#fluxus

[garadinervi]

Otto Piene / Charlotte Moorman / Jim McWilliams, SKY KISS, 1982, performed by Moorman, CAVS/MIT Sky Art Conference '82, Ars Electronica, Brucknerhaus, Linz, 19821 [Sprüth Magers, Berlin. Photo: © Catherine Ikam]

[jareckiworld]

Marcel Broodthaers (1924-1976) — Magnificent Painting [paint rollers, paint brush, plastic sphere and plaster on sponges mounted on panel, 1963]

[fashionlandscapeblog]

Michael Druks

Off-On, 1973

[disease]

"V-YRAMID" // 1982 NAM JUNE PAIK 백남준 [two channel video installation, color, sound, with forty television sets | 186 3/4 × 85 × 74"]

[planforsolitude]

"Ice Music” by Jim McWilliams performed by Charlotte Moorman, 1972

[zentrodada]

Human Cello, Charlotte Moorman and Nam June Paik performing John Cage's 26'1.1499" for a String Player, New York City, 1965

[diana-andraste]

Consentratie, Sigurður Guðmundsson, 1970-71

[notchainedtotrauma]

There's a relationship between messiness and gagging, between the gag and the gag reflex, between Fluxus and reflux, destructive re-creativity and aesthetic indigestion. Fluxus traffics in acidity and corrosiveness. Messiness is its messianic, maniacal double gesture.

from Black and Blur by Fred Moten

[psychicfriendsnetwork]

@catheadreynolds - Dayton OH

[seshgirlie]

Milan Knížáck, “Forced Symbiosis,” 1977

[thinkingimages]

CLOUD SCISSORS

1964-1977

Instructions for the event edited by the artist Seven event cards in envelope, 7.5 x 9.2 cm. Part of: - "Water Yam" 1963, No. 0329E-2 - "Fluxyearbox 2" 1968, No. 0042S - "AQ 16" 1977, No. FXC0502

Bibl.: J.Hendricks, "Fluxus Codex", exhibition catalogue, Detroit-New York 1988, p.187; "George Brecht Events, Eine Heterospektive. A Heterospective", exhibition catalogue, Cologne 2005, p.316

[garadinervi]

Charlotte Moorman, b. November 18, 1933 / 2024

(image: Nam June Paik / Charlotte Moorman, TV Cello, performance at CAVS/MIT Sky Art Conference '82, Ars Electronica, Bruckner Haus, Linz, 1982. Sprüth Magers, Berlin)

[jareckiworld]

Ay-O (Takao Iijima) — Rainbow Bridge 192/200 (silkscreen, 1979)

[fashionlandscapeblog]

Peter Weibel Die Endlose Handkette, 1972

[disease]

"GLASS HAMMER" YOKO ONO 小野 洋子 「1967」 [glass | 9 × 4 1/2 × 7/10"]

[planforsolitude]

Pina Bausch Crocodile eating Ballerina, 1983