performing arts and expressing themselves with their bodies.

“Only 60% to 70% of Sakura Wars‘ dialogue is voiced, and it’s the biggest disappointment that I have with the game. It’s especially jarring to see such incredible vivid dialogue scenes being left unvoiced.”

As for the ever-changing expressions of the characters, you might have heard how multiple artists have worked on Sakura Wars. The original character design of the main cast was handled by Bleach‘s Kubo Tite. Other original character designers handled side characters in the game, and we have K-On‘s Yukiko Horiguchi, Sword Art Online‘s Bunbun, Strike Witches‘ Fumikane Shimada, Pokemon‘s Ken Sugimori, Haruhi Suzumiya‘s Noizi Ito, and Persona‘s Shigenori Soejima. However, it’s important to note that similarly with an anime’s production, another single character designer redrew all the designs so that they’re easy to animate and more uniform. That task was handled by Masashi Kudo, who did a terrific job. In fact, Masashi Kudo in the past did the exact same job with Kubo Tite’s designs on the Bleach anime. As such, there’s absolutely no sense of disunity when it comes to the characters’ designs, despite the various artists.

Sadly, overall, I’d say only 60% to 70% of Sakura Wars‘ dialogue is voiced, and it’s the biggest disappointment that I have with the game. It’s especially jarring to see such incredible vivid dialogue scenes being left unvoiced. Sega’s auditioning for the game, which included singing–seeing as each character has their own theme song–brought us an all-star and talented cast of seiyuu. It’s a huge shame they didn’t get to fully demonstrate their skills. Pre-rendered anime cutscenes are back too, and are in 3D as well. These were handled by famous 3D anime studio Sanzigen. Ironically, the sole lackluster visual aspect of Sakura Wars lies in some of its 2D illustrations used to depict certain scenes in the game, with some of them being of varying quality. Going out of your way to interact with the characters and experience as much of the dialogue as possible, the core gameplay will have a direct influence on the minor gameplay elements, the battles.

“Rather than the battles, what makes Sakura Wars so good is definitely its cast. It’s a purely character-driven experience.”

Each story chapter in Sakura Wars follows a typical mecha anime pattern, with the characters heading to sortie near the chapter’s conclusion, setting up a fight scene for the climax. Characters in the Sakura Taisen franchise fight demons using Combat Armors, which are mecha powered by steam and magical spirit energy, mixing steampunk and fantasy elements. This is where a stern warning is due: you definitely shouldn’t expect to be playing a traditional JRPG. Sakura Wars and its predecessors do not feature numbers to grind, equipment to maintain and skills to learn. The only variable which makes your characters stronger, or weaker, are their Trust Levels, the only way to influence Trust Levels are through your dialogue choices. There’s no real changes to the battle system throughout the whole game, except for Team Attacks that you’ll unlock as you increase Trust.

The battle stages aren’t that big and are globally pretty easy. If you do get a game over, you’ll always be able to restart with extra help. While there are many different types of enemies, none of them will stay etched in your memory. The only exception are the bosses, all introduced with huge on-screen Kanji, following Sakura Taisen tradition, and something you might be acquainted with through Skies of Arcadia and Valkyria Chronicles.

As an important note, the battle system of the original Japanese release of the game had no lock-on system and instead used an automatic homing function, which made it hard to hit flying enemies, most notably. This isn’t a problem anymore as a patch has long been released, adding a lock-on system, a better radar, limited button remapping, being able to save anytime, and last but not least, a dialogue log with voice playback. These improvements will be included in the Western version, so make sure to download the day one patch. However, the patch was only made available to reviewers a little bit before embargo, so some reviews might mistakenly point out these faults, even though they are now patched.

In any case, you’ll only be fighting for around 20 minutes for about every 3 hours of gameplay, and despite being so simple, the battles are still fun and do their job well. The battles, like the rest of the game, are also filled by cool dialogue and incredible cutscenes, including dialogue choices. The music by the legendary Kohei Tanaka (One Piece, Gravity Rush, among others) is always on-point as well, and it’s the combination of these factors that makes these climaxes so awesome. But ultimately, the battle system of Sakura Wars in itself is marginal. Rather than changing from a tactical RPG to action RPG, the battle system might as well have switched to Sega’s match-three puzzle game Columns, and it wouldn’t have changed a thing.

Rather than the battles, what makes Sakura Wars so good is definitely its cast. It’s a purely character-driven experience. Japanese games tend to traditionally include a stereotypical cast, which gradually shows its uniqueness as you play. Sakura Taisen is and always was the culmination of this concept. The protagonists fight to protect the world and follow huge cliches based on their country of origin. The villains simply wish to see humans suffer for no reason. Everything is cheesy, but it works terribly well. The original script, written by 428 Shibuya Scramble‘s director Jiro Ishii, doesn’t stray from these traditions of the Sakura Taisen series, and that isn’t necessarily a bad thing. Each chapter mostly focuses on a single main character, but all the others will play a role too. This is especially true for the second half of the game, when all the characters have already gone through a good chunk of development. Each character’s individuality slowly unveils itself through the multitude of dialogue events, and you just can’t help but fall in love with the characters.

Ultimately, while we might call it a dating sim, Sakura Wars is quite different from most. Of course, in the same vein as its stereotypical characters and plot, Sakura Wars is also filled with cliche anime situations. Kamiyama often finds himself in “lucky pervert” incidents depending of your choices. I’d add Sakura Taisen is one of the few franchises that manages to make sexual fan service moments and “romantic comedy” misunderstandings like these actually comedic and funny. Still, you shouldn’t expect anything steamy to happen, as even the unlockable optional flirting scenes are very tame. Indeed, your true goal in Sakura Wars isn’t to whoo girls, it’s to make the team members feel at home and have a place where to belong. I believe this is why the nomenclature of the series always used “Trust Levels” instead of “Affection” or “Love” levels.

Moreover, while we control Kamiyama, the true protagonist of this new Sakura Wars is Sakura Amamiya, the most devoted member of the Flower Division, who aims to restore the Imperial Combat Revue to its former glory. While the game includes a dive into each main character’ psychology and worries, everything revolves around Sakura Amamiya. She’s the sole character on the game’s case artwork, the first character you see in the opening anime sequence, and she’s the one getting a typical mecha anime midseason upgrade. It’s not a baseless choice as to why the ongoing manga version and sequel anime both put the spotlight on her.

Sakura Wars might even be too much centered around Sakura Amamiya at times. Most side characters, and those who belong to the other Combat Revues fought during the tournament, barely interact for most of the game with the main cast besides Kamiyama and Sakura Amamiya. Moreover, while the tournament battles are centered around 3 vs 3 team battles, only two members of each Combat Revue we face off against are introduced. Their third combatant is always a nameless, faceless character we’re never introduced to.

Nonetheless, in Sakura Wars the girls are always the true stars of the stage. This approach is one of the many reasons why the franchise as a whole is so inspiring and attractive to anyone, despite being a dating simulator for hetero male anime otaku. Furthermore, Sakura Amamiya idolizes Sakura Shinguji, one of the main characters of the past games in the series, which brings us to the final important point; how meta this Sakura Wars is.

“Overall I’ve rarely seen a game manage to deliver a commentary on itself, all while handling fan service perfectly, brimming with love and respect for its own legacy.”

The first part of Sakura Wars‘ story features an obsolete Imperial Combat Revue shunned by all and on the verge of shutting down. It’s almost as if the game is reflecting the image of the franchise itself in the eyes of younger folks who didn’t live through it. Then, you’d be amazed at the numbers of NPCs who trashtalk the new characters while singing the praise of the old ones. Sega is fully aware of grumpy fans who claimed on social media that instead of a new cast, they’d rather have the ex-main characters back even if they were into their senior years. Players can regularly learn about the previous cast via the Imperial Theater’s archives, with Kamiyama sharing words of admiration. And then you have Itsuki, an embodiment of the good fan, with whom you can fangirl with while chatting about both the old and new characters.

As a newcomer or as an oldtimer, your overall opinion of the game and its characters will grow positively as you play, exactly mirroring how the Imperial Combat Revue slowly regain its fame through the main story, making for a unique experience. Overall I’ve rarely seen a game manage to deliver a commentary on itself, all while handling fan service perfectly, brimming with love and respect for its own legacy. I clearly remember the excitement I’d feel when I was a kid looping the Sakura Taisen games’ anime opening sequences while dreaming of playing the series. Experiencing Sakura Wars on PS4 feels exactly like that. The dream is back.

Before concluding, I’d also throw in a word regarding the English localization of Sakura Wars. As I mentioned earlier on, I’ve partly played the Japanese version, and I must say that the English translation is amazing. Despite the Japanese heavy setting, It doesn’t go with the simple choice of keeping Japanese terms and honorifics, and yet still retains what makes the series’ atmosphere so unique, and conveys everything that needs to be conveyed. Every ten lines I was in awe and reminded of how much I suck as a translator.

In conclusion, while Sakura Wars never feels like it cuts corners, you can clearly tell, with the lack of full-voice acting or the nameless third combatants thing, that Sega didn’t fully believe in themselves. Sega is incredibly eager to make the series reach glory again, and brought to the development team all-star artists, writers and seiyuu, but at the same time was reluctant and wary. They believed in this comeback but lacked conviction to put more resources on the table, which is slightly disappointing. A more ambitious and polished sequel would definitely have the potential to become one of the most iconic Japanese games in years, similarly to Persona 5. With full voice acting this time, even denser content, more interactions between the main and side casts, and an attempt to make the battle parts into something more than narrative climaxes, you’d have the formula for a masterpiece. Sales would follow suit, boosting the franchise’s popularity worldwide, and we could even see the past games finally get official localization.

Unless you religiously scorn the act known as reading, there is absolutely no reason to avoid grabbing Sakura Wars on PS4. If you’ve read the integrity of this review, you need to hurry up and grab the game right the hell now. It’ll make you discover a fresh universe full of surprise. If you’re a complete stranger to this culture, it will surely be the game that makes you realize what’s so good about Japanese games, anime and manga. In an era where the most exported Japanese cultural products are battle stories inspired by Dragon Ball, playing Sakura Wars can be a gateway that will definitely broaden your horizons.

April 29, 2020 10:00 AM EST

from EnterGamingXP https://entergamingxp.com/2020/04/sakura-wars-review-ps4-the-dream-is-back/?utm_source=rss&utm_medium=rss&utm_campaign=sakura-wars-review-ps4-the-dream-is-back

[koushirouizumi]

Meanwhile with Steve & Frigimon {DigiAdvs 02}

Takeru: ... Steve: ... Takeru: ..... Steve: ..... Takeru: :) Steve: :) Takeru: ..... Steve: (I won't say anything if Takeru doesn't...) Frigimon: (At least you two get along?) Steve: (Yeah, but I can't say this isn't awkward sometimes.) Frigimon: (Takeru respects Koushiro too, though.) Steve: (I know, I know.) Steve: (Breaking the ice is ... Something.)

[digitalgate02]

[sighs]

I'll have to be honest with people and with my own feelings.

When I say I can’t really make ▽ work with my stuff and with the original lore, I really mean it.

I know people might get angry at me for saying this, but it’s pretty much sure that you have either to commit to one or another and CANNOT USE BOTH TOGETHER. What I mean? Well…

I know all of the Adv/02’s lore is still unknown to us, and we got a good chunk of those details from interviews with Kakudou and SekiP, but when it comes to the original Digital World lore… Well, it sounds completely… impossible to use it with ▽ as it was presented to us. I mean mostly what Shiha talked about in this post here, about “canon” and “Non-canon” and such.

Well, I want people to not get me wrong – I’m not forcing you to agree with me, I’m just explaining why it’s so hard for me to work with it, to the point I’m still trying to, even by reusing bits of it except… I’m always walking into a thick wall and unable to proceed with my own plans/chain of thoughts.

Well… The thing is: Since the lore is basically violated to the point I have no other option than put extra thought on how to work with this, I’ll have to talk about a SERIOUS digi-ecosystem problem this series brought.

If you didn’t know, an old stream with Kakudou in it (not sure for which material it was, PSP Adv game or another thing, if someone remember of it, please help me here) had a Q&A section where people sent him questions to be answered there, and one of them was regarding… “what happens to the digimon if a human partner dies” or something like that. Well, Kakudou’s answer was following the logic of “digimon are the manifestation of the human soul” which is… basically something implied in post-series material & interviews. His answer? If a human partner dies, their digimon partner dies too.

Just by saying this you might understand… What my point here is.

Yes, I mean… Nishijima Daigo’s death is a big big PROBLEM to the lore.

Unless there’s some special rule involving the Holy Beasts like, “the HB can undo their ties with their human partners”, the fact Daigo is killed off in the pt6 brings a terrible disaster to the ecosystem. The Holy Beasts are also responsible for the protection of the Digital World, just as Homeo (which is not a “God-like” entity at all, even in Adv & the novels, Homeostasis claims to not be a “God of the Digimon”, it’s just a security system or something like) – And when Qinglongmon explained stuff in 02, he mentioned that the Dark Masters had sealed the HB in the past, but then the Chosen Children broke the seal.

Ok, so you might be aware the Holy Beasts were former Chosen digimon, the mysterious “five kids” (yes, the ones using a few from the Adv cast to illustrate them) – we don’t know when they got to face Apocalymon, but they were said to be the previous group from Taichi & co. and I assumed it meant 1995 before because I wasn’t aware of the math count before… The math count is important and this is why those details should’ve been stated beforehand and not through interviews and Q&A stuff… But okay, I don’t blame anyone for not knowing those details… I’m only upset that ▽ staff didn’t go to get details directly from the original Adv/02 staff. Sigh, let’s go straight to the point:

Killing Daigo was the biggest lore violation this series had committed, because it would’ve caused terrible issues to the ecosystem. You KILLED a human whose digimon partner had become a HOLY BEAST!!

But Why am I so desperate trying to find a solution to this? Well, I don’t want to let go of Daigo and Maki – I love them, and I also love my NishiHime OC Yume. She has a big plot that I’m trying to make it work – but as you can see, this is the thick wall I’m facing right now.

Yes, I know I could simply ignore it, but I wanted her to have a parallel with Daichi and show the difference between them. If I keep Daigo dead this would cause a big big crisis because one HB down. So my only choice is to kill Maki off, right? Except I had plans for Maki too… So this is where I’m sitting here and thinking again and again on how to keep the original plan (╯°□°）╯︵ ┻━┻

[koushirouizumi]

Steve, learning the existence of "Witchelny": Steve: Steve: Steve: (Maybe I shouldn't say anything to this Wizarmon. At least it's a kind one.) Wizarmon, sweating: (The 'rest', though...) Steve: (Look, as long as they leave Frigimon and I alone) Wizarmon: (You might have to fight, though) Steve: (I'll figure that out later.) Steve: Well, bye Wizarmon: (You're just going to?--) Steve & Frigimon, leaving via however they accidentally got there: Wizarmon: