#adora meta

[chaoticbug]

do you ever think about how Adora was raised in a extremely controlled environment that greatly limited her ability to gain information about the outside world, and that as soon as she leaves she is thrown into a completely new culture that she knows nothing about and she is expected to be a leader?

Do you ever think about the dramatic culture shock Adora faced when she left the Horde?

In Princess Prom Adora is so set on learning everything she can because it's one of the first big cultural events she has to prove herself in as Adora, not She-Ra.

Adora is someone who grew up with strict rules and suddenly every rule she knew was wrong. And because of her role as a leader in the Rebellion, everyone expects Adora to know things about Etherian culture she never learned.

Do you ever think about how Adora's culture shock greatly affects her as a character?

[tippenfunkaport]

[source]

I was delighted to find this because, while everyone is obviously welcome to headcanon whatever, I always knew that was intended to be Glimmer's knife!

The first time we see it is even in Glimmer's room in No Princess Left Behind.

[candyskiez]

rewatching she ra is a wild ride man like damn I forgot how obviously traumatized adora is in retrospect. how she acts around angella? "People like me better when I'm she-ra"? running to get some sort of validation from any adult figure the second everything in her life goes to shit? her first reaction to a perceived fuck up is to self punish and leave glimmer and bow entirely since she "ruined" their lives by being "irrational" in shadows of mystacore? the fact everything is her fault in some way somehow since season one??? holy shit she was seriously considering staying behind with light hope and never leaving because she thought her friends were better off without her. I forgot how much she self punished. whoever thinks adora didn't suffer in she ra has never watched the show istg

also just. the fact she sleeps with a *knife* is so telling. what happened to her in the horde that made her feel the need to start? she was fully prepared to fight shadow weaver the second she woke up. she *sleep fights.* what the fuck did they do to her. this kid has been through so much.

[maxiemumdamage]

What makes me sad is that there are very few RWBY crossovers — in general, but in this case specifically — that explore the hilarity of their weapons.

Like. The fandom has gotten so used to it to the point where we’re shocked when the melee weapon isn’t also a gun. We’re desensitized to things like “sniper-rifle-scythe” or “shotgun-gauntlets” or “katana-chain-scythe-handgun.” Non-RWBY characters, even those from an action series, will not be.

Luz Noceda would be alarmed if someone pulled out a seven foot tall sniper-scythe (though she’d fangirl before she’d panic in most circumstances). Percy Jackson will not know how to respond to a gun when he’s been fighting with a sword from antiquity. Adora She-Ra…is probably not gonna react that strongly, actually, but she’s a child soldier who unlocked magical girl powers and is friends with Entrapta, and as such is uniquely suited to cope with the insane bullshittery of RWBY weapons being thrown at her.

Anyway. Missed opportunity for comedy is all.

[mara-defense-squad]

I think the thing that really appeals me to catradora is the fact that they weren't supposed to make it.

Think about it for a second. Their whole lives they were pitted against each other, because Shadow Weaver wanted Adora and Catra only ever interfered with that. But they still built up their friendship. They made The Promise. They had each other, throughout their time in the Horde, despite Shadow Weaver desperately trying to drive a wedge in between them. They were never supposed to last, but they did.

And then when Adora finds the sword, becomes She-Ra and joins the rebellion - well they definitely weren't supposed to make it then. They were enemies, on opposite sides of the war. Yet, in early season 1 (pre-Promise) Catra still defends Adora in her absence. She lies to Shadow Weaver, lies to everyone about Adora being She-Ra and when SW finds out, she says "She's just confused". Still protecting Adora, despite her leaving. And Adora doesn't stop trying to convince Catra to join the rebellion, even though the rebellion would likely prefer it if she did. They weren't supposed to be fighting for each other - but they did.

And then Promise happens. Like Shadow Weaver, Light Hope sees Adora's friendship to Catra as a threat. So, she takes that wedge SW jammed inbetween them and drives it all the way home. She convinces Catra to cut Adora off, and convinces Adora to let go of her. And Light Hope succeeds where Shadow Weaver failed - they are now enemies. And they stay that way. This is how it was always supposed to be.

Then Catra opens the Portal. They get each other back for a second, but it only serves to prove they were never meant to last. Catra completely turns on Adora, and when it's over, Adora completely gives up on Catra. Any hope of reconciliation is shredded.

Catra continues on her downward spiral. Adora moves on. The war rages on, and they keep walking their separate paths. This was how it was supposed to end.

But then - then, in the rubble after the Heart of Etheria, at the moment Adora expects it the least, Catra saves Glimmer, and she apologises. She does this with no hope of seeing Adora again, and Adora doesn't know how to deal with it at first. If she was following the path laid out for her her entire life, she would have left Catra to die on Horde Prime's ship, grateful for her sacrifice, and grieving what could have been. That was how it was supposed to go, and it was exactly what Catra expected from her. But she defies it. She puts aside the greater good, and she storms Horde Prime's ship, for no other reason than that she wanted to. This is not what's supposed to happen.

In Save the Cat, Catra was supposed to serve Horde Prime. She's completely stripped of her autonomy, forced to fight Adora. She's supposed to break her. When she manages to break through - just a little bit - she is supposed to die. She falls off that platform, into the abyss, no hope left for her. Adora is supposed to let her. Instead, she summons She-Ra, and brings Catra back to life. They were never supposed to make it this far.

And it doesn't get easier. For a while, in Taking Control, they still don't really know how to act around each other. They have to learn it again. But they keep trying, against all odds. Catra starts to heal. Adora watches. They get to rekindle what they lost.

But then Shadow Weaver comes back, and the Failsafe happens. All their old wounds are raw again. SW is pressing all of Adora's old buttons, desperately reinforcing that wedge between them, so that Adora will take the Failsafe. At first, Catra resists this - she eavesdrops on Adora and SW conversation, and she seas her manipulation for what it is - and she tries to convince Adora to do the same. Ultimately she fails when Adora accepts the Failsafe. Catra knows that Adora is going to die being the hero, and she can't face that so she leaves. They are separated once again, and it doesn't look like there's any way back. It could have ended here too.

But in Heart, Catra sets down her hurt and her fear and she goes back to warn Adora of the new danger as Horde Prime hacks the planet. She finds Adora fighting for her life, and losing. Catra saves her, and allows SW to take Adora on to the Heart. She tries to sacrifice herself again. They both should have died there.

Only Adora comes back for her, once again. She rejects her destiny to save Catra. SW dies instead.

They've reached the final hurdle, the Heart itself. Adora can't transform into She-Ra, so she's doomed to die saving the world. Catra is supposed to let her.

But against all odds, they confess their love and it works. They both get to live.

This wasn't how it was supposed to go. At every turn the cards were stacked against them but they still won. They still made it. And I love that for them.

(sidenote but this is also why i love catra as a character and her whole arc. She was supposed to live a miserable life and die a miserable death but she got to live and change and grow as a person. Ugh I love this show)

[catras-breakup-song]

i’m not gonna lie… i’m lost here. is this supposed to be an 4nt1/cr1t1c4l post? if so, i genuinely don’t understand the point being made.

is it that playful banter is a bad thing? is it that being too hands-on violates unspoken boundaries? the message is so unclear to my autistic ass…

oh, wait, OP provided tags:

so aside from the fact that they are absolutely not sisters by default, least of all canonically (even if you do interpret them that way somehow), nor was it ever intended by nate stevenson, i’m still having trouble figuring out how this is problematic.

in which ways is lighthearted touch totally contradictory to passionate kissing/caressing? why can’t partners who are dating do both, especially in different cultural environments such as the horde where intimacy is discouraged and friendly sparring with familiar peers is a safe expression? if it’s so different, what are we as the audience supposed to interpret from their style of physical affection by the final season? side note, but aren’t we supposed to consider the latest version of anything in general as the most accurate?

now i have a question lol, did you take this moment literally at her word, and all the other times she repeated it?

also, my friend just pointed out that this is the classic homophobic talking point of "they seem to just be very good friends! they were roommates!" lmao. i've never agreed with accusing anyone who cr1t1c1z3s catradora of lesbophobia, which i'm not doing necessarily, because that's simply not how it works, however i found this funny and partially true so i'm keeping it in.

the lip bite was included unintentionally 👀

anyway, as i’ve discussed on this blog before, i’m very arospec and it’s inseparably intwined with my identity itself; i also project that onto catra. something we often bring up in that community, is romance-favorability (as its own spectrum of range all the way to blatant repulsion btw) — which is a personal preference that’s defined as exactly as it sounds like and occasionally revolves around fictional depiction as separate from one's own reality — and arguably more importantly, amatonormativity — which is an arbitrary set of rules for romantic expectations set up by an alloromantic society. this is typically thought of as common denial of the idea that someone could actually want to separate themself from needing a life partner in marriage, but can very much be applied to an annoying list of what draws the line between romantic & platonic relationships. that line is very individualistic and is to be decided on such a level only, and it doesn’t even get into what queerplatonic means, a concept saved for another day!

my point is, the OP seems to be trying to claim that catradora objectively cannot be read as romantic because their dynamic growing up & early-on in the story doesn’t perfectly meet socially-constructed standards of what that should look like. i say we need to eradicate those standards altogether! it’s up to catradora to decide what they are, if anything specific at all, not us as the audience — assuming they could’ve had the words at their disposal to knowingly describe it. going back to my earlier paragraph above about how limited they were in the fright zone, i’ll borrow a quote from a comment i made on one of my recent reblogged posts (which is a great meta on how their mutual desire was uh... definitely not platonic):

"Catra and Adora’s desire for one another is shown in a variety of ways, mostly indirect. There are a lot of glances - until season 5, not the kind of open leering at one another that we’d seen between other characters. Mostly it’s fairly playful - wiggled or cocked eyebrows, glances at each other while smirking, that kind of thing, or really intense and somewhat angry glares when they’re fighting."

it's really bothering me that i can't recall where i read this from before, but someone analyzed before how, growing up, catra & adora didn't have a good sense of how to label their relationship with accurate terminology despite being subconsciously aware that they, whether they knew the other reciprocated or not, loved each other "like that." unfortunately, they couldn't further explore it because such love & affection was seen as a punishable weakness in the horde, so they resorted to the only safe option they seemed to have, which was subtle body language and play-fighting as [testudoaubrei-blog] described above.

also, since this screenshot is included in that post... i would be amused to read an explanation of how THIS LOOK from catra is "platonic with a capital P", because i'm not even sure if it's up for debate to be quite honest with you:

ESPECIALLY with the "i always have!" line (which 4nt1s like to doubt, but i don't care, it's official!):

[direquail]

The way Mara looms over Adora

S2 and S3 really play up the "haunted" sense of Etheria, and I think it's really all about this, here--this relationship, between Mara and Adora. Adora is haunted by Mara.

Mara looms over her, overshadows her. The way she's so present, and Adora can touch the things she touched, and see her touch on the land and on Light Hope, she holds Mara's sword and knows that a thousand years ago, Mara touched that sword, too. But she can't touch or speak to Mara, when she desperately needs to.

Her existence here is predicated on Mara's absence; if she is here, then Mara is dead, and therefore out of reach. Mara is dead long before Adora ever touches the Sword.

This silent image, Mara behind her and before her but out of reach forever, while they both try to reach across time to each other. Adora saying "This isn't it," because there has to be more, she knows in her bones there's more, and Mara, when Adora finally reaches her, saying, "I'm making this not knowing if you'll be there to receive it, but I know you'll be there, Razz said you'd be there, and if you are, then you need to know this."

Saying, "I will reach forward through time to you. You are not alone and you never were."

It's a McFucking prayer, dude.

[manic-sapphic]

gonna pretend i'm sorry for this cause tbh- it's just a string of spop gifs where i rant for way too long about the feels i get from each scene~

(-hey - i said sorry, ok ... sure, i openly admitted it was a lie - but i guess i just hoped you'd appreciate the slight effort of the pretense-)

this moment obviously kills me- just like i know it does for alotta you- but i just gotta call attention for a sec to what exactly kills me the most about it: up until this point, we've constantly been shown brief moments of catra's expression betraying her true vulnerable state - even if it's just a close-up of her eyes - during which less than a second passes before the look in them transitions from sad/hurt or disappointment/self-hatred (anything of the sort, really) to anger/ resentment/ rage. her brow usually falls quite quickly as her eyes narrow, refusing to allow her real feelings to continue just being felt - (& tbh, for most the show, i think she's just so fucking afraid of what might happen if she does let herself feel them- esp s4 after the portal)

but in this scene - that's changed. it's completely turned around, flipped upside down - she starts off w her usual habit - a display of resentment and rage - that dissolves into the most heart-breaking freaking expression i think i've ever seen. because you can see just how heart-broken she is- and it kinda seems like she's tryna admit, w/o having to say it- that she was already heart-broken for a really long time, and is tryna make one last attempt at getting adora to understand- not to choose catra- that's not the point, that's not what catra's after, even if it is what she wants and needs to know (for her own peace of mind) if the feeling is mutual-

rn, all catra is desperately tryna get adora to even just think about - is herself. take away every single person she feels responsible for - which is literally everyone.. everyone - a feeling, btw, catra now understands to be an unconscious reflex born of the trauma shadow weaver had caused adora. she's finally able to see it was never just her - adora was just traumatized far more secretively & in ways that would be harder for others to notice (which i'm sure was very much on purpose)

- the weird convos w shadow weaver, disguised as personal pep talks, looked as if they only took place when shadow weaver had adora alone - but in failsafe, catra hangs back to listen & make sure there's no bull shit going on- just like she said she would- "i'm only going to make sure shadow weaver doesn't try anything - it's not because i like you-" (yeah yeah we get it- u DoN't LiKe HeR ~ duuuh, that's cuz u luv her u dummy <3)

oh but now- now i gotta talk about THIS look right here- as if the expression they give catra when/after she asks "what do you want, adora?" isn't enough to see me out in the backyard digging my own goddamn grave- then they throw this shi on my tv screen just seconds later ?! tf. i mean- the way catra's eyes shift up- no longer able to keep looking at adora after the only answer she can give her as to what she wants is "i have to do this, catra - i'm the only one who can" ... FUUUUUUU THO OK

for so many reasons, too many for me to get into in a post i already feel bad about cause dude i ain't near done ranting on scenes and moments annnd i see how long it's already gotten- my bad, fr- so i'll just try (and fail) to narrow it down and keep it brief- catra's questioning what adora wants is definitely aimed most importantly at her hope that maybe she can still get adora to even just think about that- to realize that she's allowed to and should think about it.

but i also read it as, once again, these two knowing each other so well that they don't always have to say exactly, word for word, what they wanna ask or tell each other- the emotional stuff is weird and hard for them to even put into words still, tbh; cause i mean, ya know- orphaned child soldiers discouraged from even showing any signs of illness when sick, cause asking for medical attention would be a real loser move for a kid to make, right.. like, wtf? dude- they can take on so much and handle the gnarliest situations that require strength and skills and abilities i couldn't ever ever fucking fathom facing - but feelings? tf? all i can ever hear them thinking in response to those: "ohhh fckfckfck what is this, why is this & how do i make it stop -???"

so when catra asks adora what she wants, i mostly hear her begging adora to be a little selfish - just this once, at least - and let herself think about herself, but i also hear catra's most vulnerable, desperate, & honest ask of adora so far. what i hear woven in what catra actually says aloud, is another quiet question she's still too scared to put into words, but that i kinda think she hopes/knows adora will hear if she's really listening- "do you want me?"

uggghh and the way that after a moment of an outward, unfiltered display of grief over adora's answer (or more accurately, lack of an answer), catra wipes her eyes and turns away. the switch flipped. back on her bull shit. emotional defense mechanisms she's once again starting to feel are the right idea & always were, and is prob feeling like a fool for ever thinking she might actually get to have a life where she doesn't have to feel them as necessities - where it doesn't feel like that's the only way she'll ever survive.

cause maybe by now, she's seen that some people get to have that - but it's just not the life that was ever meant for her. just like adora was never meant to have a life of her own - at all - period. they're both still so easily fcking convinced of what they've been conditioned to believe about themselves, their lives, and the inevitabilities associated w their existence - (FUCK OFF FOREVER SHADOW WEAVER)

and the quick little moment of adora shown just after catra disappears - possibly gone from her sight forever - the shorter close-up of her reaction before the shot goes waaay back and she cries out for catra - i feel like it def doesn't get enough recognition (prob mostly due to the fact that the clip of adora yelling catra's name comes only seconds later and is portrayed far more dramatically, & in a way that crushes tf outta ur soul, ofc)

but that lil bit there- that brief second of adora's initial reaction- the moment she starts to process that catra just left- that catra's gone, and that this time- adora thinks it's probably for good- her short, shuddering intake of breath followed by what seem like more hurried, forced breaths that kinda appear difficult for her to take- sound like the first seconds of a fcking panic attack to me dude.

and it certainly hurts to watch just as much as when she calls out after catra - although yeah, tbh, that bit stings a lil extra in its own way- i mean, knowing catra had to have heard adora pretty much scream out her name seconds after she disappeared w melog- fuck. (idk how tf catra didn't come right back tbh. i'd be visible again so quick, rushin to adora like "omg bb i'm so sorry- pls don't cry, never ever, ily so much, won't ever hurt u again ok- ilysm omg omfg ily i'm so sorry" & btw, that's a totally normal thing to think when watching that scene ok-)

oh but then - omfg - adora gets a swift slap in the face from the crystal castle - the haunting of a sudden, unexpected vision of catra. all the catra's. catra in so many of the different forms adora's known her through, even if it was as enemies. it reminds me a bit of an excerpt out of the "don't go" fanfic - "catra hasn't been in her life for a long time - but she hadn't known how unbearable it would be to lose her for good until that moment" -

neither of these bitches ever wanted each other gone- catra (very sadly so) def spent most the series tryna convince herself that's how she felt about adora- tho it's just cause her conditioning taught her to think needing someone makes you weak and easy to hurt, and tbh, i think catra knew she needed adora for most their lives, even if she could never admit it to herself in even the form of a full, conscious thought--

but i think she also believed that, after the promise, that need was confirmed to be mutual. and in that way, it was something catra never needed to say but also never felt the need to be ashamed of/embarrassed by- until adora left. and her belief that the feeling of needing each other for support & protection (and let's be honest, care & affection) was mutually shared between them was shattered - & in such a way that i imagine catra musta felt like she was the actual idiot all along - adora had never needed her, and now she needed to figure out how to achieve that same independence - she needed to figure out how to not need adora.

omg tho dude - pretty sure i've said it before but i can't not say it (aka rant on it tho tbh- sorry lol) again and prob every time i ever share anything that features this couple seconds of what i kinda feel to be adora's most honest, selfish, & vulnerable moment we see up to this point- & without her needing to say a fucking thing- just tears that fall from her eyes after catra basically says "uhh yeah ok so- fuck that nonsense- i'm not leaving, idc wtf happens- i'm staying with you"

--(cause yeah, maybe she spent the last few years too prideful and stubborn to admit that was always what she wanted to do and where she loved being the most- and after so little time spent back by adora's side- it was breaking her fucking heart all over, knowing her chance at having time w adora was going away again- but regardless, catra gets now- that part's not up to her; it's never been her choice to make- & not even adora's, really- but deciding to stay w adora no matter where she goes- that's always been up to her- and she's not ever fucking making the mistake of choosing not to stay right beside that silly sweet dummy ever, eeeever again)

BUT duuude tho - the way adora cries a bit but says nothing - doesn't attempt even once to try n convince catra to go, to push her to leave and get somewhere safe - i just can't help but figure catra staying with her is exactly what she wanted, but never would've asked for in a million years. never would've even let herself form the question in her head.

but in spite of that, when catra states it unequivocally and clearly adds w confidence - "no matter what happens" - adora can't argue. she can't insist. much like catra hasn't really been able to do for quite a while now - adora can't fake it anymore. she's just too tired and she finally has to recognize she wants someone to take care of her, too - just like she's felt compelled to do for everyone else for so long. and in that moment, i feel like she's finally wordlessly admitting to catra, not only does she want her to be the one to take care of her - she needs her to be (and always has)

ahhhh but oof-baboof bro - then there's all this.

somehow, catra straight up delves deep into the abyss currently consuming adora & pretty much says - "fuck no. plsss wake up - you can't just die like this, not before you ever get a chance to live your own fcking life, good god dude - i get now why you couldn't before, but please, this time - STAY."

(huh- stay.. another way of saying "don't go"... hmmm :) <3)

these gurls literally got so much love for each other that catra is able to straight up force open an entryway into adora's fading subconscious (which seems to be the only part of her that's still alive) - just by talking to her - barely above a whisper there in the heart, but in adora's mind, she's screaming at her.

the desperate, hopeful sentiments uttered, urging adora to keep going - to push through this and come out the other side alive - to please survive because you deserve to - are just that much stronger when they come from catra- it's that loud to adora when catra is the one saying it- cause she's finally freaking realized, catra's the one she most hopes to hear it from. knowing catra feels that way about her is something she's never really had, and vice versa ofc, even when they were both in the horde. it wasn't the kind of thing they were taught to say or even acknowledge feeling - but hearing catra beg her to just stay alive - and then hearing why catra so desperately hopes for her to - adora's made certain that it really is true -

she does deserve love, and there's someone whose love she's realized she wants- and they're holding her, telling her she has it & always has. and suddenly staying isn't a hope, isn't a plea - it's an inevitability. adora ain't going nowhere--

and, so reminiscent of adora's line to catra near the end of save the cat: "c'mon catra, you've never listened to anyone in your life - are you really going to start now?" we hear catra imploring adora: "you've never given up on anything in your life- not even on me- so don't you dare start now!"

they both know each other so well, they know the best buttons to push that might just work when tryna reach each other, even when one of them is lost to the point of nearly being gone for good - they don't find a door to open - they take a saw to the fucking wall and make one. and pull the other back through. cause everything will be ok if they just stay together. and once they've both finally accepted the truth to that - that's all they wanna do, to the point of refusing to allow each other to die when faced with that possibility. and likewise, refusing to die- just knowing the other is there waiting for them, wanting them, is enough to bring them back -

wanting the life they haven't gotten to share yet, and straight up refusing to let anything take the hope of that future away - even if it means unlocking their true, innate she-ra form (and beginning to understand that they are magic & it was never about the stupid sword) - or if it's wielding some strange, mysterious power w/o prob even knowing they are- like reaching through a metaphysical doorway into the mind of the love of your life and grasping as far and as desperately as you can for their hand, trying- and succeeding- to pull them back from the brink of death.

their story is literally so lovely. & individually, they are truly such honest, raw, complex and thought-provoking characters - presented in a way that offers viewers a fairly rare experience, even these days, of seeing a story written by people willing to honor the honesty everyone deserves to see and may kinda need to see - things aren't always shiny, happy, good times & people aren't perfect- quite literally, no one is- but that doesn't mean there's no point trying. that doesn't mean there's no hope of a happy ending - or that you don't deserve one. it's literally all just part of life, part of living that you'll find yourself faced w figuring out along the way- whether the answers are good or bad. and that's an insane idea to thread into a freaking cartoon dude - wuhhh tf

oh and ps- catradora are canon. (almost wanna end every rant w this reminder lolol) ~~ they cannot be stopped, this shit won't ever be undone lmao. & that makes me wanna say- "hell yes!" and for anyone who it makes wanna say "hell no" - all i got in response to that isssss "more catradora for us then - hell yes x2"

:) <3

[mcdonaldsforehead-emofurry]

Daoism and The Complicated Bond Between a Hero and their Arch-Enemy ☯️

(Disclaimer: I'm not an expert on Daoism/Taoism, and even though I made sure to do plenty of research before writing this, I'm likely going to be wrong about some things. If I got something wrong, please correct me. I'm also going to use the Daoism spelling from now on for the sake of simplicity)

A common sentiment expressed between a hero and their arch villain is "Wow, the villain is the yin to that hero's yang", or "They're so yin and yang".

I myself am not an exception, as I've made that point before, especially in relation to the characters I talk about on my blog. But what does that truly mean, and how much does the original source (Daoism) play into these characters in their story?

The most commonly held definition of Daoism is that it's an ancient set of beliefs that focus on being harmonious with the universe (AKA the Dao) via being spiritually/emotionally/physically balanced within. The hard part of the definition comes specifically from the Dao because it represents the universe and its overall depth along with the seemingly contradictive beliefs that come from it. (which is fitting because of how vast and fluid the very nature of the universe is). [2][4][5]

One of the main ways the universe/oneself can remain in balance is through the aforementioned concept of Yin and Yang. Yin is the darkness that holds light and Yang is the light that holds darkness. Yin is feminine, quiet, passive, calm, and negative. Whereas Yang is masculine, loud, aggressive, and positive.

Despite these contradictive traits, Yin and Yang are forces that can't live without one another or else the universe would be out of balance. This balance is achieved through each one having an aspect of each other, as Yin holds some of Yang's passionate and aggression while Yang holds some of Yin's softer and colder parts from within.

It's also important to note neither is inherently good or bad. Rather, they're merely two sides of the same coin that remind us that everyone and everything is multifaceted.

Another concept I need to define from Daoism is Wuxing:

[1][3]: Wuxing Theory/Philosophy is a principle found in Daoism that sets to explain the natural order in the world. Wuxing incudes the elements and their associated color: fire with red, earth with yellow, metal with white, water with black, and wood with green/blue. Each of these elements/colors represent the different aspects/cycles of life including the seasons, body parts, planets, life stages, directions, etc.

[3] Here's a simplified chart showing what each element represent/is associated with:

And here is a simplified chart showing the relationship each element has with each other:

The elements chosen are more so allegorical rather than literal, which is why wood and earth are considered two elements instead of one.

When the wuxing elements are out of balance, a person's self/the world divulges into chaos as the order of nature is ruined. However, when in balance (both the destruction and creation aspects), one's self is complete and in line with the natural order of the world.

This post is going to focus on how this concept applies to the "enemies and lovers" (though lovers can be substituted with friend if desired) trope; specifically between Batman/Joker, Adora/Catra, and Ekko/Jinx. I chose these three relationships because I feel each relationship represents what happens when Daoism is applied in different ways, because this blog is mostly focused on those three, and because I feel like the Batman/Joker dynamic is arguably the most influential/subversive Yin/Yang duo in the modern age.

Which brings me right to-

Part 1: "You're the yin to my yang, can't you see?" Batman and Joker

Before analyzing the specific dynamic and how that influences their respective story, I'm going to analyze the aesthetics because I think the physical appearances are a good visual indicator of their ties to Daoism.

Simply put, Batman is the embodiment of "Dark is not Evil" whereas Joker is the embodiment of "Light is not Good". Batman wears all black to hide in the shadows and blend in while Joker wears bright colors to stand out from the shadowy Gotham. Batman works hard to uphold justice while Joker works hard to spread harmful chaos. Even more interesting is that Batman wears fully black while having white pupils, while in the animated series, one of Joker's redesigns has him with (sans undertale type) black eyes against his white skin. This would seemingly lead to the conclusion that Batman is Yin while Joker is Yang. After all, Yin is usually the quieter/repressed one with elements of aggression while Yang is the opposite.

However, it can also be argued that Batman is Yang due to his aggressive and passion to help others while holding a deep darkness within, while Joker could be Yin due to his overall darker nature with his jovial side being hidden behind his actions.

its been stated by both men how they could've easily become the other after their respective "bad day":

Detective Comics #33 (1939) Bill Finger and Gardner Fox

Batman: The Killing Joke DC Comics (1988) Alan Moore

Either way, I think this ambiguity of who Batman/Joker represents is fitting for what Yin and Yang is because everyone has a bit of Yin and Yang in them.

However, what makes Batman and Joker the ultimate Yin and Yang duo is the fact they represent opposite ideals while reacting in completely different ways. Because of how extreme said ideals they get, both men need a barrier of some sort to keep the other from going over the edge.

After all, its been said by Batman himself that if he killed the Joker he'd end up going overboard with wrath and end up hurting more than intended:

Batman: Under the Hood (2005) Judd Winick

Besides that, Batman's anger is infamous for how it manifests in a highly controlling nature. One of the only people that can go against and challenge Batman's controlling nature is Joker. Likewise, the only person who can plan for Joker's chaos is Batman. That's what makes their fights so personal for each man. They aren't just fighting a man they hate, they're fighting the contradictive ideals they see in one another while giving the other symbolic purpose.

It's no wonder why there are a multitude of stories that showcase Joker grieving over Batman's death/disappearance. After all, without Batman, crime has no punchline:

Knight Terrors: The Joker #1 by Matthew Rosenberg

Joker's 80th Anniversary: Kill the Batman, Gary Whitta

Batman The Animated Series Epsidoe 51: "The Man Who Killed Batman"

Some other examples include The Dark Knight Returns (by Frank Miller), and Going Sane (by J. M. Dematteis, Eddie Campbell, and Daren White).

While Joker is open about how much he needs Batman (with the most infamous example that comes to mind is the final fight between them in Arkham Knight), Bruce is a lot harder to crack.

At first, Batman's feelings are cut and dry, with him hating Joker for all the terrible things he put him and his loved one's through. However, various adaptations and comics (especially in recent years) have shown that Batman's feelings about the Joker are a lot more complicated than originally thought.

Part of this complication comes from how they've been fighting for so long that it's become routine for both of them. Ironic considering that Joker is all about chaos, but I digress. Heck, this same point is brought up in Batman Arkham Knight: The Riddler's Gambit by Alexander C. Irvine, where Batman tries to sort out his seemingly out of place grief that came after Joker died due to how familiar fighting him was.

Another part of this complication is due to the nature of comic books and all the adaptations that come from it. Some writers will write Batman mourning over the loss of Joker (I.E. The short story Perp Walk by Jason Shawn Alexander, The Arkhamverse, The Injustice series, Batman: Damned by Brian Azzarello, etc) whereas other writers will showcase Batman not giving a crap over Joker and his death (I.E. the DCAU). The only thing we can guarantee is that Joker makes Batman feel everything BUT indifference. Even when Batman claims he means nothing to him, he's usually screaming this or putting other peoples safety in jeopardy just so he can deal with his seemingly unimportant butt.

Whatever their personal feelings are, it doesn't stop the fact both men are trapped in a dance with one another due to their conflicting ideas.

Which brings up the question "If Yin and Yang are meant to compliment each other, how can Batman and Joker be Yin and Yang if they constantly fight with one another while rarely working together?"

Outside of their team up storylines including Batman & The Joker: The Deadly Duo (2023) by: Marc Silvestri, Batman: Europa (2016) by Brian Azzarello, Batman: The Enemy Within, Batman: The Brave and the Bold: season 1 episode 13 Game Over for Owlman, and Dark Knights: Metal (2017) by Scott Synder), they don't seemingly mash well.

And that is the crux of how Batman and Joker both subvert and utilize Yin and Yang. Does being opposites and the same while not being able to truly work with one another prevent them from being truly Yin and Yang? Or is it only a reflection of how Yin and Yang are both separate concepts that retain their individual ideas even when together? There's a lot to say how their cosmic fight both utilizes and rejects the union present in Yin and Yang (at least in a conventional way).

Whatever the case may be, the ties they do share with Yin and Yang is a reflection of each other's vices, and potential successes should they work together. Unfortunately, with the nature of comic books, these two won't be able to break apart from the cycle, which both supports the idea how they both subvert and utilize the tethered nature of Yin and Yang.

Part 2: "But you two... Even when you're trying to kill each other, you can tell there's a real bond there" Adora and Catra

Just like the previous section, I'm going to start off with analyzing the aesthetics' of these two before doing a deeper dive into how Daoism plays into their story:

Adora's main color palette includes red, white, and gold whereas Catra's color palette is red and black (with occasional violet-red in some of her outfits). They both share the color red as a reference to their leadership roles, but the difference with Adora having white and Catra having black best represents how the symbolism of red is applied differently. For Adora, red represents confidence, strength, energy, and health while for Catra, red represents danger, war, blood, anger, and passion.

With these descriptors, Adora/She Ra could be represented with Yang while Catra can represent Yin. Adora is more spunky, competitive, confident, and noble while Catra is closed off, sly, colder, and feminine. And like Yin and Yang, they held opposite qualities, with Catra being often rougher than Adora while Adora (at first) had to be told what to do and wasn't very assertive in what she wanted in her own life.

The whole series follows the fall and rise of their relationship, and how they go from enemies to allies over the course of several years. In short, their relationship serves as the backdrop for the show's universe; as while the two were fighting against each other, Etheria was often in jeopardy. However, when they reconciled and truly opened up to one another, they were able to save everyone around them.

Even their very character growth required them to learn from one another. Adora needed to have some of Catra's selfishness while Catra needed some of Adora's sympathy for others. Without these lessons, the two were self-destructive and unhappy. In this case, selfishness turns into self-love when applied correctly.

This union is also showcased in their future outfits, as Adora adopts some of Catra's feminine side along with her crown, while Catra adopted her ponytail and jacket:

During their first kiss, the scenery involves an excess of yellow, blue, white, green, and black. Combined with Adora/Catra's red, these colors are the same found in Wuxing philosophy (though technically there's five colors with green and blue being interchangeable/substituted with one another).

I'm sure this was a coincidence, but I think the background colors matching with the Wuxing elements is fitting as both women were finally able to open themselves up about their love for one another. It's especially interesting that Adora and Catra have red color's, especially because red/fire is associated with the heart and growth in Wuxing [1][3].

All in all, Adora and Catra's journey throughout the show concluded with them adopting elements from each other while still keeping certain aspects of themselves intact (with the exception of the self destructive traits), and I think that's a beautiful description of what Daoism aims to achieve. Not to concern yourself with someone else's differences, but rather learning from one another in order to grow as a person and retain balance in the universe.

Part 3: "Dynasties and Dystopia" Ekko and Jinx

Once again, lets start off with analyzing the aesthetic references to Yin and Yang that Ekko and Jinx share:

During their infamous bridge fight, Ekko is standing in front of a bright light while shadows fade on him. Meanwhile, Jinx is shrouded in shadows with a brink of light shined on her. This visual imagery showcases that Jinx is Yin, and Ekko is Yang.

Interestingly enough, their outfit's seem to showcase the opposite:

Ekko wears a white tank top with something dark on it whereas Jinx is wearing a black tank top with something light on it. There's also how Jinx is a pale white woman who wears mostly black/dark clothes whereas Ekko is a black man who wears mostly white/lighter colored clothes. Through this visual indicator, it would seem Ekko is actually Yin while Jinx is Yang.

Which could also work because Ekko's gritter aesthetic contradicts with his hopeful, noble personality while Jinx's playful aesthetic contradicts with her inner turmoil and anger.

The idea of Jinx being the Yang to Ekko's Yin is further visualized with both the necklace Ekko gives Jinx/Powder in the alternate universe:

Another tidbit to mention about the ambiguity of who represents Yin/Yang is the season finale where the two come together to save everyone around them. Like Catra and Adora, this union is visualized through their new outfits:

Jinx has hour glasses and green streaks colored onto her while Ekko has pink X's around his body. They also adopted some fashion elements from one another with Jinx's shark hoodie probably being partially inspired from Ekko's hoodie/owl mask, while Ekko is wearing a crop top similar to how Jinx would wear crop tops. Jinx has a brighter top with black in it (like Yang) while Ekko's top is darker with some whites on it (like Yin)

Similar to Batman and Joker, the ambiguity of what Jinx/Ekko represents is fitting for what Yin and Yang is, as everyone is ultimately made up of both forces.

That being said, on a metatextual level, Ekko and Jinx's relationship is one of Arcane's visuals for how much balance is present. This is best observed through the differences in season 1 episode 7 and season 2 episode 7.

In season 1, Zaun and Piltover have a lot of tension due to class issues (which in itself is a reflection of imbalance) and everyone's respective trauma. This fits along with the disarray between Ekko and Jinx and their mutual frustrations with one another.

In the alternate universe, the main cause for everything being different was hex magic never being utilized due to Vi's death. Despite this tragedy, Zaun is seen thriving with everyone looking healthier, happier, and safer. This is best showcased with Ekko and Jinx/Powder being in a happier relationship together.

Even with these differences, Ekko and Jinx still share a Daoist connection to one another, something shown through Powder/Jinx's line: "You know those ugly twins, genius and madness"

At first, it would seem Ekko is the genius to Powder/Jinx's madness. However, Ekko himself isn't as mentally stable as he appears to be. He spent various time loops and over a decade trying to help his best friend turned terrorist, he's prone to obsessive behavior, he witnessed his adoptive father die, and he's prone to bottling up his emotions due to the various traumatic events that he went through. Meanwhile, Jinx is also genius in her own way; as she's able to build advanced weaponry using scraps, she's a poetic person, and she (with the help of Ekko) was able to convert her lair into a working blimp of sorts.

Ultimately, it would be more accurate to say Ekko is the genius holding madness while Jinx is the madness holding genius inside. Both with the potential to act out as either, but only in a way that balances the other out.

Whatever the case may be, these two are always going to be tethered together even though Jinx had to leave. One of the main themes of Arcane is duality, connection, and opposites living together. Ekko and Jinx's cosmic relationship is just another way to showcase this theme among the chaos going around them.

Part 4: The T.D.L.R.

Batman and Joker both utilize and subvert Yin and Yang

Adora and Catra are directly influenced by the message presented from Yin and Yang through their union together

Ekko and Jinx is the personification of Yin and Yang in Arcane/League of Legends

This distinction is important because it shows how much the environment reflects each character VS how much each character reflects their environment.

Batman’s/Jokers world is stuck in a continuous loop unable to break apart from the cycle despite wanting to, Adora/Catra's world changes and evolves with their relationship, and Ekko/Jinx is a relection of the good and bad their environment could bring depending on how they react to it, and well they come together.

Sources:

Bertschinger, Richard. The Five Elements - Mytaoworld [1]

Oldstone-Moore, Jennifer. Taoism: Origins, beliefs, practices, holy texts, sacred places. Oxford University Press, USA, 2003. [2]

Hsu, Shan Tung, et al. “Wu-Xing Theory.” Blue Mountain Feng Shui Institute [3]

Taoism. National Geographic [4]

Zai, Dr. J. Taoism and Science: Cosmology, Evolution, Morality, Health and More. Ultravisum [5]

[yourhighness6]

The catradora ship has completely taken over my life and I know this because today I went to this farmer's market thing with my roommate and there was this girl with aggressively dyed messy hair and a leather jacket and combat boots and a bunch of emo jewelry and another girl with her hair in a ponytail and utility boots and the cutest old sweatshirt who was slightly taller than the other and my first thought was "OMG modern AU"

[foolforshera]

You know, Adora fanon is that she's an idiot but here's the thing. She isn't. She's more naive, sheltered, and not real people smart. In other words, she's like every kid I've met, including myself, who grew up heavily involved in the church who gets confronted with the world. They don't know how to relate to people who aren't from their insular group and it's confusing.

Because of this, you end up looking, well, like an idiot because you don't know how things work. You have a different frame of reference for how you approach everything. Things that were off limits are no longer so and things that didn't used to be are suddenly off limits. This may be a simple cause for laughter or it might be a huge problem. That's Adora's character as I see it. She's a church kid who is having to deal with the world and is so confused by the whole thing. Knowing what I know about ND Stevenson and what he put into the show, this can't be entirely coincidental in my opinion.

[ericas-spop-blog]

This is a scrap - and should be read as a criticism of the story telling moreso than of the (fictional) characters - but...

One of the results of Season 4 framing Adora as purely a victim of "crazy ex" Glimmer - Presenting it as if Glimmer was reacting to nothing, that Adora wasn't controlling or jealous or secretive - is that it deeply undercuts the idea that Adora treats Catra badly because She Just Doesn't Know Better.

If Adora treats Glimmer in the same (bad) ways she treated Catra, then it tells us she has flawed assumptions about what a "good" relationship looks like; that her behaviour (if not innocent) is at least sincere, and that she is continuing to apply bad models even in a situation where it does not benefit her(or anyone but Shadow Weaver). Having these models fail her would drive the character towards self-examination and personal growth.

But if Glimmer was the core problem in Season 4 - if Adora was nothing but supportive, even when the circumstances of her youth are recreated nearly 1-to-1 - then we're saying that Adora is already perfect, that actually she does know how to have normal, healthy relationships even under trying circumstances.

Which makes her refusal to extend that care to Catra incredibly suspect. Does she think that Catra is uniquely unworthy of respect?

Or does she just know that other people think Catra is unworthy of respect, and aren't going to say shit (especially when they still need She-Ra to save them)?

========================

Look, obviously none of this is the intended read; And fwiw, I think that at least the script of Season 4 actually does show Adora replicating her bad behaviours -

being high-handed, controlling, jealous of Glimmer's relationship with Shadow Weaver, and unhealthily invested in her role as The Hero -

and then has those flaws drive personal growth - reflecting on if she is making things worse, recognizing that her idea of being A Hero is to be a weapon in someone else's hands and explicitly rejecting that -

but that this is undermined by the directorial lens overwhelmingly framing Glimmer as The Villain (and thus Adora as In The Right/The Victim/Smol Bean), and that this conflict drives these really ugly implications.

In absolving Adora, the story inadvertently validates her beliefs - even the ones that it set up as false and harmful. Which, yeah, creates the implication that Adora knows when she's acting badly, but just doesn't care (and that we shouldn't either). That her status as "Good" protects her from criticism, and allows her to cast any opposition as defacto "Bad" and not worthy of acknowledgment or examination.

[tippenfunkaport]

something something, visited by three spirits that push you to reinvent yourself

and meanwhile, the three mother-type figures in Adora's life were all key to her to figuring out what she really wanted and who she wanted to be but literally...

Light Hope "died" trying to right a wrong from the PAST

Queen Angella died trying to preserve Adora's PRESENT

and Shadow Weaver died to give Adora a chance at a FUTURE

[candyskiez]

rewatching she ra more and I completely forgot about adora saying "I'm useless, no matter what form I take" and I am officially: Fucking Concerned! holy shit! she thinks she's useless without the horde, without someone to give her orders. without praise she falls apart. her entire self worth is based almost solely on outside approval because that's what she was conditioned to be. shadow weaver taught her to be dependent on her praise and instructions. she rushes to razz to try and get her approval and instructions because that's what she was taught. she was never taught she was allowed to think for herself or to be her own person.

she thinks she's useless the second she can't be what everyone tells her to be because that's what she was taught to base her self worth on. she was taught to base her worth on how well she can follow orders. holyyyy fuck.

I forgot how obviously traumatized this girl was holy shit. I want to fistfight shadow weaver in a dennys parking lot

[leajoyrambles]

I should be doing homework rn but anyway I’m maybe a little bit obsessed with characters who wear uniforms everywhere for whatever reason.

Because they’re not comfortable in anything so why not. Because it’s easier and everything seems so hard. Because they don’t have an identity outside of their association to something else. Because there’s too much to be done and this is what they have. Because it makes them feel safe. Because they can’t let themselves seem human and fallible and fragile and flawed. Because it’s their armor.

[mara-defense-squad]

it says a lot about adora that in one breath she can say "it's never gonna work on me again" referring to shadow weavers manipulation and in the Very Next Sentence she all but parrots her words exactly ("im sorry, its my fault she was here I endangered mystacor"). It perfectly demonstrates how while adora is actually not that bad at recognising the damage that shadow weaver did, she is fucking terrible at actually addressing it. She assumes that the big dramatic moment is the easy (and only) fix that she needs and then keeps falling into the same old patterns in this essay i will-