#abramovic
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MARINA ABRAMOVIĆ, Holding the Lamb, 2010
#arte#arte contemporanea#contemporary#contemporary art#art#digital media#photography#mine.cd#marina abramovic#abramovic#performance art#performance#body art#nature#mine.cd1
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Günter Brus (1938-2024)
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#marina abramovic#zurich#artwork#art#performance art#marina#abramovic#uley#switzerland#art exhibition#amsterdam#love is love#role exchange#role#exchange#artist#kunsthaus#kunsthaus zurich#2024
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Marina Abramovic: Cleaning the Mirror (1995)
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"Ice Music” by Jim McWilliams performed by Charlotte Moorman, 1972
#pina bausch#contemporary art#contemporary#photography#body art#performance art#arte#nature#marina abramovic#fluxus
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MARINA ABRAMOVIĆ LIPS OF THOMAS // 1975-97 [color photograph | 50.5 x 50.5”]
#marina abramović#marina abramovic#performance art#conceptual#contemporary art#70s#90s#serbian#photography#u
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ㅤ ㅤ 𐔌 ❤︎ Two of hearts ⋆・. ♫ ˳ . ⋆ ✟͏ ᪲
ㅤㅤㅤㅤㅤㅤㅤㅤ 𝄞🏹 ゚* ⬭ᩙ 🐞 ⠀ ͚֯ ✦ ⡴
#❦ౢ by plumbageas#ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ#tsuki#tsuki moodboard#tsuki layouts#billlie#billlie moodboard#billlie layouts#kpop#moodboard#weird moodboard#colorful moodboard#kpop moodboard#red moodboard#blue moodboard#black and white#marina abramovic#alternative moodboard
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MARINA ABRAMOVIĆ, Cleaning the Mirror I, 1995
#arte#arte contemporanea#contemporary#contemporary art#art#digital media#photography#mine.cd#marina abramovic#abramovic#mine.cd1#performance#performance art
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Marina Abramovic: The Artist Is Present (2012) dir: Matthew Akers
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Marina Abramović for AnOther Magazine Autumn/Winter 2023. Photography by Jordan Hemingway. Styling by Ellie Grace Cumming.
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Rhythm 0
was a six-hours long endurance performance art by Marina Abramovic in Naples in 1974.The work involved Abramovic standing still while the audience was invited to do her whatever they wished,using one of 72 objects she had place on a table.These included a rose,feather,perfume,honey,bread,razor blades,grapes,wine,needle,scissors,scalpel,nails,a metal bar,a gun,and a bullet.
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Marina Abramović - Rhythm 10
“I turn on the tape recorder.
I take the first knife and stab in between the fingers of my left hand as fast as possible.
Every time I cut myself, I change the knife.
When I’ve used all of the knives (all of the rhythms), I rewind the tape recorder.
I listen to the tape recording of the first part of the performance.
I concentrate…”
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