#actually thinking of it. my ‘better’ is probably not what most people consider better but to me it is soooo

[metanarrates]

Hello. Sorry if this a stupid question u can ignore if u want.

How can someone get better at media analysis? Besides obviously reading a lot.

Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?

I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!

it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of

first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.

which is a big concept to just describe off the bat, so let me break it down further!

in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.

personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.

other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)

another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!

that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.

^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.

so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!

now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?

and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.

as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?

sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol

but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.

uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes

find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.

also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.

above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!

thank you for the ask, and I hope you find this helpful!

[qoldenskies]

i have like. such mixed feelings on the medic leo headcanon, coming from someone that has used it in pretty much all of his work so far. me and the medic leo headcanon are in an off-and-on relationship and every time i think we're done for good its outside my door with a boombox in the pouring rain and i feel like i hate myself a little when i take it back. it fucks like a champ though which makes it KIND OF worth it

cause like. i really think its an implementation thing that frustrates me more than anything else. to give leo a special THING feels like it disregards such a core facet of his character, that being that he doesn't have one and he feels like the others do. "face man" feels like overcompensating. initially, "leader" feels like too much, and it feels like something he TOOK from raph. there's really an implication that he feels like his brothers are SOMETHING without him, but he's NOTHING without them, and he directly states the second part. (so he overcompensates and acts like they do need him)

i think to make this an early-in-his-life practice kind of throws that out the window. leo taking this up when he's young doesnt fit him, i dont think, especially because i see him as a very.... high wisdom low intelligence kind of character. good street smarts terrible book smarts, and that's kind of apparent by him being so clever and intuitive while also taking stupid dares and making actively reckless decisions to look cool lmao. he would swallow a whole bottle of shampoo because mikey told him to and then be confused why he's in the medbay and raph is yelling at him like ten minutes later

HOWEVER. i think it is a very good way to explore some of the nuances of him that actually MAKE him a good leader, once he steps into that role. leo is a people person. he knows his family, he pays attention to them, he knows how to manipulate them and it would make him a diligent eye in the field. things dont get past him and it makes it hard to hide when theyre in pain from him. he's the most likely to be like "cool, i dont give a fuck" when they try to dismiss injuries. he'll happily make it an argument if he has to; he'd be as stubborn as a mule when it comes to their well-being, and he's more calculative than he looks, which means raph and donnie's usual tactics of dismissal and deflection hit a wall when he puts his foot down on something.

so really i just go out of my way to not make it something EXCLUSIVE to him when its included (and i always go out of my way to make it recent, because why would they have a designated medic who they already know to go to when the concept of crime-fighting was NEVER something they thought would really happen?). it makes the most sense to be something that STARTED with donnie, considering he refers to resuscitating piebald as "my science"; medicine is included in the field of what he enjoys and invests in. donnie is a jack of all trades in anything he can get his grubby little hands on, but ive always seen him as squeamish, which gives a good reason for leo to get involved.

but i think leo would always underestimate his capability despite lots of hands-on experience, even though hands-on is literally how he learns instead of reading books and studying like donnie does. no matter how diligent and practiced he is in the field, he's still not exclusive in it, and it doesnt feel like something that IS a big thing to him. so he can do a few stitches, big deal. donnie and splinter can already do that! who cares? raph and mikey probably could too if they actually paid attention to any of donnie's yap-sessions. no matter how much he boasts about how much they need their cool brother to patch them up, he doesn't believe it, even as he gets better and better and better.

it also gives him the opportunity to really come to face how meaningful it actually is, and to be appreciated for that, especially if donnie is out of commission and he actually gets to utilize that strength. doomed timeline angst potential right there.

[tyrantisterror]

Some last minute additions to the Q&A section:

My only complaint about the write-in parts of ASWaM is that I wish more people participated with it. I can understand why they didn't - this project actually gave me a lot of insight on how an audience interacts with a post.

Like, for a quick tangent - almost every ASWaM post would get somewhere between 30 and 45 votes, with a few outliers here and there. Each one would also get, like, maybe ten notes for the most part. That means there were a lot of people who voted that otherwise did not engage with the posts whatsoever, not even to throw it a like. I state this merely as an observation, not a complaint - it shows that the desire to participate is a lot higher when people can do it quickly and then put it out of mind entirely. I think that's interesting.

Butyeah, I would have liked to have more input there. As I said, I like doing interactive stories, and I like seeing what people come up with. The contributions I did get for the write-in posts were all superb - they really helped give me a sense of who you guys thought Sailor was, and how you were flavoring the choices they made on their journey, which in turn made it easier to slowly make Sailor more proactive without feeling like I was forcing the audience into playing a character against their will.

Also, the bad pickup lines... good lord those were funny.

There were no particularly dramatic changes to the plan based on reader input - if only because the plan was always very loose to begin with. The readers affected the narrative in more subtle ways.

For example, early on a few readers talked about how they wished Sailor had been less easily forgiving of Calibani's attempt to eat them, and lamented that they were competing with the monsterfuckers in my audience. I ended up flavoring South's directions with that - that there was one part of the compass whose self preservation drive just really made them want to see Calibani get gone. It wasn't a BIG change - South was always going to present very selfish/self-centered choices - but it was a subtle bit of reader input nudging things in a different direction. And, uh, probably contributed to South almost never winning a vote.

I wouldn't say there were any bad choices the audience made - even when something went wrong (like us using the harpoon on the dolphin only for it to miss and end up sinking into the ocean, never to be recovered) it ended up making for a better story. If I put on my "writer who values story structure" hat, I could say that there were several times we prioritized talking to Calibani and making sure she was emotionally ok over, like, advancing the plot or doing things that could make Sailor more proactive, which, in that "everything in a story must have narrative utility" sense could be considered a flaw. But, like, I also think it ended up painting a very interesting portrait of who Sailor is - as the story went along, Sailor became more and more emotionally intelligent, more kind and compassionate, more focused on reaching other people even when the people in question were big scary monsters, and that made for a very compelling protagonist to me.

Like, a part of me could fume and vent that, say, the Dr. Neptune chapter ended up avoiding SEVERAL opportunities for important exposition, or that we never did more with that Spindle briefcase, all things that would have provided important foreshadowing for the climax. But what the audience traded those for was a deeper relationship with Calibani, and a deeper emotional awareness in general, and that proved pretty important in the end too.

My favorite chapter to write was, uh... the Mermaid Femdom chapter. BUT NOT FOR THE REASONS YOU THINK! I liked throwing us the curveball of Sailor losing the compass, and having Calibani go on her own, and showing a window into what life like for social species in the Sea of Monsters, and writing a mean girl mermaid who thinks she's an expert on humans when she doesn't actually know jack shit about them, and Bob. We love Bob. Calibani got to go apeshit and finally kiss her Sailor and confess her love and it was very nice, very fun to write.

Calibani was my favorite character to write, though Bob and Dr. Neptune were close seconds.

And the encounters with Lord Ironteeth and the Crocodisle were the most fun to draw, although they were also the most challenging (well, them and any time I had to draw that sea station, good lord). Although I also clearly had fun literally every time I drew Calibani.

At Sea Without a Map Post-Script

After two months of so, my little writing experiment At Sea Without a Map has come to an end. And because I'm vain, I not only felt compelled to share it, but to talk about it in depth after the fact, so here we are. This is going to be long, though, so I'm not only going to break it into sections, but put it all under the cut for the sake of your dashboard. So go ahead and dive into the depths of the Sea of Monsters with me one more time!

Part 1: Never Stop Blowing Up

The writing process of Wizard School Mysteries Book 3 was really strained - not because of the book itself, mind you. When I was actually able to work on it, Book 3 came together really well - I think it required the least substantial rewrites of any my novels thus far. It's just that real life was kind of beating the shit out of me while I was trying to get it done - or maybe the better metaphor was that it was just slowly but steadily draining me of energy all the time. I'm honestly surprised I got the book out in roughly the same amount of time as the first two - by the way life had been treating me, it should have taken longer.

But when I got done with it I was accutely aware of how tired I was. I still had the creative drive, but fuck I needed something simple as a palette cleanser - something easy, and more importantly, something that was allowed to be bad. I needed something creative to do that was surplus to requirements and fully within its rights to suck ass so long as I had fun making it.

Around this time, I decided to rewatch Dimension 20's Never Stop Blowing Up. Brief explanation of what that is: Dimension 20 is an actual play show, i.e. a recording of people playing D&D and other TTRPGs. I'd say its reputation is built on the contrast of its main DM, Brennan Lee Mulligan, who makes these meticulously crafted campaign plans, and his chaotic band of improv comedian players who promptly derail those plans spectacularly. Like, a good deal of the show's humor comes from Emily Ashford or Ally Beardsly doing something so off-the-wall that it shatters whatever the scene was going to be and creates a far more absurd and zany spectacle in its place. Which is why Never Stop Blowing Up is pretty notable, because it's the one campaign where Brennan himself is the agent of chaos, fully unleashing his own brand of madness that the players struggle to keep up with. And fuck does he seem to have fun with it.

Of course, all of the analysis above is purely from the outside looking in - it's likely that a lot of the "chaos" is played up for the audience. But still... there is something to the idea of a person who's been working on meticulously structured stories letting loose and just doing something extremely stupid.

So I decided to give myself a Never Stop Blowing Up moment - a short story that would be simple by design, with no standards to live up to or goal beyond "have fun telling a silly little story." I then came up with a few key criteria:

It can't be set in the Midgaheim/ATOM universe. I don't want the burden of figuring out where this story would fit among others.

It's gotta be a romance. People who've read my books might have picked up on the fact that I like to write about people falling in love, for the same reason I like to write about fire-breathing reptiles and friendly monsters (i.e. I use writing to indulge in things I'll never experience in real life). I've only used romance as subplots in my fiction before, and tend to feel a bit guilty if I focus on it too long - like I'm being self indulgent. Well, this is all about self indulgence, so the romance should be front and center.

It's gotta be SIMPLE, episodic even. Not complex plotting required.

I almost chose my xenomorph romance for this, but I had developed its outline to the point where it would be too complex to fit. I then considered a sort of superhero story that could be pitched as "what if Bringing Up Baby but Katherine Hepburn's character is a Harley Quinn-esque supervillain and Cary Grant's character gets turned into some sort of horrifying genetic mutant in the first ten minutes." That one hit a weird roadblock when I got to the character brainstorming phase (the first phase of any writing project I do) - I was trying to figure out what the mad scientist who turns out Cary Grant-figure into a mutant would be named, came up with the name "Dr. Skullfuck," immediately realized that having a character named "Dr. Skullfuck" is a Mark Millar-ass writing move that I could not allow myself to do, but then couldn't stop thinking of the name "Dr. Skullfuck" and giggling, which just brought all thinking to a grinding halt on that project.

(I'll still probably do it someday, though - just, you know, without Dr. Skullfuck)

Inspiration struck again, though. I'd been getting into Epic: The Musical, a musical retelling of The Odyssey, and it put me in the mood for a sea monster story. But, more than that, it got me thinking about one particular archetype from sea monster stories - but that brings us to the next part of this Post Script...

Part 2: It Was Always About Calibani

Ok, so, one of the big changes Epic: The Musical made involved Odysseus's encounter with the sirens, and before you read more of my rambling, I'd like you to watch two animatics for the two songs in question here:

A summary: one of the sirens takes the form of Odysseus's wife to try and tempt him into getting in the water, Odysseus tricks her into giving him directions, captures her and the rest of her kind, and proceeds to have his men slaughter them horribly. In the OG story the sirens don't die - nor does their song involve imitating a man's wife, for that matter, it's just a really pretty song.

This is done for an important narrative purpose - Epic: The Musical is focused on analyzing the moral ambiguity of Odysseus, and how it is constantly challenged by the impossible choices he is forced to make in his attempt to get home. At this point in the musical, Odysseus has decided to stop trying to be a compassionate man, shirking all mercy in favor of utter ruthless pursuit of his goals. These two songs are meant to be unsettling as hell - this is the beginning of a series of heartless choices by both Odysseus and his men that will culminate in the mutiny and complete annihilation of Odysseus's crew, as well as Odysseus himself being so hopelessly stranded that nothing short of divine intervention will save him.

I bring this up because when I first heard these two songs - specifically while watching these two animatics - it, like... it devastated me. I was so horrified and sad, so shaken by it. And part of it was for the reasons outlined above, but admittedly that wasn't the gut reaction I had. No, my immediate reaction was, and I quoute my own broken brain verbatim here: "You can't kill the sirens! They're not for killing, they're for loving!"

...now, those of you who know me are probably not surprised by this very stupid sentiment coming from me. One of my more popular posts is just me talking about how down bad I would be for various folkloric monsters whose whole shtick is "looks like a pretty lady but Watch Out." But as a person filled with immense self loathing and doubt, my brain immediately looked at that very stupid sentiment I expressed and said, "Wait, no, that's fucking dumb, I'm fucking dumb. The sirens are remorseless murderers. These sirens in particular preyed upon a man's love for his wife, who he has not seen in twelve years, to convince him to let them kill him. They are, by all standards of morality, Very Fucking Evil, and if they were not women you would not feel bad about them getting killed."

And as my brain argued with itself over this topic, I got to thinking about the various monstrous/othered sea women of The Odyssey - not just the sirens, but the witch Circe, the nymph Calypso, the monsters Scylla and Charybdis. And I thought about the others of their kind in other myths and folktales - selkies, mermaids, etc.

There's an archetype of sea monster that focuses entirely on one specific anxiety sailors are prone to, namely the fact that (for a good deal of human history) being on a boat meant spending a lot of time away from women. The horror of this monster is how it uses that desire for female company to tempt people into danger - like a mirage, it leads you to expose yourself to danger in pursuit of an illusory comfort.

But, unlike real world mirages, these monstrous sea women DO exist in their stories. More than that, they're often, like, sad and lonely. Their narrative purpose is just to be a temptation, but that doesn't change the fact that they do have lives of their own in these worlds. And, softie that I am, I can't help feeling sad for them, especially the ones who actually seem to want the same companionship the sailors they tempt want. Sailors don't stay with their Circes, they don't marry their Calypsos. The sirens live on a barren rock, alone, Scylla is left to wallow in misery at her monstrous form, and the selkie always has to leave for fear of being trapped by a person who won't love her on her terms.

I realized I had my hook for this simple, easy, silly little sea monster romance story: I was going to give a sea woman the happy ending she'd never get from anyone else.

Sailor may be the protagonist, but make no mistake: At Sea Without a Map was always, always, ALWAYS about Calibani.

The goal with Calibani was simple: I was going to set up a fairly standard Monstrous Sea Woman, but where other stories would let her be in one episode of the travel narrative and move on, this one would stick around. She'd be an unambiguous predator of human beings - an open and admitted maneater - but she would have no true malice to her. She, like all predators, eats what she can get to survive, and it just so happens that she's adapted to eat humans. And the story would pose the same question to the reader that my brain posed to me during Different Beast: is there any way you could make a siren-style sea monster sympathetic? Can you make a normal person who doesn't have my particular brain rot look at a maneating siren and think, "You're not supposed to kill her, you're supposed to love her!"

One of the few unavoidable plot points of At Sea Without a Map was that Calibani and Sailor's relationship would become romantic. What kind of romance it was could have varied substantially - it could have been one-sided, it could have been toxic, it could have been far more tragic OR far more comedic. But it was always, always going to be a romance of some sort - the goal of this experiment was to make you, the reader, love Calibani. All else was icing on the cake.

I decided to base Calibani's personality on Miranda from The Tempest - i.e. a sweet girl who is both wordly and naive, who understands the strange setting of our "lost at sea" story far better than the audience viewpoint character does, but views the mundane world of the audience viewpoint character with wonder and naiveté. In fact I almost named her Miranda outright... except I already had a character in the setting I chose for this story who had that name, and as an allusion to the same Shakespearean character no less. So I settled on naming her after Miranda's adoptive sibling (of sorts), Caliban - more fitting in some ways, as Caliban is a fish-human hybrid who is arguable more native to the magic island in The Tempest than Miranda herself.

(Calibani isn't the only Tempest name homage, either - her mother, Sycorax, takes her name directly from Caliban's unseen but oft-spoken of witch mother. Dr. Antonia Warefore takes her first name from Antonio, one of the human villains in The Tempest who hopes to use being lost at sea as a way to perform a coup. And the mothman Iriel takes her name from Ariel, the wind spirit in The Tempest who aids the wizard Prospero in controlling the magic island. If Sailor has a "real" name, it's probably either Ferdinand or Miranda, the two lovers who manage to blend civilization and the wilderness together with their romance.)

Visually, I wanted Calibani to not be any common archetype of sea monster woman, but rather something that evokes the popular images while still being her own thing. She's not a mermaid or a siren or a selkie - she's basically "what if a sea serpent was also a girl." In-universe, she's chubby because she, like all marine megafauna, needs blubber to survive. Out-of-universe, she's chubby because I've found that routinely drawing cute chubby girls is good for my mental health.

Part 3: CYOA

Now, while we live in a post-Muncher society where shame and cringe are emotions only the cowardly should experience, I am nonetheless Very Catholic about expressing my own feelings of, like, liking girls and shit. I cannot help feeling guilty when publicly expressing adoration of women without, like, an excuse - it's gotta be a joke or something, you know? I can't be genuine about it, or else Jesus will beat me with a cane for disrespecting women with my lecherous gaze.

But luckily I've cultivated a loyal audience of fellow monsterfuckers, which meant I had an excuse lined up: if I made this a choose your own adventure type deal, a story with audience participation, then you all would be my accomplices. And Jesus can't cane all of us! He doesn't have enough hands! I found a loophole bigger than his stigmata!

Plus I love collaborative story-telling - there's a thrill in not having total control of where the narrative is going. As Brennan Lee Mulligan must know, there's a joy in having to deal with the chaos thrown your way by letting others grab the figurative ball, even if just for a moment.

Part 4: Offbeat Melody

Since I did not want to set this story in Midgaheim, I decided to steer myself away from a vaguely medieval setting altogether. But I also didn't want to limit myself with the need for "realism" that putting it in a normal sea would require, and making a new setting whole cloth would start pushing this project into "not easy" territory.

Luckily, I had a setting lying around that I hadn't played with in a while, which just so happened to have a location that was PERFECT for the sort of Never Stop Blowing Up style madness I was aiming for. For a few years I ran a Monster of the Week TTRPG campaign called Offbeat Melody, and one of its core setting elements was taking the goblin universe hypothesis in paranormal science (yeah it's a real hypothesis) to an illogical extreme. We had specifically seen glimpses of the Sea of Monsters in Offbeat Melody, i.e. the parallel universe where monsters like Nessie, Ogopogo, Champ, and the like all hail from. Well, why not have a whole story set there? It's literally a universe devoted solely to creating sea monsters - what better place to strand our modern Odysseus?

Offbeat Melody was always sort of a Never Stop Blowing Up project, or at least NSBU adjacent. Some of my most unhinged story-telling moments are in that campaign - you could make a supercut of just the "commercial breaks" in the various sessions and it'd basically be an I Think You Should Leave episode. Taking one obscure corner of its multiversal world and exploring it in detail was perfect for this project.

Part 5: Monster by Monster

With our main romance as sorted out as could be for a CYOA story, it was time to figure out the "episodes" of this sea voyage. I settled on there being ten to roughly align with The Odyssey - just in terms of number, mind you, not in a one-to-one comparison. The first was, obviously, Calibani herself, which left nine more slots for me to fill with monsters. Let's go through them together in brief:

Tree Storks - any lost at sea story eventually has to get its protagonist into an island at some point, but this immediately begs the question, "Why don't they just stay on the island where it's safe?" The answer to that question has to be, "it's not safe there, actually." The Odyssey does this quickly and cleverly with a one two punch: the first island seems safe until you realize the food on it brainwashes you into forgetting everything except your desire to eat it, and the second island is full of delicious sheep but also giants who will eat you just as easily as they eat the sheep. When other islands show up in the story later, you immediately regard them with suspicion, because you don't know HOW they're going to be fucked up, but they definitely will be. My goal with the second episode was to establish the same sort of danger - that land is NOT safe, that islands WILL be fucked up and dangerous in ways you might not expect.

I also wanted to establish that this is not just a sea of monsters, but a very WEIRD sea of WEIRD monsters. It couldn't be any old monster on this island - it had to be one that was unique, unexpected, and maybe just a bit silly while still being menacing.

I've always felt that there's a lot of un-mined horror potential in storks, cranes, and herons - any bird with a long neck and spear-like beak it uses to stab smaller creatures from above. Just imagine yourself in a frog's place in the world - tiny, going about your business, when suddenly something shoots down at you from above and impales you before you even feel the shadow fall over your face. Or perhaps you did see the shadow - some of these birds spread their wings to create shade specifically to attract fish, and then spear the poor little bastards.

Well, what do people often look to islands for when out at sea? Shade - the shade of a palm tree. And palm fronds kinda resemble feathers, don't they? Wouldn't it be both ludicrous and terrifying is there was a stork big enough to mimic a palm tree - and wouldn't that be a DEVIOUS trap for a sun-drenched sailor to fall for? So the Tree Storks were born.

The Globster - I made a list of sea monster archetypes in the early planning for this project, and one I wanted to include was a kraken, i.e. some sort of tentacled sea beast. But I didn't want to do JUST a big squid or octopus, or even a riff on them. I wanted to take the idea of "big sea monster with lots of tentacles" into a stranger direction.

Since the Sea of Monsters is explicitly the home universe of lake and sea monster cryptids, I thought it might be fun if ASWaM's kraken equivalent was a globster - just a big ball of rotten meat. I love drawing monstrous faces, so I decided it'd just be, like, MADE of hideous rotten faces, all melting and congealing together, with its tentacles doubling as the tongues of its many mouths. A perfectly wretched image that, like the Tree Storks, would do well to establish how Fucked things could get in this setting. Plus similar monsters had appeared in Offbeat Melody, which would make for a fun sense of familiarity for the, like, five or so readers of mine who had listened to that campaign before.

Captain Peter & the Dolphin - Another thing I did in the early planning stages of this project was make a list of the different sea voyage stories I know and love, the most contentious of which is The Life of Pi. That's a story that I love on a literal level but kind of hate on a figurative level - its whole theme/message is that doubt is the worst thing you can have, that if you don't commit to believing something with zealous conviction you are a coward. As a person who thinks doubt is valid, that "I don't know" is sometimes the ONLY truly valid answer to a question, I have issues with that message.

But I can't help loving the beautifully ludicrous idea of a non-anthropomorphic tiger sailing the ocean on a big Odyssey of its own. Like, if that story didn't actively hate me for being agnostic, it would be one of my favorites.

So I decided to, you know, just steal the idea of a tiger Odysseus. The tiger in The Life of Pi is named Richard Parker. Richard Parker also happens to be the name of Peter Parker's dad. Hence we get Captain Peter - the figurative son of Richard Parker, if you will. And to ratchet up the absurdity of a tiger Odysseus, I made him a pirate and the sole sailor of his voyage. Somehow, this tiger has manned a boat on his own.

Captain Peter was intended to be the hero of another story - a sign for the readers that it IS possible for a stranded person (or, in this case, tiger) to survive out here. To that end, he had to rescue our heroes from another threat, but not one that would be interesting enough to take the focus off of the tiger pirate. Originally I planned for that threat to just be a big shark, but I ended up liking my shark design too much to put it in a role that small, so I quickly designed a nasty dolphin for the role instead. I think that worked out well, honestly.

Dr. Neptune - Episodes 5 and 6 were the mid-point of this journey, so I wanted the two monsters of those to escalate things significantly. I figured episode 5 was probably a good place to FINALLY give some meaningful exposition on what was going on, and there are a lot of stories about mad scientists doing weird shit on islands in my big list of sea voyage stories I love. So we get Dr. Neptune, a classical brain-in-a-jar mad scientist who's affable enough to give more-or-less accurate exposition but loony enough to be a problem. This also felt like a good spot to remind the reader that Calibani is not just a girl with a tail but rather a Sea Monster herself, and one that we'd been making stronger by allying with.

With his human-but-not-quite nature and cyclops eye, Dr. Neptune could sort of be seen as the Polyphemus of this story, couldn't he?

The Crocodisle - One of the sea monster archetypes on my list was "the island that's actually a sleeping monster," of which there are many in mythology and folklore. My favorite is the Jasconius from the voyage of St. Brendan, mainly because it's more or less benign and actually comes back to help St. Brendan and his crew at the end of the story. I always love when I can find an old story with a friendly monster in it.

When thinking of my own spin on the island monster concept, I remembered the only Magic the Gathering card I had as a kid, which I still have and love to this day: The Sandbar Crocodile. This card already inspired Crocogon's color scheme in The Atomic time of Monsters, but I felt I could go to that well again one more time, and so made a crocodile that wasn't just a sandbar, but a whole damn island to itself. And, like Jasconius, it turns out he's pretty chill.

I did not think of the pun name "Crocodisle" until I was actually writing the chapter in question.

The Femdom Mermaids - These three were a late addition to the roster. When I had Calibani bring up mermaids early in the story, I realized as soon as I wrote her rant about them that we'd HAVE to meet some later on in the story.

The readers had significantly shaped Calibani and Sailor's romance by this point, and I decided that it could be useful to have a chapter that was devoted to showing definitively how these two were good for each other. I thought the mermaids could provide a good contrast: have them act out a seemingly more benign take on the monstrous sea women trope (they abduct our hero to protect and care for them!) only for it to quickly feel MORE deranged than Calibani's comparatively simple desire just to eat him.

The spirit of Calibani's rant about mermaids was taken from weird* girls I knew in high school complaining about cheerleaders, so I wanted the mermaids to look like the sea monster equivalent of popular kids to Calibani's chubby weird girl. Two of them got the names of famous beauties - Helyne = Helen of Troy, Clio = Cleopatra.

(*when I say "weird" I mean it in a complimentary and affectionate sense)

Bob, meanwhile, kinda... rebelled, I guess? Before I had names for them, I listed "bob" by her as just, like, a descriptor for her hair cut, but then I liked it as her name, and once she was named Bob she became more than just a mean popular girl. She was a weirdo too, the little punching bag of the two mean popular girls who did their dirty work and smiled through their abuse because hey, at least they included her. It gave the trio an easily defined dynamic, helped make two of the three more visibly nasty, and gave us comic relief in an arc that could very well have gotten too uncomfortable otherwise.

And I guess it worked - readers REALLY loved Bob, and were very vocal about it, and I realized mid-arc that I had accidentally made her too likable to just leave in this arc. So Bob got to be rescued from her awful friend group thanks to readers like YOU.

Lord Ironteeth - yeah, this was the shark that was too cool to be a minor threat. When I drew his noggin, I realized he would need a chapter of his own, one with gravitas. I decided he'd specifically be the threshold guardian -once we beat him, we'd know for sure how to get home, even if there were a few more threats in store.

Spindle Inc and Sycorax - when I was a kid I used to have this recurring nightmare about being on some sort of underwater sea station that had this huge sea serpent trapped inside it. I'd look at the sea serpent from a window within the station and see it coiling in its tank, only for it to look at me with fury. In that glance I would suddenly realize two things with absolute clarity: first, it was going to break free and kill everyone, and second, we deserved that destruction for what we had done to it. The terror of the dream was less that the sea serpent was going to break free, and more the guilt of knowing that all the mayhem that was about to unfold was our fault to begin with.

I thought that would be fun to homage with the penultimate chapter of this story. OBVIOUSLY the sea serpent was Calibani's mom, obviously the trauma of its capture was why Calibani grew into a predator that specializes in hunting humans, obviously we would have to free the sea serpent despite that running counter to Sailor's goal of getting home. Easy, easy, easy plot point to include.

Spindle, Inc. is the primary antagonistic force in Offbeat Melody, so they easily slotted into the role of the arrogant humans who captured this monster for nefarious and selfish motives. They could tie a lot of other plot threads together too - Dr. Neptune was a scientist who worked for them as a contractor only to get screwed over (i.e. they stranded him in the Sea of Monsters, expecting him to die, and then used his research to make their own base of operations in it), we'd learn of him through a spindle briefcase left behind by some unfortunate rogue agent who got eaten by the Globster while he was trying to escape, hell they could even be one of the possible origins of Sailor themself (more on that later). Very useful villains, Spindle.

The Abyssal Mother - I knew the last sea monster would need a lot of punch to it. I briefly considered just a big whale - the Moby Dick to Spindle's corporate Ahab - but it felt underwhelming after all that came before. So I went for arguably the most dramatic possible sea monster, a full on Cthulhu-style elder god. If you're a frequent follower of this blog, you might know I have particularly high standards for Eldritch Abominations, so I realized this was going to be a pretty big challenge for me to live up to, and decided to keep the cthulhu in question reserved to the last few entries as a result - the less it appears, the less it has to live up to.

I realized I had a good angle when my experiments with the Cthulhu "squid for a head" concept ended up having a face framed in shadow - you know, the same visual that our protagonist has in most appearances. That provided some very juicy parallels between the two that made this final monster feel particularly noteworthy to me, ones that I'll leave you to ponder, since they tie into...

Part 6: Themes

I did not set out to have a theme in this story. I just wanted to make a sailor and a sea monster kiss. That was my only goal.

But I really don't begin with theme in ANY of my writing. I figure out topics I want to address, but for all my novels I feel like the themes didn't start coming together until about halfway through the first draft, when enough of the elements of the story had been set down and interacted with each other enough for me to realize what I was saying with them. A huge part of my second and third drafts for my novels have focused on making the themes of my stories more concrete and unified.

Well, ASWaM is very much a first draft of a story, but it's a simple enough story that I think the theme found itself pretty well despite lacking subsequent drafts to refine it.

ASWaM is about doubt and direction. It's about being adrift in a world that is in many ways hostile by nature, about not feeling like you're where you're supposed to be or even WHO you're supposed to be, and about setting off aimlessly in the hope that maybe you'll find your way to that mythical land of "what my life is supposed to be."

When I began the story, Sailor had amnesia and wore clothes that obscured their identity as a way to make it easier for anyone to step into Sailor's role. Sailor had to feel like You, the Reader, and so we don't know their name, their gender, their eye color, their hair color, even their skin color (note that their hands are always wearing gloves, and their face is always in shadow).

But it also meant Sailor is, well, undefined, at least at the start of the story. Sailor doesn't know who they are, what they are, how they came to be. Sailor feels distinctly that they should be Something Else, should be Somewhere Else, should be Someone Else, should not be who/what/where they are. Sailor is plagued by doubt, by a need to go in a different direction, by a need to be other than they are.

This initially contrasts with Calibani, who begins the story very confident that she is doing exactly what she was designed to be doing and acting exactly like she should be. As they interact, they begin to shift each other in opposite directions - Calibani questions her existence and nature, sometimes to a self destructive degree, and Sailor begins to find something about who and where they are that they like. They find a healthy middle ground together - doubtful enough to want to be better people, but with love for themselves that allows them to not feel the need to up-heave their lives entirely.

I knew at the start that I would build an expectation for there to be some answer to the question of who Sailor is and where they came from, because those are the questions that begin the whole narrative. I brainstormed a number of answers to those questions, but once I got a few chapters into writing the story and saw this theme of doubt developing, I realized I couldn't answer them. From a thematic standpoint, the doubt HAD to remain. So I gave hints to possible answers, bits of evidence to support the possibility of them being true, but never planted a smoking gun that answered it for sure.

Sailor can't know the answer because NONE of us know the answer. Outside of blind Life of Pi style faith, you cannot know for sure that you are living the life you're supposed to live. All you can do is figure out whether you're happy with the life you've got, or if you need a change. Sailor will never know who they are supposed to be, but they did learn who they are, and they love that person now.

For those curious, the possible Sailor origins are:

Occam's Razor: they're exactly what Dr. Neptune theorized, i.e. a human who got stranded in the Bermuda Triangle (or the Devil's Triangle or any other number of paranormal triangles) and fell into the Sea of Monsters. The trauma of that experience gave them amnesia. It's just brain damage and bad luck.

A Spindle Experiment: Dr. Warefore mentions that Spindle has been trying to find a way to make a human who can evolve like the denizens of the Sea of Monsters. Sailor may well be an attempt to do just that, perhaps one they wrote off as a failure and abandoned (they do that a lot)

A Deep One: Sailor is the offspring of one of the denizens of the Sea of Monsters (most likely the Abyssal Mother herself) who has somehow been tricked into believing they are human, to the point where they seem to be human to everyone else, even other monsters. Maybe a human summoned a sea monster to breed with on earth, and Sailor ended up being subconsciously drawn back to the Sea by their blood. Maybe Sailor never actually lived on earth at all, but was only made to THINK they had as part of the transformation into a human.

The Platonic Ideal of a Sailor: the Sea of Monsters is full of archetypal concepts, and arguably a sailor trying to find their way home is just as archetypal as any sea serpent, mermaid, or kraken. Our only proof that humans aren't native to the Sea of Monsters is Dr. Neptune, and he's not as reliable an expert as he claims to be.

This theme of doubt and direction also made the compass more important to the narrative than a simply mechanic for audience participation - a compass, after all, gives direction, and the feeling that Sailor is not where they're supposed to be, that they need to head in a different direction, is ultimately the catalyst of the plot. The compass is, in many ways, the antagonist of the story - the force that keeps Sailor from accepting themself. I realized this a little after I started making the different directions have personalities - initially they just represented broad concepts (North = follow conventional wisdom ala the North Star, South = preserve your short-term self interest at all costs, East = act with curiosity and be willing to take calculated risks, and West = throw caution to the wind and do anything that seems novel and exciting), but over time they became little characters themselves.

Since it was our thematic antagonist, I decided to pepper in some ideas about what the compass might be in-universe - and, in a move that would no doubt frustrate the compass, we also don't know for sure which of those is "correct." Is the compass a poltergeist, some amalgamation of dead sailors who try to steer other lost souls home? Is it a malign entity that leeches off of those desperate enough to seek its aid, living through them while pretending to aid them? Is it a device Spindle made to lure sailors to their clutches, OR to guide their experiments in human/monster hybrids? Was it a cursed item that forced a sea monster to assume a human shape? Who can say - the compass sure can't, it can only tell you a direction to go in.

Part 7: Q&A

Since this was an interactive story, I felt it was only fitting to add one last interactive element to this post-script write up, and some of your happily obliged me by sending in questions.

When I noticed how fast readers were falling for Calibani, I figured there was a good chance we'd end up staying in the Sea of Monsters. By chapter 7, I figured it was more or less a given, and by the end of the Lord Ironteeth encounter I was almost 100% sure Sailor would remain at sea. There was always a chance, though - while a look at the polls shows that the audience got more and more on the same page towards the end, there were always dissenting voices, and the desire to get an answer to the question of Who Sailor Was remained strong, as a number of people kept trying to find angles where they could get that AND stay with Calibani.

I was surprised early on by how easily the audience fell in love with Calibani, to the point where I made a few posts commenting on it. I mean, I shouldn't have been - as I said earlier, I have cultivated an audience of fellow monsterfuckers on here, and I know at least a few of them saw my bait and knew they could get me to be freaky in a way we found mutually agreeable (thank you all again for helping me escape being caned by Jesus for being horny).

Like, we REPEATEDLY ignored developing the plot in the Tree Storks chapter for several days just to spend more time with Calibani - something that I enjoyed immensely (this whole thing was an excuse for me to write and draw a cute chubby sea monster girl as much as possible aftter all) but also knew as a storyteller was not what most would consider a good story call. I like how it turned out, but it defied conventional narrative wisdom, you know? I was surprised.

On the other side of the coin, I was also surprised by how the audience NEVER chose an option that was humorously disastrous. I gave plenty of them, and, like, generally in collaborative storytelling there will be at least one moment where your collaborators decide to do the really, REALLY stupid thing that makes everything spiral out of control really quickly. I figured at least once the audience would choose the troll response, but no, you guys worked hard to keep Sailor and Calibani alive. You refused to let them hurt each other, refused to let them throw themselves into danger, refused to imperil them for your own chuckles. It was very sweet and unexpected.

I say "you refused" but to be fair it's not like NO ONE voted for the troll options - they generally got a handful of votes, just one that was beaten by a landslide of more reasonable options. Hopefully those of you who voted for the troll options enjoyed Bob throwing you a bone by disintegrating Dr. Warefore - that was my consolation prize to you.

Yes. I knew at the beginning that there would be two endings for this story: either Sailor leaves the Sea and goes home, or Sailor stays there forever. Or, you know, Sailor dies as a result of you guys choosing several stupid options in a row, but as stated above you guys avoided those scenarios pretty decisively.

Had Sailor gone home, the following would have occurred: first, they would forget everything that happened in the Sea of Monsters. Second, they would wake up in a hospital, having been found in the Atlantic Ocean by a human-recovery charity run by... oh, isn't that funny, some tech company named Spindle Inc! Spindle would foot the medical bills and even offer Sailor a job, but Sailor would decline because even now they're still not sure what Spindle even does. Sailor would go back to their life and find it familiar and utterly mundane, but not particularly happy. Their father died when they were 18, their mother was never in the picture, they have no siblings. They worked an office job and were sort of a nonentity - that position has long since been filled, but Sailor gets a new job and lives out much the same life: simple, mundane, dreary. Every now and then they get a pang of desire to leave, to go to sea, but they push it out of mind. They never even see the ocean again as long as they live.

Sailor would have gotten the normal life they thought they were supposed to have, the normal memories and name and identity, the mundane life of a normal person. And they just had to trade everything they found in the Sea of Monsters to get it. A question is answered, a direction is followed, but is it the right answer, the right direction?

Well, I think doubt would have remained.

I had a very vague idea for there to be some sort of man-eating giant in, like, a crystal castle. He got cut to make way for the mermaids.

I wanted to fit in a big whale and a giant crustacean, but there wasn't room or an interesting angle for me to want to make room for them. Saved for a possible sequel, I suppose.

I also wanted to have a scene with, like, DOZENS of sea monsters, including some of the ones from Offbeat Melody, but the goal of "this should be EASY you dumbass" made me kill that idea pretty quick.

Thank you!

The primary inspirations were:

The Odyssey and Epic: the Musical

The voyage of St. Brendan

The many "weird shit happens on an island" movies in Toho's filmography, i.e. Godzilla vs. the Sea Monster, Son of Godzilla, Yog Monster of the Deep, Matango, etc.

The Island of Dr. Moreau

The Boy and the Heron

Ponyo (specifically Ponyo's parents - I wanted Sailor to have the same desperate energy as that wizard who fucks the giant sea goddess)

The Life of Pi

Slay the Princess (perhaps most obvious in the use of second person narration, multiple voices in the protagonist's head, and falling in love with a creature that has tried to kill you at least once)

I'm going to use this to springboard to a related point in a second, but first a genuine yet humorous answer: Yes, absolutely yes, I am enough of a big romantic sap that I would give everything about my life away to be with a person who loves me and explore a world of monsters in a heartbeat. Hell, I would have jumped in the water the minute Calibani asked and died with her fangs in my neck and a smile on my face. I am dumb this way. Do not follow my example.

On that related point, though... Most stories like this, I daresay ALL stories like this that I know of, end with the hero abandoning the fantasy world in favor of reality, never to return. And that seems like the proper choice and lesson on the surface - we don't want to tell audiences to give up their real life in favor of a fantasy, after all. That's encouraging escapism, and that's not healthy!

But, like... textually speaking, the fantastical world IS real to the characters in these stories. And it's often not really an escape - was Sailor's life devoid of conflict and suffering in the Sea of Monsters? Fuck no! It's just that they figured out how to deal with that conflict and suffering - they built skills and a support system, they adapted, they learned how to overcome what was there.

I think it can be argued that sometimes the return to a "normal" world is, in itself, an escape - the idea that your life can spiral into chaos but that's ok, you can just reset everything and go back to The Way It Was and Should Be is just as unrealistic and unhealthy an idea as You Should Escape to A Better World. Sometimes your plans for your life fall apart, sometimes you're thrown into a place you never intended to go, sometimes you have to learn skills you never anticipated needing and ally with people you never thought you'd befriend to deal with problems you never dreamed you'd have to overcome. And sometimes it's ok to look at your derailed life, your Not Where You Should Be life, and say, "Well, I've learned how to live here... maybe I can stay."

Especially if there's a cute chubby sea monster girl who loves you.

Bob was never supposed to appear past chapter 7, but about halfway through that chapter I realized the audience and I myself would be heartbroken if we didn't rescue her. Definitely for the best - she provided some well-needed comic relief in the final chapters.

This is gonna sound snarky, but, yeah - there were 58 choices with four options a piece, and we only chose one of the four. While some of the options would have similar results, almost none would have had identical outcomes. And some would have been VERY different.

Like, to go back to the beginning: when Calibani attacked, we could either throw a net on her, harpoon her, try to drive around her, or hide below deck. We picked the net, but for the other three options:

Harpooning would result in us hitting her in the thigh, causing her enough pain that she collapses on our deck and we, horrified at the violence we committed, just sort of push on. Calibani would be wounded for at least the next chapter, perhaps longer, and significantly weaker (and probably harboring a great deal of hidden resentment while also being genuinely scared of Sailor). She would be vulnerable during the stork attack, forcing Sailor to take a more active role in that chapter.

Trying to steer around her would result in us essentially fighting her with our boat, resulting in the boat capsizing and Calibani getting tangled up in it. We'd wake up alone on Stork Island and have to travel in search of our boat, alone and vulnerable among man-eating trees. We'd run into Calibani again, also beached and in trouble, end up recruiting her to help us get our boat out of the sand.

Hiding below deck would end in a sea storm that leaves us inside our boat as it's beached on Stork Island. We'd fend off the storks alone, and run into Calibani once we get our boat out to sea, as she got away more or less unscathed.

All of these would have majorly changed the trajectory of our relationship with Calibani and our identity as Sailor, despite seeming to have the same component parts on the surface. Now account for how similarly slight changes in the other options could have gone, and we could have had a very different story indeed.

Part 8: Our Girl

I just think she's neat!

[oscargender]

Heartbreaking: “problematic” danmei everyone told you to avoid is actually pretty decent and has mildly interesting things to say about poverty and class

[sammygender]

im new here- is dean abusive?

imo yeah. smarter people than me have written dissections of the way he treats sam & others (he’s also Awful to his psuedo-son jack, but i haven’t gotten to that season yet), i’ve probably reblogged a bunch of them.

he certainly doesn’t mean to be & i don’t say it to condemn him as a person or as a character & i’m still very attached to him & he loves sam very much (not that that makes a difference in whether u abuse someone or not) - but the way he treats sam a lot/some of the time is emotionally abusive and sam is clearly badly impacted. s4 and s8 come to mind as his worst moments also ofc moc era - after that there’s less interpersonal conflict (up to where i am at least) but that’s because sam mostly stops disagreeing with dean not because dean actually gets much better <3 spn is cycles of abuse show after all. family is hell. dean’s learnt pretty much everything about how to behave from his abusive father and as a result. well. cycle continues

[helenofblackthorns]

ooo to add onto this, I feel like this whole situation become so so much more interesting & complex when you read it with the knowledge gained from the infernal devices. because by the time city of heavenly fire is published, it's very very clear that Jace is Tessa's descendant; the family tree literally spells it out for you. TID's main plot is all tied up in Tessa's weird ancestry, ultimately being revealed that she is the daughter of an unblessed Shadowhunter & the greatest of all Eidolon demon and by being her descendant, Jace is their descendant too. the mortal instruments works best when you're aware of the irony that Jace really did have demon blood all along, and that was intentional fairly early on (Tessa first appears in at the end City of Glass and is clearly there talking to Magnus bc one of her descendants just appeared out of thin air lol).

I definitely have my critiques with how Jonathan & his demon blood was handled at times but also CC does hint towards the flaws of how the characters view Jonathan & I know I forget that sometimes lol. like the second half of tmi, where we see the most of Jonathan, was directly juxtaposed with the infernal devices when it was being published. there's an obvious parallel between Tessa and Jonathan, as they're both the product of child experimentation combining angel and demon blood in order to create a new species of people, but Tessa very decidedly not evil because she wasn't raised by a egotistical manipulator who wanted her to be. multiple times are we showed both Jocelyn and Valentine having biases about Jonathan that aren't actually found on anything, although with Valentine these tend to come from extra content (theres a mini comic & Jonathan's "fun fact" in the flower book comes to mind too). I do wish there was a little more within the actual series tho tbh.

as for Jace reclaiming the name Herondale, I think it's just that. Valentine raised him to be anyone, and thus no one, a changeling (Tessa parallel??). his name wasn't given to him, but someone else, and he grew up living someone else life. as far as anyone was concerned, Valentine especially, there was no baby Herondale. To me, by choosing the name Herondale, Jace defies Valentine and all his plans by reaffirming he was someone before he tried to erase him. Valentine told him who he was, who he should be by constantly robbing Jace of what he had, and the very first thing he took was Stephen and Celine, and their parents (directly or indirectly). Jace can't hate them or love them, because he never knew them. and if the Herondales die without him, then it just another thing Valentine stole from him.

like idk to me, it's less about whether or not Jace had a relationship with Stephen (or any Herondale) that justifies him continuing on the family name, because he doesn't. but by being a Herondale, he survives Valentine and everything he did. everything Valentine did was meaningless in the end — he didn't need to do it! circling back to Tessa, if Valentine wanted a shadowhunter with demon blood that badly, he had one standing right next to him willing to do whatever he wanted! nobody asked him to start sacrificing sons to the cause of creating a better world in his image.

(side note, I imagine the reason he doesn't consider the Montclaire name is because it's probably already been reclaimed by the Clave or has other members still continuing it. Herondale was still being used by Imogen up until her death in City of Ashes so it dying out is a very recent development)

it's 2am this might have stopped being coherent ages ago but like also idk if I read that as Jace saying people can't change tbh. to me he's saying that names in and of themselves don't really change anything, like Jonathan dying his hair black didn't change anything either. a name is just a name, and Herondale was supposed to be his. something could also be said on how it parallels Clary too because Jocelyn spent her own life pretending she was Clary Fray, a normal mundane girl, but she wasn't. Valentine would have wanted her to be Clary Morgenstern, but she wasn't that either.

My firmest TSC take will always be that Jace should have gone by Lightwood in the end. I get that him being a Herondale makes sense in the grand scheme of the TSC universe (him, Will, James, Kit, and Edmund are all birds of a feather), but his personal arc is far more dependent on the family who raised him. Learning about his biological parents is of course important to him, but calling himself a Herondale doesn't actually feel like a resolution to his identity crisis. TMI is all about rejecting the hatred handed down from previous generations, which is why neither Clary nor Jace identify as Morgensterns. While Stephen was nowhere near as bad as Valentine, he also did even less to shape Jace into his adult self. Robert and Maryse on the other hand actually raised him for half his life, and Alec Isabelle and Max grew up alongside him as his siblings. He's a Lightwood in every way that matters, I don't get why Jace (in-universe) would choose to identify himself as a Herondale when there's nothing tying him to that family but blood spilled before he was born.

Anyways, I'm a Jace Lightwood truther for life, thank you for coming to my tedtalk

[purgaytorysupremacy]

i'm applying for a fellowship that required my faculty supervisor to write me a letter of support and yesterday he very shyly emailed to say he was nearly done but wanted to confirm my pronouns. i'm a cis woman who is just very very tall (before you ask: 6'2") and uses a nickname bc my given name is too Dutch for most folks (apparently) but i have just discovered that for the last two-ish months i've been in the program, everyone has been dancing around my pronouns and substituting my name more than is normal bc no one wanted to misgender me and were apparently just waiting for someone to either use pronouns in front of me or for me to use them myself and i think i have truly reached my final queer form

[legally-a-bastard]

Your tags on the post telling Biden voters to keep Palestine out of their mouths are so incredibly rude; you're doing exactly what they said not to. Saying that they aren't looking at the bigger picture? Trying to explain how voting works like everyone but you is an idiot?

It's clear the genocide and brutalization of tens of thousands doesn't mean shit to you. How selfish can you be. If you don't care about Palestine, at least have the dignity to not go onto posts like that to tell everyone you think you're more important than them.

fun fact. When someone puts something in tags. You don’t have to read them. Anyways,

Is it selfish to care about every life, and not just one group? my brother in christ I wasnt explaining things like I thought they were stupid, because then I would have CALLED them stupid. I was making a point that yes, there are so many better fucking options and I fully support. but there are also risks to them and that THAT is why people struggle with this fucking decision. Because there’s fucking nuance.

You are painting an image of me in your head that makes you mad because you want people to be mad at. You want people you can point at and cry wolf when it’s nothing more than a dog.

Putting the rest under a read more because the people who don’t give a fuck and decide that they prefer being only reactive, don’t even have to bother reading what I’m saying, they can just go ahead and block me right goddamn now. Because I’m not here to appease people and I won’t pretend I am.

I do care about Palestine. An incredible amount, actually. And I also happen to care about the citizens of my own country and other countries alongside it. And I was sharing my thoughts on a matter that can have far larger consequences than we’re fucking considering.

You are the person who cannot see the bigger picture because you think that just because people are drowning in an ocean, we shouldn’t also try to prevent and help people who are drowning in what comparatively might be a kiddie pool.

They are all drowning regardless, and I am of the belief that harm of any kind, not just one specific situation, should not happen at all.

Also, if you read the tags so thoroughly like you think you did,

you would have seen the part that says you can just block & ignore me if you didn’t like what I was saying.

and if you take such large issue with what I say, then you should’ve taken your ass off anon because this could’ve been just between me and you. But now it’s gonna be between everyone who sees it, because while I know not to feed the trolls, this troll has made me think that maybe I need to directly fucking say what I think should be fucking said.

if you refuse to comprehend what I say that is on you. If you get mad because of that, it is on you. If you continue to respond only REACTIVELY and not PROACTIVELY, that. Is on. You.

[lilybecca1]

Wait, Bakudeku is literally considered canon in the Japanese fandom???!!! Like no joke, in Japan Bkdk being canon is actually a widely accepted thing?? Like, let me get this straight.

The manga was meant for Japanese audience mainly, so the romance would also be something that is suited for Japanese audience, not the direct and straight forward approach that non-japanese shows have when it comes to romance. And you guys remember the "Rest of our lives" scene? Well yeah, that's actually a marriage proposal in Japan. In Japan they don't say Will you marry me? Some of the most common proposal lines are literally:

“Let’s spend the rest of our lives together.”

“Having you by my side is what completes me.”

“I can't imagine my life without you in it.”

“I wish I could give you everything, but I hope that this ring is enough.”

"I will protect you forever."

Like bro what?? These are literally Bkdk coded. Like Izuku fr thought once that he can't imagine his world without Kacchan in it. And the “I wish I could give you everything, but I hope that this ring is enough.”?? Replace ring with hero suit and you get the freaking ending of the manga. And I will protect you forever is also so them like I just can't yjxnsjxjnxjdkkxkxkxkxkkdk

I know we were all waiting for Horikoshi to make Bkdk canon in some big way like at the end they're revealed to be together or some confession or some shit but we do forget sometimes that this is set in Japanese culture and in Japan things are very different. Much more subtle and way less straight forward and obvious. Most japanese husbands and wives don't even normally say I love you to each other, because they express love through different ways, like action. And that is very hard for our non-japanese brains to understand cause it's just so different over there and instead of being expressive, love in Japanese culture is more about gratitude expressed through actions and devotion. It's much more symbolic.

So then when we think back on all those Cherry Blossom official arts, well NOW it doesn't seem too far fetched to think it might mean something, does it? For us, all these little hints and symbolism are just that. Hints and symbolism. But for Japanese people? They know how to read it very well and it's common in Japan to express certain things through symbolism. Like "The moon is beautiful, isn't it?" Is a full on marriage proposal line. It doesn't seem like it to us, but to them yes. Also let's not forget we literally have a scene with Deku looking out at the moon and Bakugo too 😭

So, if we look at it in a Japanese sense, and that in japaese culture, love is expressed in a more symbolic way, and through actions and devotion, then it isn't so hard to believe anymore that Bakugo and Deku are actually fully implied canon in the manga. I mean talk about devotion..Bakugo literally spent 8 YEARS to help fund that suit for Izuku. He took "actions speak louder than words" fcking seriously.

Like would it be better if Horikoshi actually made them say they were in love or made then kiss or something? Yeah, but realistically speaking that probably wasn't gonna happen either way. And the fact that the Japanese fandom, who the manga is literally meant for, is fr congratulating Bakudeku for being canon!!!! Like y'all if the japanese fandom thinks that they're canon then it's safe to say that they are. Because in a sense, Japanese people can read and understand that "language" behind those hints better than us. And if they say it's canon, then I bet my ass it is.

TOO BAD I AIN'T FCKING JAPANESE

Like seriously why is it so hard being European. We wouldn't believe something was true until the cold hard evidence was literally laid right in front of our freaking eyes.

[lucyandthepen]

sweet cream, cold brew | lmh ( m )

something about mark lee keeps you up at night, and you’re pretty sure that it isn’t the lingering smell of espresso on his shirt.

alternatively: mark is shy until he isn’t.

read the second part here!

pairing: nerd!barista!mark x reader verse: college au rating: r ( minors, do not interact! ) warnings&tags: unprotected sex, oral (f!receiving), fingering, slightly possessive/jealous dialogue, mark has a thing for tummy bulges because why not, implicitly that also means he has a big dick, a slight???? exhibitionism kink (not actually something that happens, only talked about), johnny exists in this simply to trigger something vaguely feral in mark, reader is a little bit assertive and schemes to get mark's attention, jaehyun is a nosy lil eavesdropper, i think that should be it?? word count: 26.4k

a/n: hello so this was a mess and honestly not a fic i would say showcases my best plot-wise but… what can I say apart from booty wurk mark has me in a chokehold and I needed to release some thoughts and feelings !!! please do not expect too much from the development of the story; i fear it’s quite long and choppy because my ideas were all over the place and i was wringing my hands and brain constantly and i was eager to get to the spicy parts !! this is also not beta’d/proofread, it’s currently almost 1am, and i’ve been writing this on and off for a full week with very few breaks so it honestly felt like a fever dream for me LMAO please forgive any oversights and mistakes; i’ll try to go back on them another day and fix them little by little! finally and …most importantly belated happy birthday, my beloved morkly!

p.s. this will probably be flagged as ‘mature’ by tumblr, which means there’s a high likelihood it won’t appear in tags or searches. please consider reblogging to boost the fic, if you feel so inclined!

You’ve heard tell of how caffeine has inherently addictive properties. 

The more of it you have in your lifetime, the more likely you are to experience symptoms of withdrawal whenever you try to have orange juice for breakfast in its stead. It sounds bad, actually, considering most addictive substances are, but you suppose that its benefits somehow outweigh its milder drawbacks. You’re not much of a coffee connoisseur the way some people — see: your best friends, Yeji and Jisu — are, trying one cafe after the other in pursuit of being able to nominate the winning beans of 2023 (an annual heated debate they participate in for no better reason than their own slow and useless entertainment during their six-hour long breaks), but you do know you’ve only ever experienced good things from having a cup every so often: better energy, a more focused approach to mental activities, and the ability to drive through fifty percent of a road trip without needing pop punk music blasting out of your speakers to keep yourself alert. 

The three of you are generally particular about the coffee you drink, only in different ways. While your friends have a tendency to demand only the best from any establishment — lest the staff hear fiery commentary about the flatness of the brew or the evident coarseness of the grind — you, on the other hand, are a singular individual of rather simple tastes. All you need to survive long days is a glass of vanilla sweet cream cold brew. No modifications to the sugar level or fancy new milk types are necessary; you’ll drink it as it’s served in a grande cup (or a venti, when things prove particularly grueling). 

Of course, you’re strict about other things in the experience of consumption —  like where it’s served and, more importantly, who serves it to you. 

While Yeji and Jisu have rated the Liberal Arts building’s on-campus Starbucks branch as a five with the strict label of POEO — ‘passable on emergencies only’ — branding the menu as “nothing revolutionary” and criticizing most baristas for subpar brewery, you happen to be extremely drawn to the place. Initially, you may have argued that this has to do with the fact that it’s walking distance from most of your classes, confined to the same general compound on campus, so you can always grab a quick recharger whenever needed, no matter how short the timeframe to do so is. Sometime later on, you may have found yourself asserting that the layout of the cafe, albeit small, is very convenient, considering that every table is situated next to an electrical outlet, so you’re never out of battery (important to other students for their laptops and powerpoint presentations, important to you because you have an unhealthy obsession with passing time on TikTok, scrolling past video after video of ASMR girls clicking their twenty-inch long acrylics with their crazy candyland designs), and this makes you feel at ease. 

A month ago, you finally came clean to yourself and, soon after, to your friends, and they came to understand, albeit begrudgingly and with no small amount of amusement, what made this Starbucks unbeatable in your eyes; it had one thing no other coffee shop could lay claim to.

What you know of Mark Lee is accrued from two major sources: long, surreptitious glances in the Modern World History class you share, and irritatingly brief interactions when you place your order from the other side of the counter behind which he stands, long fingers always poised to punch in your order at the speed of light. Sometimes, those encounters get cut even shorter when irate upperclassmen start prattling their orders out before you can even say anything past your own, except even this has its own consolation prize — an apologetic smile at you that seems only for you, although you’re not sure how much of this assumption is true. You’ll just believe it as you feel it. 

And what you’ve learned about Mark Lee has funneled down into two key points for you: first, he is single, a fact you were clued into when a group of his friends came to the coffee shop and sat around the table next to you. You hadn’t been eavesdropping; they’d just been pretty loud, but you’d also perked your ears the moment the one everyone seemed to call “Hyuck” — you aren’t sure if it’s his full name or a nickname, and you don’t particularly care — had leaned in for a conspiratorial whisper about having a vague master plan to set Mark up with an old high school friend’s younger sister that he was just waiting to spring on said Mark, busy slaving away on their six impossible orders near the espresso machine. 

You don’t really know what became of that plan, nor if anyone had telepathically been on your side to outright call it crazy (someone should have had a better reason than you, anyway) since the next moment, Hyuck’s voice becomes significantly louder when it orders the one named Jisung to collect the completed coffee and snacks waiting for them on the counter. However, you feel safe in the assumption that even if it had happened, no repercussions had followed, seeing as Mark still presently comes and goes from his shifts alone and in no clear hurry to meet any cute girls that are sisters of high school friends of his friends. Or, maybe you’re just ignoring what could be truth, but that’s whatever. 

Second, you’ve learned that Mark Lee should not actually be your type — at least, in theory. 

Saying you’re out of his league would be a bit juvenile, but if you had only so many words to describe the situation, you’d say so under duress. It isn’t so much that he’s beneath you in any way, but your interests and general social circles run different routes. Yours tend to be more classically patterned after constantly changing trends, and the people you interact with all seem to have similar goals; you like to call it ‘vibe networking,’ which, from experience, involves connecting with both groups and individuals that are equally aware that they will benefit in some way from any resulting acquaintanceship — whether it be by climbing the social ladder a couple of rungs or being able to call in a quick, off-the-charts favor for something very important and/or very exclusive down the road. You and your friends spend a significant amount of time in a year watching your style and image, something quite a lot of kids in the first couple of years of college tend to do, which means that while you don’t particularly like to spend your time following your grade trajectory, you do have quite a lot of pseudo-friends that all seem to offer something entertaining or helpful to you. 

Mark, on the contrast, prefers to keep his circle very close to his heart, it seems — that which acts as a receptacle for all his interests. You can tell that he likes to be up to date less with trending movies and more with comic books, a separate beast of a world that’s rather unknown to you. More than once, you’ve overheard him chat with his friends about Spider-man Issue Number Whatever-It-Is or engage in somewhat lively (sometimes rowdy, thanks to the Hyuck fellow) discussions about some webtoon you’ve come to understand is called Solo Leveling, which seems to have to do with monsters and hunters — two things you know next to nothing about. You’ve also never seen Mark holding anything remotely close to a magazine; his hands are always filled with either a freshly opened comic or a beat-up textbook. Maybe once or twice, you’ve seen him on his phone, but when you peeked over (surreptitiously, of course) on those occasions, you were met only with brightly colored panels and a singular word: BAM. 

In conclusion — you and Mark Lee live very different lives, likely never truly meant to intersect. 

And yet, you want him — not even in a way that speaks only to your curiosity, but in a manner that feels slightly delusional. More than once, you’ve found yourself having to shut your jaw close after realizing you’ve been watching him steam milk with your mouth slightly agape. Maybe it’s his side profile, which gives you a great view of the way his jaw tenses every time he puts whipped cream on someone’s frappuccino. Maybe it’s his eyes, which always seem to twinkle like he’s harboring some special secret every time someone in line asks for his recommendation on how to spice their order up. Maybe it’s his hands, steady and agile, with just the right showing of veins through the skin to tell you they’ve probably got significant strength to them too. Or maybe it’s just his mind — that thing he always manages to show off in class, working faster than lightning even when the rest of you are in your natural eight-in-the-morning stupor.

Whatever the reason for your interest, Mark Lee makes sure the Liberal Arts building’s Starbucks has you as a regular customer. 

You’re fully aware that this is the twenty-first century, which is why you could, as Yeji and Jisu have so kindly made known, simply ask him out. Under normal circumstances, you would have.

Unfortunately, in this particular area of your life, separate from all others, you’re something of a traditionalist. 

Actually, you just want to know what Mark asking you out would look like. Curiosity has fully gotten the better of you — how can it not, with how he breaks eye contact with you the moment it happens by accident in class, or with how pleasantly and shyly he smiles when you say ‘hey’ to him once you’re about to order? You’d like to see, first-hand, as a recipient of the experience itself, what he would look like taking control of a particular situation like that — something someone like him, so mild-mannered and laid-back, never really seemed to do upfront. 

You’d like to think you’ve given him clear signs. There’s a reason you always come in during his shift times, and it’s the same reason for why you have the same damn drink from the menu over and over again despite not even caring too much about coffee in the first place (something he admittedly doesn’t know and probably wouldn’t puzzle out, given how often you’re in that Starbucks, anyway). It’s that you want him to remember you.

Selfishly, it’s that you want him to think just a little bit more about you every single day. 

But if he does, Mark has never made it very clearly known; apart from taking your order in his genial customer service demeanor or letting a look of brief recognition pass his face over when you cross paths in the hallways, he’s never really shown heightened inquisitiveness about you. For all your differences, only you seem to actually care.

Frankly, that frustrates you, because if you have to think about him unhealthily, it would only be right for him to do that for your sake too. Still, you’ll shrug that hit on your pride off for as long as you can get his attention one way or another.

All you really need is for your plan to pan out as well as you think — and hope — it will. 

The thing is, you’re not even that bad at math. You’ve never really excelled at it, of course, but you wouldn’t go so far as to say you’re in dire need of help from anyone — the kind of help that feels like babysitting, at least.

However, Mark Lee doesn’t know that, and you’re not compelled to make that fact known to him when you notice that he’s leaning on the counter with his elbows, shoulders rolled forward and head bent down. He’s twirling his ballpoint in hand, wrist hovering over a worksheet, and you’re briefly distracted by the rapidly moving shadow underneath it.

His head snaps up when you gently knock on the counter, and the rest of his body follows suit, straightening as he shoves the paper away, one edge crumpling in on itself as it meets resistance in the form of the pastry display glass.

“Hey — hi, _________.” He knows your name, says it easily, and while you’d like to believe it’s because of his unprecedented interest in you, you know that it’s just because you’re always here and always having him write your name on the side of your cup. “Can I get you the usual?”

There’s no particular reason you order what you do; maybe it’s just rooted in the fact that when you first asked Mark for a recommendation, he said that the Vanilla Sweet Cream Cold Brew was pretty good, and you were inclined to believe him (while pointedly ignoring the fact that it was, at the time, a new item all of the baristas were required to push to indecisive, slightly moony-eyed customers such as yourself). Whatever the case, you found the drink generally palatable, and you were also able to score the first of many smiles that fed into your two-semester-long infatuation with him, so it was basically a win-win scenario for all. He even got to do his job by getting some rube (see: you) into trying a new product.

“Hey, Mark.” You’ve long since given up pretending that you don’t know his name and have to check the tag on his cute green apron (why is it cute? You don’t know. It’s the same, standard, Starbucks green, but Mark makes it look homely and natural, somehow). You’ve been here way too many times over the last academic year for a nonchalant, were you talking to me? approach to work, anyway. “That, plus a lemon loaf, if you don’t mind. What’ve you got there?”

His eyes follow the trail of yours over to his wrinkled worksheet. “Oh — no, sorry. It’s nothing.”

“Is it secret?” Your bottom lip juts out, and you see his Adam’s apple bob dangerously, a small telltale sign of minute nervousness before he lets out a short laugh. “Didn’t know we kept stuff from each other.”

You don’t know what makes you say that so naturally. The both of you don’t do much beyond exchanging pleasantries.

“We — uh, well, it’s just a worksheet. For Park Hyosung’s class. College algebra?”

“I’m in Kim Junghwa’s. Can I have a look? I want to know if you’re suffering just as much as I am.”

He pauses, considering your request for a moment, likely wondering if there’s any harm in it before he smooths the paper out and turns it towards you. His handwriting’s a little messy, but his solutions are extremely neat. You see, like, one erasure, max. You also don’t see anything that interests you — except the name written at the top. Still, you can see at a general glance that more than half of his answers are correct; the logic of his organization is way too elegant and his writing’s too sure to be anything else. You whistle low, and his eyebrows shoot up.

“Something wrong?”

“Pretty much the opposite. How is it that you’re doing this without breaking a sweat?”

“Oh, well — it’s not…” He doesn’t even know how to brag. Yet another item in the perpetually growing list of things you find cute about Mark Lee. “I mean, anyone… can?”

“I must not be anyone then.” You meet his quizzical look with a wry smile. “Either you guys are leaps and bounds ahead, or I’m really not going to make it through this semester.”

Another silence passes, just for a fraction of a second — short enough to be passable to others, but long enough for you to wonder if your humor code isn’t up to par with the rest of the world’s — before Mark’s chuckling lowly. His large palm comes down, covering a majority of his answers in the process.

“You’re kidding. I’m sure you’re doing just fine.”

“Mark, look at this face.” You gesture to your evidently dumbfounded, blank expression. “Does this look like the face of someone that’s doing just fine?”

You’re pleased to hear another laugh from him; you don’t know if he really finds you funny or if he’s just the type to be easily amused. You don’t want to know, anyway; assuming is better than actually finding out.

“That bad, huh?” He slides the worksheet away again, like he’s afraid his correct answers are going to offend you into leaving the cafe. Instead, his hands start working on your order, grabbing a cup and scrawling the shorthand of the drink on one of the little boxes. “Ever think about getting a tutor, maybe? If you really feel like you’re drowning, that is.”

“A tutor? I guess that depends. Are you free on weeknights?”

The marker makes a soft screeching sound as he drags it down with too much force, ruining the penmanship of your name. Mark takes a moment to stare at the mistake on the plastic before he looks at you, pointing the rim of the cup towards himself. “Sorry — am I free—?”

“You said I should get a tutor, right?”

“I thought — no, sorry, I was thinking more like one of those department-assigned tutors you can ask the faculty for, or something.”

“Oh. Are you not one of them?” You sigh, albeit a little over dramatically. Thankfully, he doesn’t really cotton onto your acting, too caught up in befuddlement at the turn of the conversation. “That’s a bummer. I was kinda hoping that if I was going to ask for help, I’d get an actual genius. You know — someone like you?”

You can tell by Mark’s expression that he’s torn between denying your compliment again and responding to your actual question; he looks both relieved and miffed when the student behind you clears her throat.

“Sorry, but— you know that there’s a line, right?”

You both apologize, Mark’s much more sincere than your own, and you step aside. His gaze follows you for a moment before it snaps back to the next customer, his voice abandoning that bemused uncertainty it had taken up with you. You don’t really mind; as far as you’re concerned, any dent in his barista persona when he talks to you is a step in the right direction.

You hang around the pick-up area, receipt in hand, watching Mark clear the line before moving to the actual stations near the kitchen area. There’s a concentration on his face that you find all the more attractive; he has a habit of chewing on his bottom lip when he’s trying to focus on getting the drizzle just right inside the cup’s cylinder.

He tends to try his best at everything, you figure. Not an unattractive quality — not by a long shot.

Mark finishes your drink first; the milk’s still only seeping, cloudy, into the coffee when he brings it over. He doesn’t even have to call your queue number, opting to meet your eye — albeit slightly nervously — instead. You reach out to hold the cup, a calculated move that allows you to brush hands against his without him being able to pull back on instinct. He doesn’t, nor does he really seem to want to, but his jaw tightens as a flush creeps along the curve of his ears.

“You really won’t help me?”

Your question’s abrupt, almost a little demanding, even if your voice is sweet. You’re not above asking this much, anyway, even if you technically want him to make the first move. The redness sinks down to his earlobes.

“I didn’t say that.”

“You didn’t really say anything,” you tease. The cup’s on the counter now, so he can easily relinquish it to you at this point, but he still hesitates, only one hand slipping out from under the heat of your palm. He uses it to rub the back of his neck, chuckling softly, and you take this as a green light. “What time does your shift end?”

“Five-thirty. You sure you wouldn’t want someone better?”

You pull your cup slowly to yourself, and his hand, still lightly trapped by your own, follows for a few inches before he’s withdrawing, the counter between the two of you forcing the distance. A smile follows the shaking of your head, and you take a small sip of the drink before you respond simply.

“There’s no one better than you.”

Mark is a prompt kind of person; you learn this when, at five-thirty, he comes over to your table, tugging his apron off over his head. Of course, you might attribute that to his overall personality, but the fact that you spend the remaining two hours of his shift casting him glances from the left side of the coffee shop might have also been a contributing factor. The looks you give him aren’t even furtive; they’re deliberately long, so you never miss whenever he looks over to you from time to time.

He doesn’t hold eye contact for very long (he does it well enough when he’s talking to customers, but it’s not like you’re ordering another cold brew from across the room at that point), but you can read snippets of his thoughts through the fleeting gaze exchanges. He’s curious as to why you’re asking for help, now, of all times, when the semester’s more than halfway over. He’s surprised that you asked him, of all people, because he just can’t conceive of a world that isn’t within a television show where this kind of abrupt, overt request makes sense. He’s flattered that you even asked him out of the blue. He’s equal parts anxious and eager to know what’s meant to happen after his shift, once he starts fulfilling your request.

Most of all, he’s unsure if he’s reading you right — if what it feels like you’re doing is something he’s attaching too deep a meaning to. If he’s right in reading your signs.

You don’t really mind it; you like knowing that Mark somehow wears his heart on his sleeve, even if he tries to remain neutral for the sake of appearances. You also bask quietly in the fact that he’s looking at you twice as much as he ever has in the time you’ve loosely known each other. Still, his bubbling confusion and inquisitiveness seem to be interfering with the rest of his work, especially when you notice that he’s been wiping down the surface of a table two down from where you are for more than seven minutes.

In the hopes of easing whatever tension might be in his heart, you offer him a small smile, but that’s only met with his eyes immediately glazing over and inching a couple of centimeters above your forehead, where the story of Starbucks’ origins is drawn out in a faux-manga style. He pretends to find it interesting, as if he hasn’t seen it a million times from coming into this establishment day after day — you know it well enough, and you don’t even have to, considering you don’t work here — and you can’t do anything but hold back your laughter.

A small part of you says you should just give him the affirmative answer to his biggest question, but every other cell in your body says that it’s no fun if he doesn’t ascertain it for himself.

He has his school bag and textbook in tow when he approaches, taking the seat across from you. There’s a steely resolution on his face, like he’s been emotionally preparing himself for such a daunting task, but it eases up the moment you laugh lightly.

“You don’t have to act like I’m going to eat you.”

“I’m still not sure why you’re suddenly asking me to help you,” he admits. He’s also very honest, you note. Again, not an unattractive trait. “I’m not complaining. I just didn’t think you even had an opinion of me.”

“Why’s that?” You’re genuinely surprised. Mark drums his fingers on the front of his textbook, thoughtful — less for the sake of thinking what to say and more for the sake of considering how to say it. It’s clear he wants to avoid calling attention to the fact that before now, you two have had no reason to run the same track, let alone sit together and talk at a coffee shop, as if you’ve always been the best of friends.

“Genuinely just thought I was the guy who gave you your afternoon coffee every day,” he finally settles. Your eyes widen, and another laugh escapes you — a little louder this time, enough to call the attention of a couple of jumpy freshmen nearby.

“Well — let me put it this way.” You lean over slightly, cupping your chin in your palm. “Was I just the girl you made coffee for every day until now?”

There are clear cogs turning in his head; his eyes unfocus slightly as he thinks of the possibilities. His silence suddenly makes you somewhat nervous; your tone had been confident, and you’d only said that to prove a point, to push him in the right direction, but you realize that you hadn’t previously factored in the possibility that he might simply say yes — or, worse, say no just to avoid hurting your feelings.

You watch his lower lip curl in; he uses his tongue to smooth out the skin that’s slightly dried from work fatigue. You would much rather it peeked out, so you could imagine it against your own. His response is mumbled in a lower register, but you catch some key syllables — didn’t… not … stranger — pretty … you?

“Sorry?” You ask patiently, but the fact that he turns red and laughs again — something you realize is not only a trademark of his personality but also downright delicious of him to be doing — is all the answer you need to let the apprehension seep from your shoulders. “I didn’t catch that.”

Mark clears his throat. “No, I… didn’t think of you that way. I mean… you’re my classmate.”

“Sure,” your tone’s breezy, but the somewhat sloppy confirmation of interest in you makes your heart soar. He just needs more of a push. “And we’re basically friends, right?”

“Yeah.” His voice is unsure at first, like he can’t seem to wrap his head around the concept. You can tell that Mark’s notion of friendship is likely based on shared interests, of which you admittedly have none. Technically, if you were his friend, you’d spend less time just telling him the exact same order every single day and more time sitting around a table trying to learn how to play Magic: The Gathering with him. Still, he takes one long look at your grin and suddenly gains confidence in his next words, as if it somehow convinces him that the briefness of your old conversations had been a mutually agreed-upon thing and not the product of social distance between the two of you. “Yeah. We’re friends.”

“Right. Friends help friends, don’t they? I’d definitely feel more comfortable having a friend teach me than some stuffy upperclassman I don’t know.”

You see Mark’s lips move slightly, in such small movements you could have imagined it as breathing if you didn’t care too much (which you do). He mouths, to himself — friends help friends. For some reason, that boosts his conviction even further, and he nods.

“Makes sense. Well — for as long as you don’t mind me, then.”

“Mind? I asked you, so I should be saying that.”

“I’d never mind — I mean, of course I don’t mind.” He’s quick to correct himself, and you have to stop your own hand from reaching out to try to satisfy your curiosity, the desire to know just how hot his cheeks get when he blushes. “More than happy to help, actually.”

“And I’m more than happy to be here.” You beam at him, and he mirrors your smile. You don’t know what it is about the look on his face — the brightness in his eyes, or the slight lift of his eyebrows, maybe — but it gives you the impression that he might be feeling at least a fraction of what you are: the feeling of your heart lifting off a few inches from your rib cage. “Since we’re on the same page, I hope — should we get to it?”

From the moment that Mark opens his textbook to a chapter on inverted parabolas, he assumes a personality you feel you haven’t seen from him before. You realize that you really do know him in only two limited capacities — his classroom persona that seems to really only view himself and the material, focused on the board and the professor’s words (even up until the useless anecdotes) to absorb as much information as possible, and his more genial customer service form, always happy to assist in the trained, easygoing way you’ve come to meet so often.

Right now, he’s a blend of both, yet somehow neither all at once. He’s quick to catch the parabolas you draw, either wrongly or downright poorly. Despite initial hesitation, he always manages to say something; there’s already a pattern to how he does it, from his slightly awkward, “Ah, sorry, actually —” to the way his finger traces over what you’ve written, outlining the right curve. You find his interruptions so endearing that you start drawing them wrong purposefully — not enough for him to realize your schemes in their entirety, but enough to cast you a few amused glances, like he can’t imagine why you’d map out such an absurd graph. You get the feeling he wants to actually laugh at how ridiculous you’re acting, but he can’t tell if you’re seriously struggling or not, so he settles for a smile he thinks he does well in keeping to himself, but that you catch anyway. He’s patient, even when you have to rip out pages from the back of his notebook because of your ‘mistakes,’ like he’s still catering to your request for an extra pump of syrup for your coffee on sleepy days.

But there’s also that side to him that comes out when he suddenly remembers the distance between you that, before today, had felt unlikely to be closed. It peaks at odd moments, like when you’re borrowing his pen because yours is currently holding your slowly unraveling bun up, and your fingers brush against his. It surfaces abruptly when you lean in to watch what he’s drawing until he realizes how close you are, arm lightly grazing his, and his pen freezes, ink blotting on the paper for a second. It’s in those times that you can almost hear his brain churning out questions — like he’s wondering if you’re just oblivious or if you’re doing something on purpose that he can’t quite believe. Like he wants to ask you what’s on your mind, but he just doesn’t know how.

If he asked, you would reply without missing a beat. The answer, after all, is simple (him). But Mark never raises the question, only does something without fully acknowledging what he’s doing — the adjustment of his glasses on the bridge of his nose, the ruffling of his hair as though to shake off his thoughts, the clearing of his throat to normalize his tone before he explains something you’ve just asked about. There’s always that light tinge of pink to his face that makes him look even more endearing, and it fades and returns every so often for the better part of two hours.

By the time he rubs oncoming fatigue out of his eyes, the sun has already set; there are far fewer people around you at this time, and for as much as you like spending time with him and breathing in the scent of his shirt — always a tinge of Downy, barely cutting through the much more overpowering scent of espresso and sugar — your back has begun hurting from your front-heavy posture and determination to have your face as close as rationally possible to Mark’s. Still, you don’t miss out on the fact that the act of him cracking his neck to relieve tension makes your lips curl inward, trying to stifle an inappropriate noise in reaction to the view.

“I feel like I talked your ear off,” he pipes up, sounding a bit sheepish. “Sometimes it’s hard to know when to stop once you’ve gotten started. I’m just hoping I didn’t bore you to death.”

“Meanwhile, I’m here hoping you aren’t sick of my questions already.” You smile, closing your notebook and hanging the clip of your pen on the spiral. Your arms stretch up first, followed by your back, a light twist to relax your posture into normalcy again. Mark’s breathing falls quiet, like he’d been preparing to say something in response but had let it die in the back of his throat instead. You let your eyes drop, expecting to see him looking at you, as he mostly has been — on and off — since his shift ended, but his eyes are far lower than yours, the telltale redness now growing in evident splotches across his cheeks.

The hem of your shirt has ridden up; while there’s nothing outrageous about it, there’s a short expanse of skin that it reveals, for a brief moment. His eyes are slightly glossy, brow furrowed like he’s trying to find a solution to something he can’t fully understand. You’re not even sure about what he could really be looking at, or if there’s something he’s just thinking of that caught his attention while his eyes focused on a rather unfortunate spot. To test your theory, you suck in your stomach slightly alongside an inhale.

It should be objectively funny to watch Mark blink unevenly, left eye going first before his right tries to catch up, but you manage to stifle your laughter — poorly, though, because you end up coughing a little and breaking him out of his strange trance. You avert your eyes quickly enough for him to look vaguely relieved that you hadn’t caught him looking. So he thinks, at least.

“Anyway.” You feel bad that you have to tear his mind away from whatever faraway land it must be trying to burrow a hole in; the dazed expression on his face dims into hastily hidden embarrassment. You don’t want him to feel awkward, so you just busy yourself with packing up, making an unnecessary show of stuffing your notebook back into your bag as if it isn’t half-empty at this point. “I really appreciate you taking the time to help me.”

“Any time.” His first attempt is a little raspy, maybe from overuse of his voice today, so he clears his throat and tries again. A slow smile builds on your lips. “Any time, really. I’m glad that this is actually helping you; you pick things up surprisingly fast.”

“Wait, really?”

“Yeah. Give it a couple of weeks, and you’ll probably be ready to tackle it on your own again, I’m sure.”

He smiles reassuringly, but all you can think about is how that’s not good. You should pretend to be a little dumber next time, or this will end much too prematurely.

The next five minutes pass in silence; you don’t expect to be knee-deep in conversation anyway since, as much as you try to convince him, you aren’t actually anywhere close to being those kinds of friends yet. There’s an unspoken rule to the give and take of things, where he pauses for you to get an item off the table and push it into your bag before he does the same with his own belongings. Neither of you really intersect paths, save for the moment you both grab your phones and stand at the same time.

His jaw falls open like he’s preparing to say something, then shuts as if he’s better decided against it. You decide to take the initiative to say what you’re assuming he wants to. “Same time, same table?”

“Oh — uh, yeah, for sure.”

You want to ask him to walk out with you. You want to lace your fingers with his, tug him out, and kiss him under the green and white glow of the sign outside. You want to know if kissing his collarbone means you’ll taste a hint of coffee. You think about doing it all somehow, especially since he’s fighting back a slight smile at the promise of tomorrow.

But it just isn’t the right time.

Instead, you place a hand on his shoulder, giving it a light squeeze. The slow movement of his throat — yet another hard swallow — isn’t lost on you, and his eyes land on where the two of you connect. With a grateful smile, you bid him a soft goodbye, taking your leave first.

You don’t look back — at least, not until you’re fully in the cover of the darkness outside. On the gravel path, just out of reach of the lamplight, you chance one last glance back into the store. Mark is still rooted to the same spot, his backpack slung over one shoulder, staring at the table like he’s dissociating from what just happened — like he can’t believe the last couple of hours.

Your smile grows when you see his own, and his hand comes around to the back of his neck, rubbing it lightly like it gives him small comfort to let him know that it was real.

Baby steps, you remind yourself. You’ve already got one foot in the door, after all.

As the days trickle by, you fall into a more comfortable standing with Mark; there’s a routine to your meetings that seems to eliminate the initial and abrupt awkwardness of that first day. You come into that Starbucks at four, greet Mark, who doesn’t ever have to ask for your order, and spend the next hour and a half slowly sipping on it until the ice has thinned and watered down your drink substantially. In that time, you allow yourself to do whatever you want (as if you’ve ever done otherwise anyway), and what you usually want the most is a good view of him. You therefore use most of the minutes you have on hand to regard him from different angles — from the side when he’s frothing milk, upfront when he turns to leave cups on the pick-up counter, from the back when he’s clearing tables — interspersed with moments of checking your TikTok feed, clearing group chat messages, and sometimes re-curling your bangs with a portable iron from the school’s co-op center, a relatively new purchase you tote around these days. You do essentially anything in between to avoid acting too suspicious while he works.

Sometimes, you catch Mark’s eye too; the more your meetings increase in number over the course of a few weeks, the more deliberately he looks over at you, and the longer it lasts. You feel like you’ve made significant progress when your gazes lock and he smiles slightly, albeit a bit unsurely, instead of turning away like he used to. The other day, he’d even passed by while apologizing for how long you always waited for him — not that you ever minded, something you made a point to clarify with him before he walked away, carrying a couple of chairs from the back room with him to replace rickety ones.

That he’s able to transport them easily, as if he’s lugging a bag of apples from the grocery, does not escape your watchful eye.

What you like the most is that you start to learn more about him in a way that isn’t fueled only by your expectations and, therefore, limited by your imagination. You find out that he’s from a close-knit family with a rather cushy background, and this barista job is just for interest funding and experience, in that exact order. Most of his earnings are funneled into the things he collects, which apparently isn’t limited to comic books and special edition blu-rays with director’s cut but also a rather stupendous amount of PopMart blind box figurines. Apparently, he particularly likes the Skullpanda series even if he hasn’t completed it yet; your last session together had adjourned thirty minutes earlier than usual so that he could catch a pre-rush hour inner circle train to Hongdae, where the flagship store was set to open on that day. He’d promised to show you his pulls (as long as they weren’t embarrassing dupes). You learn that he likes to listen to loud music when he studies to stimulate his mind, and he has a playlist that’s just a jumble of songs from Punk Goes Pop volumes that makes him feel empowered for some absurd reason, like he’s going against the grain. You don’t really get it, but you do like that spiced-up rendition of Ariana Grande’s Problem that he let you listen to once.

Of course, there are things that you find out not through conversation but through continued, closer observation. You notice that he likes to put on chapstick even if his lips aren’t particularly dry, but he does worry on them often, most especially when he’s thinking hard about something. He has a habit of saying honestly… at the start of every other sentence, as if he’s concerned you won’t take his word on anything, even though he’s just talking about how unnaturally hot it was at noon despite it still being spring. He has long eyelashes that you’re equal parts attracted to and jealous of, and he bites the inside of his cheek whenever he wants to pep himself up after grueling shifts. He plays beats you’re not even sure he knows he’s creating against his knee with his fingers, so enthusiastic and consistent in this habit that you want to offer your thigh instead. His shoulders always go first before he laughs, and he does this thing where he raises his hand to cover his mouth at the start of it, which is a shame, because you’d do anything to keep seeing him smile like that — or, better yet, to be the reason for it.

Then there are those things you notice he tries to hide. He always turns his face halfway to the side when he blushes, something he seems to do without fail every time you smile at him. He has to temper the intensity of his grin when you take the time to compliment him on how cool his shirt is, or how nice his hair looks today, or how smart he is, like he doesn’t want you to know how good it makes him feel even if you want him to feel good about it, around you, because of you. Sometimes he denies it for the sake of responding, and his voice always lilts on the first syllable in his refusal to accept what you say, even though he knows you won’t take it for an answer.

And after a couple more careful experiments, you notice that Mark, out of the many things he’s interested in, seems to have a particular thing for your stomach.

You don’t know if it has anything to do with him not really seeing much of it in real life in his own time or if he just has his own kind of fixation on it, but you start to cotton on by the fourth time you meet. An hour of being hunched over a table that’s not at the greatest height in relation to your neck and torso has you stiff, and you’d leaned back in your chair, arms pulling to the air, hoping your spine might feel like realigning if you exerted enough tension pressure that way. Your shirt hadn’t ridden up this time, considering it had been tucked into your jeans, and it was because of this that you’d caught a flicker of something new in his face that you hadn’t seen before.

You could have sworn it looked like disappointment.

Of course, he hides it quickly, as he does with most of his emotional candor, but it’s enough to make you suspicious — enough to make you wonder if Mark is also just keeping something to himself. Or maybe you’re just projecting your own presently secretive nature onto him. Regardless, you think it’s odd that whenever you stand up or stretch, his eyes almost immediately fall to your midriff, like he wants to challenge your clothing into a staring contest before he thinks better of it.

You don’t mind, anyway. He can look as much as he likes. Maybe when the weather’s warmer, you’ll even cater to that interest and wear a crop top. Hopefully, that’ll be the push he needs to act on human instinct and ask you out or, like… bend you over. Maybe.

You’re often plagued with these kinds of thoughts in between the ones you try to keep as family-friendly as possible — now, more so than ever.

Sometimes, it’s easier, especially when you’re caught up in talks with him; despite the fact that he doesn’t seem like much of a conversationalist when it comes to generic matters, when either he or you are enthusiastic about a particular topic, he has a tendency to get carried away. There’s nothing impure about how his eyes light up when you remember to ask him about the movie he saw with his friends over the weekend or the way he hums old Nickelodeon cartoon theme songs under his breath whenever he’s looking for a page in the textbook. It’s more of a situation where you’ll observe something and immediately run with it despite it being an objectively normal action.

Like right now, as you’re watching him turn his pen between his fingers. Now, while he’s shaking his knee in mild impatience, as if he’s trying to will the answer to the worksheets you’ve both been trying to get through for the better part of the day faster. You’d made copies of the problems your professors had assigned and exchanged them under the premise of being able to practice more intensely.

However, whereas Mark is actually focused on solving, you’re just watching him out of the corner of your eye, wondering if he’s ever been told that his fingers are fuck-worthy on a singular, unique level or if it’d feel good for you to ride the thigh he’s currently moving, jeans and all. You consider the feeling of his warm palms on your bare waist as you do it, and you end up wondering if that’s what crosses his mind whenever he sneaks glances at you, too.

You’d know the answer to all those things if he’d fucking ask you out. Maybe you could do it after all. Maybe you should, instead of relying on slowly increasing the probability over such a long period of time. Maybe if you asked nicely, Mark might pull the shades down on the storefront windows and rail you against the glass.

You’re so lost in thought that it genuinely startles you when he plops his textbook over the worksheet, rattling your eraser dangerously close to the edge of the table. You’re still clutching your heart while he rubs his eyes a little too violently.

“Can’t,” he groans, and his neck gives into the weight of his head, allowing it to loll backward. “I feel like the numbers are just melting into each other. I swear, I thought I could read words out of them.”

“Maybe we were a little too ambitious with the double worksheet agenda,” you admit, even though you’ve barely gotten past half of yours and certainly haven’t touched a single item on his. “Should we call it a day for now?”

“Yeah,” he agrees, although he still takes the time to encircle his final answers before clapping his palms to his cheeks (an act that has your mind dangerously close to wandering off inappropriately again) to wake himself up. “Woah. I didn’t even notice how dark it is already. I’d say time flies when you’re having fun, but I’m not too sure about the ‘fun’ part of it…”

You trace his gaze towards the glass; the moon’s already out, surrounded by a smattering of low-light stars. You hadn’t realized how late it had gotten, probably because your mind had been on R-18 mode for most of the afternoon. Also, the days are getting generally shorter, but that fact doesn’t make you feel as embarrassed, at least.

“You got a ride?”

The question once again shocks you out of your small trance, and you turn back to him with wide eyes. “Well — no. Wait, I didn’t know you had a car. Why’d you take the subway, then?”

“Oh — no, sorry, I… don’t.” He looks suddenly sheepish, eyes dropping to the shiny surface of the table for a moment before they snap back up, as if he’s actually actively reminding himself to look at you. “I was wondering if you wanted me to — actually, more than that, are you going home already? Not that you need to stay; it’s not that important, but…”

You try to gloss over the fact that he had just been about to initiate another huge step in the right direction (i.e. offering to walk you home) by beaming at him, maybe a little too widely, if only to mask your disappointment at the sudden shift in conversation. “I have nothing waiting at home for me but a sandwich dinner and Singles Inferno, so hit me with whatever it is.”

“Oh, cool.” His lips turn up, and the corners shake, this show of happiness once again tamped down by his own inexplicable desire to maintain a safe distance. How are you supposed to tell him you’re desperate to bridge that gap without using those exact words? “I came from the flagship store yesterday — the one in Hongdae that I told you about?” He allows the smile to widen slightly when you nod in genuine understanding. “Got the last six boxes of the collection I’ve been trying to finish.”

You whistle appreciatively. “Can I ask you for a loan on my next phone bill? You know, once I’ve upgraded to something pricier.”

“Nah — just itching to complete the set,” he laughs. You wonder if he’s been doing that more often because he knows its crippling effect on you, though you doubt he’s that sly. Again, maybe you’re just projecting too much of your own motivations onto him. “This was probably about two months of saving up combined.”

“No new Iron Man issues to look out for, then?” Your voice is warm even though it takes on a teasing tone; Mark’s hand rubs the back of his neck, and his expression is a little sheepish, but you’re happy that the times he used to go completely quiet, opting only to blush at your attempts to act more familiar with him are pretty much gone now.

“Maybe next month.” You also like that he doesn’t really treat his hobbies as secrets, neither out of shame nor snobbishness. He explains these things to you the same way he does the topics you study — with an air of contentedness, like he’s happy someone listens to him without interrupting. On your end, you have no qualms with listening to his voice for hours, wondering when he’ll stop using it to greet you when you come through the door and when he’ll start saying your name in a way that makes you feel like you’re the only one he sees whenever you’re near. It’s a win-win situation (sort of). “I was actually debating between this collection and a really rare copy of Spi— well, never mind that. I just thought — since you were asking me a bit about blind boxes last time. You know, if you wanted to. With… me.”

As much as he’s become comfortable talking to you about things that don’t involve coffee orders and school, you can’t say that you aren’t doing your fair share of the work in connecting the dots; the demand for your efforts is exponentially higher in moments like this, when you think he’s trying to ask you something but can’t seem to find less-than-eager words to avoid what he thinks might spook you.

Luckily, he augments his fragments with action; reaching into his backpack — which you notice seems to be bulkier than usual — he starts extracting small brown boxes, all with the same design; it seems, for lack of better words, aesthetically gothic, and you reach out to pick one up, turning it over and examining the print on each side with vague interest. Mark starts laying them out on top of each other until there’s a small, somewhat unstable pyramid in front of him, then shifts his attention fully to you, just as you’re putting the box in your hand atop all the rest.

“I’d love to.” You beam as he does, and there’s a wondrous relief in his eyes that tells you he’s glad you manage to catch onto his words — or lack, thereof — surprisingly well. “For as long as you don’t blame me for any bad draws.”

“The contents have already been decided by my own hand — sort of,” he chuckles. “Point is, I would never do that to you. But I won’t lie; I kind of want to rely on your luck a little more.”

“What makes you think I’d have any of that running through my system?”

“Not sure — beginner’s luck, maybe? You just kind of look like one of those kinds of people to me — like… you’re just made of good things.”

You don’t know how to take this compliment; on the one hand, it’s easily one of the sweetest things Mark has ever said to you that doesn’t involve anything with actual sugar content. On the other, you know you’re not as lucky as he makes it sound, considering you’re still striking out on getting past the borderline of friendship with him. All you can do is smile, nodding and making to move closer to him by sliding into the next seat.

It’s hard to ignore the sight of him stiffening; something like surprise mingled with both fear and interest flashes strong across his face, but you don’t do anything to acknowledge the slight change in atmosphere, choosing to settle down comfortably and clap your hands. “So. What are the rules? What can I do, and what can’t I?”

“Uh.” His throat constricts at the right moment, the syllable getting caught and causing him to clear his throat. You know that this is the nearest you’ve ever been to him, the sleeve of your shirt tickling his arm. Upon closer, albeit brief inspection, you note that he’s also rather veiny. That doesn’t do your impurity any favors. “Not… really rules, or anything like that. Just — these are the ones I’ve been looking for. Not that you can really control it, but in case you were curious about that.”

You squint intently at the scaled-down images he points out. There’s one that looks like a penguin caught in an oil spill; another that seems to be in a polar bear costume, dozing; and — “What’s… halo? Halo…bios?”

“It just means marine life,” he answers quickly, like the thought means close to nothing to him to know something that obscure. Whoever said that smart is the new sexy wasn’t joking. “Like… all things that live in the ocean, that kind of thing.”

“And you know this because?”

He pauses, looking thoughtful. “I’m not sure. I guess I must have just learned it when I was curious about what it meant some time ago. Isn’t that how we all learn things?”

You shake your head incredulously, and he smiles a little apologetically. “You never cease to amaze me.” Your nail drums against the silhouette of one with a question mark on it. “What’s this supposed to be? Can you draw your own figurine, or something?”

“No.” He’s clearly amused, but his expression’s still patronizing enough for you to not feel too bad about saying something idiotic. “It’s a secret design — a money drainer, basically. You could buy a full set of this and still not get it. Some people will open hundreds without any luck, so it’s really rare.”

“You don’t want it?”

“I try not to get too caught up in the secret thing,” he admits. “Otherwise…”

“No rare print comic books for the rest of your life, basically?”

He taps his nose, and you both share another laugh. It’s nice, you think, to have come this far — to be someone Mark can share his interests and thoughts with. You may have been stretching the word to its limit when you first punched your way into his social life and called yourself his friend, but it feels more real now, more natural to think about and say. Even if he still sometimes seems to be hyperaware of the gap between the both of you, there’s no denying, at least, that it’s been significantly reduced, and this much is a testament to that.

“Well, leave it up to me. I’ll let all of this beginner’s luck rub off on you,” you announce with overflowing albeit unfounded confidence.

You both decide to open a box each at the same time; Mark suddenly panics and asks you not to unseal the foil bag right away without looking at the card inside first, earning him one slightly alarmed look followed by a burst of laughter at his pained expression when you pretend to rip open the packaging. Comparing pulls, you identify them using the set chart — your luck doesn’t seem to be operating at full capacity yet because you can only offer him the card of one that looks like a floppy pigeon, which he responds to with a slightly apologetic grimace before saying he’s already pulled that thrice in the past. He, on the other hand, is turning the card of the polar bear over in his palm, trying not to make you feel bad for your duplicate pull by slipping it under his textbook when your eyes land on it.

The second round isn’t much better; both of you manage to pull something he’s already added to his collection, and as you’re ripping the seal to your third box, he pauses and watches you. You think it’s because he’s concerned about the obvious shit luck you’ve had thus far and wants to snatch it from you before your negative energy transfigures whatever’s inside into something he doesn’t want, and you’re just about to offer the half-opened package to him before he pushes the one on his end to you.

“No way, Mark.” Your eyes are wide, a palm up to reject it. “If that turns out to be another dupe by my hand, I’m literally going to walk into oncoming traffic.”

He has to control his amusement at your words so that it doesn’t completely shake his voice into incoherence. “I picked all of these while I was there, so if anything, you’re only riding off my bad luck. Besides, this is your first time doing this. I want you to have fun.”

“But,” your voice is pained. “Your money.”

“It’s not a big deal. With how few I need to complete them, I was definitely bound to run into more repeats than new ones.” He taps the front of the textbook — or, at least, the part of it not buried under the figurines and sealing tapes yet. “Probability mathematics.”

“I thought we already ended the study part of the day,” you grumble but concede, putting aside the one you half-opened to tear the top of his. You’re careful when you shake out the foil packaging, making sure to place it upright on the table before extracting the card. Both of your faces fall — yours more than his — when you see it’s a repeat of the polar bear.

“Almost. It would’ve been a pretty lucky pull earlier, so it’s technically not bad,” he tries to reassure you, but you childishly feel like you’ve been the sole source of his disappointment thus far. “Try the last one.”

It’s irrational, but you’re suddenly anxious about it. For some reason, you’re worried that this will topple the carefully constructed ladder you’ve propped up against Mark’s tower of social defense. Even if he’s being genial about your rotten pulls, you don’t know how much of it is just resignation to dismay on his part.

You say a small prayer, then fully rip off the seal; you don’t even take out the packaged figuring anymore. You just shimmy the card out of the box, turning it over when you notice it’s upside down.

For a moment, your shoulders deflate. It’s closest to this pastel purple figurine in the middle of the line-up, its stupid puckered lips almost taunting you. He hadn’t even mentioned it as something he’s looking for, so you almost feel like this has come to a horrible full circle. But then he grabs the box, checks the list, and looks back at your card again. He looks shell-shocked, and you’re not sure if it’s the strong air conditioning directed towards the two of you or if it’s just his hands, but the image he’s holding is shivering slightly.

You look more closely at it, and something just doesn’t feel right. Color palette aside, there are notable differences — different colored lips, a more intricate ear design, and closed eyes. It’s…

“Dream eater,” Mark’s voice is hushed, almost reverent, and very, very close to your ear. “It’s the secret one. You’re… incredible.”

“What are you talking about,” your words are just as raspy; you’re not sure if you’re actually choked up with emotion or something — over a figurine, you have to remind yourself. “You picked all of this. I just ripped open the box.”

The hush that falls over the both of you feels very concrete, weighty on your shoulders. His fingers creep towards the foil packet — the only one he actually opens because there’s no way he’s not keeping it. The shiny purple head gleams under the fluorescent, the glitter around the star and moon designs catching the light as he turns it left to right, like he’s worried it’s a fake. You can tell why people want these things so much; there’s a thrill in you that lingers, makes you feel warm and alert. It’s anticipation, despair, excitement, and triumph all in one sitting.

You’re stroking the smooth curve of the design by the ears lightly when Mark speaks up again and says the most outrageous thing.

“I want you to have it.”

“What?” You actually have to pop your ear canal in front of him with your pinky to make sure he knows how ludicrous he sounds. “This is… you said it was crazy rare.”

“Yeah. And you pulled it, with your magic. That’s like… unimaginable luck. Even more than beginner’s luck.”

“Like I said, I literally just opened the box.”

“No — you have like… the golden touch.”

“Please,” you hiss, a genuine testiness to your voice. “Do not. I was just here for the ride — the experience, and all.”

“Seriously, take it.”

“Absolutely not—”

It’s a chaotic moment of him trying to hand you the figurine and you outright rejecting it, with both your palms working hard to push it back to him. Instead of nudging the plastic back, though, you end up placing the full force of your hands against his fingers.

There’s no actual spark when you touch, but your reactions make it feel like there might as well have been; you even lock eyes in startled unison, like you can’t believe that just happened, before you pull away quickly, Mark drawing the figuring back to his torso while looking away towards the counter, where a lowerclassman is wiping down the stains. You want to scream at your warped reflection in the window. You barely initiate contact with him, but you imagine that if you ever did, you would prefer to not be saying something as abjectly negative as absolutely not while doing so.

Your mind flails in an attempt to mitigate the issue and water down the embarrassment, and clearly he’s struggling to figure it out too, because he pipes up before you can piece your thoughts together.

“No, really.” His tone is a lot milder and, consequently, a lot more persuasive this way. “You should take it. I want you to.”

“It’s not mine. This is your thing — your hobby.”

“That’s why I’m giving it to you. I swear — I want you to keep it.”

“Why?”

He lapses into silence again, but his face is much redder than earlier. His mouth opens in an attempt to say something, but he just manages to uh his way back into a state of quiet, which gives you a chance to speak instead.

“We can… share it,” you suggest. “Shared custody…. ish.”

His eyebrow cocks involuntarily, and his jaw falls again, but all he does in actual response is nod — slowly at first, then with more sureness to the act.

“Yeah. We can share it. I’d… like that.”

You’re glad that the bulk of the awkwardness has fizzled out fairly easily, and when you think about it, this feels like a pretty good course of action; you like that it’s this little link between the two of you now — something you share that no one else can touch.

Mark, you notice, is smiling as well — more to himself than towards you, it seems. His thumb grazes across the face of the figurine, slow across the lips, and you’re once again falling into a pit of nonsense by wondering when he’d do that to you.

“Thanks for staying with me, _________,” he finally says, and your heart jolts and melts all at once. “And for… doing this. For chatting with me. And giving me your luck, and all that. Great way to end the day… with you.”

You say no problem, but you instantly regret it when you realize you could have just said it didn’t have to end just yet.

“__________? Hello? Come back down to Earth?”

“Shut up,” you sigh at the guy seated across you — Seo Youngho, an upperclassman, your Gender Studies classmate, and current project partner, waves in front of your face. You shoo his hand away, which only joins his other one as he throws them in defeat above his head. “Stop moving. Be quiet. Don’t talk.”

“That’s the same thing as shut up and be quiet. What’s up with you?” He demands. “Fifteen minutes ago, you were full of ideas. Now I feel like I’m talking to a wax figure.”

You’d been engrossed in your report for the last hour and a half, and the subject matter is admittedly something you enjoy — the role of gender in Twenty-First Century Korean marketing and advertisement, a title Youngho had taken more than ten minutes to type into the Google Docs header because he was pissed off at how the numbers looked like in the fonts he chose. He’s an enthusiastic classmate and someone you’ve come to be friendly with, not only because he’s genuinely approachable but also because he has fits of nosiness and talkativeness at the strangest moments, so a chunk of your relationship is mostly based on social terrorism on his part. You like him well enough most of the time — save for the last fifteen minutes of this hour.

Because Mark had just come in for his shift fifteen minutes ago, and suddenly Youngho is much too noisy for your taste, and his head is honestly way too big to the point that it gets in the way of your opportunities to see Mark behind the counter. You even resent him for choosing a booth instead of your usual table all of a sudden, because your view of the central barista’s area is much more limited from this angle, especially since the huge espresso machine is in the of your field of vision.

You’re also (currently and abruptly) mad at Youngho because you remember that he’s the reason you’ve had to skip out on a couple of sessions with Mark. Like, it technically isn’t his fault that you have a lot of research to do for the literature review section of the paper, nor is it his fault that this is your final requirement that comprises a whopping forty percent of your grade, but like… you’ll blame him anyway. So you’re much more irritable, and you’ve definitely been missing Mark’s presence. In fact, you kind of just want to shove Youngho’s balloon head away and call Mark over to sit with you, but you’re not that much of an animal to actually do that.

Probably.

There had been inquisitiveness across Mark’s face when he’d come in; his eyes had trailed to the table at which you usually sat, surprised to find two guys hunched over a single phone there instead of the usual you, waiting for him with your eyes bright and your smile wide. You’d like to think it’s because he’s gotten as used to seeing you as you’re used to waiting to see him — like he just expects you to be there.

You hadn’t really known how to call his attention to where you were, especially since Youngho was prattling very matter-of-factly about the academic journal he’d unearthed yesterday and how he thought it would be useful in reshaping the methodology of your paper (whatever). There was a moment in which you briefly considered ordering another cup of coffee just to get in line to talk to him, but your hands were already shaking from the venti you’d had to keep yourself from passing out in front of your partner.

So you’re more than relieved when, half an hour into his shift, Mark finally steps out from behind the huge machine, a mug of water for himself in hand, and turns away from the front of the store to drink it — only for your eyes to lock as he twists his torso in your general direction.

The mug stops just inches from his lips, but you could swear he smiles at you briefly when he recognizes you, so you return the favor. Youngho’s face contorts into abject befuddlement, turning around to see what you’re grinning at.

“Oh, you poor sap,” he snorts, finally letting the puzzle pieces fall into place.

“What?” You’re still distracted even if Mark has taken a gulp of water and is now attending to a gaggle of girls still in the throes of discussing what to order.

“What what? You gonna spend the rest of the day eyefucking Mark Lee from over here? At least let me get a different table.”

“Shut up,” you repeat sullenly, coming back down to his level and finally — albeit reluctantly — meeting his eye (just because Mark isn’t looking your way). “What were you saying about the sample size?”

“That it’s much too large to be feasible, a point we closed twenty fucking minutes ago,” he says pointedly. “Is it a thing for baristas or a thing for smart guys?”

“It’s a thing for Mark Lee,” you sigh, following Youngho’s suit and shutting your laptop close. You’re at least glad he’s not annoyed that you’re delaying work for a crush, or maybe he’s also just equally lazy at this point. “You ever look at someone and think you would give it all up for a chance to hit that?”

“No, because this isn’t a porn movie, and I’m clearly not the main character in whatever’s going on in there.” He jabs at your forehead; you swat his hand away again.

“Well, I would.”

He rolls his eyes. “So do it, dumbass.” He says this so simply, like he can’t imagine why you’d be holding yourself back, which is a valid thing to feel, except it’s not really any of his business.

“Can’t.”

“Because?”

“Because it doesn’t fit into my elegant master plan. Also because I want him to ask me out. I just want that victory.”

“Oh yeah, there it is.” Youngho leans over, wiggling his fingers at your ears like he’s greeting a next-door neighbor. “Hey, delusion. Good to see you. Do you even understand how crazy it is that you’re taking a Gender Studies class while waiting for your dick-in-shining-armor like a damsel in distress?”

“Asshole,” you grumble, violently opening your laptop monitor again. “Get back on Google Drive.”

Thankfully, Youngho complies, and the next two hours pass in relative silence and productivity, with you hammering out a vague references list that he promises to format in your stead so you can ‘spend more time dreaming about Mark Lee between your legs.’ You want to strangle him, but there are far too many people in the cafe for you to get away with it. Also, aforementioned Mark Lee would only be a witness to your criminal record, and while you think there’s something romantic in killing for love, or whatever, you’re not sure it’d make the best impression on him.

“Next week’s my birthday,” Youngho announces as he stands to tug on his jacket.

“Congratulations,” you say wryly, peeking over his bulletin board torso to see Mark tugging off his apron and picking up his school bag. Your heart hammers in your chest as he looks over at you briefly, and something like embarrassment passes over his face before he busies himself with neatly folding the fabric. “Go away.”

“Usually people look uncomfortable for not knowing and then start thinking about what gifts to get the celebrant, but I always felt you were kind of a revolutionary.” He snaps his fingers right in front of your eyes, and you look up at him, a little offended. “I’m having a get-together — and by get-together, I mean it’s gonna be a rager. You should come.”

“When?”

“Next Thursday.”

“Can’t,” you chew on your lip, wondering if Mark is leaving. His movements seem particularly slow, but you wonder if he’s just taking his sweet time because he has nothing better to do. Of course, he would have something better to do if Youngho stopped fucking obscuring you from him and vice versa. “Busy. School… whatever.” Not completely untrue. Most of what you do with Mark has to do with school.

“This moony-eyed thing is just not for you, I fear.”

“Are you going to be here all day?”

“Are you? Why don’t you just fucking ask him out, you lunatic?” You can’t imagine why he sounds so exasperated. It’s not like this is his problem — or his business, for that matter. “Maybe if you did, you could fuck him and move on with your life and be an actual contributor to society’s development.”

“Has anyone ever told you how nosy you are?”

“Constantly.” He brings his palms down on the table, the thud shaking you out of another oncoming stupor. “Think about it. Maybe it’ll make you stop making that stupid face.”

“You’ve got a stupid face,” you mumble, sulking as he pinches your cheek as a goodbye before heading out of the shop.

At least you finally get to see Mark in full, glorious view — and you get to watch him come closer, although his stride is somewhat cautious.

“Hey.” Even his voice sounds unsure — almost like the way he used to sound earlier in your friendship. “I didn’t want to interrupt you and… your friend?”

“Oh. Well, you wouldn’t have been interrupting,” you inform him, completely genuine. “He was spouting a lot of nonsense.”

“You guys seemed pretty close.”

“I guess it’s a proximity thing,” you sigh, and Mark raises his eyebrows slightly in question. “We’re partners.”

“Oh.” The way he draws out the syllable is slow. “That definitely makes sense.”

The silence stretches out between the two of you again, with Mark checking his shoelaces. You almost grab your head; it hadn’t occurred to you until now how damaging missing meetings with him would be to your friendship. You feel like you’re slowly being dragged back to square one, and you want to give him an explanation.

“He’s actually… I haven’t been able to see you because I’ve been working on something with him.” you offer, trying to answer a question he didn’t even ask. “Sorry about that. I swear I’ll be back on track tomorrow.”

“No, no — I completely understand.” He pauses thoughtfully. “Thank you… for telling me, though. I— uh, appreciate that.”

“I’d love to see you tomorrow, though.” You try injecting more pep into your voice. “I’ve really been behind on my algebra. I’ve definitely been drowning without you.”

“Oh, yeah.” A small smile graces his lips, but you can’t tell if the reluctance behind it is from fatigue or something that looks oddly like sadness. “I’m down for tomorrow. Same time, same table, right?”

“Yeah, for sure.”

“Cool. See you, _________.”

You watch him turn on his heel, walking to the front door, and something like fear mingled with desperation clutches your heart. Fuck the traditional route, you think. You don’t know what it is about how he’s acting now, but it’s making you feel like he’s slipping through your fingers. All that hard work — there’s no way you’re letting him go.

“Mark, wait.”

You’re at his side, fingers curled into the sleeve of his jacket before you can figure out exactly what you want to say. You feel as surprised as he looks at your sudden liveliness in action, and his gaze trails from your clenched fist to your face slowly, like he’s trying to memorize this whole position.

Your exhale’s shaky, but even still, you try not to sound overtly self-conscious when you ask, “Do you like Chinese food?”

Something in the furrowing of his brows tells you he can’t seem to see where this conversation is headed, and that slightly bothers him. “I like it well enough. Why?”

“There’s this really good dim sum buffet near my mom’s office. We tried it before — the Xiaolongbao is awesome.”

“Hey, that sounds pretty cool. I love Xiaolongbao. I’ll definitely have to check it out then.”

You want to tear your hair out. “How about — you know, checking it out with me? Tonight? You know… together. With me.” You already fucking said that.

You’ve never seen Mark blink this rapidly; he looks like he’s trying to crunch large numbers in his head. A small part of you actually worries that he’s malfunctioning, but just when you think he’s going to glitch out completely, he clears his throat. It bothers you how uncomfortable he looks. “Tonight? Oh man… it’s my cousin’s birthday tonight. I can’t… reschedule. Well, obviously. Maybe some other… time?”

Your ‘oh, yeah’ is small, and so is the ghost of Mark’s smile. You can’t help but feel like he’s pitying you a little, although he doesn’t seem like the type, but the thought of it alone makes you want to puke. He makes no motion to move, and you think he’s extending this awkward moment out on purpose until you realize you’re still hanging onto him and he has no way of telling you to let go nicely.

Fingers unfurling from his sleeve, you take a careful step back, but when he walks away, it feels like you’ve gone much, much further away.

The worst part is that you can’t even figure out why.

Luckily, the next few times you see Mark, you manage to rebuild a rather shaky bridge back to where you had been. You even manage to strong-arm him into sharing an apple fritter one afternoon, and you know it’s a bit sad to think about it a particular, untrue way, but you can’t help but pattern what you’re doing into some kind of pseudo-date. Pathetic isn’t a word you normally associate yourself with, but you’ve been borderline desperate for progress where there seems to be none, so you take small victories where you can get them.

Unfortunately, you haven’t been able to revisit your stupid dim sum plan; sometimes, he says he has somewhere important to be, but most of the time, it’s actually your fault. No — it’s Youngho’s fault, because he keeps bothering you to finish the project. You’re aware that he can’t do it himself, but since he’s informed of your current plight, he could at least stand to be more sympathetic.

And you hate the way Mark looks every time you splutter out that you have to take a rain check for that reason; it’s not even disappointment, or something, which would be much more understandable. It’s this mysterious kind of faraway look, where his eyes glaze over a bit and he seems suddenly very lost in thought — or completely dissociated. He never strays away from his normal response of “next time, then,” but that ‘next time’ fades into the weekend and into the start of next week, and you have to spend every other evening with an annoying Seo fucking Youngho on a Google Meets call instead of eating soup dumplings loveshot style with Mark Lee.

Thursday night rolls around, and the former performs the most irritating stunt yet: blowing up your phone with so many KakaoTalk messages that it almost buzzes off the table during your session with Mark. Luckily, he seems to have learned a thing or two from his comic books, catching it before it hits the floor.

“You sure you don’t want to answer it?” He asks, gingerly handing the phone to you like he’s afraid it’s going to explode from all the pinging.

“Without the shadow of a doubt,” you sigh, flipping the screen downwards. Buzz.

“It kind of seems important. Or, like… urgent.”

“He’ll live. Unfortunately.”

Mark falls silent, fiddling with the page he’s on. He’s neatly highlighted the formulas on the page with blue ink, and his finger keeps scratching at the slightly wet paper. Buzz.

“Didn’t you say you two were partners?”

“Yes. Also unfortunately.” Youngho is actually a great person, but you kind of hate how Mark’s paying more attention to his texts than to you right now. “What did you get for number ten?” Buzz.

“A hundred and twe— are you really just going to let it keep ringing like that? What if he’s… I don’t know. In trouble? Like, he needs you?”

You smack your phone on its back, hoping that the punishment reaches Youngho because he absolutely is in trouble — only with you. “He’s just making a racket because it’s his birthday and he probably wants a bunch of people to trash his parents’ house, or something.”

“Sounds like fun.” The dubious tone in Mark’s voice indicates that his idea of fun definitely isn’t that. Buzz.

“Not really, but I assume he’ll only pipe down if he manages to get his way.”

“He must really want you there.”

There it is again — that weird, distant expression that makes you feel like he’s trying to free himself from the tethers of the earth. You close your textbook in defeat; it wasn’t even like you got the answer to number ten correct anyway. Buzz.

“He just wants everyone there, I bet. But I probably should show up so he shuts up.”

“Oh — yeah, okay. We’ll call it a day, then?” He’s avoiding your eye as he starts packing his things, which is actually impressive because you have practically nothing but your book to keep in comparison to his pencils and protractor, so you just stare, willing him to look at you.

You want to know what’s going on in his head. You want to know what’s going on in his heart — what he thinks of you, why he seems warm one second then almost like a stranger the next. You want to know if he knows you like him and if him not doing anything even if he knows is a sign that he doesn’t like you back. You want to know if he’d let you kiss him, if he’d kiss you first, if you can meet not because of sweet cream cold brews or algebra but because you just want to be together.

You just don’t know how to ask. For as much as you like him, for as much as you want him, you haven’t figured out the most basic part of this — if you mean anything more than a two hour talk to him at all.

“Mark.” This feels awfully like the dim sum conversation, only somehow ten times more disastrous. “Come with me.”

“Sorry?” The appalled look on his face makes you squirm in your seat.

“I don’t really want to go, but maybe if we go together… we can just hang out a bit and leave once it’s boring… I think it’d be fun,” you explain lamely, deciding at the last second to drop the with you that had originally come with your sentiment.

“I don’t think your… partner will like someone uninvited showing up.”

“I’m inviting you.”

“I’m pretty sure that’s not how it works.”

“You’d be, like, my saving grace or something — my excuse to scram. We’ll say we came right from a study session; we only popped in halfway through for the sake of greeting him a happy birthday. Then we can just go. We can say — uh, we’ve got more work to do.” You’re practically begging him at this point, and you don’t even get why. You just don’t want him to leave looking the way he does — confused and a little detached. You want the Mark that had smiled at you while giving you your coffee — the one that had kindly pointed out an arithmetic mistake in the most gentle way possible. You want to open blind boxes with him, whine about your rotten luck, and part ways with his warmth still against your coat sleeve.

You don’t know what comes over you then, but you pluck up the courage and initiative to slip your hand in his. He stiffens a little, but you don’t care; your fingers squeeze his in urging.

Something in his expression breaks — cracks first, then falls away, before he’s nodding, still looking vaguely thoughtful.

“If you think it’ll help you, then… okay.”

The bus ride to Youngho’s neighborhood is uneventful because it’s quiet. You stand close to Mark at all times, but you barely touch, save for the times your knuckles accidentally brush his when you lurch forward slightly as the vehicle comes to a dangerously abrupt stop. He doesn’t ask anything about the party or the company that’ll populate it, which is just as well, because you don’t have a clue.

You know it’s the right house because the door’s wide open and there’s music coming from inside; you can’t make out much more than the deep bass pumping through the concrete, but you’re pretty sure it’s making your heart jump in your chest even more than it already is. There are quite a few people you vaguely recognize on the lawn, and even more that you absolutely don’t; a good number of them glance at you and Mark as you step through the threshold then look away, probably deciding you’re of no real consequence or harm to their moods.

Youngho’s easily spottable because of his massive height; he towers over the rest of his guests, and the red plastic cup in his hand calls even more attention because he’s lifted it over everyone else’s heads. You throw Mark an apologetic glance that he responds to with a short nod before you dive into the crowd alone, trying to weave your way to where you’d last seen Youngho.

“Bro, finally!” Youngho greets you, pretty much shouting over the music. “Where’s the gift? Did you leave it on the table?”

“Happy birthday, Youngho. Do you know how close you were to being blocked?”

“I see you brought mister espresso with you,” he ignores your comment completely, nodding to Mark. When you turn back to see him, you notice he’s squishing his arms closer to his sides, trying to minimize the space he takes up. “So what? Y’all get to hook up already?”

“No. I brought him here because we were in the middle of something and someone,” you stop, offering him a pointed look that’s also ignored. “Wouldn’t stop texting.”

“Cockblock,” the guy next to Youngho, who you now realize has been eavesdropping, singsongs. “Oh, sorry. You looked angry when you stomped through the crowd, so I wanted the juicy details. Name’s Jaehyun.”

You take the hand he offers you briefly, introducing yourself. When you say your name, realization dawns on his face, and he jabs his forefinger at you.

“Oh, dude. You’re that girl — the Starbucks Showstopper.”

“The what?”

“That’s what his friends call you.” He scratches his ear, seemingly racking his brain for more information. “I’m with Mark and a couple of his friends — Lee Donghyuck and Na Jaemin — in College Algebra.”

You completely gloss over the fact that you’ve finally found out the real government identity of the mysterious figure named ‘Hyuck.’ “They… talk about me?”

“From time to time. Not really. Once or twice. Donghyuck only calls you that because Mark apparently keeps blowing them off to hang out with you.”

“How do you know this?”

“I have ears. It’s not hard when they talk like no one’s around.”

You shush Youngho’s exclamation of and you’re saying I’m nosy?, your heart hammering hard in your ears, practically drowning out the music. “What… what else did they talk about?”

“Not sure. Something about not seeing you that often these days. Jaemin teasing Mark about getting dropped now that you don’t need his help anymore. Donghyuck piling on and saying you’ve got a boyfriend.”

“What?”

“Don’t shoot the messenger.” Jaehyun still inches away from you when your voice rises in pitch and decibel. Some people around you start, then move away as well, as if scared you’re going to incinerate them. “They were just teasing him that you probably ditched him after you started dating someone. Your partner in some project, or what.”

“Oh gross.” The realization hits you like a speeding truck. Youngho’s expression is affronted.

“First of all, you bitch. Second of all, as if I would date someone who didn’t even buy me a gift. Or want to come. Or yelled at me after coming. Wow — now that I think about it, you’re terrible, _________.”

“Oh, shit; that someone was you?” The only person that isn’t tense in this conversation is Jaehyun, who laughs point blank at Youngho’s sour face. “I think they were offering to put you into one of their Death Note notebooks. Sucks for you, hotshot.”

“What a smudge on my good name,” Youngho sighs mournfully. “On my special day, too.”

“I desperately need you two to be quiet for one second. I have to — where’s Mark?”

Even when you stand on your tiptoes, you’re not nearly as tall as the two of them; it’s Youngho, with his freakish height, who manages to spot Mark by the bowl of nachos, looking as though he’s trying to decide if they’re safe for consumption. You hardly excuse yourself; actually, all you say is a distracted “later” that dismisses Jaehyun’s cooing that something’s going down and you should clue him into all the mess later as a thank you. Your appreciation of his sudden and somewhat short-lived presence in your life is still up in the air.

Mark’s busy making a sour face at the sip of punch he’d just taken; he only straightens up when you’re right in front of him, putting his cup down next to the nachos. “Hey. Did you get to find… um…”

“That’s not important.” Your hand bunches the fabric of his jacket in a death grip, something he barely has time to register, let alone question, before you’re tugging him through the throng of people. You want somewhere quiet, somewhere private, and you initially consider the lawn, except you know it’s strewn with cups and has stragglers debating whether to go home or not. You can’t risk any of them being expert eavesdroppers like Jaehyun, so you make a beeline for the stairs instead.

“We’re not leaving yet?” He has to shout over the music, but there’s no resistance in his stride; he follows you up and waits patiently, although a little perplexed, as you check the doors on the second floor. Two are locked, one is a bathroom, and the other is a messy, musk aftershave-scented place you can only presume is Youngho’s room. Talking in front of a sink and a toilet doesn’t feel like it’ll be very productive, so you just drag Mark into the bedroom, kicking aside the crumpled shirt on the floor — which you could’ve sworn you’d seen Youngho wear for class yesterday. “_________, what’s going on?”

“Mark Lee,” you burst out, ignoring the fact that his eyes widen slightly at your tone. “What’s your fucking deal?”

You don’t think you’ve ever sworn in front of him before; that much is evident when he continues to gawk silently, unable to find words to respond to your question. Or maybe it’s just the volume and force with which you demand an answer. The problem is that you don’t even know what kind of reply you want. A small part of you nags that this is uncalled for, especially at this level, with you practically caging him into an unknown room. In fact, even now, you’re still embarrassed at your behavior, wondering if you’ve gone too far and stepped over a line between you.

But the source of all your frustrations is, in fact, that line — one so strangely drawn, clear at some points and almost invisible at others. Sometimes, he seems simply content with the barest minimum of friendship: talking to you, helping you, politely laughing at your (terrible) jokes. But there are also times he blushes too hard for it to not mean anything, times that he makes you feel like you could mean a little something more to him too.

Yet, from there, he wavers, stepping back so as not to get entangled in something you don’t understand — like when he grows distant every time you mention Youngho to him. You don’t understand why he would unless he echoed, even just a little, the longing in you. But you also don’t get why he stays and builds more walls around himself, like he’s determined to ignore all the other signs — like he doesn’t want to know if it’s really true and will just accept the assumption that it is. You hate not knowing where you stand with him, and while you could easily ask, you know you don’t want to.

And for a long time, you’ve convinced yourself that it’s because you want to see Mark step out of his comfort zone and initiate something, but the ugly truth is staring at you: it’s simply just that you can’t stand the idea of seeing him come to the conclusion that you can’t be anything more to him than someone he makes a sweet cream cold brew for every so often.

There’s a moment of tense silence between you two, where you’re just staring at each other — him, perplexed, and you, agitated — and the only sound that passes is the faint but unmistakable voice of Youngho going who has the cake cutting knife? from somewhere down below. You try not to get caught up in the fact that Mark still looks cute when he’s dumbfounded.

“Sorry?”

“What,” you repeat pointedly. “Is your deal? Why have you been acting so weirdly around me these days? I thought — I thought we were… getting closer. I thought… we…”

You’ve confirmed it now; you’re the epitome of cowardliness. You can’t even say I thought we liked each other — because you know that you do, but you still can’t honestly, assuredly tell if he does. Maybe you just read too deeply into the smallest things — smiles before he asks for your order, glances at you when he thinks you’re not looking, sharing the dream eater figurine — to fuel your own emotions without really checking the depth of his.

“I thought we were cool,” you reroute your words, and they come out flat and lame. “But just when I think you’re warming up to me, you suddenly pull away. Like… you’re afraid of me. Or you don’t like me. I don’t know.”

“It’s not — I don’t — I’m not afraid of you,” he stumbles over his words, and even in the darkness of this space, you see his face turn bright red, very quickly. His feet shuffle, not because he’s lost his balance but because he seems to want to get rid of a sudden restlessness. “I do like you. We are — we were getting — we’re close. We — we’re friends. You said that, and we are.”

“Is it only because I say we are that you agree?”

“What? No, I—” His hand passes over his face, slowing at the curve of his chin. “I really like being friends with you. I like being around you.”

“Then why do you act so weird these days? Like — you’ll be fine one moment, then you’ll back off, like you suddenly remembered you don’t want to be around me.”

“It’s not like that. I’m — I don’t get…” He takes a deep inhale, recalibrating himself for a moment before his voice comes out again, less strained this time. “I just don’t want you to feel uncomfortable around me.”

“How could I?” There’s something more than confusion coloring your voice; there’s hurt, too, and he looks as surprised as you feel at hearing it. “I wanted to be your friend. I was the one that asked you to hang out. I was the one who wanted you to talk to me, to help me, to go to a goddamn dim sum place with me. Why would I feel uncomfortable? Or are you just using this as some roundabout way to say you feel uncomfortable?”

Mark falls silent, and you don’t know why this speaks volumes all of a sudden. His eyes are trained to the tips of his sneakers, which are rising in soft bumps every few seconds; he’s curling his toes inside them. You feel like you’ve gotten the worst answer possible, and something grows cold in your chest.

“You feel uncomfortable around me.” You rehash, but it’s no longer a question. “You don’t know how to get rid of me.”

“No, it’s not that.”

“You think I’m only using you.”

“No.”

“Then what?” Your voice breaks, no longer out of anger, but a desperate sadness. The moment your eyes feel hot and prickly, you decide you want to end the conversation. It’s embarrassing, you think, for someone like Mark Lee — whom you like, who only ever sees you as a friend — to see you get choked up at a fucking birthday party at someone else’s house.

A beat later, you’re mumbling a half-hearted forget it, and you detest overdramatics, but you hate the idea of being in a room with someone who’ll never return your feelings even more right now; you push past him, already on the thought of calling a cab home instead of taking the bus so that no half-drunk businessmen coming from their company dinners see you crying.

But something warm wraps around your wrist, then closes over your hand, and you’re unable to move, Mark’s palm pressed against the back of yours. When you look back, you notice he’s still not looking at you, but his ears are practically on fire with how red they are, and you feel his fingers tighten slightly, tremble slightly against yours.

“It’s not that. I didn’t ever want you to think — I heard about you two. That you were dating someone. Seo Youngho.”

“What does that matter?” Your words come out a little more bitterly than you expect, and you have to remind yourself to reel it in. “That doesn’t explain your discomfort.”

“I didn’t want to make you uncomfortable,” he repeats, still evidently careful in choosing his words. “Because you wanted to be friends.”

“I don’t understand,” you state bluntly. In the back of your mind, you note that Mark’s grip keeps tightening and loosening, unsure of whether to keep holding on or let go. But there’s something else, too — the soft graze of skin against yours, his thumb gliding over your knuckles.

“That was all you said you wanted to be, right?” He waits for a response, but when you don’t give him one, he lets out a shaky breath and continues. “You kept saying — we were friends. You wanted us to be close like that. I just wanted to respect it, even if…”

“Respect what?”

“That you didn’t want… anything else.”

The music downstairs is a bit tamer now; you hear the door opening and closing every so often, signaling guests leaving here and there, but there are still enough footsteps downstairs for you to know that there’s a crowd Youngho hasn’t gotten rid of and therefore has to attend to. That much is good; you’d get slapped with a homicide charge if he came up here all of a sudden.

“You were jealous.”

Mark’s fingers pinch the bridge of his nose for a moment. “I tried to stop. I don’t have a lot of practice with — well, I didn’t know how to approach the situation. I thought I was still acting normally; I didn’t think… I didn’t want you to feel weird and stop hanging out with me just because… I couldn’t fix it.”

“Your friends are assholes,” you mumble, and he finally meets your eye, equal parts startled and amused. “We aren’t. Weren’t. We never were dating.”

“Even without that, I thought… it was a bit embarrassing. Liking someone like you — someone as pretty as you, as nice as you — I thought it would make you feel weird. Then you’d start avoiding me too. Or, worse, you’d keep doing it just because… you… felt bad for me.”

You don’t know what you find more ridiculous — that you hadn’t seen figured it out or that you could have avoided all of this if you’d just been a little more honest with him too. Mark’s hand starts loosening around yours, a little too much, and you turn your palm and grip his hand before he can escape. He stiffens again, just like earlier, but you now understand better why he does.

“I just wanted to keep hanging out with you as much as I could. I thought… It’d be fine, just spending time with you, and I’d be able to like you for a while, on my own, then…” He looks a little pained. “Then just let you go. I’m sorry.”

“Sorry you couldn’t let go?” You sigh softly, your palm guiding his until they connect, face to face, and you can finally lace your fingers into his. There’s no resistance, but his hand trembles slightly in yours still. “If there’s anything you should be apologizing for, it’s that you ever thought of doing it.”

Something clears in the air, lightens in his expression, and he chuckles, albeit a little shyly still. “It’s because I never thought someone like you would like someone like me.”

“I like you.” And it feels right to say it now, not at all out of the blue, never in fear of an answer he’s already given. “I like you when you smile at me every time you ask for my order. I like that you never get impatient when I’m getting my answers wrong. I like seeing you excited when you talk about a new series you’re looking forward to — something new you really want to collect. When you blush, when you laugh loudly, when you spin your pen in your hand — I like you in all those times.”

“Even when I’m jealous?”

“Especially when you are.” Your free hand comes up to cup his jaw, and you’re reminded of the fact that you’ve wanted to feel the strength of the angle under your palm for ages now. It’s not at all a disappointment, and your heart flutters irregularly in knowing you could’ve done this a long time ago, but it doesn’t matter because you’re doing it now, and fuck if Mark Lee doesn’t look good this close to you. “So be jealous — because now, you know you can be.”

Kissing him is better than you imagined, and you’ve imagined a little too much to be embarrassed at this point; there’s a heat to his lips that matches the one across his face, an upturn to them that makes you smile too. The setting’s not at all an expected one, but you’ll take it, not because it’s dark or because it’s private but because Mark’s in here with you, and you would have kissed him in a brightly lit football field full of people for as long as he’d let you.

You’d like to think he’s flushed for a reason other than shyness when you pull away, even if his laugh is quiet and breathy. In fact, when you murmur not enough, he’s the one that closes the gap this time, offering freely what you ask for with such little eloquence. The natural trepidation in his mouth relaxes, gives way to a curiosity that keeps you locked for so long that you forget you need to breathe, much more intent on finding out if Mark’s tongue tastes as good as you’ve imagined for so long.

It doesn’t; it tastes even better.

It’s still not enough, not by a long shot, but you have to resurface before you pass out like this, and even he looks a little dazed when you pull away — not in a bad way, with a grin on his face that you can only classify as endearingly goofy: slightly lopsided and a little shy, but with an unmistakable air of satisfaction.

“Months,” he mumbles, his lips still dangerously close to yours. Your eyebrows rise in questioning, and he laughs in that infectious way that makes you want to join in without even knowing what the punchline is. “I’ve been thinking of kissing you for months.”

And you do share the laughter this time, not out of amusement but of a happiness that spills without restraint. “But you’re suddenly holding back now?”

“Just letting myself bask in the moment, I guess. Letting it sink in so I remember everything.”

The two of you stand there quietly, still trying to fully parse the progression of events, and a small part of your mind registers that Mark’s thumb is still drawing circles on your skin. It’s also not enough — this touch, this closeness. You know now that he’s been thinking of you for months, and it reminds you that you spent that time dreaming of him too. And you remember you’ve always wanted to be even more familiar with him, and suddenly the desire is overwhelming; he’s right here, and you don’t ever want him out of your grasp again.

“Where are you going?” He’s only curious for the sake of it; there’s no alarm in the question because you keep your fingers tightly woven in his, tugging him along as you walk past him to the door. He’s still staring in wonder after the lock clicks shut. “What’s… happening now?”

“You waited months to kiss me, right?” He nods in response at your question. “I’ve been waiting just as long to have you too.”

His mouth falls open, but he doesn’t manage to say anything; his jaw tightens just as quickly when he feels your free hand trail down his chest, feather-light and asking for a green light. Your index finger stops just above his navel and draws back slowly, but not before you feel the shiver that runs down his torso.

“We don’t have to if you don’t want to,” you murmur, giving his hand a little squeeze. “But I just want you to know — I want to. I want you.”

A thoughtfulness settles on his face, and his eyes graze over yours, trying to read your seriousness. You don’t know how honest you look, but your words hold enough truth in them. A silence stretches over the next minute, but to you, it feels like an eternity, and you lose the test of patience somewhat, smiling softly at him.

“You don’t want to?”

“I—” His tongue peeks out, running over his bottom lip. “I do. It’s not that I don’t want to, but…”

“You seem worried.”

A hesitant nod. “I’ve never — well, no, I have, but not — with someone like you.”

“What’s someone like me?” You laugh airily.

“Someone pretty like you — I don’t know. Someone who seems to know exactly what they want. Someone who seems like… they could do better than me.”

“Mark.” You can’t keep the incredulity out of your voice. “I do know exactly what I want. I want you. The rest — I don’t care about. As long as it’s you, I want it.”

He cracks a smile, half of relief, half of disbelief. You don’t miss his hand coming up to press, warm, against your waist. “For real?”

Your fingers curl into the front of his shirt — an anchor to bring you closer, until the tips of your noses are brushing. “For real.”

The third time you kiss is slow, almost careful; there’s lingering worry in the line of his mouth that your lips try to ease until his slightly part under the movements of yours. You feel the tension leave his form in waves — first in his shoulders, then in his arms, until you’re able to press yourself closer and feel the slight give of his frame against your smaller one. He’s radiating an immense amount of body heat that’s pricking your skin and keeping you alert, and you’re hyperaware of the smallest things — the weak tremble in his mouth, the slight roughness of his teeth under your tongue, the ridges of his palate above it.

He tastes nothing like what he smells, you learn. Instead of the air of earthy coffee stuck to clean linen, you inhale a combination of spearmint and mild saltiness that’s made slightly sharper by the lingering splash of alcohol from his accidental sip of punch earlier. You decide then and there that this disparity is important to you; it makes you feel like you’re the only one who can have this experience — that everyone else can know his scent, but now, only you can know what Mark Lee tastes like.

You have to keep your wits about you to avoid this addictive stimulation of your senses; you let go of his hand only to lock your fingers around his neck, and there’s a show of trust in how he lets you lead him backwards, until his knees are hitting the edge of the unmade bed. The kiss breaks as he’s forced to settle on the mattress, and he looks up at you in what can only be described as a quiet kind of awe. He doesn’t complain when you place your hands, heavy, on his shoulders, using his sturdy form to keep you stable as you move to straddle his lap.

“I feel like,” his voice is hoarse as he speaks up. “We should have picked a different location. Someone… could walk in.”

“I locked the door,” you remind him, a light reassurance in your voice. He doesn’t say anything immediately, but it’s clear there are cogs turning in his head, and you think it’s unfair that he’s thinking way too hard about something else that isn’t you, right now, in this position. In a bid to rectify this, your face presses into the side of his neck, breathing in that familiar scent and leaving a light kiss on his skin right after. Your lips mark the moment he swallows hard at the contact. “Besides, would you really be that unhappy if someone did?”

His hands tighten against your waist, prompting you to leave another kiss against his collarbone. “What — what do you mean?”

“You wouldn’t like it if someone — say, Youngho — walked in to see me on your lap like this?”

The silence that follows your words is tense, and you can tell that Mark’s breathing has become shallower. Again, you can feel his throat constricting slightly, and you can’t help but laugh breathily as you nip at his skin, just under his Adam’s apple. He’s surprisingly easy to tease, you realize — quick to turn speechless and prone to hanging onto your words.

To say that you wouldn’t want to use that to your advantage would be a downright lie.

“Tell me,” you urge, your tone deceptively gentle. “You wouldn’t want him to see you kissing me like this? To see me wrapped around you, begging for more, saying your name over and over? You don’t want him to watch you take me — so he knows you’re the only one that can?”

A strangled groan punctuates your words, but it comes from him; his fingers dig hard into your side with barely constructed restraint. “What do you want from me, _________?”

“I want to know if kissing me was the only thing you wanted for months.”

You pull your head away, nudging his chin with the tip of your nose. Another groan escapes him, and his head tilts back slightly, almost like he’s praying. But when his gaze comes down to meet yours at your level again, you see a firm resolution in his eyes that stirs your heart — which takes off the moment he shakes his head, slowly but surely.

“Then,” you whisper. “What do you want from me?”

He doesn’t say so much as shows; he takes from you your breath, steals another kiss that’s now firmer and more openly demanding. Suddenly, his mouth can’t seem to stay still, trapping your lower lip in between his, drawing out your taste until it mixes with his against his teeth. You feel your head growing light again, and you’re pleasantly surprised that it’s suddenly become difficult to keep up with his lips, asking more from you without restraint. A hum of need sounds in the back of his throat, vaguely dissatisfied, and he’s telling you wordlessly that it isn’t enough right before he attaches his lips to the base of your neck, just above your collar. You think he’s just about to return the favor, but a laugh leaves you when you realize he’s taken it a step further, his teeth grazing your skin lightly, soft nips signaling how eager he is to sink his teeth in with only his slowly weakening self-control stopping him from doing it. Mark’s breathing is slightly labored when he pulls his lips away, warm breath fanning over your chest.

“It’s crazy — and stupid,” he croaks out, voice slightly raspy. “But I want it, and I don’t.”

“What do you mean?” Your fingers drag into his hair, combing it upward messily from his nape. He leans in for a quick kiss that’s somewhat misplaced, landing on the corner of your mouth instead of squarely atop it.

“I want them — him to see us. To see me with you, kissing you — fucking you, too. I want everyone to know we’re like this.”

You’ve never heard Mark say anything so forwardly before; a sweet, warm flush builds in your face, pleased at how comfortably he manages to say it — pleased that he’s saying it to you. “Then what’s the problem?”

“I don’t want him to see you.” There’s a bluntness to his words, but hiding behind them is an undertone of pleading — a serious request. “I don’t want him to see how pretty you look. I don’t want him to see you when you’re bare, or how you look when I’m inside you. I don’t want him to see—”

His voice wavers and dies, and you wonder if he’s embarrassed, but when you read his expression, you see an unyielding longing. A smile tugs at your lips, and your hand comes around to cup his chin, thumb extending upwards to drag his lower lip down.

“You don’t want him to see what’s only yours.”

He swallows hard again, but he doesn’t wait long to nod. Understanding passes between the both of you, silently but completely, and Mark presses his face to your throat, feeling the hum resonate as he places another long, firm kiss there.

“You’re mine,” he whispers, in a way that almost feels like he wants to convince himself of something impossible to believe. He doesn’t even wait for your affirmation, prefers to read it in the way you shiver lightly once his lips travel further down. His kisses trail past the collar of your shirt, and his hands are unabashed in how they seek skin, pushing the fabric upward so he can settle the palms of his hands, warm against your waist. Oddly, they don’t travel upwards; they only brush against the dip, down slightly over the upward rise of your hips, then upwards again, almost soothingly. It’s almost like he wants his mouth to meet them, but he stops halfway, sidetracked by the curve of your breasts.

He barely pulls away, only does for a moment, enough to meet your eyes.

“You’re only mine,” he repeats, his voice softer now. You realize he’s still waiting for some confirmation, and when you do, you’re quick to give it to him — quick to erase any doubt.

“I’m yours,” you affirm in the same tone, in the same careful volume. “Only yours, Mark.”

Whatever else he wanted to ask for, he knows you’ve given assent; that much is clear when he buries his face between your tits, inhaling your scent. You briefly wonder if he might feel just as intoxicated around you as you do around him, if your pleasant dizziness in being this close to him, in tasting and smelling him is something he experiences too, but you don’t get much time to dwell on it the moment you feel his lips part, a slight wetness seeping through the fabric. He’s kissing your chest, teeth grazing just above the cup of your bra, nipping without any real objective other than to feel the pad’s slight resistance to his mouth.

You almost miss what he says as he shifts his head, lips brushing over the curve of your breast — another breathless ‘mine’ that isn’t ever punctuated; his lips still stay parted, mouthing at the cloth, like he’s desperate to feel what’s underneath through it. There’s pressure where his tongue presses flush against the shape of your tit, tightness whenever he chooses to nip, attempting to take the flesh and all that’s between you and him between his teeth.

Not enough, you think, even when a whimper of need bubbles out of you; you want to be closer, your thighs pressing against the sides of his. You’re close in almost every way, but you still inch yourself further forward, enough to feel the taut hardness in his jeans. Your hips settle right there, letting fabric ride against fabric as you center yourself.

No sooner do you press yourself flush against him do you gasp; the light sting sends a jolt up your spine when his teeth close around your nipple through your bra, and when you look down at him, you see the corners of his mouth pulled up in evident satisfaction. He’s quick to atone, his tongue dragging your shirt slightly upwards in his attempt to soothe, and for some reason, the push of fabric and the barely-there feeling of motion leaves you tingling.

“Mark.” Your voice comes out in a whine, but in the haze you’re in, you don’t really have a clear idea of what you’re asking for. All you know is that you want more of him, and for as much as he’s already given you in kisses and words, you aren’t even halfway down the list of everything else you wish you could demand from him. You say the only thing that comes to mind — the only thing that really encompasses what you feel. “Mark, I want you. I want more of you.”

His hands on your waist are replaced by the significant tightness of his arms, locked around your torso; you don’t even have the time to take in your awe at the fact that he can easily carry you, turn you over until you’re on your back, until he’s already eased one knee between your legs.

The way he looks down at you is a mixture of hesitation and desire, but the former’s erased when you reach out for him, murmuring another ‘more’ so you can pull him in. With one palm pressed against the mattress, he lets his free hand graze against your side again, bolder in its movements, and his fingers trace a path up to your breast, squeezing the soft flesh through layers. Your back arches upwards in response, eager for more contact, for touch that’s almost there but not quite, and he smiles when you make a noise of frustration from his fingers tweaking the soft nub of your nipple.

“Mark, please—”

“Would you really let him see you like this?” His thumb’s still idly grazing over your breast, following the rise and fall of its curve. You swallow hard, trying to keep your voice level despite the growing want that threatens to break through it. “Would you really let him watch you… get fucked?”

You shake your head, and his brow furrows.

“I’d let him watch you fuck me,” you correct him, and the confusion in his face gives way to pure satisfaction the moment you make this nuance clear. “It has to be only you.”

His grip tightens briefly against your breast again, and he leans down, pressing a surprisingly chaste and brief kiss to your lips.

“Then I’ll unlock the door next time and give him a show.”

You don’t know if it’s what he says or what he does after — his hands bunching your shirt upward until the hem’s just below your neckline — that makes your breath hitch, but you decide it doesn’t matter when you realize you’d much rather be focusing on the journey his lips take, slick against your stomach as he presses languid kisses down to your navel. His fingers hook into the waistband of your jeans, the weight naturally pulling them down, and you see his muscles tighten for a moment as he stops himself from tugging them off completely.

Mark’s mouth is unparalleled in its attentiveness, seemingly intent on making sure he’s covered every inch of your stomach in warm kisses, but you only realize he’s somehow stalling when he starts the cycle again, his nails digging into the taut elastic of your jeans as though to remind himself to curb his desire.

You take the initiative instead, raising your hips slightly to signal your want, acutely aware of the fact that you brush lightly against his thigh when you do so. His eyes lift first, followed by the rest of his face, and he’s watching you quietly. You might have thought he was unsure of what to do all of a sudden again, but his knee pressing closer, an unmistakable pressure against you, is enough to tell you that he’s only curious to know what else you’ll do.

The second time you grind against his thigh, his hands catch your hips, keeping them aloft just long enough for him to tug the band of your jeans downward; he peels them off you with surprising ease, returning to the same position between your legs, hands still firm on your waist. With that done, he only has the thin garter of your panties left to curl his fingers into, bunching it into his fists when you roll your hips up one more time. You manage a shaky noise when you feel the stark difference — the roughness of the denim against you, the stick and drag of flimsy cloth. Mark lets out a low but unmistakable hiss.

“I can’t believe—” his idea is cut short by the movement of your hips again, and his grip tightens, knuckles pressing into your skin. “Can’t believe you’re here. I can’t believe we’re doing this.”

“What am I supposed to do,” you breathe out, the sound momentarily getting stuck in your throat. “So that you know it’s real?”

His fingers relax their hold, palms now pressed against your thighs; they travel between your hips and your knees, a soothing and thoughtful motion. “God — I don’t know. I just want — I just want you so badly. Like… I’m going to go crazy if I don’t have you now.”

You lean up, your weight resting on your elbow, and your other hand reaches out; Mark meets you halfway, bending just a little lower to press his cheek against your palm. There’s something intimate, something so giving about the way he turns his face to your fingers, pressing a fluttering kiss just under your thumb. The tips of your fingers trace the shape of his lips, even when they pucker again under your digits.

“Take me,” you murmur quietly. “Right now — from now on, every part of me is all for you.”

His exhale is shaky, but his fingers have a sureness to them; they slip under your thighs, cradling the backs of your knees, and lifting until they’re folded over your chest. You don’t even have the time to wonder if you should feel exposed all of a sudden; his breath warms the inside of your thigh as he presses his lips there — not a kiss, just a touch as he speaks.

“I want to taste you,” he mumbles, partly distracted with the act of inhaling the mild scent off of your skin. “Every inch of you — I want to know just how sweet you are.”

He lets his hold on your thighs relax, letting them fall apart; he busies his hands with your panties instead, hooking a finger into the strip of cloth just covering you. It’s clear you’re both aware that the fabric sticks light to your skin, poorly masking your wetness, and interest mingled with hunger flashes across his face as he pulls it aside.

“You’re so pretty,” he says, sounding like it’s a comment more for himself than anything else. His gaze flickers to you for a moment before it moves back to your pussy. “The prettiest fucking girl in the world.”

The pressure of his thumb between your folds causes you to forget what you wanted to say, and you know Mark had been nervous, but you realize that it doesn’t mean he’s supremely inexperienced by any means; there’s a quiet, understated confidence in the way he rubs slow, thorough circles, moving upward towards your clit. Your face, your neck, your whole torso feels flushed, but you power through the instinct to tilt your head back so that you can keep watching him — the minute changes in his expression, the slowly building strength in his touch.

“I want to taste you,” he repeats, looking up at you. “I want to know what you taste like when you cum against my mouth.”

You’re not sure if you’re gawking because you can hardly believe Mark Lee — your eternally blushing, mild mannered campus crush — had said all those words strung together into such a lewd sentence, but you’re sure as hell not going to deny him. Your hand travels down your torso, and he watches, curious at first, then awestruck when your index and forefinger settle against either side of your folds, pulling them apart in offering.

His eyes end up transfixed on your pussy again, observing how your fingers ease your folds further apart the more he massages his thumb against your slit. His mouth is slightly agape, intent on drinking in the sight, unaware that you’re trying to memorize this view of him too — Mark Lee, touching you, wanting you, eager to take you fully.

“I’ve always wanted to see what it’d look like with your face between my legs,” you say in a hushed tone, but he catches it anyway, briefly looking up at you again. “I’ve always wanted to know what your tongue would feel like against my pussy.”

Your index finger bumps against the tip of his thumb, and he stops its motions, allowing you to move his digit down until the pad of it hovers just in front of your tiny hole. You can see one cheek tucked between his teeth, bitten to muffle the groan you wish you’d heard louder.

“Won’t you show me?”

You think you hear him rasp out a ‘fuck yes’ before he bends down, pressing his half-open mouth against your pussy. The squeal of delight that leaves you is half-strangled as his thumb curls, hooking into your entrance. It starts a shallow, distracted motion, with his attention funneled much more clearly into keeping his tongue working. Flush against your slit, it drags up, and he releases a guttural noise at your taste, lips pursing slightly on the way back down — like he can’t stand not trapping every drop of wetness with his mouth.

The intensity of his tongue, the idle thrusting of his thumb — you’re not sure what you want to focus on more, and the result is you whimpering incoherently at the starkly contrasting combination of the two. Mark moves his mouth like he’s never tasted anything as good in his life; the sounds between your thighs are wet, sloppy — almost embarrassingly so — but you don’t have the presence of mind to dwell on that because Mark Lee is eating you out and that’s really all that you can think of.

The tip of his tongue suddenly flicks upwards; you keen, long and low, when it starts to circle your clit in that same intense, circular movement his thumb had gotten you used to. Your sensitivity skyrockets, and you’re completely unable to control the upward bucking of your hips, but Mark stays supremely unperturbed, his free arm winding under your thigh to keep the both of you steady. Your noises are growing embarrassingly loud, and you realize just how needy you’ve become when you vaguely notice that there’s a pattern in what you’re saying — his name, over and over again.

“Did you do that too?” He asks softly, his words slightly muffled against you. “Say my name, I mean — when you thought of me.”

“God, yes.” Your voice comes out strained, teetering on the edge of slurring. “So many times — every single fucking time.”

“Promise me something.” He lifts his head, and you see a fieriness in his gaze.

You nod — at this rate, whatever he’d ask you to do, you would without question. “Anything.”

His thumb presses in deeper, up to his knuckle and you reflexively tighten around his digit, but he keeps it anchored there, pushing down against your walls. He drinks in your gasp, the widening of your eyes, the way you chew on your lip with a singular kind of contentment on his face.

“Promise me — from now on, you’ll make sure I’m always there to hear it.”

The only kind of assent you’re able to make is a moan as he dives down again, mouth buried in your warmth, his nose pressed tight against your clit. His tongue moves in strong strokes, broad swipes that push your folds apart further, and his thumb, while not moving, increases in pressure to the point that you feel a heaviness adding to the growing pleasure. Your hands fly down, seeking some kind of sense and reason, and you thread your fingers into his hair, grip tightening as your climax builds in stride.

“Mark, I’m—” close, you want to say, embarrassingly so, but the moment he hears his name, his lips attach to your clit, and there’s suddenly so much more pressure as he sucks, almost like he’s desperate to draw out your orgasm. He chooses this of all time to start moving his thumb again, and this time, his movements are anything but slow and idle; they’re filled with the intent to drive you over the edge. “Fuck me, oh my god—”

“I want to,” he murmurs, pausing for just a moment to drag the tip of his tongue around the nub. “God, I want to. Let me see you cum first; let me taste how sweet you are.”

His thumb stops, buries deep into your pussy, and you’re not sure why this, of all things, is what pushes you beyond control; you’re only half-sure you say his name when your orgasm hits, the rest of your consciousness much too clouded by pleasure. He doesn’t stop, revels in the way you squirm under him as he hums low and keeps his tongue working against your clit. His licks become longer, more thorough as you come down from your high, your cries softening into whimpers as his tongue both attempts to clean you up and makes you messier in the process. His arm is still curled around your thigh, keeping you from inching away from him, even if instinct and stimulation are telling you to.

You’re barely lucid when you sit up, and Mark inches back, somewhat startled; you grab the front of his shirt, and the sight of his mouth, slick and glistening from your wetness, only makes you more curious to know what you taste like on him. You find out how tangy it is, how rich the two of you are together on his lips, and you’re able to fully appreciate the skill of the mouth that kisses you deeply, leaving traces of you against your tongue and teeth.

“Please — fuck me.” It’s the only thing you can say at this rate, only half-coherent and still trembling with desire, but Mark doesn’t seem to care that you’re stuttering over such a simple request. His thumb wipes traces of saliva off the corner of your mouth, kisses it clean for good measure, then straightens up, his hands working at his belt. You almost miss the fact that his hands are shaking slightly as he undoes the buckle and tugs it out from the loops.

You want to help — it’s the least you can do, after all, and your fingers push the button of his jeans out through the hole, his hands working in tandem to tug the zipper down. However, your movements falter when you hear a noise from just outside the room — the sound of the doorknob being jangled, the thud of a body gently hitting the door, as though worried it’s stuck. You glance up at Mark, ready to reassure him, but he either hadn’t heard or doesn’t care because he’s too busy stepping out from the pool of denim at his ankles, and you get completely sidetracked by the bulge straining against his boxers.

You almost ignore Youngho’s voice grumbling ‘Jesus Christ, now of all times? from behind the door, but you leverage it instead.

“Should we let him in?” You ask, tone innocent despite the evident deviousness in your words. It pays off, though; Mark’s cock twitches unmistakably under thin fabric, and he actually looks like he’s considering it. “You’re just about to fuck me, after all. Weren’t we going to — what did you say? Put on a show?”

He worries on his bottom lip, like he’s unsure if you’re serious, but in the end, he shakes his head, reaching out to smooth your hair away from your face and ushering you to lay back down. The lips that meet your forehead are gentle, almost apologetic.

“Not now,” he murmurs against your skin. “Right now, you’re all mine.”

You laugh lightly, nodding, and he chuckles too, but the sound of it slowly dies down when your finger hooks into the garter of his boxers. You can feel his breathing hitch as you tug it down, the elastic catching when it meets the shape of his cock, but you don’t make any move to free it just yet — for some reason, you want to see him do it.

“Show me.”

He complies without hesitation, one hand dragging the elastic down over his thighs, the other curling around the base of his length, and your face flushes as satisfaction works through your system at the bare sight of him.

Mark Lee is big — not monstrously so, but enough for you to make a pleased noise as your hand joins his, fingers barely wrapping around his girth. You give his shaft a gentle squeeze, and his exhale stutters, watching you stroke him, long and thorough in your movements. Your palm swipes over the tip, leaking precum, allowing it to slick up your hand enough to keep your movements smooth. You’re fixated on the tension in his lips, the throb of his cock against your palm, and the way his gaze never leaves your face, like a small, amazed part of him still can’t believe what you’re doing, even if you’re both half-naked already.

“I want to suck you off,” you plead, grip tightening slightly. He grits his teeth, stifling another groan, but he shakes his head clearly enough for you to slow your movements in mild surprise.

“Can’t — not now. I need to be in you so badly.” His breathing’s sharp and heavy, like he’s trying to keep himself in check. “You don’t even know — how long I’ve wanted to feel you.”

Your hold relaxes, and you let him maneuver you, his renewed hold on your hips dragging you closer to the edge of the bed. In this position, he can spread your thighs further, and you angle yourself optimally — enough for him to get a full view of your pussy, wet and still aching from your last orgasm.

“You don’t know how badly I’ve wanted to know how tight you are,” he continues, and there’s a faraway look in his eyes that makes you think he might be entrenched in fantasy. “How much I would have killed to see you — have you like this. I’m not gonna be able to wait anymore.”

His fingers dig into your sides, thumbs stroking your stomach in a weak pattern. The underside of his shaft presses against your folds, still half obscured by your panties, in a way that’s heavy enough to make you mewl, your hips reacting before your mind can, and he hisses softly as he feels his length glide along your slit before you relax your stance again.

“I can’t wait,” he reiterates, a breaking in his voice that sounds almost tortured. You don’t want him to either, want to see him buried to the hilt inside you, and you raise your hips again in need. “I want you so much it’s driving me crazy.”

“Then take me.”

And you’re not sure if it’s a demand or a plea, but he no longer stops himself; his hand fists his cock a few times, coating the slick of precum along his length before he lines the tip up with your entrance. His other hand’s flush against the inside of your thigh, a light pressure ensuring he always has enough space to fit himself between your legs — enough space to bottom out completely.

Mark’s considerate in his pace — maybe he knows he’s big, or maybe he’s just naturally careful, but he allows you the time to adjust to the stretch. Your nails almost puncture holes into the sheets, your grip so tight you wonder if it’s just to brace yourself or to hang onto the last threads of your sanity. He’s only halfway in, but you’re pushing fullness already, and he stops when his cock meets slight resistance, looking up at you in concern.

“You’re not—?”

“It doesn’t hurt,” you reassure him softly, and it’s true; the adjustment brings about slight discomfort, but it’s almost nothing to you — not compared to how much more you want. “Give me everything; I want all of you inside me.”

He pauses still, trying to read your expression for any lies, but when he can’t find any, he nods, his jaw tensing as he presses both palms against your thighs, keeping you open as much as possible to accommodate him. He doesn’t even stop when you whimper, feeling a tightening twitch in your pussy that also causes him to groan, until inch by inch, you’ve taken him, his hips flush against yours.

He doesn’t move — not yet, his eyes trained to where you’re connected like he’s once again unable to believe what he’s doing. You hear him mumble something to himself that you want to hear too; you squirm slightly, and he hisses through his teeth, looking up at you and finding the questioning in your face. He offers you a small smile, albeit somewhat strained.

“You’re tighter than I thought.”

“You’re bigger than I thought,” you hum, and neither of you is really to blame; the tight fit, the slight breathlessness it leaves you with, is perfect, you think — just what the both of you need. “Did you often think about fucking me?”

“Probably just as often as you’re making it sound like you thought about having me fuck you, I think.”

“Don’t get cocky,” you warn, but there’s no real heat in your voice.

“I won’t. But it makes me feel good — knowing you wanted me just as bad.”

“I still do.” Your gaze is lazy, a little hazy, even if you’re anticipating so much. Even just the feeling of Mark, throbbing inside you, is already slowly building the pleasure in your stomach again; you wonder if you could cum like this, given enough time, given enough patience. “I’m still waiting for you to fuck me. God, Mark— please.”

He chuckles good-naturedly, but even that’s drowned out by the long moan that leaves you once he draws his hips back; your body’s mildly shocked into a new adjustment, feeling a sudden emptiness that’s quickly mitigated by him filling you back up again. The pace is slow, almost torturous, although you know he isn’t doing it to get a rise out of you. He wants to ease you into speed, careful to help you adjust fully; his restraint in his movements is all the more evident on his face, in the furrowing of his brow and the determination in his gaze. Even with that, he can’t help what he says, so intent on controlling everything else he does that he lets his words spill out over your noises.

“Pretty,” he grunts out, and when your walls twitch around him, he accidentally thrusts sharper — just enough for you to whimper a little more loudly, and he has to reel his strength back again. “God, you’re beautiful. I should’ve told you sooner how much I wanted you. All those times I had to imagine you wrapped around me like this, wondering how much tighter you’d get once you came on my cock. All those times you drove me crazy while I was alone, when I could have been in you— I could have found out how good you felt. How pretty you’d look under me. And you’re still even prettier, even better than I ever dreamed.”

There’s an erratic melody of moans under his words, spilling from your mouth, and the fact that he riles himself up enough to increase his speed slightly doesn’t escape you. He’s a little less careful now, seemingly entranced by the view he gets, watching his shaft disappear into you only to come out glistening, and a part of you hates the idea of snapping out of his reverie, but the majority of your thoughts now lean towards wondering how much more you can get him to break free of his own self-imposed restrictions.

“I wanted to ask you so many times.” His eyes snap up, coming back into focus as he takes in the sight of you, flushed, hair tousled, gaze darkened. “Almost every day — I sat there, thinking about how all I could do was go home and fuck myself, frustrated you weren’t doing it for me. I should have taken you home with me right then and there — should have let you watch me touch myself thinking of you, should have let you touch me into cumming on your fingers.”

His breathing staggers as he leans in, eager to see you clearer, to hear your words, slowly becoming airier as they come out. For a moment, his gaze falls, torn between watching him move into you and meeting your eyes, but he ultimately chooses the latter once you speak up again, your tone even more hushed than before — like it’s meant to be a secret between just you and him.

“But there were times I wanted you even more than that, to the point that I almost felt like I couldn’t wait.” His eyes widen slightly, a few precious seconds of wondering if he understands what you mean, right before you confirm what he thinks. “I thought about making a move right then — I should have kissed you. I should have asked you.”

“Asked me what?” His voice is gruff with the effort to keep himself in check despite the fact that it’s clear to the both of you that it won’t last.

Your lazy smile’s illusionary; it hides the triumph swelling in your chest at knowing that he asked exactly what you hoped him to.

“I should have asked you to fuck me in front of everyone there.”

“God,” his eyes squeeze shut, his grip tightening. “Please. I can’t—”

“I should have bent over for you there, begged you to stretch me out right after our session,” you continue, bordering on merciless. “Mark, you don’t know — how badly I wanted to be on your lap, your cock in me, with everyone watching. How much I wanted you to fold me over that table, have people watch you pound me, have them listen to how good you make me feel. No one would ever even wonder; everyone would know I’m yours.”

You pause, allowing his eyes to fly open once again, and there’s a pleading in them that’s begging for release. Your eyes soften along with your voice, but you’re this far gone; you should at least see it through.

“And everyone would know you’re mine too.”

“Fuck,” he growls, and his hips stutter before new resolve fills him, his hips driving into you with the force of a strength you didn’t even know he had in him; your thighs tremble at the intensity, at the renewed impact, and feeling him drive his cock deeper into you has you crying out somewhere between a moan and a sob. “Fuck, _________. If I had known you’d thought about me like that — God.”

It’s your turn to shut your eyes for a while, allowing yourself to focus on his movements, breaching your tightness even faster now. You feel his hands skim up your sides again, fingers digging into the fabric of your bra and pulling them down until your bare tits are cupped in his hands. You shiver as his thumbs pass over your nipples, toying them into firm nubs.

“One day,” he hums out, his voice giving way to a slight hoarseness again. “I’ll do it. I’ll fuck you in front of him — in front of Youngho, in front of everyone. I’ll let them wonder how tight you are, how fucking warm you are, and I’ll let them leave knowing no one can know but me.”

It’ll never happen, you both know, but something about agreeing to something so absurd is what has your body almost shaking in longing, and it’s what causes him to press in deeper, folding your legs closer to your torso. Your hands do what little they can to help, keeping your thighs apart so as not to obstruct his view. You can tell it’s somehow not enough, not really all of what he wants when his brow furrows, and he shifts his weight, pushing into you at a new angle.

The stark difference has you gasping before you can control it. Immediately, Mark stops, and you’re already shaking your head before you even hear him say anything, presuming he’s paused out of concern. But before you can say you’re fine, his hushed voice cuts through the silence.

“Do that again.”

“What?”

“Do it again,” he mumbles, sounding distant. “Breathe in. Suck in your stomach.”

You’re not one to complain at such a simple request, albeit a little odd, so you comply, inhaling enough to tighten your torso. You’re surprised when you feel his cock twitch inside you, and you blow out the air alongside your question. “Mark, what are you—”

“I can see it,” he says in utter disbelief. “When you’re like this, I can — I can see my cock inside you. Just a bit.”

Your eyes follow his gaze, fixed just below your navel. From this angle, without any movement, you can’t see a thing, but you assume he’s not one to abandon fucking you so intently without good reason, so you press your palm against your stomach, just above your pelvis. Nothing really feels significantly out of place — up until the point when Mark draws his hips back again, and you feel the backward slide of his cock.

Your throat tightens, and you don’t really understand the feeling that spreads in you — a unique kind of arousal, knowing how deep he is inside you and how you’re taking all of him in despite the fit, because of the fit. Your hand falls away, allowing Mark’s to take its place, and he exerts just a little more pressure against your stomach in an attempt to get the most out of the experience when he thrusts back in. He groans, feeling the bulge push back up, and he quickly picks up the same pace, renewed in intensity so he can experience the rapid rise and fall he creates under his palm.

The faster he goes, the harder he presses, and you’re not sure if he knows it, but the onslaught of friction is what’s making you whine and squirm even more; you’re trapped, in the best way possible, in his hold, your hands back to clinging to the backs of your knees like a lifeline. Pressure from the outside builds on the slowly growing pressure inside, a knot in your pelvis that’s coiling so tightly you feel like you can’t breathe. If Mark notices how close you are, he doesn’t make it known; he’s busy feeling the outline of his cock against your stomach, and when he looks up at you again, his eyes are hazy.

“I would fuck you every single day, every single hour if I could feel this every time,” he whispers in a way that’s almost reverent. “Let me — I want to keep seeing you like this. I want to feel how deep I am inside you, too. Let me fuck you all the time.”

You nod, and your first attempt to say something is just another choked sob. When you do manage to get something out, it’s broken in tearful stutters. “M-Mark, I’m s— I’m so close… I’m — fuck—”

“Do it.” It’s not a harsh command but an urging made on short breath; through your misty vision, you see tension in Mark’s face and shoulders, like he’s bracing himself for something too. You barely register the ping in the back of your mind, too focused on the way he’s pressing his palm harder on your stomach, the way his hips quicken their pace — he’s close too. “Let me feel you — want to feel you cum all over my cock.”

You inhale, not to speak but to let out a loud whimper; your teeth dig into your lower lip as you try to stifle the moans that threaten to follow, but in the end, you whine out his name. Your thighs threaten to close, trembling as you finally reach your climax, an impossible explosion of pleasure, and you have to squeeze your eyes shut so that you don’t get dizzy from the stars that burst around your vision.

“Fuck.” Mark’s voice is strained, his one hand still firm against your stomach, the other sliding against the inside of your thigh. “You get even tighter — you feel even better when you cum.”

“Mark,” you hiccup, unable to do anything but flutter around him as he pistons harder into you. You don’t even know what you’re asking for when you say ‘please,’ but he somehow seems to, and you trust that your body’s saying something you can’t fully detect in this state, with your mind floating in the aftermath of ecstasy.

“I know,” his tone is soothing in contrast to the intensity of his thrusts. “I’ve got you. Just a little more — where do you want—?”

You blink slowly, his words sinking in at too leisurely a pace; his hips stutter dangerously before you’re able to respond. You barely even do that, your hand gently brushing over the one against your stomach, but he catches onto the meaning quickly enough.

You’ve never heard your name said in such a beautiful way; hearing him moaning it lowly is enough to make you whine again, and that noise is drawn out when he shifts and slips out of you fully. Your brain’s fuzzy, but your senses are at least sharp enough to drink in the perfect sight of him cumming — the way he leans his head back, jaw taut and eyes shut, as he pumps his cock and the heat of his release against your skin, pooling against your stomach once he finally cums. You see a shiver run through him, and then he’s still for a while in this position, the both of you basking in the afterglow of your highs.

You’re still weak and sensitive when Mark finally comes back down, a lucidity you don’t have right now coming back into his gaze. All you can do is smile when he leans in, catching your lips in another kiss — one that’s surprisingly soft and slow in comparison to everything else, but still leaves you breathless when he pulls away.

“Let me clean you up,” he murmurs, and you hum in agreement, your body limp as you watch him move off the bed and pull a handful of tissues from a box on the desk on the opposite wall. Even his hands are gentle when he scoops you up, shifting you until your head can lean against the pillows. They carry a scent you’re not used to, and your nose scrunches, rejecting the change, but that’s quickly overpowered by Mark’s familiar coffee-and-linen one when he presses next to you, careful as he wipes his cum off your stomach and thoroughly cleans between your thighs. From somewhere down below, you still hear hushed voices, and the front door slams shut again. People are still in the middle of leaving, but you know Youngho will likely run out of guests soon, and this makes you feel like the timing’s suddenly become urgent.

“I want to date you properly,” you start, slightly slurred but unmistakably blunt. Mark’s gaze snaps to yours, slightly amused, as he balls the tissues up in his fist. “You never asked me, so I’m asking you.”

He looks perplexed. “I just never thought you wanted me to, so I didn���t try.”

You reach up, locking your fingers into his hair and using your grip to pull him down. Your kiss is a little demanding, with a tinge of excess frustration, and he pulls away laughing lightly.

“Do you still think I don’t want you to?”

Mark hums thoughtfully. “I think you made a lot of things clear tonight. On my end, I was happy enough to be near you.” He smiles down at you, and in the faint light, you can see the flush slowly return to his cheeks. “Having you like this — dating you… there’s no way I’d say no.”

Your shoulders relax, satisfied with his answer, and you beam up at him — an act he easily returns, breathtaking and endearing all at once.

Moments later, you feel his arm wind around your waist; he allows you to lean into his side, his other hand crossing over his lap to stroke your thigh. His face turns, pressing a kiss to your hair, and you feel his lips move, hear the quick rush of a whisper. You tilt your head, eyes slightly wide in questioning. “What was that?”

He shakes his head at first, trying to pass it off as nothing. But when it’s clear your curiosity won’t abate, he chuckles softly, his hand gently cupping your chin so that you can only look at him. His thumb strokes your bottom lip gently, as if trying to coax the same words out of your mouth before he murmurs them to you one more time — and this time, he sounds fully convinced of them.

“You’re all mine.”

[chubby-bun-bun]

untitled (part 4)

The man you stumbled into is bleeding out. And he's distractingly pretty.

nav: one, two, three, four (current), five, six or: read on ao3

tags: sylus x reader, an au where you're an average citizen, slow burn, mentions of blood, fluff, you panic bc of his lethal face card, valid reaction tbh, 10/10 would do the same

Interacting directly with a beautiful man reduces you to an idiot, you realize.

You’ve met attractive men before—had crushes on such men. They weren’t necessarily easy on the eyes, but there was always something they said, did, or had that made you feel some type of way about them. The seventh-grade classmate who shushed your chattering peers during your presentation. The corner store clerk with pretty hands. The college senior who made you feel welcome at your acquaintance party. The tall guy who unknowingly saved you from getting squished by the sardine-packed commuters on the train.

Sure, your next interactions with them made you hyper-aware of their presence for a time—hanging on to their every word and unknowingly seeking them out in the room. But you think you remained fairly casual and blasé with them, as you do with most things.

Unlike right now.

As your mind begins to clear, you register that you’re stripped down to just your base layer. In the middle of winter. Your puffer jacket lies damp on the ground, and your sweater—now sporting huge splotches of blood—is folded haphazardly against the man’s abdomen. (You try not to let the sight of the dark liquid summon the remains of your dinner.)

Your gaze flickers between his ruined shirt and your clasped hands, cupped by his much larger, warmer ones. When you look up, you’re taken aback to find his intense garnet eyes already locked on you.

“Are you alright?” he asks, the deep, velvety timbre of his voice compelling you to straighten up unconsciously.

“Yes,” you splutter, air barely making it past your throat. Then, your eyes widen. “Are you alright?” you stress, gesturing wildly to the concerning state of his abdominal area.

He chuckles. “Never been better.”

You gape at him. “But you’re bleeding!”

He glances down at his bloodied clothes. “It appears so.”

You like to think you have a good head on your shoulders. You always stay on the correct side of the sidewalk. You tidy up your table as much as you can at food joints. You try to abide by city recycling guidelines to make life easier for sanitation workers. And you’re decently vigilant, thanks to the countless true crime documentaries you’ve crammed into your brain.

But alas, it seems a beautiful man is all it takes for common sense to call it a day.

“Okay, so I actually won some groceries earlier, and I think I have some first-aid supplies in there,” you babble, missing the knowing glint in his eyes. “My house is just a little further down the street. If you want, I can treat your wound there?”

He’s still holding your hands. You realize your palms must be clammy from cold sweat—and his blood. You politely pull your hands back with a laugh you hope sounds natural. (It doesn’t.)

“Oh wait, you probably need a hospital,” you blurt, mentally berating yourself for not considering this first. You start fishing for your phone in your jeans pocket. “I can call the emergency hotline for Akso Hospital. I work there. Um, I can even ride with you in the ambulance if you’d like?”

The man laughs, his eyes crinkling in amusement.

“I appreciate the help, sweetie, but you shouldn’t be so quick to give out personal information to people you just met.”

Heat creeps up your neck. He’s right. You’re basically handing him a free pass to rob your place. What if he’s a serial killer?

As you feel yourself spiraling further, he begins to stand, grabbing your dropped jacket as he rises. You instinctively lean back, mouth agape at his towering height and the fact that he just stood up—quite gracefully—despite clutching his wound mere moments ago.

“I’ll have your sweater washed and dry-cleaned,” he says, folding the soiled fabrics neatly into compact squares. “Know that your assistance back there is much appreciated.”

“Oh—! It was nothing. I’m just glad you’re okay.”

A single snowflake lands on your face and you blink, nose twitching at the gentle melting sensation. Looking up, you notice the sky is now a beautiful backdrop of powdery snow, falling softly around you.

“It’s getting late,” he observes, also gazing up at the scenery. “Let me walk you home.”

Before you can protest, he drapes his coat over your shoulders. You’re immediately overwhelmed by the scent of fresh linen and something distinctly masculine that has you instinctively relaxing into the warm confines of the comically oversized garment.

“But aren’t you cold?” you ask, unknowingly tucking yourself further into his coat.

“No,” he responds with a hint of laughter, pressing a hand to your back to gently guide you toward the park entrance.

The short walk to your house is surprisingly comfortable. Aside from occasionally fumbling over your words and avoiding his gaze (his face is distractingly handsome, and his impressive height and physique make you strangely self-conscious), you manage a decent conversation.

You learn he was taking a casual stroll when he had a “squabble” with some old business partners. You can only stare at the back of his head at this revelation. What kind of squabble leads to a wound like that? And how is he acting so fine now? If it weren’t for the bloodstain on his expensive-looking high-neck top, you’d think you hallucinated the whole thing.

You also learn he’s visiting the city on a business trip. After hearing this, the rest of the walk is filled with you recommending your favorite places: the food spots you’re yet to use your lifetime vouchers for, the cat café with the snooty caracal you love petting, and the old arcade where you’ve won most of your plushie collection. (You make sure to share with him a few secret tricks for mastering the darn two-pronged claw machine.)

Belatedly, it dawns on you that such activities might hold little interest for a man like him. Flustered, you open your mouth to undo the torrent of nonsense you’ve been spouting, when he suddenly stops and turns to face you.

“Your recommendations are duly noted,” he says, eyes glowing with amusement. “I’ll be sure to try them sometime.”

You’ve arrived at your house. You're surprised by the unexpected pang of disappointment you feel.

“Thank you for walking me home,” you murmur, suddenly feeling shy.

He hands over your now-drier puffer jacket. “It was my pleasure. Now go inside before you turn into an icicle.”

“Oh—your coat,” you exclaim, beginning to shrug it off. But he stops you with a raised hand.

“Keep it,” he tells you. “I’ll get it back when I return your sweater.”

You hesitate. “Are you sure?”

“Of course.” Then, as if recalling a secret you’re not privy to, he smiles softly. “I trust it’ll be in safe hands. You seem exceptional at caring for things.”

Before you can unpack his words, he turns and starts walking toward the main road.

“Wait! What’s your name?” You can't believe you haven't asked till now.

He pauses before glancing over his shoulder.

“Sylus,” he finally says.

“Sylus,” you repeat, liking the way it rolls off your tongue. “It’s a pretty name.”

Your hand flies to your mouth, eyes widening in horror. Why not tell him he’s hot while you’re at it, doofus?

As you fumble for an apology and prepare to sentence yourself to a blabbermouth timeout, he chuckles.

“Indeed it is.”

You can’t quite put your finger on it, but there’s a trace of melancholy in his voice that stays with you.

With a wave, he walks into the snowy dark, his figure gradually fading.

And that’s when it hits you.

How did he know which house was yours?

note: seeing the love this series has gotten has been surprising! the comments, reblog captions, and tags you leave are honestly hilarious and i had a blast reading through them 💞

nav: one, two, three, four (current), five, six or: read on ao3

tag list: @thepotatoislost, @xxfaithlynxx, @browneyedgirl22, @vorfreudevortex

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[hurtspideyparker]

Tony doesn't tell the Avengers about Peter's secret identity, but Peter starts coming over constantly and chilling around the tower, helping Tony in his workshop or eating dinner with everyone.

Since Tony is weirdly secretive about who the kid is, and the fact that Spider-Man is still a small unknown (presumably adult) hero who isn't on any Avengers radars, they all collectively come to the conclusion that he's Tony's illegitimate child.

Bruce: They do have the same eyes...

Steve: This is an inappropriate conversation to have. If Tony doesn't want to tell us then we shouldn't pry

Natasha: Tony doesn't even like kids. There's no way he would tolerate one if it wasn't because of his guilt complex. I'm surprised there isn't more little Starks running around considering his previous lifestyle

Clint: *cough* drunk slut *cough*. Oh excuse my throat, I meant to say he was a drunk slut

Natasha: Steve they're the exact same. Talk too much, too fast, genius brains that go right over our heads, stubborn, like to cope with humor, same body language. They'll have the same smile lines when Peter grows into them. The only difference is that Peter was raised with manners

Steve: I'm not saying I don't agree, I'm saying it's none of our business. Anyone with basic observational skills can tell they're desperate to fill father and son roles in each others' lives, but Tony's really weird about it, so we should let him keep it private

Clint: We probably make him nervous

Bruce: Because he thinks he's a bad dad?

Natasha: I think he's kinda good at it. Which is extremely unnerving

Steve: Honestly out of all of us I had bets on Bruce having a secret wife and kids hidden somewhere. Tony stepping up to be a father was lower on my list than Nat

Natasha: You have a list?

Bruce: You think I pull?

Steve: That's irrelevant. I think it's nice that they're so close already, but we don't need to press. It might mess up a good thing

Clint: Wait can we go back to this list business. Are these like pragmatic, military leader lists, or are these for pleasure? What other kinds of lists do you have? What about which one of us is most likely to turn on you. Or what you'd turn for. Oh! What about a list of all our weak points based on accessibility and intensity, with contingency plans in case of defection or aliens or brainwashing or alien brainwashing causing defection

Steve:

Natasha:

Bruce:

Steve: This is why Tony won't share his personal life with us.

They last another week before Clint, Natasha, and Bruce team up to steal a strand of Peter's hair and test it for paternity. Steve knows something is up, and follows Clint to Bruce's lab.

Steve: What are you doing...

Natasha: Admit it, you know exactly what we're doing and you want to see the results

Steve: I... well if you already have them there's no point keeping it from me

Clint: Tony Stark is not the daddy!

Tony: Which of my exes have you been talking to?

Clint: AH oh hey Tony didn't see you there

Steve: I'm not apart of this

Tony: Is this about Peter? He told me something plucked his head when he was walking down here. Which of you murder twins was hiding in the rafters

Natasha: Y'know he's not your kid, whoever told you he was lied to you and I hope you get your child support back

Tony: My kid? He's my intern. What funky kool-aid have you all been drinking, that boy is sorting my tool drawer right now. He has slightly better dexterity than Dum-E, it's been quite helpful

Bruce: You have really poor professional boundaries if he's just an intern

Tony: Okay fine. He's actually Spider-Man. I didn't wanna tell anyone cause the Accords were still fishy, but everything should be good now. Anyways, he really wants to train with you guys so you'd have to know eventually

Clint: Who the hell is Spider-Man?

Steve: That guy in Queens who helps bring in peoples' groceries?

Tony: Well, yeah—listen, he's like 14 and he just got his powers. I'm not exactly sending him to fight armed terrorists yet. He'll grow into it, but trust me, there's potential. I'm kind of like his mentor

Steve: You really don't need to do that

Bruce: Yeah we'll all help out from now on

Natasha: Don't take too much responsibility for the boy

Clint: Oh god what have you been teaching him?

Tony: Thanks for the vote of confidence guys. Whatever, now that you all know he'll be hounding you all day for advice anyways. Good luck with that. Friday tell Pete to come down here, the Avengers are gonna train with him

Tony leaves them all, snickering to himself as loud footsteps come crashing down the hallway. If they didn't know any better they'd say several elephants were tripping down the stairs. Then, the doors burst open, Peter's mouth already running a mile-a-minute.

Peter: Really, you guys know, you guys will teach me? Can I use the shield, Ms. Romanoff can you show me how to kick, show me with Mr. Barton, or, or Mr. Rogers. I can take down someone bigger than me, I'm actually really strong. Wanna see? Why are we in Bruce's lab, is that my first lesson! Can I touch this? What are you making here, how long has this been distilling, what about my webs, have you ever seen my webs? I did them myself, but I bet we could make them even better, watch out it's really sticky—

Steve ends up with webs all over his face, several of Bruce's beakers broken from the white spray, one reacting poorly with it and exploding all over Clint and Natasha. Bruce immediately shoves them into the decontamination shower, leaving them as two drenched rats wearing skin-tight combat gear. Natasha is already fuming at the thought of trying to peel it off.

Peter: I'm really sorry, I didn't know it was on ricochet... the splitter webs were just 'cause I panicked

Steve: This is why I told you all to leave it be.

"Noted," they all say in unison.

[thevoidstaredback]

It's always graveyards. Why is it always graveyards? They're creepy as hell and, well... that's it. On the bright side, the Protection Spirits watching the gates recognize him and realize the danger he's in. Well, maybe he wasn't in real danger because the Bats and Birds don't really do the whole purposefully harming civilians things, but they are scary as hell! Chasing him down like a bat straight outta hell- obviously he was gonna run! They cornered him! Maybe he'll invest in getting them lessons in how to interact with people in and out of costume?

Honestly, Nightwing, Danny expected better of you. At least Red Hood and Signal know how to treat innocents.

Here's the thing about Protection and Guardian Spirits, though. They don't like intruders. If you're running from something and you don't have time to ask permission to enter, you best say "thank you" and bring them shiny things on your next visit. If you do have time to ask permission, you ask permission. If they think you're a threat or rude, they won't let you enter whatever they're guarding.

"Thank you," Danny said as he slowed to a walk further into the graveyard, the sound of the gates slamming closed behind him confirmation that the Bat and his gaggle wouldn't be following him in.

Wasting no time, Danny pulled a piece of chalk from his pocket. It was a handy little thing he'd picked up during his stay in the House of Mysteries. Draw and door, tell it where you wanna go, open it, and go through! Beetlejuice style. Though, unlike what the Handbook for the Recently Deceased says, these doors won't actually open a door to the afterlife. He fixed that tiny glitch a while ago.

Anyway, a quick few chalk lines on the side of a mausoleum later, and Danny was opening a door to Fawcett, Philadelphia. Probably not the best choice, considering that he was trying to stay away from the Justice League, but it's better than Metropolis.

"Whoa." Damn it! He should've stayed home. "What was that, mister?"

Danny made sure the door closed behind him, praying for strength. Why did he feel like several deities were laughing at him? "Hey, kid. Can you, um, maybe not say anything about that?"

The kid, short brown hair and a red jacket stood out the most to Danny for some reason, seemed very amused. "You're gonna have to buy my silence."

Again, Danny let out a quiet, long suffering sigh. "Coffee is so not worth it." Looking at the kid, he said, "Alright, fine. I was getting coffee anyway, I'll buy ya lunch. Know any good places?"

Grinning, the kid cheered, "Hell yeah! Follow me!"

Resigned, Danny followed after the kid, easily keeping pace. About a block later, he figured he should probably get the kid's name. "I'm Danny."

"Billy."

"No last name?"

"Fae rules, dude. What's your excuse?"

He had to give it to him. "Touché."

Another three blocks of walking, Billy finally stopped at a cafe. It was a quaint place with stained white brick and a dark grey roof. There were metal chairs and tables outside the building surrounded by a wrought iron fence. The table umbrellas and the awning over the black door were light blue, matching the curtains in the inside.

The inside walls were painted baby blue with a white ceiling and a pinewood floor. The tables and chairs were all stained black with light pink cushions and table cloths. The curtains, as observed before, were all baby blue, tied back with baby pink ribbons. The lights were barely yellow, giving the room a warm feel. The counters were white with black paneling on the outside and white granite as the tops.

"Welcome in," the young man at the register greeted with a smile, "What can I get you two started with today?"

Danny envied the man. He'd obviously not been doing this long enough to gain the veteran's shine to his eye. He turned to look at the menu after telling Billy to get whatever he wanted. A mistake he'll probably pay for. "I'd like a large Red Eye, equal parts coffee and espresso, with cinnamon, honey, chocolate syrup, mint, and vodka, please."

The 'newbie' light in the man's eyes dimmed a little bit. "Um, we don't carry vodka." Glad that's the only thing he's worried about. Priorities.

Danny clicked his tongue. "Oh, well, it was worth a shot. I'd like everything else, though, please. Mix it at your own discretion."

"Alright," he was very valiant to go back to grinning, "Anything else?"

Danny motioned for Billy and the kid stepped up. "Can I get a large mocha, three chocolate chip cookies, and two sandwiches?"

The blond entered the order. "Of course! That'll be $25.37." A quick card swipe from Danny. "Thank you very much, we'll have your order out to you soon!"

The two didn't say a word as they chose a table in the corner. Danny let Billy take the seat that was open to the rest of the cafe so he wouldn't feel cornered. He had a good view of the door, though, so he wasn't complaining.

"So, how'd you do that?" Billy asked after they'd gotten their orders.

"How'd I do what?" Danny sipped his drink.

"How'd you walk outta that wall? It's solid!"

"Magic."

"I guessed that much."

"Then why'd you ask?"

"Will you teach me?"

"No."

"You didn't even think about it!"

"Okay," He paused. "No."

"Not fair." he pouted.

Putting his drink on the table, Danny summed as much fake-it-till-you-make-it energy as he could. "Magic isn't a toy and takes years of practice to get a handle on, not to mention you have to actually have an aptitude for it before you can even try. Besides, I don't know you nearly well enough to trust you with anything else."

Billy finished the cookie he was eating. "I can do it! You just gotta teach me!"

Another sigh that Danny had stopped counting. "Look, you seem like a good kid, but I'm not gonna teach you magic."

"Why not!"

"However," he continued, ignoring the demand, "I'm not gonna leave ya fully defenselessness."

"What do you mean?" Billy backed away slightly, his eyes narrowing as he moved to be able to run quickly.

Another sip. "Based off of the dirt you're covered in, the grease in your hair, and the overall poor condition of your clothes, I'm gonna bet that you're a street kid. So," he pulled a small card from his pocket, very aware that Billy was watching his hand aptly, "I'm going to leave you with this."

Slowly, the brunet took it and turned it over. "What it is?"

The white card had the initials DP in the middle, circled by an Ouroboros. The initials were completely solid, but the snake of the Ouroboros was made up of tiny runes of protection and health and healing and good fortune.

"My calling card. If you're ever in danger, hold that to your chest and ask for help. I'll be there."

Still obviously suspicious, Billy took a moment to scrutinize the card. It was cute to watch the kid act like he knew what he was looking at or for. When he seemed satisfied, he shoved the card into the inner pocket sewn into his jacket. "Thanks."

"No problem, kid," Pulling out his phone, Danny saw the time and stood, "I've gotta go now. I assume I've sufficiently bought your silence on the whole magic thing?"

Billy grinned, "I guess, but you gotta come visit me, okay?"

He chuckled, "Sure thing. See ya."

Part 2 Part 4

(I don't drink coffee, so Idk how that shit works)

Tag list: @zaiothe4th

[cozage]

congratulations on reaching 2k 🫶💕

For the event, I was wondering if you could do option one with reader being hit on right in front of them? With shanks, Sanji, zoro and if possible Nami <3

Hehe I love your writing so much!!

Hii thank you! And thank you for the request :)

Characters: gn reader x Shanks, Sanji, Zoro, Nami Cw: creepy bar guys who can't take a hint Total word count: 730

Take a Hint

Shanks

Shanks’s reaction really depends on the kind of mood he’s in. 

Sometimes, you both go into a bar in a competitive mind, trying to see who can get more free drinks throughout the night. 

He enjoys watching guys trying to flirt with you. Plus, free booze is free booze. It’s funny how they never seem to ask if you’re there with someone before they buy you a round. 

But sometimes it really rubs him the wrong way (especially when he’s in the middle of a conversation with you and someone interrupts him to talk to you). 

He usually says some snarky comment like “If you’re going to buy one for my friend here, you should probably buy one for me, considering we’re together.”

He doesn’t ever start a fight, but he will finish them. And he will always take up for you if someone says something rude to you or tries to put their hands on you. 

Sanji

People rarely get the chance to try and flirt with you because Sanji is literally all over you 24/7. He wants everyone to know that he belongs to you. 

However, there are some brave (and foolish) souls that sometimes try while he’s got his back turned or he steps away from a moment. 

The moment he is back, he immediately steps between you and the man who’s trying to shoot his shot. “Is this guy bothering you?” he’ll ask.

He’ll turn back to the guy, his curly brows furrowed in anger. “Unless you want to get your ass kicked, buddy, you might want to move along.”

Afterward the flirter leaves, Sanji will fawn over you, asking if the man hurt you or did anything that made you uncomfortable. He won't relax until he knows for sure you’re okay. 

Zoro

Zoro knows you can handle yourself. And besides, it’s amusing to watch. 

He lets you handle the situation. Most of the guys take rejections pretty well, but there are a few stubborn ones who insist on buying you a drink even after you’ve turned them down. So you accept a drink.

When you accept, Zoro’s focus on you usually sharpens slightly. He watches carefully for any passes this guy might try to make on you. If you show even an ounce of discomfort, Zoro’s hand is resting on his blade, just in case. 

Your eyes meet his, and he’ll mouth “You okay?”. If yes, he’ll leave you be. But if it’s no, he’ll take action. 

He’ll position himself between you and the man, taking a nice long drink of the alcohol the guy bought you. Then he’ll plant a kiss firmly on your lips and smirk at you, ignoring the fussing happening from the other man. 

“Listen man,” he’ll say, resting his hand on his blade as he turns to him. “I think you need to learn what rejection is. So why don’t you just buzz off, and leave us alone to enjoy this fine alcohol?”

If it leads to a fight, that’s fine. Zoro has never minded fighting for your honor before. And he’s never lost a bar fight. 

Nami

Listen, Nami is no stranger to people flirting with her. And neither are you. 

Plus, free things are always better. Which is why you two set up a system. 

If a guy starts flirting with you and can’t take a hint, well, he’s basically just inviting in some unfortunate circumstances. 

So you let him buy you a drink. Maybe two, if you’re feeling crazy. You keep him distracted, telling him stories about your life. 

Of course he thinks you need saving by a big strong man or whatever he imagines he is. He has no clue you could knock him out in about 3 seconds flat. But you just smile and listen to his clearly made-up stories. 

Meanwhile, Nami is absolutely robbing him blind. It’s actually hilarious to watch. She starts out with his wallet, but she slowly gets more confident as he gets more drunk. She steals his necklace, watch, even his rings. She’s truly amazing at thievery; you can’t help but be in awe at her skill.

At the end of the night, he goes to pay his tab, and you and Nami quietly slip out together hand-in-hand, serenaded by the screams of panic from that dreadful man.

[venomhoundfanworks]

Hazbin Hotel - Sleeping Habits

NOT TALKING ABOUT DIRTY STUFF. We talking about actual sleep-sleeping. Vent post I guess. Been feeling lovesick and missing having another person in the bed. Which inspired this post. Post about what its like to share a bed with Alastor, Vox, and Lucifer and their overall sleeping habits.

My other work can be found on my masterlist >>HERE<<

Contents/WARNINGS: Gender neutral reader; SFW except like one suggestive thing in Lucifer's section; I can't tell if writing Lucifer is making my own depression worse or better Actual brainrot below the cut ˋˏ✄┈┈┈┈

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Alastor ₊˚ ‿︵୨୧

I know alot of people headcanon that Alastor doesn't sleep or sleeps very little. But Hot Take™ here: Alastor sleeps a completely normal amount. Like, 7-8ish hours. He just hides when he does.

I mean think about it. What emotion does Alastor hate expressing more then anything? Vulnerability. When are you (arguably) at your most vulnerable? When you are sleeping.

So I have it in my head that Alastor throws himself into special hiding places when he needs to rest. His room in the hotel with the bayou pocket dimension is a great example. Alastor probably has a hidden cabin in those woods. He actually considers the cabin his "room" and goes there to sleep. But good luck finding it.

Sleeping in front of someone/with someone is kinda a phobia of Alastor's. I wouldn't be surprised if this started developing after he killed someone in their sleep during his mortal life.

Anyway. When you and Alastor become a thing, there really is no defined point where he 'moves in'. It happens more like your boiling a frog. Gradually. Until you reach a point where you don't even know when things changed exactly.

Alastor slowly spends more and more time with you. More time with you inevitably results in him spending more time at your house. Which results in Alastor bringing, and leaving, more of his stuff at your place.

This cycle keeps going and going until one day the culmination hits you. It happens when your looking in your closet, the once messy and haphazard storage space is now tidy and perfectly split between your clothes and Alastor's. Thats when it hits you. The fact that Alastor is practically living with you now. Yet, not only have you two not talked about it, but Alastor doesn't spend the night. Ever.

Don't get me wrong, Alastor will spend all day with you. But when you tell him your getting tired or are about to go to bed, he bids you farewell, kisses your knuckles, and just kind of... leaves.

At first, you attributed his behavior simply to the time period he was from. But as time goes on you realize its something deeper then that. Although you are never fully sure if Alastor doesn't feel comfortable sharing a bed, or if the demon actually needs less sleep then you do.

There have been multiple times where you started falling asleep beside Alastor late at night. When Alastor got up to leave, you would grab the edge of his coat and plead with him to stay. Alastor would then settle beside you, gently caressing your forehead, and tell you that he would stay until your asleep.

During these times, Alastor will often gently hum if not outright sing to you in an attempt to lull you to sleep. One of Alastor's new favorite things to do is to settle in next to you with a nice book while you snuggle into his side and fall asleep.

Once your sleep, Alastor will gently put his book down and turn to look at you lovingly. Alastor is very much that type of weirdo who likes to watch you sleep. He finds everything about your sleeping self utterly adorable; and will happily gush about whatever you do just to embarrass/fluster you. When I say everything, I do mean everything. If you snore, drool, whatever it is, Alastor finds it endearing.

He will usually stay and bask in your sleeping glory for awhile before leaving. But Alastor always kisses your forehead goodbye. Its a little moment of vulnerability only he knows about.

Alastor is an enigma. While he has no problem staying with you until your sleeping soundly, he refuses to actually stay the night. The only time you can reliably get him to stay in bed with you is during his ruts. Otherwise, the stars just have to align right.

If you actually do manage to get him to sleep in the bed with you, Alastor is very much a big spoon. He likes to protectively wrap his arms around you and embrace you. Pulling your bodies flush together and assuring you both of the other's presence. Alastor will tangle his legs with yours as well; throwing one leg over your hip to pull you ever closer, and sliding the other one in between your legs for even more contact

Alastor won't complain too much if he is already laying there and you decide to wrap your arms around him, spooning him instead. But Alastor's preferred position is as the big spoon by far.

The big downside of sleeping with Alastor is that he will not let you go once he is asleep. I hope you don't have to pee in the middle of the night because this man's arms have you in a deathgrip you cannot escape from. It feels like his subconscious mind is afraid that if he let you go, he would lose you forever.

Alastor also nuzzles his face into the back of your neck and shoulders while he sleeps. Your not sure if this is actually an affectionate gesture or a deer scenting thing.

Alastor's ears always seem to be moving. They twist, turn, and flick around. Reacting to the smallest of sounds and listening for danger while he snoozes.

Overall Assessment: An acquired taste. Just like cannibalism.

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Vox ₊˚ ‿︵୨୧

Has the best internal clock out of the entire Hazbin cast (and thats not a pun). Vox is very consistent with his sleep schedule. He is in bed around 11pm-midnight, and naturally wakes up around 6ish. No alarm needed. Unless he has to wake up extra early for a meeting of course.

Honestly, this guy's internal clock is rock solid. The only times it gets fucked up are when Velvette and/or Valentino (mostly Valentino, lets be real here) drag him out to a party, bar, or club late at night. Vox never has a good time anyway, so he doesn't even know why he goes.

Vox always ends up trashed and staying up until like 3-4am. Not exactly a good idea when your body has been trained to wake up early. His body will wake him up only a couple hours after he went to sleep whether he likes it or not.

This usually ends up with Vox being super sick for a day. Because he is still kind of drunk, but also kind of hungover, living on two hours of sleep, and drinking coffee like its water just to remain standing. Vox is just a complete mess and no one knows why he came into work to be honest.

Vox goes to bed early that night (at 10pm; thats "early" for him), and wakes up the next day mostly recovered and reset. Mostly.

Once you and Vox get together, you help Vox's sleep immensely. Whether purposely or not, you start teaching Vox to prioritize his sleep more and how to get actual rest.

Vox can actually *gasp* take a nap if you do it together. He doesn't even remember the last time he was able to have one. But now he loves it and siestas become a regular thing the two of you share.

You also mess up Vox's internal clock. But in a good way. Yeah, Vox still wakes up like clockwork every morning. But if your snuggled into him and still sleeping, Vox can actually go back to sleep.

Vox's preferred sleeping position by far is the Nuzzle/Cradle. His widescreen forces him to sleep on his back so there isnt exactly many options... But Vox really wants to cuddle and touch you.

So youll inevitably end up draping yourself practically on top of him like a weighted blanket. Your head on his chest, listening to the steady rhythm of Vox's pulse, with his fingers gently petting you… Also like a weighted blanket, you comfort Vox in a way he cannot begin to explain.

Vox will get pouty if you don't like sleeping on his chest or its too hot to do so. He will deny through and through that he does it though. Vox is one of those people who is like 'IM NOT POUTING' as their bottom lip is sticking fully out.

But once you two start sharing a bed, Vox actually has to be touching you in some way. He doesn't know what it is, but he just cant get comfortable and starts getting restless when you two arent touching. So other good sleep positions that work well with him are the Tetherball or the Leg Hug.

For the Tetherball; Vox will just simply rest his hand on your hip while you sleep. This works best if your a side sleeper, cause then Vox can gently hold the curve of your hip. Drawing mindless shapes into your skin with his claws as you both go to sleep. This simple contact is more then enough to assure Vox that your there and safe so he can rest peacefully.

As for the Leg Hug; Vox feels weird about it at first. Sticking his leg out to the side, hoping for some contact. God, he feels desperate. But he needs to feel you. When he does, all his anxiety immediately melts away. When you reach your leg back and tangle it with his, Vox feels butterflies rise into his chest. You really do love him.

Once Vox is asleep, he is... odd, to say the least. He is simultaneously a light sleeper and a heavy one. You figure it has something to do with the technological parts of him and what they deem 'safe' or not. Like, what triggers his internal alarms.

For example, you can easily just get up from the bed, shake the bed, bounce off it, and Vox wont budge. Won't even move. But then someone sneezes outside his hotel room and he is up instantly.

Because of how light of a sleeper he is, it takes Vox forever to go to sleep. He is one of those people who has to lay there for a solid hour. Even then he rarely goes into actual deep sleep. Vox tends to go into this weird rest mode where his screen will start doing that old dvd logo bounce thing. If his screen is completely black however, it means that he actually managed to fully power down for once.

For the love of god, if Vox actually fully powers down, do not jolt him awake. Vox going into deep sleep like that is rare enough as it is. But waking him up suddenly from it makes him incredibly groggy. It honestly completely ruins his entire day because he feels like he never fully wakes up.

You can always tell when Vox is awake (or semi-awake) because he will be gently petting you, tracing circles into your skin as a way to sooth himself. The moment Vox goes to sleep, he stops. You've also noticed that when this happens, his hands tighten slightly into a protective grip on you.

Overall Assessment: The best one to sleep with on the list if your looking for actual rest. Too protective for his own good even in his sleep.

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Lucifer ₊˚ ‿︵୨୧

I hope you don't like actual rest too much. Because this guy has no idea what a sleep schedule is. I mean, he kinda did when Lilith was around. But since she has been gone everything has just been out the window.

As my fellow depressed people will know, it wreaks havoc on your sleep. One day you cant get out of bed and sleep twenty hours. Then you cant sleep at all and go days with only three hours of sleep total. This guy does that.

Not to mention this man is certainly, most definitely, somewhere on the spectrum. Thats also gonna fuck with his sleep massively. Lucifer will hyperfocus on a project and forget that 'oh yeah, food and sleep are things I need'.

Lucifer will hyperfocus on a new duck he is making and not leave his workshop for over 15 hours at a time. When he DOES leave, its only to make snack/food runs. Passes out on his workbench or tea-table constantly.

So uh. Yeah. Poor guy has no actual sleep schedule. When he starts staying at the hotel, Lucifer is commonly wide awake at 3am and highkey will scare the shit out of people like a ghost. Insomnia to the nines.

Once he is actually asleep, Lucifer sleeps like a dead man. Nothing can wake him up. This is a learned trait. In the height of his depression after Lilith left, Lucifer stopped seeing a point in getting up most days. He started sleeping through alarms, sirens, explosions... He just stopped bothering. What's the point? Its not like he has anything good to wake up to anyway.

Lucifer starts... trying to fix his sleep schedule once him and Charlie reconnect so he can spend more time with her. Well. Attempting would be a better word for it. Lucifer keeps doing that thing where he goes, 'oh yeah I should try going to bed early tonight', then proceeds to stay up past four in the morning. So no progress has actually been made.

Once YOU come around however, Lucifer actually starts sleeping normally again! Eh, kind of. Its a work in progress. But its progress! Which is MUCH further then he has gotten before!

The problem is, you have to trick Lucifer into sleeping. Otherwise he will keep trying to say he is busy, say 'just one more thing' to infinity, or start whining that he isn't tired.

So what do you do? Start kissing him and entice him to bed with the promise of cuddles. Or you can start kissing and nipping at Lucifer's neck with a different kind of sleeping in mind... (｡•̀ᴗ-)✧ He is sure to stay in bed with you if you wear him out first, right?

Another tactic that works everytime is to pretend to fall asleep next to him in his workshop. Sometimes this plan fails right away because you actually do end up falling asleep; but thats not the point here. Lucifer gets the most loving smile on his face as he picks you up bridal style and takes you to bed, only for you to grab his arm and pull him into the bed with you.

You thought it was a pain getting him into bed? Well he is a pain once he is in the bed too.

Lucifer is an actual koala. He can't just be touching you, oh no. He has to be embracing you. He has to be having as much contact as physically possible in order to sleep. It seems like every night his goal is to see what new shape of human knot he can tie you two in.

I hope you run cold or can tolerate heat well. Because like I said this is the ONLY way Lucifer can sleep. Lucifer will do whatever he can to make it work though. If you tell him your uncomfortable, he will change how your limbs are intertwined. If you tell him your too hot, whelp. Time to start losing some layers. And blankets are overrated anyways!

If you tell Lucifer you legitimately cant sleep like a pretzel, it will actually break his little heart. Lucifer will 100% take it as a personal rejection. He will stop sleeping in the bed with you all together so he doesn't "bother" you.

On a much happier note; once you two are tangled up and somehow manage to fall asleep, Lucifer is the cutest thing once he is sleeping.

Lucifer does that thing where he will half wake up in the middle of the night and kiss you before going back to sleep. If you do the same thing (or just generally kiss Lucifer while he is asleep), he will make little happy sounds in his sleep when you do so. You swear they sound kind of like bird cheeps.

Also thanks to >>this combo post<< by @poisned and @heart-of-the-morningstar I now have it permanently in my head that Lucifer talks/mumbles in his sleep.

Before you two got together, it was mostly nonsense or things about his ducks. But now you often hear him muttering your name, how much he loves you, or just saying other lovey-dovey junk in his sleep.

Overall Assessment: Lucifer is extremely difficult to handle, but doing his best. That's what really counts right?

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AN: Just a disclaimer, the thing about tricking Lucifer into bed by pretending to fall asleep in his workshop so he carries you isnt my idea either. It was from a cute fic here on Tumblr but I cant find it at all. ๐·°(⋟﹏⋞)°·๐ Please lmk if you know what fic Im talking about! I literally spent hours looking for it.

FURTHER READING ₊˚ ‿︵୨୧

Check out this ADORABLE fic about Vox trying not to wake up his very sleepy s/o >>HERE<< by @timeslugarts

One of my favorite posts is this super cute bedtime and pajama headcanon post by @activesplooger that can be found >>HERE<<