#actually judge me

[crispy-crust]

was out on a hike today and i found this nailed to a tree.... what the fuck?

[flagellant]

yeah we might be brothers in christ but so were cain and abel so shut the fuck up before i decide to find a rock about it

[timsplosion]

miku binder jon arbuckle

[acertainmoshke]

I've been having a tough time lately, and when I don't have the energy for everything keeping up with social media is one of the first things I slip on. But I still care about all my writing buddies, so:

Reblog if you're not offended when people take a long time to answer asks, forget to reply to your replies, lag behind in tag games, or skip several weekly ask games.

[dammjamboy]

for my stanrickers out there

[tojisun]

this is an edit of my drunken thought last night but

hockey player simon is in my head right now—

thinking about how you are watching from the seats closest to the rink, and startling when he body-slams an opponent against the glass protector only for your eyes to meet his when he pulled away with a quiet snarl and snapped his head up in his anger.

he couldn’t have truly seen you, you tell yourself. he’s caught up in the middle of a game, high off his adrenaline, so you are damn sure that he didn’t really catalogue the interaction. that it was a fluke—eyes meet without the conscious awareness from the brains, you know that.

but.

riley (41) somehow began to gravitate towards your end of the rink, only slipping away for assists or to catch his mark. sure, the seat you chose was close to the ones that are angled well to the goal so perhaps that’s why he kept coming back, but there’s something electrifying at seeing the way he scans the crowd during the two-minute breaks, stopping when his eyes finally rest on you, before he skates away.

it makes your heart flutter, blood jumping as your mind runs with imaginations. you try smothering the blooming hope that maybe, just maybe, this man you idolize somehow is attracted to you. that somehow, amidst the craze and the adrenaline, you were able to leave such an imprint on him.

but the game rages on, with specgru managing to carve a tie against their opponents with mactavish (91) scoring a point. it makes the arena shake as screams and jumps erupt from your side of the rink; horns blaring as victory now seemed to be on the horizon. even the goalie, price (2), runs to mactavish, tapping his bucket, fond even in his excitement.

time runs. you swallow, parched, your eyes flicking between the screens and the rink itself as the tension reached new heights. your friend holds your hand, her nails digging into your skin, but you don’t even notice as you clock in riley’s fast skating, his blades slashing against the ice with intense ferocity.

garrick (33) passed the puck, and riley receives it.

your throat constricts, your eyes going wide. you plant your feet onto the floor, unconsciously tensing your muscles. your eyes follow his move, watching the way he devours the space to get to the best shooting spot—that sliver of angle in front of you.

you watch with bated breath, palm over your chest, but it takes your friend shaking you to realize what’s going on.

the roaring of the stadium is all of a sudden muffled as your mind catches up to your eyes, now finding meaning to what exactly it is you’re seeing. your friend is screaming your name but you’re deaf to it all, focused only on the man before you.

riley, the man that he is, points at you. then he turns, swinging his lumber, sending the puck flying past the goalie’s legs and into the net.

it happened so fast—barely a second or two—riley’s point and his score—but it unfolded so clearly before your eyes and victory sings in your blood.

“what was that!?” your friend screeches, pulling you up now that the game has reached its end with the specgru claiming their second win.

you try to tell her that you don’t know, that you don’t even understand what the hell actually just happened, but your voice refuses to form and your mind is back to buffering and riley is still staring at you—

jesus.

he is still staring at you.

god—

guys idek what this was but i woke up and saw bulletpoints of a thought so uhhh heres an attempt 😭

pt.02

mlist!

[bibxrbie]

"Luke Skywalker isn’t like the old Jedi. He saves Vader with his attachments!”

Wrong!

Luke Skywalker, at the end of Return of the Jedi, after his confrontation with the Emperor drags Darth Vader through the destructing Death Star. He’s desperate, knuckles white under the heavy weight of his father’s body, a little boy dragging his dad to safety. He sets Vader down for a moment, to catch his breath or maybe to get a better grip. He goes to grab Vader again, but Vader, uncomfortable and in pain, asks Luke to take off the mask. He wants to see Luke through his eyes instead of the eyes Palpatine built for him. Luke refuses, says that removing the mask is a sure way for Vader to die. Luke doesn’t want Vader dead, he wants Vader alive. Not to hold him accountable for his many evil acts, but for the same reason why Luke Skywalker can’t kill Darth Vader; Vader is his father and Luke loves him.

And yet, after a moment, Luke removes Vader’s mask. He doesn’t want to, he hesitates, but he removes the mask with enough slowness to allow Vader to take it back. In that moment, Luke sets aside his desire for Vader in his life, sets aside his desire to see him live, and sets aside his entire mission, the reason he was even on the Death Star in the place. In his compassion for his father, Luke stays with Vader until he dies. It is this moment where we see him be the best damn Jedi he can be. I’d even argue that this moment is the greatest example of non-attached love we see. Because Luke lets Vader go! He lets his father die, and in some ways, by removing the mask, he too kills Vader, he stays with him until his last moment, gives him the kindness of granting his last wish and finally chooses Vader.

And Luke doesn’t have to do this. If Luke Skywalker’s love for his father was an attachment, he would ignore Vader and continue dragging him to the escape pod, put his desire for a father as his central focus and ignore Vader’s wants and discomfort. Maybe he would even save him. But he doesn’t. Instead, he watches as Vader dies.

He builds a Jedi burial for his father and watches it burn the remnants of Vader and Anakin Skywalker away. He mourns Vader, he mourns what they could’ve had as father and son, considers what ifs and maybe-if-I-did-this. Vader/ Anakin is released from his mortal body, from his ‘crude matter’ and Luke lets him go. He says one final goodbye to Anakin. Then, he joins Leia, Han, Chewie, Lando, and the rest of the Rebels and celebrates their victory. He lives in the present and celebrates what he has instead of what he lost.

Luke Skywalker is THE Jedi. Everything about Luke Skywalker serves as the foundational cornerstone of the Jedi, everything about the Jedi as a culture and philosophy is reflected in his character. Luke’s desire for the New Jedi Order isn’t to throw away the values of the old Order, but to vitalise them, breathe life back into dying lungs, and rebuild a path that people set out on their way to destroy. (Yes, his Order is different from the Old, but that’s because it has to be. He doesn’t have the resources or the safety of the Old Order.) The philosophies of the Jedi are difficult and they aren’t for everyone, and like the perfect Jedi that Luke is, he struggles and stumbles and sometimes he even rejects it. But, no matter how far he falls, it is a way of life he chooses again and again and again. It is a way of life that welcomes him back each time

[arunneronthird]

true friends don't judge each other yadda yadda

[bowenoke]

in scott's pov (ep7) he refers to scar as grian's husband. no one tells him this is not the case. this is because traffic!scott decides who is and is not married like some sort of contractually binding arbiter of love. to me anyways

[andrewknightley]

saw someone saying something like "do you really think veilguard story would be better if you could do evil choices?" and actually yeah. i think if they let us act more like the dreadwolf on the "you are a paralellism to the dreadwolf" game, it would be more significant when the story tells you "you are a bit like him/you are nothing like him" because , thats how you chosed to play it.

[zarla-s]

you can't do this to him kabu he's a gourmand

[patreon]

[cosmicwhoreo]

Your honor, I know he's a menace but... LOOK AT THAT FACE!

HOW AM I EXPECTED TO HATE HIM WHEN I CAN'T STAY MAD AT HIM!?

[captain-astors]

The Crown Prince

[autisticrosewilson]

The thing about the All-Blades and killing "true evil" is that evil is subjective right, and I imagine he can sense more mundane evil too he just doesn't feel the same call to use the blades. But like, I think it's fair to say that the Joker is the exception. I think even aside from the trauma Jason can feel the pull to rid the world of him. Imagine being Jason "literal divine power of justice" Todd and having Bruce tell you that actually you don't get to decide who lives or dies. Your anger is literally so righteous and purifying that you have magic swords attached to your soul and some rich man is telling you that you can't play god. I would be soooo mad like what are you even talking about. Perhaps you can't but I am the subject of a prophecy and also probably immortal and also I'm definitely not entirely human anymore. So.

[cidade-tempero]

DC FANARTISTS. DROP JASON HEAT STROKE PHOTOSHOOT ART AND MY LIFE IS YOURS

alt versions under the cut btw 🥰

no blood ver and a little blurred

[marypsue]

Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.

However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.