#actors post

[devilsminion-armandaniel]

Rolin talks about devil's minion. source

[the-quiet-youve-been-longing-for]

On one hand, this man is unhinged and just never stopped, be you king

On the other, I just imagined the craziness that would have been the scenes in SF if Eric Bogosian had played them instead of Luke, with this new perspective

I’m NEVER EVER going to be the same after watching Eric Bogosian’s kink content

This man IS Daniel Molloy.

[oceancentury]

Dame Maggie Smith (1934 - 2024).

[hashtagloveloses]

NEW UNION JUST DROPPED

LET'S GOOOOOOO

[airlocksandaviaries]

OK TUMBLR PRETEND WE'RE ALL ON SET TOGETHER PICK A JOB

if you actually work/have worked as one of these pls select it and tell me in the tags im curious

if you've worked as multiple, pick your favorite

everyone else, VOTE ON VIBES ALONE!!

[mossfilms]

mood:

[codecicle]

Whar does rpf mean 💔💔💔

historians aren't quite sure. Albert Einstein's last words were "rpf is fine" and we've been searching ever since

[montanabohemian]

if i see a single one of you pissed that your faves canceled an event or a con appearance because they're striking for fair wages then imma come for you in your sleep 🔪🔪🔪

(direct that fury where it belongs: AMPTP and the execs)

[decaffeinatedpartymuggoop]

“If you want more representation” okay but what if they did a better job than all the other actors???

Like, with PJO Rick didn’t go “only black people can audition for Annabeth!! Grover has to be Indian! Zeus has to be black!”

No, the actors auditioned, did a good job, and got the gig.

Like instead of crying cause all these white actors didn’t get it, ask yourself if they even deserved the position.

Everything isn’t some “woke” propaganda or “more representation.” They just deserved the job.

[ilovemesomevincentprice]

I've been asked multiple times, which Vincent Price films *I* personally recommend. Well... all of the above... Also, Theater of Blood...(Gif wouldn't load)

[devilsminion-armandaniel]

Interview can be read below as well.

As Interview with the Vampire flies head-first for season 3, one star of the show has teased his potential return for future seasons – and hinted that we could see a fan-favourite chapter from Anne Rice's books adapted.

Chatting exclusively to RadioTimes.com about where he sees Daniel's journey going in future seasons, Field said: "I would love to [return].

I think there's so much to explore with Daniel Molloy, old and young. We’ve got so much literature in Anne Rice's wonderful books, certain chapters, certain things that can be explored, so I would be over the moon to explore it.

"Eric and I have discussed things about the character, which I know that we would love to talk more about or show more in an upcoming season, whatever that looks like. But Rollin [Jones, showrunner] is so amazing, I'm sure whatever he decides to do, it'll be great. And if that includes me, then, gosh, lots to happen maybe."

Field is no stranger to Rice's books and what the show's fandom is hoping for, adding that he would love for The Devil's Minion, the iconic chapter which details a romantic relationship between young Daniel and Armand, will be adapted.

"Look, of course, there is a very specific chapter, which I know a lot of people love," he pointed out.

When I've met fans, they've certainly discussed it with me, or just talked about it. And I read it multiple times. And it's truly amazing. So to take that at some point and intercut it, with whatever season happens, that would be amazing.

"But also, obviously Daniel’s memory pretty much is wiped out for a lot of what we've seen so far. But I think it would be interesting to see how he's still manipulated by them, and still very much drawn into that world. And you know, we've already seen that memory is a monster, as the tagline goes, and what happens further to Daniel, which he thinks is his life construct, really, possibly could have been the vampires the whole time. And that's awesome."

[sabh0]

@///_bsd_edits on Instagram gave me the idea to draw that based on one Ueda and Kimisawa interaction

The thing ^

[alcordraws]

Other people typcasting mark: the saddest, wettest, most tired looking Guy you've ever seen

Mark typcasting himself: incredibly unhinged terrible little entity fueled by the power of Fuck You

[airlocksandaviaries]

acting as an experienced actor in an amateur film with an inexperienced but well meaning director is such a wild thing to do, I'm gently guiding them through how to order me around. it's okay baby you can give me some constructive criticism I can take it. How else are we gonna get this project off the ground, huh? You forgot to say 'striking' before turning on the lights right in front of my eyes but I forgive you. you're doing great. why don't you try giving me a direction.

[m00nbuggies]

theyre bffs guys

[fans4wga]

26 September: thread by WGA member David Slack

Twitter thread by David Slack @/slack2thefuture:

"As WGA leaders meet today to finalize our deal, we begin a new era for writers — and for labor in our industry. But we also begin to face the final and most insidious form of unionbusting propaganda: a years-long effort to sell the lie that our strike was not worth it.

Over the coming days, months, and years, the studios, streamers, and their surrogates will take every opportunity to undermine what we have won together. They will seize on the inevitable consessions and compromises made by our NegCom as proof that we “failed.”

They will urge us to overlook all that we won through hard work and unwavering solidarity. They will claim it wasn’t enough, that we should have gotten X instead of Y, that we lost more by striking than we gained in this new contract. And they will be wrong.

They will tell us that the strike was unnecessary, it was a waste of our time and our savings, that our agents or managers or lawyers could have gotten us everything we won through individual negotiations without anyone having to walk a picket line. Well… then why didn’t they?

As hard as it is to believe right now, these lies can work. They’ve worked before. During our 2017 strike authorization vote, it was shocking to discover how many members believed we lost the ‘07-08 strike, in which we went on strike for the internet — and won the internet.

This didn’t happen by accident. It was the result of years of whispering by studios and anti-union allies. And they don’t just do it because they’re bitter about losing. They push the lie that we used our power and lost because they hope to stop us from using our power to win.

Our strike was necessary because, in our individual negotiations, our employers consistently refused to acknowledge our right and reasonable demands. Because the profound changes we needed could only be won through the unique and overwhelming power of collective bargaining.

Our strike was necessary because our employers made it necessary by driving our income down 23% in 10 years. Because they refused to address free work in features, streaming coverage in comedy-variety, the abuses of mini-rooms and the threat of AI until we withheld our labor

Our strike was necessary. Our strike was effective. Our strike is a victory. If anyone tries to tell you otherwise, it’s ‘cause they never want to see us stand up for ourselves again. Don’t believe it. We won this fight. We’re the WGA, and when we fight, we win. #WGAStrong"