#acceptance huh

[corviiids]

tweet that got me kinassigned everyone from goro akechi to brennan lee mulligan

[egophiliac]

starting off with an amuse-bouche of some of my initial favorite bits! y'all, this update was WILD.

[astrobolical]

Okay.

As much as I love feral Satan, who lets his instincts run wild and growls, bites and everything else… his soft side is so fuckin’ cute.

The Satan that stares at you in confusion as you tend to a small cut on his hand he’d received on one of his rampages, unbothered by the mess around the two of you and concerned solely with him. How he doesn’t quite know why his chest feels so warm and tight as he looks at your gentle, concerned expression.

Satan, who doesn’t understand why he feels so weightless with you, why his heart flutters and why he wants to hold you so gently, as if cradling something precious.

Satan, whose anger fades just from your presence alone, overtaken with feelings he’s never experienced, that baffle him entirely but he can’t get enough.

Satan, who desperately throws himself into research just to understand you a little more, to put a name on how he feels about you— who’s just as afraid of his own feelings as he is elated by them.

Satan, who worries you’ll be frightened of him if his temper rises, but you never are, even when he tells you that you should be.

Satan, who lays beside you, watching your sleeping face and utterly baffled that you trust him so completely to allow him to see you in such a vulnerable state… who knows deep down he’ll protect you forever.

Satan, who fumbles each time he tries to explain any of this to you, whose face becomes adorably reddened with each failed attempt.

Satan, who realizes that you’ve accepted him entirely, his every fault, his everything, before he had even come close to accepting himself. Who loves you more than he could ever put to words, or that he could ever really comprehend.

Just him. You know? Ahh, just helping him come to terms with everything he doesn’t know, to grow and understand. Helping him, in the end, to love.

[potato-lord-but-not]

Your most recent post I just made me think about John (because I’m always thinking about John) and if having his wrists pinned would freak him out. Like, the level of trust he would have to build with Oscar to give up what little control he does have, give up that little piece of autonomy he clings too. Idk your art makes me crazy and then I get thinking and here we are—

no you’re so right my god. I need to draw more of these three navigating being intimate because it makes me go INSANE. I need more John being reluctant to trust Oscar and Oscar being patient with him because he’s probably a little bit scared of him but also he knows what it’s like to be ignored and to lose some of your autonomy (I mean he’s coming from the religious trauma stand point but still you get me) NOW YOUVE GOT ME RAMBLING DAMN IT I need to draw them so bad

[noxtivagus]

hermes,,,, the side side story in lodestone always gets me everytime 🥹🤍

[khaopybara]

earn and the two women she pulled by being a little crazy.

LINGLING SIRILAK as FAHLADA THANANUSAK, YING ANADA as ENGFA and ORM KORNNAPHAT as EARN SANITHADA episode 3 of THE SECRET OF US

[coquelicoq]

kitamoto does make me so emotional. natsume says some embarrassingly earnest shit that reveals how undersocialized he is and kitamoto's reaction is to spend more time with him and introduce him to friendship. when someone who appears to be a girl his age tells him she's never read a book before, he's like oh okay, and then the next day he gives her a book with easy-to-read stories in a genre she said sounded interesting. he not only doesn't judge people but he also actively meets them where they're at...i love this sweet teenager so much i could cry.

[im-smart-i-swear]

coming back home.

@barrenclan

[suntails]

dance of dreams

[petr1kov]

really liked how this episode annihilated the notion that the solution to simon's problem would be to become a 'halfway' ice king, a version of himself that can keep both his magic and his sanity. there are no half measures when it comes to the curse of the crown

[lowkeiloki]

when the parents are odd

[anomura]

just thinking about bucky mourning gale while sitting on his seat

[buwheal]

Your hair looks excellent! It's being stubbornly stylish.

[stromblessed]

Mizu's spectacles, and the levels of her disguise

In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.

Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.

I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!

Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.

In my view, this was pointed out in episode 1:

I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."

Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.

I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.

This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.

There's the little girl who looks at Mizu and then hides on the way into Kyoto:

When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!

By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.

It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:

(Zatoichi reference, anyone?)

If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.

Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:

Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:

No wonder Mizu gets mad after this, lol

So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.

And yet no one spots that she's female.

Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.

Let me explain.

She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.

But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:

I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."

Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.

Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.

One detail that proved this to me is after the Four Fangs fight:

Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)

And Taigen is right there, but he doesn't give a shit:

Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.

Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol

There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:

After all, Swordfather can't bear to listen to Mizu confess to being a woman.

So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.

May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.

Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."

[deathberi]

FINAL FANTASY VII REBIRTH (2024)

[worstloki]

imagine being Thanos and you get completely conned by this Asgardian Prince sorcerer guy you tortured and left with a mind-addling infinity stone years ago and when you chase him down 10 years later you find out he wasn't even Asgardian or their Prince the entire time