#actors are a different story completely

[castieltrash1]

i can tell so much abt u based on which queen member u read x reader smut abt during ur borhap phase

[flow2024]

I wish you would write a fic about irreconcilable artistic differences on a movie set between Joe and Nicky.

not really irreconciliable as in not solvable at all but you know i had fun with this

Joe squeezes his eyes shut, covering his face with both hands, and leans forward. His shoulders tremble uncontrollably. He takes a short, sharp breath, and another, and another, but he can’t quite seem to get enough into his lungs. There’s a lump in his throat and a weight in his stomach. He leans forward with a low, wounded sound and–

“Cut,” Nicky says softly. Then, because it takes Joe a second to hear him: “Joe, stop.”

Slowly, Joe raises his head. Wipes at his eyes and takes a few deep breaths to steady himself. Nicky’s already up, frowning ever so slightly as he looks at the camera. 

“What is it this time?” Joe manages. His voice is hoarse; he has to clear his throat once or twice. Nicky doesn’t look up. The clock on the nightstand reads 01.34, but Nicky’s changed it a few times over the course of the shoot. He has no clue what time it really is, only that it’s dark outside.

It’s just the two of them in the room. Nicky had wanted to keep this one small, just him and Joe and the camera. The apartment they’re in is nice, if a little empty, though Joe supposes that’s the point. They’re in the bedroom, Joe sitting cross-legged on the bed, shirtless, sheets bunched up over his lap, a phone lying on the nightstand behind him. One entire wall of the room is taken up by a floor-to-ceiling window which lets the moonlight in, though there’s a few low lights set up behind Nicky to send bars of silver light across the bed, because the natural light hadn’t quite been strong enough for the effect Nicky wanted. It’s otherworldly; it’s beautiful. 

Nicky still isn’t looking at him, so Joe says again, “What?” It comes out a little harsher than he means it to, but it gets Nicky’s attention.

Nicky runs one hand through his hair. Joe can’t see him well, not with the light behind him and the shadows in the room. “I don’t know,” Nicky says. “It’s missing something.”

Joe has worked with Nicky enough times before. It’s not that he doesn’t like working with him - they’re friends - but he can’t fucking read him, and so after the sixth take of the same scene he can’t help but take it a little personally. 

Joe reaches for the bottle of water hidden just under the bed and takes a long drink, mostly to keep himself from snapping. What time is it? “I can try again, but I can’t do this indefinitely, Nicky.”

“I know, I know,” Nicky says, fidgeting again with the camera, “it’s not you, it’s just–” 

“What else could it be?” Joe interrupts. He’s not stupid. This scene doesn’t work if he can’t get it right, which means the entire film doesn’t work if he can’t get it right. More than anything else, this one depends on him. No music, no camera movement, no dialogue, nothing but him and the camera. And he wants to do it right, he loves this project almost as much as Nicky does, but there’s a hollow feeling in his chest and he’s spent the last however-many-hours having a near-complete breakdown over and over again and it’s still not right. And Joe doesn’t know what it is he’s doing wrong.

“I don’t know,” Nicky says quietly. Now he is looking at Joe, and Joe can’t tell if he’s disappointed, or angry, or – or what. He’s perfectly expressionless, as always. 

Joe loves this job. And he wants to get this right. But it doesn’t mean it’s not one of the hardest things he’s ever had to do, and he’s tired.

“I don’t have much more left in me, Nicky,” he says, and this time he does snap. He wipes at his eyes again, can’t look at Nicky. He’s supposed to be making himself vulnerable, above all in this scene, but suddenly he can’t stand the way Nicky’s looking at him. “Pass me my hoodie.”

“Joe–”

“I can’t. I can’t keep doing this.” He kicks the sheets off and gets tangled trying to do it, grabs his hoodie when Nicky offers it, pulls it over his head in one fluid motion and gets out of there as soon as he can. Thankfully, there’s only Andy and Nile in the other room, Andy lying back on the couch with her feet up and Nile perched on the arm of it. They both look up at Joe as he enters, both look like they’re about to ask, and Joe can’t stand it, can’t be in here a second longer, can’t–

“We are done for the day, I think,” Nicky says behind him, startling Joe. He hadn’t realised Nicky was there.

Andy raises an eyebrow, but doesn’t argue. It’s already the second day of trying to shoot this scene: they’re running the risk of falling behind schedule. 

“We’ll find something else to do tomorrow,” Nicky says. “I’ll look over everything tonight. We will try this again on Monday.”

Andy and Nile look at each other. Nile shrugs. 

“Get some rest, Joe,” Nicky says. 

Joe shoves his hands in his pockets and doesn’t say a word.

–--------------------------------

He doesn’t get called in the next day at all, and he doesn’t interrogate it too closely. Takes the day off, pretty much, because they’ve only really got one scene left to film, and there’s not much more he can do for that. Nicky had wanted to leave it to the last, and Joe had agreed, at the time.

At about nine pm, someone knocks on his hotel room door, which is unusual on a day where they don’t have a night shoot to do. When he opens it, Nicky is on the other side. Joe lets him in without a word. 

“I wanted to apologise,” Nicky says, standing in the middle of the room and looking as uncomfortable as Joe’s ever seen him. “For last night. I was pushing you too hard, and I should not have done.”

Joe closes the door behind him. Nicky fidgets with the sleeve of his hoodie. 

“Sit down,” Joe says. 

Nicky does, settling himself on the edge of Joe’s bed, not quite looking him in the eye. Joe joins him, after a moment. 

“At the risk of sounding cliche,” Nicky says, “it’s not you, it’s me.”

Joe laughs, mostly because the phrase sounds so strange coming from Nicky and also because out of everything he’d thought Nicky might say, he hadn’t expected that. 

Nicky smiles slightly, too. Then he gets up and heads for the minibar. “Mind if I have a drink?”

Joe shakes his head. Nicky gets out a little bottle of wine, glances at the label, and takes a swig straight from the bottle without bothering to get a glass. 

“I can’t seem to get it right,” Nicky says. “You know I wrote almost fifteen different versions of that scene?”

The scene in the script itself is barely a page long. “No,” Joe says. 

Nicky nods. Rubs a hand over his face. “I wanted it to feel real. I thought if I could get it right, it would… help, somehow. I don’t know.”

It’s the exact same reason Joe said yes before he even read the script, when the whole thing was just an idea in Nicky’s head, when they were talking about it over drinks at Andy’s and Joe was in love with the idea almost immediately. He knew exactly why Nicky was writing it; he knows, now, exactly why it needs to be right. But at the same time – “I don’t know if that’s possible, Nicky.”

Nicky sighs. “I know.” He crosses back over to sit beside Joe again, takes another drink from the bottle. “But there is something missing, and I cannot seem to find it. And so it does not feel real. And I know this is not easy for you.”

“It’s not,” Joe says plainly. 

“But you know,” Nicky continues, “I could not have trusted anyone with this but you. If you had not said yes, I would not have done this.”

That, Joe didn’t know: he knows he’d been Nicky’s first choice, but he’d assumed that’s because they know each other well enough already. But it makes sense: the reason Nicky wrote the script is the same thing they’d bonded over. 

Even still, it’s a lot. “I don’t know if I can do it the way you want,” Joe says. 

Nicky looks up at him from where he’s been running his fingers over the label on the bottle absentmindedly. “If you want to stop, I can–”

“No,” Joe says quickly. “But I don’t think it’s ever going to be exactly the way you felt.”

Nicky looks away. “It is a lot to ask,” he says. “I know this.”

Joe doesn’t think; just reaches over and takes Nicky’s hand. “I know,” he says. “Trust me.”

Nicky takes a deep breath. Then he nods. "Okay."

[arealtrashact]

what'd you think of jacobi as elvis? how would you compare him to austin butler?

This movie is rapidly slipping from my mind with each passing hour but I think he did great ! He nailed the stutter as well as the thick Memphian mumble that Elvis determinedly shook after Hollywood. I don't know what other fans think of his performance because I'm a hermit who doesn't insert myself into fandom / fan spaces but I hope they appreciate the subtle approach he took. It's very easy to create a caricature + imitation of Elvis ( given what pop culture has done to him ) but I don't feel that this actor did either of those things. I think he did a wonderful job of playing the many different 'shades' that refracted through the prism of Elvis Presley. Playful, petulant, desperate. . .

He didn't have the aid of Baz Luhrmann's bombastic colors and cinematography to fall back on either. In fact, he had so much working against him in regards to this film's editing, I'm giving him bonus points.

Comparing him to Austin is a little unfair, considering he only plays Elvis for a chunk of his life while AB played him from 19 to 40 (and very well, in my opinion. The gradual shifts in both his accent and demeanor are still incredible to me -- that is nothing to say of the performances. In my heart he won that Oscar).

The short answer :

[fingertipsmp3]

Also I feel like I have to say this but FUCK Toy Story 4. Awful movie, bad execution, poor excuse for a sequel.

[mayomkun]

Finally done with teen wolf rewatch. Phew

[oldtvandcomics]

Let’s be clear, I don’t want to have anything to do with the new Flash movie, for the personal reasons that I’m not interested and also based on what I know I would not enjoy it at all, but.

Given DC’s decision to use CGI zombies of beloved actors:

Do people today, like, actually know who George Reeves is? Do people actually watch his TV show? I tend to wander off in my own directions a lot, so I have literally no idea what the average person does or does not know. (Bonus if said people are actually from the US, which I am not.)

[whatudottu]

So the anthropologist nerd/loser in me wondered what kind of folklore and mythology various alien cultures in the Ben 10 universe might have (creation myths, folk heroes, ways of explaining natural phenomena that aren’t science-based, etc.) and caused me to come up with possibly the dumbest idea for a Ben 10 OC yet: an alien bard who travels across the galaxy not just to perform but also to collect stories and ballads of great events and heroes from different planets to add to their collection and form new ballads based off of them.

One of their original stories tells the tale of an alien from a far-off planet who attempted to take control of the space-time continuum and was cursed by the gods of his planet for his hubris by being scattered across time and space and sent back to the beginning of the universe, forced to live through its entire history in an endless cycle all while never being able to experience the sweet release of death, only for him to learn how to bend time and space to his will and ascend to godhood himself, leading to an epic battle between him and the gods who had cursed him in the first place. Though they are required by the man who served as the inspiration behind the story to put a disclaimer at the beginning that the story is merely a dramatization and doesn't 100% line up with what actually happened before they can tell it.

Oh totally! With the advent of space travel, especially among the species that have had such for a LONG while, there would most certainly be folktales and mythology abound for newer space travelers to pick up. Like, even with a significant scientific understanding of the happenings of the universe, older facts translate into newer fiction as stories develop by word of mouth (or the equivalent depending on species physiology) by the more bardic types of intergalactic individuals.

Of course, you'd probably have the more librarian types who not only record all these tales but also all the fact that it was inspired by through vigorous fact checking. Me making Sugilite a mutant with a more unique planetary psychometry (accessing the 'memories' of the entire planet) lends to me also making him this librarian of Petropian history, and considering the state of Petropia (aka not revived) he can't particularly afford to spin a few myths of his own. Instead Sugilite would totally have some bardic stories ABOUT him and his 'Library of Alexandria' mutant power, especially with Mor'Otesi being as barren of cystalsapiens as it is.

[kuiperblog]

Where Star Wars went wrong

Quoting Jason Pargin, who articulates it better than I could:

"In any kind of a sane world, The Mandalorian should have run for 150 episodes at least. They had a formula here that could have worked forever.

"It's a formula that has always worked: a heroic stranger wanders into a strange new land and meets a bunch of colorful characters, usually under the thumb of a powerful threat. The threat is usually in the form of a villain who's played by a famous actor just chewing the scenery. He uses hits wits and his courage to get out of it and then he moves on.

"Have Gun, Will Travel" ran for 225 episodes from 1957-1963. It's where Gene Roddenberry of Star Trek fame got his start.

"The sci-fi space adventures we had years and years ago used to run forever. Star Trek TNG had about 180 episodes, Deep Space 9 had about the same number, even Voyager -- the show that we think of as being a "lesser series" -- had 172 episodes. And here's the thing: most of those episodes were really good!

"But because of the way the business works now, and because of 'corporate synergy,' by season 2 of the Mandalorian, they were brainstorming "how do we get this back to Luke Skywalker and the Death Star?"

"By season 3, fans were lost, because some huge plot events had occurred in a completely different series, because they needed it to connect to their Boba Fett show. And now, the Mandalorian is dead. They're gonna wrap up the story in a movie, and that's it.

And the crazy part is, this was always the perfect format for Star Wars: it always should have been a short form serial! That's what George Lucas was ripping off when he made the film back in 1977: serials like Buck Rogers and Flash Gordon.

These were little 12-minute long episodes that played as one continuing story, but each one was its own little lighthearted adventure that usually ended on some kind of a cliffhanger.

"This is why so many of the most hardcore Star Wars fans who are old like me only like two of the movies, because by the third film they were already just repeating beats: they were attacking yet another Death Star.

They ran out of ideas so fast, because this is not the ideal format for this universe. The Mando and Baby Yoda Show is the ideal format! This should have run for the next 20 years! They even set it up so that the star wouldn't even need to be on set for most of it, because he wears a helmet!

"I think some fans object to this, because they think of it as making Star Wars smaller, that you're reducing it to 'just a TV show.' But it's the exact opposite: it lets you expand the universe, because you're forced to to keep coming up with new places for him to go, and new people for him to meet, new villains for him to face -- you're not forced to just keep coming back to the Death Star again and again, and the Sith, and the Jedi.

In Episode VII: The Force Awakens, the Starkiller Base destroys five planets. That's mathematically five times more tragic than the destruction of Alderaan.

"And if you want evidence, just look at Star Trek! It's the show that expanded the universe. The Star Trek films were just action movies that are very forgettable. But I guess the world has changed, because they don't even do Star Trek that way anymore.

Picard ended its run after 30 episodes. Discovery concluded after 65. Hopefully, Strange New Worlds marks a return to form for the franchise.

"I don't get it, because it seems like a version of this show that runs until the year 2040 would have just printed money. The merchandise sales alone would have covered the production costs. Instead, it's 24 episodes and a movie that I think everyone has already stopped caring about."

[littelovelunette]

heyy - loving ur vi stories i wanted to asked ask something a lil different it's that's ok, i was thinking of a modern actor au like vi was an actual person if that makes sense and her co-star is fem reader. they started dating after filming s1 and during s2 they kept their relationship very private and only very close friends knew but no one in the team or cast. Vi being vi struggled with keeping things hidden after all she doesn't shy away from public affection. UNTIL after filming S2, with a load of interviews and questionnaires, they told the public off their relationship. and a few weeks later paparazzi caught them multiple times together, going into eachother's car, kissing (vi has no shame in PDA), and doing on dates (u can add ur own ideas for the dates). arghh im so sorry it's s long request but I hope u have time to right it lyyyy 💓

Hogging The Spotlight With You

Word count: 1.4k

OMGGG I love this idea so so so much <3333 love you tooo and thank youu so so much I'm glad you love my Vi stories

“Vi, someone will see!” You were whisper-yelling but Vi didn't seem interested in paying heed to you right then.

“Don't worry about it, angel,” she offered you a hand which you huffed yet took, she guided you to her car.

“Do you think we'd get in trouble for dating in the cast?” You questioned after a while as Vi got in the backseat with you.

“Why'd we? This kinda stuff happens all the time in Hollywood,” Vi rubbed the pads of her thumb against the back of your hands. “We’ll be fine, okay? Don't stress about it.”

“Okay,” you smiled a little, “Sorry, I'm just a little out of breath,” you laughed and then she did too.

“It's fine, my throat’s parched, want water?” Vi reached for the water bottles in the car.

“Mhm,” you gave her a soft look when she gave you the water bottle, you took a sip and laughed softly, “It's almost thrilling, I've never done this with a cast member,” you giggled.

“I have done this before with a cast member, just never a co-star,” Vi said as she capped her bottle, she finished drinking, “So this is kinda new to me, too.”

“You seem to know these things though!” You said, capping your bottle as well before turning to her.

“I guess, I'm a real charmer then, huh?” Vi scratched the back of her neck almost awkwardly before laughing a little.

You cupped her jaw with one hand, putting the water bottle down as her face leaned in closer to yours. For a second, the both of you pressed foreheads for a meaningful moment. Something you both did do in the filming of season 2, but it didn't feel as tender as it was feeling right then.

It wasn't that the relationship was a complete and utter secret, some people outside the cast knew— but those were a very tight knitted group of friends you and Vi shared.

“Kiss me,” you whispered and Vi didn't need telling twice. The kiss was messy as the both of you fought over dominance, Vi’s hands encircled your waist and brought you closer as her back pressed against the car door behind her.

“Fuck, princess,” Vi almost moaned in the kiss, tongue rolling over yours before you both parted briefly to giggle like high-schoolers before getting back at it.

A camera flashing and shutter sound tore the both of you out of the moment. That definitely was the sound of a camera shutter going off.

“Vi, what was that?” you asked, pulling away to peer out of the window of the car, eyes squinting to check but you saw no one in the distance. You could've sworn you saw the flash of the camera in your peripheral vision though.

“A camera, genius,” Vi retorted.

“I know that!” you slapped her thigh, Vi only gripped you closer to her.

“You think someone saw us?” Vi asked as she tried to hopelessly peer at the direction of the sound too.

“Windows are tinted, aren't they?” you asked. You remembered Vi telling you her car windows were tinted, just that you've never really been in her car before. Usually, yours because well, Vi was a bit of a road rager. So, the both of you agreed it was best you drove around.

“Shit,” Vi cursed, “My other car has tinted windows, this one doesn't…”

“Other? How many do you even have?” you asked as you leaned back against the back of the car seat, eyes fixed on Vi.

“Let's not get off-topic, some guy saw us kissing!” Vi said indignantly, glancing at the darkness outside as if expecting a jump scare from whoever saw us.

“Well, you said it happens all the time!” you crossed your arms and could see the awkwardness in Vi now.

“Yeah, well…” she scratched the back of her neck before nervously chuckling.

“Exactly. Now, let's go get ice-cream! I'd kill for butterscotch.”

“I'm so excited!” you laughed a little, in front of the interview set which would begin in roughly thirty minutes. You were dressed in a silver dress, hair in a low ponytail and a Chanel purse dangling from your shoulders.

Vi looked as hot as ever, she was dressed in a white top and a red biker jacket, similar to the one she wore when on set.

You suspected her clothes were designer but Vi didn't gloat.

“Yeah, baby, me too.” Vi said, hell of a lot calmer than you. She'd been in the industry longer than you after all, you looked down where your hands were interlaced with hers.

“What if they, hypothetically, bring up the picture of our car kiss?” you asked, fidgeting with the hem of your dress with your other hand.

“Now, why would that happen?” Vi pulled your fidgeting hand away, holding that one too.

“Because it's an interview! It's interviewers' jobs to get under our skin and make us say something that'll make the whole interview ten times juicier!”

“Well…” Vi sighed, “Just calm down, okay, babe? If something like that happens we'll manage it.”

As the interview progressed, everything seemed to be going smoothly—questions about the movie, their experiences on set, and a few lighthearted moments about funny behind-the-scenes mishaps.

But then, just as you had feared, the interviewer casually slid in the bombshell.

“So, Vi,” he started with a sly smile, flipping a card in his hands, “There’s been a lot of buzz online about a certain… candid moment. A picture, to be exact. You and your lovely co-star here, sharing what looks like a very intimate moment in your car after shooting. Care to comment?”

Your breath hitched. You subtly tightened your grip on Vi’s hand under the table, trying to keep your expression neutral.

Meanwhile, Vi, ever the smooth talker, barely blinked before leaning back in her chair with a relaxed smirk.

“Oh? A picture, huh?” Vi tilted her head, feigning innocence. “Can’t say I’ve seen it. Do you have it on you?”

The interviewer chuckled, clearly enjoying this. “Oh, you know how these things spread. Fans are obsessed with the idea of you two being more than just co-stars.”

Vi hummed, shooting you a brief glance before turning back. “Well, I can’t really blame them. I mean, look at my co-star. Who wouldn’t want to kiss her?”

Your face burned as laughter erupted in the studio. The interviewer raised an eyebrow, pressing further. “So, is that a confirmation?”

Vi leaned forward, resting her arms on the table. “A confirmation that my co-star is ridiculously attractive? Absolutely.” Vi grinned, dodging the question effortlessly. “But as for anything else… Well, I guess, we have chemistry.” Vi gave your hand a small squeeze.

The interviewer smirked, sensing Vi was dodging but not quite slipping away, “Right, right. But let’s be real, this—” he gestured vaguely, likely referring to the viral picture, “—this isn’t just ‘on-screen chemistry,’ is it?”

You felt Vi’s fingers tighten around yours under the table. A brief pause. And then—Vi exhaled, sitting up straighter. “You know what?” She looked directly at the interviewer, then at the camera. “Screw it. Yeah, we’re together.”

The studio exploded. Gasps, cheers, laughter, and maybe even a few shocked whispers filled the space. Your eyes widened, your heart pounding. Vi just said it. Just like that. No hesitation. No more dodging.

The interviewer’s jaw actually dropped for a second before they leaned in, grinning. “Oh, now this is a moment. Vi, you’re telling me you just confirmed your relationship? Just like that?”

Vi laughed, glancing at you briefly before returning to the interviewer. “Yeah, just like that. We’ve been keeping it private because, well, Hollywood can be a lot. But honestly? I don’t want to act like it’s some big secret. I love her. And if people figured it out already, might as well say it outright.”

You felt your face go hot, “I love you too…” you smiled up at her.

The audience lost it again. The interviewer put a hand over his chest dramatically. “Okay, wait, you just dropped that so casually, like it’s not one of the biggest reveals ever!”

You could barely focus as the interview wrapped up, your heart still racing. The moment you stepped off set, Vi pulled you into a quick kiss, grinning. “Told you we’d manage it.”

You laughed breathlessly. “Yeah, but I didn’t think you’d just say it on live TV.”

Vi winked, “Go big or go home, babe.”

You hit her before grabbing her jacket and pulling her in for another kiss. And this time when you heard camera shutters go off, you didn't care and continued kissing her. It didn't matter anymore. Now, all that mattered was the both of you.

[artbyblastweave]

The thing about Captain America is that he is, as the name implies, a super soldier. He patches a lot of the traditional holes in soldiery. He’s strong, he’s fast, he’s smart, he’s tough, he maintains peak condition with limited time and resource input. He’s better at soldiering than normal soldiers; if you had an army of him, you’d have the best possible army. And you could have an army of him, because he’s got no esoteric powers; he’s an exaggeration of traits that militaries are already used to planning around and equipping, so incorporating a host of super soldiers into your planning and logistics is an easy deal. ( A teleporter like Nightcrawler or Cloak could be handy to have on retainer, but you can’t structure anything beyond a special-ops group on the idea you’ll have consistent access to their abilities- If you integrate them into anything important and they die, you’re fucked! They’re self-siloing.)

But what’s really important he’s also at the upper outer edge of how powerful you can make a super soldier before they become more trouble than they’re worth. If he goes rogue, you can kill him; in terms of power levels he’s one of the most powerful and effective superheroes who you could nonetheless definitely kill by just throwing wave after wave of conventional infantry at him until one of them gets lucky or he gets tired. You’re at substantially less risk of a Weapon-X style defection cavalcade, where anyone you send out who’s actually capable of killing him will wind up being an even bigger problem in the long run. You can still bomb his ass. All their asses, if he talks the clean-up crew into defecting as well.

I originally began writing this about two years ago because I saw someone expressing confusion that so many Marvel storylines involve state-level actors trying to reproduce the super soldier serum specifically instead of any of the other significantly more powerful heroes, and this confusion confused me because I found the value added pretty obvious. Captain America- and the kind of super soldier represented by Captain America- rests on this knifes edge between “best soldier ever“  and tipping wholesale over into the realm of humanoid WMDs that require a complete overhaul of the logic of warfare, and probably a world destroying arms race. It’s the split being gestured at with Comedian and Dr. Manhattan- they’re both “super soldiers“ but Comedian isn’t the one who nearly makes the cold war go hot. Two different ball games, two different uses cases. If it hasn’t been done yet, I might have to write the story where consistent super solider infantry is treated as a hot-ticket item despite the ubiquity of government-aligned worldwreckers- you’ve got guys that can paste an army from orbit, but you still need boots on the ground if you want to garrison the rubble.

[gentlemanjuniper]

If I could inject just a little positivity to the news...

Season 2 has a lot of filler and stretches out a pretty simple mystery to six episodes. That's the appeal to some, I get it. But tightness and focus was not its strong suit. I remember feeling like it wasted a ton of time on side characters and it's possible shaving the story down to 90 minutes will skim things down to its most essential beats and be stronger for it. Basically, S2 got a lot of time given to it, and this is obviously my personal opinion but I don't think it used all of it well. I think S2 itself could have been half the length simply by employing more efficient storytelling and we'd not mourn too much.

A lot of S2's weaker plotlines feel built around people that Neil wanted to work with again, with so many recurring actors (I'm thinking of the zombies specifically, when that minisode could have easily been tighter without them). A lot of s2 to me feels like Neil just making work for the people he likes and wants to work with and a movie has to be more accountable to things like that.

Lots of entire fandoms exist around single movies. 90 minutes is not nothing. It's enough for many, many films to tell a complete story with cute character interactions and satisfying emotional arcs, especially when A&C are the only real significant connecting threads between both seasons thus far.

I don't think there are as many loose threads that absolutely need resolving as people may be thinking. Would I like to know why Aziraphale did the '40s apology dance? Would I like to see his bookshop gun? Sure. Are either of those necessarily essential to closing out the story? I don't think so. Really, what needs resolving is the second coming and, directly connected to that, Aziraphale and Crowley's rift. To me, not knowing the story obviously, that seems super reasonable to do in 90 minutes?

I don't think anyone involved in the final season can possibly be blind to the appeal of the show being Aziraphale and Crowley over anything else. That's certainly the reason why their roles were expanded to begin with from the book and why the second season was, nominally, all about them. They also now have to pay MS and DT for appearing in a movie rather than an ensemble show, there's no way they won't be front and center. Amazon wants a show that will make money and market itself; there's a reason why all the promo material for S2 was of Crowley and Aziraphale, because people engage with that stuff, reblog it, make art that promotes the show, etc. It makes no artistic or financial sense to make a movie that sidelines them.

GO is at its best when it has Terry's voice most strongly in it. That's why to me, S2 was a weaker, more meandering season overall (that, and I think the minisodes, while fun, just make the season feel comprised of different voices not always working in tandem towards a common goal). If I was a writer hired to condense a season into a film, and one of the authors had been rightfully disgraced, I would go out of my way to ensure the clearly Terry stuff is most significantly emphasized. It's telling to me that the Pratchett estate is producing and it's possible that the end result will result in more Terry, less Neil.

Think of it this way: everything we've gotten after S1 has always been extra. Imagine telling a fan of the book in the 90s that not only will you get a six episode adaptation, you also get a totally new second season, AND a movie?

Basically: I know this is disappointing but I think a lot of the pleasure of the Good Omens fandom was ALWAYS people picking up on and expanding on details, and y'all managed to do that just fine when A&C were only ensemble members in S1. You can and will do that with a movie too. And this solution both a) ensures first and foremost that Neil won't be involved or the allegations swept under the rug, and b) gives an opportunity for the heart of the story to be emphasized with greater focus, clarity and less filler.

Will we lose good stuff? Probably. But it's also possible we will get a tighter, more condensed, focused version of the best bits, the Terry Pratchett-est bits. I can easily see a 90 minute movie that, knowing they HAVE to focus on the important stuff now, is more Crowley and Aziraphale centric than ever.

[twilightkitkat]

Everyone knows that Deadpool can break the 4th wall. It's a large part of his charm: being able to directly address the audience and make popculture references that don't exist in the MCU.

It's a common gag in fanfiction for Logan to be slightly weirded out by this but to just let it go.

But can we talk about the implications of knowing about 4th wall? The potential?

Imagine Wade, knowing that he's trapped inside a story that nobody else is aware of. Knowing that his fate is in the hands of the storywriters and that if he doesn't perform well for the audience, his universe could cease to exist. Knowing that he's just a character and being completely alone in that knowledge.

Knowing that he's played by an actor. Knowing that nothing is really in your control. Knowing how your fate rests in the hand of corporations and money. (Knowing nobody is safe as long as they can be used to further your character development.)

He knows that there's a plot and the general rules of it. He knows that The Conflict can't be resolved that easily and when the end of the movie is coming. He knows how to tell narrative death flags.

He partially makes references to keep the audience engaged (to keep his existence renewed) and partially because it's funny to see everyone confused over a joke only he gets.

But every reference is trying to see if anyone else knows, too. He's throwing out the bait. (Trying to see if anyone knows that the world they're living in is fake.)

And everyone sees him as crazy for it. Schizophrenic, manic, insane. (And maybe he is. It's not like he can prove it to anyone.)

Wade assumes things about the world and they're generally correct. He knows the rules of the game, knows the writers, and has a razor-sharp intuition that has his allies questioning him sometimes (he knows popular tropes).

And so, when he realized that he was in a movie with Logan, he made a lot of assumptions. That they would have to work together. That they'd overcome their differences and grow closer.

But most importantly, he assumed the limits. Disney wouldn't make an openly gay character, would they? Deadpool is fine because he's a joke but Wolverine would never be seriously gay, even if he was queer in the comics.

So he sees it as safe to flirt and joke because it wasn't going anywhere. Being gay was funny to the target audience, but that was it. It'd never be taken seriously in a superhero movie. (Especially with characters as popular as Deadpool and Wolverine.)

Wade was either getting Vanessa or nothing. That was how the story was written.

So he never takes Logan's feelings seriously. He cared about him in a very family-friendly bro kind of way and that was it. He doesn't even consider the idea of romance. He jokingly flirts and spews innuendos, but they never went anywhere. Wouldn't go anywhere. Ever.

And Logan is confused because he thought Wade was attracted to him, yet he keeps brushing him off as friendly when he tries to be sincere. He one time legitimately shared a bendy heart straw with him by Wade's request and Wade just played it off as a bit.

And also, Wade keeps making references he doesn't understand. That nobody understands. And he'd chalk it up to saying random shit except Logan starting paying attention and it's all oddly cohesive and creates a singular story. It ties together in ways that complete nonsense doesn't.

And that's leaving out Wade's "intuition." How he makes comments about "tropes" and "cliches" like they're in a movie except that he ends up being right. Almost every time. It's like he can predict the future, but in a vague yet oddly specific way. Like he can see how things are going to go.

And sometimes, when Wade thinks Logan isn't paying attention, he notices how he mutters to himself in dread. And how something bad almost always happens after.

It makes him disturbed and painfully, achingly curious. What was Wade seeing that he wasn't? It could be that Wade was a secret prodigy, but that didn't seem to be the case? Some of this was too specific and far-fetched.

(All while Wade laments over the lack of agency in his own life, subject to the currents of the story while being painfully aware of it. He couldn't live a life of blissful ignorance like everyone else. It's like he saw a tsunami hurdling toward him—even if he ran away at full speed, the plot always caught up to him somehow.

Trust him. He'd tried to outrun it.)

[obligateweirdo]

I think we’re nearing the end of a Golden Era. After the finale of Good Omens is released, we’re going to be on a different footing. It will wrapped, it will be complete. We will have a whole story.

Thus far we’ve been able to hope, fear, speculate and dream—those opportunities will change dramatically after the finale is released.

I’m feeling all kinds of ways about that—it’s been a heck of a ride. “Roller coaster” doesn’t do it justice. Despite the cracks and schisms that have appeared, the fandom remains a fairly friendly and wholesome place. I’m not a huge capital-F Fan; I’m not always obsessed with a story or a show (though I’m usually obsessed with something, be it crochet or raku). I’m not generally up on production schedules and don’t usually read about actors.

However, I’ve been in a few fandoms over the centuries, and I’ve seen them get much more toxic than this one is even now. I’m so grateful. Y’all are a fabulous crowd of angels and demons.

My deal is that I was pretty sure I was going to be disappointed with S3 from the beginning. The characters took root in my mind and, well, they’re mine now, the same way they’re yours, and, little by little, my head-canons have become real to me. This is normal for me—I figured I’d have to watch the whole thing a few times and see if my internal convictions would conform to whatever solution was offered to me. I don’t think I’ve ever gone from this point of the evolution of a story to the end without disappointment. That part hasn’t changed.

Because characters like Aziraphale and Crowley turn real, rather like the Velveteen Rabbit. They enter the company of mythological beings, along with King Arthur and Sherlock Holmes and Finn McCool, and there they will stay, an amalgam of thousands upon thousands of images of them in thousands upon thousands of minds. I love this for them.

But the finale will bring a sea-change, and we’ll be in a new era where all that goes forward is the mythology—and that will be a new jumping-off-point, but also the last foreseeable jumping off point we will have as a group. (A group of the thousands of us.)

I just want to say that I’m very glad to have been here in the Bentley for the ride through hellfire and tartan hills, and I’ll be here for at least a while longer, enjoying the view of the new countryside.

Heigh-ho, said Anthony Crowley.

[professorcalculusstanaccount]

“Robbie is gone! I’m still here! And I refuse to live in his shadow!”

Rastapopoulos himself may be out of the picture, but his ghost continues to haunt those who were caught in his web.

A collaboration with @aboardthescheherazade using her OC Marlene Katz - an actress Tintin tries to save in Cigars of the Pharaoh!

Five years later and Tintin is baffled to see Hollywood starlet Marlene Katz turn up at his doorstep asking for help. Formerly under the thumb of Cosmos Pictures, Marlene became an unsuspecting witness to Rastapopoulos’ criminal activity and now the mob is after her, seeking to tie up some loose ends. To top things off, she is due to make a public appearance at The Golden Palm, a prestigious film festival. After years of hiding, Marlene is determined to get her acting career back on track, and this film may be her big break.

Tintin is highly suspicious. Chang, on the other hand, is utterly star struck, and after noticing an uncanny resemblance between the two hatches a ridiculous scheme that may finally put an end to this particular problem. It might just work, but Marlene makes the last minute decision to also go undercover, feeling immense guilt over having Tintin and Chang risk their lives for her.

While Tintin is running around in heels and beating up mobsters Haddock is away on a weekend break with Ramo Nash. Before leaving he asked Chang to keep Tintin away from any incidents and to promise not to throw any house parties.

This was my first collab on this blog and I had a lot of fun bouncing ideas off with Vaye. Her blog was one of the first Tintin blogs I followed - definitely check it out, it’s an absolute treasure trove of resources and research! Below are a few notes of stuff we discussed while making this:

- After the Blue Lotus, Marlene breaks away from Rastapopoulos and pulls back from the film industry to lay low, teaching dance classes instead. He keeps trying to come back to her, leaving her exhausted and paranoid. Since Rastapopoulos always considered Marlene to be pretty stupid he never made much of an effort to properly hide his criminal activities from her, but Marlene was able to slowly piece things together...

- This adventure takes place after St. Benezet’s Basement (the boarding school story) and before Call of the Songbird (Tintin Fucks Up and Steals A Whistle). Tintin is still in the grips of trauma from the canon stories. Chang is starting to settle in. Haddock and Nash’s relationship is in full swing, but they are keeping things quiet from everyone else. 

- In some sketchbook comics I did to flesh out ideas there’s hints of Tintin being gay and asexual, his complete lack of interest in Hollywood actresses and his mild irritation of people’s judgements being clouded by crushes! Chang’s attraction to Marlene however, foreshadows his feelings for Tintin later on down the line.

- There’s a role reversal theme going on here. Both Tintin and Marlene are victims of Rastapopoulos but in very different ways. By playing each others’ roles they both can get a clearer picture of how Rastapopoulos hurt people, and therefore a better understanding of their own traumas. Tintin is usually spontaneous and rarely makes himself known, but here he is playing a set character. Marlene as an actress, on the other hand, is used to receiving direction from others, but circumstance pushes her to improvise. I can imagine her using her skills as an actor to get into character as an ace reporter to fake some much needed bravery!

- Marlene’s disguise is literally just stuff she pulls from Tintin’s and Chang’s closets. She’s wearing Tintin’s trenchcoat, dress shirt and suspenders and Chang’s spectator shoes, trousers and scarf!

- Marlene is a very skittish person but will be compelled to do what she believes is the right thing. As Vaye put it, “Marlene’s bravery under fire is that she’s like the one person in a room who’s willing to get a spider outside...” Marlene is also older than Tintin and pretty much views him as a child, even though he’s in his early 20s at this point. She feels incredibly guilty about what Rastapopoulos did to him and the fact he’s risking his life for her. She feels some level of responsibility for him.

This all started because I thought it would be cool for Tintin to beat some guys up in drag

[thenightling]

For those keeping score here are all the TV shows based on the work of Neil Gaiman from the last ten years. Lucifer - Loosely based on the version of Lucifer who quits ruling Hell and opens a piano bar, from The Sandman comics by Neil Gaiman. Originally aired on Fox and then moved to Netflix for seasons 4 through 6. Neil Gaiman also got to play God in a bonus episode for season 3. The full series can be watched on Netflix. And is available on DVD. The plot deals with Lucifer, the ruler of Hell, up and quitting and moving to Earth where he opens a night club called Lux and takes up playing piano. In the TV series he befriends (and eventually falls in love with) a woman homicide detective named Chloe Decker.

_______________________ American Gods - Based on the novel by Neil Gaiman. Aired on Starz. The plot deals with a man called Shadow Moon who gets dragged into the strange world of Old and New Gods vying for power.

________________ Anansi Boys - Originally written by Neil Gaiman as a spin-off of American Gods, the TV series version was filmed for Amazon Prime and is currently in post-production (Not yet released.) The plot deals with the sons of Anansi, the African trickster Spider-God.

__________________ Good Omens - Showrun by Neil Gaiman and based on the novel by Neil Gaiman and Terry Pratchett. Also Neil Gaiman has a small cameo in the first season. Available now on Amazon Prime. Seasons 1 and 2 are complete. Season 3 has not yet started filming and will very likely be the final season. Season 1 is currently available on DVD. The plot deals with two "differently competent" entities, an Angel and a Demon, who have come to love life on Earth and each other. And now must work together to prevent the apocalypse.

______________________________ The Sandman - First episode was co-written by Neil Gaiman, based on the stories and original characters created by Neil Gaiman with a few borrowed DC comics characters. Currently on Netflix. Season 2 is in production now. Neil Gaiman also voiced a ghostly bird in the bonus episode segment Dream of a Thousand Cats. Season 1 will be available on DVD and Blu Ray at the end of this month. The plot deals with Morpheus, the King of Dreams, who accidentally gets summoned and captured by occultists who had been trying to capture The Grim Reaper. After over a hundred and six years in captivity Morpheus finally escapes and has to track down his tools which had been taken from him when he was captured. He also comes to realize he had made many terrible mistakes in the past and struggles to set those wrongs right.

_________________________________________ The Dead Boy Detectives - First official spin-off of The Sandman. The Dead Boy Detectives were originally planned as an HBO Max series (now just Max) but moved to Netflix after the success of the first season of The Sandman. Based on characters who first appeared in Neil Gaiman's The Sandman: Season of Mists, Neil Gaiman is involved in the production. The plot is a pair of ghost teenagers decide to become detectives and are really bad at it. These two characters made a previous appearance in Doom Patrol on Max (Formerly HBO Max) but had been played by different actors.

[sweetmariihs2]

We need to talk about Judge Claude Frollo in the Disney Parks (DURING THE 90's) (he didn't wore a mascot head before then)—————— ⊹₊ ⋆. ♱ ₊˚ .⊹

The fandom needs to know about this. Why is no one talking about it???

Recently I got hyperfocused on HOND and, after watching the movie multiple times, musicals, and tons of video analysis, I finally found the Disney Park content - and oh boy I got so lucky for finding it

I would like to say that, at first, my wish was that the content of this post was posted on tiktok in form of videos and small edits, and while I have a tiktok account, I only post my art and my family follows me there help (imagine what they would think if they saw me posting edits (simping for) of a guy in the disney parks dressed as the most horrific character from disney in the 90s). I also told a friend about this, who has a tiktok accont, wishing they would post something about it, but it didn't happened- So I decided to make a Tumblr post.

I'm not a Disney parks specialist, I don't know a lot about this topic in general, but if any of you are, please correct me if I'm wrong or give me info I didn't included because this would help a lot.

Going to the main topic, you guys probably know how Frollo looks like in the parks today. He barely appears, sure, but he wears a mascot head, and since his mouth is always shut, he's not able to talk, having to speak to people only through signs and body expressions. But during the 90s HE DIDN'T WORE A MASK. He was played by a face actor.

BACK THEN IN THE 90s, the movie of The Hunchback of Notre Dame was released (1996), and the parks started to include the characters in their attractions. As far as I know, we had three main attractions related to HOND back then:

The Hunchback of Notre Dame Topsy Turvy Cavalcade (it's a parade that happened at Disneyland and also Disneyland Paris in the 5th anniversary celebration of the park - overall based on the Festival of Fools scene);

The Hunchback of Notre Dame: Festival of Fools (Which I have NO IDEA of why it's described as similar to the musical adventure in that wiki, since the script, stage and everything is completely different from the musical adventure - The stage is WAY BIGGER and it's mainly focused on the Festival Of Fools, but the story cuts to the end a lot faster than in the movie)

The Hunchback of Notre Dame: A Musical Adventure (a musical theatre, stage show, that happened at Disney's Hollywood Studios, that tells us the whole story of the movie);

The parade has two versions, as I said. Since our main focus is Frollo in this post, in one of the versios Frollo is riding his horse, and in the other one he's standing over one of the floats. Most of the videos I found about it show us Frollo as a face character (no mask on), but somehow there are some videos dated as 1997 about the same parade with him wearing his mascot head, which is just very confusing to me.

I can't exactly explain why he stopped being a face character, I believe that it's related to what Disney did to Fairy Godmother (she's an elderly character, just like Frollo, the same happened to her: previously face character, eventually mask character. I heard a theory saying that Disney probably doesn't want to hire elders because of their physical limitations in having to stay standing in a costume during the whole day).

What confuses me is the fact that in some attractions (the parade at Paris) Frollo is already wearing a mask, but in others (Festival of Fools) he is not yet. You see, the parade ended in 1997, but the Festival ended in 1998, and there is a recording made of the last performance of the Festival on YouTube, and Frollo is still not wearing his mask.

That can be easily explained by them just taking the decision of making him wear the mask during the parade only and keep him as a face character during the Festival. But why? We also have to consider that these take place in different parks and different countries (France and USA).

Let's take a look at the dates:

Parade AT DISNEYLAND: started in 1996 and ended in 1997 - no mask

Parade AT PARIS: started in 1997 and ended in 1998 (in some the videos I found from there, Frollo IS wearing his mask)

but I am confused since I found a video where he wasn't wearing his mask at this same parade, at Disneyland, in front of a "It's a Small World" ride. English is not my main language so I am not sure if they're only speaking in english, because if it was in France (France also has a Disneyland and a It's a Small World) they would be talking in both languages: English and French. And I don't know if I'm crazy but I didn't heard any French there. Which means this is probably at USA. BUT WHY IS FROLLO NOT WEARING HIS MASK AT USA??? I don't know I'm just confused

Festival of Fools: started in June 21, 1996 and ended in April 18, 1998 - no mask (I would like to say that Hellfire is included in this one, it was cut in all the other attractions. Also, near the end, right before his death, Frollo seems to try to grab Esmeralda when Quasi attacks his back, which wasn't in the movie indeed.)

A Musical Adventure (theatre): started in june 21, 1996 and ended in september 28, 2002 - no mask (his actor got changed around 3 times as far as I know, based on the videos that I watched)

Also, between the USA and the France version of the parade, Frollo shows up in three different ways: riding his horse, standing on top of the Notre Dame float, or sitting at his chair at the festival (which appears to be like a mini float, and he wears his mask). They're mixed and it's confusing to me, I am not sure which is where. When I think I understood, I find new footage of these attractions where he appears on top of something else and I don't know what's happening anymore

I don't know guys, I am just really confused and I'll just keep enjoying all the videos I can find of him without his mask, because it's a rare thing to see Frollo showing his face, and now much rarer hearing him talk and express himself properly at the parks. I hate this damn mask. It's clear as the light of the day that it's the same costume from the 90s with no update, no better painting, or anything new for that matter. I don't HATE him, I'm happy that we have Frollo in the parks. It's just that it was better before... if they at least updated that mask and those pale hands...

Despite trying, I couldn't find any pictures from that face character Frollo. You know, pictures people take with the characters? None. All we have are low quality 90s videos on YouTube and that's it. Which makes me really upset, because those videos don't properly capture his costume and makeup, even though I'm really grateful to everyone who recorded them, it's very hard to see his face clearly. That gif at the start of the post is one of those rare moments someone showed us his face up close, and it's from a video recording "The Hunchback of Notre Dame Topsy Turvy Cavalcade" at Disneyland where Frollo rode his horse instead of just standing on top of the Notre Dame float. (It happens at 04:00 and I giggle every single time help)

I would like to make a mini list of all the videos I could find about this on the internet. It will be updated constantly, of course, and separated by topics (the attractions) and their names will be the names of the videos themselves. I would also like to say that the qualities of those videos aren't always the best, but we're lucky for at least having them in our hands in the first place. Sometimes I will point out when he appears, sometimes I won't because I'm lazy.

Edit: Turns out that there are millions of videos about them on YouTube and a lot of them are low quality, so I won't spend time adding *all of them*, just some of the best. If you find a interesting one that's not in the post, send me the link plz!

If any kind soul wants to make funny edits with compilations of best moments please send me the link, I appreciate it

The video list : —————— ⊹₊ ⋆. ♱ ₊˚ .⊹

The Hunchback of Notre Dame Topsy Turvy Cavalcade:

"The Hunchback of Notre Dame Topsy Turvy Cavalcade - Disneyland 1996" (close up view of his face (the death look) at the minute 04:00) (*happy giggles* that's the gif used in the title of the post!) (I would probably pass out if I were this person)

"Disneyland California - The Hunchback of Notre Dame Parade 1998" (he can be seen since 02:10 (during Esmeralda's dance, which he claims "look at this disgusting display!" (also that dance is kinda "uuuhhhhh disneyyy this parade is for children"), and apparently she goes down on the pole looking at him) but he really appears properly at the minute 04:50 and doesn't look at the camera - at the minute 05:30 he's seen pretty close to Esmeralda's float, apparently watching her dance - right after this moment the video is cut and he appears again, this time walking to the opposite way. At the end of the video he's seen again from afar!)

"The Hunchback Parade at Disneyland (at Small World" (he's the first thing we see when we open the video)

"The Hunchback Parade at Disneyland (From The Plaza)" (he's seen at 1:30 standing on top of the Notre Dame float)

"Disneyland-Parade-Hunchback of Notre Dame. Oct 31. 1997." (Frollo can be seen by the first time at the minute 04:40, but he can be seen really closely at the minute 07:05. That happened during a halloween night at Disneyland!)

There is a video that I JUST CAN'T FIND about this same parade, and I remember Frollo riding his horse at the end of the video. It was day and I remember being possible to see him dissapearing behind a curve, still riding his horse. I CAN'T FIND IT, not even in my history. I'll just update this post when I finally find it (IF I find it)

Second edit: Guys I think I'm stupid. I was rewatching the end of THE FIRST VIDEO OF THE LIST and it was that one. I feel dumb now

The Hunchback of Notre Dame: Festival Of Fools:

"Disney's The Hunchback of Notre Dame - Festival of Fools, Disneyland in 1996 part 2" (a journalistic report about the attraction - the person who updated this didn't published the part 1! Ugh! We only have one half! It's a great video by the way, the quality and the shots are awesome) (Frollo only appears once at 1:30, but the whole video is great)

"The Hunchback of Notre Dame: Festival Of Fools - Disneyland 1996" (That's a part of the show. It has good camera angles but not a very good quality. Frollo appears at 02:10 and at 03:30-04:00 and at 08:05)

"【Old Disney】 The Hunchback of Notre Dame Musical Show!-1996 / ノートルダム の鐘ミュージカルショー" (Full show once again - There is a change in here! At the second 20:26, Clopin went up the stairs and Frollo casually gets the flag from his hand. The flag is a crucial part for the ending, it works like Frollo's sword for a long period of time, and he fights Esmeralda and Quasimodo using it. In other recordings you can see that Frollo gets his flag forcefully from one of the dancer's hands in the middle of the main stage, not from Clopin already up the stairs. At 19:55 we can see Frollo holding the flag, running with it, but when we see him again, the flag is in Clopin's hand instead of Frollo's, and Frollo takes it from him later. What a mess!)

"1996 Disneyland Hunchback of Notre Dame: Festival of Fools" (terrible quality but it adds ✨️flavor✨️)

"Hunchback of Notre Dame Play Disneyland 1996" (The quality is also bad, but we can see the lights and overall hear the music and the spectacle itself here. I wish I was there!)

"Hunchback of Notre Dame: Festival of Fools - Disneyland 1996" (Footage of the whole show, the quality is... average)

"Hunchback of Notre Dame Festival Of Fools--Disneyland History--1990's--TMS-561" (footage of the festival but overall the quality is terrible in this one)

"Hunchback of Notre Dame Festival Of Fools | Disneyland | 1996" (low quality footage of the show. Frollo can barely be seen :c )

""Festival Of Fools" at Disneyland, Presented by Get Away Today (Part 1)" (a TV channel recorded the performance profissionally, even though it's old it's also a good video)

""Festival Of Fools" at Disneyland, Presented by Get Away Today (Part 2)" (part 2 of that same video)

— The last show footage needs to be properly separated here. This makes me bittersweet:

"Festival of Fools - Last Show - Warm Up - Disneyland" (part 0)

"Festival of Fools - Last Show - Part 1 - Disneyland" (part 1)

"Festival of Fools - Last Show - Part 2 - Disneyland" (part 2)

"Festival of Fools - Last Show - Part 3 - Disneyland" (part 3) (Frollo shows up really closely in this one, this person did a wonderful job when recording - and him singing Hellfire!! Ahhhhh!!! He appears again at the end of the video when the characters are thanking the audience)

The Hunchback Of Notre Dame: A Musical Adventure:

"The Hunchback of Notre Dame : A Musical Adventure - Full Show, Disney-MGM Studios 1996 Disney World" (full show)

"Hunchback of Notre Dame Disney-MGM" (full show recorded, great image quality, the camera man gives us zoom and great shots - WE CAN SEE FROLLO'S FACE PROPERLY AT 03:10)

"The Hunchback of Notre Dame: A Musical Adventure" - Full show from 1999 at MGM Studios in WDW" (HIS ACTOR IS AMAZING HERE - We can see his face closely at 02:55, and at 03:33 THE EVIL SMILE IS SO SIMILAR, he even LOOKS LIKE FROLLO HIMSELF! At 11:15 there's the Esmeralda's tease scene which is *chef's kiss* (we can see it really closely) AND IT WAS ALSO DONE PERFECTLY! aaahahshwhwhehsg that's my favorite performance of this show idc, we can see him closely again at 23:20 aaand also at 09:55 - 10:30) [this is where that Frollo and Esmeralda gif I added came from]

"Hunchback Of Notre Dame (2002)" (full show again but this person zooms the characters sometimes, awesome video too)

"The Hunchback of Notre Dame: A Musical Adventure" - Full performance at MGM Studios in WDW - 2000" (We can see Frollo's face from up close at 14:00 - it seems to be a different actor :c )

"1996 Walt Disney World The Hunchback of Notre Dame: A Musical Adventure" (The quality is not the best but I think it's cute the way the person recorded the surroundings. Really looks like a good memory to have. So sweet)

"Walt Disney World spectacle THE HUNCHBACK OF NOTRE DAME 06 02 1997" (the full show recorded - average quality)

"The Hunchback of Notre Dame: A Musical Adventure @ Disney-MGM Studios - August, 1997" (meh not really in a good quality but it's recorded so let's add it here)

""Hunchback of Notre Dame: A Musical Adventure" Photos and Video from 1996 at Disney-MGM Studios" (not a youtube video, this time it's a website filled with pics taken of the show)

Someone recorded 8 parts of the show, but I would like to add them since it's... you know, my fav Frollo actor until now:

Part 1 - Part 2 - Part 3 - Part 4 - Part 5 - Part 6 - Part 7 - Part 8

BONUS:

"Meeting Phoebus, from "The Hunchback of Notre Dame: A Musical Adventure" at MGM Studios in WDW" (this is so cute!)

"Festival Of Fools Construction at Disneyland" (the title speaks for itself)

"Disneyland Inside Out - "Festival Of Fools" (report about the attraction)

"Disneyland Paris * May 1997" (showing how the park looked like at that time- a lot of HOND stuff)

"DISNEYLAND: 50 Years of ImaginEARing CD 10-12 FESTIVAL OF FOOLS A Guy Like You" (I believe this is a remastered version of one of the songs that played during the parade. I wish I was there at that time)

"Hunchback of Notre Dame Carnival Disneyland Paris" (this is a video of the parade when Frollo was already wearing a mask, but look at how cute this is! It's a family memory)