#acoustic pop
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a-reason-for-this · 1 year ago
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Hi.
Tomorrow.
=>
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positivevibedad · 8 months ago
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A song for you. ❤️
Oh well get through this even if I die
There’s really nothing to it
You’re the love of my life
I don’t know what the future holds, but
I’m in it for life
All I want is to grow gray and old, and uh
Die by your side
There ain’t nobody like you
There ain’t body like you
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davidwilliammusic · 2 months ago
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A live acoustic performance of "The Last To Leave", which was released on my album 'The Days Before'. A full studio version of this song is still to come.
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seedlingnook · 1 year ago
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This song is about gender dysphoria…maybe you should check it out 👀
Art by @bugpinned
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personnamedrose · 1 year ago
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In the past 72 hours I went from not knowing what Talkshow Boy sounded like to having nearly 200 Talkshow Boy scrobbles on last.fm! Here's a cover of one of their songs that I like a lot from the album Watch As I Perform My Own Tracheotomy, it's mostly just B G#m E F# but the breath control needed is kind of insane so sorry if the jumps between takes are obvious.
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musicandrootbeer · 6 months ago
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you are mine, I’m not yours
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dustedmagazine · 6 months ago
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Nathaniel Russell — Songs of (Psychic Hotline)
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Nathaniel Russell sings with a warbly sincerity, his melodies wandering sleepily through hedges of scraped guitar and soft, murmured background vocals. A sax blows through from time to time, a bass plunks subliminally, bells, woodblocks and tuned drums tap out tonal cadences. A refrain catches Russell’s imagination and he repeats it, quietly, insistently, until the words transform from their literal meaning into sonic blocks of color.
Russell is a printmaker and musician based in Indianapolis whose home-spun transcendentalism links him to out-there folk artists like Michael Hurley and K Records minimalists including Karl Blau and Beat Happening. This is his second album as a solo artist, and while not exactly polished, it has the air of being exactly what it was intended to be.
Consider, for instance, the beautiful, completely unassuming “Let’s Stop, Listen,” made of the simplest, roughest ingredients: a scrape of guitar, a smattering of bells and the talismanic repetition “Stop, let’s listen to them sing.” Russell croons this by himself for a bit, then picks up extra sustenance from female voice (not credited by likely producer Amelia Meath). Now a saxophone (that’s Matt Douglas) stirs up the air, breathy and sinuous. A glockenspiel or something similar plinks and plunks in the background. The song is simple in the way a shaker chair is simple: 100% of what it needs is there, along with 0% of what it doesn’t.
Or take the equally charming “Wonderful to Be in Love,” which describes, in detail, the act of lying in tall grass watching the sun hit it. The mood is indolent and utterly content, and you might find yourself suppressing a yawn as Russell sings about sunshine and vegetation and romantic bliss. But it also links to something nearly mystical, this song, some life force that runs through nature and the world and even us, if we only slow down enough to feel it.  
These songs feel like parables, earthy enough on a literal level, but vibrating with hidden spiritual matter. “Wish I Was Born an Animal” toys with reincarnation and pantheism and love in the multi-verse, in short, vivid spates of verse. “Wish I was born an animal, you were born a bird,” he poses, “Fly higher than the trees, swimming with the fishes, fly higher than my long lost friends ever did go.” And finally, near the end, “I found a picture in the pocket of a coat I hadn’t worn in a year, it felt good just to listen, just to look, just to be alive, just to be on the breathing, reeling of the world.”  
Songs of is a very slow burner, an album that sounds like nothing the first time you put it on, but gradually takes on weight and meaning and resonance as you repeat.  Give it a little time, and it will bloom.
Jennifer Kelly
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wub-fur-radio · 2 years ago
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The Lion Under the Lemons
March plays against type and goes out like a lion in this lively, tuneful, and eclectic early spring mix of contemporary indie folk/rock/jangle/pop/etc. Featuring a score of fine tunes from Hollow Hand, Calexico, Robert Forster, Tony Molina, the Woolen Men, Edwyn Collins, Cat Power, and a baker’s dozen more artists who know it’s better to be a lion for a day than a lemon for your whole life.
▶︎🎶 Play on  Mixcloud –or– Apple Music (or scroll down to use an embedded player below)
Running Time: 1 hour, 2 seconds
Tracklist
Hurdy Short (1:16) — TJO | California | 2021
All My Love (3:55) — Hollow Hand | Brighton, UK | 2023
Star Vehicle (3:26) — Pale Blue Eyes | Totnes, UK | 2022
Song For Friends (Slight Return) (1:03) — Tony Molina | San Francisco, CA | 2022
Turquoise (2:49) — Calexico | Tucson, AZ | 2022
There’s a Reason to Live (2:31) — Robert Forster | Australia | 2023
Love Is the Frequency (Acoustic Version) (2:49) — Andy Bell | London, UK | 2023
Unspoken Promise * (2:59) — Plankton Wat | Portland, OR | 2023 * Apple Music version subsitutes “A Window in the Mirror” (3:03) also by Plankton Wat | 2022
Little Sign (2:51) — Edith Frost | Austin, TX | 2020
I Guess We Were Young (3:22) — Edwyn Collins | Helmsdale, UK | 2019
Emmanuel Head (3:31) — Hector Gannet | North Shields, UK | 2023
A Rumor (0:24) — Whitney’s Playland | San Francisco, CA | 2023
Forgotten 45 (3:45) — Woolen Men | Portland, OR | 2023
Waiting on a Ghost to Haunt You (2:46) — The Reds, Pinks and Purples | San Francisco, CA | 2023
Old Perfume for a New Day (3:29) — Tommy and The Ohs | Nashville, TN | 2022
Rising Moons (2:20) — Immaterial Possession | Athens, GA | 2023
Useless Feeling (3:49) — Spice World | WA, Australia | 2023
Good (4:31) — Ghost Woman | Arizona | 2022
When I Think of You (3:13) — Noa Mal | Philippines | 2023
Here Comes a Regular (5:13) — Cat Power | Miami, FL | 2022
🍋 🦁 🍋 🦁 🍋 🦁 🍋 🦁 🍋 🦁 🍋 🦁 🍋 🦁 🍋  
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If you’re not seeing an embedded player it’s probably because you’re reading this on Tumblr, in which case you can click here to open this post directly on the Wub-Blog.
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axxepackes · 8 months ago
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(Jimmy Packes) Good morning all. Here’s the latest song from the #52in52 project. I hope that you enjoy it. As always, please share the music to show your support. Enjoy the day!
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sylias68 · 8 months ago
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Nice acoustic cover of one of my favourite song by Knuckle Puck.
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joanofarc · 9 months ago
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counting shit, nedelle and thom (2004).
and forever lazing out making eyes at you i'm wondering if she's counting, too
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jeffcbliss · 1 year ago
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Jack Johnson - BeachLife Ranch music festival; Redondo Beach, CA (9-22-23). @jackjohnson
Photo: Jeff Bliss
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positivevibedad · 8 months ago
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Life flies by. An acoustic original.
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Oh, we don’t have that much time to live
But oh, we sure do have a lot of love to give
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vlasman123 · 10 months ago
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(Vlasis Metaxas)
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theartofmany · 2 years ago
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This "old" album is still so good until these days From Youtube channel Johnson Thailand: Jack Johnson On And On FuLL Enjoy this musical and very chill masterpiece...
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browneproject · 2 years ago
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Darkness Into Twilight By Chris Browne BrowneProject (Official Video)
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