#actually stick by their word now

[three--rings]

I'm really disturbed by the fact that I'm seeing people post S2ep8 of IWTV still talking about Lestat as an abuser and Louis as a victim, period end of conversation.

Because I feel like we are explicitly told in ep7 and 8 that that is not the case but some people haven't adjusted their thoughts yet.

Now this is a show explicitly about the unreliability of personal accounts and what we see on screen is often proven not to be how things happen. So, obviously things are always up for debate. But.

We are shown the extended scene of what happened before Lestat flew Louis up into the sky to drop him. In S1 we saw that scene from Claudia's perspective, and she just heard crashing and shouting, and then saw Louis thrown through a wall by Lestat before the whole flight thing.

Ep 7 we are shown Lestat's version of events which are Louis physically and verbally attacking him over and over, slamming Lestat into things, while Lestat begs him to stop, warning him that he will fight back and he's afraid of hurting Louis, and Louis merely eggs him on. Then we get Lestat turning the tables and throwing Louis through a wall.

Now, obviously this is Lestat's version and probably a bit biased to be sympathetic to him. But Louis admits Lestat's version of Claudia's turning is the more correct one than his account and he admits to portraying Lestat intentionally as a villain in the interview, so...well I think the show is telling us that our impression from S1 is at least not the whole story.

Ep 8 underlines this with the scene with Louis and Lestat when Louis apologizes for the way he acted to Lestat in the past, saying "I tried to make nights awful with you. I wanted you to suffer."

We also see him throw Armand into the wall in this episode, which I get people feel Armand deserved, but I feel like the conversation around that has been weird as well. Like, people talk about that being a sign that Louis is stronger than Armand, as if physical violence is impossible from someone who is weaker than their victim. But this is also another instance of Louis using physical violence against his partner when (justifiably) angry.

Look, abusive relationships are complicated. Mutually toxic ones even more so. Reactive abuse is a thing, when an initial victim becomes violent or abusive in response to abuse they've received. It's complicated, and I speak from personal experience.

But I very much feel like the show is SCREAMING at the audience that things are not simple and that no one in this scenario is blameless, ESPECIALLY not Louis. He's not blameless in the case of Claudia. He's not blameless in the destruction of his relationship with Lestat. He's not blameless in his relationship with Armand, for all it's built on a lie, because he entered it to fucking make Lestat mad for god's sake and that's a terrible foundation for a relationship.

Raglan James says Louis is the one to really be afraid of. Louis at the end of the season with his "I own the night" speech. Much of the second half of S2 is ABOUT this.

The entire heartbreaking scene with Lestat at the end is Louis owning his part of the responsibility, and that's huge. Lestat accepted his responsibility and apologized on stage in Paris, and now Louis is as well.

So yeah, I think some people need to rethink their attitudes when they call Lestat Louis's abuser and Louis a battered wife. I read that and I go wait, we're not gonna interrogate that at all?

I of course feel at this point I have to put in a bunch of disclaimers about how this is not an anti-Louis post or trying to excuse the violence done by Lestat, blah blah but honestly some people who can only see things in terms of Good and Evil and Guilty and Innocent are never going to appreciate that kind of thing anyway. I just don't know why those people are watching this show, which is entirely about nuance and complicated interpersonal relations that are messy and resist easy analysis, BY DESIGN.

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[anewp0tat0]

it doesn't feel real to me fellas. but I don't have time to sit by and chat and unload unfortunately so I'll just drop this and be on my way, cya kind folks very soon ✌️

not professional but I liked how his eye looked goddang it. I knew I was screwing myself but I did it anyway

[magistralucis]

pronouncing the necron 'sz': personal rating list*

broke: /s/ only ('seras')

woke: /z/ only ('zeras')

provoke: /s/ and /z/ pronounced separately ('s-ze-ras')

bespoke: /ʂ/ or /ʃ/ ('scheras')

invoke: tensed fricative /s͈/ ('sseras')

misspoke: /s/ but evil ('ßeras')

(* Further notes in tags.)

[sistersofsilver]

hello fellow shades. hades 2 nation. free icarus reminder for the night: not only did he burn, he drowned after. maybe it's just my experience with dying via drowning¹ but i think we should play in that particular space more.

melis not the sun, and she's never going to be. she's not the moon beat for beat either. shes the beautiful distorted reflection of the moon on churning powerful waves, shifting, a bright spot in an almost perfect void. and when you fall (and you will fall) its going to hurt, that impact, the water filling your lungs, the weightlessness disorienting, but you look for it, that reflection, that fixed point...

cough. anyway, how we feelin' tonight. we good?

[aalghul]

when it comes to being willing to make concessions on methods & morality specifically in exchange for gaining batman’s trust & access to the inner bat circle vs rejecting an existing trust & access (because it did exist prior to jason’s death & would have existed had he chosen to walk back in with no radically opposing beliefs after lost days #1)….jason should never choose the first

[touchlikethesun]

we talk all the time about how those characters would NOT be having well negotiated kinky sex, but i think of all the mxtx couples moshang would really benefit from a beginners course in bdsm or at the very least they should read a manuel and draw up a contract, like given their history, their communication styles, and their dynamic at the end of the novel, it would be a net positive for them

[designernishiki]

it’s kinda funny to me how that dumb scene in kiwami 1 of majima getting shot and left for dead in the harbor was basically just added as a half-assed way to explain majima not being around for a bit of the plot, but they accidentally(?) just made it seem like start of a chain reaction where majima ended up feeling slighted and heartbroken after being abandoned like that and then lashed out about it via smashing a big truck into the building kiryu was in. and yeah that isn’t inherently a romantic thing as-is but then they go and add the part where majima grabs a hostess and performatively hits on her as in-kiryu’s-face as possible, she says she’s already in love with someone, and majima lets her go immediately, no questions asked, making a big fucking point of it just to say see THAT kiryu? I appreciate when people are HONEST about their FEELINGS. people who won’t just BACKSTAB someone who CARES about them to save themselves. is that so crazy kiryu?? huh??? anyway make it up to me get down here and fight me right fucking now

[fatuismooches]

EVEN MORE CUTE DOTTORE MOMENTS TO MAKE YOU SMILE 🙏 (because I am too tired to post anything of quality)

[bennydunbar]

bro ngl tumblr is way more fun than twitter, twt is one of my first social medias and honestly no wonder my head was so goopy

[icewindandboringhorror]

finally finished all of one character's entire quests/optional dialogue/questions/etc.... 100,000 words... .... aughhh

[keepswingin]

Challenge time!! Write a stand alone scene with 143 words. 😉 (I personally would prefer Minsung or Felix but you can choose whatever you want 😂)

"You're not supposed to die."

Minho huffs. The blanket he's bundled in feels stiff and heavy around his body, anchoring him to a floor that's long fallen out from beneath him. He looks up at his other half, and feels his chest twist.

"Everyone dies eventually," Minho throws back, words snapping against the bitter silence that's settled around them. Jisung's nose is red. The skin around his fingers is brittle and torn as he reaches out, months old callouses scattered across his knuckles.

The blanket shifts slightly as he finds one of Minho's hands, freezing fingers slipping against his warm palm. He should be cold like Jisung, but he isn't, fever burning him from the inside out.

"Not you," Jisung whispers, heartbroken. "Not like this."

Minho doesn't know what else to say.

There's nothing left to say, when he's never felt more alive.

[bearenjoyers]

sorry im just thinking about bcs but like. why not add a few smaller scenes of gus interacting with his own men? why does it seem like, in comparison, mike is almost immediately elevated to a higher status than those two in bcs purely because we actually get to see him having normal conversations with gus? like i understand they might not keep the plot moving as well because of the fact obviously if victor is currently doing something it’s because gus told him to etc. but for the most part all of the smaller interactions gus does have with those two ends up being in a somewhat high stress situation where it feels very tense between everyone. and it’s just like damn! is it always like that?? why do those two even care that much about their jobs if their boss is a bit of a dick? etc. i think even an additional scene or two with those guys (either alone or the both of them) talking with gus in a more normal situation could’ve both added a bit more depth into how gus treats his employees (we got a lot with how he treats lyle and co., but not a whole lot with the illegal side of things), how comfortable vic and tyrus feel around him in a calmer setting, and exactly why they both feel the need to be as loyal as they are to the guy.

and also on the other side of this i don't think it'd hurt to maybe elaborate on their pay just a bit..? i'm not saying to randomly put a number out into the atmosphere but i just mean some smaller things like. do they buy nicer things for themselves? what's their housing situation? what's their car situation? are the escalade / yukon their own vehicles or does gus just use those two for business situations? do they use them when they're doing their own stuff off the clock or do they have their own cars? etc. that can also help with understanding their motivations a bit. don't get me wrong i don't think they should be visibly rich or something because that's not what gus would want but just smaller things! cause it's easy to write their loyalty off as Well they probably get paid super well, which i'm sure is true, but if they don't show a single hint of that then what's the point. even something as simple as giving tyrus a nice watch, or maybe victor having a nicer looking gun, etc. something small like that. because as it stands right now the average 41 year old viewer who watched the show once only knows and will only ever know victor and tyrus as those two guys in the background who do random stuff for gus with no clear motivation. just the personification of "On it boss (salute emoji)". and to be honest this is true for a whole lot of fans who do watch the show multiple times and enjoy thinking about it more in depth, because on screen we barely have anything about the two.

and to be clear i'm not trying to say we should have an episode just for them or something like no i understand they're side characters. i understand we don't need all that. and i understand this is also primarily Jimmy's show. but it's not like these two are on the same level as like, arlo or paige and kevin etc. these guys have been around since brba. victor was literally introduced in the same episode gus was. and they are a huge part of gus's story, especially in brba. s4 wouldn't have been what it was without victor and tyrus. and in bcs, ignacio's situation wouldn't have been the same if it weren't for victor and tyrus as well. and i just personally believe that if their goal with gus in bcs was to go back and elaborate on how everything came to be and show what he was like a few years younger, they could've dragged victor and tyrus into that. and i think his character would've benefited from taking that extra step with those two.

[thepartysdone]

"To be groomed is to be loved and handled like a precious, delicate thing." maybe we should all just Kill ourselves.

[hecatesbroom]

i just found out i wrote & edited 150k words in one year. holy shit. that's about two medium sized novels??

[aceinthefreakinspace]

Having a sister who is also ace rules. I've been debating for ages whether or not I wanted to get a mini flag for my room and she up and got a package of them as a bday gift from her roommate and her first thought was to give me one too