#action beat

[wordwarriors]

Dialogue Tags and Action Beats

Next Live Discussion: Friday September 22nd, 2023 at 12:00 p.m. CST. Topic: Writing Dialogue.

Tagging under the cut

@karahalloway @aussiegurl1234 @harleybeaumont @alj4890 @peonierose @petiteboheme @ryns-ramblings @tate-lin @twinkleallnight @nestledonthaveone

@aallotarenunelma @kristinamae093 @coffeeheartaddict2 @thedistantshoresproject @lizzybeth1986  @memorias-depresivas

@noesapphic @jerzwriter

[artkaninchenbau]

A h-heartfelt reunion..?

Bonus

[captaincrazycreative]

Not over Cait threatening to throw some guy in prison in front of her gf who was wrongfully imprisoned and tortured for a decade

[eveledoze]

reconciliation after a quarrel didn't come up with the reason of the quarrel btw lol

[fuckyeahisawthat]

Oh I realized a thing about the Paul/Feyd-Rautha fight. So usually if you have a big fight scene, but especially if you do something like have a character get injured in a way that would definitely be fatal if they weren't cursed with inescapable Main Character Energy, you follow up the fight scene with some moment of comfort or relief or something, which serves to release the tension for the audience and let them know whew, that was scary, but it's okay now. Your character is hurt but they're gonna survive. (Or alternately, if they're dying heroically, it was worth it and what the narrative demanded.)

But here there's nothing. Paul is surrounded by devoted followers; his mother; his lover; one of his oldest teachers and a loyal servant of House Atreides. No one steps forward to offer a shoulder to lean on or help him to his feet. He's left them all behind. He's not a person who got hurt in a fight anymore; he's a myth that people shrink back from. So he pulls the knife out by himself. He stands up by himself. Other than the emperor very begrudgingly touching his hand to kiss the ring, I don't think anyone touches him at all for the rest of the movie. He's completely alone. They never release that tension, because Paul's alive but it is very much not going to be okay.

[professorcalculusstanaccount]

How would you describe Chang's relationship with his adoptive parents in your wonderful au?

Chang is adopted pretty quickly, so it's likely they didn't get much time to get to know each other as well as most adopted families nowadays. My thoughts on Chang and his adopted family are below!

Chang's heroism in The Blue Lotus was impressive, which leads to lofty expectations Chang himself feels incapable of meeting. He struggles to adapt to life in Shanghai, the Wangs' upper middle class culture and has problems at school, having missed out on a few years of education and a lot of unresolved trauma.

He's frustrated at his own inability to fit in, and guilty about flubbing this opportunity at life they gave him. Part of him feels like he's tearing their family apart. The Wangs are desperately trying to give Chang a good life, but feel completely out of their depth.

He also can't help but compare himself to Didi, his much older adopted brother and their biological son, who is scarily competent and a clear favourite of their mother.

Didi is aware that his father may have expectations for Chang to join the Sons of the Dragon. Having experienced the pressure and danger first-hand he takes it upon himself to foster a sense of agency in Chang so he will be capable of choosing for himself when the time comes. Didi trains Chang in martial arts and is tough on him in general, but encourages Chang to travel when he expresses an interest in it. Chang on the other hand encourages Didi to have fun and let loose!

Mr Wang has high expectations for Chang because he believes in him. He and Mrs Wang genuinely care for him and only want the best possible life for him, but this sometimes comes across as them expecting Chang to be somebody else. They first thought Chang was much like Didi, disciplined and quiet, but Chang's rebellious streak catches them off guard. Mrs Wang is particularly shaken.

It struck me how gentle the Wangs were with Didi while he was under the influence of madness poison, and as they are good friends with a mental health specialist, they would absolutely take Chang's mental health seriously. Whether or not they fully understand each other is another thing. As Chang slips into a deep depression they decide to send him off to London to meet his uncle, hoping a change in scenery will help him. On his way through Tibet however, his plane crashes into the mountains...

[undertalethingems]

Unexpected Guests Chapter Ten, Act Two: Page 10

First / Previous / Next

3-on-1 would normally be quite an unfair fight, but so far, Gaster's proven to be more than capable of taking what's been dealt... but the battle's far from over and our heroes still have plenty of fighting spirit!

The long fight continues next time, coming Jan. 11th!

[assiraphales]

luffy is such an interesting character because while his idiot/silly boy act does hide how dangerous he is, it’s not intentional. he IS smart (emotionally intelligent and has good observation skills ie figuring out crocodile’s weakness in one fight). he IS dangerous. and especially before he made a name for himself, he was constantly underestimated. but it’s not a cheap ploy to get peoples guard down. luffy just genuinely finds so much joy in the world around him that he can’t contain himself. he chooses to see the best in things and embrace them until someone or something tries to force him to not to

[aangarchy]

No thoughts head empty just HE RAN 😩😡

[aprilblossomgirl]

Nano’s IG reminds me of myself during that time. I was both heartbroken and unemployed. I couldn’t rely on myself. I was totally lost. But the strongest feeling was fear.

ThamePo Heart That Skips a Beat | Ep.05

[kizzer55555]

Will Somebody Kill Them!

New idea. So the league of assassins is trying their usual tricks and attempting to get a very wealthy businessman to cooperate with their corporation. Unfortunatly, Vlad Masters does not wish to work under anyone. Nor share his technology with them. Because of his refusal, the league decides to send a warning as a consequence for defying them. And luckily for them, Vlad has 3 young children in his care that would make the perfect example. Unfortunatly….these kids are really hard to assassinate.

Meanwhile…Danny, Ellie, and Dan are bored. But suddenly they gain some…’enrichment’.

It gets bad enough that the League even reaches out to others. The Light, the League of Shadows, Slade, Deathstroke, the Court of Owls. If anyone can kill these kids there will be a massive reward. (And Vlad is just in the corner sipping his tequila.)

[littleouroboros]

I wouldn't recommend getting this close to anything with a deck-sweeper, tbh

[paperultra]

service with a smile!

Pairing: OPLA!Vinsmoke Sanji x Reader Word Count: 1,726 words Warnings: Swearing, violence, verbally/physically abusive customer, reader has a brief panic attack

eccedentesiast (noun): someone who fakes a smile

It’s six-thirty in the evening at the Baratie. The customers are ravenous, the kitchen is in the weeds, and you’re wearing a snake-like trail into the floor of the restaurant delivering drinks and dishes when the sound of snapping fingers pricks your ears.

“Waiter!”

Twisting your neck around, you spot the man at table four waving you over.

You quickly make your way to him with a bright smile. “Yes? What can I do for you?”

The man gestures to the plate in front of him, disgust clear on his face. “I said I wanted my steak medium-well.”

“Oh, I’m so sorry, sir,” you reply. Leaning over slightly to check, your eyebrows knit together as you stare at the slice of meat pushed to the edge of the plate. “… It seems to be medium-well, though?”

“No,” he snaps. Light glints sharply off the many rings on his fingers as he pointedly prods at the center of the slice with his knife. “It still has some pink in it, see? I can’t eat this.”

“Well, sir,” you mentally roll your eyes up to the ceiling, though your gaze remains attentive and apologetic, “Here in our restaurant, medium-well steak will still have a little bit of pink. We could bring it back to the kitchen and have it cooked until it’s well done, if you’d like. It’d take no more than five minutes.”

“I don’t like well done steak. It’s too dry.”

Oh, god.

“I see. Well, we could still bring it back to the kitchen and see what the cooks can do.”

The man clicks his tongue. “Fucking hell.” Sneering, he drops his steak knife and pushes the plate towards you. “Fine. Go. I’m not paying if you guys fuck it up again.”

“We’ll do our best.” Fuck you.

Nodding deferentially, you scoop up the plate and head off to the kitchen, smiling all the while.

“Carne!” you announce after you kick open the door, setting the steak on the pass and leaning over to catch the attention of the rotisseur. “Customer at table four says your steak is shit.”

“What?!”

“He wants it medium-well with no pink at all.” Carne swears and stomps over to fetch the steak. A slight movement in the corner catches your eye, and you look over at Sanji, who’s already looking at you as he pulls his suit jacket on. “Hey, chef.” A genuine grin stretches your face. “The old man kick you off the line again?”

“He slated my mixed paella,” Sanji replies, no small amount of irritation in his voice. It melts away quickly as he smirks and sends a wink your way. “But I’ll be seeing more of you out there, so maybe I should count my blessings.”

“There’s certainly one at table four right now.” Balancing three plates for table seven on one arm, you grab the fourth with your free hand.

Sanji hurries to hold the door open for you, frowning through the thank-you that flies from your mouth. “What else did they say?” he asks seriously. “Do they need to be kicked out?”

Despite the rush, your heart finds the time to skip a beat.

“Nah, not yet,” you assure. “Now hurry up!”

“[Y/n] –”

“Bye!”

As you pass him, your head held high, you hear Sanji sigh and chuckle in resignation.

You deliver the plates and check back with guests who have already gotten their food before returning to the kitchen. Table four’s well done medium-well steak with no pink is on the pass already when you go in, freshly garnished and by all appearances even more gorgeous than before.

Raising your eyebrows, you whistle. “Thanks, Carne! Love you!” you shout over the din of cooks before grabbing the plate.

“Kiss my ass!”

You laugh. One of the other waiters wishes you luck and pats your back as you exit.

You waste only a brief moment just outside the kitchen to take a deep breath and scan the restaurant. Sanji is at the far end, refilling waters and likely charming the eyelashes off a table of giggling young women. You’d kill to be on either side right now.

Closing your eyes, you recite the Baratie’s fourth employee guideline and then smile, stepping out into the dining area and walking over to table four.

The customer is God.

“Here you go, sir,” you say, placing the plate before him. “I’m sor –”

“This looks like shit.” The man hardly glances at the steak Carne had so painstakingly reprepared, choosing instead to glare at you. “I waited five whole minutes for this?”

The customer. Is. God.

Your teeth hurt. “Our rotisseur put in his best work to fix the mistake.”

“Well, he should be fired on the spot.”

“If you would just try it –”

The man suddenly slams his fist on the table and stands up, his face red, grabbing the attention of the surrounding guests as he throws the plate onto the ground.

“DON’T TELL ME WHAT TO DO, WAITER!”

His hairy, meaty hand seizes the collar of your uniform.

Your perfect smile slips off your face.

“Get your hand off of me.”

The man doesn’t listen. He raises his other fist and swings it at your mouth instead.

You pull him down and knee him in the face before he even realizes that you’ve dodged.

Crunch. Warm blood splatters over your carefully ironed slacks.

“Augh!”

The man’s hands fly up to his nose. You shove him face-down to the ground and press your knee into his back, yanking his head up by his hair.

“I asked you to taste your fucking steak,” you breathe, tightening your grip. “I didn’t ask you to FUCKING TOUCH ME. OKAY?”

His groan bubbles quietly through bloodied teeth.

Your ears ring. You’re cold and your head is numb and your heart is racing, and you’re breathing, but it feels like you’re not getting enough air. You don’t move a muscle.

Above you, muffled and buried underwater, someone calls out your name.

A hand rubs your back gently. Your name is murmured again, and you finally blink, slowly twisting around to look up at Sanji.

“I think he got the message, sweetheart. Come on. The old man’ll take care of the rest.”

He places his hand over yours, coaxing you to let go of the man’s hair. It hurts, but you do it, and Sanji helps you stand afterwards.

“Come on,” he whispers. “We’ll wash dishes together until you feel better.”

“You’re supposed to be waiting tables,” you mumble. Your mouth is dry.

“You know I hate doing that anyway.”

He tucks you underneath his arm. You push your face into the front of his suit and smell the traces of his last smoke break as he guides you to the kitchen.

Washing dishes is a ritual you’ve had since you were a kid. While Sanji’s punishments had been anything that prevented him from cooking or flirting, yours were limited to washing dishes. You loathed the chore, and Zeff took note and made sure to stick you at the sinks whenever you got into trouble. You’d curse and splash and generally be a pain in the ass to the rest of the kitchen, but you scrubbed the dishes pretty damn well, and within an hour or two your anger would fizzle out and you’d be back to your usual self.

Over time, the chore became something that grounded you whenever you weren’t feeling too hot. It kept your hands busy, and sometimes Sanji would join you to chat and complain until Zeff decided that the two of you were just a little too happy in his kitchen and kicked one or both of you out.

“Washing or drying?” Sanji asks. He had tossed his jacket somewhere while you were thinking and is now holding out an apron for you to take.

“Washing.” You slip the apron on and roll up your sleeves.

Nobody bothers you or Sanji as you start working. You use a generous amount of soap, let the water heat up until it almost scalds your skin, and scrub each plate and bowl and utensil and glass until they’re better than new. Then you hand it off to Sanji, who carefully dries each item and puts them aside.

Eventually, you find your voice again.

“Sorry you had to come over and get me. I thought I could handle it.”

“No, I should’ve been there before it got too bad. I’m sorry.” Sanji meets your eyes, and his gaze softens into something sad. “What happened?”

Your shrug is so small you almost don’t feel it. “I was fine when he was yelling at me. But when he grabbed me by the collar, I just – I dunno. It surprised me real bad.”

“Did he hurt you?”

“No. Just wrinkled my shirt.” You bend your knee, feeling the stiffness of dried blood on your slacks, and pout. “And stained my pants.”

“He didn’t even land a hit, at the very least,” Sanji says. A corner of his mouth tilts up. “I’ve got to say, I’m quite impressed.”

You raise an eyebrow. “Really? I impressed Black Leg Sanji by kneeing a customer in the face?”

“It’s the first time I’ve seen you fight a customer. You usually calm them right down.”

“Well, this one was a real shitbag. I’m surprised I haven’t had to do it sooner, to be honest.”

He shakes his head. “It shouldn’t be something you should ever have to do,” he tells you. “Not while I’m here. If I ever see that bastard again, I swear I’ll kill him.”

“My hero,” you say with a smile, kicking up one foot.

Sanji winks at you and, with towel and dish in hand, leans over slightly to kiss the side of your head. It’s an innocent and playful thing he’s started doing as of late, and it certainly has no underlying meaning whatsoever, so you make a show of scrunching up your face like you always do. You swear that your face only feels hot because of the steam.

“Until my dying breath,” he says softly.

Oh. It’s not so funny anymore.

You flick bubbles at him and resume washing the dishes. Sanji grins and resumes drying, and if you scoot closer until you feel his arm brush yours with every movement, well – that’s nobody’s business but yours.

[the-fandom-crossroads]

Alright I caved and I'm actually going to talk about the live action HTTYD trailer.

I'm annoyed at all the things others have already mentioned but there is one thing that makes me angry while also making me laugh at the same time. In a "how is this a struggle they are still dealing with 15 years later" sort of way.

This attempt to get Toothless to "sit".

I know most of you didn't grow up a httyd nerd watching the director commentaries of the original movie. But I did and I can tell you they called this one of the hardest bits of animation they pulled off with the models in this film.

Rigging models in animation are intentionally well rigid. Animators intentionally code in limits so limbs aren't doing unnatural movements everytime something glitches out. Watch the Shrek bloopers for nightmare fuel examples of why animators started rigging in limits to limbs and even face muscles.

So these limits exist and in httyd's time you couldn't just turn off those rules for the model when ever you wanted. So they had to fight the limits they put in place while trying to keep the movement looking natural.

You obviously can't see it from this angle. But they removed his right wing from the model. Once it drops behind his head it is gone. Because it was just another thing to keep track of that wasn't needed in the shot.

I laugh at the live action because they are clearly running into the same Rigging limitations that come with using a CGI model. But unlike the animated movie they aren't pushing the limits of the rigging to have Toothless sit upright.

No to keep it more "natural" they have it be an awkward shuffle back. They decided not letting his tail bend like that was more important than the whole point of the scene. Which is that he is mimicking Hiccup's body language.

This and the Eye pupil shot tell me all I need to know about this remake.

That they are willing to get rid of key details that helped us feel the connection between Toothless and Hiccup if it means a more "realistic" feel for the movie. Which is going to lead to us feeling more distant from these characters compared to their animated counter parts.

So yeah that "cold soulless" feeling isn't just nostalgia. It's an intentional part of their attempt to make a httyd "in the real world". And tells me I'm just going to be disappointed by this remake. So join me June 2025 as I pop in my 15 year old httyd dvd for a rewatch.

Because no matter what this remake does the original will always bring me joy.

[milkbreadtoast]

guys i started reading this recently and let me tell you. You have to read this one.... ITS SO GODDAMN FUNNY. im having the time of my life... wholeheartedly rec

[bixels]

Splatoon 3: Side Order is good, but not great. I still highly recommend it, but if you care about the story, you're going to be disappointed. Quick review: spoilers ahead.

Side Order was the devs experimenting with Splatoon's gameplay loop. The campaign is a rogue-like, and it works amazingly well. Super fun, super challenging, building my deck and fighting through challenges with the stakes of resetting really scratched an itch in my brain. They did a great job with it.

Unfortunately, I feel like priority went to game design rather than story. Much of the mysterious artwork we saw in the first teaser trailer was completely unused; turns out, all of that was just concept art that never made it into the final product. Side Order failed to make me care about what was happening. I don't know why the protagonist had to be Agent 8; it could've been anyone else and the story would've worked the same.

Octo Expansion was the absolute peak of meshing story and gameplay. The campaign's hook is insanely strong; we immediately empathize with Agent 8 because we know from previous lore that octolings like her have been trapped underground for all their lives. We care about her fight to the surface because it's a fundamentally ideological fight for freedom. The plot stuff about Tartar and the Thangs is just nice set dressing; 8's fight for freedom is the real story.

There's none of that in Side Order. I don't particularly care about Marina's metaverse, even if it's tied to Octo Expansion's story. I don't know why Acht is there other than backstory stuff. It really feels like 8 is just told to do something and she does it because she's the protagonist; she has zero personal stakes or motivations in the conflict. This is a story blunder the devs did in Splatoon 3's default campaign––forgetting to give the protagonist a personal reason to fight––that I hoped would be fixed here, but alas.

What makes it worse is that the gameplay and story progression are completely out of sync. I beat the entire game on my third run in 4 hours. With each run, you get up to two keys to potentially unlock bits of story. That means you'll get about one piece of the story every two runs. There are twelve pieces of the story; I got the first and then beat the whole damn game. Now I have to go back and grind to see the remaining story when I've already beaten the final boss and resolved the conflict. I missed the entire story because I never had to reset because I blazed through the gameplay! It's just a real shame that I experienced everything without knowing... why it's happening. The final boss had me asking myself what the hell is going on because I don't know the backstory at all.

Again, I still really recommend. The devs did a great job, but Side Order remains in the shadow of Octo Expansion's incredible success. Like the default singleplayer campaign, there's just a lot of lost story potential here that, while not necessary, would have really elevated this DLC into something amazing.