#actually i can believe it. and i have to assume it'll happen again. i have to fight it.

[xoshepard]

man. there's cute ppl outside. and they'll laugh at your jokes. isn't that shit wild.

[transmasc-tabris]

More screenshots (bonus, managed to find Bull a shirt and don't know how to feel about that)

[bnhaobservation]

Did Enji atone to Touya (and his family) and stepped up on his role as a father?

Boku no Hero Academia has a grave 'flaw'. The fact that's strongly tied to Japanese culture and Buddhism makes it a very interesting work but also makes it a hardly international work because way too many cultural things are left unexplained because they're assumed to be a given. Only they're not when the work is read by foreign readers. And this lead to confusion.

The Todoroki plotline is an example of this.

In the west many feel Enji did nothing for Touya or did too little because the little he did is a given in the west. The point is... it's not a given in Japan. In Japan is a BIG DEAL. So let's go though it.

First, the fact that he doesn't want to kill Touya even though he's a criminal

Todoroki Enji ‘Ore wa ikinobite mo... ENDEAVOR wa shinda. Tairyō satsujinsha (read: musuko) to tatakaenai.’ 轟炎司「俺は生き延びても...エンデヴァーは死んだ。大量殺人者（むすこ）と戦えない。」 Todoroki Enji “Even if I survived... Endeavor is dead. I can't fight against a mass murderer (read: my son).”

Let's compare it to these two scenes of "Death Note" and see how Yagami Soichiro, a policeman, is taking the idea his son might be a killer and how, although Misa protests, the story doesn't present it as him being crazy but as it being his duty.

That's why Hawks doesn't want to send Enji, who's on an atonement path, to face Dabi, because Enji might end up in a situation in which he would have to kill his son and he would refuse... which is more or less what happens.

Second, Enji acknowledges that what Touya said is true, Touya is his son and Enji did what he did. In such a situation many would lie. Dabi's video proves nothing. He is a Villain, they had a doctor in the team who could create Nomu, the paternity test could be fake, even if Dabi were to provide a sample of his blood or skin they could insist that's fake.

Society didn't want the truth, they don't want Enji to confess, they wanted him to reassure them, they even commented he should have lied because yes, that's what's done often.

Basically he put his honor on the chopping block. A public apology like this one is a BIG DEAL in Japan. It's much more serious than in western countries and he does it when he could have spared himself and say Dabi lied but that would have meant to deny his son.

Third, it connects to the first in a way. While Enji is unwilling to kill Touya, he's willing to die with him. It's ‘shinjū’ (心中 Lit. “Mind/heart center/inside” but more likely means “oneness of hearts”, probably reflecting a psychological link between the participants) and it’s a word used in common parlance to refer to any group suicide of two or more individuals bound by love, typically lovers, parents and children, and even whole families. People who commit shinjū believe that they would be united again in heaven, a view supported by feudal teaching in Edo period Japan, which taught that the bond between loved ones would continue into the next world, and by the teaching of Pure Land Buddhism wherein it is believed that through shinjū, one can approach rebirth in the Pure Land. By volunteering to die with him, Enji is basically agreeing to remain with him in their next reincarnation.

For us it's crazy, it's Enji giving up on saving him. In Japan it sounds like 'I love you and I want to be with you'.

Forth, he'll apologize to Touya. As said before it's a BIG DEAL, especially since Enji is the family head and, although for us most of what he did is wrong, in Japan most of what he did is well within what he can do. Marrying a woman you don't love in a combined marriage to expect the child who'll be born from it will fulfill your ambitions and not really bothering to raise it because that's a mother job, well, things are changing in Japan but none of the above is a crime. In a not so distant past it was actually the norm. Yet Enji apologizes even though normally a family head wouldn't.

Fifth it's a bit in the first point and in the second but it'll drag on through all the story, Enji won't reject Touya. He's the only one (except Fuyumi who however doesn't get to say much) who never calls him Dabi after the reveal, and he won't strike him out of the family register but will keep on considering him his son.

Look at the Tobitas instead and at how they kick their son out.

Don't think Hawks is cutting strings with his parents solely because they were abusive, the Tobitas show us how you should just cut strings with a criminal. Same as the Togas.

Have "Theseus no fune" in which a man accused to be a murderer, send a birthday gift to his son and watch the reaction of his wife.

They don't want to keep contact with a criminal. It's scary because they'll be mistreated if they are discovered to be related to him.

And, in this vein, the fact he wants to go see him, that he'll keep on seeing him till the end instead than turning his back on him, is seen as important. It's seen as him being his father.

To many of us it seems as if he's forcing his presence upon Touya. Actually, from a Japanese perspective he's instead not abandoning him like many others would.

And since Touya is dying, very likely the talking will be the talking that's done in a Buddhist culture when someone is dying. Death should occur in a calm and peaceful environment, with close friends and family in attendance. Together they should reflect on the good deeds the dying person has done throughout their life, in the hopes it will help them in their next reincarnation. Additionally, family and friends can perform good deeds on behalf of them, which they believe will be of merit to the deceased.

So, since Touya is dying he won't get a scolding like Chisaki, they'll all only tell him nice and soothing things so he'll die peacefully.

Now... in the west all this is absolutely way too little, and in some points even feels wrong. Dying together instead than insisting in trying to save him? Deciding unilaterally to show up every day? Not our thing...

We can totally say 'thanks, I hate it' because we grew up with Darth Vader who instead gave his life to SAVE his son. All this accepting that Touya instead is going to die so Enji can at best die with him or keep him company until he does... well, it's mostly not our cup of cultural tea.

In in Japan though, all Enji does is important. Enji is doing something for Touya as a father, something important many fathers wouln't do for their sons.

Does it would satisfy a Japanese audience? They'll get the message better than us... but things are changing and anyway it can still feel too little. "Death Note" is dated 2005/2006 and back in it Misa was already questioning the idea of a father killing his son and then killing himself. BNHA is more innovative as Enji doesn't think to kill Touya but he still goes for the 'let's die together' route... and Horikoshi subtly criticizes it by having the rest of the family decising they'll try to stop the fire before just giving up. They're willing to die, but not before trying.

Enji represents plenty of old theories after all, which Horikoshi acknowledges were moved out of wrong beliefs, not moved by mean intents... which, is possible, would still not be enough for Japanese readers either because among teenagers, the target audience, there's an increasing number of teen who, in Japan, are forced to leave home (the Toyoko Kids) and often ends up committing crimes to survive and the league seems to be based on all the kind of homeless people Japan has.

While for a kid at home with a loving family being told that your father will die with him if he messes up instead than just dumping him might be comforting... for a kid that was abused and forced to leave home this might feel not enough.

People want to be saved, being told it's too late to save them, might be a lesson for those who hadn't done anything wrong yet so that they won't do it, but it's surely not a hopeful message for who instead got himself into troubles.

But well, that's something for the Japanese audience to ponder.

There's also to point out that, even though the message is not hopeful, Horikoshi is seeing the homeless people and acknowledging they should be helped.

Japan in regard to the Toyoko kids is mostly like the old woman who pretended not to see Tenko but that, in the end, helps that new boy.

I think Horikoshi's message desperately wants to be hopeful even for them, that he wants BNHA be like Midoriya's final stand, something that will push people to acknowledge they exist and reach out to help them.

It just that... it gets lost in what I'll call the 'litteral translation'.

No one explains us how we should jusge the scenes and, since we lack the cultural background, to us they are perceived differently because to us things work differently.

And, personally, even when I think I figured out the author's intent and can see the positivity of it, the cultural filter is still too tick and the picture gets blurried.

It's like being beginner at speaking a foreign language and having to constantly translate it in your head. The message loses its natural beauty, get simplified and not fully grasped.

I think I understand how Enji's atonement work in regard to Touya... it still doesn't feel fulfilling to me. But enough about Touya.

'Now,' you might rightfully say, 'fine, I'll bite, let's assume what Enji has is an atonement arc for Touya. It doesn't work at all in the west but let's give it a pass. What about his other kids?'

Natsuo and Fuyumi's wishes are in conflict.

Fuyumi wants the five of them to be a family (at the time she doesn't know Touya is alive), Natsuo doesn't want to be part of a family with Enji.

Enji's solution is giving Fuyumi a house in which she can welcome her mother and live with Natsuo (and Shouto when he comes home), while he removes himself from the equation. The solution fulfills Natsuo's wish of not seeing Enji because it makes him feel bad. It only partly fulfil Fuyumi's wish because it'll allow her to have her mother back (Rei couldn't bear meeting Enji either) and to stay with her siblings... but Enji takes responsibility for it, he doesn't tell her it's due to Natsuo that he can't live with them, so, in theory, it won't be Natsuo the one who's stressed to be at home when Enji is there and the one who has to leave home because he can't stand the sight of Enji.

There are many things I can say on how this is not a good solution (it doesn't make Natsuo feel better, it just stops him from feeling worse), but there are two points to consider. The first is that Enji is getting old and it would be his children's duty, due to filial pity, to take care of him, instead he's basically giving them the means to leave and take his wife with them.

Actually, since Natsuo is now the oldest MALE, it should fall on him specifically. Yes, Enji always intended to have Shouto inherit his mantle but this doesn't free Natsuo from his duties. Instead Enji is letting all his children free.

Even with Shouto, he doesn't insist anymore for Shouto to learn Flashfire Fist as his heir but just as an intern.

I take this is big in Japan.

Here again, not so much, especially in the countries in the west that think kids should leave their parents' home as soon as possible and we don't think our children are obliged to inherit our mantles.

Note how the story implies that this was meant to be the end for the Natsuo/Enji arc.

Natsuo made clear he didn't want to meet Enji again, he does it solely because they've to stop Touya and, once they've stopped Touya, he makes clear he doesn't want to see him again.

If we want though, the fact he's leaving the family can be seen as a concession in a way.

Since apparently Rei wants to stay with Enji (and likely their old house was devasted because that's what happens to relative of criminals) Enji can now move with Fuyumi and Rei and Natsuo won't have to see him because he'll leave home... to make his own home.

As for Shouto... Horikoshi answered his request by basically showing him Enji being a father for Touya and then promising he would protect them from the fiery fallout, which Horikoshi doesn't show at all because it's another thing that's a given in Japanese culture, it'll be hell for Enji to protect them, but not for us.

Just to get an idea of the fiery fallout here are some images from "Theseus no fune" again showing you how bad is this sort of thing.

Back to Enji, Horikoshi gives us verbal confirmation that Enji is now being a father by being willing to do this, by having Natsuo, who never called him as such, calling him father for the first time.

For Horikoshi that's Enji being a father.

Again, we've no idea of which hell Enji will suffer because that's not part of our culture. I've posted above screencaps of "Theseus no fune", that's how the fallout should be so not pretty at all.

So the fact that Enji will try to protect them from it is, again, BIG.

So yeah, Enji did do BIG things to atone and keeps on doing them and if he'll ultimately get forgiven by Natsuo (the rest of his family wanted to forgive him way before he were to do something), that's up to Natsuo... Horikoshi likely left this as open ending because he wanted to let it up to readers so as not to make them feel they were forced to forgive Enji.

In the general hopeful theme of the manga and with Natsuo acknowledging him as a cool father I guess his idea is that Natsuo too will eventually forgive him because he's kind.

I don't want to say that Natsuo forgiving Enji would be a culture clash because there's people even here that forgive their horrible parents and that's valid. Forgiving is a personal choice and one has the right to make it even if said horrible parent did nothing to deserve it.

It's up to you.

But sure is, if again we take the story at face value and not in its cultural contest, we can't see what Enji does to atone, because for us is nothing big.

It's even made worse by how Horikoshi doesn't show at all the hell Enji will go through (as for him is a given) so for us IT DOESN'T EXIST. We see Enji as having it easy, talking big but not having to face anything at all.

Honestly though... I think this is a bit of a flaw of the manga as a whole.

Way too often it prefers to focus on the good than on the bad so that the bad gets sidelined to much to the point people forget it.

There were horrible Heroes who committed crimes and had no intention to repent or stop... and we never met them. Nagant killed them off but we never met them.

Mountain Lady, who became a Hero for money and fame, then sticks to the job even when it's bad. Desugoro, who left the job when it turned bad, then came back to help. Enji is on an atonement path and, anyway, on work he was always a good Hero.

In the same way Horikoshi prefers not to show Enji's hardship but focus on how he'll have the support of his sidekicks, driver and Hawks... partly also because it ties in so well with the general message of everyone reaching out.

The result is that the Midoriya plotline of everyone reaching out becomes more important of the Enji atonement arc and overshadows it.

Enji's atonement arc ends in 426, chap 430 doesn't feel the need to tell us if Enji is keeping up with it despite the hardship, nor how his family is doing. It feels the need to reassure us that people will reach out for him even if he's in hell, that even if he had to give up on his family, he now as a new found family.

It's thematically consistent with the theme of reaching out but... the fact it overwrites the atonement arc honestly FOR ME doesn't work so great.

I think it's an overall problem of the 'reaching out message'.

While in itself is beautiful... it saves nothing I was lead to care about.

In Enji's case I was interested in his atonement arc, in how he could help his kids. I wanted more of that, partly because his atonement arc is so far from my culture, partly because it touched characters I cared about, I wanted to be reassured he would keep on working on it and that his family would be well.

Yes, he should be in hell, but the story didn't really work hard on trying to make me worry for him as it established already a support network for him. The story made me worry for the kids, for Touya, who was dying, for Fuyumi, who wanted back her family and won't have it, for Natsuo, who's marrying an unknown character so young, for Shouto, who has to cope with the loss of the brother with whom he wanted to connect.

I don't really care Burnin, Onima, Kido and Hawks are willing to continue to protect Enji, to reach out to help him, I knew they would, I wanted to be reassured Enji's kids are safe, well and protected. I wanted to see ENJI reach out and help them.

In this vein I don't really care the old grandmother saved a nameless abused kid, or, at least, not as much as I cared for Tomura to be saved. It's nice she saved him, it's nice he gets to live the life Tomura was denied but honestly, he's a mob character with a super tragic backstory created deliberately to force us to emotionally connect to him.

The message he now will be saved is good, but my emotional investment to him is too little.

The same applies to Uraraka's Quirk counsueling program, we knew next to nothing about the Quirk consueling previous program beyond that it didn't work (a real problem in Japan as they have a school consueling program that didn't work... and changes are in progress) and that now it supposedly does.

To how Shouji now solves peacefully plenty of conflicts caused by Heteromorph discrimination, which Horikoshi tossed in later and never really showed how to solve (and, don't take me wrong, it's not solved even by Shouji, he just solves peacefully the conflicts, how is up to everyone's speculation).

Long story short, I think Horikoshi worked really hard for BNHA to have an optimist, hopeful message... but part of it goes lost in cultural differences and part of it goes lost in how the story didn't try to get me invested in the things it's now saving.

So yeah, I'm still sad for this little panel in chap 430

I guess I'll eventually get over it. Today though, it's not that day.

On a positive note... if we count the pages of all the chapters that should go in vol 42 they're only 132. The chapters that were meant to go into Vol 39 had 165 (which yes, Horikoshi further expanded once the volume was released).

So yeah, unless Vol 42 will be slimmer than usual or that he'll add to it some sidestory or extra story, it's possible we'll get more plot in terms of epilogue. We'll see.

(also yes, I'm not touching Rei in this post. Rei is another can of worm entirely and one, I fear, Horikoshi doesn't care about. The poor woman doesn't even get a profile while Ikoma Komari does. And really, I do think Rei is much more important than Ikoma Komari)

Last, but not least, since someone seems to get the wrong idea, in case it wasn't clear enough, I'm not Japanese. I research on this. Through books, through the net and yeah, since I like to read manga and anime also through them which I often use as a source of comparison because they're easy, accessible to many and represent the same kind of media BNHA is so they more or less move according to the same or similar rules. I might have messed up somewhere. I encourage you to also research on the topic and take everything with a grain or two of salt.

[genericpuff]

Webtoon Canvas is pay-to-win now, I guess.

DISCLAIMER: All of the series I show here is for the sake of comparing statistics and criticizing Webtoons' Super Likes system. I have nothing personal against these series or their creators and I do not want anyone to get the impression that I am encouraging any sort of action against these creators. The following rant is merely my own observations and opinions concerning Webtoons itself as a platform.

I found out today that Webtoon has implemented a Super Likes ranking board.

This does exactly what it sounds like - it ranks Canvas series based on how many Super Likes they have. Whether or not this ranking board is on a weekly rotation (like the Originals rankings) or just overall, I don't know, but something immediately felt off with this system and it took very little time at all to realize what was really going on here.

When you actually click on the series listed here, it'll tell you how many Super Likes they've accrued overall. The first thing that made me raise an eyebrow was the fact that the Super Likes listed in the ranking boards isn't the same as what's listed in the comics' landing pages, but I chalked that up to a simple delay on WT's end as I can assume the ranking board doesn't refresh at pace with whatever Super Likes are coming in.

But the real red flag was this:

Limitless : Untold is a series with 1,657 followers and seems to get an average of 35-45 likes per episode.

But it somehow has 1,715 Super Likes?

Anyone who's run a Patreon, Ko-Fi, Ad Revenue, or any other sort of revenue-based system with their content will probably realize how that doesn't add up. The reality is that regardless of how many readers / followers you have, only a small fraction of them will actually spend money on your work or to support you. Not every person reading an Originals series is FastPassing. Not every person reading a webcomic is supporting the creator on Patreon. This ratio is even apparent outside of income-based statistics - for example, not every person who follows will read new updates each week and hit the like button (which is why you can have a comic with 1700 followers that only gets a few hundred views and a handful of likes per update). This ratio can be influenced by all sorts of different things, but one thing that doesn't typically happen is for the ratio to flip itself in this fashion.

To put it bluntly: how can a comic with a high of 45 likes in the past 3 months possibly accrue 1,715 Super Likes since it was launched just last week? You've probably already come to the conclusion on your own, but for those who haven't: there's very strong evidence to suggest that creators are buying their own Super Likes to get on this ranking board.

That's assuming the worst of this, though - after all, maybe some of these creators just have super supportive friends who are tossing them a ton of Super Likes? It costs $1 for 5 of them, in this example the amount of Super Likes comes out to approximately $343 (assuming my math is right lmao) which isn't massive amounts of money but it's, again, still really impressive for a comic with only 40 likes on average.

Bu Limitless : Untold isn't the only one in the rankings board that's like this. In fact, the top three spots are occupied by webtoons with the same tilted ratio.

But then, suddenly, after those top three positions, the following webtoons Super Likes totals that make a LOT more sense and reflect the usual ratio more accurately:

The Little Trashmaid, one of the most popular Canvas webtoons of all time and the first one to hit the 1 million subscriber mark in the Canvas section has only accrued 355 Super Likes so far... and you seriously want me to believe a comic like Limitless : Untold with only 0.08% of its readership is somehow genuinely earning five times the amount of Super Likes?

I want to make it clear yet again that I have nothing against the series that have managed to break the system in their own favor. None of this is meant to "slam" them or judge their work or anything of the sort, I'm simply comparing the numbers here and coming to a very reasonable conclusion as someone who's well aware of how ratios like this tend to work in webcomics and content creation. It's just not feasible for the top three comics in the Super Likes ranking boards to organically earn that many Super Likes relative to the sizes of their audiences, especially when compared to the bigger comics that are only pulling in a fraction of that amount. The ratios of Super Likes : actual likes for those bigger comics actually looks reasonable and expected, the ratios for the smaller comics that are sitting at the top are not.

If anything, Webtoons has created a broken system and these creators are simply using that system to their advantage. And I'm not necessarily going to fault them for that because I can get wanting to do whatever it takes to get eyes on your work.

But it does raise the question of what kind of system Webtoons has cultivated here - a system where creators are resorting to Super Liking their own episodes to bump themselves up in the leaderboards.

And before anyone asks me how I can be so sure that these creators are Super Liking their own works - I literally opted into the Super Likes system myself and proceeded to Super Like one of my own episodes.

(this is like the one helpful thing with my work still being on WT even though I'm not updating there anymore, it lets me test shit like this LOL)

So yes, this is a thing that creators can do and it would certainly explain the massive discrepancy in the ratio of Super Likes : regular likes for these smaller series.

This is literally pay-to-win. And who do we have to blame for this? Webtoons, full stop. Not only for implementing a ranking board for an optional monetization service while still allowing creators to use that monetization system to support themselves as a way to climb up that ranking board, but for creating this gross psychological dependency on the platform as the "only way" to build an audience, to the point that people are now paying Webtoons out of their own pocket just to have their thumbnail visible in a ranking board and maybe get some extra views (and 49% of their money back if they hit that $100 threshold). And on top of all that, further putting on the pressure of competition and 'exclusivity' among many budding creators who are doing what they do for free and for fun. Why are creators now being forced to compete in a metric that's solely determined by how much expendable income their own audience has?

Sure, at least this means creators can get themselves into a ranking board by their own power unlike the other categories that are hand-picked by Webtoons and / or determined by daily stats, but at what cost? The literal financial hit of paying for advertising with extra steps, and the ethical dilemma of essentially paying for potential views with microtransactions. This is no better than paying bots on Instagram to follow your profile and inflate your worth to those who aren't following you. None of it is real, it will not legitimize your work to throw money at Webtoons just to have your thumbnail visible in a ranking board. These are microtransactions meant to benefit Webtoons, not you, the creator.

[official-magolor-archive]

Magolor's Fun Facts #2!

Hi there, everyone! This is the second post in the Magolor's Fun Facts series, where I post interesting and obscure facts about Magolor!

This one certainly isn't an entirely new discovery like Magolor's Fun Facts #1 was, but it's obscure and fun nonetheless.

This fact is... Magolor News, a series of 9 articles published on the official Japanese Nintendo website to promote Team Kirby Clash Deluxe. All of these but one are intended to have been written by Magolor himself during his time in the Dream Kingdom.

While plenty more happens or is discussed, I'll just be summarising some of the highlights here!

• Magolor frequently talks about or insinuates how great, kind, popular, etc. he is. My favourite examples of this are when he talks about how moved everyone was when they played songs related to him at the Kirby 25th Anniversary Orchestra Concert and when he assumes the reason for the reader's sadness is that they haven't seen him in a while. • Says he's just a weak general store owner, which is an obvious lie. • Magolor tells the reader that Kirby recently turned 25, and that he hopes readers will celebrate his own 25th Birthday/ Anniversary soon.* • Makes readers solve puzzles for Gem Apple passwords in one article to make up for their "greed" in using previous ones. • Explains how to defeat Taranza and says he isn't very strong. The machine translation I'm using even ended up giving me the line "Let's beat up Taranza!" • Susie, seemingly the main one from Kirby: Planet Robobot, is transported to the Dream Kingdom through a Dimensional Rift. She puts the planet on the list for the Mechanisation Project and while Magolor is away, she takes over the Shoppe, redecorates it with pink sparkles, puts gear based on her on display in place of the Magolor-themed gear, and eats Gem Apples that were for sale after turning them into sorbet. Magolor chases her away upon returning, but apparently she was very noisy. • At the very end of the final article, Magolor asks to stay friends with the readers.

Again, those are some of the highlights, but there's plenty more guides and fun moments which I implore you to read using your browser's translation tool! It'll be a bit rough, but the vast majority of it makes sense. Here's the link to the first article!

See you around and a take a GREAT BIG THANK-YOU from me for reading Volume #2 of Magolor's Fun Facts!

*NOTE: I am using machine translation. Based on context I do believe Magolor is saying that Kirby actually turned 25 , even pointing out how surprising that is, and he says that he "wants" (likely meaning he's just fooling around and/or wants to be in the spotlight like Kirby was) to have his own 25th anniversary soon, but it could be intended a bit differently. Anyway, if anyone who can speak/translate Japanese has anything to say about this, please let me know whenever you can! It's at the end of the second Magolor News article.

[eruanee]

On Round 7 and the utility of sacrifice

⚠️ ROUND 7 SPOILERS ⚠️

I wanted to use this post to respond to some criticism I've seen circulating about Round 7 — it mostly being about Till's death making Ivan's sacrifice useless.

To be fair, this post doesn't aim to dismiss anyone's feelings or criticisms about R7 or Till's (presumed) death, they're all incredibly valid! I even have my own that I will talk about later. This post's only goal is really just to start a conversation about the general narrative of ALNST and how to write a compelling narrative in general. No matter what I'll say, people resonate with stories differently and expect different things from them, and that's okay!

Personally, I truly didn't expect Till to die. Before R7 came out, I even texted a friend saying this:

– If one of them has to die, I think it'll be Luka. Till's protagonist syndrome is too strong and his death would be narratively flat, I believe. – Yeah.

And well, shot missed, unlike the one that shot through Till's neck.

Though, I really do believe Till might not be dead, not only because of the #copium but this isn't really the point of this post — I will assume he is so I can discuss what his death would actually mean to the narrative and how it would impact it.

I understand that no one (including myself) expected R7 to go that way. A lot of it had us realizing we might have gotten some elements of the story wrong — something I didn't take into consideration is that the round was probably rigged to make sure Luka would win, which makes sense because of course that Alien Stage isn't the fairest competition (and if Ivan's pictures on the billboards aren't part of Till's hallucinations, this is plainly evil).

R7 also had us wondering what the goal of the rebels truly is: did they even intend to save Till? If not, why did they save Mizi, what did they see in her? Unlike what I first thought, like many others, it seemingly wasn't a rescue mission.

When I watched R7 for the first time, I audibly gasped the moment I saw the "Luka wins" sign appears and Till being shot down. And I thought "Ah, so that's the kind of story VIVINOS wanted to make." I was already a huge fan of their work before ALNST began, mostly of their horror stuff. When I watched it, I knew I was about to sit in front of absolutely devastating content that would leave me sick. The tragedy was always cruel, often unrewarding, but I would always ask for more. Good thing ALNST now exists, uh!

I mention this to state I went into ALNST expecting roughly the same thing and it's essentially what I got. I didn't expect Till to die but his death, in a way, didn't surprise me. Did it make me sick though? It sure did!

I do agree R7 feels incomplete. I think it's interesting that I have not a single idea of what's going to happen next, but my biggest regret is indeed that Till's death doesn't seem to do justice to his character or characterization.

Till, the rebellious misfit, always breaking rules to the point he has to be physically restrained, completely beaten by despair and trauma once again, dying on stage after he got a slight glimpse of hope he can never actually reach.

This is peak tragedy, and a beautifully animated one at that, but it doesn't feel like a compelling character development. If Till is truly dead, then he dies with the potential of being so much more. And this is truly sad and disappointing.

And this is why his death would make me sadder than Sua's or Ivan's. They got to choose their deaths and what it would mean for them, Till didn't. He was suffering and overwhelmed. He only accepted his fate because he got to know Mizi was still alive before his final moments. He got to die in her embrace, which is probably the only thing he could've asked for if that were to happen.

Sua's death got to introduce us to the reality of Alien Stage.

Ivan's death was an emotional climax. It conclused his character arc in a devastating way, but gave him a meaningful ending nonetheless.

Their deaths let us understand what kind of world Alien Stage takes place in : a cruel world where humans are pets to aliens, if not simple disposal. A world where feelings are never reciprocated until it's too late, where you long for something impossible until you realize you should've paid attention to what was right in front of your eyes, too.

Alien Stage is a show where the candidates' suffering are seen and consumed as mere entertainment.

In this system, I believe Sua's and Ivan's meaningful deaths are anomalies. Till's death is the standard. An extremely unfair event, result of an extremely unfair competition. This isn't about who deserves to survive, but about who manages to. If anything, I think the aliens are relieved Till is dead, as he was mostly a bother to them. Luka is beloved and accommodating.

A world where death is the easy escape, if not almost a selfish one. Sacrifice is an act of love, but also an act of egocentricity. The sacrifice aims to be remembered as selfless and generous, but in the end, they only "run away without any sense of responsibility". The gift sounds beautiful when actually, it might only be rotten.

In such a world, how can a sacrifice ever be useful? I guess Ivan's wasn't. A sacrifice only happens to create a possibility, a chance, a what if.

Another very frustrating part of Till's death to me is that I thought he had the power to be a protagonist. I still stand by it but he was robbed of this agency. Him being used as a narrative device for Mizi's protagonist plotline (at least that's what I believe) feels a bit cruel, even narratively.

Alien Stage can be a frustrating story because it seems there is no way out, which is ultimately not something people are seeking for very often in a story. I still hope there's a way out somewhere, maybe not for Till, but that would already be something.

As for now, it seems Mizi's role is to manage to make Sua's sacrifice, as well as all of these deaths, worth something. This is the 50th season of Alien Stage. The pile of corpses is leaking red.

I do wonder where the story is going to head.

At the very least, Till wasn't unknown till the end. You could say that being loved, even for a blink, makes one's life worthy to be lived.

[comically-callous]

So I am totally in love with Regulus and I saw you were taking requests for him so I thought I would ask for an idea that has been on my mind for a bit.

So basically it’s grumpy x sunshine with Reggie and Fem!reader. Maybe there in the library and Reggie is listening to reader go over the books she's read like she rambling as Reggie just listen and occasionally comments you can add more if you like!!

If this makes you comfortable please feel free to ignore this request!

OMG YES. GUYS I FUCKING LOVE REGULUS BLACK.

Sorry. I'm normal.

Regulus black x Fem!Reader

A/n: I didn't wanna write about a book no one knew about, so I decided to play it safe and make reader like Romeo and Juliet. Also my requests are open (and I'm always happy to write about my babygirl, pookie bear, pathetic little meow meow, Regulus Black)

Regulus honestly didn't know how he got to this point. Y/n was never supposed to be anyone special to him. They'd been partnered up together for a Herbology project and as soon as it was over, he was supposed to never talk to her again.

But, of course, as always, things couldn't be that simple for him.

And now, here he was, studying with her almost everyday. Studying might not be the best word for it, a lot of the time it was just the two of them hanging out in the library together. But, he wasn't going to admit he enjoyed hanging out with Y/n. Just like how he wasn't going to admit that he'd developed feelings for her.

The two of them sat in the library like they did almost everyday. Y/n was rambling to him about a book she had to read for her history of magic class.

"I just don't understand why assigned reading is always so boring. That's the reason so many people don't like reading, I think. It's because they only read books that they're forced to read in school, and almost all of those books are boring, so they assume every book is boring, and then they hate reading."

Regulus was used to this. Y/n was always quite talkative. She could go on for hours about pretty much any subject. He didn't mind. He liked listening to her.

"The last time I remember actually enjoying a book I was forced to read for school was when I read Romeo and Juliet. But, a lot of people hated reading Romeo and Juliet, but I think that's just because it's written in old-time-y language, y'know?"

"What's Romeo and Juliet?" Regulus asked curiously.

Y/n paused at that. "Seriously?"

Regulus felt himself begin to blush. Was he supposed to know what that was? Did he sound dumb? "I mean, I know it's a book, but..." he shrugged.

"You've never heard of Romeo and Juliet."

He shook his head.

"How is that even possible?" She chuckled. "It's a classic! It's the classic. I thought-"

"Is it a muggle book?"

She paused at his question. "Well, yeah."

"That's why I've never heard of it. My mother doesn't let me read muggle books."

"Not even Romeo and Juliet?" Y/n shook her head. "That's insane."

"Yeah..." Regulus sighed. His mother was one of the reasons he couldn't admit he had feelings for Y/n. His mother would definitely not approve of Y/n. She wasn't the type of person that the Black family associated with. She was too bubbly, too kind, too accepting of others despite whatever differences they might have. Too happy.

"Anyways," Regulus shook the thoughts of his mother out of his head. "What's it about?"

Y/n smiled. "I can't believe I'm about to explain the plot of Romeo and Juliet to someone."

"Sorry..."

"No, no! I'm excited. It'll be fun." She said reassuringly. "Ok, first of all, it's not really a book. It's a play. But, you never get to just watch the play, you always have to read it in school." She explained. "It's a tragedy written by Shakespeare who's like, a super important guy who wrote a bunch of plays during the Renaissance."

Regulus nodded along as she spoke.

"His most well known play is Romeo and Juliet, which is a romantic tragedy about two starcrossed lovers."

"So..." He was curious now. "What happens in it?"

"Are you asking me to spoil it for you?"

"I guess."

"Romeo and Juliet both die at the end." She says. "Which technically isn't a spoiler, because at the very beginning of the play, there's a prologue where they tell you 'Hey, they both die in the end', but whatever."

Regulus didn't expect that. "And you... liked reading this?"

"Yeah." She shrugged.

"Why?"

"Well..." She thought about it for a moment. "I've always liked romance. And even though this one obviously doesn't have a happy ending, it's still a classic. And I like seeing all the different adaptations of it."

"Adaptations?"

"Oh!" She lit up. "That's another thing! Another reason it's so popular is because there are a bunch of different versions of the story. People make movie versions of it all the time, there's this really good musical, west side story that's based off of it." She gasped. "We should watch one together!"

He blushed at the thought. Watching a movie with her? Like a date? "We should?"

"Yeah! I mean, only if you want to. But, I think it'd be really fun!"

"So..." He looked away. "Tonight?"

"What?"

"I mean, do you want to watch it tonight?"

Y/n was a bit surprised he was so eager to do this. "Yeah. Yeah, sure." She smiled. "We can make popcorn, and get a bunch of blankets and pillows, make it a whole experience." She gathered her things from the table they were sitting at. "Does that sound good?"

Regulus nodded, a small smile playing on his lips. "Sounds amazing."

"Great." She gave him a quick hug. "I'll see you tonight."

Maybe her eyes were playing tricks on her, but she could've sworn she saw a blush creep on to his cheeks before she turned to walk away.

[atopvisenyashill]

why do you think jonsa is happening tho? jonerys is different bc they are going to be enemies, but i don’t see what jonsa does for the story

so let me first lay out roughly what i think is going to happen should jonsa become canon. I personally love going down meta and graphic spirals, so I'm including links to other people’s theories/explanations/graphics of events too - also I would like to shout out @istumpysk because half these metas and gifsets were stuff I found on their blog initially, and also was the one who really convinced me that jonsa is less of a crackship and more of a contender for an actual canon theory, and from there i really found my niche in this fandom. specifically this meta about jon being the mummer's dragon is what pulled me out of my "we're never getting twow and if we do it's just gonna be that stupid dany has jon's magical baby while tyrion watches, then they all die theory" slump and lit my brain on fire again. let's goooo:

The Ashford Tourney Theory - Something Shady goes down at the tourney Petyr has planned that requires Sansa to make a quick getaway, and likely causes her to run into Brienne while fleeing. This theory for me is about hinting at Sansa's romantic future, allies, and how she's getting the hell out of the Vale: both the dark haired, Not Targ Looking Targ Prince that is the son of A Great Prince That Never Was being her romantic endgame but also it's about Brienne (/Dunk) getting her the hell out of there and becoming Sansa's number one ally and protector (with Sansa's number two being Bronze Yohn!! But he's not fleeing with her - if he helps her get out of the Vale, it'll be to cause a distraction or a fight so Sansa can slip away unnoticed. Bronze Yohn is coming with the knights of the Vale later to help defend his girl!).

The Girl In Grey - Out of options on where to go, Sansa & Brienne makes a long, fast, and dangerous trek to the only family she knows is still alive: Jon Snow at the Wall. No, I don't think Alys Karstark is the girl in grey on a dying horse; I think she's a red herring, the same as the scene where Sweetrobin destroys the snow castle, and that the real girl in grey (who slays the savage giant) is Sansa. Melisandre says that she sees "Jon's sister" but doesn't specify more than that, or how she knows it's Jon's sister, even - why would she assume Alys is Jon's sister and not some random Northern girl? Why was she so sure that it was his sister? It's because Alys isn't the girl in grey, it's Sansa, her horse dying because she's traveled halfway across the continent with Brienne and Pod, desperately trying to keep ahead of the dozens of people hunting her down.

The Blood of Winterfell - Sansa and Jon will reclaim winterfell together. This one is similar to above; just like Alys was a red herring, the scene where Sansa rebuilds the castle has a lot of foreshadowing (imo) but that isn't the moment in the prophecy Arya hears. The Savage Giant is Littlefinger, the castle of snow is Winterfell, and Sansa is going to liberate her home alongside Jon and what's left of the Northern lords.

Stone and Snow Remains - THIS is where Sansa and Jon will fall in love while fighting for the North. This is also the part where you lose a lot of people, because they think the evidence is real weak sauce but like, I also think the Jonerys "evidence" is weak af too (and no wonder, we have at minimum 2k pages left to get through!!). There's several believed foreshadowing points to this one, bare with me for this weird ass formatting because I can't do sub bullet points on tumblr:

1. Sansa's linking of snow with love and affection - "drifting snowflakes brushed her face as light as lover’s kisses, and melted on her cheeks...She could feel the snow on her lashes, taste it on her lips. It was the taste of Winterfell. The taste of innocence. The taste of dreams." along with her snow maiden and snow knight.

2. Bael the Bard and the Rose of Winterfell - the chapter where Sansa gets her period for the first time, Cersei refers to it as “flowering” a dozen times, linking being a maiden (a young girl, not quite of age or just barely of age) to flowers and several people refer to sex as ~plucking. Also notice the one who stole her from KL is Lord BAELish.

3. Aemon the Dragonknight & Queen Naerys - Sansa compares herself to Naerys, Joffrey to Aegon, and wishes for an Aemon, among the many similarities between her life and Naerys'. Jon not only calls himself Aemon, he has a deep connection with a different Aemon Targaryen. And if you’re thinking “Sansa isn’t Naerys, X is Naerys” I would remind you that Sansa as a character existed first, George purposefully had her compare herself to Naerys, and parallels don't belong to just one character.

4. Jenny of Oldstones and The Prince of Dragonflies - there's honestly a lot of parallels between them but like the Aemon/Naerys parallel, the Jenny/Duncan one stands out to me.

5. Janos Slynt - I mean. Iconic. This was the scene that made me first think about what their relationship could be in the future and there’s a reason Jonsas fixate on it. It’s about Sansa being desperate for a hero and the hero she dreamed about being Jon the whole time. 6. Societal Alienation - There's the bastard parallels here, the "it would be so sweet to see him again", the "Winterfell belongs to my sister, Sansa." It's about how Jon, through circumstances of his birth, finds himself alienated from the rest of society and reconnects with his prim and proper sister Sansa, who finds herself alienated from the rest of society as well but for vastly different reasons.

Robb’s Will - Howland is going to show up in the North, along with Maege and Galbert, with some WILD news about why Jon can’t rule Winterfell. There’s a lot of contention around this. Bran probably shows up around this time too, and Arya gets to the Riverlands to discover Lady Stoneheart and give her the gift of mercy. This is where all the inheritance stuff is going to happen and I have no idea how it's going to go down besides it's going to be messy as all fuck.

The Pact Of Ice And Fire - Jon & Sansa get secret married bc they’re in love, not siblings, & jon is the only man she trusts not to steal her claim. This isn't the only possible foreshadowing instance of a marriage either - some believe the Sandor/Sansa scene during the Battle of the Blackwater is foreshadowing as well (personally I feel that's a bit of a stretch but I wanted to include it anyway).

Jon As An Envoy - I talked about this in my "what's Jon's ending" a little but I believe Jon will act as an envoy for either Sansa or Bran to Aegon VI, essentially playing out a similar story that he does in the show with Daenerys. By which I mean, Jon is not the King because the ruler themselves do not go as an envoy, that’s stupid and dangerous, but he goes as an ambassador for Sansa or Bran, to treat with a new claimant to the Iron Throne that is gaining support - Aegon VI & Jon Connington. They will probably clash, Jon will probably have yet another identity crisis, there had BETTER be gay incest subtext, then Aegon dies, and Jon has his sixth quarter life crisis in a row.

“King” of the Gift - again, something I touched on in my Jon meta is that I think he’s going to have a hand in resettling the Gift. Personally, I think it's likely that Jon leaves to protect the claims of his siblings (see: Duncan and Jenny) and goes to the Gift to help resettle it to keep out of the way. This ending is typically referred to as the "bael the bard" ending but i like to think of it as the "brandon's gift" ending instead - though he is not physically with his family, Jon feels fulfilled having confirmed his family loves him through reclaiming Winterfell and marrying Sansa, being reunited with Arya, and being given the Gift by Bran. Sansa claims her children were fathered by a wolf.

So…what does all this do for the story?

Well, in my opinion, several things.

I think the main barrier here is that most people in the greater fandom describe Sansa's story as ~growing past childish wants~ and Jon's as ~rejecting love~ and I do not agree with either of those takes even a little bit. This is where (imo) the dividing line between Jonsas and the rest of the fandom is. I don’t think the answer to Sansa’s question “will anyone ever marry me for love” is going to be “nah" - that's not just a sad story to me (wanting to be married isn't childish! craving intimacy and understanding isn't childish! it's also not wrong for a child to be childish!), I think the idea that Sansa (or Jon) will not find another love just doesn't line up with how George approaches his story. Who Sansa's husband will be has been such a big question, and her story is so heavy into the more romantic tropes like courtly love and chivalry and the line between politics and love and identity, that the question of Sansa's hand in marriage will be plot relevant. I also think it's kinda naive of people to pretend like George isn't very interested in the sexual dynamics of the characters he writes about (yeah, sure, no woman needs a man but "needing a man" is not what this is about. look at everything this man wrote in F&B and tell me he is going to write a female character that longs for sex and desire and doesn't get it!).

After AGOT, nearly every time Sansa thinks about marriage involves her longing for love but believing she will never get it because a man will only ever love her for her claim. Giving her a man - like Jon - who not only will not steal her claim and in fact has defended it twice over already, who will love her for who she is and not what she can give him, is a really important aspect of her story in my opinion.

As for Jon, I am even more firmly against the opinion that his story is about rejecting love; Jon’s story is about wanting to be a good man, to measure up to his father ~despite~ his bastard blood. When Aemon asks if Ned would choose honor over love and Jon stubbornly says yes, Jon is wrong and it’s important to not forget that. Ned has never once in his entire life chosen honor over love; he chooses his daughter’s life over his honor, he chooses his sister & her son’s life over honor, he chooses Arya & Nymeria over honor, and on and on!!! Ned chooses love at almost turn but none of his children know that just yet - look at Robb choosing Jeyne’s honor over his own and how upset he is at the idea that Ned would be disappointed despite the fact that Ned would have understand Robb’s decision! Jon's whole arc is tied up in realizing that it is not wrong or dirty to feel and choose love, passion, and desire and if he never has another romantic arc again, I think you lose the second part of that lesson which is "you are responsible for how you act when you feel love but that doesn't mean that simply choosing love makes you a bad person."

There's also the fact that George has talked a lot about "who lives, who dies, who gets married" and yet we have not one marriage at the end of the show AND there's not a lot of guesses at what "who gets married" means besides Jon/erys (and even if Jonsa doesn't happen, I simply do not see Jon/erys happening. they are not similar enough, they will not be in the same space for long enough, and they are on wildlly different trajectories for their story, they are not getting married let alone having sex). I think Jonsa fits that bill very well.

These various theories - from Sansa being queen, Jon living in exile, The Ashford Tourney Theory, the secret marriage, every one of them - are ideas and themes that I have really been thinking about for about 12 years now. I think Jon and Sansa's relationship could fit with the themes in their stories, the overarching themes in the books, and my own personal opinions. I think it gives George a great opportunity to delve into the courtly love aspects he enjoys so much, as well as delve into inheritance, legacy, legitimacy, honor, incest (yes, that too), and above all, what George himself has said the whole series is about - love. The human heart in conflict with itself is what I think Jon and Sansa as a romantic couple does for the series.

[carionto]

This has probably been transcribed before but I don't know what tags to find it under, so imma just do it again cuz this kind of stuff feels very relevant to know, more evidence that Humans are weird as fuck and our brains just make shit up. [Twitter thread by user named foone as a long image I stumbled upon on Pinterest]: _______________________________

You want to know something about how bullshit our brains are? OK, so there's a physical problem with out eyes: We move them in short fast bursts called "saccades", right? very quick, synchronized movements. The only problem is: they go all blurry and useless during this

Having your vision turn into a blurry mess every time you move your eyes is obviously not a good idea, so our brains hide it from us. Now imagine you're an engineer and you have this problem

You've got some obvious solutions you could do.

make the vision go black during movement. (Some VR games do this!)

just keep showing the last thing we saw prior to movement

Both are good options with different downsides, but OH NO. this is assuming everything makes sense and is chronological and (regular) logical.

Your brain does neither of these options, really.

First, it basically puts your visual system on "pause".

You're not seeing blackness or even nothing, you're just not seeing period.

then when you finish your saccade, it shows you what you now see at the new position. and then it pretends it can time travel.

It seriously shows you the image at the new point, but time-shifts it backwards so that it seems like you were seeing it the whole time your eyes were moving.

And because your brain is not a computer with a consistent clock, this shit works.

You can see this effect happen if you watch an analog clock with a second hand.

Look away (with just your eyes, not your head), then look back to the second hand.

It'll seem like it takes longer than a second to move, then resumes moving as normal.

That's because your freaking visual system just lied to you about HOW LONG TIME IS in order to cover up the physical limitations of those chemical camera orbs you have on the front of your face.

We've known about this effect for over 100 years, it's called "Saccadic masking" and more specifically Chronostasis. Your visual system lies to you about WHEN things happen by up to half a second (!) just to avoid saccades blurring everything.

So while I firmly believe we're basically just overgrown biological computers, we're apparently computers programmed by batshit insane drunkards in Visual Basic 5.

And you might think "hey wait, wouldn't my vision 'pausing' for half a second have all kinds of weird effects on moving objects? why don't they appear to stutter when moving?"

and the answer is simple! your brain has EVEN MORE UGLY HACKS on top of this to avoid you seeing that

If you've got a clock where the second hand doesn't "tick" but instead smoothly rotates, you won't see this. Because your brain recognizes it's moving and adjusts what you see to make sure it sees the "right" thing.

It's only really obvious with periodically moving things like a clock hand, because it's not moving (so not triggering the movement-during-chronostasis hack) but it moves at a set rate, so you can notive that rate appearing to change.

It's tempting to think of your eyes and visual system as a camera just dumping a video feed into your conscious brain but taht's so very, very not the case. What you think you see and what your eyes can actually see are two exceptionally different things.

The big obvious one being the blind spot. Vertebrate eyes are wired backwards so we've got a blind spot in each eye where the enrves enter into the eye. About 6 degrees of your vision in each eye is just not there, as there's no light sensitive cells there.

Do you see a blind spot, right now? No, you probably don't. Close one eye! There's now no way for the other eye to fill in the gaps. Still, no blind spot… Your visual system is lying, and making up content it thinks is there. You literally cannot see what you think you see.

Here's another one: You can see in color, right? (well, some of you can't. Sorry) You can see in color all throughout your vision, it's color everywhere?

Well, most of the cone cells (Which are sensitive to color) are in the fovea, a little spot in the center of your vision.

So outside of that center-of-vision spot, you have very little color perception. There's some but it's very limited compared to your main color vision. But I bet if you shift your attention to your peripheral vision right now, it's in color.

Your vision system is lying. It's remembering what colors things are and guessing and filling in the gaps. It's basically doing a Ted Turner colorization process on your non-central vision.

There's even weird effects like what's called "Action-specific perception". If you get a bunch of white balls of various sizes and toss them at people then ask them to estimate the size of the balls thrown at them, they'll have a certain size estimate, right?

Now repeat the experiment but ask them to try to hit the balls back with a bat, and suddenly all the estimates shift larger. They actually see the ball as bigger because they need to hit it. Their vision is exaggerating it to make it easier to see!

Which just goes to show, like I said, your vision is not a camera. Perfect accuracy is not one of its goals. It does not give any shits about "objective reality", that's not important.

What's important to the evolution of the visual system is any trick that helps you survive, no matter how "dumb" or "weird" it is.

So if you want an accurate visual representation of what things look like? Use a camera. Not your eyes.

In any case the original point was that while you might know this about your eyes being poor cameras that lie to you, you might still think that at least they're consistent, time-wise. They don't screw with your sense of time passing, just to make up for visual defects. NOPE!

If you can't get it don in time, turn back the clock and pretend you did. That's a perfectly good solution when you're the visual system.

BTW @/hierarchon reminded me of a neat trick with saccadic masking: go look in a hand mirror. No matter how close you bring it to your eyes, and how much you look around, you will never see your eyes move. You're blind during those movements. But you still think you are seeing.

She additionally pointed out that your phone's selfie-mode is NOT a mirror, and it has a slight delaye, so you can see your eyes moving in it.

And for fun, here's wikipedia's example of the blindspot. Stare at L with only your left eye, adjust the distance, and the R will disappear. You don't see "nothing" or "black", you see the background, because you expect to.

This is why laser damage your retina can be so insidious. Your visual system already can hide "holes" in your vision, what's one more to hid? So you damage a small spot of your retina and your visual system covers it up.

But since you didn't go "WELL THAT WAS TERRIBLE I BETTER TAKE BETTER CARE OF MY EYES" and stop fucking with lasers, you keep doing it. Eventually you accumulate so much damage that your visual system simply cannot manage hiding it all and your vision rapidly degrades.

The other reason lasers are so dangerous is that they don't necessarily trigger the same responses as regular incoherent light. Your pupil reflex is only triggered by some special cells in the center of your eye, so an off-center laser might not cause your iris to contract.

And infrared laser light is just as dangerous as visible laser light, but can't trigger your blink reflex. Your eyes automatically close when exposed to bright light, but they can't detect infrared light. Despite not seeing it, it still causes damage.

Anyway, back on how amazing and crazy your vision is: There was an experiment back in 1890 where someone wore glasses made with mirrors in them to flip their vision. After about 8 days, they could see just fine with them on. Their vision system had started "flipping" the image.

(I say flipping in quotes because it's not as simple as it started showing the pixels at the top row on the bottom row, cause our vision doesn't work like that) It only took them a few hours to get back to normal after taking these glasses off, though.

The last really fun part about this flipping experiment: your eyes already do it. Based on how our vision is wired, we should be seeing everything upside down.

We don't, but only because our visual system has had a whole life to adapt to this.

BTW, since a few people have brought it up: There's a great sci-fi novel by Peter Watts called Blindsight. In it humans encounter an an alien race they call Scramblers, who can move very fast and precisely, and they exploit saccades.

Because if they only move during saccades, we never see them moving. And since so much of our vision is based on just filling in what we think is there, if they stay out of the direct center of our vision, we'll just visually fill them in, like they were never there.

Check it out if you're into hard SF stories of first contact. It's got some really neat ideas about human vision, very unique aliens, the future of humanity in the face of perfect VR, and vampires. (Really, it has "vampires", while still being hard-SF)

BTW, remember how I said "vertebrate eyes" up there? Guess who has eyes which are wired forwards instead of backwards (have no blindspot), have an internal lens, and can even see polarization of light? Our good friends the Cephalopods!

[dreamingsnowflake2013]

THIS! The way ZYZ assumes the role of ZYC's older brother he killed! ZYC spent the better part of his life fearing he might become a demon, back then his older brother found a way to comfort and help him, and now when it actually happens, ZYZ is there for him, protecting him, taking care of him, fighting for him and findings solutions to help him. And that's why I believe it'll be ZYZ's death that will ultimately break him and turn him into a recluse, because he will have to kill the man who's become both his best friend and older brother, only to lose another sibling again.

It's ZYZ who constantly protects him, it's ZYZ he allows himself to rely on and trust, it's ZYZ he turns to when he is at lost and when he needs the world explained to him. BJ is definitely going to die and ZYC will feel like he failed to protect a younger sibling, but losing ZYZ will mean losing his only support system.

ZYC is so powerful, self-reliant and wise for his years that only someone stronger, older, wiser and someone who actually can make fun of him and doesn't take himself too seriously can do. In a way, ZYZ is his anchor and guide(post) and without him he will become lost.

All the foreshadowing and inversed parallels! ZYC and ZYZ changes places in the cell and the same dead look. Even if it's only for a short while, it's ZYC who wants to die and who is imprisoned by his own self-loathing and suffering while ZYZ wants to live and wants to save him, not kill him.

I can't! They are really a family now, the fact ZYZ takes over the role of his older brother and also that demons have been protecting him his whole life.

[noyasaur]

things i'm interested in as a shifter (who hasn't shifted yet) ♡

★ . the experience of experiencing different selves!

coming from somebody who has not shifted to their desired realities yet, this is something that intrigues me so much as i haven't heard many shifters talk about this. let me explain myself a bit.

from my understanding, i believe when we shift realities obviously we become aware of ourselves that already exist in another reality. basically, when we're only aware of one reality at a time, but underneath it all, we are existing in an infinite amount of realities at the same time. so, when we shift, we just choose what perspective/reality to shift to and experience. so, when i shift i'm going to be experiencing myself in another reality: a different self with a different body, different upbringing, different childhood, different friends, different interests, and so on (even though my dr self is just variations of my self in this reality, since it's the identity i feel most comfortable with).

i'm especially interested to see how my perspective will change after experiencing different lives as different selves. how will changes in things such as, my childhood, my personality, my upbringing, my friends, my body, my family, my friends and other certain aspects will affect me as a person in that reality. i wonder how it'll affect my view on my identity and who i am.

like i'm over here experiencing different selves, will i even see myself to have one identity? will i no longer i feel that i have a set identity? how will it feel experiencing myself with major changes to myself that affect me daily, such as my anxiety , my fears, my worries, etc. how will it feel experiencing different bodies, mindsets, and lives, even though while different, at the same time they're all me because when i shift, it'll be like i've lived there my whole life (which i have, i'm just not aware of it yet).

★ . my view/perspective on life!

i often wonder how my view/perspective on life, the universe, and my existence will change after shifting. will it change at all, or will it not. will i go through some sort of existential life crisis?

i feel like once i experience shifting to different realities, it'll actually hit me that this is my reality. that everything that's been taught and conditioned into me about life and society is different. i don't have to live one life. i can instantly have my dream life and desires in the blink of an eye. i have the power to do so (i do already, just gotta get it into my head fr 🙄).

how will i feel once i've officially broken free from the chains of this reality, knowing i actually have the power to live a million different lives, learn a trillion different things, and experience many different selves. so easily and effortlessly. it already blows my mind now, but how will i actually feel once i've truly succeeded? how will my view on life change once i've shifted to at least ten different realities? how will my experiences affect me and my perspective on life and existence?

★ . death and immortality!

the idea of death literally scares me to death. before knowing about shifting, literally knowing that death is inevitable would send me into a spiral. however, also knowing that i can just shift realities and live a million different lives to essentially escape death, scares me just as much.

like will i ever just get to a point in my journey where i'll just let myself die? what happens then?

will i just shift to another reality where i assume i will go to? or will i restart the cycle again?

or maybe after i've shifted to many, many, many realities, and my views on life and reality has changed, will i just choose to die and shift to a reality and start afresh, where i forget about reality shifting and my experiences completely? and then the cycle starts again. and maybe, this what has happened before. living endless lives, then dying, and living, then dying, and living, figuring out how to shift, and then repeating the cycle again.

will my awareness ever reach a point will it will cease to exist? but energy can't ever be destroyed, so does that mean i'm forever to be in a cycle of living and dying?

both the idea of death and immortality suffocate me.

what things interest you about shifting?

[jpitha]

Between the Black and Gray 58

First / Previous / Next

Fen rushed through the airlock into Home. "Where is she?" she said, looking around. She was wearing her Empress uniform, but it was mussed and Gord thought that some of the buttons looked like they were not right. He thought that was odd, Fen was always very put together when she was in her role as Empress.

"Fen!" Zhe said as she came into the dock. She had taken a shower and was in clean clothes, her fur still damp. Running up to Fen, she dove into her arms. "You came!"

Fen caught her easily and smiled. "Of course I came, Zhe. When Gord said he found you and you were in a beat up escape pod, I rushed over as soon as I could. "She put her down gently. "What happened? Where's Northern?"

Zhe looked away. "She's... changed Fen. I don't know what happened. Did you know she was a warship? Before, I mean." She looked at Gord and looked back to her. "And again now, I suppose. She's said that Parvati is independent! They want to break away from the Empire."

"They what?" Fen stared hard at Zhe. She didn't look like she was lying, or if she was she believed what she was saying. "Parvati is breaking away?" Her head whipped over to Penny. "Did we know this?"

Penny flipped open her tab and scrolled a little, her slender fingers tapping. "Nothing on the main channels, I'll reach out to the backchannels Fe- Empress."

Fen shook her head. "Zhe is an old friend, Fen is fine."

Penny smiled. "Okay Fen."

Zhe watched the interaction between them. Even though she was K'laxi, Zhe could read human body language. Without the fur that K'laxi had, she actually found it easier. She thought that humans exaggerated their body language, and hardly anyone picked up on it! They were all open books. There was clearly something going on between them. "Fen, aren't you going to introduce me?" She flicked her tail in amusement.

"Oh! Yes!" Fen sputtered, but only for a moment. "Zhe, this is Penny, my assistant and... friend."

"Friend?" Zhe giggled, with a quiet barking noise. "She sure seems like more than that to you Fen. Calling her a friend when she's more doesn't seem nice to her."

"Uh" Fen blushed crimson red. "Yes, she's very... special."

Penny's smirk intrigued Zhe. She was clearly enjoying this. She bowed her head slightly. "Pleased to meet you Zhe, Fen has talked a lot about you."

"Has she now?" Zhe's ears flicked. She was also having a bit of fun at Fen's expense. "We'll have to discuss what she said about me-"

Gord cleared his throat dramatically.

"-later." Zhe said, glancing at Gord.

"I appreciate you coming to quickly after I called." Gord said. "But I assume that you'll be missed if you stay very long. If she's up for it, why doesn't Zhe go with you back to Venus?"

"Yes! That's a wonderful idea, Gord. What do you think, Zhe? Want to come back with us to Venus?" Fen said. She was just happy the conversation moved away from Penny and Zhe ribbing her about Penny.

"Sure, I guess. Are things going to be weird on Venus because I'm K'laxi?"

"Not at all! I've got entire labs of K'laxi helping us with research. You should see some of it Zhe, it's real wild stuff. I have K'laxi on staff, and even some Sefigans have been invited down to work with us. One of the few nice things about being Empress is that I can tell people to do stuff, and they actually do it! I said that we're going to stop all this Humans First nonsense, and they did!" Fen was becoming more and more animated as she explained more about what she was doing.

"Or they moved it underground." Zhe said

"I suppose..." Fen said. "But that's not important now. Come with me, let me show you around, it'll be like old times."

Later, aboard the ship Fen had commandeered, the three of them were eating dinner in Fen's quarters. The Captain had given up her room for them during the trip. The link to Venus and landing was only going to be a couple of hours.

"Okay, so give me the details." Zhe said, around a mouth of food.

"Details?" Fen said, but her cheeks started to flush again.

"Hah! You know what I mean, I can see it on you. How long have you been with Penny?"

"Oh, um, half a year or so." Fen said, blushing again. "She came on as my assistant and she was so good at it. She really helped me get a handle on this whole Empress thing. She's just so smart, and capable and and..."

"And pretty?" Zhe said, smiling.

"So pretty, don't you agree?" Fen said, nodding quickly. Penny smirked and watched the two of them.

"Oh you two. You flatterers." Penny said, taking a sip of coffee. "Let me know if you want to join us, Zhe. It would be fun."

"I-er, um, that is, I mean, thanks, but... I need to think about it." Zhe said, her fur rippling up and down in embarrassed waves.

Now, it was Fen's turn to grin. "Actually, yeah, let us know Zhe." She laughed. She turned to Penny. "So what do we know about Parvati? Zhe explained what she learned from Northern, does that match up with what we know?"

"We haven't heard anything official from the Parvatian government yet," Penny said, "But nothing we've found has indicated that Zhe's information is incorrect. Though we also don't know what they mean to do about it. Announcing your independence is one thing, but fighting to keep it is another entirely. We don't even know if the rest of Parvati is onboard with this. Northern could be part of a rogue splinter group."

"Northern was the one that fired the relativistic impactors at the shipyards and bases on Luna." Zhe said, quietly.

"Hmm." Penny made some quick notes in her pad. "Did you tell Gord?"

Zhe shook her head. "No, I didn't. He didn't ask, and..."

"And Northern was still your friend," Penny said.

Zhe nodded and said nothing.

"Northern did that?" Fen said softly. "She was the one that did all that damage, killed all those people?"

Zhe nodded. "I was aboard. She said it was the only way to get your attention. I didn't want to do it. When she launched and explained what she was doing - that was when I ran away." Her eyes were wet with tears. "I'm so sorry Fen. I didn't want to do it."

Fen stood up and walked over to Zhe. She embraced her while she was sitting and leaned her head against her shoulder. "You didn't do it, Zhe. Northern did. You didn't build those weapons, you didn't launch them. It wasn't your fault."

"She's making more! She'll attack again." Zhe said, sobbing. "I don't know what to do."

"We're going to be prepared for it this time." Penny said, firmly. "We've set up more beacons around the inner system. We have large masses with wormhole generators in key locations. The beacons will detect the wormholes, and will immediately link the masses into the path of the weapons. They'll connect with them, and will be knocked off course, or ideally destroyed."

"Will it work?" Zhe sniffed.

Penny nodded firmly. "It will. We're ready now."

When they returned to Venus, Fen and Penny were whisked away for a debriefing and an update about what had happened while they were gone. Zhe was given VIP status, and a heavily armed guard brought her to Fen's suite, saluted sharply, and closed the door behind them.

Zhe walked around the suite, and sighed. It was only a couple of years ago that they were all together and running around the galaxy, but it felt so much longer. Every door she tried was unlocked, she seemed to have the same access as Fen and Penny. The bathroom was larger than the kitchen on the Heap. In the corner was a massive bathtub made of some kind of pinkish stone, and the shower could easily wash fifteen or twenty people at once. The changing room next to the bathroom was just as large, and contained outfits of every single shape, size, and color that Zhe had ever seen, there was enough to clothe everyone Zhe had ever met. The bed was huge, and fluffy and completely comfortable. Zhe flopped into the bed and snuggled down. It had been a busy and stressful few hours. She was glad that she was back with Fen, and Penny seemed really nice. For the first time in a long time, things were starting to make sense again. She drifted off to sleep in the bed of the Empress of the Human Empire.

[misc-obeyme]

With an extremely lazy mc, that can be worse than belphegor in that aspect yet is always on top of what they need to do.

Homework? Finished, Chores? Done, Pranks? Happened. Yet they haven't seemed to move from their spot in the last 7 hours.

It's later revealed that it's just them using magic but entertaining nonetheless

Hi there, anon!

This was fun to write, I have to say. I mean, if I could just use magic to get everything done, I absolutely would.

Thanks for the request!

brothers reaction to lazy GN!MC who gets everything done with magic

Warnings: none!

Lucifer

Previously thought there was no way anyone could be lazier than Belphie… but he's surprised by how close you get. At first he's annoyed, but then you somehow get everything done anyway? And then he's just confused.

Confused… but also suspicious. How are you doing that, MC? He wants to lecture you so bad, but he can't since you actually do everything you need to do. Secretly a little worked up about it, but he's trying to keep his cool.

That essay he knew was due for your class tomorrow isn't just finished, it's well written, too. The dishes it was your turn to do are all washed and put away. And yet you haven't moved for hours.

Figures it out when he falls for one of your pranks. Because he can see how the prank was done with magic. Confronts you about it directly. Go ahead and pretend you don't know what he's talking about. It'll drive him crazy, especially since you haven't actually done anything wrong and he can't actually prove that prank was yours.

Mammon

Amazed. He's just shocked that you're able to do everything while actually doing nothing. How is it that all your homework and chores are done when you haven't moved?! What is going on here?

Asks you to teach him your ways even before he knows you're just using magic. He's imagining a life of never having to do homework or chores ever again. He'd be able to spend all his time partying or finding a way to rake in the Grimm. Ya gotta show him how ya do that, MC!

Mammon is in awe of all your perfectly executed pranks, too. Doesn't even mind if he falls victim to one considering how good they always are.

Doesn't figure it out. He'll only know you were using magic the whole time if someone tells him. If you tell him yourself, he'll pretend he knew all along. Now teach him all those spells.

Leviathan

He's amazed, but he's also suspicious. There's no way you're able to stay on top of everything like that. You can sit with him and play video games all night while your homework somehow still gets done. Something is up with that.

Doesn't care too much, though, so he doesn't try to figure out what's going on. Your ability to do your homework and chores isn't his concern. Let Lucifer worry about it.

He's just happy that you have more than enough time to spend with him, watching anime or reading manga or playing video games, etc. Let's be real, Levi has different priorities.

Only figures it out when he asks you to help him clean his room, which has gotten a little cluttered. You proceed to assist with magic and that's when it clicks. Of course! Everyone knows what a good sorcerer you are, MC! He can't believe he didn't realize it sooner!

Satan

It doesn't really register at first. He just knows that you're very efficient at getting things done without being busy at all. Assumes you have a strict time management style to keep yourself on track. That's certainly the most logical explanation, right?

Eventually realizes that you are in fact quite lazy, though. The fact that you haven't left the couch in hours makes him a little antsy. Don't you have things to do, MC?

Make him really crazy by just smiling and saying you've already done everything you needed to do that day. Tell him all about whatever homework, chores, and pranks you've done in the time you've been sitting on the couch.

He does figure you out pretty quickly, though. Satan is smart and he can tell that you're doing magic over there, even if nobody else seems to realize it. He's impressed. Why shouldn't you use magic to accomplish everything? Your skill as a sorcerer allows you to do it, so why not?

Asmodeus

Complains about how lazy you are. He doesn't care about your homework, chores, or pranks. But MC, you really should be more diligent about your skin care routine. Do you even use the products he gave you?

Show him your half empty product bottles and watch his expression go from surprised to happy to confused. He's thrilled that you're actually using what he gave you, but… when? How? He's never actually seen you use them?

Keep your secrets, Asmo likes how mysterious you are. Always sitting around, always doing nothing, and yet everything is somehow still done. How interesting! You're like a little puzzle he needs to work out.

He does, eventually. He really wants to make sure you're doing what you say you are, so he spies on you to see what you're up to. Won't figure it out until you actually use magic to apply the various skin care products. Now he's onto you. He's another one who's going to be impressed by your clever use of magic.

Beelzebub

Doesn't notice how lazy you are, but does notice that your stuff still gets done. His instinct is to help you out, so he might try to do some chores for you only to find that you've somehow already done them? How did you do that? He's confused.

This is going to go on for a while. He's going to notice your stuff is done, but he's just gonna go ??? and then move on with his life. He's not worried about it, though it is a little mind boggling.

Assuming you're sometimes on meal duty, though, that's when he's going to make the connection. If you use magic to make meals and they turn out really good, he's going to want to know how you're doing it. He's going to notice that you somehow get it done without even going into the kitchen? MC, please explain. He needs to know where your food supply is coming from.

In the end, you likely just tell him about it yourself. You go ahead and use magic to make him snacks. He's so thrilled, but he's not going to ask you to teach him. He's just going to ask you to make him food all the time. You're really good at magic, after all.

Belphegor

Annoyed at first. How dare you surpass him in laziness? This isn't something he actually cared about until he realized that some of his brothers were saying you were lazier than him. Hey. MC. This is his thing, you know?

Turns out he's too lazy to actually pursue any kind of rivalry with you about this. So instead you become partners in crime. If you're sitting around for hours, you can be sure that Belphie will be by your side, probably asleep. He's happy to keep you company.

Figures out what you're doing pretty fast. Since he's with you all the time, he sees that you're using magic to get everything done. Starts trying to get you to do his stuff, too. You get to decide if you're going to or not, but if you do, then he'll never leave your side again.

Especially fond of your pranks, particularly ones aimed at Lucifer. Will never give you away. The others might ask him how you do what you do, considering he's spending all his time with you. But he'll never tell, so they'll have to figure it out for themselves.

masterlist | Thank you for reading!

[matheoxs]

hi how are u! i love ur posts, and i know u dont speak about the void much, but i wanted to send this to you anyways and maybe get your thoughts?

so i fully have the assumption that i get into the void every night in my 4d, and that the 3d will conform. i trust and believe in my subconscious that it will. but ever since realizing this, i've been rlly depressed about the 3d.

i have no motivation to do anything bcs i know it's all gonna change yk? like im physically doing the bare minimum now vs how i was before loa (studying, working, etc) bcs whats the point if it's going to completely change.

i don't enjoy what i used to enjoy before, it feels meaningless. i'm completely detached from my 3d now that ik it's not permanent, and i pretty much just spend my days thinking about the void and my 4d. i visualize and think about how grateful i feel that it will conform in the 3d. and when i see how messed up my 3d is slowly starting to get (yes from my own assumptions that its getting worse lol), i remind myself i just have to deal with this for a little more. just a little more and it'll all change.

i know i could just assume that everything is fine and it's not getting worse but i rlly dont feel like it bcs again, it'll all change anyways so whats the point. i know its prob not a healthy mindset but i wont be in this reality for much longer yk.

i'm just curious to know if you've ever have thoughts like this in your manifesting journey? if so, how did you deal with them? are there any words of encouragement you could give to me? i would really appreciate it. thank you so much!

Yes, of course! But first, I would love to ask you some questions.

1. Do you spend a lot of time consuming posts about the void state, even though you already know almost everything about it? What I mean is, are you on Tumblr every day, just consuming post after post? That can actually be unhealthy because your main focus will be solely on that, and it’s what you’ll keep thinking about.

Now, I’m going to be gentle with you. I understand how it feels when you affirm something, but the 3D doesn’t change no matter what. I get it —it can be exhausting.

Yes, it's okay to feel tired and sad about it. As you mentioned, it’s all going to change; it will, trust me.

I feel like you’re assuming something to be true, but then you can’t help but look at the 3D. That’s what’s happening here.

Here is what I suggest:

Are you tired of trying? Stop trying.

If you see unfavorable circumstances and feel bad, allow yourself to feel that way. Don’t push those feelings away; you’re still a human being experiencing life.

Then, when you’re ready, directly turn to your imagination and do whatever you desire.

You must realize that you have been assuming all your life. This isn’t something new take a moment to recognize that.

…

…

…

Done? Now, while you were assuming, were you looking at the 3D? Were you forcing anything? Or did you just know it was true in your imagination and keep assuming that in your mind that it pushed out?

When you expect the 3D to change, you’re already looking for proof, which indicates that you’re not fully confident in your assumption. This means you haven’t accepted it as true.

We often assume a lot of things without proof in our daily lives.

The "how" is none of your concern; it’s not your job to change the 3D.

Your job is to assume something in your imagination and keep assuming (persisting) that because that’s the truth now.

Assuming and persisting is easy; you just have to understand that when you affirm something in your imagination, it becomes real instantly.

Let me give you an explanation of how the law of assumption works, as if you were a 1-year-old.

Say you have a red shirt, but you don’t like it, so you decide to go with the yellow one. When you look in the mirror, you still see the red shirt.

What are you going to do? You’ll wait for the mirror to reflect the yellow shirt because you know you have the yellow shirt. No matter what the mirror shows, you know you’ve put on the yellow shirt, and eventually, the 3D will reflect that. Why? Because you knew you already had the yellow shirt on.

If you have the yellow shirt but you look at the mirror and it shows something different, and you let that be instead of remembering that you already put the yellow shirt on, you’d be waiting for the 3D to validate you.

And this is also what people get confused about: you can assume something in your imagination, but if you look at the 3D knowing that it will show your manifestation because you know you have it in your imagination, then yes, that’s okay. But if you’re assuming something and searching for it in the 3D, then you’re basically saying you don’t have it in the 4D

Do you understand now?

Remember, you’re not your thoughts; you’re aware of them. So make them work in your favor :)

Please also to mention take care of yourself; you’re still human

And do that while knowing it’s done in the 4D

[hollowed-theory-hall]

Hi! I really love your metas and i hope you're doing good. There's this about hp that's been bothering me for a while now and i kinda wanted to get your opinion? Sorry if it's been asked already or if it's just really really obvious but it's about sirius being Harry's godfather. Like, how do you think it happened and what do you think it means in the magical world, being a godparent? Do you think they have a ceremony for that or something? I lowkey thought that maybe it's something like Lily's influence with muggleborns being religious still but it seems like the idea of a godparent is so universally understood and accepted in the wizarding world and I'm like... What does that mean for them exactly?

Sorry again if it's stupid and no pressure about answering and stuff, love you, hope you are having a good one :)

Hi, thank you! 🥰

I just posted about religion in the magical world in a former ask. And it's not stupid, overthinking things like this is great and I made it a hobby. I think all of this is fun to explore. And while I lowkey wish there was a magical godparent ritual... the books don't really back it up.

As I wrote, I think wizards in Britain are predominantly Christian (Protestant specifically). As such a godparent would mean what it always does, which is a person involved in the religious development and upbringing of the child.

“Yes . . . ,” said Black. “But I’m also — I don’t know if anyone ever told you — I’m your godfather.” “Yeah, I knew that,” said Harry. “Well . . . your parents appointed me your guardian,” said Black stiffly. “If anything happened to them . . .”

(PoA, 379)

From this quote, it seems in the Wizarding World a godparent actually has legal guardianship over their godchild in the case of something happening to the parents (which isn't always the case in the modern day). In general, considering how the Wizarding World is a bit old in it's views and customs, I'd expect godparents to be more like their historical variant rather than the modern one. As in, much more common and much more involved in the child's life.

I actually read a little bit about godparents in the Church of England and apparently, there was a point in the 15th century when godparents weren't a thing before being reintroduced. But I don't think the wizards took much note of it. From how everyone talks about godparents it seems like their role is an important one in the child's life:

said Fudge. “Potter trusted Black beyond all his other friends. Nothing changed when they left school. Black was best man when James married Lily. Then they named him godfather to Harry. Harry has no idea, of course. You can imagine how the idea would torment him.”

(PoA, 204)

Everyone treats it as meaningful to be chosen as a godparent. It's a choice that is important because the godparent is expected to be very involved in the child's life.

Now, usually, a godparent would bear witness to a child's baptism as their religious role. I assume infant baptism is, therefore, practiced in the Wizarding World (like it is in the Anglican church) in some way or another which implies there is a ceremony of sorts as you mentioned. That being said, Harry didn't bear witness to any baptism of Teddy, though it was in the middle of a war and Harry had other things on his mind. I'd say they probably have a magical spin on baptism that godparents are involved in, but sometimes it'll be skipped, like in the middle of a war. Like their funerals and weddings, it'll likely look like a regular Christian baptism with the addition of a certain magical flare, at least that's my guess.

As for how Sirius became Harry's godfather, Fudge implied it was all James as he and Sirius were so close. I agree with his assessment on this one thing (can't believe I'm agreeing with Fudge of all people). James was probably the one who brought it up and Lily agreed. From her letter to Sirius, it's clear she understands how close he and James are and that she and has grown closer to Sirius too through James.

As the Potters were already in hiding when Harry was born, he probably didn't have the official baptism ceremony. From Lily's letter though, it appears Sirius did visit them on occasion:

We were so sorry you couldn’t come, but the Order’s got to come first, and Harry’s not old enough to know it’s his birthday anyway! James is getting a bit frustrated shut up here, he tries not to show it but I can tell—also Dumbledore’s still got his Invisibility Cloak, so no chance of little excursions. If you could visit, it would cheer him up so much. Wormy was here last weekend.

(DH, 158)

So, Sirius was involved enough in Harry's life Lily felt the need to assure him it's not that bad he missed Harry's first birthday, meaning Sirius really didn't want to miss it.

I'm rambling a bit, but the short of it is that a godparent in the Wizarding World is like a third parental figure for the child and is very involved in their upbringing. Godparents seem quite common in the Wizarding World, I headcanon that most wizard-raised children actually have godparents and Harry just never learned about most of them. Additionally, a godparent is the legal guardian of the child if something happens to the parents. Finally, I think wizards have an infant baptism ceremony which is when the godparents are relevant in the religious context, although we never see such a ceremony taking place due to circumstances.

On that note, hope you're having a good one too!

[thatonecrookedsmile]

"A small memo to all administration offices! Rumors have begun to fly that we simply can't tolerate any longer. The idea that the company is in some form of financial difficulty is untrue and a slanderous lie against us. It's also been known to me that some backroom incompetents are not trusting in my leadership. As a leader, I'm always steering the boat, guiding our destiny. Looking at the big picture. No need for you people to worry about such complicated things. Just do whatever it is you do and trust your leader... which is me." -Joey Drew.

[Don't Believe His Lies]

-Hoax- -----

I think lying/pretending that your failing company isn't going under is a bigger hoax than "slanderous lies" about bankruptcy, Joey.

I don't know how - if at all - hard it is to be an accountant, but I assume being an accountant at Joey Drew Studios is an extremely stressful and shitty job. Imagine having to work on the costs and finances of a Joey Drew project. Imagine working on the finances of BendyLand AND the Ink Machine projects. No wonder Grant was having a hard time, anyone would.

I guess my take on Grant's fate and what happened to him/what he became is like, "I don't mind being a mystery but I also wouldn't mind having an answer."

I kind of like the idea that Grant's predicament is something that's left open. We know that something bad happened to him, but we don't know what exactly happened to him. And that's a mystery that ends up being left to the interpretation of the viewers. Which I don't think is necessarily a bad idea and can lead to cool interpretations and renditions made by fans. I think the "What happened to Grant" question is one of the few things in Bendy that I don't have much of a problem with being left a mystery, especially compared to other things, like, oh, I don't know, "Who the hell is Boris in the games" (a question that, because of Recent Events, is back on the table to be answered)

On the other hand, I can't deny that I would appreciate having a definitive answer in the games too. Yeah, it would be cool to know what actually happened to Grant and what eventually became of him. A potential appearance in a story would be awesome, too! I'd be happy to know Grant's fate, and it would be a big W for his fans as well.

In other unrelated news, I'M LATE AGAIN. 🗣️🗣️🗣️ Benn busy with other things but I'm back to the Bendy grind. Let's see how long the next prompt will take (it'll be full digital but I hope it doesn't take too long)

Also, the uncropped version of this one, because I noticed during editing that there was more space to the right and Grant didn't seem centered and I don't think I could bring myself to post this drawing in this condition. So I cropped it. So here's the original. Enjoy:

(It doesn't change much, but still,I prefer the cropped version.)