#academic ghostwriter

[averlym]

whshdfhfjf.,,,

[verbvoyager]

Need help with your writing?

I can assist you with any writing project, including research papers, academic work, ghostwriting, and blog content.

Email: jamesfreelancer00@gmail.com

WhatsApp: +254706185556

[allnovellas]

Get Paid to Write: A List of High-Paying Freelance Writing Jobs for Aspiring Writers

Do you want to learn how to get paid to write? As an aspiring writer, you may have considered the idea of freelance writing as a way to turn your passion for writing into a viable career. The good news is that there are many opportunities for freelance writers to earn a living, whether it’s writing for websites, blogs, magazines, or other publications. In this article, we will provide you with a…

[captainkaltar]

Online scholarship applications are either:

Are you a current student in any subject, any year, at any institution? Tell us about your personal goals to win $200!

Or:

You must be in the second semester of your third year of a civil engineering program with a specialization in urban drinking water management systems, also pursuing a minor in history with a focus on population movements in Cyprus between July and September 1924. Your family must be involved in a union (except the IWW, any applications mentioning this will be disqualified) with at least one relative employed in a copper mine, and also be affiliated with a specific social club populated by white-collar retirees who love golf. Preference will be given to applicants with Polish AND Chilean heritage (not one or the other), an AB blood type, and 17 extracurricular interests. Provide written evidence of 70+ hours of volunteer experience, 6 academic reference letters, and a 5000 word essay concerning how your studies relate to competitive birdwatching in Northern Ireland. The recipient will gain $130,000 and we will ghostwrite your PhD dissertation.

There is no middle ground.

[xiaq]

Hi! I read an old post of yours from when you were teaching, where you said you earned 39k a year, and that it wasn't a lot of money. That would be 3k a month + 3k end-of-year bonus, especially if it's tax free (as in, all money already goes to you, with taxes already paid). In my country, that's a very good income. How much does life cost in the USA, for you to say that academia is not a career that makes you lots of money? I think I'd need context to understand, if you can explain, please :)

Hi there! So what it comes down to is cost of living coupled with an inability to put money away for retirement.

Also, that 39k is before taxes. So I was really making around 32k annually or 2,600 a month. No bonuses.

When I was making that, I was living in Dallas, TX and then Gunnison, CO. The average rent cost for a one bedroom apartment in Dallas was $1,500 base per month and in Gunnison, CO the average rent cost for a one bedroom apartment is $1,700. In both places I paid less than the average, but my total costs with paid parking, utilities, etc. were around $1,500. In addition to housing, I had to pay for health insurance which was around $2,000 a year, car insurance which was around $1,500 a year, and then general car maintenance which was $2-3,000 a year depending on if I needed new tires. I walked or rode my bike as much as possible, but was still spending at least $50 a month on gas (more when I'd go camping or drive home for the weekend 3 hrs away). I also had to pay for vet bills, food for me and my dog, and standard life stuff. Even with couponing and a strict budget, I was spending around $300 a month on food for me and my dog in Dallas and $400 per month in CO since food was more expensive in the mountains (like, a little box of strawberries was $8, a 2-serving bag of salad was $5). Also, even though I was paying for health insurance, I still had to pay copays and out of pocket for bloodwork and some specialists, which was a couple more thousand a year. I rarely went out to eat, I don't drink or smoke, and I bought all my clothes and books second-hand. Pretty much any time I traveled it was because my parents or friends were going somewhere and I could tag along, or I was car camping. So I was living a very frugal lifestyle and still had no money left at the end of the year to put toward retirement based on my teaching salary.

So, as a breakdown my approximate annual costs were (I just went and found an old budget spreadsheet from 2020)

Rent+utilities+wifi/phone $18,000 Health insurance $2,000 Car insurance $1,500 Car maintenance $2,000 Gas $1,000 Vet bills/dog food $1,000 Food $3,500 Medical copays and oop expenses: $2,000 Clothes $500 Books $500 Home-goods, laundry, cleaning products, misc $500 Skin, hair, hygiene products $500 Total cost: $33k You'll notice this is more than my teaching salary. I was doing a bit of tutoring and ghostwriting on the side and my parents were kind enough to pay for some of my car maintenance that year, which is the only reason I didn't end up in financial trouble.

Importantly, I had no money at all for emergencies or putting toward retirement. I was also working 60-70hrs a week, had very little opportunity for career/salary growth, and was constantly being asked to pick up additional unpaid labor for the benefit of students/the program. I loved teaching, but there was no way that lifestyle was sustainable and there wasn't any hope of retirement. AND I was one of the few people who had no student loans to pay off by the time I finished graduate school. Thanks to academic scholarships, living at home, and my parent's assistance, I had no debt. That is highly unusual for people in academia and I can't even imagine the stress it would have added to my life if I was trying to pay off student loans every month as well.

Also, I'd just like to point out that adjunct professors make even less than I was making as a lecturer, and even tenured profs don't make all that much more. The humanities in academia in the US is not the place to be if you're wanting to make a reasonable amount of money for the amount of work you're doing. :( By contrast, working in tech, I'm now making $100k a year (78k take home), I work 40-50 hrs a week, I'm putting money into my retirement every month, and my work/life balance is magnificent. I'm also up for a promotion in a few months and I have a lot of opportunities for career and salary growth in the future. For the first time in my adult life I don't feel like I have to count every penny, and I think I may actually be able to retire some day.

Anyway, I hope that helps give context!

[coochiequeens]

Another freak who the that the gender cult should be distancing themselves from. And everyone should be ensuring he's kept away from kids.

By Genevieve Gluck July 8, 2024

CONTENT NOTICE: This article contains graphic mention of child sexual abuse and child physical abuse. Reader discretion is appreciated.

Reduxx has learned that a Professor Emeritus at California State University and a top consultant to the world’s leading transgender health authority directly contributed to an erotic story featuring themes of the graphic mutilation and sexual slavery of children.

In 2022, Reduxx exposed a number of academics for their role in a disturbing website known as the Eunuch Archive, a long-standing forum which hosts nearly 10,000 “erotic” stories of an extreme sadomasochistic nature. In addition to hosting the fantasy material, a discussion forum exists to provide support and community to men who identify as “eunuchs,” and seek to be or are already castrated.

The investigation into the Eunuch Archive began after it was directly referenced in a document drafted by the World Professional Association for Transgender Health (WPATH), an international body which sets the standards for transgender healthcare. In a draft of their Standards of Care 8, WPATH included a chapter on a “eunuch gender identity,” which it defined as men who “wish to eliminate masculine physical features, masculine genitals, or genital functioning.”

Mentioned as a source in the chapter was the Eunuch Archive and its collection of castration fantasy material.

Though members of the deranged forum attempted to remain anonymous, Reduxx was able to unmask some of the top contributors and administrators, learning that at least three of them were academics with direct ties to WPATH.

One, Richard J. Wassersug, has for over 20 years used the alias “Eunuchunique”on the forum. Wassersug was an Honorary professor in the Department of Cellular and Physiological Sciences at the University of British Columbia, but has also been affiliated with Dalhousie and La Trobe Universities.

Another, Krister H. Willette, who has been active in the community since 1998, uses the screen name “Kristoff.” While a third, and arguably the most well-regarded member of the forum, was revealed to be Thomas W. Johnson, a professor emeritus at California State University-Chico who has lectured extensively on gender dysphoria and “expanding the transgender umbrella.” Johnson utilized the moniker “Jesus” on the Eunuch Archive and registered with the forum in 2001.

While all three men have direct connections to WPATH and contributed to papers and conferences organized by the association, documents provided as evidence in an ongoing court case have recently revealed that Johnson, the chapter lead for WPATH’s “eunuch” update in the Standards of Care 8, had apparently attempted to suppress internal concerns about the promotion of a ‘eunuch gender identity’.

This revelation comes just as Reduxx has now obtained confirmation that Johnson was directly participating in ghostwriting disturbing fantasies about castrating boys under his anonymous screen name.

One notable example is a story titled “Larry,” which is prefaced as being an “original nightmare by Jesus.” The story is written in an imaginary future where the law allows any adult to “sell himself or herself, or any parent to sell a child over the age of 10.”

The story’s narrator is a pedophilic slave trader who buys “attractive” children from destitute mothers following the abolishment of government assistance. While employing heavily racist tropes, the narrator purchases the titular character, a 10-year-old Black child, from his impoverished mother.

The narrator boasts of buying many children, presumably primarily Black, from “the projects,” and suggests the mothers are single parents and drug addicts.

“I marveled at the social disintegration that had gone on in the Projects since the end of welfare and the explosion of drug addiction. I could see the mother planning what she could do with a little more drug money. At least ten year olds were almost always clean,” the story reads from the narrator’s perspective. “When someone brought in a twelve year old, I always had to worry about drugs. After all, getting them detoxed and healthy again for resale was time-consuming and expensive.”

Not even halfway into the story, the 10-year-old child is put in chains and iron restraints before being castrated without anesthetic.

An excerpt from “Larry.”

During a physical examination conducted by the narrator, the child is described as “even more beautiful without his clothes.” The narrator is later described as sharing a bed with the boy and “massaging his little genitals.”

Under his moniker, Johnson also encouraged site members to submit fantasies of castrating children in a dystopian setting wherein eugenics had become enforced by the government. The framework for the fictional world was drafted by a site member who called himself Erik, in a story titled “The Making of the Modern World.”

“Erik and I would both like to encourage readers to create additional stories for the Archive set in this future world. Erik would like first person accounts of boys becoming drones,” Johnson wrote as “Jesus.”

Within Erik’s “world,” an authoritarian government had passed The Eugenics Act, which “required the examination of all children, nation-wide, during their fourteenth year to determine whether or not they were fit to reproduce.” Children who are not deemed intelligent enough are “sterilized.”

But using his real name, Johnson has become known for his influence in the push to normalize “eunuch identities.” But his efforts have not been met without some resistance in the medical community, even amongst the WPATH members themselves.

Newly released internal records show that many WPATH members opposed the inclusion of the “eunuch” chapter in the most recent Standards of Care. The records were presented in the legal dispute Boe v. Marshall, taking place in the District Court of Alabama, which seeks to prohibit the medical ‘transitioning’ of minors.

Heavily redacted emails exchanged between WPATH members and an anonymized individual who claims to be the Eunuch chapter lead – a title held by Johnson – show many questioning the logic behind it.

“I struggle with the concept of ‘Eunuch as a gender identity’, but not with the concept of ‘Eunuch as an identity’; I can understand (I think) ‘someone who identifies as Eunuch and experiences gender dysphoria (or gender incongruence), but struggle with the concept of subsuming ‘Eunuch’ as an identity under TGD,” reads one of the emails, the author of which is unknown.

Another email shows an unnamed individual expressing confusion over two “controversial” chapters of the SOC-8, including the Eunuch category, which “makes no sense.”

“I would really appreciate a chat with you about this before I step up, because I am not letting this go for the sake of anyone other than following logic and reason,” the WPATH member states.

Yet another individual whose name has been redacted wrote in detail about “very serious misgivings” regarding the Eunuch recommendations, stating bluntly that the definition of a eunuch is “a man who has been castrated.”

The writer continues: “There is the creation of a new term, ‘male-to-eunuch gender dysphoria’, which does not exist in any diagnostic health classification system… The majority of published reference works in this Chapter stems from one single person, who – as far as I am aware of, is not a HP [health practitioner].”

“I have been working full-time as a trans health specialist… since 2007. Our Centre has approximately 3000 current patients and we receive in excess of [one] thousand new referrals per annum. I have NEVER met a patient who identified as Eunuch and consequently, I am extremely skeptical about the veracity of this Chapter.”

“As the chapter lead for the WPATH Standards of Care chapter on eunuchs, I was very surprised and disappointed by your very long set of comments about the chapter. Yours was one of the longest and the most negative,” reads the email.

The message goes on to defend the Eunuch chapter of the SOC-8 by citing research conducted among members of an anonymous sadomasochistic castration fetish forum. This research, the email’s author notes, were published by WPATH within the International Journal of Transgenderism.

The first paper, published in 2010, establishes “the development of standards of care for individuals with a male-to-eunuch gender identity disorder.” The second paper, dated 2016, calls for “recognition of gender variants outside the binary in WPATH Standards of Care.”

However, despite the stated objections shared internally, the Eunuch chapter was included in the final version of the SOC-8.

Additionally, when WPATH released the SOC-8 in September 2022, the guidelines had done away with specific age restrictions on medical ‘transitioning’ entirely, and reduced the age at which youth could potentially receive “puberty-blocking” drugs, cross-sex hormones, and surgeries.

[historicity-was-already-taken]

I do have several questions about publishing serious non-fiction with a trade press... My first question is affiliated, and is about whether you're still in academia or not. If you're not, I'd be interested in hearing how you go about your work - whether you have peer reviewers etc. and whether you know them from uni (either as classmates or professors) or not.

Secondly, how did you approach finding a press? Did you have a draft finished when you secured your deal, and what are the major differences a trade press versus university press request/demand?

I'm sorry for the load of questions by the way, I finished my MA degree in history (medieval) last year, I miss doing the research and writing, and you're really the first person I've seen online who has found a trade press. I considered asking you some of those questions before actually, so I kinda jumped on the chance with... much enthusiasm, lol.

First, affiliation. I ~identify~ as an independent scholar. However, as you know, connections and status mean everything in both academia and the publishing industry (and as an academic writing for a trade press, you have to demand respect from both), so I always make my credentials very clear:

MA in Modern Jewish History from the University of Maryland, thesis defended on first try with no revisions; I also name drop my adviser and certain committee members depending on who I'm talking to.

MLIS from the same institution, focus in Archival Science.

Seven year's employment as an archivist and content creator at the American Jewish Historical Society at the Center for Jewish History

Six figures of followers on social media

The combination of education, platform, and work experience is particularly important for convincing agents and publishers that you're a worthwhile investment.

In terms of reviewers, I networked with and cold emailed two well respected academics in my specific subfield(s), and just asked them if they'd be down to peer review my work. I will be paying them out of my own pocket. The press doesn't require this as, as far as they're concerned, I'm the expert; but it's something I require for myself. It's important that this book not simply present a strong, readable, gripping narrative, but that it's also accurate and rigorous.

Now on to your second question. For serious nonfiction the first step is to get a literary agent. Literary agents sign clients for non-fiction based on book proposal and ~two sample chapters. They neither want nor expect the entire manuscript at this point. The agent is the party who has the relationships with acquisitions editors at the major publishing houses.

Once an agent signs you, you do some editorial work together, if necessary, and then you go on submission. The "on sub" process is basically your agent doing a series of targeted sales pitches to acquisitions editors. If an acquisitions editor wants to buy the project, they will have to present it to their team(s), and argue in favor of investing in the project; ie, they have to convince potentially multiple teams that this project will make them money.

The book proposal is an incredibly weird, complex piece of writing, and I advise hiring an editor to work with you on this. The best editors/consultants for book proposals tend to be what I call "behind the scenes big shots." These are usually people with journalistic training, who ghostwrite for a lot of very big names. These editors do not come cheap. In fact, I paid for mine with a round of crowdfunding y'all helped me with a few years ago. If you're interested, I could potentially put you in touch with mine.

Now once the proposal is ready and you've workshopped your query letter, you need to do some heavy research and make a list of lit agents you think could be a good fit for your project. You should have an A List, B List, and C List, and send them out in batches of 5-10 to keep this manageable. I can answer further questions about this research process, if you'd like.

The getting-an-agent process is probably the hardest part. It took me five years to get from "Holy shit this is my book I'm gonna do a book," to "I have an agent and we're going on sub." It's HARD and you'll really be forced to reframe how you understand success and failure. Like, the first time I got a personalized rejection with feedback I fucking PARTIED. A personalized rejection is huge, and FEEDBACK, omg.

The big difference, is that for academic presses you need a PhD and a genuine intervention in the historiography. For trade press, you need to convince multiple parties that the project can sell, and that you're qualified to write it.

Now some candor: you have to be incredibly single-minded to push through this process. Like, to the point that you're willing to sacrifice your day job and let your health fall by the wayside. Which leads us to: privilege!

It's very difficult to be able to put all your single-minded energy behind this process if you a. are not independently wealthy; b. are not married to a person with a lot of money; or c. do not have well-off parents who are able to support you. I can honestly say that, if I were not in category c, the process would have been much slower; I'm not even sure if it would be happening yet.

My publisher's advance--which was generous for a first time, untested writer--over one year was enough to MAYBE cover my health insurance and my monthly storage unit; I also have two part time jobs. And that's it. My parents handle the rest [ETA: to clarify, I do live with them]. Publisher's advances are not something you can live on unless you already have clout, or fame. And if you have a one year deadline, your writing will be full time. I'm not telling you this to discourage you. Professionally I have found myself in many fields where the silent part is "we assume you have family/spousal wealth because lol no one can live on this amount of money." It's not okay and it pisses me the fuck off. I feel like, if I didn't make this clear, I'd be complicit in maintaining those structural inequalities. I don't know how to dismantle them (it's gonna take way more than one person) but saying the quiet part out loud is a start. Anyway, hope I answered all your questions and also didn't discourage you! Also, you never need a reason to ask me about this stuff.

[elifalvey]

♫ — INTRODUCING . . .

FULL NAME: Elijah Ray Falvey.

NICKNAME(S): Eli, EJ, E.

AGE & DATE OF BIRTH: 41. November 8th, 1982.

GENDER & PRONOUNS: Cisgender man. He/him.

SEXUAL ORIENTATION: Bisexual.

OCCUPATION: Ghostwriter, producer & owner of MOREMUSIC studio.

HOMETOWN: Cardiff, Wales.

PREVIOUSLY LIVED: Los Angeles, California ( 2006 - 2020 ).

TIME IN PROVIDENCE PEAK: 2000 - 2006, 2020 - present.

CURRENT NEIGHBORHOOD: Claret Park.

FACECLAIM: Tom Ellis.

STATS • WANTED • TIMELINE • MUSINGS

♫ — BIOGRAPHY . . .

TRIGGER WARNINGS • Car accidents, death, implied depression & grief.

There was never a dull moment in the Falvey household — or a quiet one, at that. Born to two eccentric musicians in Cardiff, Wales, Elijah Ray Falvey was destined to love music from his very first breath. His parents could sense it, too. Calming notes from a melody always seemed to soothe their son’s cries in a way that never replicated itself when it came to their later children, and they were pretty sure that they saw him dance before they saw him stand up on his own two feet. It made sense that one of the earliest memories that Elijah could muster, there was a pair of drumsticks in his hands, banging pots and pans in a crowded kitchen to David Bowie’s ‘Heroes’.

With all of the musical instruments lying around, it was safe to say that Elijah had experience with most of them by the time he was six years old. One that he was forbidden to touch, however, was his father’s dusty Steinway Model piano that took up space in the family’s garage. Any time that he got too curious and climbed up on the stool to see it, Rodney Falvey was rushing after him and grumbling about 'his grandfather’s prized possession’, or something like that. Although, one day, when Rodney wasn’t home and his mother was too occupied chasing after his siblings in the yard, Elijah snuck into the carport and fell in love almost instantaneously.

From that day onwards, playing that piano was all that occupied Elijah’s mind. At school, around the playground, when he was sleeping — learning how to properly play was all that consumed his entire being. After several exhausting months of begging his father to teach him, Rodney eventually gave in and bought his son a keyboard of his own to practice on. It was everything that Elijah ever could have dreamed of and more, much to everyone’s dismay who couldn’t pry him away from the damn thing. No other instrument seemed to matter to him as much as his piano did, and his parents had even wound up paying a private instructor to come to the house each week in order to help him hone his skill.

Other than music, his life was fairly average. He did averagely in academics, had an average amount of friends and ended his secondary school career on a pretty average note. His life stopped being average merely a couple of months before his eighteenth birthday when his parents sat him and his siblings down to tell them the news: they were moving to America. His parents, who normally performed their music locally at bars and events, wanted to expand their career and sign a deal with a recording company in the states. That meant that they had to take the next step and pack their quaint life in Wales away and trade it for a long plane ride to Colorado.

Just outside of Denver in Providence Peak is where the Falvey family wound up, just in time for Elijah to enroll in Providence Peak University the following school year. He mainly kept his head down and kept to himself, minding his own business as the foreign freshman that some other students would whisper about. It wasn’t until he met one particular freshman in October that he started coming out of his shell.

Harrison Morrey was what some would consider an old soul — he was incredibly mature for his age, but incredibly goofy at the same time; he had the same passion for music that Elijah did, hence how he found the other man following him around like a fly on the wall for months after they had met. Practically joined at the hip, Harrison would bug Elijah every single day to consider joining his newly formed rock band, Amethyst. Every single day until Christmas, Elijah politely declined. He was apprehensive of the idea even after he reluctantly agreed to listen in on one practice (which of course, turned into two which turned into all of them after that) purely because he had thought that he wasn’t made to be in a band. As much as he enjoyed music, he enjoyed creating it even more than performing it and the position of band member didn’t necessarily suit him very much. He was too reserved, too adamant on sticking to what he was comfortable with rather than trying something new. He couldn’t be in a band. Not in a million years. Harrison was nothing if not persistent, though. That much was a fact. He successfully managed to convince Elijah by the new year to be the last missing member that they needed to man the keyboard.

For countless hours after school, Elijah, Harrison and three other bandmates spent time experimenting with their style and making music that they loved. Even after all five of them graduated from the University, they still stuck together. In fact, Elijah ended up moving out of his parents’ new home in order to move in with Harrison only a few blocks away from the other band members’ apartment. They were all closer than ever, but Elijah would consider Harrison in particular his best friend so long as the other three weren’t around to hear it.

Elijah grew into his fear exponentially, realized somewhere along the way that performing music had become a passion of his and they were having fun. It reminded him of his own parents and how much joy they got from performing, and he started to think that he wouldn’t mind doing the same for the rest of his life as long as it was with them. Making music because they loved to, to put their heart and soul into their craft regardless of who was listening — that was what his dream had become, and all it took was one big break to achieve that dream.

In 2005, Amethyst had received an email from an employee at Warner Records; they wanted to meet with them and discuss a deal, from their headquarters in Los Angeles. Making the trip out there was one of the easiest decisions that they had ever made in their lives, as was officially signing on with them a handful of weeks later to record their first ever EP. The marketing that came along with working with such a large company brought with it a level of success that surpassed anything that Elijah could have ever expected. They gained popularity in what seemed like a whirlwind, when it felt like just yesterday that they were practicing in Harrison’s family’s basement. Over the course of the coming years came more music, more concerts, more fame. They got the opportunity to travel the world on tour and live the best life that they possibly could. By the summer of 2019, Amethyst had two EPs, two albums, countless singles and three whole tours under their belt.

As much as Elijah never could have expected to be in the position that he was in then, he equally never could have expected how quickly it all came crashing down.

On their way towards the venue in Los Angeles, the day of the last show on their third tour, a reckless driver had been swerving lanes on the highway when they eventually crashed directly into the band’s van. It caused a chain reaction on the road of vehicles colliding into one another until the road was merely a gigantic pile of rubble and mess. Truth be told, Elijah didn’t remember much of the crash itself — the last thing he had any vague memories of was the sound of wailing ambulances and the squeeze of someone’s hand on his arm before his mind and vision went completely blank. It was later when he came to consciousness again that he learned that he lost his best friend that day. Despite the paramedics putting forth their best efforts, the passenger sitting on the left side of the van got sandwiched between multiple vehicles and never made it out. Harrison. Harrison who insisted on going in first. His best friend, Amethyst’s front man, died that night and Elijah swore that a piece of himself died with him, along with Amethyst itself. After months of recovery — physically and emotionally — the four remaining members decided to call it quits. Without Harrison, there was no Amethyst. It wouldn’t be right to continue without him, even if they could infer that was what he would have wanted. It was too painful, the wound of losing him being brought to life each time the band even crossed their thoughts.

Elijah’s musical career was buried all the same. As was his life in Los Angeles. He was suddenly devoid of purpose, of the will to carry on doing something that he loved without the person that he loved there to witness it. Getting as far away from California, where he spent nearly half his life seemed like the best option — but with nowhere else to go, in 2020 he found himself landing in Colorado for the second time. Which didn’t prove itself to be any better, but at least he was somewhere that felt a little more like home still.

♫ — PERSONALITY . . .

POSITIVE TRAITS: Affable, Allocentric, Creative, Gregarious, Humble, Loyal.

NEGATIVE TRAITS: Loquacious, Passive, Resentful, Reticent, Self-Sabotaging.

ZODIAC: Scorpio Sun, Capricorn Moon.

MORAL ALIGNMENT: Neutral Good.

MBTI TYPE: ESFJ ( The Consul ).

♫ — RELATIONSHIPS . . .

MOTHER: Erica Falvey.

FATHER: Rodney Falvey.

SIBLINGS: Nikolas Falvey ( Brother ), Reginald 'Reggie' Falvey ( Brother ), Cynthia Falvey ( Sister ).

SIGNIFICANT OTHER: Aslihan Fahri-Bailey ( Girlfriend ).

CHILDREN: Rhiannon Nurbanu Falvey ( July 5th, 2023 ).

See ESTABLISHED page for all connections !

♫ — FUN FACTS . . .

Acquired two out of his four current cats shortly after he moved back home thanks to his therapist ( at the time ) suggesting that he invest in an emotional support animal. He went to the shelter and fell in love with a bonded pair of kittens, who he named Oliver & Eve. His third cat, Kemet, is technically his girlfriend's cat. His fourth is an unnamed feral orange guy who appeared around his studio one day; he's still trying to earn his trust.

Started smoking in 2001 when he was a teenager due to peer pressure from his friends. He's smoked Malboro Menthols or American Spirits consistently since then in fluctuating amounts depending on his stress levels. The highest he's ever gotten up to was two and a half packs per day, the lowest being a half pack per day. If he ever says that he's going to quit, he's definitely just fooling himself.

That being said: absolutely hates vapes. Strawberry Cereal Donut Milk? Triple Berry Ice? Strawberry Watermelon Blast? Get them all out of here. Literally what the fuck is a Geek Bar.

Is the type of guy to try just about anything at least once. Which is, coincidentally, how he found out that he hates vapes. And how he shouldn't mix hard liquor. And how he's oddly flexible . . .

Has many useless party tricks up his sleeve, such as: pen spinning, breaking apples in half, rolling coins between his fingers, and tying cherry stems with his tongue.

Found out he was ambidextrous at a very young age, but started to favor his left over time. Regardless of what hand he uses, his handwriting is pure chicken scratch. He's only known a handful of people that can confidently decipher what he's trying to write down without having to ask him what certain ink blobs on the paper say.

Will not ever commit to a favorite genre of music, despite the fact that he very obviously is partial towards rock ( classic, indie, hard, pop — he doesn't discriminate ). He will, however, say that he's not the biggest fan of heavy metal in his own roundabout way of not saying so directly.

Has become extremely annoying post-accident in the sense that he demands for people let him know via text that they've gotten to their destinations safely if he knows that they're going anywhere ( meaning: a good portion of his messages with those he cares about include variations of 'Made it okay!' and thumbs up emojis ). If he doesn't receive a notification, he gets too riddled with anxiety and starts to think that something's happened to them on the road.

Unsurprisingly favored his school's band in terms of extracurriculars as a kid, though he did fill up excess time being apart of the theatre club's stage crew.

Isn't particularly good at video games on account of not playing them much. However, he does pull skill out of his ass when it comes to rhythm games such as Guitar Hero or Rock Band. Get him in a tournament, he'll probably crush it.

Finds it extremely difficult to get up in the morning and has punched a fair amount of alarm clocks until they've stopped beeping at him. The increasing frequency in which he suffers from restless sleep these days only makes it ten times harder — thanks PTSD-induced, chronic nightmares!

Knows how to take care of his curls. His mother was very adamant on instilling a proper hair care routine when he was teenager, after she found out that he was aggressively rubbing the water off with a pool towel after every shower. His skin care still needs to catch up to speed, but a simple face soap has never steered him wrong before.

Is still cordial with Harrison's family — who, all things considered, treated him like a second son. Thinking about the accident has made it hard for him to reach out as often as he wants to, but he does make a point to stop by their cabin in Bighorn Hills at least once every six months or so. He has yet to do so on his death anniversary, which is arguably one of the most important days to let the Morrey's know that he's thinking about them, but one day he'll be able to crawl out of bed and make it there. Hopefully.

Plans to silently donate a percentage of his earnings garnered through his music studio each year to the Roadway Safety Foundation.

[phanfictioncatalogue]

Fics With Titles That Start With L (4) Masterlist

part one, part two, part three

Lamb (ao3) - Anonymous

Summary: Phil goes to the house that has plagued him with nightmares for two decades

Lane Boy (ao3) - disloyalorderoftrash (orphan_account)

Summary: Dan is a bored law student who hates university. One weekend, he has a one night stand with some stranger in some bar. However, when he returns to university after the break, he meets this stranger again - as his new teacher. They take up a casual affair, but will they be able to keep it secret? Is it really just casual and meaningless? And will Dan finally find the courage to quit university and start following his dreams?

Lap It Up (ao3) - intoapuddle

Summary: Phil knows exactly what Dan needs

last disco (ao3) - possumdnp

Summary: Two ridiculously-dressed guys meet on a night out.

(An AU where Dan gets dragged to the club and meets Phil, who’s dressed as the world’s gayest cowboy.)

Last Fling (Before the Ring) (ao3) - phanetixs

Summary: "-some baldy McGee pushes me against some chair and starts you know- gyrating his hips in my face and it was all very traumatic.”

“That’s a lap dance, Philly.”

(Or the story of Dan and Phil, stag nights, and why Phil Lester absolutely cannot go clubbing alone)

Laundry & Taxes (ao3) - serendipnpipity

Summary: In the world of yazisnotonfire and AmazingFiona, Yazi Howell still doesn't know how to do her laundry.

laundry day (ao3) - calvinahobbes

Summary: “Moving in?” Phil jokes mildly when he opens the door and sees the suitcase.

Lavender Lace (ao3) - Emejig16

Summary: Dan absolutely loves it when dom!Phil gets rough with him. He especially loves it when he chokes him.

Law of Obligations: Contracts, Restitution, Tort (ao3) - yikesola

Summary: He can’t think, he can’t breathe, it’s all too much. He’s feeling too much. He’s feeling everything. It’s all too fucking much. God, it’s a terrible neurotic contrast to those grey patches of time where he can’t feel anything at all. He has no idea how to bear it.

A fic about panic attacks and academic stress.

leaned a bit too hard (ao3) - jailedmoonshine

Summary: Growing up, Phil resented her name. She already didn't care for dresses and heels, so it was even harder convincing people she was actually a girl. As the years pass and her styles change, she decides to stop for a pint at a pub along her drive, giving her body a chance to breathe from the chill that was coming in.

Hang on... is that a nun?

Legends of the Light of Heart (ao3) - serendipnpipity

Summary: “For being Your Royal Highness, you know, you’re a bit of a spoon.”

***

Once upon a time, when the land was still ruled by kings and queens, there lived a young prince named Daniel, heir to a dying land...

Let Me Help (ao3) - prettyelephant

Summary: Phil gets a cat hair in his eye while shooting for the calendar so naturally Dan helps him get it out.

let's laugh about it later (ao3) - NormaLamber

Summary: Dan thinks about what makes Phil Phil and also the importance of trust in a relationship.

lexicon of lip and fingertip (ao3) - jonsaremembers

Summary: Phil sinks against Dan.

“Oi, hold your own weight,” Dan teases him. “Tudor princess.”

“And don’t you forget it,” Phil retorts, licking Dan’s neck.

Like a Bowl of Oranges (ao3) - cloej88

Summary: Dan has built a solid career for himself as a ghostwriter. He safely hides behind other people’s words, crafting their tales and pocketing the cash without any threat of notoriety. But lately he has been working on a book of his own, itching for a change.

Phil is an indie filmmaker who happened into some huge breaks over the last few years. He wants to use his influence to uplift queer stories for the screen, so he puts out an open call for story submissions. At his agent’s behest, Dan submits his story.

The writer!Dan and director!Phil friends/co-workers to lovers AU that we never knew we needed.

Like Dreaming of Angels (ao3) - steddieornot

Summary: While he firmly believed everyone deserved love, in some shape or form, this was something else. The love he and Phil shared was otherworldly, impossible to contain. It was more than romantic in every feasible way. And somehow, fate had bestowed it upon him, just a guy from a small town in Reading. And deep down, he knew that even if fate rewrote his path, he would still have found Phil every time.

Like Fine Print (ao3) - totalincandescense

Summary: Every few weeks, Dan was given an unfriendly reminder of at least one of the many reasons why he never went outside.

The most frequently recurring thing on the list being the general existence of people.

But more specifically, the existence of people who flirted with Phil.

Lions and Candy (ao3) - Mysticallykai

Summary: Dan has to take his little brother trick or treating. He hates doing it, but that all changes when they get to the last stop of the night.

liquorice ice cream (ao3) - possumdnp

Summary: Dan and Phil go on a date to the zoo.

(Snapshots of their Swedish zoo date, September 2024. This fic is free from TIT show spoilers!)

look how far we've come now baby (ao3) - calvinahobbes

Summary: It was days later, in a hotel bed with a view of the Portugal sky, that Phil had murmured into the darkness, “But yeah. Maybe grown-up queer prom would be nice.”

look how (the stars) shine for you (ao3) - howell_slide

Summary: Two boys looking at the night sky together, 14 years apart.

Look who's inside again (ao3) - Frog910

Summary: Dan is struggling with dark thoughts, and Phil worries about him as he's gone without notice again.

Lost In Thought (ao3) - microwaveoven

Summary: Based on that one part in pizza mukbang 2 where DNP talk about why the hiatus started and how Phil felt lost for a while

loud heart (ao3) - phiclets

Summary: The orange heart reply was a cultural moment; this is my vision of what might have led up to Dan posting it.

Love you through it all (ao3) - Lesbianphan

Summary: A glimpse into Dan and Phil’s journey over the years, through dates/holidays and all the adventures they’ve embarked on together. Just some introspective fluff, featuring the many different stages of their relationship we’ve witnessed over the years

Loving His Ear (ao3) - Kim_Aurora_135

Summary: Appreciation literature

[justforbooks]

The writer-activist Wendy Mitchell, who has died aged 68, won hearts and minds by advocating for living positively with dementia. She was determined to remind people that those living with the disease are not “sufferers” and that there is “a beginning, a middle and an end to the disease – with so much life to be lived in between”. She held strong beliefs that people should have the right to choose their own death, and campaigned for assisted dying laws in Britain – one of the subjects of her final book.

Wendy wrote three bestsellers, Somebody I Used to Know (2018), What I Wish People Knew About Dementia (2022) and One Last Thing: How to Live with the End in Mind (2023) – I was fortunate enough to be her ghostwriter on all of them. They were translated into dozens of languages, and her advocacy work won her honorary doctorates from Bradford and Hull Universities, and a British Empire Medal last year.

When I met Wendy in 2016, she was writing a daily blog, Which Me Am I Today? ,which she had started simply to document her day-to-day life, though it soon had tens of thousands of followers. After her diagnosis of young-onset vascular dementia and Alzheimer’s disease in July 2014, Wendy was shocked at the lack of information and support available to those newly diagnosed.

In Somebody I Used to Know, she wrote about her own depression at the diagnosis, until she realised: “I was still the same person I had been the day before my diagnosis.” She threw herself into academic and medical research, speaking to doctors, nurses and other professionals. What I Wish People Knew About Dementia chronicled how the disease affects different parts of daily life, aside from memory, including taste, smell, hearing, gait and vision.

Her tips, such as draping a scarf over a flat-screen television to avoid it looking like a hole in the wall, or sticking photographs of clothes on wardrobe doors as a reminder of what is inside, made all the difference to those who were newly diagnosed.

Wendy enjoyed finding ways to outwit dementia. As she wrote in her final blog post: “Yes, dementia is a bummer, but oh what a life I’ve had playing games with this adversary of mine to try and stay one step ahead.”

Born in Wakefield, West Yorkshire, to Violet and Ken Draper, Wendy described growing up in their pub in her first memoir. She went to school in Pontefract and was a keen sportswoman, excelling at tennis and running – after her diagnosis, she swapped running for fell-walking in the Lake District. She described the Lakes as her “paradise” and Friars Crag as her favourite place to sit.

Wendy raised her two daughters, Sarah and Gemma, alone after her divorce from their father in the early 1980s (although she continued to use her married name). For many years she earned her living as a cleaner, until she started working in administrative roles within the NHS, gaining promotion to become a non-clinical team leader. Eventually she was forced to retire from her job as a rota manager at Leeds general infirmary, and later campaigned for workplaces to support those newly diagnosed with dementia to continue working: “We don’t lose all our skills overnight just because of our diagnosis,” she said.

In early retirement Wendy discovered other skills, including writing, and enjoyed her “trundles” around the village of Walkington, in the East Riding of Yorkshire, where she lived, capturing local wildlife with her trusted Nikon camera. She revelled in the fact that villagers unaware at first of her diagnosis described her as “the lady with the camera”.

She met many dementia advocates, and was inspired to take up campaigning when she heard Agnes Houston talk at a women and dementia event in York. Wendy became a guiding light to others, a regular contributor at Innovations in Dementia and York Minds and Voices, part of the DEEP UK Network of Dementia Voices.

She gathered her own formidable team of friends living with dementia, who produced video content chatting about the issues they encountered and nicknamed themselves “the Four Amigos”. She advised on the BBC TV series Casualty and the movie Still Alice (2014), and received a mention from the Hollywood actor Julianne Moore in her Bafta acceptance speech.

Wendy raised tens of thousands of pounds for Dementia UK with her annual “wacky challenges”, as she called them, daredevil stunts that included walking across hot coals, skydiving, wingwalking and, last autumn, a swim in Derwentwater after she was forced to abandon her abseil down the Leadenhall building in London (the “Cheesegrater”) due to technical issues (theirs, not hers). She insisted that she was fearless after her diagnosis, having already faced the worst.

Wendy was a force of nature, but dementia made her life harder and harder. She ended her life by voluntarily stopping eating and drinking (VSED), a subject she discussed in One Last Thing. In her last blog post, written in advance, in which she announced her death, she said: “Adapting to this life with dementia is over, but I don’t consider dementia has won, as that would be negative … it’s me calling time on my dementia – checkmate – before it plays its final move.”

She also pleaded for people to campaign for assisted dying laws in her memory.

Reviewing Somebody I Used To Know for the Sunday Times in 2018, Jackie Annesley wrote: “The world could do with more Wendys.” I couldn’t agree more, but there was only one wonderful Wendy, taking people by the hand and showing them how to live a good life with the disease in tow, or indeed how to talk about the end of life so they can instead focus on living.

Wendy is survived by her daughters.

🔔 Wendy Patricia Mitchell, writer and campaigner, born 31 January 1956; died 22 February 2024

Daily inspiration. Discover more photos at Just for Books…?

[batemanofficial]

jaime's writing & editing commissions

i made a post a couple weeks ago mentioning that i might open commissions so i can raise money to get my irish visa - so here they are!

(inquire via dm or ask)

COPY-EDITING - $10/1k words

will do: proofreading, research assistance, format & export, rough draft critique

WRITING - $0.10/word OR $8/100 words for larger projects (no charge for extra material written!)

will do: academic/non-fiction writing, outlines, original fiction, ghostwriting, sfw fanfiction if i'm familiar with the source material (just ask!)

payments via paypal or venmo - prices negotiable - i can also do half up front/half on receipt payment

i'll do 5 slots to start, so send me a dm or an ask to secure one! <3

[we-are-inevitable]

ik that post was kinda a meme but if u have an actual hcs for Vampire Davey (TM) i would love to hear about him

also hi !! i love u !!! i thought of something look at that !!

omg omg ok i fucking love u.

first and foremost, for anyone non-chandler reading this, we need to establish that there are a lot of antisemitic stereotypes when it comes to vampire tropes. the greed, the lust, the seduction and immorality- all of these stereotypes have harmed the jewish community and, as we know, davey is jewish. it’s important to keep this in mind when moving forward.

when i think of david being a vampire, i don’t think he’s necessarily evil or a monster. i think he would be very low-key about it actually; he doesn’t draw attention to himself, he doesn’t like extravagance, he doesn’t live in the past- david’s philosophy is to change with the times and keep his head down. other vampires are very stuck in their ways, but i think since davey was turned when he was so young, being eternally 20 years old to him means that he needs to fit in with the current young adult generation.

like the tropes, though, he’s more of a nightdweller, BUT i don’t like the tropes that say vampires die in sunlight. personally i like it better when sunlight is just vaguely uncomfortable and unpleasant; davey prefers night time and has really sensitive skin.

ok chandler we already talked about this but: david always has his fangs out. they aren’t retractable. the thing is that humans will look at him, and they’ll see the fangs, but they won’t notice them. i like my vampires with a little bit of mind control so davey just,, controls everyone around him not to notice them, whether he realizes he’s doing it or not. he veils as a normal human but when humans look at him, they’re drawn in because something is off, something doesn’t feel right, something doesn’t make sense with him- but they can’t put their finger on it. it adds to the mystery that follows him around, though humans are naturally inclined to search for what’s different about david because they’re basically, on a biological level, prey.

speaking of the mind control: david survives on human blood! but he doesn’t kill his victims often. he uses the mind-control-mind-warp-whatever-you-want-to-call-it. none of his victims remember what happens. on the rare occasion he Does kill it’s only someone who 1) pisses him off really fucking bad or 2) someone who is a “bad person” by david’s moral standards.

i feel like davey would be a really good ghostwriter, so that’s how he provides for himself; writing all night, staying in all day unless he just wants to go out,, it’s a lonely life, but it’s not terrible. he specializes in historical fiction period pieces because he Knows the history and can provide a really authentic retelling with niche details that would otherwise need a lot of research.

as far as a vamp goes, he’s very fashion forward but still pedestrian. some of the others he knows would be the ones to wear full early-19th century garb in public, but if davey isn’t wearing jeans and a hoodie you’ll find him in trousers and sweaters. he’s just a very chill yet lightly academic dude.

mans has like 9 bachelors degrees because he knows how to manipulate the paperwork to get into universities with a new identity each time (and even if he didn’t, he could just mind-warp the registrar and boom! he’s in a degree plan). he just likes learning and if he’s gonna be on earth for a very long time he might as well make something of it

i really think that he’s kind of lonely. he has casual friends at [insert whatever university he’s conned himself into this time here] but nothing really,, substantial? so jack is the first and only human he meets who really has an affect on him romantically.

for the sake of this not being eighty pages long i’m ending here, but feel free to ask about davey and this au !!

[denisearef]

The Half of It (2020)

"The Half of It" unfolds in the fictional town of Squahamish, where Ellie Chu, an introverted and academically gifted Chinese-American teenage girl, makes a living writing essays for her classmates. When Paul Munsky, the friendly jock, approaches Ellie for help with expressing his feelings for Aster Flores, the girl they both secretly admire, an unexpected friendship develops.

The plot takes a twist as Ellie, who's struggling with her own secret affection for Aster, navigates the complexities of love, identity, sexuality, and friendship. The film beautifully explores the trio's dynamics, challenging traditional romantic tropes as they form an unconventional bond that transcends societal expectations. As Ellie ghostwrites love letters for Paul to win Aster over, the narrative evolves into an examination of self-discovery, acceptance, and genuine relationships.

Alice Wu's "The Half of It" stands out for its nuanced approach to diversity and its subversion of genre norms. One notable aspect is the portrayal of non-white characters that avoid the trap of being reduced to stereotypes or signifiers of 'otherness.' Leah Lewis, in the role of Ellie Chu, embodies this transcendence as her character's experiences and emotions become universal, resonating beyond cultural boundaries.

Rather than relying on exoticized or token representations, the characters in "The Half of It" navigate universal themes of love, identity, and self-discovery. The narrative becomes a mirror reflecting the shared human experience, making it accessible and relatable for audiences worldwide.

"The Half of It" further distinguishes itself from conventional romantic comedies by subverting the expected romantic pairings. In a departure from the typical narrative arc where the shy, introverted girl would fall in love with the charming jock, the film takes another route. Ellie's journey is not centered around a romantic relationship with Paul but rather an exploration of her own identity and a realization of her feelings for Aster. This deviation challenges the often-predictable formula of romantic comedies and introduces a queer narrative.

Ellie's unspoken affection for Aster becomes a central theme, and the film beautifully navigates the complexities of same-sex attraction in a small, conservative town. Instead of conforming to the expectations of a heteronormative storyline, "The Half of It" explores the challenges and nuances of LGBTQ+ experiences, providing a much-needed representation within the romantic drama genre.

The decision to maintain Paul and Ellie as friends at the end of the film further reinforces the narrative's commitment to authenticity. Rather than forcing a romantic resolution between the main characters, the film prioritizes the importance of deep, platonic connections. This departure challenges the notion that every close relationship between a male and female character must inevitably turn romantic, offering a more realistic portrayal of the complexities of human connection.

Despite the film's diversity, the casting still somewhat centers around whiteness. Although certain characters challenge some stereotypes, the narrative framework remains within the confines of a predominantly white cultural context. This dichotomy raises questions about the depth of diversity in the film industry, emphasizing the need for more inclusive storytelling that goes beyond surface-level representation.

All in all, "The Half of It" distinguishes itself in the romantic comedy genre by subverting conventions and exploring themes of love, queerness, identity, and friendship. While transcending racial and ethnic origins, it also prompts reflection on the industry's ongoing journey towards more authentic and inclusive representation.

[walrusmagazine]

How ChatGPT Is Putting College Ghostwriters Out of Work

The custom essay-writing business is worth billions. Will AI bring it to an end?

Paying third parties to complete your coursework is called contract cheating. While it seemingly represents a breach of academic integrity, it is technically legal in Canada—and data suggests it’s become prevalent across post-secondary institutions. According to academic ghostwriters like Ross, their work is fair game in a world where post-secondary institutions are failing their students with false promises of prestige following the completion of their degrees. “Colleges are basically businesses,” he says. “People look at what we do as a ‘no-no’ in a moral sense, but they don’t really question the ethics of what the school system is doing to a lot of the students, making these promises to them.”

Read more at thewalrus.ca.

[ebookwritinghub]

FINDING AN APPROPRIATE GHOSTWRITER FOR YOUR BOOK IS AN ART!

Are you searching for a ghostwriter to write your book? Is it your first time to hire a ghostwriter? If yes, you will probably trap yourself in a big problem if you search it on Google by typing “ghostwriters”; it will give you many outstanding options that will confuse you. 

Do remember experienced ghostwriters are expensive; if you are publishing someone else's creativity with your name, then the high price is just! There are cheap ghostwriters who are non-experienced; they will compromise your creativity with their work. Instead, opting for a professional ghostwriter with a high budget is worth.  

Moreover, creatively working with different people on your book is tiring. As you both share different thought processes, perspectives, and opinions, agreeing on a productive conclusion is a win-win situation.

Here in this blog, Ebook Writing Hub will ease your problem by guiding you in finding an appropriate ghostwriter for your book who will understand your ideas and try to execute them flawlessly through words within short deadlines. 

Relevant Web Searches: 

Before starting your hunt, remember ghostwriters for diverse mediums are entirely different. For your book writing, search specifically with the keywords “find a book ghostwriter” or “textbook ghostwriter.” For more relevant results, search with “political search ghostwriters” or “find fiction ghostwriters.”

Finding Trustworthy Ghostwriters:

 Finding a trustworthy ghostwriter is a must; if it is your first book, for that do consider professional ghostwriting services for authentic and professional ghostwriters. Book ghostwriters are trained on how to prolong the content without making it boring to read. 

Consider Publishers: 

Considering publishers is also a good option, they will be providing you with an affordable ghostwriting service. They are a house of experienced in-house ghostwriters. Do tell them your requirements, and they will themselves allot you the best person to write your book according to your perspective.

Through A Ghostwriting Agency: 

Do your homework and search for a ghostwriting agency for writing your book. These agencies will guide you properly, from selecting the right person for your book writing to publications. 

Social Media Platforms: 

Social media platforms are the best solution for every problem. Post it on the relevant pages about your requirements or on your profile wall, make the post public, and use relevant hashtags. 

Posting Ads: 

Sometimes, posting paid ads proves to be beneficial for you as the deserving person fit  for the job will directly contact you. 

Relevant Experience In The Required Genre:

 If you get a ghostwriter for your book writing, then be specific about the field of interest in the genre. Don’t hire an autobiography ghostwriter to write your sci-fi book; it will be a disaster.  

Previous Book Writing Experience: 

Don’t be the victim of words; if you are hiring someone to write your book, you should be relaxed with all the evidence that you selected the right person for the job. Until or unless you are not satisfied, keep on searching for new people and looking at their work until you find the desired candidate. 

Advanced Web Searching: 

Going for advanced searching like “low budget ghostwriter for book” or “reasonable academic ghostwriter” will help you segregate the shortlisted candidates who are perfect for your book writing while understanding your mind.  

There are many more ways to find the best ghostwriting services for your book, but we shared the few most effective ways to find someone who fits your requirements. It is entirely your choice, whatever the way you adapt, but be firm and clear about your needs, don’t compromise the quality of your work by hiring non-professionals to save a few bugs. Always opt for professionals whose priority is to deliver outstanding work to the clients so they can collaborate for further projects too. 

FAQ:

Is it necessary to look into the previous experience of writing a book before hiring a ghostwriter?

It is necessary to look into the previous work profile before hiring a ghostwriter for your book. 

Can social media platforms help you in finding the ghostwriter for your book?

Yes, social media platforms are the best places to find a ghostwriter for your book. 

Are ghostwriters expensive or cheap?

You will find both expensive and cheap ghostwriters for your book depending on the experience of the writer. 

How to find an appropriate ghostwriter through a web search for your book?

 Search specifically with the keywords “find a book ghostwriter” or “textbook ghostwriter.” 

Is it possible for a fiction book ghostwriter to write a non-fiction book?

It is possible for a fiction ghostwriter to write a non-fiction book. Mostly they avoid doing so due to their different interests. 

     vii.          Can a freelancer's website prove to be beneficial for ghostwriters?

The Freelancers website will be beneficial for you to hunt the best ghostwriters to write your book. There are many ghostwriters available on the platform with tons of experience.